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Chapter: PAUL LAUNCHES INTO LIFE

MOREL was rather a heedless man, careless of danger. So he had endless
accidents. Now, when Mrs. Morel heard the rattle of an empty coal-cart
cease at her entry-end, she ran into the parlour to look, expecting
almost to see her husband seated in the waggon, his face grey under his
dirt, his body limp and sick with some hurt or other. If it were he, she
would run out to help.

About a year after William went to London, and just after Paul had left
school, before he got work, Mrs. Morel was upstairs and her son was
painting in the kitchen--he was very clever with his brush--when there
came a knock at the door. Crossly he put down his brush to go. At the
same moment his mother opened a window upstairs and looked down.

A pit-lad in his dirt stood on the threshold.

"Is this Walter Morel's?" he asked.

"Yes," said Mrs. Morel. "What is it?"

But she had guessed already.

"Your mester's got hurt," he said.

"Eh, dear me!" she exclaimed. "It's a wonder if he hadn't, lad. And
what's he done this time?"

"I don't know for sure, but it's 'is leg somewhere. They ta'ein' 'im ter
th' 'ospital."

"Good gracious me!" she exclaimed. "Eh, dear, what a one he is! There's
not five minutes of peace, I'll be hanged if there is! His thumb's
nearly better, and now--Did you see him?"

"I seed him at th' bottom. An' I seed 'em bring 'im up in a tub, an'
'e wor in a dead faint. But he shouted like anythink when Doctor Fraser
examined him i' th' lamp cabin--an' cossed an' swore, an' said as 'e wor
goin' to be ta'en whoam--'e worn't goin' ter th' 'ospital."

The boy faltered to an end.

"He WOULD want to come home, so that I can have all the bother. Thank
you, my lad. Eh, dear, if I'm not sick--sick and surfeited, I am!"

She came downstairs. Paul had mechanically resumed his painting.

"And it must be pretty bad if they've taken him to the hospital," she
went on. "But what a CARELESS creature he is! OTHER men don't have all
these accidents. Yes, he WOULD want to put all the burden on me. Eh,
dear, just as we WERE getting easy a bit at last. Put those things away,
there's no time to be painting now. What time is there a train? I know I
s'll have to go trailing to Keston. I s'll have to leave that bedroom."

"I can finish it," said Paul.

"You needn't. I shall catch the seven o'clock back, I should think. Oh,
my blessed heart, the fuss and commotion he'll make! And those granite
setts at Tinder Hill--he might well call them kidney pebbles--they'll
jolt him almost to bits. I wonder why they can't mend them, the state
they're in, an' all the men as go across in that ambulance. You'd think
they'd have a hospital here. The men bought the ground, and, my sirs,
there'd be accidents enough to keep it going. But no, they must trail
them ten miles in a slow ambulance to Nottingham. It's a crying shame!
Oh, and the fuss he'll make! I know he will! I wonder who's with him.
Barker, I s'd think. Poor beggar, he'll wish himself anywhere rather.
But he'll look after him, I know. Now there's no telling how long he'll
be stuck in that hospital--and WON'T he hate it! But if it's only his
leg it's not so bad."

All the time she was getting ready. Hurriedly taking off her bodice, she
crouched at the boiler while the water ran slowly into her lading-can.

"I wish this boiler was at the bottom of the sea!" she exclaimed,
wriggling the handle impatiently. She had very handsome, strong arms,
rather surprising on a smallish woman.

Paul cleared away, put on the kettle, and set the table.

"There isn't a train till four-twenty," he said. "You've time enough."

"Oh no, I haven't!" she cried, blinking at him over the towel as she
wiped her face.

"Yes, you have. You must drink a cup of tea at any rate. Should I come
with you to Keston?"

"Come with me? What for, I should like to know? Now, what have I to take
him? Eh, dear! His clean shirt--and it's a blessing it IS clean. But it
had better be aired. And stockings--he won't want them--and a towel, I
suppose; and handkerchiefs. Now what else?"

"A comb, a knife and fork and spoon," said Paul. His father had been in
the hospital before.

"Goodness knows what sort of state his feet were in," continued Mrs.
Morel, as she combed her long brown hair, that was fine as silk, and
was touched now with grey. "He's very particular to wash himself to the
waist, but below he thinks doesn't matter. But there, I suppose they see
plenty like it."

Paul had laid the table. He cut his mother one or two pieces of very
thin bread and butter.

"Here you are," he said, putting her cup of tea in her place.

"I can't be bothered!" she exclaimed crossly.

"Well, you've got to, so there, now it's put out ready," he insisted.

So she sat down and sipped her tea, and ate a little, in silence. She
was thinking.

In a few minutes she was gone, to walk the two and a half miles to
Keston Station. All the things she was taking him she had in her bulging
string bag. Paul watched her go up the road between the hedges--a
little, quick-stepping figure, and his heart ached for her, that she was
thrust forward again into pain and trouble. And she, tripping so quickly
in her anxiety, felt at the back of her her son's heart waiting on her,
felt him bearing what part of the burden he could, even supporting her.
And when she was at the hospital, she thought: "It WILL upset that lad
when I tell him how bad it is. I'd better be careful." And when she was
trudging home again, she felt he was coming to share her burden.

"Is it bad?" asked Paul, as soon as she entered the house.

"It's bad enough," she replied.

"What?"

She sighed and sat down, undoing her bonnet-strings. Her son watched her
face as it was lifted, and her small, work-hardened hands fingering at
the bow under her chin.

"Well," she answered, "it's not really dangerous, but the nurse says
it's a dreadful smash. You see, a great piece of rock fell on his
leg--here--and it's a compound fracture. There are pieces of bone
sticking through--"

"Ugh--how horrid!" exclaimed the children.

"And," she continued, "of course he says he's going to die--it wouldn't
be him if he didn't. 'I'm done for, my lass!' he said, looking at me.
'Don't be so silly,' I said to him. 'You're not going to die of a broken
leg, however badly it's smashed.' 'I s'll niver come out of 'ere but in
a wooden box,' he groaned. 'Well,' I said, 'if you want them to carry
you into the garden in a wooden box, when you're better, I've no doubt
they will.' 'If we think it's good for him,' said the Sister. She's an
awfully nice Sister, but rather strict."

Mrs. Morel took off her bonnet. The children waited in silence.

"Of course, he IS bad," she continued, "and he will be. It's a great
shock, and he's lost a lot of blood; and, of course, it IS a very
dangerous smash. It's not at all sure that it will mend so easily. And
then there's the fever and the mortification--if it took bad ways he'd
quickly be gone. But there, he's a clean-blooded man, with wonderful
healing flesh, and so I see no reason why it SHOULD take bad ways. Of
course there's a wound--"

She was pale now with emotion and anxiety. The three children realised
that it was very bad for their father, and the house was silent,
anxious.

"But he always gets better," said Paul after a while.

"That's what I tell him," said the mother.

Everybody moved about in silence.

"And he really looked nearly done for," she said. "But the Sister says
that is the pain."

Annie took away her mother's coat and bonnet.

"And he looked at me when I came away! I said: 'I s'll have to go now,
Walter, because of the train--and the children.' And he looked at me. It
seems hard."

Paul took up his brush again and went on painting. Arthur went outside
for some coal. Annie sat looking dismal. And Mrs. Morel, in her little
rocking-chair that her husband had made for her when the first baby was
coming, remained motionless, brooding. She was grieved, and bitterly
sorry for the man who was hurt so much. But still, in her heart of
hearts, where the love should have burned, there was a blank. Now, when
all her woman's pity was roused to its full extent, when she would have
slaved herself to death to nurse him and to save him, when she would
have taken the pain herself, if she could, somewhere far away inside
her, she felt indifferent to him and to his suffering. It hurt her
most of all, this failure to love him, even when he roused her strong
emotions. She brooded a while.

"And there," she said suddenly, "when I'd got halfway to Keston, I found
I'd come out in my working boots--and LOOK at them." They were an old
pair of Paul's, brown and rubbed through at the toes. "I didn't know
what to do with myself, for shame," she added.

In the morning, when Annie and Arthur were at school, Mrs. Morel talked
again to her son, who was helping her with her housework.

"I found Barker at the hospital. He did look bad, poor little fellow!
'Well,' I said to him, 'what sort of a journey did you have with him?'
'Dunna ax me, missis!' he said. 'Ay,' I said, 'I know what he'd be.'
'But it WOR bad for him, Mrs. Morel, it WOR that!' he said. 'I know,' I
said. 'At ivry jolt I thought my 'eart would ha' flown clean out o' my
mouth,' he said. 'An' the scream 'e gives sometimes! Missis, not for a
fortune would I go through wi' it again.' 'I can quite understand it,'
I said. 'It's a nasty job, though,' he said, 'an' one as'll be a long
while afore it's right again.' 'I'm afraid it will,' I said. I like Mr.
Barker--I DO like him. There's something so manly about him."

Paul resumed his task silently.

"And of course," Mrs. Morel continued, "for a man like your father,
the hospital IS hard. He CAN'T understand rules and regulations. And he
won't let anybody else touch him, not if he can help it. When he smashed
the muscles of his thigh, and it had to be dressed four times a day,
WOULD he let anybody but me or his mother do it? He wouldn't. So, of
course, he'll suffer in there with the nurses. And I didn't like leaving
him. I'm sure, when I kissed him an' came away, it seemed a shame."

So she talked to her son, almost as if she were thinking aloud to him,
and he took it in as best he could, by sharing her trouble to lighten
it. And in the end she shared almost everything with him without
knowing.

Morel had a very bad time. For a week he was in a critical condition.
Then he began to mend. And then, knowing he was going to get better, the
whole family sighed with relief, and proceeded to live happily.

They were not badly off whilst Morel was in the hospital. There were
fourteen shillings a week from the pit, ten shillings from the sick
club, and five shillings from the Disability Fund; and then every week
the butties had something for Mrs. Morel--five or seven shillings--so
that she was quite well to do. And whilst Morel was progressing
favourably in the hospital, the family was extraordinarily happy and
peaceful. On Saturdays and Wednesdays Mrs. Morel went to Nottingham to
see her husband. Then she always brought back some little thing: a small
tube of paints for Paul, or some thick paper; a couple of postcards for
Annie, that the whole family rejoiced over for days before the girl was
allowed to send them away; or a fret-saw for Arthur, or a bit of pretty
wood. She described her adventures into the big shops with joy. Soon the
folk in the picture-shop knew her, and knew about Paul. The girl in
the book-shop took a keen interest in her. Mrs. Morel was full of
information when she got home from Nottingham. The three sat round till
bed-time, listening, putting in, arguing. Then Paul often raked the
fire.

"I'm the man in the house now," he used to say to his mother with joy.
They learned how perfectly peaceful the home could be. And they
almost regretted--though none of them would have owned to such
callousness--that their father was soon coming back.

Paul was now fourteen, and was looking for work. He was a rather small
and rather finely-made boy, with dark brown hair and light blue eyes.
His face had already lost its youthful chubbiness, and was becoming
somewhat like William's--rough-featured, almost rugged--and it was
extraordinarily mobile. Usually he looked as if he saw things, was full
of life, and warm; then his smile, like his mother's, came suddenly and
was very lovable; and then, when there was any clog in his soul's quick
running, his face went stupid and ugly. He was the sort of boy that
becomes a clown and a lout as soon as he is not understood, or feels
himself held cheap; and, again, is adorable at the first touch of
warmth.

He suffered very much from the first contact with anything. When he was
seven, the starting school had been a nightmare and a torture to him.
But afterwards he liked it. And now that he felt he had to go out into
life, he went through agonies of shrinking self-consciousness. He was
quite a clever painter for a boy of his years, and he knew some French
and German and mathematics that Mr. Heaton had taught him. But nothing
he had was of any commercial value. He was not strong enough for heavy
manual work, his mother said. He did not care for making things with his
hands, preferred racing about, or making excursions into the country, or
reading, or painting.

"What do you want to be?" his mother asked.

"Anything."

"That is no answer," said Mrs. Morel.

But it was quite truthfully the only answer he could give. His ambition,
as far as this world's gear went, was quietly to earn his thirty or
thirty-five shillings a week somewhere near home, and then, when his
father died, have a cottage with his mother, paint and go out as he
liked, and live happy ever after. That was his programme as far as doing
things went. But he was proud within himself, measuring people against
himself, and placing them, inexorably. And he thought that PERHAPS he
might also make a painter, the real thing. But that he left alone.

"Then," said his mother, "you must look in the paper for the
advertisements."

He looked at her. It seemed to him a bitter humiliation and an anguish
to go through. But he said nothing. When he got up in the morning, his
whole being was knotted up over this one thought:

"I've got to go and look for advertisements for a job."

It stood in front of the morning, that thought, killing all joy and even
life, for him. His heart felt like a tight knot.

And then, at ten o'clock, he set off. He was supposed to be a queer,
quiet child. Going up the sunny street of the little town, he felt as
if all the folk he met said to themselves: "He's going to the Co-op.
reading-room to look in the papers for a place. He can't get a job. I
suppose he's living on his mother." Then he crept up the stone stairs
behind the drapery shop at the Co-op., and peeped in the reading-room.
Usually one or two men were there, either old, useless fellows, or
colliers "on the club". So he entered, full of shrinking and suffering
when they looked up, seated himself at the table, and pretended to scan
the news. He knew they would think: "What does a lad of thirteen want in
a reading-room with a newspaper?" and he suffered.

Then he looked wistfully out of the window. Already he was a prisoner
of industrialism. Large sunflowers stared over the old red wall of the
garden opposite, looking in their jolly way down on the women who
were hurrying with something for dinner. The valley was full of corn,
brightening in the sun. Two collieries, among the fields, waved their
small white plumes of steam. Far off on the hills were the woods of
Annesley, dark and fascinating. Already his heart went down. He was
being taken into bondage. His freedom in the beloved home valley was
going now.

The brewers' waggons came rolling up from Keston with enormous barrels,
four a side, like beans in a burst bean-pod. The waggoner, throned
aloft, rolling massively in his seat, was not so much below Paul's eye.
The man's hair, on his small, bullet head, was bleached almost white by
the sun, and on his thick red arms, rocking idly on his sack apron, the
white hairs glistened. His red face shone and was almost asleep with
sunshine. The horses, handsome and brown, went on by themselves, looking
by far the masters of the show.

Paul wished he were stupid. "I wish," he thought to himself, "I was fat
like him, and like a dog in the sun. I wish I was a pig and a brewer's
waggoner."

Then, the room being at last empty, he would hastily copy an
advertisement on a scrap of paper, then another, and slip out in immense
relief. His mother would scan over his copies.

"Yes," she said, "you may try."

William had written out a letter of application, couched in admirable
business language, which Paul copied, with variations. The boy's
handwriting was execrable, so that William, who did all things well, got
into a fever of impatience.

The elder brother was becoming quite swanky. In London he found that he
could associate with men far above his Bestwood friends in station. Some
of the clerks in the office had studied for the law, and were more or
less going through a kind of apprenticeship. William always made friends
among men wherever he went, he was so jolly. Therefore he was soon
visiting and staying in houses of men who, in Bestwood, would have
looked down on the unapproachable bank manager, and would merely have
called indifferently on the Rector. So he began to fancy himself as a
great gun. He was, indeed, rather surprised at the ease with which he
became a gentleman.

His mother was glad, he seemed so pleased. And his lodging in
Walthamstow was so dreary. But now there seemed to come a kind of fever
into the young man's letters. He was unsettled by all the change, he did
not stand firm on his own feet, but seemed to spin rather giddily on the
quick current of the new life. His mother was anxious for him. She could
feel him losing himself. He had danced and gone to the theatre, boated
on the river, been out with friends; and she knew he sat up afterwards
in his cold bedroom grinding away at Latin, because he intended to get
on in his office, and in the law as much as he could. He never sent his
mother any money now. It was all taken, the little he had, for his own
life. And she did not want any, except sometimes, when she was in a
tight corner, and when ten shillings would have saved her much worry.
She still dreamed of William, and of what he would do, with herself
behind him. Never for a minute would she admit to herself how heavy and
anxious her heart was because of him.

Also he talked a good deal now of a girl he had met at a dance, a
handsome brunette, quite young, and a lady, after whom the men were
running thick and fast.

"I wonder if you would run, my boy," his mother wrote to him, "unless
you saw all the other men chasing her too. You feel safe enough and vain
enough in a crowd. But take care, and see how you feel when you find
yourself alone, and in triumph." William resented these things, and
continued the chase. He had taken the girl on the river. "If you saw
her, mother, you would know how I feel. Tall and elegant, with the
clearest of clear, transparent olive complexions, hair as black as jet,
and such grey eyes--bright, mocking, like lights on water at night. It
is all very well to be a bit satirical till you see her. And she dresses
as well as any woman in London. I tell you, your son doesn't half put
his head up when she goes walking down Piccadilly with him."

Mrs. Morel wondered, in her heart, if her son did not go walking down
Piccadilly with an elegant figure and fine clothes, rather than with
a woman who was near to him. But she congratulated him in her doubtful
fashion. And, as she stood over the washing-tub, the mother brooded over
her son. She saw him saddled with an elegant and expensive wife, earning
little money, dragging along and getting draggled in some small, ugly
house in a suburb. "But there," she told herself, "I am very likely
a silly--meeting trouble halfway." Nevertheless, the load of anxiety
scarcely ever left her heart, lest William should do the wrong thing by
himself.

Presently, Paul was bidden call upon Thomas Jordan, Manufacturer of
Surgical Appliances, at 21, Spaniel Row, Nottingham. Mrs. Morel was all
joy.

"There, you see!" she cried, her eyes shining. "You've only written four
letters, and the third is answered. You're lucky, my boy, as I always
said you were."

Paul looked at the picture of a wooden leg, adorned with elastic
stockings and other appliances, that figured on Mr. Jordan's notepaper,
and he felt alarmed. He had not known that elastic stockings existed.
And he seemed to feel the business world, with its regulated system of
values, and its impersonality, and he dreaded it. It seemed monstrous
also that a business could be run on wooden legs.

Mother and son set off together one Tuesday morning. It was August and
blazing hot. Paul walked with something screwed up tight inside him.
He would have suffered much physical pain rather than this unreasonable
suffering at being exposed to strangers, to be accepted or rejected. Yet
he chattered away with his mother. He would never have confessed to her
how he suffered over these things, and she only partly guessed. She
was gay, like a sweetheart. She stood in front of the ticket-office at
Bestwood, and Paul watched her take from her purse the money for the
tickets. As he saw her hands in their old black kid gloves getting the
silver out of the worn purse, his heart contracted with pain of love of
her.

She was quite excited, and quite gay. He suffered because she WOULD talk
aloud in presence of the other travellers.

"Now look at that silly cow!" she said, "careering round as if it
thought it was a circus."

"It's most likely a bottfly," he said very low.

"A what?" she asked brightly and unashamed.

They thought a while. He was sensible all the time of having her
opposite him. Suddenly their eyes met, and she smiled to him--a rare,
intimate smile, beautiful with brightness and love. Then each looked out
of the window.

The sixteen slow miles of railway journey passed. The mother and son
walked down Station Street, feeling the excitement of lovers having an
adventure together. In Carrington Street they stopped to hang over the
parapet and look at the barges on the canal below.

"It's just like Venice," he said, seeing the sunshine on the water that
lay between high factory walls.

"Perhaps," she answered, smiling.

They enjoyed the shops immensely.

"Now you see that blouse," she would say, "wouldn't that just suit our
Annie? And for one-and-eleven-three. Isn't that cheap?"

"And made of needlework as well," he said.

"Yes."

They had plenty of time, so they did not hurry. The town was strange
and delightful to them. But the boy was tied up inside in a knot of
apprehension. He dreaded the interview with Thomas Jordan.

It was nearly eleven o'clock by St. Peter's Church. They turned up a
narrow street that led to the Castle. It was gloomy and old-fashioned,
having low dark shops and dark green house doors with brass knockers,
and yellow-ochred doorsteps projecting on to the pavement; then another
old shop whose small window looked like a cunning, half-shut eye. Mother
and son went cautiously, looking everywhere for "Thomas Jordan and
Son". It was like hunting in some wild place. They were on tiptoe of
excitement.

Suddenly they spied a big, dark archway, in which were names of various
firms, Thomas Jordan among them.

"Here it is!" said Mrs. Morel. "But now WHERE is it?"

They looked round. On one side was a queer, dark, cardboard factory, on
the other a Commercial Hotel.

"It's up the entry," said Paul.

And they ventured under the archway, as into the jaws of the dragon.
They emerged into a wide yard, like a well, with buildings all round. It
was littered with straw and boxes, and cardboard. The sunshine actually
caught one crate whose straw was streaming on to the yard like gold. But
elsewhere the place was like a pit. There were several doors, and two
flights of steps. Straight in front, on a dirty glass door at the top of
a staircase, loomed the ominous words "Thomas Jordan and Son--Surgical
Appliances." Mrs. Morel went first, her son followed her. Charles I
mounted his scaffold with a lighter heart than had Paul Morel as he
followed his mother up the dirty steps to the dirty door.

She pushed open the door, and stood in pleased surprise. In front of her
was a big warehouse, with creamy paper parcels everywhere, and clerks,
with their shirt-sleeves rolled back, were going about in an at-home
sort of way. The light was subdued, the glossy cream parcels seemed
luminous, the counters were of dark brown wood. All was quiet and very
homely. Mrs. Morel took two steps forward, then waited. Paul stood
behind her. She had on her Sunday bonnet and a black veil; he wore a
boy's broad white collar and a Norfolk suit.

One of the clerks looked up. He was thin and tall, with a small face.
His way of looking was alert. Then he glanced round to the other end of
the room, where was a glass office. And then he came forward. He did
not say anything, but leaned in a gentle, inquiring fashion towards Mrs.
Morel.

"Can I see Mr. Jordan?" she asked.

"I'll fetch him," answered the young man.

He went down to the glass office. A red-faced, white-whiskered old man
looked up. He reminded Paul of a pomeranian dog. Then the same little
man came up the room. He had short legs, was rather stout, and wore
an alpaca jacket. So, with one ear up, as it were, he came stoutly and
inquiringly down the room.

"Good-morning!" he said, hesitating before Mrs. Morel, in doubt as to
whether she were a customer or not.

"Good-morning. I came with my son, Paul Morel. You asked him to call
this morning."

"Come this way," said Mr. Jordan, in a rather snappy little manner
intended to be businesslike.

They followed the manufacturer into a grubby little room, upholstered
in black American leather, glossy with the rubbing of many customers.
On the table was a pile of trusses, yellow wash-leather hoops tangled
together. They looked new and living. Paul sniffed the odour of new
wash-leather. He wondered what the things were. By this time he was so
much stunned that he only noticed the outside things.

"Sit down!" said Mr. Jordan, irritably pointing Mrs. Morel to a
horse-hair chair. She sat on the edge in an uncertain fashion. Then the
little old man fidgeted and found a paper.

"Did you write this letter?" he snapped, thrusting what Paul recognised
as his own notepaper in front of him.

"Yes," he answered.

At that moment he was occupied in two ways: first, in feeling guilty
for telling a lie, since William had composed the letter; second, in
wondering why his letter seemed so strange and different, in the fat,
red hand of the man, from what it had been when it lay on the kitchen
table. It was like part of himself, gone astray. He resented the way the
man held it.

"Where did you learn to write?" said the old man crossly.

Paul merely looked at him shamedly, and did not answer.

"He IS a bad writer," put in Mrs. Morel apologetically. Then she pushed
up her veil. Paul hated her for not being prouder with this common
little man, and he loved her face clear of the veil.

"And you say you know French?" inquired the little man, still sharply.

"Yes," said Paul.

"What school did you go to?"

"The Board-school."

"And did you learn it there?"

"No--I--" The boy went crimson and got no farther.

"His godfather gave him lessons," said Mrs. Morel, half pleading and
rather distant.

Mr. Jordan hesitated. Then, in his irritable manner--he always seemed to
keep his hands ready for action--he pulled another sheet of paper from
his pocket, unfolded it. The paper made a crackling noise. He handed it
to Paul.

"Read that," he said.

It was a note in French, in thin, flimsy foreign handwriting that the
boy could not decipher. He stared blankly at the paper.

"'Monsieur,'" he began; then he looked in great confusion at Mr. Jordan.
"It's the--it's the--"

He wanted to say "handwriting", but his wits would no longer work even
sufficiently to supply him with the word. Feeling an utter fool, and
hating Mr. Jordan, he turned desperately to the paper again.

"'Sir,--Please send me'--er--er--I can't tell the--er--'two pairs--gris
fil bas--grey thread stockings'--er--er--'sans--without'--er--I can't
tell the words--er--'doigts--fingers'--er--I can't tell the--"

He wanted to say "handwriting", but the word still refused to come.
Seeing him stuck, Mr. Jordan snatched the paper from him.

"'Please send by return two pairs grey thread stockings without TOES.'"

"Well," flashed Paul, "'doigts' means 'fingers'--as well--as a rule--"

The little man looked at him. He did not know whether "doigts" meant
"fingers"; he knew that for all HIS purposes it meant "toes".

"Fingers to stockings!" he snapped.

"Well, it DOES mean fingers," the boy persisted.

He hated the little man, who made such a clod of him. Mr. Jordan looked
at the pale, stupid, defiant boy, then at the mother, who sat quiet and
with that peculiar shut-off look of the poor who have to depend on the
favour of others.

"And when could he come?" he asked.

"Well," said Mrs. Morel, "as soon as you wish. He has finished school
now."

"He would live in Bestwood?"

"Yes; but he could be in--at the station--at quarter to eight."

"H'm!"

It ended by Paul's being engaged as junior spiral clerk at eight
shillings a week. The boy did not open his mouth to say another word,
after having insisted that "doigts" meant "fingers". He followed his
mother down the stairs. She looked at him with her bright blue eyes full
of love and joy.

"I think you'll like it," she said.

"'Doigts' does mean 'fingers', mother, and it was the writing. I
couldn't read the writing."

"Never mind, my boy. I'm sure he'll be all right, and you won't see much
of him. Wasn't that first young fellow nice? I'm sure you'll like them."

"But wasn't Mr. Jordan common, mother? Does he own it all?"

"I suppose he was a workman who has got on," she said. "You mustn't mind
people so much. They're not being disagreeable to YOU--it's their way.
You always think people are meaning things for you. But they don't."

It was very sunny. Over the big desolate space of the market-place the
blue sky shimmered, and the granite cobbles of the paving glistened.
Shops down the Long Row were deep in obscurity, and the shadow was full
of colour. Just where the horse trams trundled across the market was a
row of fruit stalls, with fruit blazing in the sun--apples and piles of
reddish oranges, small green-gage plums and bananas. There was a warm
scent of fruit as mother and son passed. Gradually his feeling of
ignominy and of rage sank.

"Where should we go for dinner?" asked the mother.

It was felt to be a reckless extravagance. Paul had only been in an
eating-house once or twice in his life, and then only to have a cup of
tea and a bun. Most of the people of Bestwood considered that tea and
bread-and-butter, and perhaps potted beef, was all they could afford to
eat in Nottingham. Real cooked dinner was considered great extravagance.
Paul felt rather guilty.

They found a place that looked quite cheap. But when Mrs. Morel scanned
the bill of fare, her heart was heavy, things were so dear. So she
ordered kidney-pies and potatoes as the cheapest available dish.

"We oughtn't to have come here, mother," said Paul.

"Never mind," she said. "We won't come again."

She insisted on his having a small currant tart, because he liked
sweets.

"I don't want it, mother," he pleaded.

"Yes," she insisted; "you'll have it."

And she looked round for the waitress. But the waitress was busy, and
Mrs. Morel did not like to bother her then. So the mother and son waited
for the girl's pleasure, whilst she flirted among the men.

"Brazen hussy!" said Mrs. Morel to Paul. "Look now, she's taking that
man HIS pudding, and he came long after us."

"It doesn't matter, mother," said Paul.

Mrs. Morel was angry. But she was too poor, and her orders were too
meagre, so that she had not the courage to insist on her rights just
then. They waited and waited.

"Should we go, mother?" he said.

Then Mrs. Morel stood up. The girl was passing near.

"Will you bring one currant tart?" said Mrs. Morel clearly.

The girl looked round insolently.

"Directly," she said.

"We have waited quite long enough," said Mrs. Morel.

In a moment the girl came back with the tart. Mrs. Morel asked coldly
for the bill. Paul wanted to sink through the floor. He marvelled at his
mother's hardness. He knew that only years of battling had taught her to
insist even so little on her rights. She shrank as much as he.

"It's the last time I go THERE for anything!" she declared, when they
were outside the place, thankful to be clear.

"We'll go," she said, "and look at Keep's and Boot's, and one or two
places, shall we?"

They had discussions over the pictures, and Mrs. Morel wanted to buy
him a little sable brush that he hankered after. But this indulgence he
refused. He stood in front of milliners' shops and drapers' shops almost
bored, but content for her to be interested. They wandered on.

"Now, just look at those black grapes!" she said. "They make your mouth
water. I've wanted some of those for years, but I s'll have to wait a
bit before I get them."

Then she rejoiced in the florists, standing in the doorway sniffing.

"Oh! oh! Isn't it simply lovely!"

Paul saw, in the darkness of the shop, an elegant young lady in black
peering over the counter curiously.

"They're looking at you," he said, trying to draw his mother away.

"But what is it?" she exclaimed, refusing to be moved.

"Stocks!" he answered, sniffing hastily. "Look, there's a tubful."

"So there is--red and white. But really, I never knew stocks to smell
like it!" And, to his great relief, she moved out of the doorway, but
only to stand in front of the window.

"Paul!" she cried to him, who was trying to get out of sight of the
elegant young lady in black--the shop-girl. "Paul! Just look here!"

He came reluctantly back.

"Now, just look at that fuchsia!" she exclaimed, pointing.

"H'm!" He made a curious, interested sound. "You'd think every second as
the flowers was going to fall off, they hang so big an' heavy."

"And such an abundance!" she cried.

"And the way they drop downwards with their threads and knots!"

"Yes!" she exclaimed. "Lovely!"

"I wonder who'll buy it!" he said.

"I wonder!" she answered. "Not us."

"It would die in our parlour."

"Yes, beastly cold, sunless hole; it kills every bit of a plant you put
in, and the kitchen chokes them to death."

They bought a few things, and set off towards the station. Looking up
the canal, through the dark pass of the buildings, they saw the Castle
on its bluff of brown, green-bushed rock, in a positive miracle of
delicate sunshine.

"Won't it be nice for me to come out at dinner-times?" said Paul. "I can
go all round here and see everything. I s'll love it."

"You will," assented his mother.

He had spent a perfect afternoon with his mother. They arrived home in
the mellow evening, happy, and glowing, and tired.

In the morning he filled in the form for his season-ticket and took it
to the station. When he got back, his mother was just beginning to wash
the floor. He sat crouched up on the sofa.

"He says it'll be here on Saturday," he said.

"And how much will it be?"

"About one pound eleven," he said.

She went on washing her floor in silence.

"Is it a lot?" he asked.

"It's no more than I thought," she answered.

"An' I s'll earn eight shillings a week," he said.

She did not answer, but went on with her work. At last she said:

"That William promised me, when he went to London, as he'd give me a
pound a month. He has given me ten shillings--twice; and now I know
he hasn't a farthing if I asked him. Not that I want it. Only just now
you'd think he might be able to help with this ticket, which I'd never
expected."

"He earns a lot," said Paul.

"He earns a hundred and thirty pounds. But they're all alike. They're
large in promises, but it's precious little fulfilment you get."

"He spends over fifty shillings a week on himself," said Paul.

"And I keep this house on less than thirty," she replied; "and am
supposed to find money for extras. But they don't care about helping
you, once they've gone. He'd rather spend it on that dressed-up
creature."

"She should have her own money if she's so grand," said Paul.

"She should, but she hasn't. I asked him. And I know he doesn't buy her
a gold bangle for nothing. I wonder whoever bought ME a gold bangle."

William was succeeding with his "Gipsy", as he called her. He asked the
girl--her name was Louisa Lily Denys Western--for a photograph to send
to his mother. The photo came--a handsome brunette, taken in profile,
smirking slightly--and, it might be, quite naked, for on the photograph
not a scrap of clothing was to be seen, only a naked bust.

"Yes," wrote Mrs. Morel to her son, "the photograph of Louie is very
striking, and I can see she must be attractive. But do you think, my
boy, it was very good taste of a girl to give her young man that photo
to send to his mother--the first? Certainly the shoulders are beautiful,
as you say. But I hardly expected to see so much of them at the first
view."

Morel found the photograph standing on the chiffonier in the parlour. He
came out with it between his thick thumb and finger.

"Who dost reckon this is?" he asked of his wife.

"It's the girl our William is going with," replied Mrs. Morel.

"H'm! 'Er's a bright spark, from th' look on 'er, an' one as wunna do
him owermuch good neither. Who is she?"

"Her name is Louisa Lily Denys Western."

"An' come again to-morrer!" exclaimed the miner. "An' is 'er an
actress?"

"She is not. She's supposed to be a lady."

"I'll bet!" he exclaimed, still staring at the photo. "A lady, is she?
An' how much does she reckon ter keep up this sort o' game on?"

"On nothing. She lives with an old aunt, whom she hates, and takes what
bit of money's given her."

"H'm!" said Morel, laying down the photograph. "Then he's a fool to ha'
ta'en up wi' such a one as that."

"Dear Mater," William replied. "I'm sorry you didn't like the
photograph. It never occurred to me when I sent it, that you mightn't
think it decent. However, I told Gyp that it didn't quite suit your prim
and proper notions, so she's going to send you another, that I hope
will please you better. She's always being photographed; in fact, the
photographers ask her if they may take her for nothing."

Presently the new photograph came, with a little silly note from the
girl. This time the young lady was seen in a black satin evening bodice,
cut square, with little puff sleeves, and black lace hanging down her
beautiful arms.

"I wonder if she ever wears anything except evening clothes," said Mrs.
Morel sarcastically. "I'm sure I ought to be impressed."

"You are disagreeable, mother," said Paul. "I think the first one with
bare shoulders is lovely."

"Do you?" answered his mother. "Well, I don't."

On the Monday morning the boy got up at six to start work. He had the
season-ticket, which had cost such bitterness, in his waistcoat pocket.
He loved it with its bars of yellow across. His mother packed his dinner
in a small, shut-up basket, and he set off at a quarter to seven to
catch the 7.15 train. Mrs. Morel came to the entry-end to see him off.

It was a perfect morning. From the ash tree the slender green fruits
that the children call "pigeons" were twinkling gaily down on a little
breeze, into the front gardens of the houses. The valley was full of a
lustrous dark haze, through which the ripe corn shimmered, and in which
the steam from Minton pit melted swiftly. Puffs of wind came. Paul
looked over the high woods of Aldersley, where the country gleamed, and
home had never pulled at him so powerfully.

"Good-morning, mother," he said, smiling, but feeling very unhappy.

"Good-morning," she replied cheerfully and tenderly.

She stood in her white apron on the open road, watching him as he
crossed the field. He had a small, compact body that looked full of
life. She felt, as she saw him trudging over the field, that where he
determined to go he would get. She thought of William. He would have
leaped the fence instead of going round the stile. He was away in
London, doing well. Paul would be working in Nottingham. Now she had
two sons in the world. She could think of two places, great centres of
industry, and feel that she had put a man into each of them, that these
men would work out what SHE wanted; they were derived from her, they
were of her, and their works also would be hers. All the morning long
she thought of Paul.

At eight o'clock he climbed the dismal stairs of Jordan's Surgical
Appliance Factory, and stood helplessly against the first great
parcel-rack, waiting for somebody to pick him up. The place was still
not awake. Over the counters were great dust sheets. Two men only had
arrived, and were heard talking in a corner, as they took off their
coats and rolled up their shirt-sleeves. It was ten past eight.
Evidently there was no rush of punctuality. Paul listened to the voices
of the two clerks. Then he heard someone cough, and saw in the office
at the end of the room an old, decaying clerk, in a round smoking-cap of
black velvet embroidered with red and green, opening letters. He waited
and waited. One of the junior clerks went to the old man, greeted him
cheerily and loudly. Evidently the old "chief" was deaf. Then the young
fellow came striding importantly down to his counter. He spied Paul.

"Hello!" he said. "You the new lad?"

"Yes," said Paul.

"H'm! What's your name?"

"Paul Morel."

"Paul Morel? All right, you come on round here."

Paul followed him round the rectangle of counters. The room was second
storey. It had a great hole in the middle of the floor, fenced as with a
wall of counters, and down this wide shaft the lifts went, and the light
for the bottom storey. Also there was a corresponding big, oblong hole
in the ceiling, and one could see above, over the fence of the top
floor, some machinery; and right away overhead was the glass roof, and
all light for the three storeys came downwards, getting dimmer, so that
it was always night on the ground floor and rather gloomy on the second
floor. The factory was the top floor, the warehouse the second, the
storehouse the ground floor. It was an insanitary, ancient place.

Paul was led round to a very dark corner.

"This is the 'Spiral' corner," said the clerk. "You're Spiral, with
Pappleworth. He's your boss, but he's not come yet. He doesn't get here
till half-past eight. So you can fetch the letters, if you like, from
Mr. Melling down there."

The young man pointed to the old clerk in the office.

"All right," said Paul.

"Here's a peg to hang your cap on. Here are your entry ledgers. Mr.
Pappleworth won't be long."

And the thin young man stalked away with long, busy strides over the
hollow wooden floor.

After a minute or two Paul went down and stood in the door of the glass
office. The old clerk in the smoking-cap looked down over the rim of his
spectacles.

"Good-morning," he said, kindly and impressively. "You want the letters
for the Spiral department, Thomas?"

Paul resented being called "Thomas". But he took the letters and
returned to his dark place, where the counter made an angle, where the
great parcel-rack came to an end, and where there were three doors in
the corner. He sat on a high stool and read the letters--those whose
handwriting was not too difficult. They ran as follows:

"Will you please send me at once a pair of lady's silk spiral
thigh-hose, without feet, such as I had from you last year; length,
thigh to knee, etc." Or, "Major Chamberlain wishes to repeat his
previous order for a silk non-elastic suspensory bandage."

Many of these letters, some of them in French or Norwegian, were a great
puzzle to the boy. He sat on his stool nervously awaiting the arrival
of his "boss". He suffered tortures of shyness when, at half-past eight,
the factory girls for upstairs trooped past him.

Mr. Pappleworth arrived, chewing a chlorodyne gum, at about twenty to
nine, when all the other men were at work. He was a thin, sallow man
with a red nose, quick, staccato, and smartly but stiffly dressed. He
was about thirty-six years old. There was something rather "doggy",
rather smart, rather 'cute and shrewd, and something warm, and something
slightly contemptible about him.

"You my new lad?" he said.

Paul stood up and said he was.

"Fetched the letters?"

Mr. Pappleworth gave a chew to his gum.

"Yes."

"Copied 'em?"

"No."

"Well, come on then, let's look slippy. Changed your coat?"

"No."

"You want to bring an old coat and leave it here." He pronounced the
last words with the chlorodyne gum between his side teeth. He vanished
into the darkness behind the great parcel-rack, reappeared coatless,
turning up a smart striped shirt-cuff over a thin and hairy arm. Then
he slipped into his coat. Paul noticed how thin he was, and that his
trousers were in folds behind. He seized a stool, dragged it beside the
boy's, and sat down.

"Sit down," he said.

Paul took a seat.

Mr. Pappleworth was very close to him. The man seized the letters,
snatched a long entry-book out of a rack in front of him, flung it open,
seized a pen, and said:

"Now look here. You want to copy these letters in here." He sniffed
twice, gave a quick chew at his gum, stared fixedly at a letter,
then went very still and absorbed, and wrote the entry rapidly, in a
beautiful flourishing hand. He glanced quickly at Paul.

"See that?"

"Yes."

"Think you can do it all right?"

"Yes."

"All right then, let's see you."

He sprang off his stool. Paul took a pen. Mr. Pappleworth disappeared.
Paul rather liked copying the letters, but he wrote slowly, laboriously,
and exceedingly badly. He was doing the fourth letter, and feeling quite
busy and happy, when Mr. Pappleworth reappeared.

"Now then, how'r' yer getting on? Done 'em?"

He leaned over the boy's shoulder, chewing, and smelling of chlorodyne.

"Strike my bob, lad, but you're a beautiful writer!" he exclaimed
satirically. "Ne'er mind, how many h'yer done? Only three! I'd 'a eaten
'em. Get on, my lad, an' put numbers on 'em. Here, look! Get on!"

Paul ground away at the letters, whilst Mr. Pappleworth fussed over
various jobs. Suddenly the boy started as a shrill whistle sounded near
his ear. Mr. Pappleworth came, took a plug out of a pipe, and said, in
an amazingly cross and bossy voice:

"Yes?"

Paul heard a faint voice, like a woman's, out of the mouth of the tube.
He gazed in wonder, never having seen a speaking-tube before.

"Well," said Mr. Pappleworth disagreeably into the tube, "you'd better
get some of your back work done, then."

Again the woman's tiny voice was heard, sounding pretty and cross.

"I've not time to stand here while you talk," said Mr. Pappleworth, and
he pushed the plug into the tube.

"Come, my lad," he said imploringly to Paul, "there's Polly crying out
for them orders. Can't you buck up a bit? Here, come out!"

He took the book, to Paul's immense chagrin, and began the copying
himself. He worked quickly and well. This done, he seized some strips
of long yellow paper, about three inches wide, and made out the day's
orders for the work-girls.

"You'd better watch me," he said to Paul, working all the while rapidly.
Paul watched the weird little drawings of legs, and thighs, and ankles,
with the strokes across and the numbers, and the few brief directions
which his chief made upon the yellow paper. Then Mr. Pappleworth
finished and jumped up.

"Come on with me," he said, and the yellow papers flying in his hands,
he dashed through a door and down some stairs, into the basement where
the gas was burning. They crossed the cold, damp storeroom, then a
long, dreary room with a long table on trestles, into a smaller, cosy
apartment, not very high, which had been built on to the main building.
In this room a small woman with a red serge blouse, and her black hair
done on top of her head, was waiting like a proud little bantam.

"Here y'are!" said Pappleworth.

"I think it is 'here you are'!" exclaimed Polly. "The girls have been
here nearly half an hour waiting. Just think of the time wasted!"

"YOU think of getting your work done and not talking so much," said Mr.
Pappleworth. "You could ha' been finishing off."

"You know quite well we finished everything off on Saturday!" cried
Pony, flying at him, her dark eyes flashing.

"Tu-tu-tu-tu-terterter!" he mocked. "Here's your new lad. Don't ruin him
as you did the last."

"As we did the last!" repeated Polly. "Yes, WE do a lot of ruining, we
do. My word, a lad would TAKE some ruining after he'd been with you."

"It's time for work now, not for talk," said Mr. Pappleworth severely
and coldly.

"It was time for work some time back," said Polly, marching away with
her head in the air. She was an erect little body of forty.

In that room were two round spiral machines on the bench under the
window. Through the inner doorway was another longer room, with six more
machines. A little group of girls, nicely dressed in white aprons, stood
talking together.

"Have you nothing else to do but talk?" said Mr. Pappleworth.

"Only wait for you," said one handsome girl, laughing.

"Well, get on, get on," he said. "Come on, my lad. You'll know your road
down here again."

And Paul ran upstairs after his chief. He was given some checking
and invoicing to do. He stood at the desk, labouring in his execrable
handwriting. Presently Mr. Jordan came strutting down from the glass
office and stood behind him, to the boy's great discomfort. Suddenly a
red and fat finger was thrust on the form he was filling in.

"MR. J. A. Bates, Esquire!" exclaimed the cross voice just behind his
ear.

Paul looked at "Mr. J. A. Bates, Esquire" in his own vile writing, and
wondered what was the matter now.

"Didn't they teach you any better THAN that while they were at it? If
you put 'Mr.' you don't put Esquire'-a man can't be both at once."

The boy regretted his too-much generosity in disposing of honours,
hesitated, and with trembling fingers, scratched out the "Mr." Then all
at once Mr. Jordan snatched away the invoice.

"Make another! Are you going to send that to a gentleman?" And he tore
up the blue form irritably.

Paul, his ears red with shame, began again. Still Mr. Jordan watched.

"I don't know what they DO teach in schools. You'll have to write better
than that. Lads learn nothing nowadays, but how to recite poetry
and play the fiddle. Have you seen his writing?" he asked of Mr.
Pappleworth.

"Yes; prime, isn't it?" replied Mr. Pappleworth indifferently.

Mr. Jordan gave a little grunt, not unamiable. Paul divined that his
master's bark was worse than his bite. Indeed, the little manufacturer,
although he spoke bad English, was quite gentleman enough to leave his
men alone and to take no notice of trifles. But he knew he did not
look like the boss and owner of the show, so he had to play his role of
proprietor at first, to put things on a right footing.

"Let's see, WHAT'S your name?" asked Mr. Pappleworth of the boy.

"Paul Morel."

It is curious that children suffer so much at having to pronounce their
own names.

"Paul Morel, is it? All right, you Paul-Morel through them things there,
and then--"

Mr. Pappleworth subsided on to a stool, and began writing. A girl came
up from out of a door just behind, put some newly-pressed elastic web
appliances on the counter, and returned. Mr. Pappleworth picked up the
whitey-blue knee-band, examined it, and its yellow order-paper quickly,
and put it on one side. Next was a flesh-pink "leg". He went through
the few things, wrote out a couple of orders, and called to Paul to
accompany him. This time they went through the door whence the girl had
emerged. There Paul found himself at the top of a little wooden flight
of steps, and below him saw a room with windows round two sides, and at
the farther end half a dozen girls sitting bending over the benches
in the light from the window, sewing. They were singing together "Two
Little Girls in Blue". Hearing the door opened, they all turned round,
to see Mr. Pappleworth and Paul looking down on them from the far end of
the room. They stopped singing.

"Can't you make a bit less row?" said Mr. Pappleworth. "Folk'll think we
keep cats."

A hunchback woman on a high stool turned her long, rather heavy face
towards Mr. Pappleworth, and said, in a contralto voice:

"They're all tom-cats then."

In vain Mr. Pappleworth tried to be impressive for Paul's benefit.
He descended the steps into the finishing-off room, and went to the
hunchback Fanny. She had such a short body on her high stool that her
head, with its great bands of bright brown hair, seemed over large, as
did her pale, heavy face. She wore a dress of green-black cashmere, and
her wrists, coming out of the narrow cuffs, were thin and flat, as she
put down her work nervously. He showed her something that was wrong with
a knee-cap.

"Well," she said, "you needn't come blaming it on to me. It's not my
fault." Her colour mounted to her cheek.

"I never said it WAS your fault. Will you do as I tell you?" replied Mr.
Pappleworth shortly.

"You don't say it's my fault, but you'd like to make out as it was," the
hunchback woman cried, almost in tears. Then she snatched the knee-cap
from her "boss", saying: "Yes, I'll do it for you, but you needn't be
snappy."

"Here's your new lad," said Mr. Pappleworth.

Fanny turned, smiling very gently on Paul.

"Oh!" she said.

"Yes; don't make a softy of him between you."

"It's not us as 'ud make a softy of him," she said indignantly.

"Come on then, Paul," said Mr. Pappleworth.

"Au revoy, Paul," said one of the girls.

There was a titter of laughter. Paul went out, blushing deeply, not
having spoken a word.

The day was very long. All morning the work-people were coming to speak
to Mr. Pappleworth. Paul was writing or learning to make up parcels,
ready for the midday post. At one o'clock, or, rather, at a quarter to
one, Mr. Pappleworth disappeared to catch his train: he lived in the
suburbs. At one o'clock, Paul, feeling very lost, took his dinner-basket
down into the stockroom in the basement, that had the long table on
trestles, and ate his meal hurriedly, alone in that cellar of gloom and
desolation. Then he went out of doors. The brightness and the freedom of
the streets made him feel adventurous and happy. But at two o'clock
he was back in the corner of the big room. Soon the work-girls went
trooping past, making remarks. It was the commoner girls who worked
upstairs at the heavy tasks of truss-making and the finishing of
artificial limbs. He waited for Mr. Pappleworth, not knowing what to do,
sitting scribbling on the yellow order-paper. Mr. Pappleworth came at
twenty minutes to three. Then he sat and gossiped with Paul, treating
the boy entirely as an equal, even in age.

In the afternoon there was never very much to do, unless it were near
the week-end, and the accounts had to be made up. At five o'clock all
the men went down into the dungeon with the table on trestles, and there
they had tea, eating bread-and-butter on the bare, dirty boards, talking
with the same kind of ugly haste and slovenliness with which they ate
their meal. And yet upstairs the atmosphere among them was always jolly
and clear. The cellar and the trestles affected them.

After tea, when all the gases were lighted, WORK went more briskly.
There was the big evening post to get off. The hose came up warm and
newly pressed from the workrooms. Paul had made out the invoices. Now he
had the packing up and addressing to do, then he had to weigh his stock
of parcels on the scales. Everywhere voices were calling weights, there
was the chink of metal, the rapid snapping of string, the hurrying to
old Mr. Melling for stamps. And at last the postman came with his sack,
laughing and jolly. Then everything slacked off, and Paul took his
dinner-basket and ran to the station to catch the eight-twenty train.
The day in the factory was just twelve hours long.

His mother sat waiting for him rather anxiously. He had to walk from
Keston, so was not home until about twenty past nine. And he left the
house before seven in the morning. Mrs. Morel was rather anxious about
his health. But she herself had had to put up with so much that she
expected her children to take the same odds. They must go through with
what came. And Paul stayed at Jordan's, although all the time he was
there his health suffered from the darkness and lack of air and the long
hours.

He came in pale and tired. His mother looked at him. She saw he was
rather pleased, and her anxiety all went.

"Well, and how was it?" she asked.

"Ever so funny, mother," he replied. "You don't have to work a bit hard,
and they're nice with you."

"And did you get on all right?"

"Yes: they only say my writing's bad. But Mr. Pappleworth--he's my
man--said to Mr. Jordan I should be all right. I'm Spiral, mother; you
must come and see. It's ever so nice."

Soon he liked Jordan's. Mr. Pappleworth, who had a certain "saloon bar"
flavour about him, was always natural, and treated him as if he had been
a comrade. Sometimes the "Spiral boss" was irritable, and chewed more
lozenges than ever. Even then, however, he was not offensive, but one
of those people who hurt themselves by their own irritability more than
they hurt other people.

"Haven't you done that YET?" he would cry. "Go on, be a month of
Sundays."

Again, and Paul could understand him least then, he was jocular and in
high spirits.

"I'm going to bring my little Yorkshire terrier bitch tomorrow," he said
jubilantly to Paul.

"What's a Yorkshire terrier?"

"DON'T know what a Yorkshire terrier is? DON'T KNOW A YORKSHIRE--" Mr.
Pappleworth was aghast.

"Is it a little silky one--colours of iron and rusty silver?"

"THAT'S it, my lad. She's a gem. She's had five pounds' worth of pups
already, and she's worth over seven pounds herself; and she doesn't
weigh twenty ounces."

The next day the bitch came. She was a shivering, miserable morsel. Paul
did not care for her; she seemed so like a wet rag that would never
dry. Then a man called for her, and began to make coarse jokes. But Mr.
Pappleworth nodded his head in the direction of the boy, and the talk
went on _sotto voce_.

Mr. Jordan only made one more excursion to watch Paul, and then the only
fault he found was seeing the boy lay his pen on the counter.

"Put your pen in your ear, if you're going to be a clerk. Pen in your
ear!" And one day he said to the lad: "Why don't you hold your shoulders
straighter? Come down here," when he took him into the glass office and
fitted him with special braces for keeping the shoulders square.

But Paul liked the girls best. The men seemed common and rather dull.
He liked them all, but they were uninteresting. Polly, the little brisk
overseer downstairs, finding Paul eating in the cellar, asked him if she
could cook him anything on her little stove. Next day his mother gave
him a dish that could be heated up. He took it into the pleasant, clean
room to Polly. And very soon it grew to be an established custom that he
should have dinner with her. When he came in at eight in the morning he
took his basket to her, and when he came down at one o'clock she had his
dinner ready.

He was not very tall, and pale, with thick chestnut hair, irregular
features, and a wide, full mouth. She was like a small bird. He often
called her a "robinet". Though naturally rather quiet, he would sit and
chatter with her for hours telling her about his home. The girls all
liked to hear him talk. They often gathered in a little circle while he
sat on a bench, and held forth to them, laughing. Some of them regarded
him as a curious little creature, so serious, yet so bright and jolly,
and always so delicate in his way with them. They all liked him, and he
adored them. Polly he felt he belonged to. Then Connie, with her mane of
red hair, her face of apple-blossom, her murmuring voice, such a lady in
her shabby black frock, appealed to his romantic side.

"When you sit winding," he said, "it looks as if you were spinning at
a spinning-wheel--it looks ever so nice. You remind me of Elaine in the
'Idylls of the King'. I'd draw you if I could."

And she glanced at him blushing shyly. And later on he had a sketch
he prized very much: Connie sitting on the stool before the wheel, her
flowing mane of red hair on her rusty black frock, her red mouth shut
and serious, running the scarlet thread off the hank on to the reel.

With Louie, handsome and brazen, who always seemed to thrust her hip at
him, he usually joked.

Emma was rather plain, rather old, and condescending. But to condescend
to him made her happy, and he did not mind.

"How do you put needles in?" he asked.

"Go away and don't bother."

"But I ought to know how to put needles in."

She ground at her machine all the while steadily.

"There are many things you ought to know," she replied.

"Tell me, then, how to stick needles in the machine."

"Oh, the boy, what a nuisance he is! Why, THIS is how you do it."

He watched her attentively. Suddenly a whistle piped. Then Polly
appeared, and said in a clear voice:

"Mr. Pappleworth wants to know how much longer you're going to be down
here playing with the girls, Paul."

Paul flew upstairs, calling "Good-bye!" and Emma drew herself up.

"It wasn't ME who wanted him to play with the machine," she said.

As a rule, when all the girls came back at two o'clock, he ran upstairs
to Fanny, the hunchback, in the finishing-off room. Mr. Pappleworth
did not appear till twenty to three, and he often found his boy sitting
beside Fanny, talking, or drawing, or singing with the girls.

Often, after a minute's hesitation, Fanny would begin to sing. She had a
fine contralto voice. Everybody joined in the chorus, and it went well.
Paul was not at all embarrassed, after a while, sitting in the room with
the half a dozen work-girls.

At the end of the song Fanny would say:

"I know you've been laughing at me."

"Don't be so soft, Fanny!" cried one of the girls.

Once there was mention of Connie's red hair.

"Fanny's is better, to my fancy," said Emma.

"You needn't try to make a fool of me," said Fanny, flushing deeply.

"No, but she has, Paul; she's got beautiful hair."

"It's a treat of a colour," said he. "That coldish colour like earth,
and yet shiny. It's like bog-water."

"Goodness me!" exclaimed one girl, laughing.

"How I do but get criticised," said Fanny.

"But you should see it down, Paul," cried Emma earnestly. "It's simply
beautiful. Put it down for him, Fanny, if he wants something to paint."

Fanny would not, and yet she wanted to.

"Then I'll take it down myself," said the lad.

"Well, you can if you like," said Fanny.

And he carefully took the pins out of the knot, and the rush of hair, of
uniform dark brown, slid over the humped back.

"What a lovely lot!" he exclaimed.

The girls watched. There was silence. The youth shook the hair loose
from the coil.

"It's splendid!" he said, smelling its perfume. "I'll bet it's worth
pounds."

"I'll leave it you when I die, Paul," said Fanny, half joking.

"You look just like anybody else, sitting drying their hair," said one
of the girls to the long-legged hunchback.

Poor Fanny was morbidly sensitive, always imagining insults. Polly was
curt and businesslike. The two departments were for ever at war, and
Paul was always finding Fanny in tears. Then he was made the recipient
of all her woes, and he had to plead her case with Polly.

So the time went along happily enough. The factory had a homely feel.
No one was rushed or driven. Paul always enjoyed it when the work got
faster, towards post-time, and all the men united in labour. He liked to
watch his fellow-clerks at work. The man was the work and the work was
the man, one thing, for the time being. It was different with the girls.
The real woman never seemed to be there at the task, but as if left out,
waiting.

From the train going home at night he used to watch the lights of the
town, sprinkled thick on the hills, fusing together in a blaze in the
valleys. He felt rich in life and happy. Drawing farther off, there was
a patch of lights at Bulwell like myriad petals shaken to the ground
from the shed stars; and beyond was the red glare of the furnaces,
playing like hot breath on the clouds.

He had to walk two and more miles from Keston home, up two long hills,
down two short hills. He was often tired, and he counted the lamps
climbing the hill above him, how many more to pass. And from the
hilltop, on pitch-dark nights, he looked round on the villages five
or six miles away, that shone like swarms of glittering living things,
almost a heaven against his feet. Marlpool and Heanor scattered the
far-off darkness with brilliance. And occasionally the black valley
space between was traced, violated by a great train rushing south to
London or north to Scotland. The trains roared by like projectiles level
on the darkness, fuming and burning, making the valley clang with
their passage. They were gone, and the lights of the towns and villages
glittered in silence.

And then he came to the corner at home, which faced the other side
of the night. The ash-tree seemed a friend now. His mother rose with
gladness as he entered. He put his eight shillings proudly on the table.

"It'll help, mother?" he asked wistfully.

"There's precious little left," she answered, "after your ticket and
dinners and such are taken off."

Then he told her the budget of the day. His life-story, like an Arabian
Nights, was told night after night to his mother. It was almost as if it
were her own life.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: As the years roll by, Walter Morel starts having accidents all the time. He's kind of an oaf, you see. One day, a lad in pit clothes comes to the Morels' door and says Walter has hurt his leg at work, so they've taken him away to the hospital. When she returns, she tells the family that Walter's leg is busted up pretty badly, with bits of bone sticking out of his leg. Gross. The children realize that, despite their mother trying to minimize the severity of the whole mess for them, things aren't looking great for their father. As she sits in her rocking chair, Mrs. Morel is startled to find herself feeling a deep indifference to her husband and his pain. This failure to love her husband hurts her. We're honestly not sure why she's surprised about this indifference at this point in the book, because it's been evident both to her and to us before. Unsurprisingly, without the bane of all of their existences in the house, the family sans Walter does quite well. Since Walter can't spend all of their money on booze while he's in the hospital, the family is actually happy and peaceful. During this time, Paul proudly declares himself the new man of the house. None of them will admit it, but they all felt a little regret when their father is ready to come home. By this point, Paul is fourteen and looking for a job. That might sound young, but as your grandpa probably told you a million times, boys were tougher back in the old days. Oh, and there weren't those pesky child labor laws to contend with. Paul's dream is to earn enough money to live on, to live in a cottage with his mother after his father dies. Um, what young boy in his right mind wants to move in with his mother when he grows up? We're really starting to worry about you, buddy. Oh, and Paul also wants to spend his life painting and going out whenever he likes. Now that's more like it, sir. To apply for a job, Paul copies a letter of application that William has written in "admirable business language" . Paul's handwriting, though, is terrible, and William gets impatient with him. William, meanwhile, befriends people of a higher station in life, and starts to fancy himself a gentleman. But he can't seem to handle the pace of change in London, and feels as though the ground under his feet won't stay still. He starts to write to his mother of a young woman he has been after. Mrs. Morel, though, says he might not like the girl so much once he's won her from other men. Zing. While this is all going on, Paul gets called in for an interview with a manufacturer of surgical appliances. He's only written four letters, and gets an interview off of his third. If only it were that easy for a young person to land an interview these days. His mother goes with him on the train to the manufacturer's factory. Paul is sick with anxiety about meeting strangers to be accepted or rejected, and we all know he can't go anywhere without his mommy. In these scenes, our friendly author D.H. Lawrence keeps dropping not-so-subtle hints about there being something romantic between Paul and his mother: "The mother and son walked down Station Street, feeling the excitement of lovers having an adventure together" . They arrive at the town early, so they visit some shops before eventually going to Thomas Jordan's office. Paul is intimidated by Mr. Jordan, who is a small man who speaks sharply. Jordan asks Paul if he wrote the letter of application, and Paul says yes, even though it was William's letter he copied. Afterward, Mrs. Morel takes Paul to a restaurant. Throughout the day, Paul is humiliated by how the more fashionable people are looking at him and his mother, especially women. Maybe he's developing a mite of common sense? Once all this is over, the narrator ironically notes that Paul "had spent a perfect afternoon with his mother." Shortly after, Mrs. Morel receives a picture in the mail of William's sweetheart. The young woman's name is Louisa Lily Denys Western. Mrs. Morel feels that the picture reveals too much of the woman's shoulders. Gasp--not the shoulders. Watching Paul leave for work the first time, Mrs. Morel congratulates herself on sending two men into the world of business. She feels that their accomplishments are her own, and that this partially makes up for all of her frustrated desires. We'd recommend living your own life, but, you know. Mrs. Morel has different ideas. When Paul first gets to the factory, there isn't much going on. Eventually, a young clerk comes and gives him a tour of the dark, dirty building. Eventually, Paul's new boss, Mr. Pappleworth shows up and sits down with him. The man tells Paul to copy out all the letters. Paul likes copying the letters, but he writes very slowly and badly. When Pappleworth comes back, he makes fun of Paul's writing and orders him to write more quickly. Suddenly, a bell rings next to Paul's ear, and Pappleworth comes over and talks to someone through a speaking tube, which amazes Paul. We wonder what'd happen if we showed him an iPhone. It turns out that Paul's slow work is putting the whole factory behind, so Pappleworth does the rest of the copying himself. Not a good sign for his first day at work. Things don't get much better once he's settled into the job. Paul starts working twelve-hour days with a long commute. He starts coming home looking pale and tired. Soon, though, he decides he actually likes the factory and the people who work there. Paul finds the men at the factory common, but gets on very well with the women, who find him gentle and respectful. Each day, the woman named Polly heats up his dinner for him. Who wants to heat up our dinners for us tonight? Anyone? Anyone?