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Chapter: STRIFE IN LOVE

ARTHUR finished his apprenticeship, and got a job on the electrical
plant at Minton Pit. He earned very little, but had a good chance of
getting on. But he was wild and restless. He did not drink nor gamble.
Yet he somehow contrived to get into endless scrapes, always through
some hot-headed thoughtlessness. Either he went rabbiting in the woods,
like a poacher, or he stayed in Nottingham all night instead of coming
home, or he miscalculated his dive into the canal at Bestwood, and
scored his chest into one mass of wounds on the raw stones and tins at
the bottom.

He had not been at his work many months when again he did not come home
one night.

"Do you know where Arthur is?" asked Paul at breakfast.

"I do not," replied his mother.

"He is a fool," said Paul. "And if he DID anything I shouldn't mind. But
no, he simply can't come away from a game of whist, or else he must see
a girl home from the skating-rink--quite proprietously--and so can't get
home. He's a fool."

"I don't know that it would make it any better if he did something to
make us all ashamed," said Mrs. Morel.

"Well, I should respect him more," said Paul.

"I very much doubt it," said his mother coldly.

They went on with breakfast.

"Are you fearfully fond of him?" Paul asked his mother.

"What do you ask that for?"

"Because they say a woman always like the youngest best."

"She may do--but I don't. No, he wearies me."

"And you'd actually rather he was good?"

"I'd rather he showed some of a man's common sense."

Paul was raw and irritable. He also wearied his mother very often. She
saw the sunshine going out of him, and she resented it.

As they were finishing breakfast came the postman with a letter from
Derby. Mrs. Morel screwed up her eyes to look at the address.

"Give it here, blind eye!" exclaimed her son, snatching it away from
her.

She started, and almost boxed his ears.

"It's from your son, Arthur," he said.

"What now--!" cried Mrs. Morel.

"'My dearest Mother,'" Paul read, "'I don't know what made me such a
fool. I want you to come and fetch me back from here. I came with Jack
Bredon yesterday, instead of going to work, and enlisted. He said he was
sick of wearing the seat of a stool out, and, like the idiot you know I
am, I came away with him.

"'I have taken the King's shilling, but perhaps if you came for me they
would let me go back with you. I was a fool when I did it. I don't want
to be in the army. My dear mother, I am nothing but a trouble to you.
But if you get me out of this, I promise I will have more sense and
consideration. . . .'"

Mrs. Morel sat down in her rocking-chair.

"Well, NOW," she cried, "let him stop!"

"Yes," said Paul, "let him stop."

There was silence. The mother sat with her hands folded in her apron,
her face set, thinking.

"If I'm not SICK!" she cried suddenly. "Sick!"

"Now," said Paul, beginning to frown, "you're not going to worry your
soul out about this, do you hear."

"I suppose I'm to take it as a blessing," she flashed, turning on her
son.

"You're not going to mount it up to a tragedy, so there," he retorted.

"The FOOL!--the young fool!" she cried.

"He'll look well in uniform," said Paul irritatingly.

His mother turned on him like a fury.

"Oh, will he!" she cried. "Not in my eyes!"

"He should get in a cavalry regiment; he'll have the time of his life,
and will look an awful swell."

"Swell!--SWELL!--a mighty swell idea indeed!--a common soldier!"

"Well," said Paul, "what am I but a common clerk?"

"A good deal, my boy!" cried his mother, stung.

"What?"

"At any rate, a MAN, and not a thing in a red coat."

"I shouldn't mind being in a red coat--or dark blue, that would suit me
better--if they didn't boss me about too much."

But his mother had ceased to listen.

"Just as he was getting on, or might have been getting on, at his job--a
young nuisance--here he goes and ruins himself for life. What good will
he be, do you think, after THIS?"

"It may lick him into shape beautifully," said Paul.

"Lick him into shape!--lick what marrow there WAS out of his bones. A
SOLDIER!--a common SOLDIER!--nothing but a body that makes movements
when it hears a shout! It's a fine thing!"

"I can't understand why it upsets you," said Paul.

"No, perhaps you can't. But I understand"; and she sat back in her
chair, her chin in one hand, holding her elbow with the other, brimmed
up with wrath and chagrin.

"And shall you go to Derby?" asked Paul.

"Yes."

"It's no good."

"I'll see for myself."

"And why on earth don't you let him stop. It's just what he wants."

"Of course," cried the mother, "YOU know what he wants!"

She got ready and went by the first train to Derby, where she saw her
son and the sergeant. It was, however, no good.

When Morel was having his dinner in the evening, she said suddenly:

"I've had to go to Derby to-day."

The miner turned up his eyes, showing the whites in his black face.

"Has ter, lass. What took thee there?"

"That Arthur!"

"Oh--an' what's agate now?"

"He's only enlisted."

Morel put down his knife and leaned back in his chair.

"Nay," he said, "that he niver 'as!"

"And is going down to Aldershot tomorrow."

"Well!" exclaimed the miner. "That's a winder." He considered it a
moment, said "H'm!" and proceeded with his dinner. Suddenly his face
contracted with wrath. "I hope he may never set foot i' my house again,"
he said.

"The idea!" cried Mrs. Morel. "Saying such a thing!"

"I do," repeated Morel. "A fool as runs away for a soldier, let 'im look
after 'issen; I s'll do no more for 'im."

"A fat sight you have done as it is," she said.

And Morel was almost ashamed to go to his public-house that evening.

"Well, did you go?" said Paul to his mother when he came home.

"I did."

"And could you see him?"

"Yes."

"And what did he say?"

"He blubbered when I came away."

"H'm!"

"And so did I, so you needn't 'h'm'!"

Mrs. Morel fretted after her son. She knew he would not like the army.
He did not. The discipline was intolerable to him.

"But the doctor," she said with some pride to Paul, "said he was
perfectly proportioned--almost exactly; all his measurements were
correct. He IS good-looking, you know."

"He's awfully nice-looking. But he doesn't fetch the girls like William,
does he?"

"No; it's a different character. He's a good deal like his father,
irresponsible."

To console his mother, Paul did not go much to Willey Farm at this time.
And in the autumn exhibition of students' work in the Castle he had two
studies, a landscape in water-colour and a still life in oil, both of
which had first-prize awards. He was highly excited.

"What do you think I've got for my pictures, mother?" he asked, coming
home one evening. She saw by his eyes he was glad. Her face flushed.

"Now, how should I know, my boy!"

"A first prize for those glass jars--"

"H'm!"

"And a first prize for that sketch up at Willey Farm."

"Both first?"

"Yes."

"H'm!"

There was a rosy, bright look about her, though she said nothing.

"It's nice," he said, "isn't it?"

"It is."

"Why don't you praise me up to the skies?"

She laughed.

"I should have the trouble of dragging you down again," she said.

But she was full of joy, nevertheless. William had brought her his
sporting trophies. She kept them still, and she did not forgive his
death. Arthur was handsome--at least, a good specimen--and warm and
generous, and probably would do well in the end. But Paul was going to
distinguish himself. She had a great belief in him, the more because
he was unaware of his own powers. There was so much to come out of him.
Life for her was rich with promise. She was to see herself fulfilled.
Not for nothing had been her struggle.

Several times during the exhibition Mrs. Morel went to the Castle
unknown to Paul. She wandered down the long room looking at the other
exhibits. Yes, they were good. But they had not in them a certain
something which she demanded for her satisfaction. Some made her
jealous, they were so good. She looked at them a long time trying to
find fault with them. Then suddenly she had a shock that made her heart
beat. There hung Paul's picture! She knew it as if it were printed on
her heart.

"Name--Paul Morel--First Prize."

It looked so strange, there in public, on the walls of the Castle
gallery, where in her lifetime she had seen so many pictures. And she
glanced round to see if anyone had noticed her again in front of the
same sketch.

But she felt a proud woman. When she met well-dressed ladies going home
to the Park, she thought to herself:

"Yes, you look very well--but I wonder if YOUR son has two first prizes
in the Castle."

And she walked on, as proud a little woman as any in Nottingham. And
Paul felt he had done something for her, if only a trifle. All his work
was hers.

One day, as he was going up Castle Gate, he met Miriam. He had seen her
on the Sunday, and had not expected to meet her in town. She was walking
with a rather striking woman, blonde, with a sullen expression, and a
defiant carriage. It was strange how Miriam, in her bowed, meditative
bearing, looked dwarfed beside this woman with the handsome shoulders.
Miriam watched Paul searchingly. His gaze was on the stranger, who
ignored him. The girl saw his masculine spirit rear its head.

"Hello!" he said, "you didn't tell me you were coming to town."

"No," replied Miriam, half apologetically. "I drove in to Cattle Market
with father."

He looked at her companion.

"I've told you about Mrs. Dawes," said Miriam huskily; she was nervous.
"Clara, do you know Paul?"

"I think I've seen him before," replied Mrs. Dawes indifferently, as
she shook hands with him. She had scornful grey eyes, a skin like white
honey, and a full mouth, with a slightly lifted upper lip that did not
know whether it was raised in scorn of all men or out of eagerness to be
kissed, but which believed the former. She carried her head back, as if
she had drawn away in contempt, perhaps from men also. She wore a large,
dowdy hat of black beaver, and a sort of slightly affected simple dress
that made her look rather sack-like. She was evidently poor, and had not
much taste. Miriam usually looked nice.

"Where have you seen me?" Paul asked of the woman.

She looked at him as if she would not trouble to answer. Then:

"Walking with Louie Travers," she said.

Louie was one of the "Spiral" girls.

"Why, do you know her?" he asked.

She did not answer. He turned to Miriam.

"Where are you going?" he asked.

"To the Castle."

"What train are you going home by?"

"I am driving with father. I wish you could come too. What time are you
free?"

"You know not till eight to-night, damn it!"

And directly the two women moved on.

Paul remembered that Clara Dawes was the daughter of an old friend of
Mrs. Leivers. Miriam had sought her out because she had once been Spiral
overseer at Jordan's, and because her husband, Baxter Dawes, was smith
for the factory, making the irons for cripple instruments, and so on.
Through her Miriam felt she got into direct contact with Jordan's, and
could estimate better Paul's position. But Mrs. Dawes was separated from
her husband, and had taken up Women's Rights. She was supposed to be
clever. It interested Paul.

Baxter Dawes he knew and disliked. The smith was a man of thirty-one or
thirty-two. He came occasionally through Paul's corner--a big, well-set
man, also striking to look at, and handsome. There was a peculiar
similarity between himself and his wife. He had the same white skin,
with a clear, golden tinge. His hair was of soft brown, his moustache
was golden. And he had a similar defiance in his bearing and manner. But
then came the difference. His eyes, dark brown and quick-shifting, were
dissolute. They protruded very slightly, and his eyelids hung over them
in a way that was half hate. His mouth, too, was sensual. His whole
manner was of cowed defiance, as if he were ready to knock anybody
down who disapproved of him--perhaps because he really disapproved of
himself.

From the first day he had hated Paul. Finding the lad's impersonal,
deliberate gaze of an artist on his face, he got into a fury.

"What are yer lookin' at?" he sneered, bullying.

The boy glanced away. But the smith used to stand behind the counter
and talk to Mr. Pappleworth. His speech was dirty, with a kind of
rottenness. Again he found the youth with his cool, critical gaze fixed
on his face. The smith started round as if he had been stung.

"What'r yer lookin' at, three hap'orth o' pap?" he snarled.

The boy shrugged his shoulders slightly.

"Why yer--!" shouted Dawes.

"Leave him alone," said Mr. Pappleworth, in that insinuating voice which
means, "He's only one of your good little sops who can't help it."

Since that time the boy used to look at the man every time he came
through with the same curious criticism, glancing away before he met the
smith's eye. It made Dawes furious. They hated each other in silence.

Clara Dawes had no children. When she had left her husband the home had
been broken up, and she had gone to live with her mother. Dawes lodged
with his sister. In the same house was a sister-in-law, and somehow Paul
knew that this girl, Louie Travers, was now Dawes's woman. She was a
handsome, insolent hussy, who mocked at the youth, and yet flushed if he
walked along to the station with her as she went home.

The next time he went to see Miriam it was Saturday evening. She had
a fire in the parlour, and was waiting for him. The others, except her
father and mother and the young children, had gone out, so the two had
the parlour together. It was a long, low, warm room. There were three of
Paul's small sketches on the wall, and his photo was on the mantelpiece.
On the table and on the high old rosewood piano were bowls of coloured
leaves. He sat in the armchair, she crouched on the hearthrug near his
feet. The glow was warm on her handsome, pensive face as she kneeled
there like a devotee.

"What did you think of Mrs. Dawes?" she asked quietly.

"She doesn't look very amiable," he replied.

"No, but don't you think she's a fine woman?" she said, in a deep tone,

"Yes--in stature. But without a grain of taste. I like her for some
things. IS she disagreeable?"

"I don't think so. I think she's dissatisfied."

"What with?"

"Well--how would you like to be tied for life to a man like that?"

"Why did she marry him, then, if she was to have revulsions so soon?"

"Ay, why did she!" repeated Miriam bitterly.

"And I should have thought she had enough fight in her to match him," he
said.

Miriam bowed her head.

"Ay?" she queried satirically. "What makes you think so?"

"Look at her mouth--made for passion--and the very setback of her
throat--" He threw his head back in Clara's defiant manner.

Miriam bowed a little lower.

"Yes," she said.

There was a silence for some moments, while he thought of Clara.

"And what were the things you liked about her?" she asked.

"I don't know--her skin and the texture of her--and her--I don't
know--there's a sort of fierceness somewhere in her. I appreciate her as
an artist, that's all."

"Yes."

He wondered why Miriam crouched there brooding in that strange way. It
irritated him.

"You don't really like her, do you?" he asked the girl.

She looked at him with her great, dazzled dark eyes.

"I do," she said.

"You don't--you can't--not really."

"Then what?" she asked slowly.

"Eh, I don't know--perhaps you like her because she's got a grudge
against men."

That was more probably one of his own reasons for liking Mrs. Dawes,
but this did not occur to him. They were silent. There had come into his
forehead a knitting of the brows which was becoming habitual with him,
particularly when he was with Miriam. She longed to smooth it away, and
she was afraid of it. It seemed the stamp of a man who was not her man
in Paul Morel.

There were some crimson berries among the leaves in the bowl. He reached
over and pulled out a bunch.

"If you put red berries in your hair," he said, "why would you look like
some witch or priestess, and never like a reveller?"

She laughed with a naked, painful sound.

"I don't know," she said.

His vigorous warm hands were playing excitedly with the berries.

"Why can't you laugh?" he said. "You never laugh laughter. You only
laugh when something is odd or incongruous, and then it almost seems to
hurt you."

She bowed her head as if he were scolding her.

"I wish you could laugh at me just for one minute--just for one minute.
I feel as if it would set something free."

"But"--and she looked up at him with eyes frightened and struggling--"I
do laugh at you--I DO."

"Never! There's always a kind of intensity. When you laugh I could
always cry; it seems as if it shows up your suffering. Oh, you make me
knit the brows of my very soul and cogitate."

Slowly she shook her head despairingly.

"I'm sure I don't want to," she said.

"I'm so damned spiritual with YOU always!" he cried.

She remained silent, thinking, "Then why don't you be otherwise." But he
saw her crouching, brooding figure, and it seemed to tear him in two.

"But, there, it's autumn," he said, "and everybody feels like a
disembodied spirit then."

There was still another silence. This peculiar sadness between them
thrilled her soul. He seemed so beautiful with his eyes gone dark, and
looking as if they were deep as the deepest well.

"You make me so spiritual!" he lamented. "And I don't want to be
spiritual."

She took her finger from her mouth with a little pop, and looked up at
him almost challenging. But still her soul was naked in her great dark
eyes, and there was the same yearning appeal upon her. If he could have
kissed her in abstract purity he would have done so. But he could not
kiss her thus--and she seemed to leave no other way. And she yearned to
him.

He gave a brief laugh.

"Well," he said, "get that French and we'll do some--some Verlaine."

"Yes," she said in a deep tone, almost of resignation. And she rose and
got the books. And her rather red, nervous hands looked so pitiful, he
was mad to comfort her and kiss her. But then be dared not--or could
not. There was something prevented him. His kisses were wrong for her.
They continued the reading till ten o'clock, when they went into the
kitchen, and Paul was natural and jolly again with the father and
mother. His eyes were dark and shining; there was a kind of fascination
about him.

When he went into the barn for his bicycle he found the front wheel
punctured.

"Fetch me a drop of water in a bowl," he said to her. "I shall be late,
and then I s'll catch it."

He lighted the hurricane lamp, took off his coat, turned up the bicycle,
and set speedily to work. Miriam came with the bowl of water and stood
close to him, watching. She loved to see his hands doing things. He
was slim and vigorous, with a kind of easiness even in his most hasty
movements. And busy at his work he seemed to forget her. She loved
him absorbedly. She wanted to run her hands down his sides. She always
wanted to embrace him, so long as he did not want her.

"There!" he said, rising suddenly. "Now, could you have done it
quicker?"

"No!" she laughed.

He straightened himself. His back was towards her. She put her two hands
on his sides, and ran them quickly down.

"You are so FINE!" she said.

He laughed, hating her voice, but his blood roused to a wave of flame
by her hands. She did not seem to realise HIM in all this. He might have
been an object. She never realised the male he was.

He lighted his bicycle-lamp, bounced the machine on the barn floor to
see that the tyres were sound, and buttoned his coat.

"That's all right!" he said.

She was trying the brakes, that she knew were broken.

"Did you have them mended?" she asked.

"No!"

"But why didn't you?"

"The back one goes on a bit."

"But it's not safe."

"I can use my toe."

"I wish you'd had them mended," she murmured.

"Don't worry--come to tea tomorrow, with Edgar."

"Shall we?"

"Do--about four. I'll come to meet you."

"Very well."

She was pleased. They went across the dark yard to the gate. Looking
across, he saw through the uncurtained window of the kitchen the heads
of Mr. and Mrs. Leivers in the warm glow. It looked very cosy. The road,
with pine trees, was quite black in front.

"Till tomorrow," he said, jumping on his bicycle.

"You'll take care, won't you?" she pleaded.

"Yes."

His voice already came out of the darkness. She stood a moment watching
the light from his lamp race into obscurity along the ground. She
turned very slowly indoors. Orion was wheeling up over the wood, his dog
twinkling after him, half smothered. For the rest the world was full of
darkness, and silent, save for the breathing of cattle in their stalls.
She prayed earnestly for his safety that night. When he left her, she
often lay in anxiety, wondering if he had got home safely.

He dropped down the hills on his bicycle. The roads were greasy, so he
had to let it go. He felt a pleasure as the machine plunged over the
second, steeper drop in the hill. "Here goes!" he said. It was risky,
because of the curve in the darkness at the bottom, and because of the
brewers' waggons with drunken waggoners asleep. His bicycle seemed
to fall beneath him, and he loved it. Recklessness is almost a man's
revenge on his woman. He feels he is not valued, so he will risk
destroying himself to deprive her altogether.

The stars on the lake seemed to leap like grasshoppers, silver upon the
blackness, as he spun past. Then there was the long climb home.

"See, mother!" he said, as he threw her the berries and leaves on to the
table.

"H'm!" she said, glancing at them, then away again. She sat reading,
alone, as she always did.

"Aren't they pretty?"

"Yes."

He knew she was cross with him. After a few minutes he said:

"Edgar and Miriam are coming to tea tomorrow."

She did not answer.

"You don't mind?"

Still she did not answer.

"Do you?" he asked.

"You know whether I mind or not."

"I don't see why you should. I have plenty of meals there."

"You do."

"Then why do you begrudge them tea?"

"I begrudge whom tea?"

"What are you so horrid for?"

"Oh, say no more! You've asked her to tea, it's quite sufficient. She'll
come."

He was very angry with his mother. He knew it was merely Miriam she
objected to. He flung off his boots and went to bed.

Paul went to meet his friends the next afternoon. He was glad to see
them coming. They arrived home at about four o'clock. Everywhere was
clean and still for Sunday afternoon. Mrs. Morel sat in her black dress
and black apron. She rose to meet the visitors. With Edgar she was
cordial, but with Miriam cold and rather grudging. Yet Paul thought the
girl looked so nice in her brown cashmere frock.

He helped his mother to get the tea ready. Miriam would have gladly
proffered, but was afraid. He was rather proud of his home. There was
about it now, he thought, a certain distinction. The chairs were only
wooden, and the sofa was old. But the hearthrug and cushions were
cosy; the pictures were prints in good taste; there was a simplicity in
everything, and plenty of books. He was never ashamed in the least of
his home, nor was Miriam of hers, because both were what they should be,
and warm. And then he was proud of the table; the china was pretty, the
cloth was fine. It did not matter that the spoons were not silver nor
the knives ivory-handled; everything looked nice. Mrs. Morel had managed
wonderfully while her children were growing up, so that nothing was out
of place.

Miriam talked books a little. That was her unfailing topic. But Mrs.
Morel was not cordial, and turned soon to Edgar.

At first Edgar and Miriam used to go into Mrs. Morel's pew. Morel never
went to chapel, preferring the public-house. Mrs. Morel, like a little
champion, sat at the head of her pew, Paul at the other end; and at
first Miriam sat next to him. Then the chapel was like home. It was a
pretty place, with dark pews and slim, elegant pillars, and flowers. And
the same people had sat in the same places ever since he was a boy. It
was wonderfully sweet and soothing to sit there for an hour and a half,
next to Miriam, and near to his mother, uniting his two loves under the
spell of the place of worship. Then he felt warm and happy and religious
at once. And after chapel he walked home with Miriam, whilst Mrs. Morel
spent the rest of the evening with her old friend, Mrs. Burns. He was
keenly alive on his walks on Sunday nights with Edgar and Miriam. He
never went past the pits at night, by the lighted lamp-house, the tall
black headstocks and lines of trucks, past the fans spinning slowly like
shadows, without the feeling of Miriam returning to him, keen and almost
unbearable.

She did not very long occupy the Morels' pew. Her father took one for
themselves once more. It was under the little gallery, opposite the
Morels'. When Paul and his mother came in the chapel the Leivers's pew
was always empty. He was anxious for fear she would not come: it was so
far, and there were so many rainy Sundays. Then, often very late indeed,
she came in, with her long stride, her head bowed, her face hidden under
her hat of dark green velvet. Her face, as she sat opposite, was always
in shadow. But it gave him a very keen feeling, as if all his soul
stirred within him, to see her there. It was not the same glow,
happiness, and pride, that he felt in having his mother in charge:
something more wonderful, less human, and tinged to intensity by a pain,
as if there were something he could not get to.

At this time he was beginning to question the orthodox creed. He was
twenty-one, and she was twenty. She was beginning to dread the spring:
he became so wild, and hurt her so much. All the way he went cruelly
smashing her beliefs. Edgar enjoyed it. He was by nature critical and
rather dispassionate. But Miriam suffered exquisite pain, as, with an
intellect like a knife, the man she loved examined her religion in which
she lived and moved and had her being. But he did not spare her. He was
cruel. And when they went alone he was even more fierce, as if he would
kill her soul. He bled her beliefs till she almost lost consciousness.

"She exults--she exults as she carries him off from me," Mrs. Morel
cried in her heart when Paul had gone. "She's not like an ordinary
woman, who can leave me my share in him. She wants to absorb him. She
wants to draw him out and absorb him till there is nothing left of him,
even for himself. He will never be a man on his own feet--she will suck
him up." So the mother sat, and battled and brooded bitterly.

And he, coming home from his walks with Miriam, was wild with torture.
He walked biting his lips and with clenched fists, going at a great
rate. Then, brought up against a stile, he stood for some minutes, and
did not move. There was a great hollow of darkness fronting him, and on
the black upslopes patches of tiny lights, and in the lowest trough of
the night, a flare of the pit. It was all weird and dreadful. Why was he
torn so, almost bewildered, and unable to move? Why did his mother sit
at home and suffer? He knew she suffered badly. But why should she? And
why did he hate Miriam, and feel so cruel towards her, at the thought
of his mother. If Miriam caused his mother suffering, then he hated
her--and he easily hated her. Why did she make him feel as if he were
uncertain of himself, insecure, an indefinite thing, as if he had not
sufficient sheathing to prevent the night and the space breaking into
him? How he hated her! And then, what a rush of tenderness and humility!

Suddenly he plunged on again, running home. His mother saw on him the
marks of some agony, and she said nothing. But he had to make her talk
to him. Then she was angry with him for going so far with Miriam.

"Why don't you like her, mother?" he cried in despair.

"I don't know, my boy," she replied piteously. "I'm sure I've tried to
like her. I've tried and tried, but I can't--I can't!"

And he felt dreary and hopeless between the two.

Spring was the worst time. He was changeable, and intense and cruel.
So he decided to stay away from her. Then came the hours when he knew
Miriam was expecting him. His mother watched him growing restless.
He could not go on with his work. He could do nothing. It was as if
something were drawing his soul out towards Willey Farm. Then he put on
his hat and went, saying nothing. And his mother knew he was gone. And
as soon as he was on the way he sighed with relief. And when he was with
her he was cruel again.

One day in March he lay on the bank of Nethermere, with Miriam sitting
beside him. It was a glistening, white-and-blue day. Big clouds, so
brilliant, went by overhead, while shadows stole along on the water. The
clear spaces in the sky were of clean, cold blue. Paul lay on his back
in the old grass, looking up. He could not bear to look at Miriam. She
seemed to want him, and he resisted. He resisted all the time. He wanted
now to give her passion and tenderness, and he could not. He felt that
she wanted the soul out of his body, and not him. All his strength and
energy she drew into herself through some channel which united them. She
did not want to meet him, so that there were two of them, man and woman
together. She wanted to draw all of him into her. It urged him to an
intensity like madness, which fascinated him, as drug-taking might.

He was discussing Michael Angelo. It felt to her as if she were
fingering the very quivering tissue, the very protoplasm of life, as
she heard him. It gave her deepest satisfaction. And in the end it
frightened her. There he lay in the white intensity of his search,
and his voice gradually filled her with fear, so level it was, almost
inhuman, as if in a trance.

"Don't talk any more," she pleaded softly, laying her hand on his
forehead.

He lay quite still, almost unable to move. His body was somewhere
discarded.

"Why not? Are you tired?"

"Yes, and it wears you out."

He laughed shortly, realising.

"Yet you always make me like it," he said.

"I don't wish to," she said, very low.

"Not when you've gone too far, and you feel you can't bear it. But your
unconscious self always asks it of me. And I suppose I want it."

He went on, in his dead fashion:

"If only you could want ME, and not want what I can reel off for you!"

"I!" she cried bitterly--"I! Why, when would you let me take you?"

"Then it's my fault," he said, and, gathering himself together, he got
up and began to talk trivialities. He felt insubstantial. In a vague way
he hated her for it. And he knew he was as much to blame himself. This,
however, did not prevent his hating her.

One evening about this time he had walked along the home road with her.
They stood by the pasture leading down to the wood, unable to part. As
the stars came out the clouds closed. They had glimpses of their own
constellation, Orion, towards the west. His jewels glimmered for a
moment, his dog ran low, struggling with difficulty through the spume of
cloud.

Orion was for them chief in significance among the constellations. They
had gazed at him in their strange, surcharged hours of feeling, until
they seemed themselves to live in every one of his stars. This evening
Paul had been moody and perverse. Orion had seemed just an ordinary
constellation to him. He had fought against his glamour and fascination.
Miriam was watching her lover's mood carefully. But he said nothing
that gave him away, till the moment came to part, when he stood frowning
gloomily at the gathered clouds, behind which the great constellation
must be striding still.

There was to be a little party at his house the next day, at which she
was to attend.

"I shan't come and meet you," he said.

"Oh, very well; it's not very nice out," she replied slowly.

"It's not that--only they don't like me to. They say I care more for
you than for them. And you understand, don't you? You know it's only
friendship."

Miriam was astonished and hurt for him. It had cost him an effort. She
left him, wanting to spare him any further humiliation. A fine rain blew
in her face as she walked along the road. She was hurt deep down; and
she despised him for being blown about by any wind of authority. And in
her heart of hearts, unconsciously, she felt that he was trying to get
away from her. This she would never have acknowledged. She pitied him.

At this time Paul became an important factor in Jordan's warehouse. Mr.
Pappleworth left to set up a business of his own, and Paul remained with
Mr. Jordan as Spiral overseer. His wages were to be raised to thirty
shillings at the year-end, if things went well.

Still on Friday night Miriam often came down for her French lesson. Paul
did not go so frequently to Willey Farm, and she grieved at the thought
of her education's coming to end; moreover, they both loved to
be together, in spite of discords. So they read Balzac, and did
compositions, and felt highly cultured.

Friday night was reckoning night for the miners. Morel
"reckoned"--shared up the money of the stall--either in the New Inn
at Bretty or in his own house, according as his fellow-butties wished.
Barker had turned a non-drinker, so now the men reckoned at Morel's
house.

Annie, who had been teaching away, was at home again. She was still a
tomboy; and she was engaged to be married. Paul was studying design.

Morel was always in good spirits on Friday evening, unless the week's
earnings were small. He bustled immediately after his dinner, prepared
to get washed. It was decorum for the women to absent themselves while
the men reckoned. Women were not supposed to spy into such a masculine
privacy as the butties' reckoning, nor were they to know the exact
amount of the week's earnings. So, whilst her father was spluttering
in the scullery, Annie went out to spend an hour with a neighbour. Mrs.
Morel attended to her baking.

"Shut that doo-er!" bawled Morel furiously.

Annie banged it behind her, and was gone.

"If tha oppens it again while I'm weshin' me, I'll ma'e thy jaw rattle,"
he threatened from the midst of his soap-suds. Paul and the mother
frowned to hear him.

Presently he came running out of the scullery, with the soapy water
dripping from him, dithering with cold.

"Oh, my sirs!" he said. "Wheer's my towel?"

It was hung on a chair to warm before the fire, otherwise he would
have bullied and blustered. He squatted on his heels before the hot
baking-fire to dry himself.

"F-ff-f!" he went, pretending to shudder with cold.

"Goodness, man, don't be such a kid!" said Mrs. Morel. "It's NOT cold."

"Thee strip thysen stark nak'd to wesh thy flesh i' that scullery," said
the miner, as he rubbed his hair; "nowt b'r a ice-'ouse!"

"And I shouldn't make that fuss," replied his wife.

"No, tha'd drop down stiff, as dead as a door-knob, wi' thy nesh sides."

"Why is a door-knob deader than anything else?" asked Paul, curious.

"Eh, I dunno; that's what they say," replied his father. "But there's
that much draught i' yon scullery, as it blows through your ribs like
through a five-barred gate."

"It would have some difficulty in blowing through yours," said Mrs.
Morel.

Morel looked down ruefully at his sides.

"Me!" he exclaimed. "I'm nowt b'r a skinned rabbit. My bones fair juts
out on me."

"I should like to know where," retorted his wife.

"Iv'ry-wheer! I'm nobbut a sack o' faggots."

Mrs. Morel laughed. He had still a wonderfully young body, muscular,
without any fat. His skin was smooth and clear. It might have been the
body of a man of twenty-eight, except that there were, perhaps, too many
blue scars, like tattoo-marks, where the coal-dust remained under the
skin, and that his chest was too hairy. But he put his hand on his side
ruefully. It was his fixed belief that, because he did not get fat,
he was as thin as a starved rat. Paul looked at his father's thick,
brownish hands all scarred, with broken nails, rubbing the fine
smoothness of his sides, and the incongruity struck him. It seemed
strange they were the same flesh.

"I suppose," he said to his father, "you had a good figure once."

"Eh!" exclaimed the miner, glancing round, startled and timid, like a
child.

"He had," exclaimed Mrs. Morel, "if he didn't hurtle himself up as if he
was trying to get in the smallest space he could."

"Me!" exclaimed Morel--"me a good figure! I wor niver much more n'r a
skeleton."

"Man!" cried his wife, "don't be such a pulamiter!"

"'Strewth!" he said. "Tha's niver knowed me but what I looked as if I
wor goin' off in a rapid decline."

She sat and laughed.

"You've had a constitution like iron," she said; "and never a man had a
better start, if it was body that counted. You should have seen him as
a young man," she cried suddenly to Paul, drawing herself up to imitate
her husband's once handsome bearing.

Morel watched her shyly. He saw again the passion she had had for him.
It blazed upon her for a moment. He was shy, rather scared, and humble.
Yet again he felt his old glow. And then immediately he felt the ruin he
had made during these years. He wanted to bustle about, to run away from
it.

"Gi'e my back a bit of a wesh," he asked her.

His wife brought a well-soaped flannel and clapped it on his shoulders.
He gave a jump.

"Eh, tha mucky little 'ussy!" he cried. "Cowd as death!"

"You ought to have been a salamander," she laughed, washing his back. It
was very rarely she would do anything so personal for him. The children
did those things.

"The next world won't be half hot enough for you," she added.

"No," he said; "tha'lt see as it's draughty for me."

But she had finished. She wiped him in a desultory fashion, and went
upstairs, returning immediately with his shifting-trousers. When he was
dried he struggled into his shirt. Then, ruddy and shiny, with hair on
end, and his flannelette shirt hanging over his pit-trousers, he stood
warming the garments he was going to put on. He turned them, he pulled
them inside out, he scorched them.

"Goodness, man!" cried Mrs. Morel, "get dressed!"

"Should thee like to clap thysen into britches as cowd as a tub o'
water?" he said.

At last he took off his pit-trousers and donned decent black. He did all
this on the hearthrug, as he would have done if Annie and her familiar
friends had been present.

Mrs. Morel turned the bread in the oven. Then from the red earthenware
panchion of dough that stood in a corner she took another handful of
paste, worked it to the proper shape, and dropped it into a tin. As she
was doing so Barker knocked and entered. He was a quiet, compact little
man, who looked as if he would go through a stone wall. His black hair
was cropped short, his head was bony. Like most miners, he was pale, but
healthy and taut.

"Evenin', missis," he nodded to Mrs. Morel, and he seated himself with a
sigh.

"Good-evening," she replied cordially.

"Tha's made thy heels crack," said Morel.

"I dunno as I have," said Barker.

He sat, as the men always did in Morel's kitchen, effacing himself
rather.

"How's missis?" she asked of him.

He had told her some time back:

"We're expectin' us third just now, you see."

"Well," he answered, rubbing his head, "she keeps pretty middlin', I
think."

"Let's see--when?" asked Mrs. Morel.

"Well, I shouldn't be surprised any time now."

"Ah! And she's kept fairly?"

"Yes, tidy."

"That's a blessing, for she's none too strong."

"No. An' I've done another silly trick."

"What's that?"

Mrs. Morel knew Barker wouldn't do anything very silly.

"I'm come be-out th' market-bag."

"You can have mine."

"Nay, you'll be wantin' that yourself."

"I shan't. I take a string bag always."

She saw the determined little collier buying in the week's groceries and
meat on the Friday nights, and she admired him. "Barker's little, but
he's ten times the man you are," she said to her husband.

Just then Wesson entered. He was thin, rather frail-looking, with a
boyish ingenuousness and a slightly foolish smile, despite his seven
children. But his wife was a passionate woman.

"I see you've kested me," he said, smiling rather vapidly.

"Yes," replied Barker.

The newcomer took off his cap and his big woollen muffler. His nose was
pointed and red.

"I'm afraid you're cold, Mr. Wesson," said Mrs. Morel.

"It's a bit nippy," he replied.

"Then come to the fire."

"Nay, I s'll do where I am."

Both colliers sat away back. They could not be induced to come on to the
hearth. The hearth is sacred to the family.

"Go thy ways i' th' armchair," cried Morel cheerily.

"Nay, thank yer; I'm very nicely here."

"Yes, come, of course," insisted Mrs. Morel.

He rose and went awkwardly. He sat in Morel's armchair awkwardly. It was
too great a familiarity. But the fire made him blissfully happy.

"And how's that chest of yours?" demanded Mrs. Morel.

He smiled again, with his blue eyes rather sunny.

"Oh, it's very middlin'," he said.

"Wi' a rattle in it like a kettle-drum," said Barker shortly.

"T-t-t-t!" went Mrs. Morel rapidly with her tongue. "Did you have that
flannel singlet made?"

"Not yet," he smiled.

"Then, why didn't you?" she cried.

"It'll come," he smiled.

"Ah, an' Doomsday!" exclaimed Barker.

Barker and Morel were both impatient of Wesson. But, then, they were
both as hard as nails, physically.

When Morel was nearly ready he pushed the bag of money to Paul.

"Count it, boy," he asked humbly.

Paul impatiently turned from his books and pencil, tipped the bag upside
down on the table. There was a five-pound bag of silver, sovereigns and
loose money. He counted quickly, referred to the checks--the written
papers giving amount of coal--put the money in order. Then Barker
glanced at the checks.

Mrs. Morel went upstairs, and the three men came to table. Morel, as
master of the house, sat in his armchair, with his back to the hot fire.
The two butties had cooler seats. None of them counted the money.

"What did we say Simpson's was?" asked Morel; and the butties cavilled
for a minute over the dayman's earnings. Then the amount was put aside.

"An' Bill Naylor's?"

This money also was taken from the pack.

Then, because Wesson lived in one of the company's houses, and his rent
had been deducted, Morel and Barker took four-and-six each. And because
Morel's coals had come, and the leading was stopped, Barker and Wesson
took four shillings each. Then it was plain sailing. Morel gave each of
them a sovereign till there were no more sovereigns; each half a crown
till there were no more half-crowns; each a shilling till there were no
more shillings. If there was anything at the end that wouldn't split,
Morel took it and stood drinks.

Then the three men rose and went. Morel scuttled out of the house before
his wife came down. She heard the door close, and descended. She looked
hastily at the bread in the oven. Then, glancing on the table, she saw
her money lying. Paul had been working all the time. But now he felt his
mother counting the week's money, and her wrath rising,

"T-t-t-t-t!" went her tongue.

He frowned. He could not work when she was cross. She counted again.

"A measly twenty-five shillings!" she exclaimed. "How much was the
cheque?"

"Ten pounds eleven," said Paul irritably. He dreaded what was coming.

"And he gives me a scrattlin' twenty-five, an' his club this week! But I
know him. He thinks because YOU'RE earning he needn't keep the house any
longer. No, all he has to do with his money is to guttle it. But I'll
show him!"

"Oh, mother, don't!" cried Paul.

"Don't what, I should like to know?" she exclaimed.

"Don't carry on again. I can't work."

She went very quiet.

"Yes, it's all very well," she said; "but how do you think I'm going to
manage?"

"Well, it won't make it any better to whittle about it."

"I should like to know what you'd do if you had it to put up with."

"It won't be long. You can have my money. Let him go to hell."

He went back to his work, and she tied her bonnet-strings grimly. When
she was fretted he could not bear it. But now he began to insist on her
recognizing him.

"The two loaves at the top," she said, "will be done in twenty minutes.
Don't forget them."

"All right," he answered; and she went to market.

He remained alone working. But his usual intense concentration became
unsettled. He listened for the yard-gate. At a quarter-past seven came a
low knock, and Miriam entered.

"All alone?" she said.

"Yes."

As if at home, she took off her tam-o'-shanter and her long coat,
hanging them up. It gave him a thrill. This might be their own house,
his and hers. Then she came back and peered over his work.

"What is it?" she asked.

"Still design, for decorating stuffs, and for embroidery."

She bent short-sightedly over the drawings.

It irritated him that she peered so into everything that was his,
searching him out. He went into the parlour and returned with a bundle
of brownish linen. Carefully unfolding it, he spread it on the floor. It
proved to be a curtain or portiere, beautifully stencilled with a design
on roses.

"Ah, how beautiful!" she cried.

The spread cloth, with its wonderful reddish roses and dark green stems,
all so simple, and somehow so wicked-looking, lay at her feet. She went
on her knees before it, her dark curls dropping. He saw her crouched
voluptuously before his work, and his heart beat quickly. Suddenly she
looked up at him.

"Why does it seem cruel?" she asked.

"What?"

"There seems a feeling of cruelty about it," she said.

"It's jolly good, whether or not," he replied, folding up his work with
a lover's hands.

She rose slowly, pondering.

"And what will you do with it?" she asked.

"Send it to Liberty's. I did it for my mother, but I think she'd rather
have the money."

"Yes," said Miriam. He had spoken with a touch of bitterness, and Miriam
sympathised. Money would have been nothing to HER.

He took the cloth back into the parlour. When he returned he threw to
Miriam a smaller piece. It was a cushion-cover with the same design.

"I did that for you," he said.

She fingered the work with trembling hands, and did not speak. He became
embarrassed.

"By Jove, the bread!" he cried.

He took the top loaves out, tapped them vigorously. They were done. He
put them on the hearth to cool. Then he went to the scullery, wetted his
hands, scooped the last white dough out of the punchion, and dropped it
in a baking-tin. Miriam was still bent over her painted cloth. He stood
rubbing the bits of dough from his hands.

"You do like it?" he asked.

She looked up at him, with her dark eyes one flame of love. He laughed
uncomfortably. Then he began to talk about the design. There was for him
the most intense pleasure in talking about his work to Miriam. All his
passion, all his wild blood, went into this intercourse with her,
when he talked and conceived his work. She brought forth to him his
imaginations. She did not understand, any more than a woman understands
when she conceives a child in her womb. But this was life for her and
for him.

While they were talking, a young woman of about twenty-two, small and
pale, hollow-eyed, yet with a relentless look about her, entered the
room. She was a friend at the Morel's.

"Take your things off," said Paul.

"No, I'm not stopping."

She sat down in the armchair opposite Paul and Miriam, who were on the
sofa. Miriam moved a little farther from him. The room was hot, with a
scent of new bread. Brown, crisp loaves stood on the hearth.

"I shouldn't have expected to see you here to-night, Miriam Leivers,"
said Beatrice wickedly.

"Why not?" murmured Miriam huskily.

"Why, let's look at your shoes."

Miriam remained uncomfortably still.

"If tha doesna tha durs'na," laughed Beatrice.

Miriam put her feet from under her dress. Her boots had that queer,
irresolute, rather pathetic look about them, which showed how
self-conscious and self-mistrustful she was. And they were covered with
mud.

"Glory! You're a positive muck-heap," exclaimed Beatrice. "Who cleans
your boots?"

"I clean them myself."

"Then you wanted a job," said Beatrice. "It would ha' taken a lot of men
to ha' brought me down here to-night. But love laughs at sludge, doesn't
it, 'Postle my duck?"

"Inter alia," he said.

"Oh, Lord! are you going to spout foreign languages? What does it mean,
Miriam?"

There was a fine sarcasm in the last question, but Miriam did not see
it.

"'Among other things,' I believe," she said humbly.

Beatrice put her tongue between her teeth and laughed wickedly.

"'Among other things,' 'Postle?" she repeated. "Do you mean love laughs
at mothers, and fathers, and sisters, and brothers, and men friends, and
lady friends, and even at the b'loved himself?"

She affected a great innocence.

"In fact, it's one big smile," he replied.

"Up its sleeve, 'Postle Morel--you believe me," she said; and she went
off into another burst of wicked, silent laughter.

Miriam sat silent, withdrawn into herself. Every one of Paul's
friends delighted in taking sides against her, and he left her in the
lurch--seemed almost to have a sort of revenge upon her then.

"Are you still at school?" asked Miriam of Beatrice.

"Yes."

"You've not had your notice, then?"

"I expect it at Easter."

"Isn't it an awful shame, to turn you off merely because you didn't pass
the exam?"

"I don't know," said Beatrice coldly.

"Agatha says you're as good as any teacher anywhere. It seems to me
ridiculous. I wonder why you didn't pass."

"Short of brains, eh, 'Postle?" said Beatrice briefly.

"Only brains to bite with," replied Paul, laughing.

"Nuisance!" she cried; and, springing from her seat, she rushed and
boxed his ears. She had beautiful small hands. He held her wrists while
she wrestled with him. At last she broke free, and seized two handfuls
of his thick, dark brown hair, which she shook.

"Beat!" he said, as he pulled his hair straight with his fingers. "I
hate you!"

She laughed with glee.

"Mind!" she said. "I want to sit next to you."

"I'd as lief be neighbours with a vixen," he said, nevertheless making
place for her between him and Miriam.

"Did it ruffle his pretty hair, then!" she cried; and, with her
hair-comb, she combed him straight. "And his nice little moustache!"
she exclaimed. She tilted his head back and combed his young moustache.
"It's a wicked moustache, 'Postle," she said. "It's a red for danger.
Have you got any of those cigarettes?"

He pulled his cigarette-case from his pocket. Beatrice looked inside it.

"And fancy me having Connie's last cig.," said Beatrice, putting the
thing between her teeth. He held a lit match to her, and she puffed
daintily.

"Thanks so much, darling," she said mockingly.

It gave her a wicked delight.

"Don't you think he does it nicely, Miriam?" she asked.

"Oh, very!" said Miriam.

He took a cigarette for himself.

"Light, old boy?" said Beatrice, tilting her cigarette at him.

He bent forward to her to light his cigarette at hers. She was winking
at him as he did so. Miriam saw his eyes trembling with mischief, and
his full, almost sensual, mouth quivering. He was not himself, and she
could not bear it. As he was now, she had no connection with him; she
might as well not have existed. She saw the cigarette dancing on his
full red lips. She hated his thick hair for being tumbled loose on his
forehead.

"Sweet boy!" said Beatrice, tipping up his chin and giving him a little
kiss on the cheek.

"I s'll kiss thee back, Beat," he said.

"Tha wunna!" she giggled, jumping up and going away. "Isn't he
shameless, Miriam?"

"Quite," said Miriam. "By the way, aren't you forgetting the bread?"

"By Jove!" he cried, flinging open the oven door.

Out puffed the bluish smoke and a smell of burned bread.

"Oh, golly!" cried Beatrice, coming to his side. He crouched before the
oven, she peered over his shoulder. "This is what comes of the oblivion
of love, my boy."

Paul was ruefully removing the loaves. One was burnt black on the hot
side; another was hard as a brick.

"Poor mater!" said Paul.

"You want to grate it," said Beatrice. "Fetch me the nutmeg-grater."

She arranged the bread in the oven. He brought the grater, and she
grated the bread on to a newspaper on the table. He set the doors open
to blow away the smell of burned bread. Beatrice grated away, puffing
her cigarette, knocking the charcoal off the poor loaf.

"My word, Miriam! you're in for it this time," said Beatrice.

"I!" exclaimed Miriam in amazement.

"You'd better be gone when his mother comes in. I know why King Alfred
burned the cakes. Now I see it! 'Postle would fix up a tale about his
work making him forget, if he thought it would wash. If that old woman
had come in a bit sooner, she'd have boxed the brazen thing's ears who
made the oblivion, instead of poor Alfred's."

She giggled as she scraped the loaf. Even Miriam laughed in spite of
herself. Paul mended the fire ruefully.

The garden gate was heard to bang.

"Quick!" cried Beatrice, giving Paul the scraped loaf. "Wrap it up in a
damp towel."

Paul disappeared into the scullery. Beatrice hastily blew her scrapings
into the fire, and sat down innocently. Annie came bursting in. She was
an abrupt, quite smart young woman. She blinked in the strong light.

"Smell of burning!" she exclaimed.

"It's the cigarettes," replied Beatrice demurely.

"Where's Paul?"

Leonard had followed Annie. He had a long comic face and blue eyes, very
sad.

"I suppose he's left you to settle it between you," he said. He nodded
sympathetically to Miriam, and became gently sarcastic to Beatrice.

"No," said Beatrice, "he's gone off with number nine."

"I just met number five inquiring for him," said Leonard.

"Yes--we're going to share him up like Solomon's baby," said Beatrice.

Annie laughed.

"Oh, ay," said Leonard. "And which bit should you have?"

"I don't know," said Beatrice. "I'll let all the others pick first."

"An' you'd have the leavings, like?" said Leonard, twisting up a comic
face.

Annie was looking in the oven. Miriam sat ignored. Paul entered.

"This bread's a fine sight, our Paul," said Annie.

"Then you should stop an' look after it," said Paul.

"You mean YOU should do what you're reckoning to do," replied Annie.

"He should, shouldn't he!" cried Beatrice.

"I s'd think he'd got plenty on hand," said Leonard.

"You had a nasty walk, didn't you, Miriam?" said Annie.

"Yes--but I'd been in all week--"

"And you wanted a bit of a change, like," insinuated Leonard kindly.

"Well, you can't be stuck in the house for ever," Annie agreed. She was
quite amiable. Beatrice pulled on her coat, and went out with Leonard
and Annie. She would meet her own boy.

"Don't forget that bread, our Paul," cried Annie. "Good-night, Miriam. I
don't think it will rain."

When they had all gone, Paul fetched the swathed loaf, unwrapped it, and
surveyed it sadly.

"It's a mess!" he said.

"But," answered Miriam impatiently, "what is it, after all--twopence,
ha'penny."

"Yes, but--it's the mater's precious baking, and she'll take it to
heart. However, it's no good bothering."

He took the loaf back into the scullery. There was a little distance
between him and Miriam. He stood balanced opposite her for some moments
considering, thinking of his behaviour with Beatrice. He felt guilty
inside himself, and yet glad. For some inscrutable reason it served
Miriam right. He was not going to repent. She wondered what he was
thinking of as he stood suspended. His thick hair was tumbled over his
forehead. Why might she not push it back for him, and remove the marks
of Beatrice's comb? Why might she not press his body with her two hands.
It looked so firm, and every whit living. And he would let other girls,
why not her?

Suddenly he started into life. It made her quiver almost with terror as
he quickly pushed the hair off his forehead and came towards her.

"Half-past eight!" he said. "We'd better buck up. Where's your French?"

Miriam shyly and rather bitterly produced her exercise-book. Every week
she wrote for him a sort of diary of her inner life, in her own French.
He had found this was the only way to get her to do compositions. And
her diary was mostly a love-letter. He would read it now; she felt as
if her soul's history were going to be desecrated by him in his present
mood. He sat beside her. She watched his hand, firm and warm, rigorously
scoring her work. He was reading only the French, ignoring her soul that
was there. But gradually his hand forgot its work. He read in silence,
motionless. She quivered.

"'_Ce matin les oiseaux m'ont eveille,'" he read. "'Il faisait encore un
crepuscule. Mais la petite fenetre de ma chambre etait bleme, et puis,
jaune, et tous les oiseaux du bois eclaterent dans un chanson vif et
resonnant. Toute l'aube tressaillit. J'avais reve de vous. Est-ce
que vous voyez aussi l'aube? Les oiseaux m'eveillent presque tous les
matins, et toujours il y a quelque chose de terreur dans le cri des
grives. Il est si clair_--'"

Miriam sat tremulous, half ashamed. He remained quite still, trying to
understand. He only knew she loved him. He was afraid of her love for
him. It was too good for him, and he was inadequate. His own love was
at fault, not hers. Ashamed, he corrected her work, humbly writing above
her words.

"Look," he said quietly, "the past participle conjugated with _avoir_
agrees with the direct object when it precedes."

She bent forward, trying to see and to understand. Her free, fine curls
tickled his face. He started as if they had been red hot, shuddering. He
saw her peering forward at the page, her red lips parted piteously, the
black hair springing in fine strands across her tawny, ruddy cheek. She
was coloured like a pomegranate for richness. His breath came short as
he watched her. Suddenly she looked up at him. Her dark eyes were naked
with their love, afraid, and yearning. His eyes, too, were dark, and
they hurt her. They seemed to master her. She lost all her self-control,
was exposed in fear. And he knew, before he could kiss her, he must
drive something out of himself. And a touch of hate for her crept back
again into his heart. He returned to her exercise.

Suddenly he flung down the pencil, and was at the oven in a leap,
turning the bread. For Miriam he was too quick. She started violently,
and it hurt her with real pain. Even the way he crouched before the oven
hurt her. There seemed to be something cruel in it, something cruel in
the swift way he pitched the bread out of the tins, caught it up again.
If only he had been gentle in his movements she would have felt so rich
and warm. As it was, she was hurt.

He returned and finished the exercise.

"You've done well this week," he said.

She saw he was flattered by her diary. It did not repay her entirely.

"You really do blossom out sometimes," he said. "You ought to write
poetry."

She lifted her head with joy, then she shook it mistrustfully.

"I don't trust myself," she said.

"You should try!"

Again she shook her head.

"Shall we read, or is it too late?" he asked.

"It is late--but we can read just a little," she pleaded.

She was really getting now the food for her life during the next week.
He made her copy Baudelaire's "Le Balcon". Then he read it for her. His
voice was soft and caressing, but growing almost brutal. He had a way of
lifting his lips and showing his teeth, passionately and bitterly, when
he was much moved. This he did now. It made Miriam feel as if he were
trampling on her. She dared not look at him, but sat with her head
bowed. She could not understand why he got into such a tumult and fury.
It made her wretched. She did not like Baudelaire, on the whole--nor
Verlaine.

     "Behold her singing in the field
     Yon solitary highland lass."

That nourished her heart. So did "Fair Ines". And--

     "It was a beauteous evening, calm and pure,
     And breathing holy quiet like a nun."

These were like herself. And there was he, saying in his throat
bitterly:

"_Tu te rappelleras la beaute des caresses_."

The poem was finished; he took the bread out of the oven, arranging the
burnt loaves at the bottom of the panchion, the good ones at the top.
The desiccated loaf remained swathed up in the scullery.

"Mater needn't know till morning," he said. "It won't upset her so much
then as at night."

Miriam looked in the bookcase, saw what postcards and letters he had
received, saw what books were there. She took one that had interested
him. Then he turned down the gas and they set off. He did not trouble to
lock the door.

He was not home again until a quarter to eleven. His mother was seated
in the rocking-chair. Annie, with a rope of hair hanging down her back,
remained sitting on a low stool before the fire, her elbows on her
knees, gloomily. On the table stood the offending loaf unswathed. Paul
entered rather breathless. No one spoke. His mother was reading the
little local newspaper. He took off his coat, and went to sit down on
the sofa. His mother moved curtly aside to let him pass. No one spoke.
He was very uncomfortable. For some minutes he sat pretending to read a
piece of paper he found on the table. Then--

"I forgot that bread, mother," he said.

There was no answer from either woman.

"Well," he said, "it's only twopence ha'penny. I can pay you for that."

Being angry, he put three pennies on the table and slid them towards his
mother. She turned away her head. Her mouth was shut tightly.

"Yes," said Annie, "you don't know how badly my mother is!"

The girl sat staring glumly into the fire.

"Why is she badly?" asked Paul, in his overbearing way.

"Well!" said Annie. "She could scarcely get home."

He looked closely at his mother. She looked ill.

"WHY could you scarcely get home?" he asked her, still sharply. She
would not answer.

"I found her as white as a sheet sitting here," said Annie, with a
suggestion of tears in her voice.

"Well, WHY?" insisted Paul. His brows were knitting, his eyes dilating
passionately.

"It was enough to upset anybody," said Mrs. Morel, "hugging those
parcels--meat, and green-groceries, and a pair of curtains--"

"Well, why DID you hug them; you needn't have done."

"Then who would?"

"Let Annie fetch the meat."

"Yes, and I WOULD fetch the meat, but how was I to know. You were off
with Miriam, instead of being in when my mother came."

"And what was the matter with you?" asked Paul of his mother.

"I suppose it's my heart," she replied. Certainly she looked bluish
round the mouth.

"And have you felt it before?"

"Yes--often enough."

"Then why haven't you told me?--and why haven't you seen a doctor?"

Mrs. Morel shifted in her chair, angry with him for his hectoring.

"You'd never notice anything," said Annie. "You're too eager to be off
with Miriam."

"Oh, am I--and any worse than you with Leonard?"

"I was in at a quarter to ten."

There was silence in the room for a time.

"I should have thought," said Mrs. Morel bitterly, "that she wouldn't
have occupied you so entirely as to burn a whole ovenful of bread."

"Beatrice was here as well as she."

"Very likely. But we know why the bread is spoilt."

"Why?" he flashed.

"Because you were engrossed with Miriam," replied Mrs. Morel hotly.

"Oh, very well--then it was NOT!" he replied angrily.

He was distressed and wretched. Seizing a paper, he began to read.
Annie, her blouse unfastened, her long ropes of hair twisted into a
plait, went up to bed, bidding him a very curt good-night.

Paul sat pretending to read. He knew his mother wanted to upbraid him.
He also wanted to know what had made her ill, for he was troubled. So,
instead of running away to bed, as he would have liked to do, he sat and
waited. There was a tense silence. The clock ticked loudly.

"You'd better go to bed before your father comes in," said the mother
harshly. "And if you're going to have anything to eat, you'd better get
it."

"I don't want anything."

It was his mother's custom to bring him some trifle for supper on Friday
night, the night of luxury for the colliers. He was too angry to go and
find it in the pantry this night. This insulted her.

"If I WANTED you to go to Selby on Friday night, I can imagine the
scene," said Mrs. Morel. "But you're never too tired to go if SHE will
come for you. Nay, you neither want to eat nor drink then."

"I can't let her go alone."

"Can't you? And why does she come?"

"Not because I ask her."

"She doesn't come without you want her--"

"Well, what if I DO want her--" he replied.

"Why, nothing, if it was sensible or reasonable. But to go trapseing up
there miles and miles in the mud, coming home at midnight, and got to go
to Nottingham in the morning--"

"If I hadn't, you'd be just the same."

"Yes, I should, because there's no sense in it. Is she so fascinating
that you must follow her all that way?" Mrs. Morel was bitterly
sarcastic. She sat still, with averted face, stroking with a rhythmic,
jerked movement, the black sateen of her apron. It was a movement that
hurt Paul to see.

"I do like her," he said, "but--"

"LIKE her!" said Mrs. Morel, in the same biting tones. "It seems to me
you like nothing and nobody else. There's neither Annie, nor me, nor
anyone now for you."

"What nonsense, mother--you know I don't love her--I--I tell you I DON'T
love her--she doesn't even walk with my arm, because I don't want her
to."

"Then why do you fly to her so often?"

"I DO like to talk to her--I never said I didn't. But I DON'T love her."

"Is there nobody else to talk to?"

"Not about the things we talk of. There's a lot of things that you're
not interested in, that--"

"What things?"

Mrs. Morel was so intense that Paul began to pant.

"Why--painting--and books. YOU don't care about Herbert Spencer."

"No," was the sad reply. "And YOU won't at my age."

"Well, but I do now--and Miriam does--"

"And how do you know," Mrs. Morel flashed defiantly, "that I shouldn't.
Do you ever try me!"

"But you don't, mother, you know you don't care whether a picture's
decorative or not; you don't care what MANNER it is in."

"How do you know I don't care? Do you ever try me? Do you ever talk to
me about these things, to try?"

"But it's not that that matters to you, mother, you know t's not."

"What is it, then--what is it, then, that matters to me?" she flashed.
He knitted his brows with pain.

"You're old, mother, and we're young."

He only meant that the interests of HER age were not the interests of
his. But he realised the moment he had spoken that he had said the wrong
thing.

"Yes, I know it well--I am old. And therefore I may stand aside; I have
nothing more to do with you. You only want me to wait on you--the rest
is for Miriam."

He could not bear it. Instinctively he realised that he was life to her.
And, after all, she was the chief thing to him, the only supreme thing.

"You know it isn't, mother, you know it isn't!"

She was moved to pity by his cry.

"It looks a great deal like it," she said, half putting aside her
despair.

"No, mother--I really DON'T love her. I talk to her, but I want to come
home to you."

He had taken off his collar and tie, and rose, bare-throated, to go
to bed. As he stooped to kiss his mother, she threw her arms round his
neck, hid her face on his shoulder, and cried, in a whimpering voice, so
unlike her own that he writhed in agony:

"I can't bear it. I could let another woman--but not her. She'd leave me
no room, not a bit of room--"

And immediately he hated Miriam bitterly.

"And I've never--you know, Paul--I've never had a husband--not really--"

He stroked his mother's hair, and his mouth was on her throat.

"And she exults so in taking you from me--she's not like ordinary
girls."

"Well, I don't love her, mother," he murmured, bowing his head and
hiding his eyes on her shoulder in misery. His mother kissed him a long,
fervent kiss.

"My boy!" she said, in a voice trembling with passionate love.

Without knowing, he gently stroked her face.

"There," said his mother, "now go to bed. You'll be so tired in the
morning." As she was speaking she heard her husband coming. "There's
your father--now go." Suddenly she looked at him almost as if in fear.
"Perhaps I'm selfish. If you want her, take her, my boy."

His mother looked so strange, Paul kissed her, trembling.

"Ha--mother!" he said softly.

Morel came in, walking unevenly. His hat was over one corner of his eye.
He balanced in the doorway.

"At your mischief again?" he said venomously.

Mrs. Morel's emotion turned into sudden hate of the drunkard who had
come in thus upon her.

"At any rate, it is sober," she said.

"H'm--h'm! h'm--h'm!" he sneered. He went into the passage, hung up his
hat and coat. Then they heard him go down three steps to the pantry. He
returned with a piece of pork-pie in his fist. It was what Mrs. Morel
had bought for her son.

"Nor was that bought for you. If you can give me no more than
twenty-five shillings, I'm sure I'm not going to buy you pork-pie to
stuff, after you've swilled a bellyful of beer."

"Wha-at--wha-at!" snarled Morel, toppling in his balance. "Wha-at--not
for me?" He looked at the piece of meat and crust, and suddenly, in a
vicious spurt of temper, flung it into the fire.

Paul started to his feet.

"Waste your own stuff!" he cried.

"What--what!" suddenly shouted Morel, jumping up and clenching his fist.
"I'll show yer, yer young jockey!"

"All right!" said Paul viciously, putting his head on one side. "Show
me!"

He would at that moment dearly have loved to have a smack at something.
Morel was half crouching, fists up, ready to spring. The young man
stood, smiling with his lips.

"Ussha!" hissed the father, swiping round with a great stroke just past
his son's face. He dared not, even though so close, really touch the
young man, but swerved an inch away.

"Right!" said Paul, his eyes upon the side of his father's mouth, where
in another instant his fist would have hit. He ached for that stroke.
But he heard a faint moan from behind. His mother was deadly pale and
dark at the mouth. Morel was dancing up to deliver another blow.

"Father!" said Paul, so that the word rang.

Morel started, and stood at attention.

"Mother!" moaned the boy. "Mother!"

She began to struggle with herself. Her open eyes watched him, although
she could not move. Gradually she was coming to herself. He laid her
down on the sofa, and ran upstairs for a little whisky, which at last
she could sip. The tears were hopping down his face. As he kneeled in
front of her he did not cry, but the tears ran down his face quickly.
Morel, on the opposite side of the room, sat with his elbows on his
knees glaring across.

"What's a-matter with 'er?" he asked.

"Faint!" replied Paul.

"H'm!"

The elderly man began to unlace his boots. He stumbled off to bed. His
last fight was fought in that home.

Paul kneeled there, stroking his mother's hand.

"Don't be poorly, mother--don't be poorly!" he said time after time.

"It's nothing, my boy," she murmured.

At last he rose, fetched in a large piece of coal, and raked the fire.
Then he cleared the room, put everything straight, laid the things for
breakfast, and brought his mother's candle.

"Can you go to bed, mother?"

"Yes, I'll come."

"Sleep with Annie, mother, not with him."

"No. I'll sleep in my own bed."

"Don't sleep with him, mother."

"I'll sleep in my own bed."

She rose, and he turned out the gas, then followed her closely upstairs,
carrying her candle. On the landing he kissed her close.

"Good-night, mother."

"Good-night!" she said.

He pressed his face upon the pillow in a fury of misery. And yet,
somewhere in his soul, he was at peace because he still loved his mother
best. It was the bitter peace of resignation.

The efforts of his father to conciliate him next day were a great
humiliation to him.

Everybody tried to forget the scene.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Arthur Morel gets a job at an electrical plant. He doesn't drink or gamble, but always finds a way to get into fights. Paul complains about Arthur never coming home. Paul is clearly growing more irritable with age. The shining spirit of his childhood is leaving him, and this bothers Mrs. Morel. She's always looking for something to worry about when it comes to her sons. They soon receive a letter from Arthur saying that he got fed up with one of his coworkers and enlisted in the army on a whim. He's a little bit impulsive, you might say. He also took money from the army for enlisting, which basically means they own him for the next few years. With Arthur gone, Paul spends more time at home. But one day, Paul meets Miriam walking with another girl at a place called Castle Gate. The woman's name is Clara Dawes, and she shows little interest in Paul. Paul asks who she is, and you can already see a spark of romantic interest in him. We find out that Clara is separated from her husband, Baxter. And that she has taken up the cause of women's rights since the separation. You go, girl. The next time Paul visits Miriam, she's alone at her home. She starts asking him about Clara, trying to figure out if he finds Clara attractive. But Paul won't take the bait. Miriam asks him specifically what he likes about Clara. He says he appreciates her form, at least through an artist's eye. He starts to get irritated by Miriam's brooding, and wonders if Miriam likes Clara because Clara has something against men. He suddenly accuses Miriam of making him feel too spiritual. He wishes he could kiss her on a totally spiritual level. When Paul goes into the barn, he finds his bicycle's front wheel punctured. He starts working on the wheel, and Miriam brings him a light. At this moment, she suddenly wants to run her hands over him. He straightens up with his back to her. She runs her hands down his sides and says he's very fine. He laughs, but his blood rises to a flame at her touch. Finally, some touching. Miriam tests the bike's brakes and knows they're broken. She tells Paul he should fix them, but he waves her off. He rides home very quickly on a dangerous road, as if recklessness were some sort of revenge he was taking on her. Then the book gives a description of how the Leivers share the Morels' pew at church. Paul adores sitting between his two great loves, Miriam and his mother. This love triangle is starting to get a little old, isn't? Paul eventually demands to know why his mother doesn't like Miriam. Mrs. Morel replies that she doesn't know, but that she's tried and tried to like the girl. Paul feels the same way as her when he's with Miriam. He feels like she doesn't want them to be two people, but wants them to unite into one. He and Miriam almost broach the topic one day, the topic of their love, but Paul retreats into superficial conversation instead. Wuss. Briefly, we get a comedic scene to remind us that Walter Morel is still alive. He comes out of his washtub looking for a towel, and Mrs. Morel calls him chubby, even though she knows he's still got a young man's hard body. Paul hangs out with Miriam and co. some more. Mrs. Morel chides Paul for being too obsessed with Miriam some more. Paul tells his mother that he doesn't love Miriam, but there are certain things he can only talk about with her. Like what? his mother wants to know. He tells his moms that she and Miriam are interested in different things because she is old. He immediately regrets saying this, and suddenly realizes that he is everything to his mother, and that she is a supreme being for him. He assures his mother that he'll never love Miriam as much as her. As he bends to kiss her, she throws her arms around his neck and buries her face in his shoulder, crying. Mrs. Morel says something about how she's never had a husband, not really. Which sort of implies that she wishes Paul were her husband. Weird. Paul strokes her hair and presses his mouth to her throat . His mother talks about how Miriam exults in taking him away from her. As they part, Walter stumbles in and they all get into a bad fight. Mrs. Morel, ever the delicate flower, faints. Paul helps his mother to bed, and tells her not to sleep with Walter. But she insists. Paul goes to bed and realizes that he still loves his mother more than anyone. Oh dear.