prompt:
Chapter: For several subsequent days I saw little of Mr. Rochester.  In the
mornings he seemed much engaged with business, and, in the afternoon,
gentlemen from Millcote or the neighbourhood called, and sometimes stayed
to dine with him.  When his sprain was well enough to admit of horse
exercise, he rode out a good deal; probably to return these visits, as he
generally did not come back till late at night.

During this interval, even Adele was seldom sent for to his presence, and
all my acquaintance with him was confined to an occasional rencontre in
the hall, on the stairs, or in the gallery, when he would sometimes pass
me haughtily and coldly, just acknowledging my presence by a distant nod
or a cool glance, and sometimes bow and smile with gentlemanlike
affability.  His changes of mood did not offend me, because I saw that I
had nothing to do with their alternation; the ebb and flow depended on
causes quite disconnected with me.

One day he had had company to dinner, and had sent for my portfolio; in
order, doubtless, to exhibit its contents: the gentlemen went away early,
to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but
the night being wet and inclement, Mr. Rochester did not accompany them.
Soon after they were gone he rang the bell: a message came that I and
Adele were to go downstairs.  I brushed Adele's hair and made her neat,
and having ascertained that I was myself in my usual Quaker trim, where
there was nothing to retouch--all being too close and plain, braided
locks included, to admit of disarrangement--we descended, Adele wondering
whether the _petit coffre_ was at length come; for, owing to some
mistake, its arrival had hitherto been delayed.  She was gratified: there
it stood, a little carton, on the table when we entered the dining-room.
She appeared to know it by instinct.

"Ma boite! ma boite!" exclaimed she, running towards it.

"Yes, there is your 'boite' at last: take it into a corner, you genuine
daughter of Paris, and amuse yourself with disembowelling it," said the
deep and rather sarcastic voice of Mr. Rochester, proceeding from the
depths of an immense easy-chair at the fireside.  "And mind," he
continued, "don't bother me with any details of the anatomical process,
or any notice of the condition of the entrails: let your operation be
conducted in silence: tiens-toi tranquille, enfant; comprends-tu?"

Adele seemed scarcely to need the warning--she had already retired to a
sofa with her treasure, and was busy untying the cord which secured the
lid.  Having removed this impediment, and lifted certain silvery
envelopes of tissue paper, she merely exclaimed--

"Oh ciel!  Que c'est beau!" and then remained absorbed in ecstatic
contemplation.

"Is Miss Eyre there?" now demanded the master, half rising from his seat
to look round to the door, near which I still stood.

"Ah! well, come forward; be seated here."  He drew a chair near his own.
"I am not fond of the prattle of children," he continued; "for, old
bachelor as I am, I have no pleasant associations connected with their
lisp.  It would be intolerable to me to pass a whole evening
_tete-a-tete_ with a brat.  Don't draw that chair farther off, Miss Eyre;
sit down exactly where I placed it--if you please, that is.  Confound
these civilities!  I continually forget them.  Nor do I particularly
affect simple-minded old ladies.  By-the-bye, I must have mine in mind;
it won't do to neglect her; she is a Fairfax, or wed to one; and blood is
said to be thicker than water."

He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived,
knitting-basket in hand.

"Good evening, madam; I sent to you for a charitable purpose.  I have
forbidden Adele to talk to me about her presents, and she is bursting
with repletion: have the goodness to serve her as auditress and
interlocutrice; it will be one of the most benevolent acts you ever
performed."

Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her
sofa, and there quickly filled her lap with the porcelain, the ivory, the
waxen contents of her "boite;" pouring out, meantime, explanations and
raptures in such broken English as she was mistress of.

"Now I have performed the part of a good host," pursued Mr. Rochester,
"put my guests into the way of amusing each other, I ought to be at
liberty to attend to my own pleasure.  Miss Eyre, draw your chair still a
little farther forward: you are yet too far back; I cannot see you
without disturbing my position in this comfortable chair, which I have no
mind to do."

I did as I was bid, though I would much rather have remained somewhat in
the shade; but Mr. Rochester had such a direct way of giving orders, it
seemed a matter of course to obey him promptly.

We were, as I have said, in the dining-room: the lustre, which had been
lit for dinner, filled the room with a festal breadth of light; the large
fire was all red and clear; the purple curtains hung rich and ample
before the lofty window and loftier arch; everything was still, save the
subdued chat of Adele (she dared not speak loud), and, filling up each
pause, the beating of winter rain against the panes.

Mr. Rochester, as he sat in his damask-covered chair, looked different to
what I had seen him look before; not quite so stern--much less gloomy.
There was a smile on his lips, and his eyes sparkled, whether with wine
or not, I am not sure; but I think it very probable.  He was, in short,
in his after-dinner mood; more expanded and genial, and also more self-
indulgent than the frigid and rigid temper of the morning; still he
looked preciously grim, cushioning his massive head against the swelling
back of his chair, and receiving the light of the fire on his granite-
hewn features, and in his great, dark eyes; for he had great, dark eyes,
and very fine eyes, too--not without a certain change in their depths
sometimes, which, if it was not softness, reminded you, at least, of that
feeling.

He had been looking two minutes at the fire, and I had been looking the
same length of time at him, when, turning suddenly, he caught my gaze
fastened on his physiognomy.

"You examine me, Miss Eyre," said he: "do you think me handsome?"

I should, if I had deliberated, have replied to this question by
something conventionally vague and polite; but the answer somehow slipped
from my tongue before I was aware--"No, sir."

"Ah!  By my word! there is something singular about you," said he: "you
have the air of a little _nonnette_; quaint, quiet, grave, and simple, as
you sit with your hands before you, and your eyes generally bent on the
carpet (except, by-the-bye, when they are directed piercingly to my face;
as just now, for instance); and when one asks you a question, or makes a
remark to which you are obliged to reply, you rap out a round rejoinder,
which, if not blunt, is at least brusque.  What do you mean by it?"

"Sir, I was too plain; I beg your pardon.  I ought to have replied that
it was not easy to give an impromptu answer to a question about
appearances; that tastes mostly differ; and that beauty is of little
consequence, or something of that sort."

"You ought to have replied no such thing.  Beauty of little consequence,
indeed!  And so, under pretence of softening the previous outrage, of
stroking and soothing me into placidity, you stick a sly penknife under
my ear!  Go on: what fault do you find with me, pray?  I suppose I have
all my limbs and all my features like any other man?"

"Mr. Rochester, allow me to disown my first answer: I intended no pointed
repartee: it was only a blunder."

"Just so: I think so: and you shall be answerable for it.  Criticise me:
does my forehead not please you?"

He lifted up the sable waves of hair which lay horizontally over his
brow, and showed a solid enough mass of intellectual organs, but an
abrupt deficiency where the suave sign of benevolence should have risen.

"Now, ma'am, am I a fool?"

"Far from it, sir.  You would, perhaps, think me rude if I inquired in
return whether you are a philanthropist?"

"There again!  Another stick of the penknife, when she pretended to pat
my head: and that is because I said I did not like the society of
children and old women (low be it spoken!).  No, young lady, I am not a
general philanthropist; but I bear a conscience;" and he pointed to the
prominences which are said to indicate that faculty, and which,
fortunately for him, were sufficiently conspicuous; giving, indeed, a
marked breadth to the upper part of his head: "and, besides, I once had a
kind of rude tenderness of heart.  When I was as old as you, I was a
feeling fellow enough, partial to the unfledged, unfostered, and unlucky;
but Fortune has knocked me about since: she has even kneaded me with her
knuckles, and now I flatter myself I am hard and tough as an India-rubber
ball; pervious, though, through a chink or two still, and with one
sentient point in the middle of the lump.  Yes: does that leave hope for
me?"

"Hope of what, sir?"

"Of my final re-transformation from India-rubber back to flesh?"

"Decidedly he has had too much wine," I thought; and I did not know what
answer to make to his queer question: how could I tell whether he was
capable of being re-transformed?

"You looked very much puzzled, Miss Eyre; and though you are not pretty
any more than I am handsome, yet a puzzled air becomes you; besides, it
is convenient, for it keeps those searching eyes of yours away from my
physiognomy, and busies them with the worsted flowers of the rug; so
puzzle on.  Young lady, I am disposed to be gregarious and communicative
to-night."

With this announcement he rose from his chair, and stood, leaning his arm
on the marble mantelpiece: in that attitude his shape was seen plainly as
well as his face; his unusual breadth of chest, disproportionate almost
to his length of limb.  I am sure most people would have thought him an
ugly man; yet there was so much unconscious pride in his port; so much
ease in his demeanour; such a look of complete indifference to his own
external appearance; so haughty a reliance on the power of other
qualities, intrinsic or adventitious, to atone for the lack of mere
personal attractiveness, that, in looking at him, one inevitably shared
the indifference, and, even in a blind, imperfect sense, put faith in the
confidence.

"I am disposed to be gregarious and communicative to-night," he repeated,
"and that is why I sent for you: the fire and the chandelier were not
sufficient company for me; nor would Pilot have been, for none of these
can talk.  Adele is a degree better, but still far below the mark; Mrs.
Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled
me the first evening I invited you down here.  I have almost forgotten
you since: other ideas have driven yours from my head; but to-night I am
resolved to be at ease; to dismiss what importunes, and recall what
pleases.  It would please me now to draw you out--to learn more of
you--therefore speak."

Instead of speaking, I smiled; and not a very complacent or submissive
smile either.

"Speak," he urged.

"What about, sir?"

"Whatever you like.  I leave both the choice of subject and the manner of
treating it entirely to yourself."

Accordingly I sat and said nothing: "If he expects me to talk for the
mere sake of talking and showing off, he will find he has addressed
himself to the wrong person," I thought.

"You are dumb, Miss Eyre."

I was dumb still.  He bent his head a little towards me, and with a
single hasty glance seemed to dive into my eyes.

"Stubborn?" he said, "and annoyed.  Ah! it is consistent.  I put my
request in an absurd, almost insolent form.  Miss Eyre, I beg your
pardon.  The fact is, once for all, I don't wish to treat you like an
inferior: that is" (correcting himself), "I claim only such superiority
as must result from twenty years' difference in age and a century's
advance in experience.  This is legitimate, _et j'y tiens_, as Adele
would say; and it is by virtue of this superiority, and this alone, that
I desire you to have the goodness to talk to me a little now, and divert
my thoughts, which are galled with dwelling on one point--cankering as a
rusty nail."

He had deigned an explanation, almost an apology, and I did not feel
insensible to his condescension, and would not seem so.

"I am willing to amuse you, if I can, sir--quite willing; but I cannot
introduce a topic, because how do I know what will interest you?  Ask me
questions, and I will do my best to answer them."

"Then, in the first place, do you agree with me that I have a right to be
a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I
stated, namely, that I am old enough to be your father, and that I have
battled through a varied experience with many men of many nations, and
roamed over half the globe, while you have lived quietly with one set of
people in one house?"

"Do as you please, sir."

"That is no answer; or rather it is a very irritating, because a very
evasive one.  Reply clearly."

"I don't think, sir, you have a right to command me, merely because you
are older than I, or because you have seen more of the world than I have;
your claim to superiority depends on the use you have made of your time
and experience."

"Humph!  Promptly spoken.  But I won't allow that, seeing that it would
never suit my case, as I have made an indifferent, not to say a bad, use
of both advantages.  Leaving superiority out of the question, then, you
must still agree to receive my orders now and then, without being piqued
or hurt by the tone of command.  Will you?"

I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to
forget that he pays me 30 pounds per annum for receiving his orders.

"The smile is very well," said he, catching instantly the passing
expression; "but speak too."

"I was thinking, sir, that very few masters would trouble themselves to
inquire whether or not their paid subordinates were piqued and hurt by
their orders."

"Paid subordinates!  What! you are my paid subordinate, are you?  Oh yes,
I had forgotten the salary!  Well then, on that mercenary ground, will
you agree to let me hector a little?"

"No, sir, not on that ground; but, on the ground that you did forget it,
and that you care whether or not a dependent is comfortable in his
dependency, I agree heartily."

"And will you consent to dispense with a great many conventional forms
and phrases, without thinking that the omission arises from insolence?"

"I am sure, sir, I should never mistake informality for insolence: one I
rather like, the other nothing free-born would submit to, even for a
salary."

"Humbug!  Most things free-born will submit to anything for a salary;
therefore, keep to yourself, and don't venture on generalities of which
you are intensely ignorant.  However, I mentally shake hands with you for
your answer, despite its inaccuracy; and as much for the manner in which
it was said, as for the substance of the speech; the manner was frank and
sincere; one does not often see such a manner: no, on the contrary,
affectation, or coldness, or stupid, coarse-minded misapprehension of
one's meaning are the usual rewards of candour.  Not three in three
thousand raw school-girl-governesses would have answered me as you have
just done.  But I don't mean to flatter you: if you are cast in a
different mould to the majority, it is no merit of yours: Nature did it.
And then, after all, I go too fast in my conclusions: for what I yet
know, you may be no better than the rest; you may have intolerable
defects to counterbalance your few good points."

"And so may you," I thought.  My eye met his as the idea crossed my mind:
he seemed to read the glance, answering as if its import had been spoken
as well as imagined--

"Yes, yes, you are right," said he; "I have plenty of faults of my own: I
know it, and I don't wish to palliate them, I assure you.  God wot I need
not be too severe about others; I have a past existence, a series of
deeds, a colour of life to contemplate within my own breast, which might
well call my sneers and censures from my neighbours to myself.  I
started, or rather (for like other defaulters, I like to lay half the
blame on ill fortune and adverse circumstances) was thrust on to a wrong
tack at the age of one-and-twenty, and have never recovered the right
course since: but I might have been very different; I might have been as
good as you--wiser--almost as stainless.  I envy you your peace of mind,
your clean conscience, your unpolluted memory.  Little girl, a memory
without blot or contamination must be an exquisite treasure--an
inexhaustible source of pure refreshment: is it not?"

"How was your memory when you were eighteen, sir?"

"All right then; limpid, salubrious: no gush of bilge water had turned it
to fetid puddle.  I was your equal at eighteen--quite your equal.  Nature
meant me to be, on the whole, a good man, Miss Eyre; one of the better
kind, and you see I am not so.  You would say you don't see it; at least
I flatter myself I read as much in your eye (beware, by-the-bye, what you
express with that organ; I am quick at interpreting its language).  Then
take my word for it,--I am not a villain: you are not to suppose that--not
to attribute to me any such bad eminence; but, owing, I verily believe,
rather to circumstances than to my natural bent, I am a trite commonplace
sinner, hackneyed in all the poor petty dissipations with which the rich
and worthless try to put on life.  Do you wonder that I avow this to you?
Know, that in the course of your future life you will often find yourself
elected the involuntary confidant of your acquaintances' secrets: people
will instinctively find out, as I have done, that it is not your forte to
tell of yourself, but to listen while others talk of themselves; they
will feel, too, that you listen with no malevolent scorn of their
indiscretion, but with a kind of innate sympathy; not the less comforting
and encouraging because it is very unobtrusive in its manifestations."

"How do you know?--how can you guess all this, sir?"

"I know it well; therefore I proceed almost as freely as if I were
writing my thoughts in a diary.  You would say, I should have been
superior to circumstances; so I should--so I should; but you see I was
not.  When fate wronged me, I had not the wisdom to remain cool: I turned
desperate; then I degenerated.  Now, when any vicious simpleton excites
my disgust by his paltry ribaldry, I cannot flatter myself that I am
better than he: I am forced to confess that he and I are on a level.  I
wish I had stood firm--God knows I do!  Dread remorse when you are
tempted to err, Miss Eyre; remorse is the poison of life."

"Repentance is said to be its cure, sir."

"It is not its cure.  Reformation may be its cure; and I could reform--I
have strength yet for that--if--but where is the use of thinking of it,
hampered, burdened, cursed as I am?  Besides, since happiness is
irrevocably denied me, I have a right to get pleasure out of life: and I
_will_ get it, cost what it may."

"Then you will degenerate still more, sir."

"Possibly: yet why should I, if I can get sweet, fresh pleasure?  And I
may get it as sweet and fresh as the wild honey the bee gathers on the
moor."

"It will sting--it will taste bitter, sir."

"How do you know?--you never tried it.  How very serious--how very solemn
you look: and you are as ignorant of the matter as this cameo head"
(taking one from the mantelpiece).  "You have no right to preach to me,
you neophyte, that have not passed the porch of life, and are absolutely
unacquainted with its mysteries."

"I only remind you of your own words, sir: you said error brought
remorse, and you pronounced remorse the poison of existence."

"And who talks of error now?  I scarcely think the notion that flittered
across my brain was an error.  I believe it was an inspiration rather
than a temptation: it was very genial, very soothing--I know that.  Here
it comes again!  It is no devil, I assure you; or if it be, it has put on
the robes of an angel of light.  I think I must admit so fair a guest
when it asks entrance to my heart."

"Distrust it, sir; it is not a true angel."

"Once more, how do you know?  By what instinct do you pretend to
distinguish between a fallen seraph of the abyss and a messenger from the
eternal throne--between a guide and a seducer?"

"I judged by your countenance, sir, which was troubled when you said the
suggestion had returned upon you.  I feel sure it will work you more
misery if you listen to it."

"Not at all--it bears the most gracious message in the world: for the
rest, you are not my conscience-keeper, so don't make yourself uneasy.
Here, come in, bonny wanderer!"

He said this as if he spoke to a vision, viewless to any eye but his own;
then, folding his arms, which he had half extended, on his chest, he
seemed to enclose in their embrace the invisible being.

"Now," he continued, again addressing me, "I have received the pilgrim--a
disguised deity, as I verily believe.  Already it has done me good: my
heart was a sort of charnel; it will now be a shrine."

"To speak truth, sir, I don't understand you at all: I cannot keep up the
conversation, because it has got out of my depth.  Only one thing, I
know: you said you were not as good as you should like to be, and that
you regretted your own imperfection;--one thing I can comprehend: you
intimated that to have a sullied memory was a perpetual bane.  It seems
to me, that if you tried hard, you would in time find it possible to
become what you yourself would approve; and that if from this day you
began with resolution to correct your thoughts and actions, you would in
a few years have laid up a new and stainless store of recollections, to
which you might revert with pleasure."

"Justly thought; rightly said, Miss Eyre; and, at this moment, I am
paving hell with energy."

"Sir?"

"I am laying down good intentions, which I believe durable as flint.
Certainly, my associates and pursuits shall be other than they have
been."

"And better?"

"And better--so much better as pure ore is than foul dross.  You seem to
doubt me; I don't doubt myself: I know what my aim is, what my motives
are; and at this moment I pass a law, unalterable as that of the Medes
and Persians, that both are right."

"They cannot be, sir, if they require a new statute to legalise them."

"They are, Miss Eyre, though they absolutely require a new statute:
unheard-of combinations of circumstances demand unheard-of rules."

"That sounds a dangerous maxim, sir; because one can see at once that it
is liable to abuse."

"Sententious sage! so it is: but I swear by my household gods not to
abuse it."

"You are human and fallible."

"I am: so are you--what then?"

"The human and fallible should not arrogate a power with which the divine
and perfect alone can be safely intrusted."

"What power?"

"That of saying of any strange, unsanctioned line of action,--'Let it be
right.'"

"'Let it be right'--the very words: you have pronounced them."

"_May_ it be right then," I said, as I rose, deeming it useless to
continue a discourse which was all darkness to me; and, besides, sensible
that the character of my interlocutor was beyond my penetration; at
least, beyond its present reach; and feeling the uncertainty, the vague
sense of insecurity, which accompanies a conviction of ignorance.

"Where are you going?"

"To put Adele to bed: it is past her bedtime."

"You are afraid of me, because I talk like a Sphynx."

"Your language is enigmatical, sir: but though I am bewildered, I am
certainly not afraid."

"You _are_ afraid--your self-love dreads a blunder."

"In that sense I do feel apprehensive--I have no wish to talk nonsense."

"If you did, it would be in such a grave, quiet manner, I should mistake
it for sense.  Do you never laugh, Miss Eyre?  Don't trouble yourself to
answer--I see you laugh rarely; but you can laugh very merrily: believe
me, you are not naturally austere, any more than I am naturally vicious.
The Lowood constraint still clings to you somewhat; controlling your
features, muffling your voice, and restricting your limbs; and you fear
in the presence of a man and a brother--or father, or master, or what you
will--to smile too gaily, speak too freely, or move too quickly: but, in
time, I think you will learn to be natural with me, as I find it
impossible to be conventional with you; and then your looks and movements
will have more vivacity and variety than they dare offer now.  I see at
intervals the glance of a curious sort of bird through the close-set bars
of a cage: a vivid, restless, resolute captive is there; were it but
free, it would soar cloud-high.  You are still bent on going?"

"It has struck nine, sir."

"Never mind,--wait a minute: Adele is not ready to go to bed yet.  My
position, Miss Eyre, with my back to the fire, and my face to the room,
favours observation.  While talking to you, I have also occasionally
watched Adele (I have my own reasons for thinking her a curious
study,--reasons that I may, nay, that I shall, impart to you some day).
She pulled out of her box, about ten minutes ago, a little pink silk
frock; rapture lit her face as she unfolded it; coquetry runs in her
blood, blends with her brains, and seasons the marrow of her bones.  'Il
faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed
out of the room.  She is now with Sophie, undergoing a robing process: in
a few minutes she will re-enter; and I know what I shall see,--a
miniature of Celine Varens, as she used to appear on the boards at the
rising of--But never mind that.  However, my tenderest feelings are about
to receive a shock: such is my presentiment; stay now, to see whether it
will be realised."

Ere long, Adele's little foot was heard tripping across the hall.  She
entered, transformed as her guardian had predicted.  A dress of
rose-coloured satin, very short, and as full in the skirt as it could be
gathered, replaced the brown frock she had previously worn; a wreath of
rosebuds circled her forehead; her feet were dressed in silk stockings
and small white satin sandals.

"Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes
souliers? et mes bas?  Tenez, je crois que je vais danser!"

And spreading out her dress, she chasseed across the room till, having
reached Mr. Rochester, she wheeled lightly round before him on tip-toe,
then dropped on one knee at his feet, exclaiming--

"Monsieur, je vous remercie mille fois de votre bonte;" then rising, she
added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?"

"Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English
gold out of my British breeches' pocket.  I have been green, too, Miss
Eyre,--ay, grass green: not a more vernal tint freshens you now than once
freshened me.  My Spring is gone, however, but it has left me that French
floweret on my hands, which, in some moods, I would fain be rid of.  Not
valuing now the root whence it sprang; having found that it was of a sort
which nothing but gold dust could manure, I have but half a liking to the
blossom, especially when it looks so artificial as just now.  I keep it
and rear it rather on the Roman Catholic principle of expiating numerous
sins, great or small, by one good work.  I'll explain all this some day.
Good-night."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: During the next few days, Jane sees little of Mr. Rochester as he deals with business and acquaintances. His moods shift rapidly, but Jane cannot figure out their source. One night, during one of his warmer moods, Mr. Rochester gives Adele her long-awaited gift and is more genial while talking with Jane. Jane keeps scrutinizing his face, a fact he notes; he asks if she finds him handsome, but she gives the honest answer: "No, sir. Mr. Rochester seems to be amused by Jane's answer, and she concludes that he must be slightly drunk. Although the conversation continues, Jane begins to feel increasingly awkward because of Mr. Rochester's position of superiority as her master. Mr. Rochester claims that their relationship should not be one of servitude. Moreover, he does not mean to condescend to her, but his air of superiority comes from his being much older and more experienced. Jane disagrees, arguing that age and experience should automatically confer authority. The conversation moves to the topic of sin and redemption, and Mr. Rochester promises to explain more about Adele's mother in the future.


prompt:
Chapter: Mr. Rochester did, on a future occasion, explain it.  It was one
afternoon, when he chanced to meet me and Adele in the grounds: and while
she played with Pilot and her shuttlecock, he asked me to walk up and
down a long beech avenue within sight of her.

He then said that she was the daughter of a French opera-dancer, Celine
Varens, towards whom he had once cherished what he called a "_grande
passion_."  This passion Celine had professed to return with even
superior ardour.  He thought himself her idol, ugly as he was: he
believed, as he said, that she preferred his "_taille d'athlete_" to the
elegance of the Apollo Belvidere.

"And, Miss Eyre, so much was I flattered by this preference of the Gallic
sylph for her British gnome, that I installed her in an hotel; gave her a
complete establishment of servants, a carriage, cashmeres, diamonds,
dentelles, &c.  In short, I began the process of ruining myself in the
received style, like any other spoony.  I had not, it seems, the
originality to chalk out a new road to shame and destruction, but trode
the old track with stupid exactness not to deviate an inch from the
beaten centre.  I had--as I deserved to have--the fate of all other
spoonies.  Happening to call one evening when Celine did not expect me, I
found her out; but it was a warm night, and I was tired with strolling
through Paris, so I sat down in her boudoir; happy to breathe the air
consecrated so lately by her presence.  No,--I exaggerate; I never
thought there was any consecrating virtue about her: it was rather a sort
of pastille perfume she had left; a scent of musk and amber, than an
odour of sanctity.  I was just beginning to stifle with the fumes of
conservatory flowers and sprinkled essences, when I bethought myself to
open the window and step out on to the balcony.  It was moonlight and
gaslight besides, and very still and serene.  The balcony was furnished
with a chair or two; I sat down, and took out a cigar,--I will take one
now, if you will excuse me."

Here ensued a pause, filled up by the producing and lighting of a cigar;
having placed it to his lips and breathed a trail of Havannah incense on
the freezing and sunless air, he went on--

"I liked bonbons too in those days, Miss Eyre, and I was
_croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and
smoking alternately, watching meantime the equipages that rolled along
the fashionable streets towards the neighbouring opera-house, when in an
elegant close carriage drawn by a beautiful pair of English horses, and
distinctly seen in the brilliant city-night, I recognised the 'voiture' I
had given Celine.  She was returning: of course my heart thumped with
impatience against the iron rails I leant upon.  The carriage stopped, as
I had expected, at the hotel door; my flame (that is the very word for an
opera inamorata) alighted: though muffed in a cloak--an unnecessary
encumbrance, by-the-bye, on so warm a June evening--I knew her instantly
by her little foot, seen peeping from the skirt of her dress, as she
skipped from the carriage-step.  Bending over the balcony, I was about to
murmur 'Mon ange'--in a tone, of course, which should be audible to the
ear of love alone--when a figure jumped from the carriage after her;
cloaked also; but that was a spurred heel which had rung on the pavement,
and that was a hatted head which now passed under the arched _porte
cochere_ of the hotel.

"You never felt jealousy, did you, Miss Eyre?  Of course not: I need not
ask you; because you never felt love.  You have both sentiments yet to
experience: your soul sleeps; the shock is yet to be given which shall
waken it.  You think all existence lapses in as quiet a flow as that in
which your youth has hitherto slid away.  Floating on with closed eyes
and muffled ears, you neither see the rocks bristling not far off in the
bed of the flood, nor hear the breakers boil at their base.  But I tell
you--and you may mark my words--you will come some day to a craggy pass
in the channel, where the whole of life's stream will be broken up into
whirl and tumult, foam and noise: either you will be dashed to atoms on
crag points, or lifted up and borne on by some master-wave into a calmer
current--as I am now.

"I like this day; I like that sky of steel; I like the sternness and
stillness of the world under this frost.  I like Thornfield, its
antiquity, its retirement, its old crow-trees and thorn-trees, its grey
facade, and lines of dark windows reflecting that metal welkin: and yet
how long have I abhorred the very thought of it, shunned it like a great
plague-house?  How I do still abhor--"

He ground his teeth and was silent: he arrested his step and struck his
boot against the hard ground.  Some hated thought seemed to have him in
its grip, and to hold him so tightly that he could not advance.

We were ascending the avenue when he thus paused; the hall was before us.
Lifting his eye to its battlements, he cast over them a glare such as I
never saw before or since.  Pain, shame, ire, impatience, disgust,
detestation, seemed momentarily to hold a quivering conflict in the large
pupil dilating under his ebon eyebrow.  Wild was the wrestle which should
be paramount; but another feeling rose and triumphed: something hard and
cynical: self-willed and resolute: it settled his passion and petrified
his countenance: he went on--

"During the moment I was silent, Miss Eyre, I was arranging a point with
my destiny.  She stood there, by that beech-trunk--a hag like one of
those who appeared to Macbeth on the heath of Forres.  'You like
Thornfield?' she said, lifting her finger; and then she wrote in the air
a memento, which ran in lurid hieroglyphics all along the house-front,
between the upper and lower row of windows, 'Like it if you can!  Like it
if you dare!'

"'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily)
"I will keep my word; I will break obstacles to happiness, to
goodness--yes, goodness.  I wish to be a better man than I have been,
than I am; as Job's leviathan broke the spear, the dart, and the
habergeon, hindrances which others count as iron and brass, I will esteem
but straw and rotten wood."

Adele here ran before him with her shuttlecock.  "Away!" he cried
harshly; "keep at a distance, child; or go in to Sophie!"  Continuing
then to pursue his walk in silence, I ventured to recall him to the point
whence he had abruptly diverged--

"Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?"

I almost expected a rebuff for this hardly well-timed question, but, on
the contrary, waking out of his scowling abstraction, he turned his eyes
towards me, and the shade seemed to clear off his brow.  "Oh, I had
forgotten Celine!  Well, to resume.  When I saw my charmer thus come in
accompanied by a cavalier, I seemed to hear a hiss, and the green snake
of jealousy, rising on undulating coils from the moonlit balcony, glided
within my waistcoat, and ate its way in two minutes to my heart's core.
Strange!" he exclaimed, suddenly starting again from the point.  "Strange
that I should choose you for the confidant of all this, young lady;
passing strange that you should listen to me quietly, as if it were the
most usual thing in the world for a man like me to tell stories of his
opera-mistresses to a quaint, inexperienced girl like you!  But the last
singularity explains the first, as I intimated once before: you, with
your gravity, considerateness, and caution were made to be the recipient
of secrets.  Besides, I know what sort of a mind I have placed in
communication with my own: I know it is one not liable to take infection:
it is a peculiar mind: it is a unique one.  Happily I do not mean to harm
it: but, if I did, it would not take harm from me.  The more you and I
converse, the better; for while I cannot blight you, you may refresh me."
After this digression he proceeded--

"I remained in the balcony.  'They will come to her boudoir, no doubt,'
thought I: 'let me prepare an ambush.'  So putting my hand in through the
open window, I drew the curtain over it, leaving only an opening through
which I could take observations; then I closed the casement, all but a
chink just wide enough to furnish an outlet to lovers' whispered vows:
then I stole back to my chair; and as I resumed it the pair came in.  My
eye was quickly at the aperture.  Celine's chamber-maid entered, lit a
lamp, left it on the table, and withdrew.  The couple were thus revealed
to me clearly: both removed their cloaks, and there was 'the Varens,'
shining in satin and jewels,--my gifts of course,--and there was her
companion in an officer's uniform; and I knew him for a young roue of a
vicomte--a brainless and vicious youth whom I had sometimes met in
society, and had never thought of hating because I despised him so
absolutely.  On recognising him, the fang of the snake Jealousy was
instantly broken; because at the same moment my love for Celine sank
under an extinguisher.  A woman who could betray me for such a rival was
not worth contending for; she deserved only scorn; less, however, than I,
who had been her dupe.

"They began to talk; their conversation eased me completely: frivolous,
mercenary, heartless, and senseless, it was rather calculated to weary
than enrage a listener.  A card of mine lay on the table; this being
perceived, brought my name under discussion.  Neither of them possessed
energy or wit to belabour me soundly, but they insulted me as coarsely as
they could in their little way: especially Celine, who even waxed rather
brilliant on my personal defects--deformities she termed them.  Now it
had been her custom to launch out into fervent admiration of what she
called my '_beaute male_:' wherein she differed diametrically from you,
who told me point-blank, at the second interview, that you did not think
me handsome.  The contrast struck me at the time and--"

Adele here came running up again.

"Monsieur, John has just been to say that your agent has called and
wishes to see you."

"Ah! in that case I must abridge.  Opening the window, I walked in upon
them; liberated Celine from my protection; gave her notice to vacate her
hotel; offered her a purse for immediate exigencies; disregarded screams,
hysterics, prayers, protestations, convulsions; made an appointment with
the vicomte for a meeting at the Bois de Boulogne.  Next morning I had
the pleasure of encountering him; left a bullet in one of his poor
etiolated arms, feeble as the wing of a chicken in the pip, and then
thought I had done with the whole crew.  But unluckily the Varens, six
months before, had given me this filette Adele, who, she affirmed, was my
daughter; and perhaps she may be, though I see no proofs of such grim
paternity written in her countenance: Pilot is more like me than she.
Some years after I had broken with the mother, she abandoned her child,
and ran away to Italy with a musician or singer.  I acknowledged no
natural claim on Adele's part to be supported by me, nor do I now
acknowledge any, for I am not her father; but hearing that she was quite
destitute, I e'en took the poor thing out of the slime and mud of Paris,
and transplanted it here, to grow up clean in the wholesome soil of an
English country garden.  Mrs. Fairfax found you to train it; but now you
know that it is the illegitimate offspring of a French opera-girl, you
will perhaps think differently of your post and protegee: you will be
coming to me some day with notice that you have found another place--that
you beg me to look out for a new governess, &c.--Eh?"

"No: Adele is not answerable for either her mother's faults or yours: I
have a regard for her; and now that I know she is, in a sense,
parentless--forsaken by her mother and disowned by you, sir--I shall
cling closer to her than before.  How could I possibly prefer the spoilt
pet of a wealthy family, who would hate her governess as a nuisance, to a
lonely little orphan, who leans towards her as a friend?"

"Oh, that is the light in which you view it!  Well, I must go in now; and
you too: it darkens."

But I stayed out a few minutes longer with Adele and Pilot--ran a race
with her, and played a game of battledore and shuttlecock.  When we went
in, and I had removed her bonnet and coat, I took her on my knee; kept
her there an hour, allowing her to prattle as she liked: not rebuking
even some little freedoms and trivialities into which she was apt to
stray when much noticed, and which betrayed in her a superficiality of
character, inherited probably from her mother, hardly congenial to an
English mind.  Still she had her merits; and I was disposed to appreciate
all that was good in her to the utmost.  I sought in her countenance and
features a likeness to Mr. Rochester, but found none: no trait, no turn
of expression announced relationship.  It was a pity: if she could but
have been proved to resemble him, he would have thought more of her.

It was not till after I had withdrawn to my own chamber for the night,
that I steadily reviewed the tale Mr. Rochester had told me.  As he had
said, there was probably nothing at all extraordinary in the substance of
the narrative itself: a wealthy Englishman's passion for a French dancer,
and her treachery to him, were every-day matters enough, no doubt, in
society; but there was something decidedly strange in the paroxysm of
emotion which had suddenly seized him when he was in the act of
expressing the present contentment of his mood, and his newly revived
pleasure in the old hall and its environs.  I meditated wonderingly on
this incident; but gradually quitting it, as I found it for the present
inexplicable, I turned to the consideration of my master's manner to
myself.  The confidence he had thought fit to repose in me seemed a
tribute to my discretion: I regarded and accepted it as such.  His
deportment had now for some weeks been more uniform towards me than at
the first.  I never seemed in his way; he did not take fits of chilling
hauteur: when he met me unexpectedly, the encounter seemed welcome; he
had always a word and sometimes a smile for me: when summoned by formal
invitation to his presence, I was honoured by a cordiality of reception
that made me feel I really possessed the power to amuse him, and that
these evening conferences were sought as much for his pleasure as for my
benefit.

I, indeed, talked comparatively little, but I heard him talk with relish.
It was his nature to be communicative; he liked to open to a mind
unacquainted with the world glimpses of its scenes and ways (I do not
mean its corrupt scenes and wicked ways, but such as derived their
interest from the great scale on which they were acted, the strange
novelty by which they were characterised); and I had a keen delight in
receiving the new ideas he offered, in imagining the new pictures he
portrayed, and following him in thought through the new regions he
disclosed, never startled or troubled by one noxious allusion.

The ease of his manner freed me from painful restraint: the friendly
frankness, as correct as cordial, with which he treated me, drew me to
him.  I felt at times as if he were my relation rather than my master:
yet he was imperious sometimes still; but I did not mind that; I saw it
was his way.  So happy, so gratified did I become with this new interest
added to life, that I ceased to pine after kindred: my thin
crescent-destiny seemed to enlarge; the blanks of existence were filled
up; my bodily health improved; I gathered flesh and strength.

And was Mr. Rochester now ugly in my eyes?  No, reader: gratitude, and
many associations, all pleasurable and genial, made his face the object I
best liked to see; his presence in a room was more cheering than the
brightest fire.  Yet I had not forgotten his faults; indeed, I could not,
for he brought them frequently before me.  He was proud, sardonic, harsh
to inferiority of every description: in my secret soul I knew that his
great kindness to me was balanced by unjust severity to many others.  He
was moody, too; unaccountably so; I more than once, when sent for to read
to him, found him sitting in his library alone, with his head bent on his
folded arms; and, when he looked up, a morose, almost a malignant, scowl
blackened his features.  But I believed that his moodiness, his
harshness, and his former faults of morality (I say _former_, for now he
seemed corrected of them) had their source in some cruel cross of fate.  I
believed he was naturally a man of better tendencies, higher principles,
and purer tastes than such as circumstances had developed, education
instilled, or destiny encouraged.  I thought there were excellent
materials in him; though for the present they hung together somewhat
spoiled and tangled.  I cannot deny that I grieved for his grief,
whatever that was, and would have given much to assuage it.

Though I had now extinguished my candle and was laid down in bed, I could
not sleep for thinking of his look when he paused in the avenue, and told
how his destiny had risen up before him, and dared him to be happy at
Thornfield.

"Why not?" I asked myself.  "What alienates him from the house?  Will he
leave it again soon?  Mrs. Fairfax said he seldom stayed here longer than
a fortnight at a time; and he has now been resident eight weeks.  If he
does go, the change will be doleful.  Suppose he should be absent spring,
summer, and autumn: how joyless sunshine and fine days will seem!"

I hardly know whether I had slept or not after this musing; at any rate,
I started wide awake on hearing a vague murmur, peculiar and lugubrious,
which sounded, I thought, just above me.  I wished I had kept my candle
burning: the night was drearily dark; my spirits were depressed.  I rose
and sat up in bed, listening.  The sound was hushed.

I tried again to sleep; but my heart beat anxiously: my inward
tranquillity was broken.  The clock, far down in the hall, struck two.
Just then it seemed my chamber-door was touched; as if fingers had swept
the panels in groping a way along the dark gallery outside.  I said, "Who
is there?"  Nothing answered.  I was chilled with fear.

All at once I remembered that it might be Pilot, who, when the kitchen-
door chanced to be left open, not unfrequently found his way up to the
threshold of Mr. Rochester's chamber: I had seen him lying there myself
in the mornings.  The idea calmed me somewhat: I lay down.  Silence
composes the nerves; and as an unbroken hush now reigned again through
the whole house, I began to feel the return of slumber.  But it was not
fated that I should sleep that night.  A dream had scarcely approached my
ear, when it fled affrighted, scared by a marrow-freezing incident
enough.

This was a demoniac laugh--low, suppressed, and deep--uttered, as it
seemed, at the very keyhole of my chamber door.  The head of my bed was
near the door, and I thought at first the goblin-laugher stood at my
bedside--or rather, crouched by my pillow: but I rose, looked round, and
could see nothing; while, as I still gazed, the unnatural sound was
reiterated: and I knew it came from behind the panels.  My first impulse
was to rise and fasten the bolt; my next, again to cry out, "Who is
there?"

Something gurgled and moaned.  Ere long, steps retreated up the gallery
towards the third-storey staircase: a door had lately been made to shut
in that staircase; I heard it open and close, and all was still.

"Was that Grace Poole? and is she possessed with a devil?" thought I.
Impossible now to remain longer by myself: I must go to Mrs. Fairfax.  I
hurried on my frock and a shawl; I withdrew the bolt and opened the door
with a trembling hand.  There was a candle burning just outside, and on
the matting in the gallery.  I was surprised at this circumstance: but
still more was I amazed to perceive the air quite dim, as if filled with
smoke; and, while looking to the right hand and left, to find whence
these blue wreaths issued, I became further aware of a strong smell of
burning.

Something creaked: it was a door ajar; and that door was Mr. Rochester's,
and the smoke rushed in a cloud from thence.  I thought no more of Mrs.
Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I
was within the chamber.  Tongues of flame darted round the bed: the
curtains were on fire.  In the midst of blaze and vapour, Mr. Rochester
lay stretched motionless, in deep sleep.

"Wake! wake!" I cried.  I shook him, but he only murmured and turned: the
smoke had stupefied him.  Not a moment could be lost: the very sheets
were kindling, I rushed to his basin and ewer; fortunately, one was wide
and the other deep, and both were filled with water.  I heaved them up,
deluged the bed and its occupant, flew back to my own room, brought my
own water-jug, baptized the couch afresh, and, by God's aid, succeeded in
extinguishing the flames which were devouring it.

The hiss of the quenched element, the breakage of a pitcher which I flung
from my hand when I had emptied it, and, above all, the splash of the
shower-bath I had liberally bestowed, roused Mr. Rochester at last.
Though it was now dark, I knew he was awake; because I heard him
fulminating strange anathemas at finding himself lying in a pool of
water.

"Is there a flood?" he cried.

"No, sir," I answered; "but there has been a fire: get up, do; you are
quenched now; I will fetch you a candle."

"In the name of all the elves in Christendom, is that Jane Eyre?" he
demanded.  "What have you done with me, witch, sorceress?  Who is in the
room besides you?  Have you plotted to drown me?"

"I will fetch you a candle, sir; and, in Heaven's name, get up.  Somebody
has plotted something: you cannot too soon find out who and what it is."

"There!  I am up now; but at your peril you fetch a candle yet: wait two
minutes till I get into some dry garments, if any dry there be--yes, here
is my dressing-gown.  Now run!"

I did run; I brought the candle which still remained in the gallery.  He
took it from my hand, held it up, and surveyed the bed, all blackened and
scorched, the sheets drenched, the carpet round swimming in water.

"What is it? and who did it?" he asked.  I briefly related to him what
had transpired: the strange laugh I had heard in the gallery: the step
ascending to the third storey; the smoke,--the smell of fire which had
conducted me to his room; in what state I had found matters there, and
how I had deluged him with all the water I could lay hands on.

{"What is it and who did it?" he asked: p140.jpg}

He listened very gravely; his face, as I went on, expressed more concern
than astonishment; he did not immediately speak when I had concluded.

"Shall I call Mrs. Fairfax?" I asked.

"Mrs. Fairfax?  No; what the deuce would you call her for?  What can she
do?  Let her sleep unmolested."

"Then I will fetch Leah, and wake John and his wife."

"Not at all: just be still.  You have a shawl on.  If you are not warm
enough, you may take my cloak yonder; wrap it about you, and sit down in
the arm-chair: there,--I will put it on.  Now place your feet on the
stool, to keep them out of the wet.  I am going to leave you a few
minutes.  I shall take the candle.  Remain where you are till I return;
be as still as a mouse.  I must pay a visit to the second storey.  Don't
move, remember, or call any one."

He went: I watched the light withdraw.  He passed up the gallery very
softly, unclosed the staircase door with as little noise as possible,
shut it after him, and the last ray vanished.  I was left in total
darkness.  I listened for some noise, but heard nothing.  A very long
time elapsed.  I grew weary: it was cold, in spite of the cloak; and then
I did not see the use of staying, as I was not to rouse the house.  I was
on the point of risking Mr. Rochester's displeasure by disobeying his
orders, when the light once more gleamed dimly on the gallery wall, and I
heard his unshod feet tread the matting.  "I hope it is he," thought I,
"and not something worse."

He re-entered, pale and very gloomy.  "I have found it all out," said he,
setting his candle down on the washstand; "it is as I thought."

"How, sir?"

He made no reply, but stood with his arms folded, looking on the ground.
At the end of a few minutes he inquired in rather a peculiar tone--

"I forget whether you said you saw anything when you opened your chamber
door."

"No, sir, only the candlestick on the ground."

"But you heard an odd laugh?  You have heard that laugh before, I should
think, or something like it?"

"Yes, sir: there is a woman who sews here, called Grace Poole,--she
laughs in that way.  She is a singular person."

"Just so.  Grace Poole--you have guessed it.  She is, as you say,
singular--very.  Well, I shall reflect on the subject.  Meantime, I am
glad that you are the only person, besides myself, acquainted with the
precise details of to-night's incident.  You are no talking fool: say
nothing about it.  I will account for this state of affairs" (pointing to
the bed): "and now return to your own room.  I shall do very well on the
sofa in the library for the rest of the night.  It is near four:--in two
hours the servants will be up."

"Good-night, then, sir," said I, departing.

He seemed surprised--very inconsistently so, as he had just told me to
go.

"What!" he exclaimed, "are you quitting me already, and in that way?"

"You said I might go, sir."

"But not without taking leave; not without a word or two of
acknowledgment and good-will: not, in short, in that brief, dry fashion.
Why, you have saved my life!--snatched me from a horrible and
excruciating death! and you walk past me as if we were mutual strangers!
At least shake hands."

He held out his hand; I gave him mine: he took it first in one, them in
both his own.

"You have saved my life: I have a pleasure in owing you so immense a
debt.  I cannot say more.  Nothing else that has being would have been
tolerable to me in the character of creditor for such an obligation: but
you: it is different;--I feel your benefits no burden, Jane."

He paused; gazed at me: words almost visible trembled on his lips,--but
his voice was checked.

"Good-night again, sir.  There is no debt, benefit, burden, obligation,
in the case."

"I knew," he continued, "you would do me good in some way, at some
time;--I saw it in your eyes when I first beheld you: their expression
and smile did not"--(again he stopped)--"did not" (he proceeded hastily)
"strike delight to my very inmost heart so for nothing.  People talk of
natural sympathies; I have heard of good genii: there are grains of truth
in the wildest fable.  My cherished preserver, goodnight!"

Strange energy was in his voice, strange fire in his look.

"I am glad I happened to be awake," I said: and then I was going.

"What! you _will_ go?"

"I am cold, sir."

"Cold?  Yes,--and standing in a pool!  Go, then, Jane; go!"  But he still
retained my hand, and I could not free it.  I bethought myself of an
expedient.

"I think I hear Mrs. Fairfax move, sir," said I.

"Well, leave me:" he relaxed his fingers, and I was gone.

I regained my couch, but never thought of sleep.  Till morning dawned I
was tossed on a buoyant but unquiet sea, where billows of trouble rolled
under surges of joy.  I thought sometimes I saw beyond its wild waters a
shore, sweet as the hills of Beulah; and now and then a freshening gale,
wakened by hope, bore my spirit triumphantly towards the bourne: but I
could not reach it, even in fancy--a counteracting breeze blew off land,
and continually drove me back.  Sense would resist delirium: judgment
would warn passion.  Too feverish to rest, I rose as soon as day dawned.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: One afternoon, while Adele plays elsewhere, Mr. Rochester takes the opportunity to fulfill his promise to Jane and explain his relationship to Adele. He was once passionately devoted to her mother, a French opera-dancer named Celine Varens, and despite her superior beauty, she seemed to return his ardor. He spent a fortune treating her to a luxurious lifestyle in Paris until he discovered that he was being cuckolded in a rather humiliating fashion. Mr. Rochester shot the other man in his arm and ended his relationship with Celine, believing that he was entirely done with the affair. However, Celine claimed that the six-month-old Adele was his daughter and then abandoned her a few years later so that she could run off with an Italian musician. Mr. Rochester was certain that the child was not his, but took responsibility for Adele anyway and brought her to live as his ward at Thornfield. Mr. Rochester expects that Jane will be appalled at the prospect of tutoring an illegitimate child, but Jane actually has more sympathy and affection for Adele after learning of her background. As for Mr. Rochester, these revelations and his confidence in Jane make him seem handsomer and more amiable to her, and she is worried that he will soon leave Thornfield, as Mrs. Fairfax says he always does. That night, as Jane lays awake thinking about everything that Mr. Rochester has told her, she thinks the she hears movement outside her door, then hears a "demoniac" laugh. When she leaves her bedroom, she finds a candle burning in the hallway, sees that Mr. Rochester's door is open, and finds his curtains on fire. He is stupefied by the smoky air, but she wakes him by extinguishing the flames and dousing him with water. She relates what she knows, and he goes into the attic. He returns a few minutes later and says the cause of the fire was Grace Poole, as Jane suspected from the laugh. Mr. Rochester tells her not to speak about the matter to anyone, and then thanks her sincerely for saving his life; he is reluctant for her to leave him. Jane is unable to sleep that night, thinking instead pleasurably of the "hills of Beulah" which, unfortunately, she is not able to reach.


prompt:
Chapter: There was no possibility of taking a walk that day.  We had been
wandering, indeed, in the leafless shrubbery an hour in the morning; but
since dinner (Mrs. Reed, when there was no company, dined early) the cold
winter wind had brought with it clouds so sombre, and a rain so
penetrating, that further out-door exercise was now out of the question.

I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight, with
nipped fingers and toes, and a heart saddened by the chidings of Bessie,
the nurse, and humbled by the consciousness of my physical inferiority to
Eliza, John, and Georgiana Reed.

The said Eliza, John, and Georgiana were now clustered round their mama
in the drawing-room: she lay reclined on a sofa by the fireside, and with
her darlings about her (for the time neither quarrelling nor crying)
looked perfectly happy.  Me, she had dispensed from joining the group;
saying, "She regretted to be under the necessity of keeping me at a
distance; but that until she heard from Bessie, and could discover by her
own observation, that I was endeavouring in good earnest to acquire a
more sociable and childlike disposition, a more attractive and sprightly
manner--something lighter, franker, more natural, as it were--she really
must exclude me from privileges intended only for contented, happy,
little children."

"What does Bessie say I have done?" I asked.

"Jane, I don't like cavillers or questioners; besides, there is something
truly forbidding in a child taking up her elders in that manner.  Be
seated somewhere; and until you can speak pleasantly, remain silent."

A breakfast-room adjoined the drawing-room, I slipped in there.  It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures.  I mounted into the window-
seat: gathering up my feet, I sat cross-legged, like a Turk; and, having
drawn the red moreen curtain nearly close, I was shrined in double
retirement.

Folds of scarlet drapery shut in my view to the right hand; to the left
were the clear panes of glass, protecting, but not separating me from the
drear November day.  At intervals, while turning over the leaves of my
book, I studied the aspect of that winter afternoon.  Afar, it offered a
pale blank of mist and cloud; near a scene of wet lawn and storm-beat
shrub, with ceaseless rain sweeping away wildly before a long and
lamentable blast.

I returned to my book--Bewick's History of British Birds: the letterpress
thereof I cared little for, generally speaking; and yet there were
certain introductory pages that, child as I was, I could not pass quite
as a blank.  They were those which treat of the haunts of sea-fowl; of
"the solitary rocks and promontories" by them only inhabited; of the
coast of Norway, studded with isles from its southern extremity, the
Lindeness, or Naze, to the North Cape--

   "Where the Northern Ocean, in vast whirls,
   Boils round the naked, melancholy isles
   Of farthest Thule; and the Atlantic surge
   Pours in among the stormy Hebrides."

Nor could I pass unnoticed the suggestion of the bleak shores of Lapland,
Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast
sweep of the Arctic Zone, and those forlorn regions of dreary space,--that
reservoir of frost and snow, where firm fields of ice, the accumulation
of centuries of winters, glazed in Alpine heights above heights, surround
the pole, and concentre the multiplied rigours of extreme cold."  Of
these death-white realms I formed an idea of my own: shadowy, like all
the half-comprehended notions that float dim through children's brains,
but strangely impressive.  The words in these introductory pages
connected themselves with the succeeding vignettes, and gave significance
to the rock standing up alone in a sea of billow and spray; to the broken
boat stranded on a desolate coast; to the cold and ghastly moon glancing
through bars of cloud at a wreck just sinking.

I cannot tell what sentiment haunted the quite solitary churchyard, with
its inscribed headstone; its gate, its two trees, its low horizon,
girdled by a broken wall, and its newly-risen crescent, attesting the
hour of eventide.

The two ships becalmed on a torpid sea, I believed to be marine phantoms.

The fiend pinning down the thief's pack behind him, I passed over
quickly: it was an object of terror.

So was the black horned thing seated aloof on a rock, surveying a distant
crowd surrounding a gallows.

Each picture told a story; mysterious often to my undeveloped
understanding and imperfect feelings, yet ever profoundly interesting: as
interesting as the tales Bessie sometimes narrated on winter evenings,
when she chanced to be in good humour; and when, having brought her
ironing-table to the nursery hearth, she allowed us to sit about it, and
while she got up Mrs. Reed's lace frills, and crimped her nightcap
borders, fed our eager attention with passages of love and adventure
taken from old fairy tales and other ballads; or (as at a later period I
discovered) from the pages of Pamela, and Henry, Earl of Moreland.

With Bewick on my knee, I was then happy: happy at least in my way.  I
feared nothing but interruption, and that came too soon.  The breakfast-
room door opened.

"Boh!  Madam Mope!" cried the voice of John Reed; then he paused: he
found the room apparently empty.

"Where the dickens is she!" he continued.  "Lizzy!  Georgy! (calling to
his sisters) Joan is not here: tell mama she is run out into the rain--bad
animal!"

"It is well I drew the curtain," thought I; and I wished fervently he
might not discover my hiding-place: nor would John Reed have found it out
himself; he was not quick either of vision or conception; but Eliza just
put her head in at the door, and said at once--

"She is in the window-seat, to be sure, Jack."

And I came out immediately, for I trembled at the idea of being dragged
forth by the said Jack.

"What do you want?" I asked, with awkward diffidence.

"Say, 'What do you want, Master Reed?'" was the answer.  "I want you to
come here;" and seating himself in an arm-chair, he intimated by a
gesture that I was to approach and stand before him.

John Reed was a schoolboy of fourteen years old; four years older than I,
for I was but ten: large and stout for his age, with a dingy and
unwholesome skin; thick lineaments in a spacious visage, heavy limbs and
large extremities.  He gorged himself habitually at table, which made him
bilious, and gave him a dim and bleared eye and flabby cheeks.  He ought
now to have been at school; but his mama had taken him home for a month
or two, "on account of his delicate health."  Mr. Miles, the master,
affirmed that he would do very well if he had fewer cakes and sweetmeats
sent him from home; but the mother's heart turned from an opinion so
harsh, and inclined rather to the more refined idea that John's
sallowness was owing to over-application and, perhaps, to pining after
home.

John had not much affection for his mother and sisters, and an antipathy
to me.  He bullied and punished me; not two or three times in the week,
nor once or twice in the day, but continually: every nerve I had feared
him, and every morsel of flesh in my bones shrank when he came near.
There were moments when I was bewildered by the terror he inspired,
because I had no appeal whatever against either his menaces or his
inflictions; the servants did not like to offend their young master by
taking my part against him, and Mrs. Reed was blind and deaf on the
subject: she never saw him strike or heard him abuse me, though he did
both now and then in her very presence, more frequently, however, behind
her back.

Habitually obedient to John, I came up to his chair: he spent some three
minutes in thrusting out his tongue at me as far as he could without
damaging the roots: I knew he would soon strike, and while dreading the
blow, I mused on the disgusting and ugly appearance of him who would
presently deal it.  I wonder if he read that notion in my face; for, all
at once, without speaking, he struck suddenly and strongly.  I tottered,
and on regaining my equilibrium retired back a step or two from his
chair.

"That is for your impudence in answering mama awhile since," said he,
"and for your sneaking way of getting behind curtains, and for the look
you had in your eyes two minutes since, you rat!"

Accustomed to John Reed's abuse, I never had an idea of replying to it;
my care was how to endure the blow which would certainly follow the
insult.

"What were you doing behind the curtain?" he asked.

"I was reading."

"Show the book."

I returned to the window and fetched it thence.

"You have no business to take our books; you are a dependent, mama says;
you have no money; your father left you none; you ought to beg, and not
to live here with gentlemen's children like us, and eat the same meals we
do, and wear clothes at our mama's expense.  Now, I'll teach you to
rummage my bookshelves: for they _are_ mine; all the house belongs to me,
or will do in a few years.  Go and stand by the door, out of the way of
the mirror and the windows."

I did so, not at first aware what was his intention; but when I saw him
lift and poise the book and stand in act to hurl it, I instinctively
started aside with a cry of alarm: not soon enough, however; the volume
was flung, it hit me, and I fell, striking my head against the door and
cutting it.  The cut bled, the pain was sharp: my terror had passed its
climax; other feelings succeeded.

"Wicked and cruel boy!" I said.  "You are like a murderer--you are like a
slave-driver--you are like the Roman emperors!"

I had read Goldsmith's History of Rome, and had formed my opinion of
Nero, Caligula, etc.  Also I had drawn parallels in silence, which I never
thought thus to have declared aloud.

"What! what!" he cried.  "Did she say that to me?  Did you hear her,
Eliza and Georgiana?  Won't I tell mama? but first--"

He ran headlong at me: I felt him grasp my hair and my shoulder: he had
closed with a desperate thing.  I really saw in him a tyrant, a murderer.
I felt a drop or two of blood from my head trickle down my neck, and was
sensible of somewhat pungent suffering: these sensations for the time
predominated over fear, and I received him in frantic sort.  I don't very
well know what I did with my hands, but he called me "Rat!  Rat!" and
bellowed out aloud.  Aid was near him: Eliza and Georgiana had run for
Mrs. Reed, who was gone upstairs: she now came upon the scene, followed
by Bessie and her maid Abbot.  We were parted: I heard the words--

"Dear! dear!  What a fury to fly at Master John!"

"Did ever anybody see such a picture of passion!"

Then Mrs. Reed subjoined--

"Take her away to the red-room, and lock her in there."  Four hands were
immediately laid upon me, and I was borne upstairs.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Jane Eyre begins with the adult Jane looking back at her life. She jumps into the story at a moment in her childhood when she's ten years old. On this particular day, Jane and her cousins John, Eliza, and Georgiana aren't going to do something: they're not going to take a walk, because it's too wet. Jane is relieved; she hates walks, because it's depressing to realize that she's not as physically hardy as her cousins. Jane's cousins are "clustered round their mama" , but Jane's not allowed to join them, because her aunt, Mrs. Reed, and her nursemaid, Bessie, claim that she's been naughty. Jane has no idea what she's supposed to have done. Jane goes into the breakfast room, climbs up into the window seat, pulls the red velvet curtains around her , and reads Bewick's History of British Birds, which is sort of like an illustrated field guide. She likes the pictures and the descriptions of icy landscapes--maybe this penchant for arctic places is supposed to tell us something about her? Jane's cousin, John Reed, goes looking for her and, with the help of his sister Eliza, finds her in the window seat. We can tell that he's seriously bad news. Jane tells us a little bit about John Reed: he's fourteen, big, a greedy eater, pampered by his mom, doesn't really like his family, and especially hates Jane. He is, basically, a big fat bully. After a long pause, John smacks Jane really hard. He makes her show him which book she was reading, and then lords it over her that she's dependent on his family and tells her she can't read his books. Then he throws the book at her hard enough to knock her down, and she cuts her head on the door. Jane jumps up and tells John off, calling him "wicked and cruel" and "like a murderer" or "like a slave driver" or "like the Roman emperors" . He grabs her and they start fighting. Jane's not sure what she does, but she must hurt him somehow because she makes John holler. Eliza and Georgiana go and get their mother, Mrs. Reed, and the nursemaid Bessie, like the little tattletales they are. Jane's blamed for the fight, and Mrs. Reed orders that she be locked in "the red room" ...that doesn't sound sinister or anything, right?


prompt:
Chapter: I resisted all the way: a new thing for me, and a circumstance which
greatly strengthened the bad opinion Bessie and Miss Abbot were disposed
to entertain of me.  The fact is, I was a trifle beside myself; or rather
_out_ of myself, as the French would say: I was conscious that a moment's
mutiny had already rendered me liable to strange penalties, and, like any
other rebel slave, I felt resolved, in my desperation, to go all lengths.

"Hold her arms, Miss Abbot: she's like a mad cat."

"For shame! for shame!" cried the lady's-maid.  "What shocking conduct,
Miss Eyre, to strike a young gentleman, your benefactress's son!  Your
young master."

"Master!  How is he my master?  Am I a servant?"

"No; you are less than a servant, for you do nothing for your keep.
There, sit down, and think over your wickedness."

They had got me by this time into the apartment indicated by Mrs. Reed,
and had thrust me upon a stool: my impulse was to rise from it like a
spring; their two pair of hands arrested me instantly.

"If you don't sit still, you must be tied down," said Bessie.  "Miss
Abbot, lend me your garters; she would break mine directly."

Miss Abbot turned to divest a stout leg of the necessary ligature.  This
preparation for bonds, and the additional ignominy it inferred, took a
little of the excitement out of me.

"Don't take them off," I cried; "I will not stir."

In guarantee whereof, I attached myself to my seat by my hands.

"Mind you don't," said Bessie; and when she had ascertained that I was
really subsiding, she loosened her hold of me; then she and Miss Abbot
stood with folded arms, looking darkly and doubtfully on my face, as
incredulous of my sanity.

"She never did so before," at last said Bessie, turning to the Abigail.

"But it was always in her," was the reply.  "I've told Missis often my
opinion about the child, and Missis agreed with me.  She's an underhand
little thing: I never saw a girl of her age with so much cover."

Bessie answered not; but ere long, addressing me, she said--"You ought to
be aware, Miss, that you are under obligations to Mrs. Reed: she keeps
you: if she were to turn you off, you would have to go to the poorhouse."

I had nothing to say to these words: they were not new to me: my very
first recollections of existence included hints of the same kind.  This
reproach of my dependence had become a vague sing-song in my ear: very
painful and crushing, but only half intelligible.  Miss Abbot joined in--

"And you ought not to think yourself on an equality with the Misses Reed
and Master Reed, because Missis kindly allows you to be brought up with
them.  They will have a great deal of money, and you will have none: it
is your place to be humble, and to try to make yourself agreeable to
them."

"What we tell you is for your good," added Bessie, in no harsh voice,
"you should try to be useful and pleasant, then, perhaps, you would have
a home here; but if you become passionate and rude, Missis will send you
away, I am sure."

"Besides," said Miss Abbot, "God will punish her: He might strike her
dead in the midst of her tantrums, and then where would she go?  Come,
Bessie, we will leave her: I wouldn't have her heart for anything.  Say
your prayers, Miss Eyre, when you are by yourself; for if you don't
repent, something bad might be permitted to come down the chimney and
fetch you away."

They went, shutting the door, and locking it behind them.

The red-room was a square chamber, very seldom slept in, I might say
never, indeed, unless when a chance influx of visitors at Gateshead Hall
rendered it necessary to turn to account all the accommodation it
contained: yet it was one of the largest and stateliest chambers in the
mansion.  A bed supported on massive pillars of mahogany, hung with
curtains of deep red damask, stood out like a tabernacle in the centre;
the two large windows, with their blinds always drawn down, were half
shrouded in festoons and falls of similar drapery; the carpet was red;
the table at the foot of the bed was covered with a crimson cloth; the
walls were a soft fawn colour with a blush of pink in it; the wardrobe,
the toilet-table, the chairs were of darkly polished old mahogany.  Out
of these deep surrounding shades rose high, and glared white, the piled-
up mattresses and pillows of the bed, spread with a snowy Marseilles
counterpane.  Scarcely less prominent was an ample cushioned easy-chair
near the head of the bed, also white, with a footstool before it; and
looking, as I thought, like a pale throne.

This room was chill, because it seldom had a fire; it was silent, because
remote from the nursery and kitchen; solemn, because it was known to be
so seldom entered.  The house-maid alone came here on Saturdays, to wipe
from the mirrors and the furniture a week's quiet dust: and Mrs. Reed
herself, at far intervals, visited it to review the contents of a certain
secret drawer in the wardrobe, where were stored divers parchments, her
jewel-casket, and a miniature of her deceased husband; and in those last
words lies the secret of the red-room--the spell which kept it so lonely
in spite of its grandeur.

Mr. Reed had been dead nine years: it was in this chamber he breathed his
last; here he lay in state; hence his coffin was borne by the
undertaker's men; and, since that day, a sense of dreary consecration had
guarded it from frequent intrusion.

My seat, to which Bessie and the bitter Miss Abbot had left me riveted,
was a low ottoman near the marble chimney-piece; the bed rose before me;
to my right hand there was the high, dark wardrobe, with subdued, broken
reflections varying the gloss of its panels; to my left were the muffled
windows; a great looking-glass between them repeated the vacant majesty
of the bed and room.  I was not quite sure whether they had locked the
door; and when I dared move, I got up and went to see.  Alas! yes: no
jail was ever more secure.  Returning, I had to cross before the looking-
glass; my fascinated glance involuntarily explored the depth it revealed.
All looked colder and darker in that visionary hollow than in reality:
and the strange little figure there gazing at me, with a white face and
arms specking the gloom, and glittering eyes of fear moving where all
else was still, had the effect of a real spirit: I thought it like one of
the tiny phantoms, half fairy, half imp, Bessie's evening stories
represented as coming out of lone, ferny dells in moors, and appearing
before the eyes of belated travellers.  I returned to my stool.

Superstition was with me at that moment; but it was not yet her hour for
complete victory: my blood was still warm; the mood of the revolted slave
was still bracing me with its bitter vigour; I had to stem a rapid rush
of retrospective thought before I quailed to the dismal present.

All John Reed's violent tyrannies, all his sisters' proud indifference,
all his mother's aversion, all the servants' partiality, turned up in my
disturbed mind like a dark deposit in a turbid well.  Why was I always
suffering, always browbeaten, always accused, for ever condemned?  Why
could I never please?  Why was it useless to try to win any one's favour?
Eliza, who was headstrong and selfish, was respected.  Georgiana, who had
a spoiled temper, a very acrid spite, a captious and insolent carriage,
was universally indulged.  Her beauty, her pink cheeks and golden curls,
seemed to give delight to all who looked at her, and to purchase
indemnity for every fault.  John no one thwarted, much less punished;
though he twisted the necks of the pigeons, killed the little pea-chicks,
set the dogs at the sheep, stripped the hothouse vines of their fruit,
and broke the buds off the choicest plants in the conservatory: he called
his mother "old girl," too; sometimes reviled her for her dark skin,
similar to his own; bluntly disregarded her wishes; not unfrequently tore
and spoiled her silk attire; and he was still "her own darling."  I dared
commit no fault: I strove to fulfil every duty; and I was termed naughty
and tiresome, sullen and sneaking, from morning to noon, and from noon to
night.

My head still ached and bled with the blow and fall I had received: no
one had reproved John for wantonly striking me; and because I had turned
against him to avert farther irrational violence, I was loaded with
general opprobrium.

"Unjust!--unjust!" said my reason, forced by the agonising stimulus into
precocious though transitory power: and Resolve, equally wrought up,
instigated some strange expedient to achieve escape from insupportable
oppression--as running away, or, if that could not be effected, never
eating or drinking more, and letting myself die.

What a consternation of soul was mine that dreary afternoon!  How all my
brain was in tumult, and all my heart in insurrection!  Yet in what
darkness, what dense ignorance, was the mental battle fought!  I could
not answer the ceaseless inward question--_why_ I thus suffered; now, at
the distance of--I will not say how many years, I see it clearly.

I was a discord in Gateshead Hall: I was like nobody there; I had nothing
in harmony with Mrs. Reed or her children, or her chosen vassalage.  If
they did not love me, in fact, as little did I love them.  They were not
bound to regard with affection a thing that could not sympathise with one
amongst them; a heterogeneous thing, opposed to them in temperament, in
capacity, in propensities; a useless thing, incapable of serving their
interest, or adding to their pleasure; a noxious thing, cherishing the
germs of indignation at their treatment, of contempt of their judgment.  I
know that had I been a sanguine, brilliant, careless, exacting, handsome,
romping child--though equally dependent and friendless--Mrs. Reed would
have endured my presence more complacently; her children would have
entertained for me more of the cordiality of fellow-feeling; the servants
would have been less prone to make me the scapegoat of the nursery.

Daylight began to forsake the red-room; it was past four o'clock, and the
beclouded afternoon was tending to drear twilight.  I heard the rain
still beating continuously on the staircase window, and the wind howling
in the grove behind the hall; I grew by degrees cold as a stone, and then
my courage sank.  My habitual mood of humiliation, self-doubt, forlorn
depression, fell damp on the embers of my decaying ire.  All said I was
wicked, and perhaps I might be so; what thought had I been but just
conceiving of starving myself to death?  That certainly was a crime: and
was I fit to die?  Or was the vault under the chancel of Gateshead Church
an inviting bourne?  In such vault I had been told did Mr. Reed lie
buried; and led by this thought to recall his idea, I dwelt on it with
gathering dread.  I could not remember him; but I knew that he was my own
uncle--my mother's brother--that he had taken me when a parentless infant
to his house; and that in his last moments he had required a promise of
Mrs. Reed that she would rear and maintain me as one of her own children.
Mrs. Reed probably considered she had kept this promise; and so she had,
I dare say, as well as her nature would permit her; but how could she
really like an interloper not of her race, and unconnected with her,
after her husband's death, by any tie?  It must have been most irksome to
find herself bound by a hard-wrung pledge to stand in the stead of a
parent to a strange child she could not love, and to see an uncongenial
alien permanently intruded on her own family group.

A singular notion dawned upon me.  I doubted not--never doubted--that if
Mr. Reed had been alive he would have treated me kindly; and now, as I
sat looking at the white bed and overshadowed walls--occasionally also
turning a fascinated eye towards the dimly gleaming mirror--I began to
recall what I had heard of dead men, troubled in their graves by the
violation of their last wishes, revisiting the earth to punish the
perjured and avenge the oppressed; and I thought Mr. Reed's spirit,
harassed by the wrongs of his sister's child, might quit its
abode--whether in the church vault or in the unknown world of the
departed--and rise before me in this chamber.  I wiped my tears and
hushed my sobs, fearful lest any sign of violent grief might waken a
preternatural voice to comfort me, or elicit from the gloom some haloed
face, bending over me with strange pity.  This idea, consolatory in
theory, I felt would be terrible if realised: with all my might I
endeavoured to stifle it--I endeavoured to be firm.  Shaking my hair from
my eyes, I lifted my head and tried to look boldly round the dark room;
at this moment a light gleamed on the wall.  Was it, I asked myself, a
ray from the moon penetrating some aperture in the blind?  No; moonlight
was still, and this stirred; while I gazed, it glided up to the ceiling
and quivered over my head.  I can now conjecture readily that this streak
of light was, in all likelihood, a gleam from a lantern carried by some
one across the lawn: but then, prepared as my mind was for horror, shaken
as my nerves were by agitation, I thought the swift darting beam was a
herald of some coming vision from another world.  My heart beat thick, my
head grew hot; a sound filled my ears, which I deemed the rushing of
wings; something seemed near me; I was oppressed, suffocated: endurance
broke down; I rushed to the door and shook the lock in desperate effort.
Steps came running along the outer passage; the key turned, Bessie and
Abbot entered.

"Miss Eyre, are you ill?" said Bessie.

"What a dreadful noise! it went quite through me!" exclaimed Abbot.

"Take me out!  Let me go into the nursery!" was my cry.

"What for?  Are you hurt?  Have you seen something?" again demanded
Bessie.

"Oh!  I saw a light, and I thought a ghost would come."  I had now got
hold of Bessie's hand, and she did not snatch it from me.

"She has screamed out on purpose," declared Abbot, in some disgust.  "And
what a scream!  If she had been in great pain one would have excused it,
but she only wanted to bring us all here: I know her naughty tricks."

"What is all this?" demanded another voice peremptorily; and Mrs. Reed
came along the corridor, her cap flying wide, her gown rustling stormily.
"Abbot and Bessie, I believe I gave orders that Jane Eyre should be left
in the red-room till I came to her myself."

"Miss Jane screamed so loud, ma'am," pleaded Bessie.

"Let her go," was the only answer.  "Loose Bessie's hand, child: you
cannot succeed in getting out by these means, be assured.  I abhor
artifice, particularly in children; it is my duty to show you that tricks
will not answer: you will now stay here an hour longer, and it is only on
condition of perfect submission and stillness that I shall liberate you
then."

"O aunt! have pity!  Forgive me!  I cannot endure it--let me be punished
some other way!  I shall be killed if--"

"Silence!  This violence is all most repulsive:" and so, no doubt, she
felt it.  I was a precocious actress in her eyes; she sincerely looked on
me as a compound of virulent passions, mean spirit, and dangerous
duplicity.

Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic
anguish and wild sobs, abruptly thrust me back and locked me in, without
farther parley.  I heard her sweeping away; and soon after she was gone,
I suppose I had a species of fit: unconsciousness closed the scene.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The nursemaid, Bessie, and Mrs. Reed's lady's-maid, Miss Abbot, physically drag Jane to the red room; she's fighting them the whole way, which, she tells us, is unusual for her, but she's half-crazed. Jane objects to John Reed being called her "master," and Miss Abbot tells Jane that she is "less than a servant" because she doesn't even work or pay for her room and board. We think this is pretty harsh--after all, she's ten, and the Reeds are rich. Bessie and Abbot plunk Jane down on a stool; they threaten to tie her down, but she promises to stay in place. The servants spend a few minutes reminding Jane again that she's just a poor orphan, that she ought to be grateful to her aunt for taking her in, and so on. They even claim that God will strike her down if she keeps having tantrums, and then they leave and lock her in. Jane tells us about the red room, which is a spare bedroom furnished in, you guessed it, red--red curtains, red carpet, red tablecloth, reddish wood furniture--although there are a few white things in it, too. It's cold, quiet, and lonely, and... here's the creepiest bit... it's the room in which her uncle, Mr. Reed, died . Jane gets up to make sure she's locked in--yep, she is. Then she looks in the mirror, and the room looks even weirder in the mirror, especially because her reflection looks sort of like a ghost. Hint: this isn't the last time that Jane herself will seem almost supernatural. Jane thinks about how unfair her situation is--she's bullied by her cousins, her aunt hates her for no reason, and even the servants are snotty to her. She knows that she's the best behaved of the four children, but everyone dislikes her and indulges the others, and this unfairness really bothers her. Her keen ethical sense is awakening! Jane the child, whom we're following in the story, can't understand why she's being mistreated, but Jane the adult, who is telling the story , can. It's not because she's poor, but because she's different than the Reeds--different in temperament. Maybe, she thinks, it's also because Jane is only Mrs. Reed's niece by marriage; she was related to Mr. Reed, but she and Mrs. Reed aren't blood relatives. It's starting to get dark and the wind and rain are still raging outside--Jane's beginning to freak out in this creepy red room. Jane decides that if Mr. Reed were here now, he would be nicer to her than his widow and children are... but then she starts to worry that he might come back from the grave to try to comfort her, and that would be creepy. Jane tries to calm down so that Mr. Reed's ghost doesn't appear to reassure her, but then she sees a weird streak of light. Where is it coming from? It's not the moon. Is it a lantern? Maybe. Is it a ghost? Eeek! Jane screams. Well, actually, she "utter a wild involuntary cry" , but you get the idea. Bessie and Abbot come running and ask what's the matter. Bessie seems sympathetic when Jane tells her that she thought she saw a ghost--she lets Jane hold her hand--but Abbot thinks that Jane is just trying to trick them into letting her out. Next Mrs. Reed comes to see what all the noise was. Uh-oh. She's mad that the servants didn't obey her orders to leave Jane alone and, like Abbot, she thinks that Jane's being manipulative. Mrs. Reed punishes Jane with another hour alone in the red room, and as she leaves Jane faints.