prompt:
Chapter: AT five o'clock Lisbeth came downstairs with a large key in her hand:
it was the key of the chamber where her husband lay dead. Throughout the
day, except in her occasional outbursts of wailing grief, she had been
in incessant movement, performing the initial duties to her dead with
the awe and exactitude that belong to religious rites. She had brought
out her little store of bleached linen, which she had for long years
kept in reserve for this supreme use. It seemed but yesterday--that time
so many midsummers ago, when she had told Thias where this linen lay,
that he might be sure and reach it out for her when SHE died, for she
was the elder of the two. Then there had been the work of cleansing to
the strictest purity every object in the sacred chamber, and of removing
from it every trace of common daily occupation. The small window, which
had hitherto freely let in the frosty moonlight or the warm summer
sunrise on the working man's slumber, must now be darkened with a fair
white sheet, for this was the sleep which is as sacred under the bare
rafters as in ceiled houses. Lisbeth had even mended a long-neglected
and unnoticeable rent in the checkered bit of bed-curtain; for the
moments were few and precious now in which she would be able to do the
smallest office of respect or love for the still corpse, to which in all
her thoughts she attributed some consciousness. Our dead are never dead
to us until we have forgotten them: they can be injured by us, they can
be wounded; they know all our penitence, all our aching sense that their
place is empty, all the kisses we bestow on the smallest relic of their
presence. And the aged peasant woman most of all believes that her dead
are conscious. Decent burial was what Lisbeth had been thinking of for
herself through years of thrift, with an indistinct expectation that she
should know when she was being carried to the churchyard, followed by
her husband and her sons; and now she felt as if the greatest work of
her life were to be done in seeing that Thias was buried decently before
her--under the white thorn, where once, in a dream, she had thought she
lay in the coffin, yet all the while saw the sunshine above and smelt
the white blossoms that were so thick upon the thorn the Sunday she went
to be churched after Adam was born.

But now she had done everything that could be done to-day in the chamber
of death--had done it all herself, with some aid from her sons in
lifting, for she would let no one be fetched to help her from the
village, not being fond of female neighbours generally; and her
favourite Dolly, the old housekeeper at Mr. Burge's, who had come to
condole with her in the morning as soon as she heard of Thias's death,
was too dim-sighted to be of much use. She had locked the door, and now
held the key in her hand, as she threw herself wearily into a chair
that stood out of its place in the middle of the house floor, where in
ordinary times she would never have consented to sit. The kitchen had
had none of her attention that day; it was soiled with the tread of
muddy shoes and untidy with clothes and other objects out of place. But
what at another time would have been intolerable to Lisbeth's habits
of order and cleanliness seemed to her now just what should be: it was
right that things should look strange and disordered and wretched, now
the old man had come to his end in that sad way; the kitchen ought not
to look as if nothing had happened. Adam, overcome with the agitations
and exertions of the day after his night of hard work, had fallen asleep
on a bench in the workshop; and Seth was in the back kitchen making a
fire of sticks that he might get the kettle to boil, and persuade his
mother to have a cup of tea, an indulgence which she rarely allowed
herself.

There was no one in the kitchen when Lisbeth entered and threw herself
into the chair. She looked round with blank eyes at the dirt and
confusion on which the bright afternoon's sun shone dismally; it was
all of a piece with the sad confusion of her mind--that confusion which
belongs to the first hours of a sudden sorrow, when the poor human soul
is like one who has been deposited sleeping among the ruins of a vast
city, and wakes up in dreary amazement, not knowing whether it is
the growing or the dying day--not knowing why and whence came this
illimitable scene of desolation, or why he too finds himself desolate in
the midst of it.

At another time Lisbeth's first thought would have been, "Where is
Adam?" but the sudden death of her husband had restored him in
these hours to that first place in her affections which he had held
six-and-twenty years ago. She had forgotten his faults as we forget the
sorrows of our departed childhood, and thought of nothing but the young
husband's kindness and the old man's patience. Her eyes continued
to wander blankly until Seth came in and began to remove some of the
scattered things, and clear the small round deal table that he might set
out his mother's tea upon it.

"What art goin' to do?" she said, rather peevishly.

"I want thee to have a cup of tea, Mother," answered Seth, tenderly.
"It'll do thee good; and I'll put two or three of these things away, and
make the house look more comfortable."

"Comfortable! How canst talk o' ma'in' things comfortable? Let a-be, let
a-be. There's no comfort for me no more," she went on, the tears coming
when she began to speak, "now thy poor feyther's gone, as I'n washed for
and mended, an' got's victual for him for thirty 'ear, an' him allays
so pleased wi' iverything I done for him, an' used to be so handy an' do
the jobs for me when I war ill an' cumbered wi' th' babby, an' made me
the posset an' brought it upstairs as proud as could be, an' carried the
lad as war as heavy as two children for five mile an' ne'er grumbled,
all the way to Warson Wake, 'cause I wanted to go an' see my sister, as
war dead an' gone the very next Christmas as e'er come. An' him to be
drownded in the brook as we passed o'er the day we war married an'
come home together, an' he'd made them lots o' shelves for me to put my
plates an' things on, an' showed 'em me as proud as could be, 'cause he
know'd I should be pleased. An' he war to die an' me not to know, but to
be a-sleepin' i' my bed, as if I caredna nought about it. Eh! An' me to
live to see that! An' us as war young folks once, an' thought we should
do rarely when we war married. Let a-be, lad, let a-be! I wonna ha'
no tay. I carena if I ne'er ate nor drink no more. When one end o' th'
bridge tumbles down, where's th' use o' th' other stannin'? I may's well
die, an' foller my old man. There's no knowin' but he'll want me."

Here Lisbeth broke from words into moans, swaying herself backwards and
forwards on her chair. Seth, always timid in his behaviour towards his
mother, from the sense that he had no influence over her, felt it was
useless to attempt to persuade or soothe her till this passion was past;
so he contented himself with tending the back kitchen fire and folding
up his father's clothes, which had been hanging out to dry since
morning--afraid to move about in the room where his mother was, lest he
should irritate her further.

But after Lisbeth had been rocking herself and moaning for some minutes,
she suddenly paused and said aloud to herself, "I'll go an' see arter
Adam, for I canna think where he's gotten; an' I want him to go upstairs
wi' me afore it's dark, for the minutes to look at the corpse is like
the meltin' snow."

Seth overheard this, and coming into the kitchen again, as his mother
rose from her chair, he said, "Adam's asleep in the workshop, mother.
Thee'dst better not wake him. He was o'erwrought with work and trouble."

"Wake him? Who's a-goin' to wake him? I shanna wake him wi' lookin' at
him. I hanna seen the lad this two hour--I'd welly forgot as he'd e'er
growed up from a babby when's feyther carried him."

Adam was seated on a rough bench, his head supported by his arm, which
rested from the shoulder to the elbow on the long planing-table in
the middle of the workshop. It seemed as if he had sat down for a few
minutes' rest and had fallen asleep without slipping from his first
attitude of sad, fatigued thought. His face, unwashed since yesterday,
looked pallid and clammy; his hair was tossed shaggily about his
forehead, and his closed eyes had the sunken look which follows upon
watching and sorrow. His brow was knit, and his whole face had an
expression of weariness and pain. Gyp was evidently uneasy, for he sat
on his haunches, resting his nose on his master's stretched-out leg, and
dividing the time between licking the hand that hung listlessly down and
glancing with a listening air towards the door. The poor dog was
hungry and restless, but would not leave his master, and was waiting
impatiently for some change in the scene. It was owing to this feeling
on Gyp's part that, when Lisbeth came into the workshop and advanced
towards Adam as noiselessly as she could, her intention not to awaken
him was immediately defeated; for Gyp's excitement was too great to find
vent in anything short of a sharp bark, and in a moment Adam opened his
eyes and saw his mother standing before him. It was not very unlike his
dream, for his sleep had been little more than living through again, in
a fevered delirious way, all that had happened since daybreak, and his
mother with her fretful grief was present to him through it all. The
chief difference between the reality and the vision was that in
his dream Hetty was continually coming before him in bodily
presence--strangely mingling herself as an actor in scenes with which
she had nothing to do. She was even by the Willow Brook; she made his
mother angry by coming into the house; and he met her with her smart
clothes quite wet through, as he walked in the rain to Treddleston, to
tell the coroner. But wherever Hetty came, his mother was sure to follow
soon; and when he opened his eyes, it was not at all startling to see
her standing near him.

"Eh, my lad, my lad!" Lisbeth burst out immediately, her wailing impulse
returning, for grief in its freshness feels the need of associating its
loss and its lament with every change of scene and incident, "thee'st
got nobody now but thy old mother to torment thee and be a burden to
thee. Thy poor feyther 'ull ne'er anger thee no more; an' thy mother
may's well go arter him--the sooner the better--for I'm no good to
nobody now. One old coat 'ull do to patch another, but it's good for
nought else. Thee'dst like to ha' a wife to mend thy clothes an' get thy
victual, better nor thy old mother. An' I shall be nought but cumber,
a-sittin' i' th' chimney-corner. (Adam winced and moved uneasily; he
dreaded, of all things, to hear his mother speak of Hetty.) But if
thy feyther had lived, he'd ne'er ha' wanted me to go to make room for
another, for he could no more ha' done wi'out me nor one side o' the
scissars can do wi'out th' other. Eh, we should ha' been both flung away
together, an' then I shouldna ha' seen this day, an' one buryin' 'ud ha'
done for us both."

Here Lisbeth paused, but Adam sat in pained silence--he could not speak
otherwise than tenderly to his mother to-day, but he could not help
being irritated by this plaint. It was not possible for poor Lisbeth to
know how it affected Adam any more than it is possible for a wounded
dog to know how his moans affect the nerves of his master. Like all
complaining women, she complained in the expectation of being soothed,
and when Adam said nothing, she was only prompted to complain more
bitterly.

"I know thee couldst do better wi'out me, for thee couldst go where thee
likedst an' marry them as thee likedst. But I donna want to say thee
nay, let thee bring home who thee wut; I'd ne'er open my lips to find
faut, for when folks is old an' o' no use, they may think theirsens well
off to get the bit an' the sup, though they'n to swallow ill words wi't.
An' if thee'st set thy heart on a lass as'll bring thee nought and waste
all, when thee mightst ha' them as 'ud make a man on thee, I'll say
nought, now thy feyther's dead an' drownded, for I'm no better nor an
old haft when the blade's gone."

Adam, unable to bear this any longer, rose silently from the bench and
walked out of the workshop into the kitchen. But Lisbeth followed him.

"Thee wutna go upstairs an' see thy feyther then? I'n done everythin'
now, an' he'd like thee to go an' look at him, for he war allays so
pleased when thee wast mild to him."

Adam turned round at once and said, "Yes, mother; let us go upstairs.
Come, Seth, let us go together."

They went upstairs, and for five minutes all was silence. Then the key
was turned again, and there was a sound of footsteps on the stairs. But
Adam did not come down again; he was too weary and worn-out to encounter
more of his mother's querulous grief, and he went to rest on his bed.
Lisbeth no sooner entered the kitchen and sat down than she threw her
apron over her head, and began to cry and moan and rock herself as
before. Seth thought, "She will be quieter by and by, now we have been
upstairs"; and he went into the back kitchen again, to tend his little
fire, hoping that he should presently induce her to have some tea.

Lisbeth had been rocking herself in this way for more than five minutes,
giving a low moan with every forward movement of her body, when she
suddenly felt a hand placed gently on hers, and a sweet treble voice
said to her, "Dear sister, the Lord has sent me to see if I can be a
comfort to you."

Lisbeth paused, in a listening attitude, without removing her apron from
her face. The voice was strange to her. Could it be her sister's spirit
come back to her from the dead after all those years? She trembled and
dared not look.

Dinah, believing that this pause of wonder was in itself a relief for
the sorrowing woman, said no more just yet, but quietly took off her
bonnet, and then, motioning silence to Seth, who, on hearing her voice,
had come in with a beating heart, laid one hand on the back of Lisbeth's
chair and leaned over her, that she might be aware of a friendly
presence.

Slowly Lisbeth drew down her apron, and timidly she opened her dim
dark eyes. She saw nothing at first but a face--a pure, pale face, with
loving grey eyes, and it was quite unknown to her. Her wonder increased;
perhaps it WAS an angel. But in the same instant Dinah had laid her hand
on Lisbeth's again, and the old woman looked down at it. It was a much
smaller hand than her own, but it was not white and delicate, for Dinah
had never worn a glove in her life, and her hand bore the traces of
labour from her childhood upwards. Lisbeth looked earnestly at the hand
for a moment, and then, fixing her eyes again on Dinah's face, said,
with something of restored courage, but in a tone of surprise, "Why,
ye're a workin' woman!"

"Yes, I am Dinah Morris, and I work in the cotton-mill when I am at
home."

"Ah!" said Lisbeth slowly, still wondering; "ye comed in so light, like
the shadow on the wall, an' spoke i' my ear, as I thought ye might be a
sperrit. Ye've got a'most the face o' one as is a-sittin' on the grave
i' Adam's new Bible."

"I come from the Hall Farm now. You know Mrs. Poyser--she's my aunt, and
she has heard of your great affliction, and is very sorry; and I'm come
to see if I can be any help to you in your trouble; for I know your sons
Adam and Seth, and I know you have no daughter; and when the clergyman
told me how the hand of God was heavy upon you, my heart went out
towards you, and I felt a command to come and be to you in the place of
a daughter in this grief, if you will let me."

"Ah! I know who y' are now; y' are a Methody, like Seth; he's tould
me on you," said Lisbeth fretfully, her overpowering sense of pain
returning, now her wonder was gone. "Ye'll make it out as trouble's a
good thing, like HE allays does. But where's the use o' talkin' to me
a-that'n? Ye canna make the smart less wi' talkin'. Ye'll ne'er make me
believe as it's better for me not to ha' my old man die in's bed, if he
must die, an' ha' the parson to pray by him, an' me to sit by him, an'
tell him ne'er to mind th' ill words I've gi'en him sometimes when I war
angered, an' to gi' him a bit an' a sup, as long as a bit an' a sup
he'd swallow. But eh! To die i' the cold water, an' us close to him, an'
ne'er to know; an' me a-sleepin', as if I ne'er belonged to him no more
nor if he'd been a journeyman tramp from nobody knows where!"

Here Lisbeth began to cry and rock herself again; and Dinah said, "Yes,
dear friend, your affliction is great. It would be hardness of heart to
say that your trouble was not heavy to bear. God didn't send me to you
to make light of your sorrow, but to mourn with you, if you will let me.
If you had a table spread for a feast, and was making merry with your
friends, you would think it was kind to let me come and sit down and
rejoice with you, because you'd think I should like to share those
good things; but I should like better to share in your trouble and your
labour, and it would seem harder to me if you denied me that. You won't
send me away? You're not angry with me for coming?"

"Nay, nay; angered! who said I war angered? It war good on you to come.
An' Seth, why donna ye get her some tay? Ye war in a hurry to get some
for me, as had no need, but ye donna think o' gettin' 't for them as
wants it. Sit ye down; sit ye down. I thank you kindly for comin', for
it's little wage ye get by walkin' through the wet fields to see an old
woman like me....Nay, I'n got no daughter o' my own--ne'er had one--an'
I warna sorry, for they're poor queechy things, gells is; I allays
wanted to ha' lads, as could fend for theirsens. An' the lads 'ull be
marryin'--I shall ha' daughters eno', an' too many. But now, do ye make
the tay as ye like it, for I'n got no taste i' my mouth this day--it's
all one what I swaller--it's all got the taste o' sorrow wi't."

Dinah took care not to betray that she had had her tea, and accepted
Lisbeth's invitation very readily, for the sake of persuading the old
woman herself to take the food and drink she so much needed after a day
of hard work and fasting.

Seth was so happy now Dinah was in the house that he could not help
thinking her presence was worth purchasing with a life in which grief
incessantly followed upon grief; but the next moment he reproached
himself--it was almost as if he were rejoicing in his father's sad
death. Nevertheless the joy of being with Dinah WOULD triumph--it was
like the influence of climate, which no resistance can overcome. And the
feeling even suffused itself over his face so as to attract his mother's
notice, while she was drinking her tea.

"Thee may'st well talk o' trouble bein' a good thing, Seth, for thee
thriv'st on't. Thee look'st as if thee know'dst no more o' care an'
cumber nor when thee wast a babby a-lyin' awake i' th' cradle. For
thee'dst allays lie still wi' thy eyes open, an' Adam ne'er 'ud lie
still a minute when he wakened. Thee wast allays like a bag o' meal as
can ne'er be bruised--though, for the matter o' that, thy poor feyther
war just such another. But ye've got the same look too" (here Lisbeth
turned to Dinah). "I reckon it's wi' bein' a Methody. Not as I'm
a-findin' faut wi' ye for't, for ye've no call to be frettin', an'
somehow ye looken sorry too. Eh! Well, if the Methodies are fond o'
trouble, they're like to thrive: it's a pity they canna ha't all, an'
take it away from them as donna like it. I could ha' gi'en 'em plenty;
for when I'd gotten my old man I war worreted from morn till night; and
now he's gone, I'd be glad for the worst o'er again."

"Yes," said Dinah, careful not to oppose any feeling of Lisbeth's, for
her reliance, in her smallest words and deeds, on a divine guidance,
always issued in that finest woman's tact which proceeds from acute and
ready sympathy; "yes, I remember too, when my dear aunt died, I longed
for the sound of her bad cough in the nights, instead of the silence
that came when she was gone. But now, dear friend, drink this other cup
of tea and eat a little more."

"What!" said Lisbeth, taking the cup and speaking in a less querulous
tone, "had ye got no feyther and mother, then, as ye war so sorry about
your aunt?"

"No, I never knew a father or mother; my aunt brought me up from a baby.
She had no children, for she was never married and she brought me up as
tenderly as if I'd been her own child."

"Eh, she'd fine work wi' ye, I'll warrant, bringin' ye up from a babby,
an' her a lone woman--it's ill bringin' up a cade lamb. But I daresay
ye warna franzy, for ye look as if ye'd ne'er been angered i' your life.
But what did ye do when your aunt died, an' why didna ye come to live in
this country, bein' as Mrs. Poyser's your aunt too?"

Dinah, seeing that Lisbeth's attention was attracted, told her the story
of her early life--how she had been brought up to work hard, and
what sort of place Snowfield was, and how many people had a hard life
there--all the details that she thought likely to interest Lisbeth. The
old woman listened, and forgot to be fretful, unconsciously subject to
the soothing influence of Dinah's face and voice. After a while she was
persuaded to let the kitchen be made tidy; for Dinah was bent on this,
believing that the sense of order and quietude around her would help in
disposing Lisbeth to join in the prayer she longed to pour forth at her
side. Seth, meanwhile, went out to chop wood, for he surmised that Dinah
would like to be left alone with his mother.

Lisbeth sat watching her as she moved about in her still quick way, and
said at last, "Ye've got a notion o' cleanin' up. I wouldna mind ha'in
ye for a daughter, for ye wouldna spend the lad's wage i' fine clothes
an' waste. Ye're not like the lasses o' this countryside. I reckon folks
is different at Snowfield from what they are here."

"They have a different sort of life, many of 'em," said Dinah; "they
work at different things--some in the mill, and many in the mines, in
the villages round about. But the heart of man is the same everywhere,
and there are the children of this world and the children of light there
as well as elsewhere. But we've many more Methodists there than in this
country."

"Well, I didna know as the Methody women war like ye, for there's Will
Maskery's wife, as they say's a big Methody, isna pleasant to look at,
at all. I'd as lief look at a tooad. An' I'm thinkin' I wouldna mind if
ye'd stay an' sleep here, for I should like to see ye i' th' house i'
th' mornin'. But mayhappen they'll be lookin for ye at Mester Poyser's."

"No," said Dinah, "they don't expect me, and I should like to stay, if
you'll let me."

"Well, there's room; I'n got my bed laid i' th' little room o'er the
back kitchen, an' ye can lie beside me. I'd be glad to ha' ye wi' me to
speak to i' th' night, for ye've got a nice way o' talkin'. It puts me
i' mind o' the swallows as was under the thack last 'ear when they fust
begun to sing low an' soft-like i' th' mornin'. Eh, but my old man war
fond o' them birds! An' so war Adam, but they'n ne'er comed again this
'ear. Happen THEY'RE dead too."

"There," said Dinah, "now the kitchen looks tidy, and now, dear
Mother--for I'm your daughter to-night, you know--I should like you to
wash your face and have a clean cap on. Do you remember what David did,
when God took away his child from him? While the child was yet alive
he fasted and prayed to God to spare it, and he would neither eat nor
drink, but lay on the ground all night, beseeching God for the child.
But when he knew it was dead, he rose up from the ground and washed and
anointed himself, and changed his clothes, and ate and drank; and when
they asked him how it was that he seemed to have left off grieving now
the child was dead, he said, 'While the child was yet alive, I fasted
and wept; for I said, Who can tell whether God will be gracious to me,
that the child may live? But now he is dead, wherefore should I fast?
Can I bring him back again? I shall go to him, but he shall not return
to me.'"

"Eh, that's a true word," said Lisbeth. "Yea, my old man wonna come back
to me, but I shall go to him--the sooner the better. Well, ye may do as
ye like wi' me: there's a clean cap i' that drawer, an' I'll go i' the
back kitchen an' wash my face. An' Seth, thee may'st reach down Adam's
new Bible wi' th' picters in, an' she shall read us a chapter. Eh, I
like them words--'I shall go to him, but he wonna come back to me.'"

Dinah and Seth were both inwardly offering thanks for the greater
quietness of spirit that had come over Lisbeth. This was what Dinah had
been trying to bring about, through all her still sympathy and absence
from exhortation. From her girlhood upwards she had had experience among
the sick and the mourning, among minds hardened and shrivelled through
poverty and ignorance, and had gained the subtlest perception of the
mode in which they could best be touched and softened into willingness
to receive words of spiritual consolation or warning. As Dinah expressed
it, "she was never left to herself; but it was always given her when to
keep silence and when to speak." And do we not all agree to call rapid
thought and noble impulse by the name of inspiration? After our subtlest
analysis of the mental process, we must still say, as Dinah did, that
our highest thoughts and our best deeds are all given to us.

And so there was earnest prayer--there was faith, love, and hope pouring
forth that evening in the little kitchen. And poor, aged, fretful
Lisbeth, without grasping any distinct idea, without going through any
course of religious emotions, felt a vague sense of goodness and love,
and of something right lying underneath and beyond all this sorrowing
life. She couldn't understand the sorrow; but, for these moments, under
the subduing influence of Dinah's spirit, she felt that she must be
patient and still.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Dinah Visits Lisbeth Lisbeth is stubborn in refusing help to lay out the corpse of her husband. She locks herself in a room with him and carefully prepares his body with the linen she has laid out for this day, for it is the last service she can do him. Adam is exhausted and falls asleep on a bench in the workshop, dreaming of Hetty, while Seth tries to make tea for his mother. She, however, weeps and whines to Seth and won't be comforted. After the mother and sons visit the corpse and pray over it, Adam goes to bed, and Lisbeth sits rocking and moaning in grief. Dinah enters and at once begins to calm Lisbeth with her practiced way of dealing with the poor and suffering. She says she will be a daughter to Lisbeth in her trouble and begins to make the cottage orderly. Lisbeth looks at her and sees an angel and accepts her help. Dinah's authority and perfect tact, that stem from sympathy, tell her what to say. She offers to stay overnight with Lisbeth. The old woman likes the quotes from the Bible that Dinah tells her, and she feels a vague sense of comfort that there is a divine Providence.


prompt:
Chapter: IT was but half-past four the next morning when Dinah, tired of lying
awake listening to the birds and watching the growing light through the
little window in the garret roof, rose and began to dress herself very
quietly, lest she should disturb Lisbeth. But already some one else was
astir in the house, and had gone downstairs, preceded by Gyp. The dog's
pattering step was a sure sign that it was Adam who went down; but Dinah
was not aware of this, and she thought it was more likely to be Seth,
for he had told her how Adam had stayed up working the night before.
Seth, however, had only just awakened at the sound of the opening
door. The exciting influence of the previous day, heightened at last
by Dinah's unexpected presence, had not been counteracted by any bodily
weariness, for he had not done his ordinary amount of hard work; and so
when he went to bed; it was not till he had tired himself with hours of
tossing wakefulness that drowsiness came, and led on a heavier morning
sleep than was usual with him.

But Adam had been refreshed by his long rest, and with his habitual
impatience of mere passivity, he was eager to begin the new day and
subdue sadness by his strong will and strong arm. The white mist lay in
the valley; it was going to be a bright warm day, and he would start to
work again when he had had his breakfast.

"There's nothing but what's bearable as long as a man can work," he said
to himself; "the natur o' things doesn't change, though it seems as if
one's own life was nothing but change. The square o' four is sixteen,
and you must lengthen your lever in proportion to your weight, is as
true when a man's miserable as when he's happy; and the best o' working
is, it gives you a grip hold o' things outside your own lot."

As he dashed the cold water over his head and face, he felt completely
himself again, and with his black eyes as keen as ever and his thick
black hair all glistening with the fresh moisture, he went into the
workshop to look out the wood for his father's coffin, intending that
he and Seth should carry it with them to Jonathan Burge's and have the
coffin made by one of the workmen there, so that his mother might not
see and hear the sad task going forward at home.

He had just gone into the workshop when his quick ear detected a light
rapid foot on the stairs--certainly not his mother's. He had been in bed
and asleep when Dinah had come in, in the evening, and now he wondered
whose step this could be. A foolish thought came, and moved him
strangely. As if it could be Hetty! She was the last person likely to
be in the house. And yet he felt reluctant to go and look and have the
clear proof that it was some one else. He stood leaning on a plank he
had taken hold of, listening to sounds which his imagination interpreted
for him so pleasantly that the keen strong face became suffused with a
timid tenderness. The light footstep moved about the kitchen, followed
by the sound of the sweeping brush, hardly making so much noise as the
lightest breeze that chases the autumn leaves along the dusty path; and
Adam's imagination saw a dimpled face, with dark bright eyes and roguish
smiles looking backward at this brush, and a rounded figure just leaning
a little to clasp the handle. A very foolish thought--it could not be
Hetty; but the only way of dismissing such nonsense from his head was
to go and see WHO it was, for his fancy only got nearer and nearer to
belief while he stood there listening. He loosed the plank and went to
the kitchen door.

"How do you do, Adam Bede?" said Dinah, in her calm treble, pausing from
her sweeping and fixing her mild grave eyes upon him. "I trust you feel
rested and strengthened again to bear the burden and heat of the day."

It was like dreaming of the sunshine and awaking in the moonlight. Adam
had seen Dinah several times, but always at the Hall Farm, where he was
not very vividly conscious of any woman's presence except Hetty's, and
he had only in the last day or two begun to suspect that Seth was in
love with her, so that his attention had not hitherto been drawn towards
her for his brother's sake. But now her slim figure, her plain black
gown, and her pale serene face impressed him with all the force that
belongs to a reality contrasted with a preoccupying fancy. For the
first moment or two he made no answer, but looked at her with the
concentrated, examining glance which a man gives to an object in which
he has suddenly begun to be interested. Dinah, for the first time in her
life, felt a painful self-consciousness; there was something in the dark
penetrating glance of this strong man so different from the mildness and
timidity of his brother Seth. A faint blush came, which deepened as she
wondered at it. This blush recalled Adam from his forgetfulness.

"I was quite taken by surprise; it was very good of you to come and see
my mother in her trouble," he said, in a gentle grateful tone, for his
quick mind told him at once how she came to be there. "I hope my mother
was thankful to have you," he added, wondering rather anxiously what had
been Dinah's reception.

"Yes," said Dinah, resuming her work, "she seemed greatly comforted
after a while, and she's had a good deal of rest in the night, by times.
She was fast asleep when I left her."

"Who was it took the news to the Hall Farm?" said Adam, his thoughts
reverting to some one there; he wondered whether SHE had felt anything
about it.

"It was Mr. Irwine, the clergyman, told me, and my aunt was grieved
for your mother when she heard it, and wanted me to come; and so is my
uncle, I'm sure, now he's heard it, but he was gone out to Rosseter all
yesterday. They'll look for you there as soon as you've got time to go,
for there's nobody round that hearth but what's glad to see you."

Dinah, with her sympathetic divination, knew quite well that Adam was
longing to hear if Hetty had said anything about their trouble; she was
too rigorously truthful for benevolent invention, but she had contrived
to say something in which Hetty was tacitly included. Love has a way
of cheating itself consciously, like a child who plays at solitary
hide-and-seek; it is pleased with assurances that it all the while
disbelieves. Adam liked what Dinah had said so much that his mind was
directly full of the next visit he should pay to the Hall Farm, when
Hetty would perhaps behave more kindly to him than she had ever done
before.

"But you won't be there yourself any longer?" he said to Dinah.

"No, I go back to Snowfield on Saturday, and I shall have to set out to
Treddleston early, to be in time for the Oakbourne carrier. So I must go
back to the farm to-night, that I may have the last day with my aunt and
her children. But I can stay here all to-day, if your mother would like
me; and her heart seemed inclined towards me last night."

"Ah, then, she's sure to want you to-day. If mother takes to people at
the beginning, she's sure to get fond of 'em; but she's a strange way of
not liking young women. Though, to be sure," Adam went on, smiling, "her
not liking other young women is no reason why she shouldn't like you."

Hitherto Gyp had been assisting at this conversation in motionless
silence, seated on his haunches, and alternately looking up in his
master's face to watch its expression and observing Dinah's movements
about the kitchen. The kind smile with which Adam uttered the last words
was apparently decisive with Gyp of the light in which the stranger
was to be regarded, and as she turned round after putting aside her
sweeping-brush, he trotted towards her and put up his muzzle against her
hand in a friendly way.

"You see Gyp bids you welcome," said Adam, "and he's very slow to
welcome strangers."

"Poor dog!" said Dinah, patting the rough grey coat, "I've a strange
feeling about the dumb things as if they wanted to speak, and it was a
trouble to 'em because they couldn't. I can't help being sorry for the
dogs always, though perhaps there's no need. But they may well have more
in them than they know how to make us understand, for we can't say half
what we feel, with all our words."

Seth came down now, and was pleased to find Adam talking with Dinah; he
wanted Adam to know how much better she was than all other women.
But after a few words of greeting, Adam drew him into the workshop to
consult about the coffin, and Dinah went on with her cleaning.

By six o'clock they were all at breakfast with Lisbeth in a kitchen as
clean as she could have made it herself. The window and door were open,
and the morning air brought with it a mingled scent of southernwood,
thyme, and sweet-briar from the patch of garden by the side of the
cottage. Dinah did not sit down at first, but moved about, serving the
others with the warm porridge and the toasted oat-cake, which she had
got ready in the usual way, for she had asked Seth to tell her just what
his mother gave them for breakfast. Lisbeth had been unusually silent
since she came downstairs, apparently requiring some time to adjust her
ideas to a state of things in which she came down like a lady to find
all the work done, and sat still to be waited on. Her new sensations
seemed to exclude the remembrance of her grief. At last, after tasting
the porridge, she broke silence:

"Ye might ha' made the parridge worse," she said to Dinah; "I can ate it
wi'out its turnin' my stomach. It might ha' been a trifle thicker an' no
harm, an' I allays putten a sprig o' mint in mysen; but how's ye t' know
that? The lads arena like to get folks as 'll make their parridge as I'n
made it for 'em; it's well if they get onybody as 'll make parridge at
all. But ye might do, wi' a bit o' showin'; for ye're a stirrin' body
in a mornin', an' ye've a light heel, an' ye've cleaned th' house well
enough for a ma'shift."

"Makeshift, mother?" said Adam. "Why, I think the house looks beautiful.
I don't know how it could look better."

"Thee dostna know? Nay; how's thee to know? Th' men ne'er know whether
the floor's cleaned or cat-licked. But thee'lt know when thee gets thy
parridge burnt, as it's like enough to be when I'n gi'en o'er makin' it.
Thee'lt think thy mother war good for summat then."

"Dinah," said Seth, "do come and sit down now and have your breakfast.
We're all served now."

"Aye, come an' sit ye down--do," said Lisbeth, "an' ate a morsel; ye'd
need, arter bein' upo' your legs this hour an' half a'ready. Come,
then," she added, in a tone of complaining affection, as Dinah sat down
by her side, "I'll be loath for ye t' go, but ye canna stay much longer,
I doubt. I could put up wi' ye i' th' house better nor wi' most folks."

"I'll stay till to-night if you're willing," said Dinah. "I'd stay
longer, only I'm going back to Snowfield on Saturday, and I must be with
my aunt to-morrow."

"Eh, I'd ne'er go back to that country. My old man come from that
Stonyshire side, but he left it when he war a young un, an' i' the right
on't too; for he said as there war no wood there, an' it 'ud ha' been a
bad country for a carpenter."

"Ah," said Adam, "I remember father telling me when I was a little lad
that he made up his mind if ever he moved it should be south'ard. But
I'm not so sure about it. Bartle Massey says--and he knows the South--as
the northern men are a finer breed than the southern, harder-headed and
stronger-bodied, and a deal taller. And then he says in some o' those
counties it's as flat as the back o' your hand, and you can see nothing
of a distance without climbing up the highest trees. I couldn't abide
that. I like to go to work by a road that'll take me up a bit of a hill,
and see the fields for miles round me, and a bridge, or a town, or a bit
of a steeple here and there. It makes you feel the world's a big place,
and there's other men working in it with their heads and hands besides
yourself."

"I like th' hills best," said Seth, "when the clouds are over your head
and you see the sun shining ever so far off, over the Loamford way, as
I've often done o' late, on the stormy days. It seems to me as if that
was heaven where there's always joy and sunshine, though this life's
dark and cloudy."

"Oh, I love the Stonyshire side," said Dinah; "I shouldn't like to set
my face towards the countries where they're rich in corn and cattle, and
the ground so level and easy to tread; and to turn my back on the hills
where the poor people have to live such a hard life and the men spend
their days in the mines away from the sunlight. It's very blessed on a
bleak cold day, when the sky is hanging dark over the hill, to feel
the love of God in one's soul, and carry it to the lonely, bare, stone
houses, where there's nothing else to give comfort."

"Eh!" said Lisbeth, "that's very well for ye to talk, as looks welly
like the snowdrop-flowers as ha' lived for days an' days when I'n
gethered 'em, wi' nothin' but a drop o' water an' a peep o' daylight;
but th' hungry foulks had better leave th' hungry country. It makes less
mouths for the scant cake. But," she went on, looking at Adam, "donna
thee talk o' goin' south'ard or north'ard, an' leavin' thy feyther and
mother i' the churchyard, an' goin' to a country as they know nothin'
on. I'll ne'er rest i' my grave if I donna see thee i' the churchyard of
a Sunday."

"Donna fear, mother," said Adam. "If I hadna made up my mind not to go,
I should ha' been gone before now."

He had finished his breakfast now, and rose as he was speaking.

"What art goin' to do?" asked Lisbeth. "Set about thy feyther's coffin?"

"No, mother," said Adam; "we're going to take the wood to the village
and have it made there."

"Nay, my lad, nay," Lisbeth burst out in an eager, wailing tone; "thee
wotna let nobody make thy feyther's coffin but thysen? Who'd make it
so well? An' him as know'd what good work war, an's got a son as is the
head o' the village an' all Treddles'on too, for cleverness."

"Very well, mother, if that's thy wish, I'll make the coffin at home;
but I thought thee wouldstna like to hear the work going on."

"An' why shouldna I like 't? It's the right thing to be done. An' what's
liking got to do wi't? It's choice o' mislikings is all I'n got i' this
world. One morsel's as good as another when your mouth's out o' taste.
Thee mun set about it now this mornin' fust thing. I wonna ha' nobody to
touch the coffin but thee."

Adam's eyes met Seth's, which looked from Dinah to him rather wistfully.

"No, Mother," he said, "I'll not consent but Seth shall have a hand
in it too, if it's to be done at home. I'll go to the village this
forenoon, because Mr. Burge 'ull want to see me, and Seth shall stay at
home and begin the coffin. I can come back at noon, and then he can go."

"Nay, nay," persisted Lisbeth, beginning to cry, "I'n set my heart on't
as thee shalt ma' thy feyther's coffin. Thee't so stiff an' masterful,
thee't ne'er do as thy mother wants thee. Thee wast often angered wi'
thy feyther when he war alive; thee must be the better to him now he's
gone. He'd ha' thought nothin' on't for Seth to ma's coffin."

"Say no more, Adam, say no more," said Seth, gently, though his voice
told that he spoke with some effort; "Mother's in the right. I'll go to
work, and do thee stay at home."

He passed into the workshop immediately, followed by Adam; while
Lisbeth, automatically obeying her old habits, began to put away the
breakfast things, as if she did not mean Dinah to take her place any
longer. Dinah said nothing, but presently used the opportunity of
quietly joining the brothers in the workshop.

They had already got on their aprons and paper caps, and Adam was
standing with his left hand on Seth's shoulder, while he pointed with
the hammer in his right to some boards which they were looking at. Their
backs were turned towards the door by which Dinah entered, and she came
in so gently that they were not aware of her presence till they heard
her voice saying, "Seth Bede!" Seth started, and they both turned round.
Dinah looked as if she did not see Adam, and fixed her eyes on Seth's
face, saying with calm kindness, "I won't say farewell. I shall see you
again when you come from work. So as I'm at the farm before dark, it
will be quite soon enough."

"Thank you, Dinah; I should like to walk home with you once more. It'll
perhaps be the last time."

There was a little tremor in Seth's voice. Dinah put out her hand and
said, "You'll have sweet peace in your mind to-day, Seth, for your
tenderness and long-suffering towards your aged mother."

She turned round and left the workshop as quickly and quietly as she had
entered it. Adam had been observing her closely all the while, but she
had not looked at him. As soon as she was gone, he said, "I don't wonder
at thee for loving her, Seth. She's got a face like a lily."

Seth's soul rushed to his eyes and lips: he had never yet confessed his
secret to Adam, but now he felt a delicious sense of disburdenment,
as he answered, "Aye, Addy, I do love her--too much, I doubt. But she
doesna love me, lad, only as one child o' God loves another. She'll
never love any man as a husband--that's my belief."

"Nay, lad, there's no telling; thee mustna lose heart. She's made out
o' stuff with a finer grain than most o' the women; I can see that clear
enough. But if she's better than they are in other things, I canna think
she'll fall short of 'em in loving."

No more was said. Seth set out to the village, and Adam began his work
on the coffin.

"God help the lad, and me too," he thought, as he lifted the board.
"We're like enough to find life a tough job--hard work inside and out.
It's a strange thing to think of a man as can lift a chair with his
teeth and walk fifty mile on end, trembling and turning hot and cold
at only a look from one woman out of all the rest i' the world. It's a
mystery we can give no account of; but no more we can of the sprouting
o' the seed, for that matter."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: In the Cottage The next morning Dinah rises early in the Bede cottage and cleans the kitchen to prepare the breakfast. Adam hears her and at first imagines Hetty has come, then is surprised to see Dinah there. They introduce themselves and speak of Lisbeth. When Adam stares at Dinah, she is self-conscious as a woman for the first time in her life and blushes. Both Gyp, the dog, and Lisbeth like Dinah, and they are usually hard to please. Lisbeth comes in to see breakfast all prepared and says it is almost as good as hers. She doesn't want Dinah to go. They speak of Dinah's home in Stonyshire and compare it to Loamshire. Adam and Seth get up to make their father's coffin, but Lisbeth insists Adam do it alone. Seth is disappointed because it means he will not get to be near Dinah on her last day in Hayslope; he gives in graciously and goes off to work. Dinah tells Seth his conscience will be clear from having pleased his mother, and she will walk home with him when he comes back. Adam speaks privately to Seth telling him that Dinah is not like other women, and she will probably come around to his wooing. He wonders at how mysterious love is that a man will only be pleased with one woman.


prompt:
Chapter: THAT same Thursday morning, as Arthur Donnithorne was moving about in
his dressing-room seeing his well-looking British person reflected in
the old-fashioned mirrors, and stared at, from a dingy olive-green piece
of tapestry, by Pharaoh's daughter and her maidens, who ought to have
been minding the infant Moses, he was holding a discussion with himself,
which, by the time his valet was tying the black silk sling over his
shoulder, had issued in a distinct practical resolution.

"I mean to go to Eagledale and fish for a week or so," he said aloud.
"I shall take you with me, Pym, and set off this morning; so be ready by
half-past eleven."

The low whistle, which had assisted him in arriving at this resolution,
here broke out into his loudest ringing tenor, and the corridor, as he
hurried along it, echoed to his favourite song from the Beggar's Opera,
"When the heart of a man is oppressed with care." Not an heroic strain;
nevertheless Arthur felt himself very heroic as he strode towards the
stables to give his orders about the horses. His own approbation was
necessary to him, and it was not an approbation to be enjoyed quite
gratuitously; it must be won by a fair amount of merit. He had never yet
forfeited that approbation, and he had considerable reliance on his own
virtues. No young man could confess his faults more candidly; candour
was one of his favourite virtues; and how can a man's candour be seen
in all its lustre unless he has a few failings to talk of? But he had
an agreeable confidence that his faults were all of a generous
kind--impetuous, warm-blooded, leonine; never crawling, crafty,
reptilian. It was not possible for Arthur Donnithorne to do anything
mean, dastardly, or cruel. "No! I'm a devil of a fellow for getting
myself into a hobble, but I always take care the load shall fall on
my own shoulders." Unhappily, there is no inherent poetical justice in
hobbles, and they will sometimes obstinately refuse to inflict their
worst consequences on the prime offender, in spite of his loudly
expressed wish. It was entirely owing to this deficiency in the scheme
of things that Arthur had ever brought any one into trouble besides
himself. He was nothing if not good-natured; and all his pictures of
the future, when he should come into the estate, were made up of a
prosperous, contented tenantry, adoring their landlord, who would be the
model of an English gentleman--mansion in first-rate order, all elegance
and high taste--jolly housekeeping, finest stud in Loamshire--purse open
to all public objects--in short, everything as different as possible
from what was now associated with the name of Donnithorne. And one of
the first good actions he would perform in that future should be to
increase Irwine's income for the vicarage of Hayslope, so that he might
keep a carriage for his mother and sisters. His hearty affection for the
rector dated from the age of frocks and trousers. It was an affection
partly filial, partly fraternal--fraternal enough to make him like
Irwine's company better than that of most younger men, and filial enough
to make him shrink strongly from incurring Irwine's disapprobation.

You perceive that Arthur Donnithorne was "a good fellow"--all his
college friends thought him such. He couldn't bear to see any one
uncomfortable; he would have been sorry even in his angriest moods for
any harm to happen to his grandfather; and his Aunt Lydia herself had
the benefit of that soft-heartedness which he bore towards the whole
sex. Whether he would have self-mastery enough to be always as harmless
and purely beneficent as his good-nature led him to desire, was a
question that no one had yet decided against him; he was but twenty-one,
you remember, and we don't inquire too closely into character in the
case of a handsome generous young fellow, who will have property enough
to support numerous peccadilloes--who, if he should unfortunately
break a man's legs in his rash driving, will be able to pension him
handsomely; or if he should happen to spoil a woman's existence for her,
will make it up to her with expensive bon-bons, packed up and directed
by his own hand. It would be ridiculous to be prying and analytic
in such cases, as if one were inquiring into the character of a
confidential clerk. We use round, general, gentlemanly epithets about
a young man of birth and fortune; and ladies, with that fine intuition
which is the distinguishing attribute of their sex, see at once that
he is "nice." The chances are that he will go through life without
scandalizing any one; a seaworthy vessel that no one would refuse to
insure. Ships, certainly, are liable to casualties, which sometimes make
terribly evident some flaw in their construction that would never have
been discoverable in smooth water; and many a "good fellow," through a
disastrous combination of circumstances, has undergone a like betrayal.

But we have no fair ground for entertaining unfavourable auguries
concerning Arthur Donnithorne, who this morning proves himself capable
of a prudent resolution founded on conscience. One thing is clear:
Nature has taken care that he shall never go far astray with perfect
comfort and satisfaction to himself; he will never get beyond that
border-land of sin, where he will be perpetually harassed by assaults
from the other side of the boundary. He will never be a courtier of
Vice, and wear her orders in his button-hole.

It was about ten o'clock, and the sun was shining brilliantly;
everything was looking lovelier for the yesterday's rain. It is a
pleasant thing on such a morning to walk along the well-rolled gravel on
one's way to the stables, meditating an excursion. But the scent of
the stables, which, in a natural state of things, ought to be among
the soothing influences of a man's life, always brought with it some
irritation to Arthur. There was no having his own way in the stables;
everything was managed in the stingiest fashion. His grandfather
persisted in retaining as head groom an old dolt whom no sort of
lever could move out of his old habits, and who was allowed to hire a
succession of raw Loamshire lads as his subordinates, one of whom
had lately tested a new pair of shears by clipping an oblong patch on
Arthur's bay mare. This state of things is naturally embittering; one
can put up with annoyances in the house, but to have the stable made
a scene of vexation and disgust is a point beyond what human flesh
and blood can be expected to endure long together without danger of
misanthropy.

Old John's wooden, deep-wrinkled face was the first object that met
Arthur's eyes as he entered the stable-yard, and it quite poisoned for
him the bark of the two bloodhounds that kept watch there. He could
never speak quite patiently to the old blockhead.

"You must have Meg saddled for me and brought to the door at half-past
eleven, and I shall want Rattler saddled for Pym at the same time. Do
you hear?"

"Yes, I hear, I hear, Cap'n," said old John very deliberately, following
the young master into the stable. John considered a young master as the
natural enemy of an old servant, and young people in general as a poor
contrivance for carrying on the world.

Arthur went in for the sake of patting Meg, declining as far as possible
to see anything in the stables, lest he should lose his temper before
breakfast. The pretty creature was in one of the inner stables, and
turned her mild head as her master came beside her. Little Trot, a tiny
spaniel, her inseparable companion in the stable, was comfortably curled
up on her back.

"Well, Meg, my pretty girl," said Arthur, patting her neck, "we'll have
a glorious canter this morning."

"Nay, your honour, I donna see as that can be," said John.

"Not be? Why not?"

"Why, she's got lamed."

"Lamed, confound you! What do you mean?"

"Why, th' lad took her too close to Dalton's hosses, an' one on 'em
flung out at her, an' she's got her shank bruised o' the near foreleg."

The judicious historian abstains from narrating precisely what ensued.
You understand that there was a great deal of strong language, mingled
with soothing "who-ho's" while the leg was examined; that John stood
by with quite as much emotion as if he had been a cunningly carved
crab-tree walking-stick, and that Arthur Donnithorne presently repassed
the iron gates of the pleasure-ground without singing as he went.

He considered himself thoroughly disappointed and annoyed. There was not
another mount in the stable for himself and his servant besides Meg and
Rattler. It was vexatious; just when he wanted to get out of the way
for a week or two. It seemed culpable in Providence to allow such a
combination of circumstances. To be shut up at the Chase with a broken
arm when every other fellow in his regiment was enjoying himself
at Windsor--shut up with his grandfather, who had the same sort of
affection for him as for his parchment deeds! And to be disgusted at
every turn with the management of the house and the estate! In such
circumstances a man necessarily gets in an ill humour, and works off the
irritation by some excess or other. "Salkeld would have drunk a bottle
of port every day," he muttered to himself, "but I'm not well seasoned
enough for that. Well, since I can't go to Eagledale, I'll have a gallop
on Rattler to Norburne this morning, and lunch with Gawaine."

Behind this explicit resolution there lay an implicit one. If he lunched
with Gawaine and lingered chatting, he should not reach the Chase again
till nearly five, when Hetty would be safe out of his sight in the
housekeeper's room; and when she set out to go home, it would be his
lazy time after dinner, so he should keep out of her way altogether.
There really would have been no harm in being kind to the little thing,
and it was worth dancing with a dozen ballroom belles only to look at
Hetty for half an hour. But perhaps he had better not take any more
notice of her; it might put notions into her head, as Irwine had hinted;
though Arthur, for his part, thought girls were not by any means so soft
and easily bruised; indeed, he had generally found them twice as cool
and cunning as he was himself. As for any real harm in Hetty's case, it
was out of the question: Arthur Donnithorne accepted his own bond for
himself with perfect confidence.

So the twelve o'clock sun saw him galloping towards Norburne; and by
good fortune Halsell Common lay in his road and gave him some fine
leaps for Rattler. Nothing like "taking" a few bushes and ditches for
exorcising a demon; and it is really astonishing that the Centaurs, with
their immense advantages in this way, have left so bad a reputation in
history.

After this, you will perhaps be surprised to hear that although Gawaine
was at home, the hand of the dial in the courtyard had scarcely
cleared the last stroke of three when Arthur returned through the
entrance-gates, got down from the panting Rattler, and went into the
house to take a hasty luncheon. But I believe there have been men
since his day who have ridden a long way to avoid a rencontre, and then
galloped hastily back lest they should miss it. It is the favourite
stratagem of our passions to sham a retreat, and to turn sharp round
upon us at the moment we have made up our minds that the day is our own.

"The cap'n's been ridin' the devil's own pace," said Dalton the
coachman, whose person stood out in high relief as he smoked his pipe
against the stable wall, when John brought up Rattler.

"An' I wish he'd get the devil to do's grooming for'n," growled John.

"Aye; he'd hev a deal haimabler groom nor what he has now," observed
Dalton--and the joke appeared to him so good that, being left alone upon
the scene, he continued at intervals to take his pipe from his mouth
in order to wink at an imaginary audience and shake luxuriously with
a silent, ventral laughter, mentally rehearsing the dialogue from the
beginning, that he might recite it with effect in the servants' hall.

When Arthur went up to his dressing-room again after luncheon, it was
inevitable that the debate he had had with himself there earlier in the
day should flash across his mind; but it was impossible for him now
to dwell on the remembrance--impossible to recall the feelings and
reflections which had been decisive with him then, any more than to
recall the peculiar scent of the air that had freshened him when he
first opened his window. The desire to see Hetty had rushed back like an
ill-stemmed current; he was amazed himself at the force with which this
trivial fancy seemed to grasp him: he was even rather tremulous as he
brushed his hair--pooh! it was riding in that break-neck way. It was
because he had made a serious affair of an idle matter, by thinking of
it as if it were of any consequence. He would amuse himself by seeing
Hetty to-day, and get rid of the whole thing from his mind. It was all
Irwine's fault. "If Irwine had said nothing, I shouldn't have thought
half so much of Hetty as of Meg's lameness." However, it was just the
sort of day for lolling in the Hermitage, and he would go and finish
Dr. Moore's Zeluco there before dinner. The Hermitage stood in Fir-tree
Grove--the way Hetty was sure to come in walking from the Hall Farm.
So nothing could be simpler and more natural: meeting Hetty was a mere
circumstance of his walk, not its object.

Arthur's shadow flitted rather faster among the sturdy oaks of the Chase
than might have been expected from the shadow of a tired man on a warm
afternoon, and it was still scarcely four o'clock when he stood before
the tall narrow gate leading into the delicious labyrinthine wood which
skirted one side of the Chase, and which was called Fir-tree Grove, not
because the firs were many, but because they were few. It was a wood
of beeches and limes, with here and there a light silver-stemmed
birch--just the sort of wood most haunted by the nymphs: you see their
white sunlit limbs gleaming athwart the boughs, or peeping from behind
the smooth-sweeping outline of a tall lime; you hear their soft liquid
laughter--but if you look with a too curious sacrilegious eye, they
vanish behind the silvery beeches, they make you believe that their
voice was only a running brooklet, perhaps they metamorphose themselves
into a tawny squirrel that scampers away and mocks you from the topmost
bough. It was not a grove with measured grass or rolled gravel for you
to tread upon, but with narrow, hollow-shaped, earthy paths, edged with
faint dashes of delicate moss--paths which look as if they were made
by the free will of the trees and underwood, moving reverently aside to
look at the tall queen of the white-footed nymphs.

It was along the broadest of these paths that Arthur Donnithorne passed,
under an avenue of limes and beeches. It was a still afternoon--the
golden light was lingering languidly among the upper boughs, only
glancing down here and there on the purple pathway and its edge of
faintly sprinkled moss: an afternoon in which destiny disguises her cold
awful face behind a hazy radiant veil, encloses us in warm downy
wings, and poisons us with violet-scented breath. Arthur strolled along
carelessly, with a book under his arm, but not looking on the ground
as meditative men are apt to do; his eyes WOULD fix themselves on the
distant bend in the road round which a little figure must surely appear
before long. Ah! There she comes. First a bright patch of colour, like
a tropic bird among the boughs; then a tripping figure, with a round
hat on, and a small basket under her arm; then a deep-blushing, almost
frightened, but bright-smiling girl, making her curtsy with a fluttered
yet happy glance, as Arthur came up to her. If Arthur had had time
to think at all, he would have thought it strange that he should feel
fluttered too, be conscious of blushing too--in fact, look and feel as
foolish as if he had been taken by surprise instead of meeting just what
he expected. Poor things! It was a pity they were not in that golden age
of childhood when they would have stood face to face, eyeing each other
with timid liking, then given each other a little butterfly kiss,
and toddled off to play together. Arthur would have gone home to his
silk-curtained cot, and Hetty to her home-spun pillow, and both would
have slept without dreams, and to-morrow would have been a life hardly
conscious of a yesterday.

Arthur turned round and walked by Hetty's side without giving a reason.
They were alone together for the first time. What an overpowering
presence that first privacy is! He actually dared not look at this
little butter-maker for the first minute or two. As for Hetty, her feet
rested on a cloud, and she was borne along by warm zephyrs; she had
forgotten her rose-coloured ribbons; she was no more conscious of her
limbs than if her childish soul had passed into a water-lily, resting
on a liquid bed and warmed by the midsummer sun-beams. It may seem a
contradiction, but Arthur gathered a certain carelessness and confidence
from his timidity: it was an entirely different state of mind from what
he had expected in such a meeting with Hetty; and full as he was of
vague feeling, there was room, in those moments of silence, for the
thought that his previous debates and scruples were needless.

"You are quite right to choose this way of coming to the Chase," he
said at last, looking down at Hetty; "it is so much prettier as well as
shorter than coming by either of the lodges."

"Yes, sir," Hetty answered, with a tremulous, almost whispering voice.
She didn't know one bit how to speak to a gentleman like Mr. Arthur, and
her very vanity made her more coy of speech.

"Do you come every week to see Mrs. Pomfret?"

"Yes, sir, every Thursday, only when she's got to go out with Miss
Donnithorne."

"And she's teaching you something, is she?"

"Yes, sir, the lace-mending as she learnt abroad, and the
stocking-mending--it looks just like the stocking, you can't tell it's
been mended; and she teaches me cutting-out too."

"What! are YOU going to be a lady's maid?"

"I should like to be one very much indeed." Hetty spoke more audibly
now, but still rather tremulously; she thought, perhaps she seemed as
stupid to Captain Donnithorne as Luke Britton did to her.

"I suppose Mrs. Pomfret always expects you at this time?"

"She expects me at four o'clock. I'm rather late to-day, because my aunt
couldn't spare me; but the regular time is four, because that gives us
time before Miss Donnithorne's bell rings."

"Ah, then, I must not keep you now, else I should like to show you the
Hermitage. Did you ever see it?"

"No, sir."

"This is the walk where we turn up to it. But we must not go now. I'll
show it you some other time, if you'd like to see it."

"Yes, please, sir."

"Do you always come back this way in the evening, or are you afraid to
come so lonely a road?"

"Oh no, sir, it's never late; I always set out by eight o'clock, and
it's so light now in the evening. My aunt would be angry with me if I
didn't get home before nine."

"Perhaps Craig, the gardener, comes to take care of you?"

A deep blush overspread Hetty's face and neck. "I'm sure he doesn't;
I'm sure he never did; I wouldn't let him; I don't like him," she said
hastily, and the tears of vexation had come so fast that before she had
done speaking a bright drop rolled down her hot cheek. Then she felt
ashamed to death that she was crying, and for one long instant her
happiness was all gone. But in the next she felt an arm steal round her,
and a gentle voice said, "Why, Hetty, what makes you cry? I didn't mean
to vex you. I wouldn't vex you for the world, you little blossom. Come,
don't cry; look at me, else I shall think you won't forgive me."

Arthur had laid his hand on the soft arm that was nearest to him, and
was stooping towards Hetty with a look of coaxing entreaty. Hetty lifted
her long dewy lashes, and met the eyes that were bent towards her with a
sweet, timid, beseeching look. What a space of time those three moments
were while their eyes met and his arms touched her! Love is such a
simple thing when we have only one-and-twenty summers and a sweet girl
of seventeen trembles under our glance, as if she were a bud first
opening her heart with wondering rapture to the morning. Such young
unfurrowed souls roll to meet each other like two velvet peaches that
touch softly and are at rest; they mingle as easily as two brooklets
that ask for nothing but to entwine themselves and ripple with
ever-interlacing curves in the leafiest hiding-places. While Arthur
gazed into Hetty's dark beseeching eyes, it made no difference to him
what sort of English she spoke; and even if hoops and powder had been
in fashion, he would very likely not have been sensible just then that
Hetty wanted those signs of high breeding.

But they started asunder with beating hearts: something had fallen on
the ground with a rattling noise; it was Hetty's basket; all her little
workwoman's matters were scattered on the path, some of them showing
a capability of rolling to great lengths. There was much to be done in
picking up, and not a word was spoken; but when Arthur hung the basket
over her arm again, the poor child felt a strange difference in his look
and manner. He just pressed her hand, and said, with a look and tone
that were almost chilling to her, "I have been hindering you; I must not
keep you any longer now. You will be expected at the house. Good-bye."

Without waiting for her to speak, he turned away from her and hurried
back towards the road that led to the Hermitage, leaving Hetty to pursue
her way in a strange dream that seemed to have begun in bewildering
delight and was now passing into contrarieties and sadness. Would he
meet her again as she came home? Why had he spoken almost as if he were
displeased with her? And then run away so suddenly? She cried, hardly
knowing why.

Arthur too was very uneasy, but his feelings were lit up for him by a
more distinct consciousness. He hurried to the Hermitage, which stood in
the heart of the wood, unlocked the door with a hasty wrench, slammed
it after him, pitched Zeluco into the most distant corner, and thrusting
his right hand into his pocket, first walked four or five times up and
down the scanty length of the little room, and then seated himself on
the ottoman in an uncomfortable stiff way, as we often do when we wish
not to abandon ourselves to feeling.

He was getting in love with Hetty--that was quite plain. He was ready
to pitch everything else--no matter where--for the sake of surrendering
himself to this delicious feeling which had just disclosed itself. It
was no use blinking the fact now--they would get too fond of each other,
if he went on taking notice of her--and what would come of it? He should
have to go away in a few weeks, and the poor little thing would be
miserable. He MUST NOT see her alone again; he must keep out of her way.
What a fool he was for coming back from Gawaine's!

He got up and threw open the windows, to let in the soft breath of the
afternoon, and the healthy scent of the firs that made a belt round the
Hermitage. The soft air did not help his resolution, as he leaned out
and looked into the leafy distance. But he considered his resolution
sufficiently fixed: there was no need to debate with himself any longer.
He had made up his mind not to meet Hetty again; and now he might
give himself up to thinking how immensely agreeable it would be if
circumstances were different--how pleasant it would have been to meet
her this evening as she came back, and put his arm round her again and
look into her sweet face. He wondered if the dear little thing were
thinking of him too--twenty to one she was. How beautiful her eyes were
with the tear on their lashes! He would like to satisfy his soul for a
day with looking at them, and he MUST see her again--he must see her,
simply to remove any false impression from her mind about his manner
to her just now. He would behave in a quiet, kind way to her--just to
prevent her from going home with her head full of wrong fancies. Yes,
that would be the best thing to do after all.

It was a long while--more than an hour before Arthur had brought his
meditations to this point; but once arrived there, he could stay no
longer at the Hermitage. The time must be filled up with movement until
he should see Hetty again. And it was already late enough to go and
dress for dinner, for his grandfather's dinner-hour was six.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: In the Wood On the same morning, Arthur holds a discussion with himself and decides it is prudent that he should go on a week-long fishing trip to stay out of the way of Hetty. He approves of himself for his noble behavior but when he goes to the stable, he finds his horse has been lamed, and he cannot go. He uses another horse to go to lunch with a friend, thinking he will get back too late to meet Hetty. Somehow, he is back early and realizes he wants to see her. They meet on the path in the fir-tree grove, and are shy with one another at first, for they have never been alone before. Arthur questions her about what time she goes to Mrs. Pomfret's and says she probably has an escort to go home, Mr. Craig, the gardener, for instance. Hetty begins to cry at the mention of Mr. Craig and says she doesn't like him. Arthur's tenderness is aroused and he puts his hand on her arm. Suddenly she drops her sewing basket, and they have to pick up the contents, thus breaking the mood. When she leaves, he is angry with himself for his weakness but then realizes he is falling in love with Hetty. He goes into the Hermitage, a house in the wood, and waits for her to come back.


prompt:
Chapter: IT happened that Mrs. Pomfret had had a slight quarrel with Mrs.
Best, the housekeeper, on this Thursday morning--a fact which had two
consequences highly convenient to Hetty. It caused Mrs. Pomfret to have
tea sent up to her own room, and it inspired that exemplary lady's maid
with so lively a recollection of former passages in Mrs. Best's conduct,
and of dialogues in which Mrs. Best had decidedly the inferiority as an
interlocutor with Mrs. Pomfret, that Hetty required no more presence
of mind than was demanded for using her needle, and throwing in an
occasional "yes" or "no." She would have wanted to put on her hat
earlier than usual; only she had told Captain Donnithorne that she
usually set out about eight o'clock, and if he SHOULD go to the Grove
again expecting to see her, and she should be gone! Would he come? Her
little butterfly soul fluttered incessantly between memory and dubious
expectation. At last the minute-hand of the old-fashioned brazen-faced
timepiece was on the last quarter to eight, and there was every reason
for its being time to get ready for departure. Even Mrs. Pomfret's
preoccupied mind did not prevent her from noticing what looked like a
new flush of beauty in the little thing as she tied on her hat before
the looking-glass.

"That child gets prettier and prettier every day, I do believe," was her
inward comment. "The more's the pity. She'll get neither a place nor
a husband any the sooner for it. Sober well-to-do men don't like such
pretty wives. When I was a girl, I was more admired than if I had been
so very pretty. However, she's reason to be grateful to me for teaching
her something to get her bread with, better than farm-house work. They
always told me I was good-natured--and that's the truth, and to my hurt
too, else there's them in this house that wouldn't be here now to lord
it over me in the housekeeper's room."

Hetty walked hastily across the short space of pleasure-ground which she
had to traverse, dreading to meet Mr. Craig, to whom she could hardly
have spoken civilly. How relieved she was when she had got safely under
the oaks and among the fern of the Chase! Even then she was as ready to
be startled as the deer that leaped away at her approach. She thought
nothing of the evening light that lay gently in the grassy alleys
between the fern, and made the beauty of their living green more visible
than it had been in the overpowering flood of noon: she thought of
nothing that was present. She only saw something that was possible: Mr.
Arthur Donnithorne coming to meet her again along the Fir-tree Grove.
That was the foreground of Hetty's picture; behind it lay a bright hazy
something--days that were not to be as the other days of her life had
been. It was as if she had been wooed by a river-god, who might any
time take her to his wondrous halls below a watery heaven. There was no
knowing what would come, since this strange entrancing delight had come.
If a chest full of lace and satin and jewels had been sent her from some
unknown source, how could she but have thought that her whole lot was
going to change, and that to-morrow some still more bewildering joy
would befall her? Hetty had never read a novel; if she had ever seen
one, I think the words would have been too hard for her; how then could
she find a shape for her expectations? They were as formless as the
sweet languid odours of the garden at the Chase, which had floated past
her as she walked by the gate.

She is at another gate now--that leading into Fir-tree Grove. She enters
the wood, where it is already twilight, and at every step she takes, the
fear at her heart becomes colder. If he should not come! Oh, how dreary
it was--the thought of going out at the other end of the wood, into the
unsheltered road, without having seen him. She reaches the first turning
towards the Hermitage, walking slowly--he is not there. She hates the
leveret that runs across the path; she hates everything that is not what
she longs for. She walks on, happy whenever she is coming to a bend in
the road, for perhaps he is behind it. No. She is beginning to cry: her
heart has swelled so, the tears stand in her eyes; she gives one great
sob, while the corners of her mouth quiver, and the tears roll down.

She doesn't know that there is another turning to the Hermitage, that
she is close against it, and that Arthur Donnithorne is only a few yards
from her, full of one thought, and a thought of which she only is the
object. He is going to see Hetty again: that is the longing which has
been growing through the last three hours to a feverish thirst. Not,
of course, to speak in the caressing way into which he had unguardedly
fallen before dinner, but to set things right with her by a kindness
which would have the air of friendly civility, and prevent her from
running away with wrong notions about their mutual relation.

If Hetty had known he was there, she would not have cried; and it would
have been better, for then Arthur would perhaps have behaved as wisely
as he had intended. As it was, she started when he appeared at the end
of the side-alley, and looked up at him with two great drops rolling
down her cheeks. What else could he do but speak to her in a soft,
soothing tone, as if she were a bright-eyed spaniel with a thorn in her
foot?

"Has something frightened you, Hetty? Have you seen anything in the
wood? Don't be frightened--I'll take care of you now."

Hetty was blushing so, she didn't know whether she was happy or
miserable. To be crying again--what did gentlemen think of girls who
cried in that way? She felt unable even to say "no," but could only look
away from him and wipe the tears from her cheek. Not before a great drop
had fallen on her rose-coloured strings--she knew that quite well.

"Come, be cheerful again. Smile at me, and tell me what's the matter.
Come, tell me."

Hetty turned her head towards him, whispered, "I thought you wouldn't
come," and slowly got courage to lift her eyes to him. That look was too
much: he must have had eyes of Egyptian granite not to look too lovingly
in return.

"You little frightened bird! Little tearful rose! Silly pet! You won't
cry again, now I'm with you, will you?"

Ah, he doesn't know in the least what he is saying. This is not what
he meant to say. His arm is stealing round the waist again; it is
tightening its clasp; he is bending his face nearer and nearer to the
round cheek; his lips are meeting those pouting child-lips, and for a
long moment time has vanished. He may be a shepherd in Arcadia for aught
he knows, he may be the first youth kissing the first maiden, he may be
Eros himself, sipping the lips of Psyche--it is all one.

There was no speaking for minutes after. They walked along with beating
hearts till they came within sight of the gate at the end of the wood.
Then they looked at each other, not quite as they had looked before, for
in their eyes there was the memory of a kiss.

But already something bitter had begun to mingle itself with the
fountain of sweets: already Arthur was uncomfortable. He took his arm
from Hetty's waist, and said, "Here we are, almost at the end of the
Grove. I wonder how late it is," he added, pulling out his watch.
"Twenty minutes past eight--but my watch is too fast. However, I'd
better not go any further now. Trot along quickly with your little feet,
and get home safely. Good-bye."

He took her hand, and looked at her half-sadly, half with a constrained
smile. Hetty's eyes seemed to beseech him not to go away yet; but he
patted her cheek and said "Good-bye" again. She was obliged to turn away
from him and go on.

As for Arthur, he rushed back through the wood, as if he wanted to put
a wide space between himself and Hetty. He would not go to the Hermitage
again; he remembered how he had debated with himself there before
dinner, and it had all come to nothing--worse than nothing. He walked
right on into the Chase, glad to get out of the Grove, which surely was
haunted by his evil genius. Those beeches and smooth limes--there was
something enervating in the very sight of them; but the strong knotted
old oaks had no bending languor in them--the sight of them would give
a man some energy. Arthur lost himself among the narrow openings in
the fern, winding about without seeking any issue, till the twilight
deepened almost to night under the great boughs, and the hare looked
black as it darted across his path.

He was feeling much more strongly than he had done in the morning: it
was as if his horse had wheeled round from a leap and dared to dispute
his mastery. He was dissatisfied with himself, irritated, mortified. He
no sooner fixed his mind on the probable consequences of giving way to
the emotions which had stolen over him to-day--of continuing to notice
Hetty, of allowing himself any opportunity for such slight caresses as
he had been betrayed into already--than he refused to believe such a
future possible for himself. To flirt with Hetty was a very different
affair from flirting with a pretty girl of his own station: that was
understood to be an amusement on both sides, or, if it became serious,
there was no obstacle to marriage. But this little thing would be spoken
ill of directly, if she happened to be seen walking with him; and then
those excellent people, the Poysers, to whom a good name was as precious
as if they had the best blood in the land in their veins--he should hate
himself if he made a scandal of that sort, on the estate that was to be
his own some day, and among tenants by whom he liked, above all, to be
respected. He could no more believe that he should so fall in his own
esteem than that he should break both his legs and go on crutches all
the rest of his life. He couldn't imagine himself in that position; it
was too odious, too unlike him.

And even if no one knew anything about it, they might get too fond of
each other, and then there could be nothing but the misery of parting,
after all. No gentleman, out of a ballad, could marry a farmer's niece.
There must be an end to the whole thing at once. It was too foolish.

And yet he had been so determined this morning, before he went to
Gawaine's; and while he was there something had taken hold of him and
made him gallop back. It seemed he couldn't quite depend on his own
resolution, as he had thought he could; he almost wished his arm would
get painful again, and then he should think of nothing but the comfort
it would be to get rid of the pain. There was no knowing what impulse
might seize him to-morrow, in this confounded place, where there was
nothing to occupy him imperiously through the livelong day. What could
he do to secure himself from any more of this folly?

There was but one resource. He would go and tell Irwine--tell him
everything. The mere act of telling it would make it seem trivial; the
temptation would vanish, as the charm of fond words vanishes when one
repeats them to the indifferent. In every way it would help him to tell
Irwine. He would ride to Broxton Rectory the first thing after breakfast
to-morrow.

Arthur had no sooner come to this determination than he began to think
which of the paths would lead him home, and made as short a walk thither
as he could. He felt sure he should sleep now: he had had enough to tire
him, and there was no more need for him to think.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Evening in the Wood Hetty can hardly keep her mind on her needlework in Mrs. Pomfret's room and hurries away after three hours there, hoping to see Arthur on the way home. She walks in the wood looking for him at every turn and just when she thinks he isn't coming, she bursts into tears. He comes around the corner, and his resolutions go to pieces. He had planned on being formal with her to explain that they must not meet any more, but when he sees Hetty crying, he becomes protective and puts his arm around her. She says she is crying because she thought he wasn't coming. They kiss and walk to the end of the wood. Arthur's conscience is beginning to hurt him. He knows it is not the same as flirting with a girl of his own class. This can only harm both of them, since he can't marry her or even be seen with her. He is confused by his own lack of control and decides to confess to Mr. Irwine, who will help him.