prompt:
Chapter: THE day after Commencement I moved my books and desk upstairs, to an empty
room where I should be undisturbed, and I fell to studying in earnest. I
worked off a year's trigonometry that summer, and began Virgil alone.
Morning after morning I used to pace up and down my sunny little room,
looking off at the distant river bluffs and the roll of the blond pastures
between, scanning the AEneid aloud and committing long passages to memory.
Sometimes in the evening Mrs. Harling called to me as I passed her gate,
and asked me to come in and let her play for me. She was lonely for
Charley, she said, and liked to have a boy about. Whenever my grandparents
had misgivings, and began to wonder whether I was not too young to go off
to college alone, Mrs. Harling took up my cause vigorously. Grandfather
had such respect for her judgment that I knew he would not go against her.

I had only one holiday that summer. It was in July. I met Antonia downtown
on Saturday afternoon, and learned that she and Tiny and Lena were going
to the river next day with Anna Hansen--the elder was all in bloom now, and
Anna wanted to make elder-blow wine.

"Anna's to drive us down in the Marshalls' delivery wagon, and we'll take
a nice lunch and have a picnic. Just us; nobody else. Could n't you happen
along, Jim? It would be like old times."

I considered a moment. "Maybe I can, if I won't be in the way."

On Sunday morning I rose early and got out of Black Hawk while the dew was
still heavy on the long meadow grasses. It was the high season for summer
flowers. The pink bee-bush stood tall along the sandy roadsides, and the
cone-flowers and rose mallow grew everywhere. Across the wire fence, in
the long grass, I saw a clump of flaming orange-colored milkweed, rare in
that part of the State. I left the road and went around through a stretch
of pasture that was always cropped short in summer, where the gaillardia
came up year after year and matted over the ground with the deep, velvety
red that is in Bokhara carpets. The country was empty and solitary except
for the larks that Sunday morning, and it seemed to lift itself up to me
and to come very close.

The river was running strong for midsummer; heavy rains to the west of us
had kept it full. I crossed the bridge and went upstream along the wooded
shore to a pleasant dressing-room I knew among the dogwood bushes, all
overgrown with wild grapevines. I began to undress for a swim. The girls
would not be along yet. For the first time it occurred to me that I would
be homesick for that river after I left it. The sandbars, with their clean
white beaches and their little groves of willows and cottonwood seedlings,
were a sort of No Man's Land, little newly-created worlds that belonged to
the Black Hawk boys. Charley Harling and I had hunted through these woods,
fished from the fallen logs, until I knew every inch of the river shores
and had a friendly feeling for every bar and shallow.

After my swim, while I was playing about indolently in the water, I heard
the sound of hoofs and wheels on the bridge. I struck downstream and
shouted, as the open spring wagon came into view on the middle span. They
stopped the horse, and the two girls in the bottom of the cart stood up,
steadying themselves by the shoulders of the two in front, so that they
could see me better. They were charming up there, huddled together in the
cart and peering down at me like curious deer when they come out of the
thicket to drink. I found bottom near the bridge and stood up, waving to
them.

"How pretty you look!" I called.

"So do you!" they shouted altogether, and broke into peals of laughter.
Anna Hansen shook the reins and they drove on, while I zigzagged back to
my inlet and clambered up behind an overhanging elm. I dried myself in the
sun, and dressed slowly, reluctant to leave that green enclosure where the
sunlight flickered so bright through the grapevine leaves and the
woodpecker hammered away in the crooked elm that trailed out over the
water. As I went along the road back to the bridge I kept picking off
little pieces of scaly chalk from the dried water gullies, and breaking
them up in my hands.

When I came upon the Marshalls' delivery horse, tied in the shade, the
girls had already taken their baskets and gone down the east road which
wound through the sand and scrub. I could hear them calling to each other.
The elder bushes did not grow back in the shady ravines between the
bluffs, but in the hot, sandy bottoms along the stream, where their roots
were always in moisture and their tops in the sun. The blossoms were
unusually luxuriant and beautiful that summer.

I followed a cattle path through the thick underbrush until I came to a
slope that fell away abruptly to the water's edge. A great chunk of the
shore had been bitten out by some spring freshet, and the scar was masked
by elder bushes, growing down to the water in flowery terraces. I did not
touch them. I was overcome by content and drowsiness and by the warm
silence about me. There was no sound but the high, sing-song buzz of wild
bees and the sunny gurgle of the water underneath. I peeped over the edge
of the bank to see the little stream that made the noise; it flowed along
perfectly clear over the sand and gravel, cut off from the muddy main
current by a long sandbar. Down there, on the lower shelf of the bank, I
saw Antonia, seated alone under the pagoda-like elders. She looked up when
she heard me, and smiled, but I saw that she had been crying. I slid down
into the soft sand beside her and asked her what was the matter.

"It makes me homesick, Jimmy, this flower, this smell," she said softly.
"We have this flower very much at home, in the old country. It always grew
in our yard and my papa had a green bench and a table under the bushes. In
summer, when they were in bloom, he used to sit there with his friend that
played the trombone. When I was little I used to go down there to hear
them talk--beautiful talk, like what I never hear in this country."

"What did they talk about?" I asked her.

She sighed and shook her head. "Oh, I don't know! About music, and the
woods, and about God, and when they were young." She turned to me suddenly
and looked into my eyes. "You think, Jimmy, that maybe my father's spirit
can go back to those old places?"

I told her about the feeling of her father's presence I had on that winter
day when my grandparents had gone over to see his dead body and I was left
alone in the house. I said I felt sure then that he was on his way back to
his own country, and that even now, when I passed his grave, I always
thought of him as being among the woods and fields that were so dear to
him.

Antonia had the most trusting, responsive eyes in the world; love and
credulousness seemed to look out of them with open faces. "Why did n't you
ever tell me that before? It makes me feel more sure for him." After a
while she said: "You know, Jim, my father was different from my mother. He
did not have to marry my mother, and all his brothers quarreled with him
because he did. I used to hear the old people at home whisper about it.
They said he could have paid my mother money, and not married her. But he
was older than she was, and he was too kind to treat her like that. He
lived in his mother's house, and she was a poor girl come in to do the
work. After my father married her, my grandmother never let my mother come
into her house again. When I went to my grandmother's funeral was the only
time I was ever in my grandmother's house. Don't that seem strange?"

While she talked, I lay back in the hot sand and looked up at the blue sky
between the flat bouquets of elder. I could hear the bees humming and
singing, but they stayed up in the sun above the flowers and did not come
down into the shadow of the leaves. Antonia seemed to me that day exactly
like the little girl who used to come to our house with Mr. Shimerda.

"Some day, Tony, I am going over to your country, and I am going to the
little town where you lived. Do you remember all about it?"

"Jim," she said earnestly, "if I was put down there in the middle of the
night, I could find my way all over that little town; and along the river
to the next town, where my grandmother lived. My feet remember all the
little paths through the woods, and where the big roots stick out to trip
you. I ain't never forgot my own country."

There was a crackling in the branches above us, and Lena Lingard peered
down over the edge of the bank.

"You lazy things!" she cried. "All this elder, and you two lying there!
Did n't you hear us calling you?" Almost as flushed as she had been in my
dream, she leaned over the edge of the bank and began to demolish our
flowery pagoda. I had never seen her so energetic; she was panting with
zeal, and the perspiration stood in drops on her short, yielding upper
lip. I sprang to my feet and ran up the bank.

It was noon now, and so hot that the dogwoods and scrub-oaks began to turn
up the silvery under-side of their leaves, and all the foliage looked soft
and wilted. I carried the lunch-basket to the top of one of the chalk
bluffs, where even on the calmest days there was always a breeze. The
flat-topped, twisted little oaks threw light shadows on the grass. Below
us we could see the windings of the river, and Black Hawk, grouped among
its trees, and, beyond, the rolling country, swelling gently until it met
the sky. We could recognize familiar farmhouses and windmills. Each of the
girls pointed out to me the direction in which her father's farm lay, and
told me how many acres were in wheat that year and how many in corn.

"My old folks," said Tiny Soderball, "have put in twenty acres of rye.
They get it ground at the mill, and it makes nice bread. It seems like my
mother ain't been so homesick, ever since father's raised rye flour for
her."

"It must have been a trial for our mothers," said Lena, "coming out here
and having to do everything different. My mother had always lived in town.
She says she started behind in farm-work, and never has caught up."

"Yes, a new country's hard on the old ones, sometimes," said Anna
thoughtfully. "My grandmother's getting feeble now, and her mind wanders.
She's forgot about this country, and thinks she's at home in Norway. She
keeps asking mother to take her down to the waterside and the fish market.
She craves fish all the time. Whenever I go home I take her canned salmon
and mackerel."

"Mercy, it's hot!" Lena yawned. She was supine under a little oak, resting
after the fury of her elder-hunting, and had taken off the high-heeled
slippers she had been silly enough to wear. "Come here, Jim. You never got
the sand out of your hair." She began to draw her fingers slowly through
my hair.

Antonia pushed her away. "You'll never get it out like that," she said
sharply. She gave my head a rough touzling and finished me off with
something like a box on the ear. "Lena, you ought n't to try to wear those
slippers any more. They're too small for your feet. You'd better give them
to me for Yulka."

"All right," said Lena good-naturedly, tucking her white stockings under
her skirt. "You get all Yulka's things, don't you? I wish father did n't
have such bad luck with his farm machinery; then I could buy more things
for my sisters. I'm going to get Mary a new coat this fall, if the sulky
plough's never paid for!"

Tiny asked her why she did n't wait until after Christmas, when coats
would be cheaper. "What do you think of poor me?" she added; "with six at
home, younger than I am? And they all think I'm rich, because when I go
back to the country I'm dressed so fine!" She shrugged her shoulders.
"But, you know, my weakness is playthings. I like to buy them playthings
better than what they need."

"I know how that is," said Anna. "When we first came here, and I was
little, we were too poor to buy toys. I never got over the loss of a doll
somebody gave me before we left Norway. A boy on the boat broke her, and I
still hate him for it."

"I guess after you got here you had plenty of live dolls to nurse, like
me!" Lena remarked cynically.

"Yes, the babies came along pretty fast, to be sure. But I never minded. I
was fond of them all. The youngest one, that we did n't any of us want, is
the one we love best now."

Lena sighed. "Oh, the babies are all right; if only they don't come in
winter. Ours nearly always did. I don't see how mother stood it. I tell
you what girls," she sat up with sudden energy; "I'm going to get my
mother out of that old sod house where she's lived so many years. The men
will never do it. Johnnie, that's my oldest brother, he's wanting to get
married now, and build a house for his girl instead of his mother. Mrs.
Thomas says she thinks I can move to some other town pretty soon, and go
into business for myself. If I don't get into business, I'll maybe marry a
rich gambler."

"That would be a poor way to get on," said Anna sarcastically. "I wish I
could teach school, like Selma Kronn. Just think! She'll be the first
Scandinavian girl to get a position in the High School. We ought to be
proud of her."

Selma was a studious girl, who had not much tolerance for giddy things
like Tiny and Lena; but they always spoke of her with admiration.

Tiny moved about restlessly, fanning herself with her straw hat. "If I was
smart like her, I'd be at my books day and night. But she was born
smart--and look how her father's trained her! He was something high up in
the old country."

"So was my mother's father," murmured Lena, "but that's all the good it
does us! My father's father was smart, too, but he was wild. He married a
Lapp. I guess that's what's the matter with me; they say Lapp blood will
out."

"A real Lapp, Lena?" I exclaimed. "The kind that wear skins?"

"I don't know if she wore skins, but she was a Lapp all right, and his
folks felt dreadful about it. He was sent up north on some Government job
he had, and fell in with her. He would marry her."

"But I thought Lapland women were fat and ugly, and had squint eyes, like
Chinese?" I objected.

"I don't know, maybe. There must be something mighty taking about the Lapp
girls, though; mother says the Norwegians up north are always afraid their
boys will run after them."

In the afternoon, when the heat was less oppressive, we had a lively game
of "Pussy Wants a Corner," on the flat bluff-top, with the little trees
for bases. Lena was Pussy so often that she finally said she would n't
play any more. We threw ourselves down on the grass, out of breath.

"Jim," Antonia said dreamily, "I want you to tell the girls about how the
Spanish first came here, like you and Charley Harling used to talk about.
I've tried to tell them, but I leave out so much."

They sat under a little oak, Tony resting against the trunk and the other
girls leaning against her and each other, and listened to the little I was
able to tell them about Coronado and his search for the Seven Golden
Cities. At school we were taught that he had not got so far north as
Nebraska, but had given up his quest and turned back somewhere in Kansas.
But Charley Harling and I had a strong belief that he had been along this
very river. A farmer in the county north of ours, when he was breaking
sod, had turned up a metal stirrup of fine workmanship, and a sword with a
Spanish inscription on the blade. He lent these relics to Mr. Harling, who
brought them home with him. Charley and I scoured them, and they were on
exhibition in the Harling office all summer. Father Kelly, the priest, had
found the name of the Spanish maker on the sword, and an abbreviation that
stood for the city of Cordova.

"And that I saw with my own eyes," Antonia put in triumphantly. "So Jim
and Charley were right, and the teachers were wrong!"

The girls began to wonder among themselves. Why had the Spaniards come so
far? What must this country have been like, then? Why had Coronado never
gone back to Spain, to his riches and his castles and his king? I could
n't tell them. I only knew the school books said he "died in the
wilderness, of a broken heart."

"More than him has done that," said Antonia sadly, and the girls murmured
assent.

We sat looking off across the country, watching the sun go down. The curly
grass about us was on fire now. The bark of the oaks turned red as copper.
There was a shimmer of gold on the brown river. Out in the stream the
sandbars glittered like glass, and the light trembled in the willow
thickets as if little flames were leaping among them. The breeze sank to
stillness. In the ravine a ringdove mourned plaintively, and somewhere off
in the bushes an owl hooted. The girls sat listless, leaning against each
other. The long fingers of the sun touched their foreheads.

Presently we saw a curious thing: There were no clouds, the sun was going
down in a limpid, gold-washed sky. Just as the lower edge of the red disc
rested on the high fields against the horizon, a great black figure
suddenly appeared on the face of the sun. We sprang to our feet, straining
our eyes toward it. In a moment we realized what it was. On some upland
farm, a plough had been left standing in the field. The sun was sinking
just behind it. Magnified across the distance by the horizontal light, it
stood out against the sun, was exactly contained within the circle of the
disc; the handles, the tongue, the share--black against the molten red.
There it was, heroic in size, a picture writing on the sun.

Even while we whispered about it, our vision disappeared; the ball dropped
and dropped until the red tip went beneath the earth. The fields below us
were dark, the sky was growing pale, and that forgotten plough had sunk
back to its own littleness somewhere on the prairie.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: After Commencement Jim begins studying Latin seriously for college. Only once during the summer does he take a break to go pick elders with the hired girls. Arriving at the river first and going swimming, he realizes he's going to miss Black Hawk and the country. The girls arrive when he's still in the water, and he gradually makes his way over to where they are. He comes up on Antonia by herself and finds her crying because a certain type of flower is making her homesick. When she asks whether he thinks her father is back in the old country, Jim tells her how he felt her father's spirit in the house the day he died, and Antonia feels better. She tells him how her father honorably married her mother, who was a servant, when she got pregnant and how her father's family never forgave the two of them. Jim is happy because Antonia seems exactly the same as she did when he first met her and he tells her he will one day visit her homeland. Lena appears, looking like she does in Jim's sexual dreams, and he leaps up to help her pick elders. In the hot afternoon, they all sit around and talk. Antonia becomes irritated when Lena behaves flirtatiously towards Jim. The girls discuss how it is difficult for older adults to make the transition to a new country and how difficult it is to be the oldest child when more babies keep arriving. They play a game called "Pussy Wants a Corner," and then Jim tells them about how Coronado the Spanish explorer came as far West as Black Hawk. As they sit in silence, the clouds disappear, and all of a sudden, they see a distant black figure on the horizon. Jumping up to see what it is, they realize that someone had left a plow standing in the field, and it looks molten red and glowing against the backdrop of the sun. The image only lasts for a moment as the sun continues to set.


prompt:
Chapter: LATE in August the Cutters went to Omaha for a few days, leaving Antonia
in charge of the house. Since the scandal about the Swedish girl, Wick
Cutter could never get his wife to stir out of Black Hawk without him.

The day after the Cutters left, Antonia came over to see us. Grandmother
noticed that she seemed troubled and distracted. "You've got something on
your mind, Antonia," she said anxiously.

"Yes, Mrs. Burden. I could n't sleep much last night." She hesitated, and
then told us how strangely Mr. Cutter had behaved before he went away. He
put all the silver in a basket and placed it under her bed, and with it a
box of papers which he told her were valuable. He made her promise that
she would not sleep away from the house, or be out late in the evening,
while he was gone. He strictly forbade her to ask any of the girls she
knew to stay with her at night. She would be perfectly safe, he said, as
he had just put a new Yale lock on the front door.

Cutter had been so insistent in regard to these details that now she felt
uncomfortable about staying there alone. She had n't liked the way he kept
coming into the kitchen to instruct her, or the way he looked at her. "I
feel as if he is up to some of his tricks again, and is going to try to
scare me, somehow."

Grandmother was apprehensive at once. "I don't think it's right for you to
stay there, feeling that way. I suppose it would n't be right for you to
leave the place alone, either, after giving your word. Maybe Jim would be
willing to go over there and sleep, and you could come here nights. I'd
feel safer, knowing you were under my own roof. I guess Jim could take
care of their silver and old usury notes as well as you could."

Antonia turned to me eagerly. "Oh, would you, Jim? I'd make up my bed nice
and fresh for you. It's a real cool room, and the bed's right next the
window. I was afraid to leave the window open last night."

I liked my own room, and I did n't like the Cutters' house under any
circumstances; but Tony looked so troubled that I consented to try this
arrangement. I found that I slept there as well as anywhere, and when I
got home in the morning, Tony had a good breakfast waiting for me. After
prayers she sat down at the table with us, and it was like old times in
the country.

The third night I spent at the Cutters', I awoke suddenly with the
impression that I had heard a door open and shut. Everything was still,
however, and I must have gone to sleep again immediately.

The next thing I knew, I felt some one sit down on the edge of the bed. I
was only half awake, but I decided that he might take the Cutters' silver,
whoever he was. Perhaps if I did not move, he would find it and get out
without troubling me. I held my breath and lay absolutely still. A hand
closed softly on my shoulder, and at the same moment I felt something
hairy and cologne-scented brushing my face. If the room had suddenly been
flooded with electric light, I could n't have seen more clearly the
detestable bearded countenance that I knew was bending over me. I caught a
handful of whiskers and pulled, shouting something. The hand that held my
shoulder was instantly at my throat. The man became insane; he stood over
me, choking me with one fist and beating me in the face with the other,
hissing and chuckling and letting out a flood of abuse.

"So this is what she's up to when I'm away, is it? Where is she, you nasty
whelp, where is she? Under the bed, are you, hussy? I know your tricks!
Wait till I get at you! I'll fix this rat you've got in here. He's caught,
all right!"

So long as Cutter had me by the throat, there was no chance for me at all.
I got hold of his thumb and bent it back, until he let go with a yell. In
a bound, I was on my feet, and easily sent him sprawling to the floor.
Then I made a dive for the open window, struck the wire screen, knocked it
out, and tumbled after it into the yard.

Suddenly I found myself running across the north end of Black Hawk in my
nightshirt, just as one sometimes finds one's self behaving in bad dreams.
When I got home I climbed in at the kitchen window. I was covered with
blood from my nose and lip, but I was too sick to do anything about it. I
found a shawl and an overcoat on the hatrack, lay down on the parlor sofa,
and in spite of my hurts, went to sleep.

Grandmother found me there in the morning. Her cry of fright awakened me.
Truly, I was a battered object. As she helped me to my room, I caught a
glimpse of myself in the mirror. My lip was cut and stood out like a
snout. My nose looked like a big blue plum, and one eye was swollen shut
and hideously discolored. Grandmother said we must have the doctor at
once, but I implored her, as I had never begged for anything before, not
to send for him. I could stand anything, I told her, so long as nobody saw
me or knew what had happened to me. I entreated her not to let
grandfather, even, come into my room. She seemed to understand, though I
was too faint and miserable to go into explanations. When she took off my
nightshirt, she found such bruises on my chest and shoulders that she
began to cry. She spent the whole morning bathing and poulticing me, and
rubbing me with arnica. I heard Antonia sobbing outside my door, but I
asked grandmother to send her away. I felt that I never wanted to see her
again. I hated her almost as much as I hated Cutter. She had let me in for
all this disgustingness. Grandmother kept saying how thankful we ought to
be that I had been there instead of Antonia. But I lay with my disfigured
face to the wall and felt no particular gratitude. My one concern was that
grandmother should keep every one away from me. If the story once got
abroad, I would never hear the last of it. I could well imagine what the
old men down at the drug-store would do with such a theme.

While grandmother was trying to make me comfortable, grandfather went to
the depot and learned that Wick Cutter had come home on the night express
from the east, and had left again on the six o'clock train for Denver that
morning. The agent said his face was striped with court-plaster, and he
carried his left hand in a sling. He looked so used up, that the agent
asked him what had happened to him since ten o'clock the night before;
whereat Cutter began to swear at him and said he would have him discharged
for incivility.

That afternoon, while I was asleep, Antonia took grandmother with her, and
went over to the Cutters' to pack her trunk. They found the place locked
up, and they had to break the window to get into Antonia's bedroom. There
everything was in shocking disorder. Her clothes had been taken out of her
closet, thrown into the middle of the room, and trampled and torn. My own
garments had been treated so badly that I never saw them again;
grandmother burned them in the Cutters' kitchen range.

While Antonia was packing her trunk and putting her room in order, to
leave it, the front-door bell rang violently. There stood Mrs.
Cutter,--locked out, for she had no key to the new lock--her head trembling
with rage. "I advised her to control herself, or she would have a stroke,"
grandmother said afterwards.

Grandmother would not let her see Antonia at all, but made her sit down in
the parlor while she related to her just what had occurred the night
before. Antonia was frightened, and was going home to stay for a while,
she told Mrs. Cutter; it would be useless to interrogate the girl, for she
knew nothing of what had happened.

Then Mrs. Cutter told her story. She and her husband had started home from
Omaha together the morning before. They had to stop over several hours at
Waymore Junction to catch the Black Hawk train. During the wait, Cutter
left her at the depot and went to the Waymore bank to attend to some
business. When he returned, he told her that he would have to stay
overnight there, but she could go on home. He bought her ticket and put
her on the train. She saw him slip a twenty-dollar bill into her handbag
with her ticket. That bill, she said, should have aroused her suspicions
at once--but did not.

The trains are never called at little junction towns; everybody knows when
they come in. Mr. Cutter showed his wife's ticket to the conductor, and
settled her in her seat before the train moved off. It was not until
nearly nightfall that she discovered she was on the express bound for
Kansas City, that her ticket was made out to that point, and that Cutter
must have planned it so. The conductor told her the Black Hawk train was
due at Waymore twelve minutes after the Kansas City train left. She saw at
once that her husband had played this trick in order to get back to Black
Hawk without her. She had no choice but to go on to Kansas City and take
the first fast train for home.

Cutter could have got home a day earlier than his wife by any one of a
dozen simpler devices; he could have left her in the Omaha hotel, and said
he was going on to Chicago for a few days. But apparently it was part of
his fun to outrage her feelings as much as possible.

"Mr. Cutter will pay for this, Mrs. Burden. He will pay!" Mrs. Cutter
avouched, nodding her horselike head and rolling her eyes.

Grandmother said she had n't a doubt of it.

Certainly Cutter liked to have his wife think him a devil. In some way he
depended upon the excitement he could arouse in her hysterical nature.
Perhaps he got the feeling of being a rake more from his wife's rage and
amazement than from any experiences of his own. His zest in debauchery
might wane, but never Mrs. Cutter's belief in it. The reckoning with his
wife at the end of an escapade was something he counted on--like the last
powerful liqueur after a long dinner. The one excitement he really could
n't do without was quarreling with Mrs. Cutter!

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the end of the summer, the Cutters leave Black Hawk on a business trip, and Antonia comes to the Burdens to complain about feeling uneasy. Mr. Cutter had put all the silver and important documents under Antonia's bed and told her that she had to sleep there in order to keep them safe. Worried that Mr. Cutter is playing some sort of trick, she gets Jim to sleep at the Cutters in her bed, while she stays with Grandmother. On the third night, Jim awakes to find Mr. Cutter trying to grope him. They get into a fight, with Mr. Cutter beating Jim fiercely about the face. Jim runs back home and in the morning feels disgusted, ashamed, and angry at Antonia. He refuses to see her or a doctor and is worried about word getting around town. When Antonia and Grandmother go over to the Cutters' house to pack up Antonia's belongings, they find her room in a disarray. They also find Mrs. Cutter, who is indignant because her husband intentionally put her on the wrong train so that he could come back to Black Hawk for an intended rendezvous with Antonia. Jim notes that Mr. Cutter came up with a needlessly complex plan specifically to outrage Mrs. Cutter, and he comments that it was obviously Mr. Cutter's greatest joy to make his wife upset.


prompt:
Chapter: AT the University I had the good fortune to come immediately under the
influence of a brilliant and inspiring young scholar. Gaston Cleric had
arrived in Lincoln only a few weeks earlier than I, to begin his work as
head of the Latin Department. He came West at the suggestion of his
physicians, his health having been enfeebled by a long illness in Italy.
When I took my entrance examinations he was my examiner, and my course was
arranged under his supervision.

I did not go home for my first summer vacation, but stayed in Lincoln,
working off a year's Greek, which had been my only condition on entering
the Freshman class. Cleric's doctor advised against his going back to New
England, and except for a few weeks in Colorado, he, too, was in Lincoln
all that summer. We played tennis, read, and took long walks together. I
shall always look back on that time of mental awakening as one of the
happiest in my life. Gaston Cleric introduced me to the world of ideas;
when one first enters that world everything else fades for a time, and all
that went before is as if it had not been. Yet I found curious survivals;
some of the figures of my old life seemed to be waiting for me in the new.

In those days there were many serious young men among the students who had
come up to the University from the farms and the little towns scattered
over the thinly settled State. Some of those boys came straight from the
cornfields with only a summer's wages in their pockets, hung on through
the four years, shabby and underfed, and completed the course by really
heroic self-sacrifice. Our instructors were oddly assorted; wandering
pioneer school-teachers, stranded ministers of the Gospel, a few
enthusiastic young men just out of graduate schools. There was an
atmosphere of endeavor, of expectancy and bright hopefulness about the
young college that had lifted its head from the prairie only a few years
before.

Our personal life was as free as that of our instructors. There were no
college dormitories; we lived where we could and as we could. I took rooms
with an old couple, early settlers in Lincoln, who had married off their
children and now lived quietly in their house at the edge of town, near
the open country. The house was inconveniently situated for students, and
on that account I got two rooms for the price of one. My bedroom,
originally a linen closet, was unheated and was barely large enough to
contain my cot bed, but it enabled me to call the other room my study. The
dresser, and the great walnut wardrobe which held all my clothes, even my
hats and shoes, I had pushed out of the way, and I considered them
non-existent, as children eliminate incongruous objects when they are
playing house. I worked at a commodious green-topped table placed directly
in front of the west window which looked out over the prairie. In the
corner at my right were all my books, in shelves I had made and painted
myself. On the blank wall at my left the dark, old-fashioned wall-paper
was covered by a large map of ancient Rome, the work of some German
scholar. Cleric had ordered it for me when he was sending for books from
abroad. Over the bookcase hung a photograph of the Tragic Theater at
Pompeii, which he had given me from his collection.

When I sat at work I half faced a deep, upholstered chair which stood at
the end of my table, its high back against the wall. I had bought it with
great care. My instructor sometimes looked in upon me when he was out for
an evening tramp, and I noticed that he was more likely to linger and
become talkative if I had a comfortable chair for him to sit in, and if he
found a bottle of Benedictine and plenty of the kind of cigarettes he
liked, at his elbow. He was, I had discovered, parsimonious about small
expenditures--a trait absolutely inconsistent with his general character.
Sometimes when he came he was silent and moody, and after a few sarcastic
remarks went away again, to tramp the streets of Lincoln, which were
almost as quiet and oppressively domestic as those of Black Hawk. Again,
he would sit until nearly midnight, talking about Latin and English
poetry, or telling me about his long stay in Italy.

I can give no idea of the peculiar charm and vividness of his talk. In a
crowd he was nearly always silent. Even for his classroom he had no
platitudes, no stock of professorial anecdotes. When he was tired his
lectures were clouded, obscure, elliptical; but when he was interested
they were wonderful. I believe that Gaston Cleric narrowly missed being a
great poet, and I have sometimes thought that his bursts of imaginative
talk were fatal to his poetic gift. He squandered too much in the heat of
personal communication. How often I have seen him draw his dark brows
together, fix his eyes upon some object on the wall or a figure in the
carpet, and then flash into the lamplight the very image that was in his
brain. He could bring the drama of antique life before one out of the
shadows--white figures against blue backgrounds. I shall never forget his
face as it looked one night when he told me about the solitary day he
spent among the sea temples at Paestum: the soft wind blowing through the
roofless columns, the birds flying low over the flowering marsh grasses,
the changing lights on the silver, cloud-hung mountains. He had willfully
stayed the short summer night there, wrapped in his coat and rug, watching
the constellations on their path down the sky until "the bride of old
Tithonus" rose out of the sea, and the mountains stood sharp in the dawn.
It was there he caught the fever which held him back on the eve of his
departure for Greece and of which he lay ill so long in Naples. He was
still, indeed, doing penance for it.

I remember vividly another evening, when something led us to talk of
Dante's veneration for Virgil. Cleric went through canto after canto of
the "Commedia," repeating the discourse between Dante and his "sweet
teacher," while his cigarette burned itself out unheeded between his long
fingers. I can hear him now, speaking the lines of the poet Statius, who
spoke for Dante: "_I was famous on earth with the name which endures
longest and honors most. The seeds of my ardor were the sparks from that
divine flame whereby more than a thousand have kindled; I speak of the
AEneid, mother to me and nurse to me in poetry._"

Although I admired scholarship so much in Cleric, I was not deceived about
myself; I knew that I should never be a scholar. I could never lose myself
for long among impersonal things. Mental excitement was apt to send me
with a rush back to my own naked land and the figures scattered upon it.
While I was in the very act of yearning toward the new forms that Cleric
brought up before me, my mind plunged away from me, and I suddenly found
myself thinking of the places and people of my own infinitesimal past.
They stood out strengthened and simplified now, like the image of the
plough against the sun. They were all I had for an answer to the new
appeal. I begrudged the room that Jake and Otto and Russian Peter took up
in my memory, which I wanted to crowd with other things. But whenever my
consciousness was quickened, all those early friends were quickened within
it, and in some strange way they accompanied me through all my new
experiences. They were so much alive in me that I scarcely stopped to
wonder whether they were alive anywhere else, or how.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the University in Lincoln, Jim meets Gaston Cleric, who is his mentor in the Latin Department and who arrived at the same time he did. Jim stays in Lincoln during the summer studying Greek, and he spends a lot of time socializing with Gaston, who helps effect his mental awakening. During that time, the University is still very new, and it is full of earnest young men from the farms and enthusiastic, young instructors. Jim lives in a small cramped apartment where Gaston used to come visit him to talk about poetry and Italy. Gaston talks very vividly and poetically, and Jim imagines that he might have been a poet if he didn't waste so much creativity talking to other people. Jim particularly remembers one conversation they had about Dante's admiration for his teacher Virgil. Although he admires Gaston, Jim knows that he cannot be a scholar because he loves the people and places of his past so much. He has very vivid memories of them sometimes.


prompt:
Chapter: ONE March evening in my Sophomore year I was sitting alone in my room
after supper. There had been a warm thaw all day, with mushy yards and
little streams of dark water gurgling cheerfully into the streets out of
old snow-banks. My window was open, and the earthy wind blowing through
made me indolent. On the edge of the prairie, where the sun had gone down,
the sky was turquoise blue, like a lake, with gold light throbbing in it.
Higher up, in the utter clarity of the western slope, the evening star
hung like a lamp suspended by silver chains--like the lamp engraved upon
the title-page of old Latin texts, which is always appearing in new
heavens, and waking new desires in men. It reminded me, at any rate, to
shut my window and light my wick in answer. I did so regretfully, and the
dim objects in the room emerged from the shadows and took their place
about me with the helpfulness which custom breeds.

I propped my book open and stared listlessly at the page of the Georgics
where to-morrow's lesson began. It opened with the melancholy reflection
that, in the lives of mortals, the best days are the first to flee.
"Optima dies {~HORIZONTAL ELLIPSIS~} prima fugit." I turned back to the beginning of the third
book, which we had read in class that morning. "Primus ego in patriam
mecum {~HORIZONTAL ELLIPSIS~} deducam Musas"; "for I shall be the first, if I live, to bring the
Muse into my country." Cleric had explained to us that "patria" here
meant, not a nation or even a province, but the little rural neighborhood
on the Mincio where the poet was born. This was not a boast, but a hope,
at once bold and devoutly humble, that he might bring the Muse (but lately
come to Italy from her cloudy Grecian mountains), not to the capital, the
palatia Romana, but to his own little "country"; to his father's fields,
"sloping down to the river and to the old beech trees with broken tops."

Cleric said he thought Virgil, when he was dying at Brindisi, must have
remembered that passage. After he had faced the bitter fact that he was to
leave the AEneid unfinished, and had decreed that the great canvas, crowded
with figures of gods and men, should be burned rather than survive him
unperfected, then his mind must have gone back to the perfect utterance of
the Georgics, where the pen was fitted to the matter as the plough is to
the furrow; and he must have said to himself with the thankfulness of a
good man, "I was the first to bring the Muse into my country."

We left the classroom quietly, conscious that we had been brushed by the
wing of a great feeling, though perhaps I alone knew Cleric intimately
enough to guess what that feeling was. In the evening, as I sat staring at
my book, the fervor of his voice stirred through the quantities on the
page before me. I was wondering whether that particular rocky strip of New
England coast about which he had so often told me was Cleric's patria.
Before I had got far with my reading I was disturbed by a knock. I hurried
to the door and when I opened it saw a woman standing in the dark hall.

"I expect you hardly know me, Jim."

The voice seemed familiar, but I did not recognize her until she stepped
into the light of my doorway and I beheld--Lena Lingard! She was so quietly
conventionalized by city clothes that I might have passed her on the
street without seeing her. Her black suit fitted her figure smoothly, and
a black lace hat, with pale-blue forget-me-nots, sat demurely on her
yellow hair.

I led her toward Cleric's chair, the only comfortable one I had,
questioning her confusedly.

She was not disconcerted by my embarrassment. She looked about her with
the naive curiosity I remembered so well. "You are quite comfortable here,
are n't you? I live in Lincoln now, too, Jim. I'm in business for myself.
I have a dressmaking shop in the Raleigh Block, out on O Street. I've made
a real good start."

"But, Lena, when did you come?"

"Oh, I've been here all winter. Did n't your grandmother ever write you?
I've thought about looking you up lots of times. But we've all heard what
a studious young man you've got to be, and I felt bashful. I did n't know
whether you'd be glad to see me." She laughed her mellow, easy laugh, that
was either very artless or very comprehending, one never quite knew which.
"You seem the same, though,--except you're a young man, now, of course. Do
you think I've changed?"

"Maybe you're prettier--though you were always pretty enough. Perhaps it's
your clothes that make a difference."

"You like my new suit? I have to dress pretty well in my business." She
took off her jacket and sat more at ease in her blouse, of some soft,
flimsy silk. She was already at home in my place, had slipped quietly into
it, as she did into everything. She told me her business was going well,
and she had saved a little money.

"This summer I'm going to build the house for mother I've talked about so
long. I won't be able to pay up on it at first, but I want her to have it
before she is too old to enjoy it. Next summer I'll take her down new
furniture and carpets, so she'll have something to look forward to all
winter."

I watched Lena sitting there so smooth and sunny and well cared-for, and
thought of how she used to run barefoot over the prairie until after the
snow began to fly, and how Crazy Mary chased her round and round the
cornfields. It seemed to me wonderful that she should have got on so well
in the world. Certainly she had no one but herself to thank for it.

"You must feel proud of yourself, Lena," I said heartily. "Look at me;
I've never earned a dollar, and I don't know that I'll ever be able to."

"Tony says you're going to be richer than Mr. Harling some day. She's
always bragging about you, you know."

"Tell me, how _is_ Tony?"

"She's fine. She works for Mrs. Gardener at the hotel now. She's
housekeeper. Mrs. Gardener's health is n't what it was, and she can't see
after everything like she used to. She has great confidence in Tony.
Tony's made it up with the Harlings, too. Little Nina is so fond of her
that Mrs. Harling kind of overlooked things."

"Is she still going with Larry Donovan?"

"Oh, that's on, worse than ever! I guess they're engaged. Tony talks about
him like he was president of the railroad. Everybody laughs about it,
because she was never a girl to be soft. She won't hear a word against
him. She's so sort of innocent."

I said I did n't like Larry, and never would.

Lena's face dimpled. "Some of us could tell her things, but it would n't
do any good. She'd always believe him. That's Antonia's failing, you know;
if she once likes people, she won't hear anything against them."

"I think I'd better go home and look after Antonia," I said.

"I think you had." Lena looked up at me in frank amusement. "It's a good
thing the Harlings are friendly with her again. Larry's afraid of them.
They ship so much grain, they have influence with the railroad people.
What are you studying?" She leaned her elbows on the table and drew my
book toward her. I caught a faint odor of violet sachet. "So that's Latin,
is it? It looks hard. You do go to the theater sometimes, though, for I've
seen you there. Don't you just love a good play, Jim? I can't stay at home
in the evening if there's one in town. I'd be willing to work like a
slave, it seems to me, to live in a place where there are theaters."

"Let's go to a show together sometime. You are going to let me come to see
you, are n't you?"

"Would you like to? I'd be ever so pleased. I'm never busy after six
o'clock, and I let my sewing girls go at half-past five. I board, to save
time, but sometimes I cook a chop for myself, and I'd be glad to cook one
for you. Well,"--she began to put on her white gloves,--"it's been awful
good to see you, Jim."

"You need n't hurry, need you? You've hardly told me anything yet."

"We can talk when you come to see me. I expect you don't often have lady
visitors. The old woman downstairs did n't want to let me come up very
much. I told her I was from your home town, and had promised your
grandmother to come and see you. How surprised Mrs. Burden would be!" Lena
laughed softly as she rose.

When I caught up my hat she shook her head. "No, I don't want you to go
with me. I'm to meet some Swedes at the drug-store. You would n't care for
them. I wanted to see your room so I could write Tony all about it, but I
must tell her how I left you right here with your books. She's always so
afraid some one will run off with you!" Lena slipped her silk sleeves into
the jacket I held for her, smoothed it over her person, and buttoned it
slowly. I walked with her to the door. "Come and see me sometimes when
you're lonesome. But maybe you have all the friends you want. Have you?"
She turned her soft cheek to me. "Have you?" she whispered teasingly in my
ear. In a moment I watched her fade down the dusky stairway.

When I turned back to my room the place seemed much pleasanter than
before. Lena had left something warm and friendly in the lamplight. How I
loved to hear her laugh again! It was so soft and unexcited and
appreciative--gave a favorable interpretation to everything. When I closed
my eyes I could hear them all laughing--the Danish laundry girls and the
three Bohemian Marys. Lena had brought them all back to me. It came over
me, as it had never done before, the relation between girls like those and
the poetry of Virgil. If there were no girls like them in the world, there
would be no poetry. I understood that clearly, for the first time. This
revelation seemed to me inestimably precious. I clung to it as if it might
suddenly vanish.

As I sat down to my book at last, my old dream about Lena coming across
the harvest field in her short skirt seemed to me like the memory of an
actual experience. It floated before me on the page like a picture, and
underneath it stood the mournful line: Optima dies {~HORIZONTAL ELLIPSIS~} prima fugit.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: One day during September Jim is sitting in his room reading Virgil and thinking about one particular line which, translated, means, "I was the first to bring the Muse into my country. He thinks about how Gaston may feel like that about his New England hometown when suddenly, Lena Lingard appears at his door. He doesn't recognize her at first because she is smartly dressed in city clothes and looks grown up. Lena tells him that she is now living in Lincoln as a dressmaker and is beginning to save enough money to build her mother a house. Jim is impressed that she has been able to do so well all by herself. Lena mentions Tony, and Jim is eager to hear about her. According to Lena, Tony is now Mrs. Gardener's housekeeper, has reconciled with the Harlings, and is engaged to Larry Donovan, whom she adores. Jim says he doesn't like Larry Donovan and unself-consciously remarks that he should go back to Black Hawk to look after Antonia. Lena tells him that Antonia is always bragging about him being so smart. Before she leaves, Lena gets Jim to offer to take her to the theater sometime, and she tells him that she has to write a letter to Antonia all about what he's doing. She whispers suggestively into his ear about his maybe being lonely and then leaves. Jim is happy after she goes because she reminds him of all the hired girls. He realizes that poetry like Virgil's would never exist unless there were girls like Lena. As he sits down to read, the sexual dream about Lena seems like an actual memory, and a line of poetry, translated "The best days are the first to flee," acquires special meaning.


prompt:
Chapter: IN Lincoln the best part of the theatrical season came late, when the good
companies stopped off there for one-night stands, after their long runs in
New York and Chicago. That spring Lena went with me to see Joseph
Jefferson in "Rip Van Winkle," and to a war play called "Shenandoah." She
was inflexible about paying for her own seat; said she was in business
now, and she would n't have a schoolboy spending his money on her. I liked
to watch a play with Lena; everything was wonderful to her, and everything
was true. It was like going to revival meetings with some one who was
always being converted. She handed her feelings over to the actors with a
kind of fatalistic resignation. Accessories of costume and scene meant
much more to her than to me. She sat entranced through "Robin Hood" and
hung upon the lips of the contralto who sang, "Oh, Promise Me!"

Toward the end of April, the billboards, which I watched anxiously in
those days, bloomed out one morning with gleaming white posters on which
two names were impressively printed in blue Gothic letters: the name of an
actress of whom I had often heard, and the name "Camille."

I called at the Raleigh Block for Lena on Saturday evening, and we walked
down to the theater. The weather was warm and sultry and put us both in a
holiday humor. We arrived early, because Lena liked to watch the people
come in. There was a note on the programme, saying that the "incidental
music" would be from the opera "Traviata," which was made from the same
story as the play. We had neither of us read the play, and we did not know
what it was about--though I seemed to remember having heard it was a piece
in which great actresses shone. "The Count of Monte Cristo," which I had
seen James O'Neill play that winter, was by the only Alexandre Dumas I
knew. This play, I saw, was by his son, and I expected a family
resemblance. A couple of jack-rabbits, run in off the prairie, could not
have been more innocent of what awaited them than were Lena and I.

Our excitement began with the rise of the curtain, when the moody
Varville, seated before the fire, interrogated Nanine. Decidedly, there
was a new tang about this dialogue. I had never heard in the theater lines
that were alive, that presupposed and took for granted, like those which
passed between Varville and Marguerite in the brief encounter before her
friends entered. This introduced the most brilliant, worldly, the most
enchantingly gay scene I had ever looked upon. I had never seen champagne
bottles opened on the stage before--indeed, I had never seen them opened
anywhere. The memory of that supper makes me hungry now; the sight of it
then, when I had only a students' boarding-house dinner behind me, was
delicate torment. I seem to remember gilded chairs and tables (arranged
hurriedly by footmen in white gloves and stockings), linen of dazzling
whiteness, glittering glass, silver dishes, a great bowl of fruit, and the
reddest of roses. The room was invaded by beautiful women and dashing
young men, laughing and talking together. The men were dressed more or
less after the period in which the play was written; the women were not. I
saw no inconsistency. Their talk seemed to open to one the brilliant world
in which they lived; every sentence made one older and wiser, every
pleasantry enlarged one's horizon. One could experience excess and satiety
without the inconvenience of learning what to do with one's hands in a
drawing-room! When the characters all spoke at once and I missed some of
the phrases they flashed at each other, I was in misery. I strained my
ears and eyes to catch every exclamation.

The actress who played Marguerite was even then old-fashioned, though
historic. She had been a member of Daly's famous New York company, and
afterward a "star" under his direction. She was a woman who could not be
taught, it is said, though she had a crude natural force which carried
with people whose feelings were accessible and whose taste was not
squeamish. She was already old, with a ravaged countenance and a physique
curiously hard and stiff. She moved with difficulty--I think she was lame--I
seem to remember some story about a malady of the spine. Her Armand was
disproportionately young and slight, a handsome youth, perplexed in the
extreme. But what did it matter? I believed devoutly in her power to
fascinate him, in her dazzling loveliness. I believed her young, ardent,
reckless, disillusioned, under sentence, feverish, avid of pleasure. I
wanted to cross the footlights and help the slim-waisted Armand in the
frilled shirt to convince her that there was still loyalty and devotion in
the world. Her sudden illness, when the gayety was at its height, her
pallor, the handkerchief she crushed against her lips, the cough she
smothered under the laughter while Gaston kept playing the piano
lightly--it all wrung my heart. But not so much as her cynicism in the long
dialogue with her lover which followed. How far was I from questioning her
unbelief! While the charmingly sincere young man pleaded with
her--accompanied by the orchestra in the old "Traviata" duet, "misterioso,
misterioso!"--she maintained her bitter skepticism, and the curtain fell on
her dancing recklessly with the others, after Armand had been sent away
with his flower.

Between the acts we had no time to forget. The orchestra kept sawing away
at the "Traviata" music, so joyous and sad, so thin and far-away, so
clap-trap and yet so heart-breaking. After the second act I left Lena in
tearful contemplation of the ceiling, and went out into the lobby to
smoke. As I walked about there I congratulated myself that I had not
brought some Lincoln girl who would talk during the waits about the Junior
dances, or whether the cadets would camp at Plattsmouth. Lena was at least
a woman, and I was a man.

Through the scene between Marguerite and the elder Duval, Lena wept
unceasingly, and I sat helpless to prevent the closing of that chapter of
idyllic love, dreading the return of the young man whose ineffable
happiness was only to be the measure of his fall.

I suppose no woman could have been further in person, voice, and
temperament from Dumas' appealing heroine than the veteran actress who
first acquainted me with her. Her conception of the character was as heavy
and uncompromising as her diction; she bore hard on the idea and on the
consonants. At all times she was highly tragic, devoured by remorse.
Lightness of stress or behavior was far from her. Her voice was heavy and
deep: "Ar-r-r-mond!" she would begin, as if she were summoning him to the
bar of Judgment. But the lines were enough. She had only to utter them.
They created the character in spite of her.

The heartless world which Marguerite re-entered with Varville had never
been so glittering and reckless as on the night when it gathered in
Olympe's salon for the fourth act. There were chandeliers hung from the
ceiling, I remember, many servants in livery, gaming-tables where the men
played with piles of gold, and a staircase down which the guests made
their entrance. After all the others had gathered round the card tables,
and young Duval had been warned by Prudence, Marguerite descended the
staircase with Varville; such a cloak, such a fan, such jewels--and her
face! One knew at a glance how it was with her. When Armand, with the
terrible words, "Look, all of you, I owe this woman nothing!" flung the
gold and bank-notes at the half-swooning Marguerite, Lena cowered beside
me and covered her face with her hands.

The curtain rose on the bedroom scene. By this time there was n't a nerve
in me that had n't been twisted. Nanine alone could have made me cry. I
loved Nanine tenderly; and Gaston, how one clung to that good fellow! The
New Year's presents were not too much; nothing could be too much now. I
wept unrestrainedly. Even the handkerchief in my breast-pocket, worn for
elegance and not at all for use, was wet through by the time that moribund
woman sank for the last time into the arms of her lover.

When we reached the door of the theater, the streets were shining with
rain. I had prudently brought along Mrs. Harling's useful Commencement
present, and I took Lena home under its shelter. After leaving her, I
walked slowly out into the country part of the town where I lived. The
lilacs were all blooming in the yards, and the smell of them after the
rain, of the new leaves and the blossoms together, blew into my face with
a sort of bitter sweetness. I tramped through the puddles and under the
showery trees, mourning for Marguerite Gauthier as if she had died only
yesterday, sighing with the spirit of 1840, which had sighed so much, and
which had reached me only that night, across long years and several
languages, through the person of an infirm old actress. The idea is one
that no circumstances can frustrate. Wherever and whenever that piece is
put on, it is April.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Lena and Jim start going to plays together, with Lena insistent that she pay her own way. With excitement, they go see a new play called "Camille," set to the opera "Traviata" and written by Alexandre Dumas' son. Immediately, Jim is enthralled by the play. He loves the scenery and even now feels hungry when he thinks about the staged dinner. He admires the wittiness of the men and women in the play, and he is captivated by the famous actress who plays Marguerite, even though she is old and lame. During intermission Jim is proud of Lena and realizes that they are both mature adults. Jim and Lena weep as the sad love story plays on before them. Even though the actress who plays Marguerite is melodramatic and ungraceful, Jim feels for her, as she dies in the arms of a man who no longer loves her. After Jim walks Lena home, he continues to mourn for Marguerite's fictional death because he thinks her story is timeless. He notes that whenever that play is performed, it is April.


prompt:
Chapter: HOW well I remember the stiff little parlor where I used to wait for Lena:
the hard horsehair furniture, bought at some auction sale, the long
mirror, the fashion-plates on the wall. If I sat down even for a moment I
was sure to find threads and bits of colored silk clinging to my clothes
after I went away. Lena's success puzzled me. She was so easy-going; had
none of the push and self-assertiveness that get people ahead in business.
She had come to Lincoln, a country girl, with no introductions except to
some cousins of Mrs. Thomas who lived there, and she was already making
clothes for the women of "the young married set." She evidently had great
natural aptitude for her work. She knew, as she said, "what people looked
well in." She never tired of poring over fashion books. Sometimes in the
evening I would find her alone in her work-room, draping folds of satin on
a wire figure, with a quite blissful expression of countenance. I could
n't help thinking that the years when Lena literally had n't enough
clothes to cover herself might have something to do with her untiring
interest in dressing the human figure. Her clients said that Lena "had
style," and overlooked her habitual inaccuracies. She never, I discovered,
finished anything by the time she had promised, and she frequently spent
more money on materials than her customer had authorized. Once, when I
arrived at six o'clock, Lena was ushering out a fidgety mother and her
awkward, overgrown daughter. The woman detained Lena at the door to say
apologetically:--

"You'll try to keep it under fifty for me, won't you, Miss Lingard? You
see, she's really too young to come to an expensive dressmaker, but I knew
you could do more with her than anybody else."

"Oh, that will be all right, Mrs. Herron. I think we'll manage to get a
good effect," Lena replied blandly.

I thought her manner with her customers very good, and wondered where she
had learned such self-possession.

Sometimes after my morning classes were over, I used to encounter Lena
downtown, in her velvet suit and a little black hat, with a veil tied
smoothly over her face, looking as fresh as the spring morning. Maybe she
would be carrying home a bunch of jonquils or a hyacinth plant. When we
passed a candy store her footsteps would hesitate and linger. "Don't let
me go in," she would murmur. "Get me by if you can." She was very fond of
sweets, and was afraid of growing too plump.

We had delightful Sunday breakfasts together at Lena's. At the back of her
long work-room was a bay-window, large enough to hold a box-couch and a
reading-table. We breakfasted in this recess, after drawing the curtains
that shut out the long room, with cutting-tables and wire women and
sheet-draped garments on the walls. The sunlight poured in, making
everything on the table shine and glitter and the flame of the alcohol
lamp disappear altogether. Lena's curly black water-spaniel, Prince,
breakfasted with us. He sat beside her on the couch and behaved very well
until the Polish violin-teacher across the hall began to practice, when
Prince would growl and sniff the air with disgust. Lena's landlord, old
Colonel Raleigh, had given her the dog, and at first she was not at all
pleased. She had spent too much of her life taking care of animals to have
much sentiment about them. But Prince was a knowing little beast, and she
grew fond of him. After breakfast I made him do his lessons; play dead
dog, shake hands, stand up like a soldier. We used to put my cadet cap on
his head--I had to take military drill at the University--and give him a
yard-measure to hold with his front leg. His gravity made us laugh
immoderately.

Lena's talk always amused me. Antonia had never talked like the people
about her. Even after she learned to speak English readily there was
always something impulsive and foreign in her speech. But Lena had picked
up all the conventional expressions she heard at Mrs. Thomas's dressmaking
shop. Those formal phrases, the very flower of small-town proprieties, and
the flat commonplaces, nearly all hypocritical in their origin, became
very funny, very engaging, when they were uttered in Lena's soft voice,
with her caressing intonation and arch naivete. Nothing could be more
diverting than to hear Lena, who was almost as candid as Nature, call a
leg a "limb" or a house a "home."

We used to linger a long while over our coffee in that sunny corner. Lena
was never so pretty as in the morning; she wakened fresh with the world
every day, and her eyes had a deeper color then, like the blue flowers
that are never so blue as when they first open. I could sit idle all
through a Sunday morning and look at her. Ole Benson's behavior was now no
mystery to me.

"There was never any harm in Ole," she said once. "People need n't have
troubled themselves. He just liked to come over and sit on the draw-side
and forget about his bad luck. I liked to have him. Any company's welcome
when you're off with cattle all the time."

"But was n't he always glum?" I asked. "People said he never talked at
all."

"Sure he talked, in Norwegian. He'd been a sailor on an English boat and
had seen lots of queer places. He had wonderful tattoos. We used to sit
and look at them for hours; there was n't much to look at out there. He
was like a picture book. He had a ship and a strawberry girl on one arm,
and on the other a girl standing before a little house, with a fence and
gate and all, waiting for her sweetheart. Farther up his arm, her sailor
had come back and was kissing her. 'The Sailor's Return,' he called it."

I admitted it was no wonder Ole liked to look at a pretty girl once in a
while, with such a fright at home.

"You know," Lena said confidentially, "he married Mary because he thought
she was strong-minded and would keep him straight. He never could keep
straight on shore. The last time he landed in Liverpool he'd been out on a
two years' voyage. He was paid off one morning, and by the next he had n't
a cent left, and his watch and compass were gone. He'd got with some
women, and they'd taken everything. He worked his way to this country on a
little passenger boat. Mary was a stewardess, and she tried to convert him
on the way over. He thought she was just the one to keep him steady. Poor
Ole! He used to bring me candy from town, hidden in his feed-bag. He could
n't refuse anything to a girl. He'd have given away his tattoos long ago,
if he could. He's one of the people I'm sorriest for."

If I happened to spend an evening with Lena and stayed late, the Polish
violin-teacher across the hall used to come out and watch me descend the
stairs, muttering so threateningly that it would have been easy to fall
into a quarrel with him. Lena had told him once that she liked to hear him
practice, so he always left his door open, and watched who came and went.

There was a coolness between the Pole and Lena's landlord on her account.
Old Colonel Raleigh had come to Lincoln from Kentucky and invested an
inherited fortune in real estate, at the time of inflated prices. Now he
sat day after day in his office in the Raleigh Block, trying to discover
where his money had gone and how he could get some of it back. He was a
widower, and found very little congenial companionship in this casual
Western city. Lena's good looks and gentle manners appealed to him. He
said her voice reminded him of Southern voices, and he found as many
opportunities of hearing it as possible. He painted and papered her rooms
for her that spring, and put in a porcelain bathtub in place of the tin
one that had satisfied the former tenant. While these repairs were being
made, the old gentleman often dropped in to consult Lena's preferences.
She told me with amusement how Ordinsky, the Pole, had presented himself
at her door one evening, and said that if the landlord was annoying her by
his attentions, he would promptly put a stop to it.

"I don't exactly know what to do about him," she said, shaking her head,
"he's so sort of wild all the time. I would n't like to have him say
anything rough to that nice old man. The Colonel is long-winded, but then
I expect he's lonesome. I don't think he cares much for Ordinsky, either.
He said once that if I had any complaints to make of my neighbors, I must
n't hesitate."

One Saturday evening when I was having supper with Lena we heard a knock
at her parlor door, and there stood the Pole, coatless, in a dress shirt
and collar. Prince dropped on his paws and began to growl like a mastiff,
while the visitor apologized, saying that he could not possibly come in
thus attired, but he begged Lena to lend him some safety pins.

"Oh, you'll have to come in, Mr. Ordinsky, and let me see what's the
matter." She closed the door behind him. "Jim, won't you make Prince
behave?"

I rapped Prince on the nose, while Ordinsky explained that he had not had
his dress clothes on for a long time, and to-night, when he was going to
play for a concert, his waistcoat had split down the back. He thought he
could pin it together until he got it to a tailor.

Lena took him by the elbow and turned him round. She laughed when she saw
the long gap in the satin. "You could never pin that, Mr. Ordinsky. You've
kept it folded too long, and the goods is all gone along the crease. Take
it off. I can put a new piece of lining-silk in there for you in ten
minutes." She disappeared into her work-room with the vest, leaving me to
confront the Pole, who stood against the door like a wooden figure. He
folded his arms and glared at me with his excitable, slanting brown eyes.
His head was the shape of a chocolate drop, and was covered with dry,
straw-colored hair that fuzzed up about his pointed crown. He had never
done more than mutter at me as I passed him, and I was surprised when he
now addressed me.

"Miss Lingard," he said haughtily, "is a young woman for whom I have the
utmost, the utmost respect."

"So have I," I said coldly.

He paid no heed to my remark, but began to do rapid finger-exercises on
his shirt-sleeves, as he stood with tightly folded arms.

"Kindness of heart," he went on, staring at the ceiling, "sentiment, are
not understood in a place like this. The noblest qualities are ridiculed.
Grinning college boys, ignorant and conceited, what do they know of
delicacy!"

I controlled my features and tried to speak seriously.

"If you mean me, Mr. Ordinsky, I have known Miss Lingard a long time, and
I think I appreciate her kindness. We come from the same town, and we grew
up together."

His gaze traveled slowly down from the ceiling and rested on me. "Am I to
understand that you have this young woman's interests at heart? That you
do not wish to compromise her?"

"That's a word we don't use much here, Mr. Ordinsky. A girl who makes her
own living can ask a college boy to supper without being talked about. We
take some things for granted."

"Then I have misjudged you, and I ask your pardon,"--he bowed gravely.
"Miss Lingard," he went on, "is an absolutely trustful heart. She has not
learned the hard lessons of life. As for you and me, noblesse oblige,"--he
watched me narrowly.

Lena returned with the vest. "Come in and let us look at you as you go
out, Mr. Ordinsky. I've never seen you in your dress suit," she said as
she opened the door for him.

A few moments later he reappeared with his violin case--a heavy muffler
about his neck and thick woolen gloves on his bony hands. Lena spoke
encouragingly to him, and he went off with such an important, professional
air, that we fell to laughing as soon as we had shut the door. "Poor
fellow," Lena said indulgently, "he takes everything so hard."

After that Ordinsky was friendly to me, and behaved as if there were some
deep understanding between us. He wrote a furious article, attacking the
musical taste of the town, and asked me to do him a great service by
taking it to the editor of the morning paper. If the editor refused to
print it, I was to tell him that he would be answerable to Ordinsky "in
person." He declared that he would never retract one word, and that he was
quite prepared to lose all his pupils. In spite of the fact that nobody
ever mentioned his article to him after it appeared--full of typographical
errors which he thought intentional--he got a certain satisfaction from
believing that the citizens of Lincoln had meekly accepted the epithet
"coarse barbarians." "You see how it is," he said to me, "where there is
no chivalry, there is no amour propre." When I met him on his rounds now,
I thought he carried his head more disdainfully than ever, and strode up
the steps of front porches and rang doorbells with more assurance. He told
Lena he would never forget how I had stood by him when he was "under
fire."

All this time, of course, I was drifting. Lena had broken up my serious
mood. I was n't interested in my classes. I played with Lena and Prince, I
played with the Pole, I went buggy-riding with the old Colonel, who had
taken a fancy to me and used to talk to me about Lena and the "great
beauties" he had known in his youth. We were all three in love with Lena.

Before the first of June, Gaston Cleric was offered an instructorship at
Harvard College, and accepted it. He suggested that I should follow him in
the fall, and complete my course at Harvard. He had found out about
Lena--not from me--and he talked to me seriously.

"You won't do anything here now. You should either quit school and go to
work, or change your college and begin again in earnest. You won't recover
yourself while you are playing about with this handsome Norwegian. Yes,
I've seen her with you at the theater. She's very pretty, and perfectly
irresponsible, I should judge."

Cleric wrote my grandfather that he would like to take me East with him.
To my astonishment, grandfather replied that I might go if I wished. I was
both glad and sorry on the day when the letter came. I stayed in my room
all evening and thought things over; I even tried to persuade myself that
I was standing in Lena's way--it is so necessary to be a little noble!--and
that if she had not me to play with, she would probably marry and secure
her future.

The next evening I went to call on Lena. I found her propped up on the
couch in her bay window, with her foot in a big slipper. An awkward little
Russian girl whom she had taken into her work-room had dropped a flat-iron
on Lena's toe. On the table beside her there was a basket of early summer
flowers which the Pole had left after he heard of the accident. He always
managed to know what went on in Lena's apartment.

Lena was telling me some amusing piece of gossip about one of her clients,
when I interrupted her and picked up the flower basket.

"This old chap will be proposing to you some day, Lena."

"Oh, he has--often!" she murmured.

"What! After you've refused him?"

"He does n't mind that. It seems to cheer him to mention the subject. Old
men are like that, you know. It makes them feel important to think they're
in love with somebody."

"The Colonel would marry you in a minute. I hope you won't marry some old
fellow; not even a rich one."

Lena shifted her pillows and looked up at me in surprise. "Why, I'm not
going to marry anybody. Did n't you know that?"

"Nonsense, Lena. That's what girls say, but you know better. Every
handsome girl like you marries, of course."

She shook her head. "Not me."

"But why not? What makes you say that?" I persisted.

Lena laughed. "Well, it's mainly because I don't want a husband. Men are
all right for friends, but as soon as you marry them they turn into cranky
old fathers, even the wild ones. They begin to tell you what's sensible
and what's foolish, and want you to stick at home all the time. I prefer
to be foolish when I feel like it, and be accountable to nobody."

"But you'll be lonesome. You'll get tired of this sort of life, and you'll
want a family."

"Not me. I like to be lonesome. When I went to work for Mrs. Thomas I was
nineteen years old, and I had never slept a night in my life when there
were n't three in the bed. I never had a minute to myself except when I
was off with the cattle."

Usually, when Lena referred to her life in the country at all, she
dismissed it with a single remark, humorous or mildly cynical. But
to-night her mind seemed to dwell on those early years. She told me she
could n't remember a time when she was so little that she was n't lugging
a heavy baby about, helping to wash for babies, trying to keep their
little chapped hands and faces clean. She remembered home as a place where
there were always too many children, a cross man, and work piling up
around a sick woman.

"It was n't mother's fault. She would have made us comfortable if she
could. But that was no life for a girl! After I began to herd and milk I
could never get the smell of the cattle off me. The few underclothes I had
I kept in a cracker box. On Saturday nights, after everybody was in bed,
then I could take a bath if I was n't too tired. I could make two trips to
the windmill to carry water, and heat it in the wash-boiler on the stove.
While the water was heating, I could bring in a washtub out of the cave,
and take my bath in the kitchen. Then I could put on a clean nightgown and
get into bed with two others, who likely had n't had a bath unless I'd
given it to them. You can't tell me anything about family life. I've had
plenty to last me."

"But it's not all like that," I objected.

"Near enough. It's all being under somebody's thumb. What's on your mind,
Jim? Are you afraid I'll want you to marry me some day?"

Then I told her I was going away.

"What makes you want to go away, Jim? Have n't I been nice to you?"

"You've been just awfully good to me, Lena," I blurted. "I don't think
about much else. I never shall think about much else while I'm with you.
I'll never settle down and grind if I stay here. You know that." I dropped
down beside her and sat looking at the floor. I seemed to have forgotten
all my reasonable explanations.

Lena drew close to me, and the little hesitation in her voice that had
hurt me was not there when she spoke again.

"I ought n't to have begun it, ought I?" she murmured. "I ought n't to
have gone to see you that first time. But I did want to. I guess I've
always been a little foolish about you. I don't know what first put it
into my head, unless it was Antonia, always telling me I must n't be up to
any of my nonsense with you. I let you alone for a long while, though, did
n't I?"

She was a sweet creature to those she loved, that Lena Lingard!

At last she sent me away with her soft, slow, renunciatory kiss. "You are
n't sorry I came to see you that time?" she whispered. "It seemed so
natural. I used to think I'd like to be your first sweetheart. You were
such a funny kid!" She always kissed one as if she were sadly and wisely
sending one away forever.

We said many good-byes before I left Lincoln, but she never tried to
hinder me or hold me back. "You are going, but you have n't gone yet, have
you?" she used to say.

My Lincoln chapter closed abruptly. I went home to my grandparents for a
few weeks, and afterward visited my relatives in Virginia until I joined
Cleric in Boston. I was then nineteen years old.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Although Lena is not aggressive or high-strung, she is doing very well in her dressmaking business. People come to her because of her sense of style, even though she often gets behind schedule and over budget. Jim frequently sits in her parlor to wait for her, and they like to eat Sunday breakfasts together in a cozy nook at her place. Lena has a dog named Prince, and they both play with him a lot. Jim likes how Lena speaks colloquially and how pretty she looks in the morning. One day Lena explains that Ole Benson was basically harmless and just liked to look at her to forget his troubles and as entertainment. He would talk to her in Norwegian, and they would look at his many tattoos because there was nothing else to look at in the fields. Lena tells Jim that Ole married Crazy Mary because he wanted her to keep him in line. Two men in Lena's apartment are in love with her at the time: a Polish violin-teacher named Ordinsky, and her landlord, the Colonel, who liked to frequently renovate her rooms for her. Once Ordinsky, who usually glares at Jim in the hall, comes in to ask Lena to help him mend some clothes he's wearing. When Lena goes out of the room, Ordinsky warns him that his intentions had better be noble, and Jim assures him that they are and that he and Lena have known each other for a long time. Afterwards, Ordinksy is friendly to him. Jim begins to be lax in his studies and spends all his time playing with Lena, Prince, Ordinsky, and the Colonel. Gaston notices and asks him to join him at Harvard, where he has been offered a teaching position. Grandfather approves, and Jim is somewhat sad and tries to convince himself that by dallying with Lena, he is preventing her from burdening herself with marriage. He goes to see Lena, and they talk about how Ordinsky and the Colonel have crushes on her. Lena tells him that she will never marry because she doesn't want to be accountable to anyone and because she has had enough family life after helping to raise all her younger brothers and sisters. When Jim tells her he is going away, Lena says that maybe she shouldn't have begun their little fling by coming to visit him that one day, but she confesses that she always wanted to be his first sweetheart, especially because Antonia always told her not to. Jim leaves Lincoln, visits his grandparents and Virginia, and then joins Gaston Cleric in Boston.


prompt:
Chapter: TWO years after I left Lincoln I completed my academic course at Harvard.
Before I entered the Law School I went home for the summer vacation. On
the night of my arrival Mrs. Harling and Frances and Sally came over to
greet me. Everything seemed just as it used to be. My grandparents looked
very little older. Frances Harling was married now, and she and her
husband managed the Harling interests in Black Hawk. When we gathered in
grandmother's parlor, I could hardly believe that I had been away at all.
One subject, however, we avoided all evening.

When I was walking home with Frances, after we had left Mrs. Harling at
her gate, she said simply, "You know, of course, about poor Antonia."

Poor Antonia! Every one would be saying that now, I thought bitterly. I
replied that grandmother had written me how Antonia went away to marry
Larry Donovan at some place where he was working; that he had deserted
her, and that there was now a baby. This was all I knew.

"He never married her," Frances said. "I have n't seen her since she came
back. She lives at home, on the farm, and almost never comes to town. She
brought the baby in to show it to mama once. I'm afraid she's settled down
to be Ambrosch's drudge for good."

I tried to shut Antonia out of my mind. I was bitterly disappointed in
her. I could not forgive her for becoming an object of pity, while Lena
Lingard, for whom people had always foretold trouble, was now the leading
dressmaker of Lincoln, much respected in Black Hawk. Lena gave her heart
away when she felt like it, but she kept her head for her business and had
got on in the world.

Just then it was the fashion to speak indulgently of Lena and severely of
Tiny Soderball, who had quietly gone West to try her fortune the year
before. A Black Hawk boy, just back from Seattle, brought the news that
Tiny had not gone to the coast on a venture, as she had allowed people to
think, but with very definite plans. One of the roving promoters that used
to stop at Mrs. Gardener's hotel owned idle property along the water-front
in Seattle, and he had offered to set Tiny up in business in one of his
empty buildings. She was now conducting a sailors' lodging-house. This,
every one said, would be the end of Tiny. Even if she had begun by running
a decent place, she could n't keep it up; all sailors' boarding-houses
were alike.

When I thought about it, I discovered that I had never known Tiny as well
as I knew the other girls. I remembered her tripping briskly about the
dining-room on her high heels, carrying a big tray full of dishes,
glancing rather pertly at the spruce traveling men, and contemptuously at
the scrubby ones--who were so afraid of her that they did n't dare to ask
for two kinds of pie. Now it occurred to me that perhaps the sailors, too,
might be afraid of Tiny. How astonished we would have been, as we sat
talking about her on Frances Harling's front porch, if we could have known
what her future was really to be! Of all the girls and boys who grew up
together in Black Hawk, Tiny Soderball was to lead the most adventurous
life and to achieve the most solid worldly success.

This is what actually happened to Tiny: While she was running her
lodging-house in Seattle, gold was discovered in Alaska. Miners and
sailors came back from the North with wonderful stories and pouches of
gold. Tiny saw it and weighed it in her hands. That daring which nobody
had ever suspected in her, awoke. She sold her business and set out for
Circle City, in company with a carpenter and his wife whom she had
persuaded to go along with her. They reached Skaguay in a snowstorm, went
in dog sledges over the Chilkoot Pass, and shot the Yukon in flatboats.
They reached Circle City on the very day when some Siwash Indians came
into the settlement with the report that there had been a rich gold strike
farther up the river, on a certain Klondike Creek. Two days later Tiny and
her friends, and nearly every one else in Circle City, started for the
Klondike fields on the last steamer that went up the Yukon before it froze
for the winter. That boatload of people founded Dawson City. Within a few
weeks there were fifteen hundred homeless men in camp. Tiny and the
carpenter's wife began to cook for them, in a tent. The miners gave her a
lot, and the carpenter put up a log hotel for her. There she sometimes fed
a hundred and fifty men a day. Miners came in on snowshoes from their
placer claims twenty miles away to buy fresh bread from her, and paid for
it in gold.

That winter Tiny kept in her hotel a Swede whose legs had been frozen one
night in a storm when he was trying to find his way back to his cabin. The
poor fellow thought it great good fortune to be cared for by a woman, and
a woman who spoke his own tongue. When he was told that his feet must be
amputated, he said he hoped he would not get well; what could a
working-man do in this hard world without feet? He did, in fact, die from
the operation, but not before he had deeded Tiny Soderball his claim on
Hunker Creek. Tiny sold her hotel, invested half her money in Dawson
building lots, and with the rest she developed her claim. She went off
into the wilds and lived on it. She bought other claims from discouraged
miners, traded or sold them on percentages.

After nearly ten years in the Klondike, Tiny returned, with a considerable
fortune, to live in San Francisco. I met her in Salt Lake City in 1908.
She was a thin, hard-faced woman, very well-dressed, very reserved in
manner. Curiously enough, she reminded me of Mrs. Gardener, for whom she
had worked in Black Hawk so long ago. She told me about some of the
desperate chances she had taken in the gold country, but the thrill of
them was quite gone. She said frankly that nothing interested her much now
but making money. The only two human beings of whom she spoke with any
feeling were the Swede, Johnson, who had given her his claim, and Lena
Lingard. She had persuaded Lena to come to San Francisco and go into
business there.

"Lincoln was never any place for her," Tiny remarked. "In a town of that
size Lena would always be gossiped about. Frisco's the right field for
her. She has a fine class of trade. Oh, she's just the same as she always
was! She's careless, but she's level-headed. She's the only person I know
who never gets any older. It's fine for me to have her there; somebody who
enjoys things like that. She keeps an eye on me and won't let me be
shabby. When she thinks I need a new dress, she makes it and sends it
home--with a bill that's long enough, I can tell you!"

Tiny limped slightly when she walked. The claim on Hunker Creek took toll
from its possessors. Tiny had been caught in a sudden turn of weather,
like poor Johnson. She lost three toes from one of those pretty little
feet that used to trip about Black Hawk in pointed slippers and striped
stockings. Tiny mentioned this mutilation quite casually--did n't seem
sensitive about it. She was satisfied with her success, but not elated.
She was like some one in whom the faculty of becoming interested is worn
out.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: After graduating from Harvard two years later, Jim goes home for a visit before starting law school. He sees the Harlings and his grandparents, who look exactly the same. He is told that "poor Antonia" had a baby after Larry Donovan ran off and is now living at the farm with Ambrosch, where she is barely heard of. Jim is heartbroken that Antonia is now an object of pity in the town. In contrast, Lena Lingard is now a very respectable, successful dressmaker in Black Hawk. Apparently, Tiny Soderball is running a sailors' lodging house in Seattle, and people insinuate that it will soon become a brothel. What actually happens is that Tiny becomes the most successful person from Black Hawk: After hearing about the gold rush in Alaska, Tiny sells the boarding house and travels to Dawson City, where she sets up a hotel and cooks for hundreds of homeless, single men. A Swedish man named Johnson leaves his land claim to her after she nurses him before his death, and she begins buying, trading, and selling other land claims. After ten years, she amasses a fortune and moves to San Francisco, where Jim later meets up with her. By this time, she is "hard-faced" and reserved, bored with everything except making money, and only cares about the Swedish man Johnson and Lena Lingard, who she persuades to move to San Francisco. Tiny says that Lincoln is too small for someone like Lena. Tiny is satisfied with her life, but essentially bored.


prompt:
Chapter: SOON after I got home that summer I persuaded my grandparents to have
their photographs taken, and one morning I went into the photographer's
shop to arrange for sittings. While I was waiting for him to come out of
his developing-room, I walked about trying to recognize the likenesses on
his walls: girls in Commencement dresses, country brides and grooms
holding hands, family groups of three generations. I noticed, in a heavy
frame, one of those depressing "crayon enlargements" often seen in
farmhouse parlors, the subject being a round-eyed baby in short dresses.
The photographer came out and gave a constrained, apologetic laugh.

"That's Tony Shimerda's baby. You remember her; she used to be the
Harling's Tony. Too bad! She seems proud of the baby, though; would n't
hear to a cheap frame for the picture. I expect her brother will be in for
it Saturday."

I went away feeling that I must see Antonia again. Another girl would have
kept her baby out of sight, but Tony, of course, must have its picture on
exhibition at the town photographer's, in a great gilt frame. How like
her! I could forgive her, I told myself, if she had n't thrown herself
away on such a cheap sort of fellow.

Larry Donovan was a passenger conductor, one of those train-crew
aristocrats who are always afraid that some one may ask them to put up a
car-window, and who, if requested to perform such a menial service,
silently point to the button that calls the porter. Larry wore this air of
official aloofness even on the street, where there were no car-windows to
compromise his dignity. At the end of his run he stepped indifferently
from the train along with the passengers, his street hat on his head and
his conductor's cap in an alligator-skin bag, went directly into the
station and changed his clothes. It was a matter of the utmost importance
to him never to be seen in his blue trousers away from his train. He was
usually cold and distant with men, but with all women he had a silent,
grave familiarity, a special handshake, accompanied by a significant,
deliberate look. He took women, married or single, into his confidence;
walked them up and down in the moonlight, telling them what a mistake he
had made by not entering the office branch of the service, and how much
better fitted he was to fill the post of General Passenger Agent in Denver
than the roughshod man who then bore that title. His unappreciated worth
was the tender secret Larry shared with his sweethearts, and he was always
able to make some foolish heart ache over it.

As I drew near home that morning, I saw Mrs. Harling out in her yard,
digging round her mountain-ash tree. It was a dry summer, and she had now
no boy to help her. Charley was off in his battleship, cruising somewhere
on the Caribbean sea. I turned in at the gate--it was with a feeling of
pleasure that I opened and shut that gate in those days; I liked the feel
of it under my hand. I took the spade away from Mrs. Harling, and while I
loosened the earth around the tree, she sat down on the steps and talked
about the oriole family that had a nest in its branches.

"Mrs. Harling," I said presently, "I wish I could find out exactly how
Antonia's marriage fell through."

"Why don't you go out and see your grandfather's tenant, the Widow
Steavens? She knows more about it than anybody else. She helped Antonia
get ready to be married, and she was there when Antonia came back. She
took care of her when the baby was born. She could tell you everything.
Besides, the Widow Steavens is a good talker, and she has a remarkable
memory."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Jim takes his grandparents to have their picture taken, and while at the photographer, sees an elaborately framed portrait of Antonia's baby. He decides that he must see her and is happy that Antonia is not too ashamed to hide her baby from public view. Larry Donovan is a passenger conductor for the railroad and acts like a superior, underappreciated individual. He spends a lot of time getting women to sympathize with his sad plight, and he convinces them that he is much better than he really is. Jim goes to Mrs. Harling and tells her he wants to know about Antonia's aborted marriage. She tells him to go ask the Widow Steavens, who knows the entire story and loves to talk.