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Chapter: <CHAPTER>
6--The Figure against the Sky

When the whole Egdon concourse had left the site of the bonfire to its
accustomed loneliness, a closely wrapped female figure approached the
barrow from that quarter of the heath in which the little fire lay. Had
the reddleman been watching he might have recognized her as the woman
who had first stood there so singularly, and vanished at the approach
of strangers. She ascended to her old position at the top, where the red
coals of the perishing fire greeted her like living eyes in the corpse
of day. There she stood still around her stretching the vast night
atmosphere, whose incomplete darkness in comparison with the total
darkness of the heath below it might have represented a venial beside a
mortal sin.

That she was tall and straight in build, that she was lady-like in her
movements, was all that could be learnt of her just now, her form being
wrapped in a shawl folded in the old cornerwise fashion, and her head in
a large kerchief, a protection not superfluous at this hour and place.
Her back was towards the wind, which blew from the northwest; but
whether she had avoided that aspect because of the chilly gusts which
played about her exceptional position, or because her interest lay in
the southeast, did not at first appear.

Her reason for standing so dead still as the pivot of this circle
of heath-country was just as obscure. Her extraordinary fixity, her
conspicuous loneliness, her heedlessness of night, betokened among other
things an utter absence of fear. A tract of country unaltered from that
sinister condition which made Caesar anxious every year to get clear of
its glooms before the autumnal equinox, a kind of landscape and weather
which leads travellers from the South to describe our island as Homer's
Cimmerian land, was not, on the face of it, friendly to women.

It might reasonably have been supposed that she was listening to the
wind, which rose somewhat as the night advanced, and laid hold of the
attention. The wind, indeed, seemed made for the scene, as the scene
seemed made for the hour. Part of its tone was quite special; what was
heard there could be heard nowhere else. Gusts in innumerable series
followed each other from the northwest, and when each one of them raced
past the sound of its progress resolved into three. Treble, tenor, and
bass notes were to be found therein. The general ricochet of the whole
over pits and prominences had the gravest pitch of the chime. Next there
could be heard the baritone buzz of a holly tree. Below these in force,
above them in pitch, a dwindled voice strove hard at a husky tune, which
was the peculiar local sound alluded to. Thinner and less immediately
traceable than the other two, it was far more impressive than either. In
it lay what may be called the linguistic peculiarity of the heath; and
being audible nowhere on earth off a heath, it afforded a shadow of
reason for the woman's tenseness, which continued as unbroken as ever.

Throughout the blowing of these plaintive November winds that note
bore a great resemblance to the ruins of human song which remain to the
throat of fourscore and ten. It was a worn whisper, dry and papery, and
it brushed so distinctly across the ear that, by the accustomed, the
material minutiae in which it originated could be realized as by touch.
It was the united products of infinitesimal vegetable causes, and these
were neither stems, leaves, fruit, blades, prickles, lichen, nor moss.

They were the mummied heathbells of the past summer, originally tender
and purple, now washed colourless by Michaelmas rains, and dried to dead
skins by October suns. So low was an individual sound from these that a
combination of hundreds only just emerged from silence, and the myriads
of the whole declivity reached the woman's ear but as a shrivelled and
intermittent recitative. Yet scarcely a single accent among the many
afloat tonight could have such power to impress a listener with
thoughts of its origin. One inwardly saw the infinity of those combined
multitudes; and perceived that each of the tiny trumpets was seized on
entered, scoured and emerged from by the wind as thoroughly as if it
were as vast as a crater.

"The spirit moved them." A meaning of the phrase forced itself upon the
attention; and an emotional listener's fetichistic mood might have
ended in one of more advanced quality. It was not, after all, that the
left-hand expanse of old blooms spoke, or the right-hand, or those
of the slope in front; but it was the single person of something else
speaking through each at once.

Suddenly, on the barrow, there mingled with all this wild rhetoric
of night a sound which modulated so naturally into the rest that its
beginning and ending were hardly to be distinguished. The bluffs, and
the bushes, and the heather-bells had broken silence; at last, so did
the woman; and her articulation was but as another phrase of the same
discourse as theirs. Thrown out on the winds it became twined in with
them, and with them it flew away.

What she uttered was a lengthened sighing, apparently at something
in her mind which had led to her presence here. There was a spasmodic
abandonment about it as if, in allowing herself to utter the sound the
woman's brain had authorized what it could not regulate. One point was
evident in this; that she had been existing in a suppressed state, and
not in one of languor, or stagnation.

Far away down the valley the faint shine from the window of the inn
still lasted on; and a few additional moments proved that the window, or
what was within it, had more to do with the woman's sigh than had either
her own actions or the scene immediately around. She lifted her left
hand, which held a closed telescope. This she rapidly extended, as if
she were well accustomed to the operation, and raising it to her eye
directed it towards the light beaming from the inn.

The handkerchief which had hooded her head was now a little thrown back,
her face being somewhat elevated. A profile was visible against the dull
monochrome of cloud around her; and it was as though side shadows from
the features of Sappho and Mrs. Siddons had converged upwards from the
tomb to form an image like neither but suggesting both. This, however,
was mere superficiality. In respect of character a face may make certain
admissions by its outline; but it fully confesses only in its changes.
So much is this the case that what is called the play of the features
often helps more in understanding a man or woman than the earnest
labours of all the other members together. Thus the night revealed
little of her whose form it was embracing, for the mobile parts of her
countenance could not be seen.

At last she gave up her spying attitude, closed the telescope, and
turned to the decaying embers. From these no appreciable beams now
radiated, except when a more than usually smart gust brushed over their
faces and raised a fitful glow which came and went like the blush of a
girl. She stooped over the silent circle, and selecting from the brands
a piece of stick which bore the largest live coal at its end, brought it
to where she had been standing before.

She held the brand to the ground, blowing the red coal with her mouth at
the same time; till it faintly illuminated the sod, and revealed a small
object, which turned out to be an hourglass, though she wore a watch.
She blew long enough to show that the sand had all slipped through.

"Ah!" she said, as if surprised.

The light raised by her breath had been very fitful, and a momentary
irradiation of flesh was all that it had disclosed of her face. That
consisted of two matchless lips and a cheek only, her head being still
enveloped. She threw away the stick, took the glass in her hand, the
telescope under her arm, and moved on.

Along the ridge ran a faint foot-track, which the lady followed. Those
who knew it well called it a path; and, while a mere visitor would have
passed it unnoticed even by day, the regular haunters of the heath
were at no loss for it at midnight. The whole secret of following these
incipient paths, when there was not light enough in the atmosphere to
show a turnpike road, lay in the development of the sense of touch in
the feet, which comes with years of night-rambling in little-trodden
spots. To a walker practised in such places a difference between impact
on maiden herbage, and on the crippled stalks of a slight footway, is
perceptible through the thickest boot or shoe.

The solitary figure who walked this beat took no notice of the windy
tune still played on the dead heathbells. She did not turn her head to
look at a group of dark creatures further on, who fled from her presence
as she skirted a ravine where they fed. They were about a score of the
small wild ponies known as heath-croppers. They roamed at large on the
undulations of Egdon, but in numbers too few to detract much from the
solitude.

The pedestrian noticed nothing just now, and a clue to her abstraction
was afforded by a trivial incident. A bramble caught hold of her skirt,
and checked her progress. Instead of putting it off and hastening along,
she yielded herself up to the pull, and stood passively still. When she
began to extricate herself it was by turning round and round, and so
unwinding the prickly switch. She was in a desponding reverie.

Her course was in the direction of the small undying fire which had
drawn the attention of the men on Rainbarrow and of Wildeve in the
valley below. A faint illumination from its rays began to glow upon
her face, and the fire soon revealed itself to be lit, not on the level
ground, but on a salient corner or redan of earth, at the junction of
two converging bank fences. Outside was a ditch, dry except immediately
under the fire, where there was a large pool, bearded all round by
heather and rushes. In the smooth water of the pool the fire appeared
upside down.

The banks meeting behind were bare of a hedge, save such as was formed
by disconnected tufts of furze, standing upon stems along the top, like
impaled heads above a city wall. A white mast, fitted up with spars
and other nautical tackle, could be seen rising against the dark clouds
whenever the flames played brightly enough to reach it. Altogether the
scene had much the appearance of a fortification upon which had been
kindled a beacon fire.

Nobody was visible; but ever and anon a whitish something moved above
the bank from behind, and vanished again. This was a small human hand,
in the act of lifting pieces of fuel into the fire, but for all that
could be seen the hand, like that which troubled Belshazzar, was there
alone. Occasionally an ember rolled off the bank, and dropped with a
hiss into the pool.

At one side of the pool rough steps built of clods enabled everyone who
wished to do so to mount the bank; which the woman did. Within was a
paddock in an uncultivated state, though bearing evidence of having once
been tilled; but the heath and fern had insidiously crept in, and were
reasserting their old supremacy. Further ahead were dimly visible an
irregular dwelling-house, garden, and outbuildings, backed by a clump of
firs.

The young lady--for youth had revealed its presence in her buoyant bound
up the bank--walked along the top instead of descending inside, and came
to the corner where the fire was burning. One reason for the permanence
of the blaze was now manifest: the fuel consisted of hard pieces of
wood, cleft and sawn--the knotty boles of old thorn trees which grew in
twos and threes about the hillsides. A yet unconsumed pile of these lay
in the inner angle of the bank; and from this corner the upturned face
of a little boy greeted her eyes. He was dilatorily throwing up a piece
of wood into the fire every now and then, a business which seemed to
have engaged him a considerable part of the evening, for his face was
somewhat weary.

"I am glad you have come, Miss Eustacia," he said, with a sigh of
relief. "I don't like biding by myself."

"Nonsense. I have only been a little way for a walk. I have been gone
only twenty minutes."

"It seemed long," murmured the sad boy. "And you have been so many
times."

"Why, I thought you would be pleased to have a bonfire. Are you not much
obliged to me for making you one?"

"Yes; but there's nobody here to play wi' me."

"I suppose nobody has come while I've been away?"

"Nobody except your grandfather--he looked out of doors once for 'ee.
I told him you were walking round upon the hill to look at the other
bonfires."

"A good boy."

"I think I hear him coming again, miss."

An old man came into the remoter light of the fire from the direction
of the homestead. He was the same who had overtaken the reddleman on the
road that afternoon. He looked wistfully to the top of the bank at
the woman who stood there, and his teeth, which were quite unimpaired,
showed like parian from his parted lips.

"When are you coming indoors, Eustacia?" he asked. "'Tis almost bedtime.
I've been home these two hours, and am tired out. Surely 'tis somewhat
childish of you to stay out playing at bonfires so long, and wasting
such fuel. My precious thorn roots, the rarest of all firing, that I
laid by on purpose for Christmas--you have burnt 'em nearly all!"

"I promised Johnny a bonfire, and it pleases him not to let it go out
just yet," said Eustacia, in a way which told at once that she was
absolute queen here. "Grandfather, you go in to bed. I shall follow you
soon. You like the fire, don't you, Johnny?"

The boy looked up doubtfully at her and murmured, "I don't think I want
it any longer."

Her grandfather had turned back again, and did not hear the boy's reply.
As soon as the white-haired man had vanished she said in a tone of pique
to the child, "Ungrateful little boy, how can you contradict me? Never
shall you have a bonfire again unless you keep it up now. Come, tell me
you like to do things for me, and don't deny it."

The repressed child said, "Yes, I do, miss," and continued to stir the
fire perfunctorily.

"Stay a little longer and I will give you a crooked six-pence," said
Eustacia, more gently. "Put in one piece of wood every two or three
minutes, but not too much at once. I am going to walk along the ridge a
little longer, but I shall keep on coming to you. And if you hear a frog
jump into the pond with a flounce like a stone thrown in, be sure you
run and tell me, because it is a sign of rain."

"Yes, Eustacia."

"Miss Vye, sir."

"Miss Vy--stacia."

"That will do. Now put in one stick more."

The little slave went on feeding the fire as before. He seemed a mere
automaton, galvanized into moving and speaking by the wayward Eustacia's
will. He might have been the brass statue which Albertus Magnus is said
to have animated just so far as to make it chatter, and move, and be his
servant.

Before going on her walk again the young girl stood still on the bank
for a few instants and listened. It was to the full as lonely a place
as Rainbarrow, though at rather a lower level; and it was more sheltered
from wind and weather on account of the few firs to the north. The bank
which enclosed the homestead, and protected it from the lawless state of
the world without, was formed of thick square clods, dug from the ditch
on the outside, and built up with a slight batter or incline, which
forms no slight defense where hedges will not grow because of the wind
and the wilderness, and where wall materials are unattainable. Otherwise
the situation was quite open, commanding the whole length of the valley
which reached to the river behind Wildeve's house. High above this to
the right, and much nearer thitherward than the Quiet Woman Inn, the
blurred contour of Rainbarrow obstructed the sky.

After her attentive survey of the wild slopes and hollow ravines a
gesture of impatience escaped Eustacia. She vented petulant words
every now and then, but there were sighs between her words, and sudden
listenings between her sighs. Descending from her perch she again
sauntered off towards Rainbarrow, though this time she did not go the
whole way.

Twice she reappeared at intervals of a few minutes and each time she
said--

"Not any flounce into the pond yet, little man?"

"No, Miss Eustacia," the child replied.

"Well," she said at last, "I shall soon be going in, and then I will
give you the crooked sixpence, and let you go home."

"Thank'ee, Miss Eustacia," said the tired stoker, breathing more easily.
And Eustacia again strolled away from the fire, but this time not
towards Rainbarrow. She skirted the bank and went round to the wicket
before the house, where she stood motionless, looking at the scene.

Fifty yards off rose the corner of the two converging banks, with the
fire upon it; within the bank, lifting up to the fire one stick at a
time, just as before, the figure of the little child. She idly watched
him as he occasionally climbed up in the nook of the bank and stood
beside the brands. The wind blew the smoke, and the child's hair, and
the corner of his pinafore, all in the same direction; the breeze died,
and the pinafore and hair lay still, and the smoke went up straight.

While Eustacia looked on from this distance the boy's form visibly
started--he slid down the bank and ran across towards the white gate.

"Well?" said Eustacia.

"A hopfrog have jumped into the pond. Yes, I heard 'en!"

"Then it is going to rain, and you had better go home. You will not be
afraid?" She spoke hurriedly, as if her heart had leapt into her throat
at the boy's words.

"No, because I shall hae the crooked sixpence."

"Yes, here it is. Now run as fast as you can--not that way--through the
garden here. No other boy in the heath has had such a bonfire as yours."

The boy, who clearly had had too much of a good thing, marched away
into the shadows with alacrity. When he was gone Eustacia, leaving her
telescope and hourglass by the gate, brushed forward from the wicket
towards the angle of the bank, under the fire.

Here, screened by the outwork, she waited. In a few moments a splash was
audible from the pond outside. Had the child been there he would have
said that a second frog had jumped in; but by most people the sound
would have been likened to the fall of a stone into the water. Eustacia
stepped upon the bank.

"Yes?" she said, and held her breath.

Thereupon the contour of a man became dimly visible against the
low-reaching sky over the valley, beyond the outer margin of the pool.
He came round it and leapt upon the bank beside her. A low laugh escaped
her--the third utterance which the girl had indulged in tonight. The
first, when she stood upon Rainbarrow, had expressed anxiety; the
second, on the ridge, had expressed impatience; the present was one
of triumphant pleasure. She let her joyous eyes rest upon him without
speaking, as upon some wondrous thing she had created out of chaos.

"I have come," said the man, who was Wildeve. "You give me no peace. Why
do you not leave me alone? I have seen your bonfire all the evening."
The words were not without emotion, and retained their level tone as if
by a careful equipoise between imminent extremes.

At this unexpectedly repressing manner in her lover the girl seemed to
repress herself also. "Of course you have seen my fire," she answered
with languid calmness, artificially maintained. "Why shouldn't I have a
bonfire on the Fifth of November, like other denizens of the heath?"

"I knew it was meant for me."

"How did you know it? I have had no word with you since you--you chose
her, and walked about with her, and deserted me entirely, as if I had
never been yours life and soul so irretrievably!"

"Eustacia! could I forget that last autumn at this same day of the month
and at this same place you lighted exactly such a fire as a signal for
me to come and see you? Why should there have been a bonfire again by
Captain Vye's house if not for the same purpose?"

"Yes, yes--I own it," she cried under her breath, with a drowsy fervour
of manner and tone which was quite peculiar to her. "Don't begin
speaking to me as you did, Damon; you will drive me to say words I would
not wish to say to you. I had given you up, and resolved not to think of
you any more; and then I heard the news, and I came out and got the fire
ready because I thought that you had been faithful to me."

"What have you heard to make you think that?" said Wildeve, astonished.

"That you did not marry her!" she murmured exultingly. "And I knew it
was because you loved me best, and couldn't do it.... Damon, you have
been cruel to me to go away, and I have said I would never forgive you.
I do not think I can forgive you entirely, even now--it is too much for
a woman of any spirit to quite overlook."

"If I had known you wished to call me up here only to reproach me, I
wouldn't have come."

"But I don't mind it, and I do forgive you now that you have not married
her, and have come back to me!"

"Who told you that I had not married her?"

"My grandfather. He took a long walk today, and as he was coming home he
overtook some person who told him of a broken-off wedding--he thought it
might be yours, and I knew it was."

"Does anybody else know?"

"I suppose not. Now Damon, do you see why I lit my signal fire? You did
not think I would have lit it if I had imagined you to have become the
husband of this woman. It is insulting my pride to suppose that."

Wildeve was silent; it was evident that he had supposed as much.

"Did you indeed think I believed you were married?" she again demanded
earnestly. "Then you wronged me; and upon my life and heart I can hardly
bear to recognize that you have such ill thoughts of me! Damon, you are
not worthy of me--I see it, and yet I love you. Never mind, let it go--I
must bear your mean opinion as best I may.... It is true, is it not," she
added with ill-concealed anxiety, on his making no demonstration, "that
you could not bring yourself to give me up, and are still going to love
me best of all?"

"Yes; or why should I have come?" he said touchily. "Not that
fidelity will be any great merit in me after your kind speech about my
unworthiness, which should have been said by myself if by anybody, and
comes with an ill grace from you. However, the curse of inflammability
is upon me, and I must live under it, and take any snub from a woman. It
has brought me down from engineering to innkeeping--what lower stage it
has in store for me I have yet to learn." He continued to look upon her
gloomily.

She seized the moment, and throwing back the shawl so that the firelight
shone full upon her face and throat, said with a smile, "Have you seen
anything better than that in your travels?"

Eustacia was not one to commit herself to such a position without good
ground. He said quietly, "No."

"Not even on the shoulders of Thomasin?"

"Thomasin is a pleasing and innocent woman."

"That's nothing to do with it," she cried with quick passionateness. "We
will leave her out; there are only you and me now to think of." After a
long look at him she resumed with the old quiescent warmth, "Must I go
on weakly confessing to you things a woman ought to conceal; and
own that no words can express how gloomy I have been because of that
dreadful belief I held till two hours ago--that you had quite deserted
me?"

"I am sorry I caused you that pain."

"But perhaps it is not wholly because of you that I get gloomy," she
archly added. "It is in my nature to feel like that. It was born in my
blood, I suppose."

"Hypochondriasis."

"Or else it was coming into this wild heath. I was happy enough at
Budmouth. O the times, O the days at Budmouth! But Egdon will be
brighter again now."

"I hope it will," said Wildeve moodily. "Do you know the consequence
of this recall to me, my old darling? I shall come to see you again as
before, at Rainbarrow."

"Of course you will."

"And yet I declare that until I got here tonight I intended, after this
one good-bye, never to meet you again."

"I don't thank you for that," she said, turning away, while indignation
spread through her like subterranean heat. "You may come again to
Rainbarrow if you like, but you won't see me; and you may call, but I
shall not listen; and you may tempt me, but I won't give myself to you
any more."

"You have said as much before, sweet; but such natures as yours don't so
easily adhere to their words. Neither, for the matter of that, do such
natures as mine."

"This is the pleasure I have won by my trouble," she whispered bitterly.
"Why did I try to recall you? Damon, a strange warring takes place in my
mind occasionally. I think when I become calm after you woundings, 'Do
I embrace a cloud of common fog after all?' You are a chameleon, and now
you are at your worst colour. Go home, or I shall hate you!"

He looked absently towards Rainbarrow while one might have counted
twenty, and said, as if he did not much mind all this, "Yes, I will go
home. Do you mean to see me again?"

"If you own to me that the wedding is broken off because you love me
best."

"I don't think it would be good policy," said Wildeve, smiling. "You
would get to know the extent of your power too clearly."

"But tell me!"

"You know."

"Where is she now?"

"I don't know. I prefer not to speak of her to you. I have not yet
married her; I have come in obedience to your call. That is enough."

"I merely lit that fire because I was dull, and thought I would get a
little excitement by calling you up and triumphing over you as the Witch
of Endor called up Samuel. I determined you should come; and you have
come! I have shown my power. A mile and half hither, and a mile and
half back again to your home--three miles in the dark for me. Have I not
shown my power?"

He shook his head at her. "I know you too well, my Eustacia; I know you
too well. There isn't a note in you which I don't know; and that hot
little bosom couldn't play such a cold-blooded trick to save its life. I
saw a woman on Rainbarrow at dusk looking down towards my house. I think
I drew out you before you drew out me."

The revived embers of an old passion glowed clearly in Wildeve now; and
he leant forward as if about to put his face towards her cheek.

"O no," she said, intractably moving to the other side of the decayed
fire. "What did you mean by that?"

"Perhaps I may kiss your hand?"

"No, you may not."

"Then I may shake your hand?"

"No."

"Then I wish you good night without caring for either. Good-bye,
good-bye."

She returned no answer, and with the bow of a dancing-master he
vanished on the other side of the pool as he had come.

Eustacia sighed--it was no fragile maiden sigh, but a sigh which shook
her like a shiver. Whenever a flash of reason darted like an
electric light upon her lover--as it sometimes would--and showed his
imperfections, she shivered thus. But it was over in a second, and
she loved on. She knew that he trifled with her; but she loved on. She
scattered the half-burnt brands, went indoors immediately, and up to
her bedroom without a light. Amid the rustles which denoted her to be
undressing in the darkness other heavy breaths frequently came; and the
same kind of shudder occasionally moved through her when, ten minutes
later, she lay on her bed asleep.

</CHAPTER>
<CHAPTER>
7--Queen of Night

Eustacia Vye was the raw material of a divinity. On Olympus she would
have done well with a little preparation. She had the passions and
instincts which make a model goddess, that is, those which make not
quite a model woman. Had it been possible for the earth and mankind to
be entirely in her grasp for a while, she had handled the distaff, the
spindle, and the shears at her own free will, few in the world would
have noticed the change of government. There would have been the same
inequality of lot, the same heaping up of favours here, of contumely
there, the same generosity before justice, the same perpetual dilemmas,
the same captious alteration of caresses and blows that we endure now.

She was in person full-limbed and somewhat heavy; without ruddiness, as
without pallor; and soft to the touch as a cloud. To see her hair was
to fancy that a whole winter did not contain darkness enough to form
its shadow--it closed over her forehead like nightfall extinguishing the
western glow.

Her nerves extended into those tresses, and her temper could always
be softened by stroking them down. When her hair was brushed she would
instantly sink into stillness and look like the Sphinx. If, in passing
under one of the Egdon banks, any of its thick skeins were caught,
as they sometimes were, by a prickly tuft of the large Ulex
Europoeus--which will act as a sort of hairbrush--she would go back a
few steps, and pass against it a second time.

She had pagan eyes, full of nocturnal mysteries, and their light, as
it came and went, and came again, was partially hampered by their
oppressive lids and lashes; and of these the under lid was much fuller
than it usually is with English women. This enabled her to indulge in
reverie without seeming to do so--she might have been believed capable
of sleeping without closing them up. Assuming that the souls of men and
women were visible essences, you could fancy the colour of Eustacia's
soul to be flamelike. The sparks from it that rose into her dark pupils
gave the same impression.

The mouth seemed formed less to speak than to quiver, less to quiver
than to kiss. Some might have added, less to kiss than to curl. Viewed
sideways, the closing-line of her lips formed, with almost geometric
precision, the curve so well known in the arts of design as the
cima-recta, or ogee. The sight of such a flexible bend as that on grim
Egdon was quite an apparition. It was felt at once that the mouth did
not come over from Sleswig with a band of Saxon pirates whose lips met
like the two halves of a muffin. One had fancied that such lip-curves
were mostly lurking underground in the South as fragments of forgotten
marbles. So fine were the lines of her lips that, though full, each
corner of her mouth was as clearly cut as the point of a spear. This
keenness of corner was only blunted when she was given over to sudden
fits of gloom, one of the phases of the night-side of sentiment which
she knew too well for her years.

Her presence brought memories of such things as Bourbon roses, rubies,
and tropical midnight; her moods recalled lotus-eaters and the march in
Athalie; her motions, the ebb and flow of the sea; her voice, the viola.
In a dim light, and with a slight rearrangement of her hair, her general
figure might have stood for that of either of the higher female deities.
The new moon behind her head, an old helmet upon it, a diadem of
accidental dewdrops round her brow, would have been adjuncts sufficient
to strike the note of Artemis, Athena, or Hera respectively, with as
close an approximation to the antique as that which passes muster on
many respected canvases.

But celestial imperiousness, love, wrath, and fervour had proved to be
somewhat thrown away on netherward Egdon. Her power was limited, and the
consciousness of this limitation had biassed her development. Egdon was
her Hades, and since coming there she had imbibed much of what was dark
in its tone, though inwardly and eternally unreconciled thereto. Her
appearance accorded well with this smouldering rebelliousness, and
the shady splendour of her beauty was the real surface of the sad and
stifled warmth within her. A true Tartarean dignity sat upon her brow,
and not factitiously or with marks of constraint, for it had grown in
her with years.

Across the upper part of her head she wore a thin fillet of black
velvet, restraining the luxuriance of her shady hair, in a way which
added much to this class of majesty by irregularly clouding her
forehead. "Nothing can embellish a beautiful face more than a narrow
band drawn over the brow," says Richter. Some of the neighbouring
girls wore coloured ribbon for the same purpose, and sported metallic
ornaments elsewhere; but if anyone suggested coloured ribbon and
metallic ornaments to Eustacia Vye she laughed and went on.

Why did a woman of this sort live on Egdon Heath? Budmouth was her
native place, a fashionable seaside resort at that date. She was the
daughter of the bandmaster of a regiment which had been quartered
there--a Corfiote by birth, and a fine musician--who met his future
wife during her trip thither with her father the captain, a man of good
family. The marriage was scarcely in accord with the old man's wishes,
for the bandmaster's pockets were as light as his occupation. But the
musician did his best; adopted his wife's name, made England permanently
his home, took great trouble with his child's education, the expenses
of which were defrayed by the grandfather, and throve as the chief local
musician till her mother's death, when he left off thriving, drank, and
died also. The girl was left to the care of her grandfather, who, since
three of his ribs became broken in a shipwreck, had lived in this airy
perch on Egdon, a spot which had taken his fancy because the house was
to be had for next to nothing, and because a remote blue tinge on
the horizon between the hills, visible from the cottage door, was
traditionally believed to be the English Channel. She hated the change;
she felt like one banished; but here she was forced to abide.

Thus it happened that in Eustacia's brain were juxtaposed the strangest
assortment of ideas, from old time and from new. There was no middle
distance in her perspective--romantic recollections of sunny afternoons
on an esplanade, with military bands, officers, and gallants around,
stood like gilded letters upon the dark tablet of surrounding Egdon.
Every bizarre effect that could result from the random intertwining of
watering-place glitter with the grand solemnity of a heath, was to be
found in her. Seeing nothing of human life now, she imagined all the
more of what she had seen.

Where did her dignity come from? By a latent vein from Alcinous' line,
her father hailing from Phaeacia's isle?--or from Fitzalan and De Vere,
her maternal grandfather having had a cousin in the peerage? Perhaps it
was the gift of Heaven--a happy convergence of natural laws. Among other
things opportunity had of late years been denied her of learning to
be undignified, for she lived lonely. Isolation on a heath renders
vulgarity well-nigh impossible. It would have been as easy for the
heath-ponies, bats, and snakes to be vulgar as for her. A narrow life in
Budmouth might have completely demeaned her.

The only way to look queenly without realms or hearts to queen it over
is to look as if you had lost them; and Eustacia did that to a triumph.
In the captain's cottage she could suggest mansions she had never seen.
Perhaps that was because she frequented a vaster mansion than any of
them, the open hills. Like the summer condition of the place around her,
she was an embodiment of the phrase "a populous solitude"--apparently so
listless, void, and quiet, she was really busy and full.

To be loved to madness--such was her great desire. Love was to her the
one cordial which could drive away the eating loneliness of her days.
And she seemed to long for the abstraction called passionate love more
than for any particular lover.

She could show a most reproachful look at times, but it was directed
less against human beings than against certain creatures of her mind,
the chief of these being Destiny, through whose interference she dimly
fancied it arose that love alighted only on gliding youth--that any love
she might win would sink simultaneously with the sand in the glass.
She thought of it with an ever-growing consciousness of cruelty, which
tended to breed actions of reckless unconventionality, framed to snatch
a year's, a week's, even an hour's passion from anywhere while it could
be won. Through want of it she had sung without being merry, possessed
without enjoying, outshone without triumphing. Her loneliness deepened
her desire. On Egdon, coldest and meanest kisses were at famine prices,
and where was a mouth matching hers to be found?

Fidelity in love for fidelity's sake had less attraction for her than
for most women; fidelity because of love's grip had much. A blaze of
love, and extinction, was better than a lantern glimmer of the same
which should last long years. On this head she knew by prevision what
most women learn only by experience--she had mentally walked round love,
told the towers thereof, considered its palaces, and concluded that love
was but a doleful joy. Yet she desired it, as one in a desert would be
thankful for brackish water.

She often repeated her prayers; not at particular times, but, like the
unaffectedly devout, when she desired to pray. Her prayer was always
spontaneous, and often ran thus, "O deliver my heart from this fearful
gloom and loneliness; send me great love from somewhere, else I shall
die."

Her high gods were William the Conqueror, Strafford, and Napoleon
Buonaparte, as they had appeared in the Lady's History used at the
establishment in which she was educated. Had she been a mother she would
have christened her boys such names as Saul or Sisera in preference to
Jacob or David, neither of whom she admired. At school she had used
to side with the Philistines in several battles, and had wondered if
Pontius Pilate were as handsome as he was frank and fair.

Thus she was a girl of some forwardness of mind, indeed, weighed in
relation to her situation among the very rearward of thinkers, very
original. Her instincts towards social non-comformity were at the root
of this. In the matter of holidays, her mood was that of horses who,
when turned out to grass, enjoy looking upon their kind at work on the
highway. She only valued rest to herself when it came in the midst of
other people's labour. Hence she hated Sundays when all was at rest, and
often said they would be the death of her. To see the heathmen in their
Sunday condition, that is, with their hands in their pockets, their
boots newly oiled, and not laced up (a particularly Sunday sign),
walking leisurely among the turves and furze-faggots they had cut during
the week, and kicking them critically as if their use were unknown, was
a fearful heaviness to her. To relieve the tedium of this untimely day
she would overhaul the cupboards containing her grandfather's old charts
and other rubbish, humming Saturday-night ballads of the country people
the while. But on Saturday nights she would frequently sing a psalm, and
it was always on a weekday that she read the Bible, that she might be
unoppressed with a sense of doing her duty.

Such views of life were to some extent the natural begettings of her
situation upon her nature. To dwell on a heath without studying its
meanings was like wedding a foreigner without learning his tongue. The
subtle beauties of the heath were lost to Eustacia; she only caught its
vapours. An environment which would have made a contented woman a poet,
a suffering woman a devotee, a pious woman a psalmist, even a giddy
woman thoughtful, made a rebellious woman saturnine.

Eustacia had got beyond the vision of some marriage of inexpressible
glory; yet, though her emotions were in full vigour, she cared for no
meaner union. Thus we see her in a strange state of isolation. To have
lost the godlike conceit that we may do what we will, and not to have
acquired a homely zest for doing what we can, shows a grandeur of temper
which cannot be objected to in the abstract, for it denotes a mind
that, though disappointed, forswears compromise. But, if congenial to
philosophy, it is apt to be dangerous to the commonwealth. In a world
where doing means marrying, and the commonwealth is one of hearts and
hands, the same peril attends the condition.

And so we see our Eustacia--for at times she was not altogether
unlovable--arriving at that stage of enlightenment which feels that
nothing is worth while, and filling up the spare hours of her existence
by idealizing Wildeve for want of a better object. This was the sole
reason of his ascendency: she knew it herself. At moments her pride
rebelled against her passion for him, and she even had longed to be
free. But there was only one circumstance which could dislodge him, and
that was the advent of a greater man.

For the rest, she suffered much from depression of spirits, and took
slow walks to recover them, in which she carried her grandfather's
telescope and her grandmother's hourglass--the latter because of a
peculiar pleasure she derived from watching a material representation of
time's gradual glide away. She seldom schemed, but when she did scheme,
her plans showed rather the comprehensive strategy of a general than the
small arts called womanish, though she could utter oracles of Delphian
ambiguity when she did not choose to be direct. In heaven she will
probably sit between the Heloises and the Cleopatras.

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: On Rainbarrow again, Eustacia Vye impatiently waits for Wildeve to respond to her signal. After watching the inn for some time, she returns to the fire before her grandfather's house and persuades Johnny Nunsuch, her young assistant, to continue his work of feeding the blaze. When Wildeve signals his approach, she sends Johnny home and awaits Wildeve's appearance. Though she is pleased that she has made him come, in their conversation she is unable to get him to say he loves her more than he does Thomasin. Though they have been lovers in the past, each is now suspicious of the other's intentions. They part without any definite commitment to each other. Eustacia is described as more like a goddess than a woman.


prompt:
Chapter: <CHAPTER>
8--Those Who Are Found Where There Is Said to Be Nobody

As soon as the sad little boy had withdrawn from the fire he clasped
the money tight in the palm of his hand, as if thereby to fortify his
courage, and began to run. There was really little danger in allowing a
child to go home alone on this part of Egdon Heath. The distance to
the boy's house was not more than three-eighths of a mile, his father's
cottage, and one other a few yards further on, forming part of the small
hamlet of Mistover Knap: the third and only remaining house was that
of Captain Vye and Eustacia, which stood quite away from the small
cottages and was the loneliest of lonely houses on these thinly
populated slopes.

He ran until he was out of breath, and then, becoming more courageous,
walked leisurely along, singing in an old voice a little song about a
sailor-boy and a fair one, and bright gold in store. In the middle of
this the child stopped--from a pit under the hill ahead of him shone a
light, whence proceeded a cloud of floating dust and a smacking noise.

Only unusual sights and sounds frightened the boy. The shrivelled voice
of the heath did not alarm him, for that was familiar. The thornbushes
which arose in his path from time to time were less satisfactory, for
they whistled gloomily, and had a ghastly habit after dark of putting
on the shapes of jumping madmen, sprawling giants, and hideous cripples.
Lights were not uncommon this evening, but the nature of all of them was
different from this. Discretion rather than terror prompted the boy
to turn back instead of passing the light, with a view of asking Miss
Eustacia Vye to let her servant accompany him home.

When the boy had reascended to the top of the valley he found the fire
to be still burning on the bank, though lower than before. Beside it,
instead of Eustacia's solitary form, he saw two persons, the second
being a man. The boy crept along under the bank to ascertain from
the nature of the proceedings if it would be prudent to interrupt so
splendid a creature as Miss Eustacia on his poor trivial account.

After listening under the bank for some minutes to the talk he turned in
a perplexed and doubting manner and began to withdraw as silently as
he had come. That he did not, upon the whole, think it advisable to
interrupt her conversation with Wildeve, without being prepared to bear
the whole weight of her displeasure, was obvious.

Here was a Scyllaeo-Charybdean position for a poor boy. Pausing when
again safe from discovery, he finally decided to face the pit phenomenon
as the lesser evil. With a heavy sigh he retraced the slope, and
followed the path he had followed before.

The light had gone, the rising dust had disappeared--he hoped for ever.
He marched resolutely along, and found nothing to alarm him till, coming
within a few yards of the sandpit, he heard a slight noise in front,
which led him to halt. The halt was but momentary, for the noise
resolved itself into the steady bites of two animals grazing.

"Two he'th-croppers down here," he said aloud. "I have never known 'em
come down so far afore."

The animals were in the direct line of his path, but that the child
thought little of; he had played round the fetlocks of horses from his
infancy. On coming nearer, however, the boy was somewhat surprised to
find that the little creatures did not run off, and that each wore a
clog, to prevent his going astray; this signified that they had been
broken in. He could now see the interior of the pit, which, being in
the side of the hill, had a level entrance. In the innermost corner the
square outline of a van appeared, with its back towards him. A light
came from the interior, and threw a moving shadow upon the vertical face
of gravel at the further side of the pit into which the vehicle faced.

The child assumed that this was the cart of a gipsy, and his dread of
those wanderers reached but to that mild pitch which titillates rather
than pains. Only a few inches of mud wall kept him and his family from
being gipsies themselves. He skirted the gravel pit at a respectful
distance, ascended the slope, and came forward upon the brow, in order
to look into the open door of the van and see the original of the
shadow.

The picture alarmed the boy. By a little stove inside the van sat a
figure red from head to heels--the man who had been Thomasin's friend.
He was darning a stocking, which was red like the rest of him. Moreover,
as he darned he smoked a pipe, the stem and bowl of which were red also.

At this moment one of the heath-croppers feeding in the outer shadows
was audibly shaking off the clog attached to its foot. Aroused by the
sound, the reddleman laid down his stocking, lit a lantern which hung
beside him, and came out from the van. In sticking up the candle he
lifted the lantern to his face, and the light shone into the whites
of his eyes and upon his ivory teeth, which, in contrast with the
red surrounding, lent him a startling aspect enough to the gaze of a
juvenile. The boy knew too well for his peace of mind upon whose lair
he had lighted. Uglier persons than gipsies were known to cross Egdon at
times, and a reddleman was one of them.

"How I wish 'twas only a gipsy!" he murmured.

The man was by this time coming back from the horses. In his fear of
being seen the boy rendered detection certain by nervous motion. The
heather and peat stratum overhung the brow of the pit in mats, hiding
the actual verge. The boy had stepped beyond the solid ground; the
heather now gave way, and down he rolled over the scarp of grey sand to
the very foot of the man.

The red man opened the lantern and turned it upon the figure of the
prostrate boy.

"Who be ye?" he said.

"Johnny Nunsuch, master!"

"What were you doing up there?"

"I don't know."

"Watching me, I suppose?"

"Yes, master."

"What did you watch me for?"

"Because I was coming home from Miss Vye's bonfire."

"Beest hurt?"

"No."

"Why, yes, you be--your hand is bleeding. Come under my tilt and let me
tie it up."

"Please let me look for my sixpence."

"How did you come by that?"

"Miss Vye gied it to me for keeping up her bonfire."

The sixpence was found, and the man went to the van, the boy behind,
almost holding his breath.

The man took a piece of rag from a satchel containing sewing materials,
tore off a strip, which, like everything else, was tinged red, and
proceeded to bind up the wound.

"My eyes have got foggy-like--please may I sit down, master?" said the
boy.

"To be sure, poor chap. 'Tis enough to make you feel fainty. Sit on that
bundle."

The man finished tying up the gash, and the boy said, "I think I'll go
home now, master."

"You are rather afraid of me. Do you know what I be?"

The child surveyed his vermilion figure up and down with much misgiving
and finally said, "Yes."

"Well, what?"

"The reddleman!" he faltered.

"Yes, that's what I be. Though there's more than one. You little
children think there's only one cuckoo, one fox, one giant, one devil,
and one reddleman, when there's lots of us all."

"Is there? You won't carry me off in your bags, will ye, master? 'Tis
said that the reddleman will sometimes."

"Nonsense. All that reddlemen do is sell reddle. You see all these bags
at the back of my cart? They are not full of little boys--only full of
red stuff."

"Was you born a reddleman?"

"No, I took to it. I should be as white as you if I were to give up the
trade--that is, I should be white in time--perhaps six months; not at
first, because 'tis grow'd into my skin and won't wash out. Now, you'll
never be afraid of a reddleman again, will ye?"

"No, never. Willy Orchard said he seed a red ghost here t'other
day--perhaps that was you?"

"I was here t'other day."

"Were you making that dusty light I saw by now?"

"Oh yes, I was beating out some bags. And have you had a good bonfire up
there? I saw the light. Why did Miss Vye want a bonfire so bad that she
should give you sixpence to keep it up?"

"I don't know. I was tired, but she made me bide and keep up the fire
just the same, while she kept going up across Rainbarrow way."

"And how long did that last?"

"Until a hopfrog jumped into the pond."

The reddleman suddenly ceased to talk idly. "A hopfrog?" he inquired.
"Hopfrogs don't jump into ponds this time of year."

"They do, for I heard one."

"Certain-sure?"

"Yes. She told me afore that I should hear'n; and so I did. They say
she's clever and deep, and perhaps she charmed 'en to come."

"And what then?"

"Then I came down here, and I was afeard, and I went back; but I didn't
like to speak to her, because of the gentleman, and I came on here
again."

"A gentleman--ah! What did she say to him, my man?"

"Told him she supposed he had not married the other woman because he
liked his old sweetheart best; and things like that."

"What did the gentleman say to her, my sonny?"

"He only said he did like her best, and how he was coming to see her
again under Rainbarrow o' nights."

"Ha!" cried the reddleman, slapping his hand against the side of his van
so that the whole fabric shook under the blow. "That's the secret o't!"

The little boy jumped clean from the stool.

"My man, don't you be afraid," said the dealer in red, suddenly becoming
gentle. "I forgot you were here. That's only a curious way reddlemen
have of going mad for a moment; but they don't hurt anybody. And what
did the lady say then?"

"I can't mind. Please, Master Reddleman, may I go home-along now?"

"Ay, to be sure you may. I'll go a bit of ways with you."

He conducted the boy out of the gravel pit and into the path leading
to his mother's cottage. When the little figure had vanished in the
darkness the reddleman returned, resumed his seat by the fire, and
proceeded to darn again.

</CHAPTER>
<CHAPTER>
9--Love Leads a Shrewd Man into Strategy

Reddlemen of the old school are now but seldom seen. Since the
introduction of railways Wessex farmers have managed to do without these
Mephistophelian visitants, and the bright pigment so largely used by
shepherds in preparing sheep for the fair is obtained by other routes.
Even those who yet survive are losing the poetry of existence which
characterized them when the pursuit of the trade meant periodical
journeys to the pit whence the material was dug, a regular camping out
from month to month, except in the depth of winter, a peregrination
among farms which could be counted by the hundred, and in spite of this
Arab existence the preservation of that respectability which is insured
by the never-failing production of a well-lined purse.

Reddle spreads its lively hues over everything it lights on, and stamps
unmistakably, as with the mark of Cain, any person who has handled it
half an hour.

A child's first sight of a reddleman was an epoch in his life. That
blood-coloured figure was a sublimation of all the horrid dreams
which had afflicted the juvenile spirit since imagination began. "The
reddleman is coming for you!" had been the formulated threat of Wessex
mothers for many generations. He was successfully supplanted for a
while, at the beginning of the present century, by Buonaparte; but as
process of time rendered the latter personage stale and ineffective the
older phrase resumed its early prominence. And now the reddleman has
in his turn followed Buonaparte to the land of worn-out bogeys, and his
place is filled by modern inventions.

The reddleman lived like a gipsy; but gipsies he scorned. He was about
as thriving as travelling basket and mat makers; but he had nothing
to do with them. He was more decently born and brought up than the
cattledrovers who passed and repassed him in his wanderings; but they
merely nodded to him. His stock was more valuable than that of pedlars;
but they did not think so, and passed his cart with eyes straight ahead.
He was such an unnatural colour to look at that the men of roundabouts
and waxwork shows seemed gentlemen beside him; but he considered them
low company, and remained aloof. Among all these squatters and folks
of the road the reddleman continually found himself; yet he was not of
them. His occupation tended to isolate him, and isolated he was mostly
seen to be.

It was sometimes suggested that reddlemen were criminals for whose
misdeeds other men wrongfully suffered--that in escaping the law they
had not escaped their own consciences, and had taken to the trade as a
lifelong penance. Else why should they have chosen it? In the present
case such a question would have been particularly apposite. The
reddleman who had entered Egdon that afternoon was an instance of the
pleasing being wasted to form the ground-work of the singular, when an
ugly foundation would have done just as well for that purpose. The one
point that was forbidding about this reddleman was his colour. Freed
from that he would have been as agreeable a specimen of rustic manhood
as one would often see. A keen observer might have been inclined to
think--which was, indeed, partly the truth--that he had relinquished
his proper station in life for want of interest in it. Moreover, after
looking at him one would have hazarded the guess that good nature, and
an acuteness as extreme as it could be without verging on craft, formed
the framework of his character.

While he darned the stocking his face became rigid with thought. Softer
expressions followed this, and then again recurred the tender sadness
which had sat upon him during his drive along the highway that
afternoon. Presently his needle stopped. He laid down the stocking,
arose from his seat, and took a leathern pouch from a hook in the corner
of the van. This contained among other articles a brown-paper packet,
which, to judge from the hinge-like character of its worn folds, seemed
to have been carefully opened and closed a good many times. He sat down
on a three-legged milking stool that formed the only seat in the van,
and, examining his packet by the light of a candle, took thence an old
letter and spread it open. The writing had originally been traced on
white paper, but the letter had now assumed a pale red tinge from the
accident of its situation; and the black strokes of writing thereon
looked like the twigs of a winter hedge against a vermilion sunset. The
letter bore a date some two years previous to that time, and was signed
"Thomasin Yeobright." It ran as follows:--

DEAR DIGGORY VENN,--The question you put when you overtook me coming
home from Pond-close gave me such a surprise that I am afraid I did not
make you exactly understand what I meant. Of course, if my aunt had not
met me I could have explained all then at once, but as it was there was
no chance. I have been quite uneasy since, as you know I do not wish
to pain you, yet I fear I shall be doing so now in contradicting what
I seemed to say then. I cannot, Diggory, marry you, or think of letting
you call me your sweetheart. I could not, indeed, Diggory. I hope you
will not much mind my saying this, and feel in a great pain. It makes me
very sad when I think it may, for I like you very much, and I always put
you next to my cousin Clym in my mind. There are so many reasons why we
cannot be married that I can hardly name them all in a letter. I did not
in the least expect that you were going to speak on such a thing when
you followed me, because I had never thought of you in the sense of a
lover at all. You must not becall me for laughing when you spoke; you
mistook when you thought I laughed at you as a foolish man. I laughed
because the idea was so odd, and not at you at all. The great reason
with my own personal self for not letting you court me is, that I do not
feel the things a woman ought to feel who consents to walk with you
with the meaning of being your wife. It is not as you think, that I have
another in my mind, for I do not encourage anybody, and never have in
my life. Another reason is my aunt. She would not, I know, agree to it,
even if I wished to have you. She likes you very well, but she will
want me to look a little higher than a small dairy-farmer, and marry
a professional man. I hope you will not set your heart against me for
writing plainly, but I felt you might try to see me again, and it is
better that we should not meet. I shall always think of you as a good
man, and be anxious for your well-doing. I send this by Jane Orchard's
little maid,--And remain Diggory, your faithful friend,

THOMASIN YEOBRIGHT.

To MR. VENN, Dairy-farmer.

Since the arrival of that letter, on a certain autumn morning long ago,
the reddleman and Thomasin had not met till today. During the interval
he had shifted his position even further from hers than it had
originally been, by adopting the reddle trade; though he was really in
very good circumstances still. Indeed, seeing that his expenditure was
only one-fourth of his income, he might have been called a prosperous
man.

Rejected suitors take to roaming as naturally as unhived bees; and the
business to which he had cynically devoted himself was in many ways
congenial to Venn. But his wanderings, by mere stress of old emotions,
had frequently taken an Egdon direction, though he never intruded upon
her who attracted him thither. To be in Thomasin's heath, and near her,
yet unseen, was the one ewe-lamb of pleasure left to him.

Then came the incident of that day, and the reddleman, still loving
her well, was excited by this accidental service to her at a critical
juncture to vow an active devotion to her cause, instead of, as
hitherto, sighing and holding aloof. After what had happened it was
impossible that he should not doubt the honesty of Wildeve's intentions.
But her hope was apparently centred upon him; and dismissing his regrets
Venn determined to aid her to be happy in her own chosen way. That this
way was, of all others, the most distressing to himself, was awkward
enough; but the reddleman's love was generous.

His first active step in watching over Thomasin's interests was taken
about seven o'clock the next evening and was dictated by the news which
he had learnt from the sad boy. That Eustacia was somehow the cause
of Wildeve's carelessness in relation to the marriage had at once been
Venn's conclusion on hearing of the secret meeting between them. It did
not occur to his mind that Eustacia's love signal to Wildeve was the
tender effect upon the deserted beauty of the intelligence which her
grandfather had brought home. His instinct was to regard her as a
conspirator against rather than as an antecedent obstacle to Thomasin's
happiness.

During the day he had been exceedingly anxious to learn the condition of
Thomasin, but he did not venture to intrude upon a threshold to which
he was a stranger, particularly at such an unpleasant moment as this. He
had occupied his time in moving with his ponies and load to a new point
in the heath, eastward to his previous station; and here he selected a
nook with a careful eye to shelter from wind and rain, which seemed to
mean that his stay there was to be a comparatively extended one. After
this he returned on foot some part of the way that he had come; and,
it being now dark, he diverged to the left till he stood behind a holly
bush on the edge of a pit not twenty yards from Rainbarrow.

He watched for a meeting there, but he watched in vain. Nobody except
himself came near the spot that night.

But the loss of his labour produced little effect upon the reddleman.
He had stood in the shoes of Tantalus, and seemed to look upon a certain
mass of disappointment as the natural preface to all realizations,
without which preface they would give cause for alarm.

The same hour the next evening found him again at the same place; but
Eustacia and Wildeve, the expected trysters, did not appear.

He pursued precisely the same course yet four nights longer, and without
success. But on the next, being the day-week of their previous meeting,
he saw a female shape floating along the ridge and the outline of
a young man ascending from the valley. They met in the little ditch
encircling the tumulus--the original excavation from which it had been
thrown up by the ancient British people.

The reddleman, stung with suspicion of wrong to Thomasin, was aroused
to strategy in a moment. He instantly left the bush and crept forward on
his hands and knees. When he had got as close as he might safely venture
without discovery he found that, owing to a cross-wind, the conversation
of the trysting pair could not be overheard.

Near him, as in divers places about the heath, were areas strewn with
large turves, which lay edgeways and upside down awaiting removal by
Timothy Fairway, previous to the winter weather. He took two of these
as he lay, and dragged them over him till one covered his head and
shoulders, the other his back and legs. The reddleman would now have
been quite invisible, even by daylight; the turves, standing upon him
with the heather upwards, looked precisely as if they were growing. He
crept along again, and the turves upon his back crept with him. Had he
approached without any covering the chances are that he would not
have been perceived in the dusk; approaching thus, it was as though he
burrowed underground. In this manner he came quite close to where the
two were standing.

"Wish to consult me on the matter?" reached his ears in the rich,
impetuous accents of Eustacia Vye. "Consult me? It is an indignity to
me to talk so--I won't bear it any longer!" She began weeping. "I have
loved you, and have shown you that I loved you, much to my regret; and
yet you can come and say in that frigid way that you wish to consult
with me whether it would not be better to marry Thomasin. Better--of
course it would be. Marry her--she is nearer to your own position in
life than I am!"

"Yes, yes; that's very well," said Wildeve peremptorily. "But we must
look at things as they are. Whatever blame may attach to me for having
brought it about, Thomasin's position is at present much worse than
yours. I simply tell you that I am in a strait."

"But you shall not tell me! You must see that it is only harassing me.
Damon, you have not acted well; you have sunk in my opinion. You have
not valued my courtesy--the courtesy of a lady in loving you--who used
to think of far more ambitious things. But it was Thomasin's fault.

"She won you away from me, and she deserves to suffer for it. Where is
she staying now? Not that I care, nor where I am myself. Ah, if I were
dead and gone how glad she would be! Where is she, I ask?"

"Thomasin is now staying at her aunt's shut up in a bedroom, and keeping
out of everybody's sight," he said indifferently.

"I don't think you care much about her even now," said Eustacia with
sudden joyousness, "for if you did you wouldn't talk so coolly about
her. Do you talk so coolly to her about me? Ah, I expect you do! Why did
you originally go away from me? I don't think I can ever forgive you,
except on one condition, that whenever you desert me, you come back
again, sorry that you served me so."

"I never wish to desert you."

"I do not thank you for that. I should hate it to be all smooth. Indeed,
I think I like you to desert me a little once now and then. Love is the
dismallest thing where the lover is quite honest. O, it is a shame to
say so; but it is true!" She indulged in a little laugh. "My low spirits
begin at the very idea. Don't you offer me tame love, or away you go!"

"I wish Tamsie were not such a confoundedly good little woman," said
Wildeve, "so that I could be faithful to you without injuring a worthy
person. It is I who am the sinner after all; I am not worth the little
finger of either of you."

"But you must not sacrifice yourself to her from any sense of justice,"
replied Eustacia quickly. "If you do not love her it is the most
merciful thing in the long run to leave her as she is. That's always
the best way. There, now I have been unwomanly, I suppose. When you have
left me I am always angry with myself for things that I have said to
you."

Wildeve walked a pace or two among the heather without replying. The
pause was filled up by the intonation of a pollard thorn a little way to
windward, the breezes filtering through its unyielding twigs as through
a strainer. It was as if the night sang dirges with clenched teeth.

She continued, half sorrowfully, "Since meeting you last, it has
occurred to me once or twice that perhaps it was not for love of me you
did not marry her. Tell me, Damon--I'll try to bear it. Had I nothing
whatever to do with the matter?"

"Do you press me to tell?"

"Yes, I must know. I see I have been too ready to believe in my own
power."

"Well, the immediate reason was that the license would not do for the
place, and before I could get another she ran away. Up to that point
you had nothing to do with it. Since then her aunt has spoken to me in a
tone which I don't at all like."

"Yes, yes! I am nothing in it--I am nothing in it. You only trifle with
me. Heaven, what can I, Eustacia Vye, be made of to think so much of
you!"

"Nonsense; do not be so passionate.... Eustacia, how we roved among these
bushes last year, when the hot days had got cool, and the shades of the
hills kept us almost invisible in the hollows!"

She remained in moody silence till she said, "Yes; and how I used to
laugh at you for daring to look up to me! But you have well made me
suffer for that since."

"Yes, you served me cruelly enough until I thought I had found someone
fairer than you. A blessed find for me, Eustacia."

"Do you still think you found somebody fairer?"

"Sometimes I do, sometimes I don't. The scales are balanced so nicely
that a feather would turn them."

"But don't you really care whether I meet you or whether I don't?" she
said slowly.

"I care a little, but not enough to break my rest," replied the young
man languidly. "No, all that's past. I find there are two flowers where
I thought there was only one. Perhaps there are three, or four, or any
number as good as the first.... Mine is a curious fate. Who would have
thought that all this could happen to me?"

She interrupted with a suppressed fire of which either love or anger
seemed an equally possible issue, "Do you love me now?"

"Who can say?"

"Tell me; I will know it!"

"I do, and I do not," said he mischievously. "That is, I have my times
and my seasons. One moment you are too tall, another moment you are too
do-nothing, another too melancholy, another too dark, another I don't
know what, except--that you are not the whole world to me that you used
to be, my dear. But you are a pleasant lady to know and nice to meet,
and I dare say as sweet as ever--almost."

Eustacia was silent, and she turned from him, till she said, in a voice
of suspended mightiness, "I am for a walk, and this is my way."

"Well, I can do worse than follow you."

"You know you can't do otherwise, for all your moods and changes!" she
answered defiantly. "Say what you will; try as you may; keep away from
me all that you can--you will never forget me. You will love me all your
life long. You would jump to marry me!"

"So I would!" said Wildeve. "Such strange thoughts as I've had from time
to time, Eustacia; and they come to me this moment. You hate the heath
as much as ever; that I know."

"I do," she murmured deeply. "'Tis my cross, my shame, and will be my
death!"

"I abhor it too," said he. "How mournfully the wind blows round us now!"

She did not answer. Its tone was indeed solemn and pervasive. Compound
utterances addressed themselves to their senses, and it was possible to
view by ear the features of the neighbourhood. Acoustic pictures were
returned from the darkened scenery; they could hear where the tracts of
heather began and ended; where the furze was growing stalky and tall;
where it had been recently cut; in what direction the fir-clump lay,
and how near was the pit in which the hollies grew; for these differing
features had their voices no less than their shapes and colours.

"God, how lonely it is!" resumed Wildeve. "What are picturesque ravines
and mists to us who see nothing else? Why should we stay here? Will you
go with me to America? I have kindred in Wisconsin."

"That wants consideration."

"It seems impossible to do well here, unless one were a wild bird or a
landscape-painter. Well?"

"Give me time," she softly said, taking his hand. "America is so far
away. Are you going to walk with me a little way?"

As Eustacia uttered the latter words she retired from the base of the
barrow, and Wildeve followed her, so that the reddleman could hear no
more.

He lifted the turves and arose. Their black figures sank and disappeared
from against the sky. They were as two horns which the sluggish heath
had put forth from its crown, like a mollusc, and had now again drawn
in.

The reddleman's walk across the vale, and over into the next where his
cart lay, was not sprightly for a slim young fellow of twenty-four. His
spirit was perturbed to aching. The breezes that blew around his mouth
in that walk carried off upon them the accents of a commination.

He entered the van, where there was a fire in a stove. Without lighting
his candle he sat down at once on the three-legged stool, and pondered
on what he had seen and heard touching that still-loved one of his.
He uttered a sound which was neither sigh nor sob, but was even more
indicative than either of a troubled mind.

"My Tamsie," he whispered heavily. "What can be done? Yes, I will see
that Eustacia Vye."

</CHAPTER>

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: His work for Eustacia completed, Johnny Nunsuch returns home only to be frightened by a strange light on the heath. He returns to Captain Vye's to find Eustacia in conversation with Wildeve. Confused, he goes back in the direction of the light. By chance he is discovered as he spies on what turns out to be the reddleman, Venn. Now Venn quizzes the young boy. Afraid of Venn because he is a reddleman, Johnny still reveals that Eustacia and Wildeve are meeting. After the boy leaves, Venn rereads an old letter from Thomasin that rejects an earlier offer of his to marry her. This rejection was the very thing that convinced him to become a reddleman. After several attempts, Venn does manage to overhear what Eustacia and Wildeve say at a meeting in a ditch around Rainbarrow. Eustacia again can't get Wildeve to commit himself to her, or even to Thomasin, and she delays answering his question about going to America with him. As a result of what he has heard in the conversation, Venn decides to call on Eustacia.