prompt:
Chapter: <CHAPTER>
6--The Two Stand Face to Face

The room had been arranged with a view to the dancing, the large oak
table having been moved back till it stood as a breastwork to the
fireplace. At each end, behind, and in the chimney-corner were grouped
the guests, many of them being warm-faced and panting, among whom
Eustacia cursorily recognized some well-to-do persons from beyond the
heath. Thomasin, as she had expected, was not visible, and Eustacia
recollected that a light had shone from an upper window when they were
outside--the window, probably, of Thomasin's room. A nose, chin, hands,
knees, and toes projected from the seat within the chimney opening,
which members she found to unite in the person of Grandfer Cantle, Mrs.
Yeobright's occasional assistant in the garden, and therefore one of the
invited. The smoke went up from an Etna of peat in front of him, played
round the notches of the chimney-crook, struck against the salt-box, and
got lost among the flitches.

Another part of the room soon riveted her gaze. At the other side of the
chimney stood the settle, which is the necessary supplement to a fire so
open that nothing less than a strong breeze will carry up the smoke. It
is, to the hearths of old-fashioned cavernous fireplaces, what the east
belt of trees is to the exposed country estate, or the north wall to
the garden. Outside the settle candles gutter, locks of hair wave, young
women shiver, and old men sneeze. Inside is Paradise. Not a symptom of a
draught disturbs the air; the sitters' backs are as warm as their faces,
and songs and old tales are drawn from the occupants by the comfortable
heat, like fruit from melon plants in a frame.

It was, however, not with those who sat in the settle that Eustacia was
concerned. A face showed itself with marked distinctness against the
dark-tanned wood of the upper part. The owner, who was leaning against
the settle's outer end, was Clement Yeobright, or Clym, as he was called
here; she knew it could be nobody else. The spectacle constituted an
area of two feet in Rembrandt's intensest manner. A strange power in the
lounger's appearance lay in the fact that, though his whole figure was
visible, the observer's eye was only aware of his face.

To one of middle age the countenance was that of a young man, though a
youth might hardly have seen any necessity for the term of immaturity.
But it was really one of those faces which convey less the idea of
so many years as its age than of so much experience as its store. The
number of their years may have adequately summed up Jared, Mahalaleel,
and the rest of the antediluvians, but the age of a modern man is to be
measured by the intensity of his history.

The face was well shaped, even excellently. But the mind within
was beginning to use it as a mere waste tablet whereon to trace its
idiosyncrasies as they developed themselves. The beauty here visible
would in no long time be ruthlessly over-run by its parasite, thought,
which might just as well have fed upon a plainer exterior where there
was nothing it could harm. Had Heaven preserved Yeobright from a wearing
habit of meditation, people would have said, "A handsome man." Had
his brain unfolded under sharper contours they would have said, "A
thoughtful man." But an inner strenuousness was preying upon an outer
symmetry, and they rated his look as singular.

Hence people who began by beholding him ended by perusing him.
His countenance was overlaid with legible meanings. Without being
thought-worn he yet had certain marks derived from a perception of his
surroundings, such as are not unfrequently found on men at the end of
the four or five years of endeavour which follow the close of placid
pupilage. He already showed that thought is a disease of flesh, and
indirectly bore evidence that ideal physical beauty is incompatible
with emotional development and a full recognition of the coil of things.
Mental luminousness must be fed with the oil of life, even though there
is already a physical need for it; and the pitiful sight of two demands
on one supply was just showing itself here.

When standing before certain men the philosopher regrets that thinkers
are but perishable tissue, the artist that perishable tissue has to
think. Thus to deplore, each from his point of view, the mutually
destructive interdependence of spirit and flesh would have been
instinctive with these in critically observing Yeobright.

As for his look, it was a natural cheerfulness striving against
depression from without, and not quite succeeding. The look suggested
isolation, but it revealed something more. As is usual with bright
natures, the deity that lies ignominiously chained within an ephemeral
human carcase shone out of him like a ray.

The effect upon Eustacia was palpable. The extraordinary pitch of
excitement that she had reached beforehand would, indeed, have caused
her to be influenced by the most commonplace man. She was troubled at
Yeobright's presence.

The remainder of the play ended--the Saracen's head was cut off, and
Saint George stood as victor. Nobody commented, any more than they would
have commented on the fact of mushrooms coming in autumn or snowdrops
in spring. They took the piece as phlegmatically as did the actors
themselves. It was a phase of cheerfulness which was, as a matter of
course, to be passed through every Christmas; and there was no more to
be said.

They sang the plaintive chant which follows the play, during which all
the dead men rise to their feet in a silent and awful manner, like the
ghosts of Napoleon's soldiers in the Midnight Review. Afterwards the
door opened, and Fairway appeared on the threshold, accompanied by
Christian and another. They had been waiting outside for the conclusion
of the play, as the players had waited for the conclusion of the dance.

"Come in, come in," said Mrs. Yeobright; and Clym went forward to
welcome them. "How is it you are so late? Grandfer Cantle has been here
ever so long, and we thought you'd have come with him, as you live so
near one another."

"Well, I should have come earlier," Mr. Fairway said and paused to
look along the beam of the ceiling for a nail to hang his hat on; but,
finding his accustomed one to be occupied by the mistletoe, and all
the nails in the walls to be burdened with bunches of holly, he at
last relieved himself of the hat by ticklishly balancing it between the
candle-box and the head of the clock-case. "I should have come earlier,
ma'am," he resumed, with a more composed air, "but I know what parties
be, and how there's none too much room in folks' houses at such times,
so I thought I wouldn't come till you'd got settled a bit."

"And I thought so too, Mrs. Yeobright," said Christian earnestly, "but
Father there was so eager that he had no manners at all, and left home
almost afore 'twas dark. I told him 'twas barely decent in a' old man to
come so oversoon; but words be wind."

"Klk! I wasn't going to bide waiting about, till half the game was over!
I'm as light as a kite when anything's going on!" crowed Grandfer Cantle
from the chimneyseat.

Fairway had meanwhile concluded a critical gaze at Yeobright. "Now,
you may not believe it," he said to the rest of the room, "but I should
never have knowed this gentleman if I had met him anywhere off his own
he'th--he's altered so much."

"You too have altered, and for the better, I think Timothy," said
Yeobright, surveying the firm figure of Fairway.

"Master Yeobright, look me over too. I have altered for the better,
haven't I, hey?" said Grandfer Cantle, rising and placing himself
something above half a foot from Clym's eye, to induce the most
searching criticism.

"To be sure we will," said Fairway, taking the candle and moving it over
the surface of the Grandfer's countenance, the subject of his scrutiny
irradiating himself with light and pleasant smiles, and giving himself
jerks of juvenility.

"You haven't changed much," said Yeobright.

"If there's any difference, Grandfer is younger," appended Fairway
decisively.

"And yet not my own doing, and I feel no pride in it," said the pleased
ancient. "But I can't be cured of my vagaries; them I plead guilty to.
Yes, Master Cantle always was that, as we know. But I am nothing by the
side of you, Mister Clym."

"Nor any o' us," said Humphrey, in a low rich tone of admiration, not
intended to reach anybody's ears.

"Really, there would have been nobody here who could have stood as
decent second to him, or even third, if I hadn't been a soldier in the
Bang-up Locals (as we was called for our smartness)," said Grandfer
Cantle. "And even as 'tis we all look a little scammish beside him. But
in the year four 'twas said there wasn't a finer figure in the whole
South Wessex than I, as I looked when dashing past the shop-winders with
the rest of our company on the day we ran out o' Budmouth because it was
thoughted that Boney had landed round the point. There was I, straight
as a young poplar, wi' my firelock, and my bagnet, and my spatterdashes,
and my stock sawing my jaws off, and my accoutrements sheening like
the seven stars! Yes, neighbours, I was a pretty sight in my soldiering
days. You ought to have seen me in four!"

"'Tis his mother's side where Master Clym's figure comes from, bless
ye," said Timothy. "I know'd her brothers well. Longer coffins were
never made in the whole country of South Wessex, and 'tis said that poor
George's knees were crumpled up a little e'en as 'twas."

"Coffins, where?" inquired Christian, drawing nearer. "Have the ghost of
one appeared to anybody, Master Fairway?"

"No, no. Don't let your mind so mislead your ears, Christian; and be a
man," said Timothy reproachfully.

"I will." said Christian. "But now I think o't my shadder last night
seemed just the shape of a coffin. What is it a sign of when your
shade's like a coffin, neighbours? It can't be nothing to be afeared of,
I suppose?"

"Afeared, no!" said the Grandfer. "Faith, I was never afeard of nothing
except Boney, or I shouldn't ha' been the soldier I was. Yes, 'tis a
thousand pities you didn't see me in four!"

By this time the mummers were preparing to leave; but Mrs. Yeobright
stopped them by asking them to sit down and have a little supper. To
this invitation Father Christmas, in the name of them all, readily
agreed.

Eustacia was happy in the opportunity of staying a little longer.
The cold and frosty night without was doubly frigid to her. But the
lingering was not without its difficulties. Mrs. Yeobright, for want
of room in the larger apartment, placed a bench for the mummers halfway
through the pantry door, which opened from the sitting-room. Here they
seated themselves in a row, the door being left open--thus they were
still virtually in the same apartment. Mrs. Yeobright now murmured a few
words to her son, who crossed the room to the pantry door, striking his
head against the mistletoe as he passed, and brought the mummers beef
and bread, cake pastry, mead, and elder-wine, the waiting being done by
him and his mother, that the little maid-servant might sit as guest. The
mummers doffed their helmets, and began to eat and drink.

"But you will surely have some?" said Clym to the Turkish Knight, as he
stood before that warrior, tray in hand. She had refused, and still sat
covered, only the sparkle of her eyes being visible between the ribbons
which covered her face.

"None, thank you," replied Eustacia.

"He's quite a youngster," said the Saracen apologetically, "and you
must excuse him. He's not one of the old set, but have jined us because
t'other couldn't come."

"But he will take something?" persisted Yeobright. "Try a glass of mead
or elder-wine."

"Yes, you had better try that," said the Saracen. "It will keep the cold
out going home-along."

Though Eustacia could not eat without uncovering her face she could
drink easily enough beneath her disguise. The elder-wine was accordingly
accepted, and the glass vanished inside the ribbons.

At moments during this performance Eustacia was half in doubt about
the security of her position; yet it had a fearful joy. A series of
attentions paid to her, and yet not to her but to some imaginary person,
by the first man she had ever been inclined to adore, complicated
her emotions indescribably. She had loved him partly because he was
exceptional in this scene, partly because she had determined to love
him, chiefly because she was in desperate need of loving somebody
after wearying of Wildeve. Believing that she must love him in spite of
herself, she had been influenced after the fashion of the second Lord
Lyttleton and other persons, who have dreamed that they were to die on a
certain day, and by stress of a morbid imagination have actually brought
about that event. Once let a maiden admit the possibility of her being
stricken with love for someone at a certain hour and place, and the
thing is as good as done.

Did anything at this moment suggest to Yeobright the sex of the creature
whom that fantastic guise inclosed, how extended was her scope both in
feeling and in making others feel, and how far her compass transcended
that of her companions in the band? When the disguised Queen of Love
appeared before Aeneas a preternatural perfume accompanied her presence
and betrayed her quality. If such a mysterious emanation ever was
projected by the emotions of an earthly woman upon their object, it must
have signified Eustacia's presence to Yeobright now. He looked at her
wistfully, then seemed to fall into a reverie, as if he were forgetting
what he observed. The momentary situation ended, he passed on, and
Eustacia sipped her wine without knowing what she drank. The man for
whom she had pre-determined to nourish a passion went into the small
room, and across it to the further extremity.

The mummers, as has been stated, were seated on a bench, one end of
which extended into the small apartment, or pantry, for want of space
in the outer room. Eustacia, partly from shyness, had chosen the midmost
seat, which thus commanded a view of the interior of the pantry as well
as the room containing the guests. When Clym passed down the pantry her
eyes followed him in the gloom which prevailed there. At the remote
end was a door which, just as he was about to open it for himself, was
opened by somebody within; and light streamed forth.

The person was Thomasin, with a candle, looking anxious, pale, and
interesting. Yeobright appeared glad to see her, and pressed her hand.
"That's right, Tamsie," he said heartily, as though recalled to himself
by the sight of her, "you have decided to come down. I am glad of it."

"Hush--no, no," she said quickly. "I only came to speak to you."

"But why not join us?"

"I cannot. At least I would rather not. I am not well enough, and we
shall have plenty of time together now you are going to be home a good
long holiday."

"It isn't nearly so pleasant without you. Are you really ill?"

"Just a little, my old cousin--here," she said, playfully sweeping her
hand across her heart.

"Ah, Mother should have asked somebody else to be present tonight,
perhaps?"

"O no, indeed. I merely stepped down, Clym, to ask you--" Here he
followed her through the doorway into the private room beyond, and,
the door closing, Eustacia and the mummer who sat next to her, the only
other witness of the performance, saw and heard no more.

The heat flew to Eustacia's head and cheeks. She instantly guessed that
Clym, having been home only these two or three days, had not as yet
been made acquainted with Thomasin's painful situation with regard to
Wildeve; and seeing her living there just as she had been living before
he left home, he naturally suspected nothing. Eustacia felt a wild
jealousy of Thomasin on the instant. Though Thomasin might possibly have
tender sentiments towards another man as yet, how long could they be
expected to last when she was shut up here with this interesting and
travelled cousin of hers? There was no knowing what affection might not
soon break out between the two, so constantly in each other's society,
and not a distracting object near. Clym's boyish love for her might have
languished, but it might easily be revived again.

Eustacia was nettled by her own contrivances. What a sheer waste of
herself to be dressed thus while another was shining to advantage! Had
she known the full effect of the encounter she would have moved heaven
and earth to get here in a natural manner. The power of her face all
lost, the charm of her emotions all disguised, the fascinations of her
coquetry denied existence, nothing but a voice left to her; she had a
sense of the doom of Echo. "Nobody here respects me," she said. She had
overlooked the fact that, in coming as a boy among other boys, she
would be treated as a boy. The slight, though of her own causing, and
self-explanatory, she was unable to dismiss as unwittingly shown, so
sensitive had the situation made her.

Women have done much for themselves in histrionic dress. To look far
below those who, like a certain fair personator of Polly Peachum early
in the last century, and another of Lydia Languish early in this, (1)
have won not only love but ducal coronets into the bargain, whole shoals
of them have reached to the initial satisfaction of getting love almost
whence they would. But the Turkish Knight was denied even the chance
of achieving this by the fluttering ribbons which she dared not brush
aside.

     (1) Written in 1877.

Yeobright returned to the room without his cousin. When within two or
three feet of Eustacia he stopped, as if again arrested by a thought.
He was gazing at her. She looked another way, disconcerted, and wondered
how long this purgatory was to last. After lingering a few seconds he
passed on again.

To court their own discomfiture by love is a common instinct with
certain perfervid women. Conflicting sensations of love, fear, and shame
reduced Eustacia to a state of the utmost uneasiness. To escape was her
great and immediate desire. The other mummers appeared to be in no
hurry to leave; and murmuring to the lad who sat next to her that she
preferred waiting for them outside the house, she moved to the door as
imperceptibly as possible, opened it, and slipped out.

The calm, lone scene reassured her. She went forward to the palings and
leant over them, looking at the moon. She had stood thus but a little
time when the door again opened. Expecting to see the remainder of the
band Eustacia turned; but no--Clym Yeobright came out as softly as she
had done, and closed the door behind him.

He advanced and stood beside her. "I have an odd opinion," he said, "and
should like to ask you a question. Are you a woman--or am I wrong?"

"I am a woman."

His eyes lingered on her with great interest. "Do girls often play as
mummers now? They never used to."

"They don't now."

"Why did you?"

"To get excitement and shake off depression," she said in low tones.

"What depressed you?"

"Life."

"That's a cause of depression a good many have to put up with."

"Yes."

A long silence. "And do you find excitement?" asked Clym at last.

"At this moment, perhaps."

"Then you are vexed at being discovered?"

"Yes; though I thought I might be."

"I would gladly have asked you to our party had I known you wished to
come. Have I ever been acquainted with you in my youth?"

"Never."

"Won't you come in again, and stay as long as you like?"

"No. I wish not to be further recognized."

"Well, you are safe with me." After remaining in thought a minute he
added gently, "I will not intrude upon you longer. It is a strange way
of meeting, and I will not ask why I find a cultivated woman playing
such a part as this."

She did not volunteer the reason which he seemed to hope for, and he
wished her good night, going thence round to the back of the house,
where he walked up and down by himself for some time before re-
entering.

Eustacia, warmed with an inner fire, could not wait for her companions
after this. She flung back the ribbons from her face, opened the
gate, and at once struck into the heath. She did not hasten along. Her
grandfather was in bed at this hour, for she so frequently walked upon
the hills on moonlight nights that he took no notice of her comings and
goings, and, enjoying himself in his own way, left her to do likewise.
A more important subject than that of getting indoors now engrossed her.
Yeobright, if he had the least curiosity, would infallibly discover her
name. What then? She first felt a sort of exultation at the way in
which the adventure had terminated, even though at moments between
her exultations she was abashed and blushful. Then this consideration
recurred to chill her: What was the use of her exploit? She was at
present a total stranger to the Yeobright family. The unreasonable
nimbus of romance with which she had encircled that man might be her
misery. How could she allow herself to become so infatuated with a
stranger? And to fill the cup of her sorrow there would be Thomasin,
living day after day in inflammable proximity to him; for she had just
learnt that, contrary to her first belief, he was going to stay at home
some considerable time.

She reached the wicket at Mistover Knap, but before opening it she
turned and faced the heath once more. The form of Rainbarrow stood above
the hills, and the moon stood above Rainbarrow. The air was charged with
silence and frost. The scene reminded Eustacia of a circumstance which
till that moment she had totally forgotten. She had promised to meet
Wildeve by the Barrow this very night at eight, to give a final answer
to his pleading for an elopement.

She herself had fixed the evening and the hour. He had probably come to
the spot, waited there in the cold, and been greatly disappointed.

"Well, so much the better--it did not hurt him," she said serenely.
Wildeve had at present the rayless outline of the sun through smoked
glass, and she could say such things as that with the greatest facility.

She remained deeply pondering; and Thomasin's winning manner towards her
cousin arose again upon Eustacia's mind.

"O that she had been married to Damon before this!" she said. "And
she would if it hadn't been for me! If I had only known--if I had only
known!"

Eustacia once more lifted her deep stormy eyes to the moonlight, and,
sighing that tragic sigh of hers which was so much like a shudder,
entered the shadow of the roof. She threw off her trappings in the
outhouse, rolled them up, and went indoors to her chamber.

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Eustacia is still propped against the wall watching the party and looking for Clym. Thomasin is nowhere to be seen, and Eustacia guesses that she's hiding due to her scandalous almost-but-not-quite marriage to Damon Wildeve. But then Eustacia sees Clym and all other thoughts stop. We learn that he looks young but not immature; is handsome; looks intelligent; seems to stand out in the crowd; and so on. Eustacia is completely smitten. Finally the play ends and Timothy Fairway enters with Christian Cantle. Mrs. Yeobright asks why they're so late and they guys reply that they were waiting for the party to settle down some before making a fashionably late appearance. Grandfer Cantle sidles over and the group begin discussing how much Clym has or hasn't changed over the years he's been in Paris. Other random heath people come over and have yet another rambling conversation. Meanwhile Mrs. Yeobright invites the mummers to stay and party. Eustacia is glad she can hang out and gaze at Clym some more. Clym comes up to the mummers and offers them some drinks. Eustacia says no thanks. Eustacia is thrilled to speak to Clym, but she's also extremely anxious that her disguise will be discovered. "She had loved him partly because he was exceptional in this scene, partly because she had determined to love him, chiefly because she was in desperate need of loving somebody after wearying of Wildeve" . Eustacia continues to lurk about and spy on Clym. She overhears a conversation between him and Thomasin, who snuck downstairs to chat. Clym pesters her about joining the party but Thomasin insists that she is "ill" and won't come out. Eustacia realizes what this means and is embarrassed for herself and for Thomasin. Clym obviously doesn't know about the Wildeve scandal. Eustacia is starting to get annoyed at her disguise and doesn't like being dismissed as a boy at the party. She slips away from the crowd and Clym follows her. He says he thinks she's a woman in disguise. Eustacia admits it and says she did it because she wanted some excitement. They play twenty questions and Clym tries to find out who she is. But Eustacia won't tell him her name and he agrees to not tell anyone about her being in disguise. They part and Eustacia crashes back down to reality. She realizes that she doesn't know the Yeobrights and she's basically fallen for a stranger who has no way of getting to know her. She is also upset by the fact that Thomasin is still unmarried - she's worried that Thomasin will make a move on Clym now. Eustacia goes home and throws off her costume, and then goes to bed upset.


prompt:
Chapter: <CHAPTER>
7--A Coalition between Beauty and Oddness

The old captain's prevailing indifference to his granddaughter's
movements left her free as a bird to follow her own courses; but it so
happened that he did take upon himself the next morning to ask her why
she had walked out so late.

"Only in search of events, Grandfather," she said, looking out of the
window with that drowsy latency of manner which discovered so much force
behind it whenever the trigger was pressed.

"Search of events--one would think you were one of the bucks I knew at
one-and-twenty."

"It is lonely here."

"So much the better. If I were living in a town my whole time would be
taken up in looking after you. I fully expected you would have been home
when I returned from the Woman."

"I won't conceal what I did. I wanted an adventure, and I went with the
mummers. I played the part of the Turkish Knight."

"No, never? Ha, ha! Good gad! I didn't expect it of you, Eustacia."

"It was my first performance, and it certainly will be my last. Now I
have told you--and remember it is a secret."

"Of course. But, Eustacia, you never did--ha! ha! Dammy, how 'twould
have pleased me forty years ago! But remember, no more of it, my girl.
You may walk on the heath night or day, as you choose, so that you don't
bother me; but no figuring in breeches again."

"You need have no fear for me, Grandpapa."

Here the conversation ceased, Eustacia's moral training never exceeding
in severity a dialogue of this sort, which, if it ever became profitable
to good works, would be a result not dear at the price. But her thoughts
soon strayed far from her own personality; and, full of a passionate and
indescribable solicitude for one to whom she was not even a name, she
went forth into the amplitude of tanned wild around her, restless as
Ahasuerus the Jew. She was about half a mile from her residence when
she beheld a sinister redness arising from a ravine a little way in
advance--dull and lurid like a flame in sunlight and she guessed it to
signify Diggory Venn.

When the farmers who had wished to buy in a new stock of reddle during
the last month had inquired where Venn was to be found, people replied,
"On Egdon Heath." Day after day the answer was the same. Now, since
Egdon was populated with heath-croppers and furze-cutters rather than
with sheep and shepherds, and the downs where most of the latter were
to be found lay some to the north, some to the west of Egdon, his
reason for camping about there like Israel in Zin was not apparent. The
position was central and occasionally desirable. But the sale of reddle
was not Diggory's primary object in remaining on the heath, particularly
at so late a period of the year, when most travellers of his class had
gone into winter quarters.

Eustacia looked at the lonely man. Wildeve had told her at their last
meeting that Venn had been thrust forward by Mrs. Yeobright as one ready
and anxious to take his place as Thomasin's betrothed. His figure
was perfect, his face young and well outlined, his eye bright, his
intelligence keen, and his position one which he could readily better if
he chose. But in spite of possibilities it was not likely that Thomasin
would accept this Ishmaelitish creature while she had a cousin like
Yeobright at her elbow, and Wildeve at the same time not absolutely
indifferent. Eustacia was not long in guessing that poor Mrs. Yeobright,
in her anxiety for her niece's future, had mentioned this lover to
stimulate the zeal of the other. Eustacia was on the side of the
Yeobrights now, and entered into the spirit of the aunt's desire.

"Good morning, miss," said the reddleman, taking off his cap of
hareskin, and apparently bearing her no ill-will from recollection of
their last meeting.

"Good morning, reddleman," she said, hardly troubling to lift her
heavily shaded eyes to his. "I did not know you were so near. Is your
van here too?"

Venn moved his elbow towards a hollow in which a dense brake of
purple-stemmed brambles had grown to such vast dimensions as almost to
form a dell. Brambles, though churlish when handled, are kindly shelter
in early winter, being the latest of the deciduous bushes to lose their
leaves.

The roof and chimney of Venn's caravan showed behind the tracery and
tangles of the brake.

"You remain near this part?" she asked with more interest.

"Yes, I have business here."

"Not altogether the selling of reddle?"

"It has nothing to do with that."

"It has to do with Miss Yeobright?"

Her face seemed to ask for an armed peace, and he therefore said
frankly, "Yes, miss; it is on account of her."

"On account of your approaching marriage with her?"

Venn flushed through his stain. "Don't make sport of me, Miss Vye," he
said.

"It isn't true?"

"Certainly not."

She was thus convinced that the reddleman was a mere pis aller in Mrs.
Yeobright's mind; one, moreover, who had not even been informed of his
promotion to that lowly standing. "It was a mere notion of mine," she
said quietly; and was about to pass by without further speech, when,
looking round to the right, she saw a painfully well-known figure
serpentining upwards by one of the little paths which led to the top
where she stood. Owing to the necessary windings of his course his back
was at present towards them. She glanced quickly round; to escape that
man there was only one way. Turning to Venn, she said, "Would you allow
me to rest a few minutes in your van? The banks are damp for sitting
on."

"Certainly, miss; I'll make a place for you."

She followed him behind the dell of brambles to his wheeled dwelling
into which Venn mounted, placing the three-legged stool just within the
door.

"That is the best I can do for you," he said, stepping down and retiring
to the path, where he resumed the smoking of his pipe as he walked up
and down.

Eustacia bounded into the vehicle and sat on the stool, ensconced from
view on the side towards the trackway. Soon she heard the brushing of
other feet than the reddleman's, a not very friendly "Good day"
uttered by two men in passing each other, and then the dwindling of the
foot-fall of one of them in a direction onwards. Eustacia stretched her
neck forward till she caught a glimpse of a receding back and shoulders;
and she felt a wretched twinge of misery, she knew not why. It was the
sickening feeling which, if the changed heart has any generosity at all
in its composition, accompanies the sudden sight of a once-loved one who
is beloved no more.

When Eustacia descended to proceed on her way the reddleman came near.
"That was Mr. Wildeve who passed, miss," he said slowly, and expressed
by his face that he expected her to feel vexed at having been sitting
unseen.

"Yes, I saw him coming up the hill," replied Eustacia. "Why should
you tell me that?" It was a bold question, considering the reddleman's
knowledge of her past love; but her undemonstrative manner had power to
repress the opinions of those she treated as remote from her.

"I am glad to hear that you can ask it," said the reddleman bluntly.
"And, now I think of it, it agrees with what I saw last night."

"Ah--what was that?" Eustacia wished to leave him, but wished to know.

"Mr. Wildeve stayed at Rainbarrow a long time waiting for a lady who
didn't come."

"You waited too, it seems?"

"Yes, I always do. I was glad to see him disappointed. He will be there
again tonight."

"To be again disappointed. The truth is, reddleman, that that lady, so
far from wishing to stand in the way of Thomasin's marriage with Mr.
Wildeve, would be very glad to promote it."

Venn felt much astonishment at this avowal, though he did not show it
clearly; that exhibition may greet remarks which are one remove from
expectation, but it is usually withheld in complicated cases of two
removes and upwards. "Indeed, miss," he replied.

"How do you know that Mr. Wildeve will come to Rainbarrow again
tonight?" she asked.

"I heard him say to himself that he would. He's in a regular temper."

Eustacia looked for a moment what she felt, and she murmured, lifting
her deep dark eyes anxiously to his, "I wish I knew what to do. I don't
want to be uncivil to him; but I don't wish to see him again; and I have
some few little things to return to him."

"If you choose to send 'em by me, miss, and a note to tell him that you
wish to say no more to him, I'll take it for you quite privately. That
would be the most straightforward way of letting him know your mind."

"Very well," said Eustacia. "Come towards my house, and I will bring it
out to you."

She went on, and as the path was an infinitely small parting in the
shaggy locks of the heath, the reddleman followed exactly in her trail.
She saw from a distance that the captain was on the bank sweeping the
horizon with his telescope; and bidding Venn to wait where he stood she
entered the house alone.

In ten minutes she returned with a parcel and a note, and said, in
placing them in his hand, "Why are you so ready to take these for me?"

"Can you ask that?"

"I suppose you think to serve Thomasin in some way by it. Are you as
anxious as ever to help on her marriage?"

Venn was a little moved. "I would sooner have married her myself," he
said in a low voice. "But what I feel is that if she cannot be happy
without him I will do my duty in helping her to get him, as a man
ought."

Eustacia looked curiously at the singular man who spoke thus. What
a strange sort of love, to be entirely free from that quality of
selfishness which is frequently the chief constituent of the passion,
and sometimes its only one! The reddleman's disinterestedness was so
well deserving of respect that it overshot respect by being barely
comprehended; and she almost thought it absurd.

"Then we are both of one mind at last," she said.

"Yes," replied Venn gloomily. "But if you would tell me, miss, why you
take such an interest in her, I should be easier. It is so sudden and
strange."

Eustacia appeared at a loss. "I cannot tell you that, reddleman," she
said coldly.

Venn said no more. He pocketed the letter, and, bowing to Eustacia, went
away.

Rainbarrow had again become blended with night when Wildeve ascended the
long acclivity at its base. On his reaching the top a shape grew up from
the earth immediately behind him. It was that of Eustacia's emissary.
He slapped Wildeve on the shoulder. The feverish young inn-keeper and
ex-engineer started like Satan at the touch of Ithuriel's spear.

"The meeting is always at eight o'clock, at this place," said Venn, "and
here we are--we three."

"We three?" said Wildeve, looking quickly round.

"Yes; you, and I, and she. This is she." He held up the letter and
parcel.

Wildeve took them wonderingly. "I don't quite see what this means," he
said. "How do you come here? There must be some mistake."

"It will be cleared from your mind when you have read the letter.
Lanterns for one." The reddleman struck a light, kindled an inch of
tallow-candle which he had brought, and sheltered it with his cap.

"Who are you?" said Wildeve, discerning by the candle-light an obscure
rubicundity of person in his companion. "You are the reddleman I saw on
the hill this morning--why, you are the man who----"

"Please read the letter."

"If you had come from the other one I shouldn't have been surprised,"
murmured Wildeve as he opened the letter and read. His face grew
serious.

TO MR. WILDEVE.

After some thought I have decided once and for all that we must hold
no further communication. The more I consider the matter the more I am
convinced that there must be an end to our acquaintance. Had you been
uniformly faithful to me throughout these two years you might now have
some ground for accusing me of heartlessness; but if you calmly consider
what I bore during the period of your desertion, and how I passively put
up with your courtship of another without once interfering, you will, I
think, own that I have a right to consult my own feelings when you come
back to me again. That these are not what they were towards you may,
perhaps, be a fault in me, but it is one which you can scarcely reproach
me for when you remember how you left me for Thomasin.

The little articles you gave me in the early part of our friendship are
returned by the bearer of this letter. They should rightly have been
sent back when I first heard of your engagement to her.

EUSTACIA.

By the time that Wildeve reached her name the blankness with which he
had read the first half of the letter intensified to mortification. "I
am made a great fool of, one way and another," he said pettishly. "Do
you know what is in this letter?"

The reddleman hummed a tune.

"Can't you answer me?" asked Wildeve warmly.

"Ru-um-tum-tum," sang the reddleman.

Wildeve stood looking on the ground beside Venn's feet, till he allowed
his eyes to travel upwards over Diggory's form, as illuminated by the
candle, to his head and face. "Ha-ha! Well, I suppose I deserve it,
considering how I have played with them both," he said at last, as much
to himself as to Venn. "But of all the odd things that ever I knew, the
oddest is that you should so run counter to your own interests as to
bring this to me."

"My interests?"

"Certainly. 'Twas your interest not to do anything which would send me
courting Thomasin again, now she has accepted you--or something like it.
Mrs. Yeobright says you are to marry her. 'Tisn't true, then?"

"Good Lord! I heard of this before, but didn't believe it. When did she
say so?"

Wildeve began humming as the reddleman had done.

"I don't believe it now," cried Venn.

"Ru-um-tum-tum," sang Wildeve.

"O Lord--how we can imitate!" said Venn contemptuously. "I'll have this
out. I'll go straight to her."

Diggory withdrew with an emphatic step, Wildeve's eye passing over his
form in withering derision, as if he were no more than a heath-cropper.
When the reddleman's figure could no longer be seen, Wildeve himself
descended and plunged into the rayless hollow of the vale.

To lose the two women--he who had been the well-beloved of both--was too
ironical an issue to be endured. He could only decently save himself
by Thomasin; and once he became her husband, Eustacia's repentance, he
thought, would set in for a long and bitter term. It was no wonder that
Wildeve, ignorant of the new man at the back of the scene, should have
supposed Eustacia to be playing a part. To believe that the letter was
not the result of some momentary pique, to infer that she really gave
him up to Thomasin, would have required previous knowledge of her
transfiguration by that man's influence. Who was to know that she had
grown generous in the greediness of a new passion, that in coveting one
cousin she was dealing liberally with another, that in her eagerness to
appropriate she gave way?

Full of this resolve to marry in haste, and wring the heart of the proud
girl, Wildeve went his way.

Meanwhile Diggory Venn had returned to his van, where he stood looking
thoughtfully into the stove. A new vista was opened up to him. But,
however promising Mrs. Yeobright's views of him might be as a candidate
for her niece's hand, one condition was indispensable to the favour of
Thomasin herself, and that was a renunciation of his present wild mode
of life. In this he saw little difficulty.

He could not afford to wait till the next day before seeing Thomasin and
detailing his plan. He speedily plunged himself into toilet operations,
pulled a suit of cloth clothes from a box, and in about twenty minutes
stood before the van-lantern as a reddleman in nothing but his face, the
vermilion shades of which were not to be removed in a day. Closing the
door and fastening it with a padlock, Venn set off towards Blooms-End.

He had reached the white palings and laid his hand upon the gate when
the door of the house opened, and quickly closed again. A female form
had glided in. At the same time a man, who had seemingly been standing
with the woman in the porch, came forward from the house till he was
face to face with Venn. It was Wildeve again.

"Man alive, you've been quick at it," said Diggory sarcastically.

"And you slow, as you will find," said Wildeve. "And," lowering his
voice, "you may as well go back again now. I've claimed her, and got
her. Good night, reddleman!" Thereupon Wildeve walked away.

Venn's heart sank within him, though it had not risen unduly high.
He stood leaning over the palings in an indecisive mood for nearly a
quarter of an hour. Then he went up the garden path, knocked, and asked
for Mrs. Yeobright.

Instead of requesting him to enter she came to the porch. A discourse
was carried on between them in low measured tones for the space of ten
minutes or more. At the end of the time Mrs. Yeobright went in, and Venn
sadly retraced his steps into the heath. When he had again regained his
van he lit the lantern, and with an apathetic face at once began to pull
off his best clothes, till in the course of a few minutes he reappeared
as the confirmed and irretrievable reddleman that he had seemed before.

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: It's the morning after the party, and Captain Vye decides to ask why Eustacia was out and about so late. He generally inquires about her activities once a month or so. Eustacia responds that she was "in search of events" . She then confesses that she went out with the mummers and gave an Oscar-worthy performance as the Turkish Knight. Grandpa finds this hilarious but tells her not to do it again because he doesn't want her wearing pants. The horror! Eustacia goes for a walk and spies Diggory Venn and his ever-present Pig-Pen cloud of red dust. Diggory has remained on Egdon Heath a lot later in the season than he normally does. Eustacia ponders his situation and feels bad for the loser, since Thomasin likely won't accept his back-up proposal of marriage. She goes up to chat with him. Our narrator interrupts with a short nature description paragraph. It's winter, so the trees are losing the last of their leaves. Eustacia grills Diggory on why he's still hanging around Egdon and he gets embarrassed. She decides that he's just a pawn to Mrs. Yeobright. Eustacia then spies a "painfully well-known figure" - Damon, of course - and lies about being tired. So Diggory offers her a seat in his campsite and she hides there till Damon passes by. Diggory calls her on her avoidance tactics and Eustacia boldly announces that she hopes Thomasin's marriage to Damon goes off without a hitch. Diggory is shocked. He reminds her that Damon is planning to meet her that night at Rainbarrow. Eustacia says she wants to tell Damon to back off but doesn't know how to dump him. Diggory suggests that she write a letter and he offers to deliver it to Damon that night. So she writes a letter. Eustacia doesn't understand Diggory's motive here and he confesses that his love for Thomasin is so pure that he'd like to see her happy, even if it's with another man, or something. Eustacia is confused by this unselfish attitude and thinks it's kind of lame. Nosey Diggory asks what Eustacia wrote, but she won't tell him. We wouldn't trust Diggory to deliver that letter unopened, Eustacia. So that night Diggory sidles up to a waiting Damon and delivers Eustacia's letter to him, with a side order of sarcasm. Wildeve reads the letter and is definitely not happy. The letter itself is pretty blunt - Eustacia says that Damon treated her badly and notes that he can't blame her for dumping him. She concludes by saying that she's returning some gifts he gave her via Diggory. Wildeve is pretty pissed and also hurt. Diggory stands around humming and acts like a smug punk about the whole thing. The two argue and Wildeve finally stomps off. Damon can't believe that he's about to lose two women all at once, which is just embarrassing. He decides that he'll try to win Thomasin back and teach Eustacia a lesson in the process. By binding himself in lifelong matrimony to another person. "Full of his resolve to marry in haste, and wring the heart of a proud girl, Wildeve went his way" . Diggory meanwhile is very cheerful - he thinks that he has a shot with Thomasin now since she most likely won't take Wildeve back either. And if not, at least she'll be married finally and free from scandal and gossip. The two men meet up at Thomasin's house and Wildeve brags that he's already won Thomasin back. Diggory is very disappointed. Mrs. Yeobright comes out to chat with Diggory and explain the situation. He goes back to his wagon and gets back into his normal, red-stained clothes once more.


prompt:
Chapter: <CHAPTER>
8--Firmness Is Discovered in a Gentle Heart

On that evening the interior of Blooms-End, though cosy and comfortable,
had been rather silent. Clym Yeobright was not at home. Since the
Christmas party he had gone on a few days' visit to a friend about ten
miles off.

The shadowy form seen by Venn to part from Wildeve in the porch, and
quickly withdraw into the house, was Thomasin's. On entering she threw
down a cloak which had been carelessly wrapped round her, and came
forward to the light, where Mrs. Yeobright sat at her work-table,
drawn up within the settle, so that part of it projected into the
chimney-corner.

"I don't like your going out after dark alone, Tamsin," said her aunt
quietly, without looking up from her work.

"I have only been just outside the door."

"Well?" inquired Mrs. Yeobright, struck by a change in the tone of
Thomasin's voice, and observing her. Thomasin's cheek was flushed to a
pitch far beyond that which it had reached before her troubles, and her
eyes glittered.

"It was HE who knocked," she said.

"I thought as much."

"He wishes the marriage to be at once."

"Indeed! What--is he anxious?" Mrs. Yeobright directed a searching look
upon her niece. "Why did not Mr. Wildeve come in?"

"He did not wish to. You are not friends with him, he says. He would
like the wedding to be the day after tomorrow, quite privately; at the
church of his parish--not at ours."

"Oh! And what did you say?"

"I agreed to it," Thomasin answered firmly. "I am a practical woman
now. I don't believe in hearts at all. I would marry him under any
circumstances since--since Clym's letter."

A letter was lying on Mrs. Yeobright's work-basket, and at Thomasin's
words her aunt reopened it, and silently read for the tenth time that
day:--

What is the meaning of this silly story that people are circulating
about Thomasin and Mr. Wildeve? I should call such a scandal humiliating
if there was the least chance of its being true. How could such a gross
falsehood have arisen? It is said that one should go abroad to hear news
of home, and I appear to have done it. Of course I contradict the
tale everywhere; but it is very vexing, and I wonder how it could have
originated. It is too ridiculous that such a girl as Thomasin could so
mortify us as to get jilted on the wedding day. What has she done?

"Yes," Mrs. Yeobright said sadly, putting down the letter. "If you
think you can marry him, do so. And since Mr. Wildeve wishes it to be
unceremonious, let it be that too. I can do nothing. It is all in your
own hands now. My power over your welfare came to an end when you
left this house to go with him to Anglebury." She continued, half in
bitterness, "I may almost ask, why do you consult me in the matter at
all? If you had gone and married him without saying a word to me, I
could hardly have been angry--simply because, poor girl, you can't do a
better thing."

"Don't say that and dishearten me."

"You are right--I will not."

"I do not plead for him, Aunt. Human nature is weak, and I am not a
blind woman to insist that he is perfect. I did think so, but I don't
now. But I know my course, and you know that I know it. I hope for the
best."

"And so do I, and we will both continue to," said Mrs. Yeobright, rising
and kissing her. "Then the wedding, if it comes off, will be on the
morning of the very day Clym comes home?"

"Yes. I decided that it ought to be over before he came. After that you
can look him in the face, and so can I. Our concealments will matter
nothing."

Mrs. Yeobright moved her head in thoughtful assent, and presently said,
"Do you wish me to give you away? I am willing to undertake that, you
know, if you wish, as I was last time. After once forbidding the banns I
think I can do no less."

"I don't think I will ask you to come," said Thomasin reluctantly, but
with decision. "It would be unpleasant, I am almost sure. Better let
there be only strangers present, and none of my relations at all. I
would rather have it so. I do not wish to do anything which may touch
your credit, and I feel that I should be uncomfortable if you were
there, after what has passed. I am only your niece, and there is no
necessity why you should concern yourself more about me."

"Well, he has beaten us," her aunt said. "It really seems as if he had
been playing with you in this way in revenge for my humbling him as I
did by standing up against him at first."

"O no, Aunt," murmured Thomasin.

They said no more on the subject then. Diggory Venn's knock came soon
after; and Mrs. Yeobright, on returning from her interview with him in
the porch, carelessly observed, "Another lover has come to ask for you."

"No?"

"Yes, that queer young man Venn."

"Asks to pay his addresses to me?"

"Yes; and I told him he was too late."

Thomasin looked silently into the candle-flame. "Poor Diggory!" she
said, and then aroused herself to other things.

The next day was passed in mere mechanical deeds of preparation, both
the women being anxious to immerse themselves in these to escape the
emotional aspect of the situation. Some wearing apparel and other
articles were collected anew for Thomasin, and remarks on domestic
details were frequently made, so as to obscure any inner misgivings
about her future as Wildeve's wife.

The appointed morning came. The arrangement with Wildeve was that he
should meet her at the church to guard against any unpleasant curiosity
which might have affected them had they been seen walking off together
in the usual country way.

Aunt and niece stood together in the bedroom where the bride was
dressing. The sun, where it could catch it, made a mirror of Thomasin's
hair, which she always wore braided. It was braided according to a
calendar system--the more important the day the more numerous the
strands in the braid. On ordinary working-days she braided it in threes;
on ordinary Sundays in fours; at Maypolings, gipsyings, and the like,
she braided it in fives. Years ago she had said that when she married
she would braid it in sevens. She had braided it in sevens today.

"I have been thinking that I will wear my blue silk after all," she
said. "It is my wedding day, even though there may be something sad
about the time. I mean," she added, anxious to correct any wrong
impression, "not sad in itself, but in its having had great
disappointment and trouble before it."

Mrs. Yeobright breathed in a way which might have been called a sigh. "I
almost wish Clym had been at home," she said. "Of course you chose the
time because of his absence."

"Partly. I have felt that I acted unfairly to him in not telling him
all; but, as it was done not to grieve him, I thought I would carry out
the plan to its end, and tell the whole story when the sky was clear."

"You are a practical little woman," said Mrs. Yeobright, smiling. "I
wish you and he--no, I don't wish anything. There, it is nine o'clock,"
she interrupted, hearing a whizz and a dinging downstairs.

"I told Damon I would leave at nine," said Thomasin, hastening out of
the room.

Her aunt followed. When Thomasin was going up the little walk from the
door to the wicket-gate, Mrs. Yeobright looked reluctantly at her, and
said, "It is a shame to let you go alone."

"It is necessary," said Thomasin.

"At any rate," added her aunt with forced cheerfulness, "I shall
call upon you this afternoon, and bring the cake with me. If Clym has
returned by that time he will perhaps come too. I wish to show Mr.
Wildeve that I bear him no ill-will. Let the past be forgotten. Well,
God bless you! There, I don't believe in old superstitions, but I'll
do it." She threw a slipper at the retreating figure of the girl, who
turned, smiled, and went on again.

A few steps further, and she looked back. "Did you call me, Aunt?" she
tremulously inquired. "Good-bye!"

Moved by an uncontrollable feeling as she looked upon Mrs. Yeobright's
worn, wet face, she ran back, when her aunt came forward, and they met
again. "O--Tamsie," said the elder, weeping, "I don't like to let you
go."

"I--I am--" Thomasin began, giving way likewise. But, quelling her
grief, she said "Good-bye!" again and went on.

Then Mrs. Yeobright saw a little figure wending its way between the
scratching furze-bushes, and diminishing far up the valley--a pale-blue
spot in a vast field of neutral brown, solitary and undefended except by
the power of her own hope.

But the worst feature in the case was one which did not appear in the
landscape; it was the man.

The hour chosen for the ceremony by Thomasin and Wildeve had been so
timed as to enable her to escape the awkwardness of meeting her cousin
Clym, who was returning the same morning. To own to the partial truth
of what he had heard would be distressing as long as the humiliating
position resulting from the event was unimproved. It was only after a
second and successful journey to the altar that she could lift up her
head and prove the failure of the first attempt a pure accident.

She had not been gone from Blooms-End more than half an hour when
Yeobright came by the meads from the other direction and entered the
house.

"I had an early breakfast," he said to his mother after greeting her.
"Now I could eat a little more."

They sat down to the repeated meal, and he went on in a low, anxious
voice, apparently imagining that Thomasin had not yet come downstairs,
"What's this I have heard about Thomasin and Mr. Wildeve?"

"It is true in many points," said Mrs. Yeobright quietly; "but it is all
right now, I hope." She looked at the clock.

"True?"

"Thomasin is gone to him today."

Clym pushed away his breakfast. "Then there is a scandal of some sort,
and that's what's the matter with Thomasin. Was it this that made her
ill?"

"Yes. Not a scandal--a misfortune. I will tell you all about it, Clym.
You must not be angry, but you must listen, and you'll find that what we
have done has been done for the best."

She then told him the circumstances. All that he had known of the affair
before he returned from Paris was that there had existed an
attachment between Thomasin and Wildeve, which his mother had at first
discountenanced, but had since, owing to the arguments of Thomasin,
looked upon in a little more favourable light. When she, therefore,
proceeded to explain all he was greatly surprised and troubled.

"And she determined that the wedding should be over before you came
back," said Mrs. Yeobright, "that there might be no chance of her
meeting you, and having a very painful time of it. That's why she has
gone to him; they have arranged to be married this morning."

"But I can't understand it," said Yeobright, rising. "'Tis so unlike
her. I can see why you did not write to me after her unfortunate return
home. But why didn't you let me know when the wedding was going to
be--the first time?"

"Well, I felt vexed with her just then. She seemed to me to be
obstinate; and when I found that you were nothing in her mind I vowed
that she should be nothing in yours. I felt that she was only my
niece after all; I told her she might marry, but that I should take no
interest in it, and should not bother you about it either."

"It wouldn't have been bothering me. Mother, you did wrong."

"I thought it might disturb you in your business, and that you might
throw up your situation, or injure your prospects in some way because of
it, so I said nothing. Of course, if they had married at that time in a
proper manner, I should have told you at once."

"Tamsin actually being married while we are sitting here!"

"Yes. Unless some accident happens again, as it did the first time. It
may, considering he's the same man."

"Yes, and I believe it will. Was it right to let her go? Suppose Wildeve
is really a bad fellow?"

"Then he won't come, and she'll come home again."

"You should have looked more into it."

"It is useless to say that," his mother answered with an impatient look
of sorrow. "You don't know how bad it has been here with us all these
weeks, Clym. You don't know what a mortification anything of that sort
is to a woman. You don't know the sleepless nights we've had in this
house, and the almost bitter words that have passed between us since
that Fifth of November. I hope never to pass seven such weeks again.
Tamsin has not gone outside the door, and I have been ashamed to look
anybody in the face; and now you blame me for letting her do the only
thing that can be done to set that trouble straight."

"No," he said slowly. "Upon the whole I don't blame you. But just
consider how sudden it seems to me. Here was I, knowing nothing; and
then I am told all at once that Tamsie is gone to be married. Well,
I suppose there was nothing better to do. Do you know, Mother," he
continued after a moment or two, looking suddenly interested in his own
past history, "I once thought of Tamsin as a sweetheart? Yes, I did. How
odd boys are! And when I came home and saw her this time she seemed so
much more affectionate than usual, that I was quite reminded of those
days, particularly on the night of the party, when she was unwell. We
had the party just the same--was not that rather cruel to her?"

"It made no difference. I had arranged to give one, and it was not worth
while to make more gloom than necessary. To begin by shutting ourselves
up and telling you of Tamsin's misfortunes would have been a poor sort
of welcome."

Clym remained thinking. "I almost wish you had not had that party," he
said; "and for other reasons. But I will tell you in a day or two. We
must think of Tamsin now."

They lapsed into silence. "I'll tell you what," said Yeobright again,
in a tone which showed some slumbering feeling still. "I don't think it
kind to Tamsin to let her be married like this, and neither of us there
to keep up her spirits or care a bit about her. She hasn't disgraced
herself, or done anything to deserve that. It is bad enough that the
wedding should be so hurried and unceremonious, without our keeping away
from it in addition. Upon my soul, 'tis almost a shame. I'll go."

"It is over by this time," said his mother with a sigh; "unless they
were late, or he--"

"Then I shall be soon enough to see them come out. I don't quite like
your keeping me in ignorance, Mother, after all. Really, I half hope he
has failed to meet her!"

"And ruined her character?"

"Nonsense--that wouldn't ruin Thomasin."

He took up his hat and hastily left the house. Mrs. Yeobright looked
rather unhappy, and sat still, deep in thought. But she was not long
left alone. A few minutes later Clym came back again, and in his company
came Diggory Venn.

"I find there isn't time for me to get there," said Clym.

"Is she married?" Mrs. Yeobright inquired, turning to the reddleman a
face in which a strange strife of wishes, for and against, was apparent.

Venn bowed. "She is, ma'am."

"How strange it sounds," murmured Clym.

"And he didn't disappoint her this time?" said Mrs. Yeobright.

"He did not. And there is now no slight on her name. I was hastening
ath'art to tell you at once, as I saw you were not there."

"How came you to be there? How did you know it?" she asked.

"I have been in that neighbourhood for some time, and I saw them go in,"
said the reddleman. "Wildeve came up to the door, punctual as the clock.
I didn't expect it of him." He did not add, as he might have added, that
how he came to be in that neighbourhood was not by accident; that,
since Wildeve's resumption of his right to Thomasin, Venn, with the
thoroughness which was part of his character, had determined to see the
end of the episode.

"Who was there?" said Mrs. Yeobright.

"Nobody hardly. I stood right out of the way, and she did not see me."
The reddleman spoke huskily, and looked into the garden.

"Who gave her away?"

"Miss Vye."

"How very remarkable! Miss Vye! It is to be considered an honour, I
suppose?"

"Who's Miss Vye?" said Clym.

"Captain Vye's granddaughter, of Mistover Knap."

"A proud girl from Budmouth," said Mrs. Yeobright. "One not much to my
liking. People say she's a witch, but of course that's absurd."

The reddleman kept to himself his acquaintance with that fair personage,
and also that Eustacia was there because he went to fetch her, in
accordance with a promise he had given as soon as he learnt that the
marriage was to take place. He merely said, in continuation of the
story----

"I was sitting on the churchyard wall when they came up, one from one
way, the other from the other; and Miss Vye was walking thereabouts,
looking at the headstones. As soon as they had gone in I went to the
door, feeling I should like to see it, as I knew her so well. I pulled
off my boots because they were so noisy, and went up into the gallery. I
saw then that the parson and clerk were already there."

"How came Miss Vye to have anything to do with it, if she was only on a
walk that way?"

"Because there was nobody else. She had gone into the church just before
me, not into the gallery. The parson looked round before beginning, and
as she was the only one near he beckoned to her, and she went up to the
rails. After that, when it came to signing the book, she pushed up her
veil and signed; and Tamsin seemed to thank her for her kindness." The
reddleman told the tale thoughtfully for there lingered upon his vision
the changing colour of Wildeve, when Eustacia lifted the thick veil
which had concealed her from recognition and looked calmly into his
face. "And then," said Diggory sadly, "I came away, for her history as
Tamsin Yeobright was over."

"I offered to go," said Mrs. Yeobright regretfully. "But she said it was
not necessary."

"Well, it is no matter," said the reddleman. "The thing is done at last
as it was meant to be at first, and God send her happiness. Now I'll
wish you good morning."

He placed his cap on his head and went out.

From that instant of leaving Mrs. Yeobright's door, the reddleman was
seen no more in or about Egdon Heath for a space of many months. He
vanished entirely. The nook among the brambles where his van had been
standing was as vacant as ever the next morning, and scarcely a sign
remained to show that he had been there, excepting a few straws, and a
little redness on the turf, which was washed away by the next storm of
rain.

The report that Diggory had brought of the wedding, correct as far as it
went, was deficient in one significant particular, which had escaped him
through his being at some distance back in the church. When Thomasin
was tremblingly engaged in signing her name Wildeve had flung towards
Eustacia a glance that said plainly, "I have punished you now." She had
replied in a low tone--and he little thought how truly--"You mistake; it
gives me sincerest pleasure to see her your wife today."

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Time for a flashback! Clym is out visiting a friend and Thomasin comes in to tell her aunt that the wedding with Damon is back on. Her aunt is cautiously optimistic about the whole thing. Clym wrote a letter asking what's going on with Thomasin - he's shocked by the whole thing and wonders how Thomasin could "mortify" them so badly by getting jilted . Thomasin and her aunt discuss the situation. Thomasin knows that Damon is a jerk but feels she should make the best of it. Marriage would solve the scandal problem, at least. Diggory arrives in the flashback and we get the scene from Thomasin and Mrs. Yeobright's perspective this time. Then we jump forward in time to the wedding day. Thomasin is getting dressed and she elaborately braids her hair for the occasion, like she's Princess Leia or something. Thomasin goes to leave but then rushes back to hug her aunt. The two cry and part sadly. Clym returns home and asks what the deal is with Thomasin. His mom tells him the whole story and Clym is upset that no one filled him in earlier. Mrs. Yeobright tells him he doesn't know how hard it's been for Thomasin and to stuff it. Clym decides to attend the wedding, but Mrs. Yeobright tells him it's probably over by now. Diggory Venn shows up again and informs them that he spied on the wedding and everything went off without a hitch this time. But then Diggory informs everyone that Eustacia Vye was in attendance and stood up with Thomasin. The Yeobrights think it's bizarre. The narrator busts in and tells us that Eustacia came to stick it to Damon and the two had a rather tense confrontation at the wedding. Damon tries to gloat, but Eustacia knocks him down a few pegs by saying "You mistake; it gives me sincerest pleasure to see her your wife today" . So, there's an odd scene in which Mrs. Yeobright throws her shoe at Thomasin as she walks away. What's the deal here? Was she really that mad about the wedding? Well, actually, tossing a shoe at a bride was a good-luck custom at the time. Weird, but true.


prompt:
Chapter: <CHAPTER>
BOOK THREE -- THE FASCINATION
1--"My Mind to Me a Kingdom Is"

In Clym Yeobright's face could be dimly seen the typical countenance
of the future. Should there be a classic period to art hereafter, its
Pheidias may produce such faces. The view of life as a thing to be put
up with, replacing that zest for existence which was so intense in early
civilizations, must ultimately enter so thoroughly into the constitution
of the advanced races that its facial expression will become accepted
as a new artistic departure. People already feel that a man who lives
without disturbing a curve of feature, or setting a mark of mental
concern anywhere upon himself, is too far removed from modern
perceptiveness to be a modern type. Physically beautiful men--the glory
of the race when it was young--are almost an anachronism now; and we may
wonder whether, at some time or other, physically beautiful women may
not be an anachronism likewise.

The truth seems to be that a long line of disillusive centuries has
permanently displaced the Hellenic idea of life, or whatever it may
be called. What the Greeks only suspected we know well; what their
Aeschylus imagined our nursery children feel. That old-fashioned
revelling in the general situation grows less and less possible as we
uncover the defects of natural laws, and see the quandary that man is in
by their operation.

The lineaments which will get embodied in ideals based upon this new
recognition will probably be akin to those of Yeobright. The observer's
eye was arrested, not by his face as a picture, but by his face as a
page; not by what it was, but by what it recorded. His features were
attractive in the light of symbols, as sounds intrinsically common
become attractive in language, and as shapes intrinsically simple become
interesting in writing.

He had been a lad of whom something was expected. Beyond this all had
been chaos. That he would be successful in an original way, or that he
would go to the dogs in an original way, seemed equally probable. The
only absolute certainty about him was that he would not stand still in
the circumstances amid which he was born.

Hence, when his name was casually mentioned by neighbouring yeomen,
the listener said, "Ah, Clym Yeobright--what is he doing now?" When the
instinctive question about a person is, What is he doing? it is
felt that he will be found to be, like most of us, doing nothing in
particular. There is an indefinite sense that he must be invading some
region of singularity, good or bad. The devout hope is that he is doing
well. The secret faith is that he is making a mess of it. Half a dozen
comfortable market-men, who were habitual callers at the Quiet Woman
as they passed by in their carts, were partial to the topic. In fact,
though they were not Egdon men, they could hardly avoid it while they
sucked their long clay tubes and regarded the heath through the window.
Clym had been so inwoven with the heath in his boyhood that hardly
anybody could look upon it without thinking of him. So the subject
recurred: if he were making a fortune and a name, so much the better
for him; if he were making a tragical figure in the world, so much the
better for a narrative.

The fact was that Yeobright's fame had spread to an awkward extent
before he left home. "It is bad when your fame outruns your means," said
the Spanish Jesuit Gracian. At the age of six he had asked a Scripture
riddle: "Who was the first man known to wear breeches?" and applause
had resounded from the very verge of the heath. At seven he painted the
Battle of Waterloo with tiger-lily pollen and black-currant juice, in
the absence of water-colours. By the time he reached twelve he had in
this manner been heard of as artist and scholar for at least two miles
round. An individual whose fame spreads three or four thousand yards in
the time taken by the fame of others similarly situated to travel six or
eight hundred, must of necessity have something in him. Possibly Clym's
fame, like Homer's, owed something to the accidents of his situation;
nevertheless famous he was.

He grew up and was helped out in life. That waggery of fate which
started Clive as a writing clerk, Gay as a linen-draper, Keats as a
surgeon, and a thousand others in a thousand other odd ways, banished
the wild and ascetic heath lad to a trade whose sole concern was with
the especial symbols of self-indulgence and vainglory.

The details of this choice of a business for him it is not necessary
to give. At the death of his father a neighbouring gentleman had kindly
undertaken to give the boy a start, and this assumed the form of sending
him to Budmouth. Yeobright did not wish to go there, but it was the only
feasible opening. Thence he went to London; and thence, shortly after,
to Paris, where he had remained till now.

Something being expected of him, he had not been at home many days
before a great curiosity as to why he stayed on so long began to arise
in the heath. The natural term of a holiday had passed, yet he still
remained. On the Sunday morning following the week of Thomasin's
marriage a discussion on this subject was in progress at a hair-cutting
before Fairway's house. Here the local barbering was always done at
this hour on this day, to be followed by the great Sunday wash of the
inhabitants at noon, which in its turn was followed by the great Sunday
dressing an hour later. On Egdon Heath Sunday proper did not begin till
dinner-time, and even then it was a somewhat battered specimen of the
day.

These Sunday-morning hair-cuttings were performed by Fairway; the victim
sitting on a chopping-block in front of the house, without a coat, and
the neighbours gossiping around, idly observing the locks of hair as
they rose upon the wind after the snip, and flew away out of sight to
the four quarters of the heavens. Summer and winter the scene was the
same, unless the wind were more than usually blusterous, when the stool
was shifted a few feet round the corner. To complain of cold in sitting
out of doors, hatless and coatless, while Fairway told true stories
between the cuts of the scissors, would have been to pronounce yourself
no man at once. To flinch, exclaim, or move a muscle of the face at
the small stabs under the ear received from those instruments, or at
scarifications of the neck by the comb, would have been thought a gross
breach of good manners, considering that Fairway did it all for nothing.
A bleeding about the poll on Sunday afternoons was amply accounted for
by the explanation. "I have had my hair cut, you know."

The conversation on Yeobright had been started by a distant view of the
young man rambling leisurely across the heath before them.

"A man who is doing well elsewhere wouldn't bide here two or three weeks
for nothing," said Fairway. "He's got some project in 's head--depend
upon that."

"Well, 'a can't keep a diment shop here," said Sam.

"I don't see why he should have had them two heavy boxes home if he had
not been going to bide; and what there is for him to do here the Lord in
heaven knows."

Before many more surmises could be indulged in Yeobright had come near;
and seeing the hair-cutting group he turned aside to join them. Marching
up, and looking critically at their faces for a moment, he said, without
introduction, "Now, folks, let me guess what you have been talking
about."

"Ay, sure, if you will," said Sam.

"About me."

"Now, it is a thing I shouldn't have dreamed of doing, otherwise," said
Fairway in a tone of integrity; "but since you have named it, Master
Yeobright, I'll own that we was talking about 'ee. We were wondering
what could keep you home here mollyhorning about when you have made such
a world-wide name for yourself in the nick-nack trade--now, that's the
truth o't."

"I'll tell you," said Yeobright with unexpected earnestness. "I am
not sorry to have the opportunity. I've come home because, all things
considered, I can be a trifle less useless here than anywhere else. But
I have only lately found this out. When I first got away from home I
thought this place was not worth troubling about. I thought our life
here was contemptible. To oil your boots instead of blacking them, to
dust your coat with a switch instead of a brush--was there ever anything
more ridiculous? I said."

"So 'tis; so 'tis!"

"No, no--you are wrong; it isn't."

"Beg your pardon, we thought that was your meaning?"

"Well, as my views changed my course became very depressing. I found
that I was trying to be like people who had hardly anything in common
with myself. I was endeavouring to put off one sort of life for another
sort of life, which was not better than the life I had known before. It
was simply different."

"True; a sight different," said Fairway.

"Yes, Paris must be a taking place," said Humphrey. "Grand shop-winders,
trumpets, and drums; and here be we out of doors in all winds and
weathers--"

"But you mistake me," pleaded Clym. "All this was very depressing. But
not so depressing as something I next perceived--that my business was
the idlest, vainest, most effeminate business that ever a man could
be put to. That decided me--I would give it up and try to follow some
rational occupation among the people I knew best, and to whom I could
be of most use. I have come home; and this is how I mean to carry out
my plan. I shall keep a school as near to Egdon as possible, so as to be
able to walk over here and have a night-school in my mother's house.
But I must study a little at first, to get properly qualified. Now,
neighbours, I must go."

And Clym resumed his walk across the heath.

"He'll never carry it out in the world," said Fairway. "In a few weeks
he'll learn to see things otherwise."

"'Tis good-hearted of the young man," said another. "But, for my part, I
think he had better mind his business."

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Hardy gives us a detailed description of Clym Yeobright, similar to the one we got of Eustacia back in Book 1, Chapter 7. In a nutshell, Clym is handsome and looks like he belongs to the future. Clym was the local golden boy of whom great things were expected. He went to Paris and was successful, but now he's returned home and doesn't plan to leave. The Egdon residents are confused and concerned about their golden boy. Clym comes upon a group of them getting their weekly haircut from the local amateur barber. Maybe Clym plans to open up a salon? Nope, he plans to open up a school. The townsfolk are less-than-impressed with his crazy ideas and think he should go back to Paris.


prompt:
Chapter: <CHAPTER>
2--The New Course Causes Disappointment

Yeobright loved his kind. He had a conviction that the want of most men
was knowledge of a sort which brings wisdom rather than affluence. He
wished to raise the class at the expense of individuals rather than
individuals at the expense of the class. What was more, he was ready at
once to be the first unit sacrificed.

In passing from the bucolic to the intellectual life the intermediate
stages are usually two at least, frequently many more; and one of those
stages is almost sure to be worldly advanced. We can hardly imagine
bucolic placidity quickening to intellectual aims without imagining
social aims as the transitional phase. Yeobright's local peculiarity was
that in striving at high thinking he still cleaved to plain living--nay,
wild and meagre living in many respects, and brotherliness with clowns.

He was a John the Baptist who took ennoblement rather than repentance
for his text. Mentally he was in a provincial future, that is, he was in
many points abreast with the central town thinkers of his date. Much of
this development he may have owed to his studious life in Paris, where
he had become acquainted with ethical systems popular at the time.

In consequence of this relatively advanced position, Yeobright might
have been called unfortunate. The rural world was not ripe for him. A
man should be only partially before his time--to be completely to the
vanward in aspirations is fatal to fame. Had Philip's warlike son been
intellectually so far ahead as to have attempted civilization without
bloodshed, he would have been twice the godlike hero that he seemed, but
nobody would have heard of an Alexander.

In the interests of renown the forwardness should lie chiefly in the
capacity to handle things. Successful propagandists have succeeded
because the doctrine they bring into form is that which their listeners
have for some time felt without being able to shape. A man who advocates
aesthetic effort and deprecates social effort is only likely to be
understood by a class to which social effort has become a stale matter.
To argue upon the possibility of culture before luxury to the bucolic
world may be to argue truly, but it is an attempt to disturb a sequence
to which humanity has been long accustomed. Yeobright preaching to
the Egdon eremites that they might rise to a serene comprehensiveness
without going through the process of enriching themselves was not unlike
arguing to ancient Chaldeans that in ascending from earth to the pure
empyrean it was not necessary to pass first into the intervening heaven
of ether.

Was Yeobright's mind well-proportioned? No. A well proportioned mind is
one which shows no particular bias; one of which we may safely say that
it will never cause its owner to be confined as a madman, tortured as a
heretic, or crucified as a blasphemer. Also, on the other hand, that it
will never cause him to be applauded as a prophet, revered as a priest,
or exalted as a king. Its usual blessings are happiness and mediocrity.
It produces the poetry of Rogers, the paintings of West, the statecraft
of North, the spiritual guidance of Tomline; enabling its possessors to
find their way to wealth, to wind up well, to step with dignity off the
stage, to die comfortably in their beds, and to get the decent monument
which, in many cases, they deserve. It never would have allowed
Yeobright to do such a ridiculous thing as throw up his business to
benefit his fellow-creatures.

He walked along towards home without attending to paths. If anyone knew
the heath well it was Clym. He was permeated with its scenes, with its
substance, and with its odours. He might be said to be its product. His
eyes had first opened thereon; with its appearance all the first images
of his memory were mingled, his estimate of life had been coloured by
it: his toys had been the flint knives and arrow-heads which he found
there, wondering why stones should "grow" to such odd shapes; his
flowers, the purple bells and yellow furze: his animal kingdom, the
snakes and croppers; his society, its human haunters. Take all the
varying hates felt by Eustacia Vye towards the heath, and translate
them into loves, and you have the heart of Clym. He gazed upon the wide
prospect as he walked, and was glad.

To many persons this Egdon was a place which had slipped out of its
century generations ago, to intrude as an uncouth object into this.
It was an obsolete thing, and few cared to study it. How could this
be otherwise in the days of square fields, plashed hedges, and meadows
watered on a plan so rectangular that on a fine day they looked like
silver gridirons? The farmer, in his ride, who could smile at artificial
grasses, look with solicitude at the coming corn, and sigh with sadness
at the fly-eaten turnips, bestowed upon the distant upland of heath
nothing better than a frown. But as for Yeobright, when he looked
from the heights on his way he could not help indulging in a barbarous
satisfaction at observing that, in some of the attempts at reclamation
from the waste, tillage, after holding on for a year or two, had receded
again in despair, the ferns and furze-tufts stubbornly reasserting
themselves.

He descended into the valley, and soon reached his home at Blooms-End.
His mother was snipping dead leaves from the window-plants. She looked
up at him as if she did not understand the meaning of his long stay with
her; her face had worn that look for several days. He could perceive
that the curiosity which had been shown by the hair-cutting group
amounted in his mother to concern. But she had asked no question with
her lips, even when the arrival of his trunk suggested that he was not
going to leave her soon. Her silence besought an explanation of him more
loudly than words.

"I am not going back to Paris again, Mother," he said. "At least, in my
old capacity. I have given up the business."

Mrs. Yeobright turned in pained surprise. "I thought something was
amiss, because of the boxes. I wonder you did not tell me sooner."

"I ought to have done it. But I have been in doubt whether you would be
pleased with my plan. I was not quite clear on a few points myself. I am
going to take an entirely new course."

"I am astonished, Clym. How can you want to do better than you've been
doing?"

"Very easily. But I shall not do better in the way you mean; I suppose
it will be called doing worse. But I hate that business of mine, and I
want to do some worthy thing before I die. As a schoolmaster I think
to do it--a school-master to the poor and ignorant, to teach them what
nobody else will."

"After all the trouble that has been taken to give you a start, and when
there is nothing to do but to keep straight on towards affluence, you
say you will be a poor man's schoolmaster. Your fancies will be your
ruin, Clym."

Mrs. Yeobright spoke calmly, but the force of feeling behind the words
was but too apparent to one who knew her as well as her son did. He did
not answer. There was in his face that hopelessness of being understood
which comes when the objector is constitutionally beyond the reach of
a logic that, even under favouring conditions, is almost too coarse a
vehicle for the subtlety of the argument.

No more was said on the subject till the end of dinner. His mother then
began, as if there had been no interval since the morning. "It disturbs
me, Clym, to find that you have come home with such thoughts as those. I
hadn't the least idea that you meant to go backward in the world by your
own free choice. Of course, I have always supposed you were going to
push straight on, as other men do--all who deserve the name--when they
have been put in a good way of doing well."

"I cannot help it," said Clym, in a troubled tone. "Mother, I hate
the flashy business. Talk about men who deserve the name, can any man
deserving the name waste his time in that effeminate way, when he sees
half the world going to ruin for want of somebody to buckle to and teach
them how to breast the misery they are born to? I get up every morning
and see the whole creation groaning and travailing in pain, as St. Paul
says, and yet there am I, trafficking in glittering splendours with
wealthy women and titled libertines, and pandering to the meanest
vanities--I, who have health and strength enough for anything. I have
been troubled in my mind about it all the year, and the end is that I
cannot do it any more."

"Why can't you do it as well as others?"

"I don't know, except that there are many things other people care for
which I don't; and that's partly why I think I ought to do this. For one
thing, my body does not require much of me. I cannot enjoy delicacies;
good things are wasted upon me. Well, I ought to turn that defect to
advantage, and by being able to do without what other people require I
can spend what such things cost upon anybody else."

Now, Yeobright, having inherited some of these very instincts from the
woman before him, could not fail to awaken a reciprocity in her through
her feelings, if not by arguments, disguise it as she might for his
good. She spoke with less assurance. "And yet you might have been a
wealthy man if you had only persevered. Manager to that large diamond
establishment--what better can a man wish for? What a post of trust
and respect! I suppose you will be like your father; like him, you are
getting weary of doing well."

"No," said her son, "I am not weary of that, though I am weary of what
you mean by it. Mother, what is doing well?"

Mrs. Yeobright was far too thoughtful a woman to be content with ready
definitions, and, like the "What is wisdom?" of Plato's Socrates, and
the "What is truth?" of Pontius Pilate, Yeobright's burning question
received no answer.

The silence was broken by the clash of the garden gate, a tap at the
door, and its opening. Christian Cantle appeared in the room in his
Sunday clothes.

It was the custom on Egdon to begin the preface to a story before
absolutely entering the house, so as to be well in for the body of the
narrative by the time visitor and visited stood face to face. Christian
had been saying to them while the door was leaving its latch, "To think
that I, who go from home but once in a while, and hardly then, should
have been there this morning!"

"'Tis news you have brought us, then, Christian?" said Mrs. Yeobright.

"Ay, sure, about a witch, and ye must overlook my time o' day; for, says
I, 'I must go and tell 'em, though they won't have half done dinner.' I
assure ye it made me shake like a driven leaf. Do ye think any harm will
come o't?"

"Well--what?"

"This morning at church we was all standing up, and the pa'son said,
'Let us pray.' 'Well,' thinks I, 'one may as well kneel as stand'; so
down I went; and, more than that, all the rest were as willing to oblige
the man as I. We hadn't been hard at it for more than a minute when a
most terrible screech sounded through church, as if somebody had just
gied up their heart's blood. All the folk jumped up and then we found
that Susan Nunsuch had pricked Miss Vye with a long stocking-needle, as
she had threatened to do as soon as ever she could get the young lady to
church, where she don't come very often. She've waited for this chance
for weeks, so as to draw her blood and put an end to the bewitching of
Susan's children that has been carried on so long. Sue followed her into
church, sat next to her, and as soon as she could find a chance in went
the stocking-needle into my lady's arm."

"Good heaven, how horrid!" said Mrs. Yeobright.

"Sue pricked her that deep that the maid fainted away; and as I was
afeard there might be some tumult among us, I got behind the bass viol
and didn't see no more. But they carried her out into the air, 'tis
said; but when they looked round for Sue she was gone. What a scream
that girl gied, poor thing! There were the pa'son in his surplice
holding up his hand and saying, 'Sit down, my good people, sit down!'
But the deuce a bit would they sit down. O, and what d'ye think I
found out, Mrs. Yeobright? The pa'son wears a suit of clothes under his
surplice!--I could see his black sleeves when he held up his arm."

"'Tis a cruel thing," said Yeobright.

"Yes," said his mother.

"The nation ought to look into it," said Christian. "Here's Humphrey
coming, I think."

In came Humphrey. "Well, have ye heard the news? But I see you have.
'Tis a very strange thing that whenever one of Egdon folk goes to church
some rum job or other is sure to be doing. The last time one of us was
there was when neighbour Fairway went in the fall; and that was the day
you forbad the banns, Mrs. Yeobright."

"Has this cruelly treated girl been able to walk home?" said Clym.

"They say she got better, and went home very well. And now I've told it
I must be moving homeward myself."

"And I," said Humphrey. "Truly now we shall see if there's anything in
what folks say about her."

When they were gone into the heath again Yeobright said quietly to his
mother, "Do you think I have turned teacher too soon?"

"It is right that there should be schoolmasters, and missionaries, and
all such men," she replied. "But it is right, too, that I should try to
lift you out of this life into something richer, and that you should not
come back again, and be as if I had not tried at all."

Later in the day Sam, the turf-cutter, entered. "I've come a-borrowing,
Mrs. Yeobright. I suppose you have heard what's been happening to the
beauty on the hill?"

"Yes, Sam: half a dozen have been telling us."

"Beauty?" said Clym.

"Yes, tolerably well-favoured," Sam replied. "Lord! all the country owns
that 'tis one of the strangest things in the world that such a woman
should have come to live up there."

"Dark or fair?"

"Now, though I've seen her twenty times, that's a thing I cannot call to
mind."

"Darker than Tamsin," murmured Mrs. Yeobright.

"A woman who seems to care for nothing at all, as you may say."

"She is melancholy, then?" inquired Clym.

"She mopes about by herself, and don't mix in with the people."

"Is she a young lady inclined for adventures?"

"Not to my knowledge."

"Doesn't join in with the lads in their games, to get some sort of
excitement in this lonely place?"

"No."

"Mumming, for instance?"

"No. Her notions be different. I should rather say her thoughts were far
away from here, with lords and ladies she'll never know, and mansions
she'll never see again."

Observing that Clym appeared singularly interested Mrs. Yeobright said
rather uneasily to Sam, "You see more in her than most of us do. Miss
Vye is to my mind too idle to be charming. I have never heard that
she is of any use to herself or to other people. Good girls don't get
treated as witches even on Egdon."

"Nonsense--that proves nothing either way," said Yeobright.

"Well, of course I don't understand such niceties," said Sam,
withdrawing from a possibly unpleasant argument; "and what she is we
must wait for time to tell us. The business that I have really called
about is this, to borrow the longest and strongest rope you have. The
captain's bucket has dropped into the well, and they are in want of
water; and as all the chaps are at home today we think we can get it out
for him. We have three cart-ropes already, but they won't reach to the
bottom."

Mrs. Yeobright told him that he might have whatever ropes he could find
in the outhouse, and Sam went out to search. When he passed by the door
Clym joined him, and accompanied him to the gate.

"Is this young witch-lady going to stay long at Mistover?" he asked.

"I should say so."

"What a cruel shame to ill-use her, She must have suffered greatly--more
in mind than in body."

"'Twas a graceless trick--such a handsome girl, too. You ought to see
her, Mr. Yeobright, being a young man come from far, and with a little
more to show for your years than most of us."

"Do you think she would like to teach children?" said Clym.

Sam shook his head. "Quite a different sort of body from that, I
reckon."

"O, it was merely something which occurred to me. It would of course be
necessary to see her and talk it over--not an easy thing, by the way,
for my family and hers are not very friendly."

"I'll tell you how you mid see her, Mr. Yeobright," said Sam. "We are
going to grapple for the bucket at six o'clock tonight at her house, and
you could lend a hand. There's five or six coming, but the well is deep,
and another might be useful, if you don't mind appearing in that shape.
She's sure to be walking round."

"I'll think of it," said Yeobright; and they parted.

He thought of it a good deal; but nothing more was said about Eustacia
inside the house at that time. Whether this romantic martyr to
superstition and the melancholy mummer he had conversed with under the
full moon were one and the same person remained as yet a problem.

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The narrator informs us that Clym loves the heath and the people of Egdon, but that he doesn't have a good understanding of them and his school scheme isn't planned out very well. Clym is a huge part of the heath, but he doesn't quite understand his place in it. "Take all the varying hates felt by Eustacia Vye towards the heath, and translate them into love, and you have the heart of Clym" . Clym arrives home after his extended nature walk and announces to his mom that he's staying in Egdon. His mom flips out and thinks that he's throwing his life away. Clym gets all defensive and insists that his mom doesn't understand him. Mrs. Yeobright says that she understands he's giving up a lot of money to come home and live like a loser. She also tells him his school idea is dumb. Clym says that money isn't everything. Then Christian Cantle shows up with some gossip. Apparently, Susan Nunsuch decided that Eustacia is a witch and stabbed her with a needle in church to see if she bled or not. Clym and his mom are upset by the news. Humphrey comes in and corroborates Christian's story. Clym is now concerned about his school plan since the residents of Egdon are more ignorant than he thought. Later that day Sam stops by and gossips about Eustacia some more. The Vyes' water bucket fell into their well and they can't get it out. Clym offers to go with Sam to help drag it back out, and finally to get a look at Eustacia.