prompt:
Chapter: As Adam was going homeward, on Wednesday evening, in the six o'clock
sunlight, he saw in the distance the last load of barley winding its way
towards the yard-gate of the Hall Farm, and heard the chant of "Harvest
Home!" rising and sinking like a wave. Fainter and fainter, and more
musical through the growing distance, the falling dying sound still
reached him, as he neared the Willow Brook. The low westering sun shone
right on the shoulders of the old Binton Hills, turning the unconscious
sheep into bright spots of light; shone on the windows of the cottage
too, and made them a-flame with a glory beyond that of amber or
amethyst. It was enough to make Adam feel that he was in a great temple,
and that the distant chant was a sacred song.

"It's wonderful," he thought, "how that sound goes to one's heart almost
like a funeral bell, for all it tells one o' the joyfullest time o' the
year, and the time when men are mostly the thankfullest. I suppose it's
a bit hard to us to think anything's over and gone in our lives; and
there's a parting at the root of all our joys. It's like what I feel
about Dinah. I should never ha' come to know that her love 'ud be the
greatest o' blessings to me, if what I counted a blessing hadn't been
wrenched and torn away from me, and left me with a greater need, so as I
could crave and hunger for a greater and a better comfort."

He expected to see Dinah again this evening, and get leave to accompany
her as far as Oakbourne; and then he would ask her to fix some time when
he might go to Snowfield, and learn whether the last best hope that had
been born to him must be resigned like the rest. The work he had to do
at home, besides putting on his best clothes, made it seven before he
was on his way again to the Hall Farm, and it was questionable whether,
with his longest and quickest strides, he should be there in time even
for the roast beef, which came after the plum pudding, for Mrs. Poyser's
supper would be punctual.

Great was the clatter of knives and pewter plates and tin cans when Adam
entered the house, but there was no hum of voices to this accompaniment:
the eating of excellent roast beef, provided free of expense, was too
serious a business to those good farm-labourers to be performed with
a divided attention, even if they had had anything to say to each
other--which they had not. And Mr. Poyser, at the head of the table, was
too busy with his carving to listen to Bartle Massey's or Mr. Craig's
ready talk.

"Here, Adam," said Mrs. Poyser, who was standing and looking on to see
that Molly and Nancy did their duty as waiters, "here's a place kept for
you between Mr. Massey and the boys. It's a poor tale you couldn't come
to see the pudding when it was whole."

Adam looked anxiously round for a fourth woman's figure, but Dinah
was not there. He was almost afraid of asking about her; besides, his
attention was claimed by greetings, and there remained the hope that
Dinah was in the house, though perhaps disinclined to festivities on the
eve of her departure.

It was a goodly sight--that table, with Martin Poyser's round
good-humoured face and large person at the head of it helping his
servants to the fragrant roast beef and pleased when the empty plates
came again. Martin, though usually blest with a good appetite, really
forgot to finish his own beef to-night--it was so pleasant to him to
look on in the intervals of carving and see how the others enjoyed their
supper; for were they not men who, on all the days of the year except
Christmas Day and Sundays, ate their cold dinner, in a makeshift manner,
under the hedgerows, and drank their beer out of wooden bottles--with
relish certainly, but with their mouths towards the zenith, after a
fashion more endurable to ducks than to human bipeds. Martin Poyser had
some faint conception of the flavour such men must find in hot roast
beef and fresh-drawn ale. He held his head on one side and screwed
up his mouth, as he nudged Bartle Massey, and watched half-witted Tom
Tholer, otherwise known as "Tom Saft," receiving his second plateful of
beef. A grin of delight broke over Tom's face as the plate was set down
before him, between his knife and fork, which he held erect, as if
they had been sacred tapers. But the delight was too strong to continue
smouldering in a grin--it burst out the next instant in a long-drawn
"haw, haw!" followed by a sudden collapse into utter gravity, as the
knife and fork darted down on the prey. Martin Poyser's large person
shook with his silent unctuous laugh. He turned towards Mrs. Poyser to
see if she too had been observant of Tom, and the eyes of husband and
wife met in a glance of good-natured amusement.

"Tom Saft" was a great favourite on the farm, where he played the part
of the old jester, and made up for his practical deficiencies by his
success in repartee. His hits, I imagine, were those of the flail, which
falls quite at random, but nevertheless smashes an insect now and then.
They were much quoted at sheep-shearing and haymaking times, but I
refrain from recording them here, lest Tom's wit should prove to be
like that of many other bygone jesters eminent in their day--rather of a
temporary nature, not dealing with the deeper and more lasting relations
of things.

Tom excepted, Martin Poyser had some pride in his servants and
labourers, thinking with satisfaction that they were the best worth
their pay of any set on the estate. There was Kester Bale, for example
(Beale, probably, if the truth were known, but he was called Bale, and
was not conscious of any claim to a fifth letter), the old man with the
close leather cap and the network of wrinkles on his sun-browned face.
Was there any man in Loamshire who knew better the "natur" of all
farming work? He was one of those invaluable labourers who can not only
turn their hand to everything, but excel in everything they turn their
hand to. It is true Kester's knees were much bent outward by this time,
and he walked with a perpetual curtsy, as if he were among the most
reverent of men. And so he was; but I am obliged to admit that the
object of his reverence was his own skill, towards which he performed
some rather affecting acts of worship. He always thatched the ricks--for
if anything were his forte more than another, it was thatching--and when
the last touch had been put to the last beehive rick, Kester, whose home
lay at some distance from the farm, would take a walk to the rick-yard
in his best clothes on a Sunday morning and stand in the lane, at a due
distance, to contemplate his own thatching, walking about to get each
rick from the proper point of view. As he curtsied along, with his eyes
upturned to the straw knobs imitative of golden globes at the summits
of the beehive ricks, which indeed were gold of the best sort, you might
have imagined him to be engaged in some pagan act of adoration.
Kester was an old bachelor and reputed to have stockings full of coin,
concerning which his master cracked a joke with him every pay-night:
not a new unseasoned joke, but a good old one, that had been tried
many times before and had worn well. "Th' young measter's a merry mon,"
Kester frequently remarked; for having begun his career by frightening
away the crows under the last Martin Poyser but one, he could never
cease to account the reigning Martin a young master. I am not ashamed
of commemorating old Kester. You and I are indebted to the hard hands of
such men--hands that have long ago mingled with the soil they tilled so
faithfully, thriftily making the best they could of the earth's fruits,
and receiving the smallest share as their own wages.

Then, at the end of the table, opposite his master, there was Alick, the
shepherd and head-man, with the ruddy face and broad shoulders, not on
the best terms with old Kester; indeed, their intercourse was confined
to an occasional snarl, for though they probably differed little
concerning hedging and ditching and the treatment of ewes, there was a
profound difference of opinion between them as to their own respective
merits. When Tityrus and Meliboeus happen to be on the same farm, they
are not sentimentally polite to each other. Alick, indeed, was not by
any means a honeyed man. His speech had usually something of a snarl
in it, and his broad-shouldered aspect something of the bull-dog
expression--"Don't you meddle with me, and I won't meddle with you." But
he was honest even to the splitting of an oat-grain rather than he
would take beyond his acknowledged share, and as "close-fisted" with
his master's property as if it had been his own--throwing very small
handfuls of damaged barley to the chickens, because a large handful
affected his imagination painfully with a sense of profusion.
Good-tempered Tim, the waggoner, who loved his horses, had his grudge
against Alick in the matter of corn. They rarely spoke to each other,
and never looked at each other, even over their dish of cold potatoes;
but then, as this was their usual mode of behaviour towards all mankind,
it would be an unsafe conclusion that they had more than transient fits
of unfriendliness. The bucolic character at Hayslope, you perceive,
was not of that entirely genial, merry, broad-grinning sort, apparently
observed in most districts visited by artists. The mild radiance of a
smile was a rare sight on a field-labourer's face, and there was seldom
any gradation between bovine gravity and a laugh. Nor was every labourer
so honest as our friend Alick. At this very table, among Mr. Poyser's
men, there is that big Ben Tholoway, a very powerful thresher, but
detected more than once in carrying away his master's corn in his
pockets--an action which, as Ben was not a philosopher, could hardly be
ascribed to absence of mind. However, his master had forgiven him, and
continued to employ him, for the Tholoways had lived on the Common time
out of mind, and had always worked for the Poysers. And on the whole, I
daresay, society was not much the worse because Ben had not six months
of it at the treadmill, for his views of depredation were narrow, and
the House of Correction might have enlarged them. As it was, Ben ate his
roast beef to-night with a serene sense of having stolen nothing more
than a few peas and beans as seed for his garden since the last harvest
supper, and felt warranted in thinking that Alick's suspicious eye, for
ever upon him, was an injury to his innocence.

But NOW the roast beef was finished and the cloth was drawn, leaving
a fair large deal table for the bright drinking-cans, and the foaming
brown jugs, and the bright brass candlesticks, pleasant to behold. NOW,
the great ceremony of the evening was to begin--the harvest-song,
in which every man must join. He might be in tune, if he liked to be
singular, but he must not sit with closed lips. The movement was obliged
to be in triple time; the rest was ad libitum.

As to the origin of this song--whether it came in its actual state from
the brain of a single rhapsodist, or was gradually perfected by a school
or succession of rhapsodists, I am ignorant. There is a stamp of
unity, of individual genius upon it, which inclines me to the former
hypothesis, though I am not blind to the consideration that this unity
may rather have arisen from that consensus of many minds which was a
condition of primitive thought, foreign to our modern consciousness.
Some will perhaps think that they detect in the first quatrain
an indication of a lost line, which later rhapsodists, failing in
imaginative vigour, have supplied by the feeble device of iteration.
Others, however, may rather maintain that this very iteration is an
original felicity, to which none but the most prosaic minds can be
insensible.

The ceremony connected with the song was a drinking ceremony. (That
is perhaps a painful fact, but then, you know, we cannot reform our
forefathers.) During the first and second quatrain, sung decidedly
forte, no can was filled.

     Here's a health unto our master,
     The founder of the feast;
     Here's a health unto our master
     And to our mistress!

     And may his doings prosper,
     Whate'er he takes in hand,
     For we are all his servants,
     And are at his command.

But now, immediately before the third quatrain or chorus, sung
fortissimo, with emphatic raps of the table, which gave the effect of
cymbals and drum together, Alick's can was filled, and he was bound to
empty it before the chorus ceased.

     Then drink, boys, drink!
     And see ye do not spill,
     For if ye do, ye shall drink two,
     For 'tis our master's will.

When Alick had gone successfully through this test of steady-handed
manliness, it was the turn of old Kester, at his right hand--and so on,
till every man had drunk his initiatory pint under the stimulus of the
chorus. Tom Saft--the rogue--took care to spill a little by accident;
but Mrs. Poyser (too officiously, Tom thought) interfered to prevent the
exaction of the penalty.

To any listener outside the door it would have been the reverse of
obvious why the "Drink, boys, drink!" should have such an immediate and
often-repeated encore; but once entered, he would have seen that all
faces were at present sober, and most of them serious--it was the
regular and respectable thing for those excellent farm-labourers to do,
as much as for elegant ladies and gentlemen to smirk and bow over their
wine-glasses. Bartle Massey, whose ears were rather sensitive, had
gone out to see what sort of evening it was at an early stage in the
ceremony, and had not finished his contemplation until a silence of
five minutes declared that "Drink, boys, drink!" was not likely to
begin again for the next twelvemonth. Much to the regret of the boys
and Totty: on them the stillness fell rather flat, after that glorious
thumping of the table, towards which Totty, seated on her father's knee,
contributed with her small might and small fist.

When Bartle re-entered, however, there appeared to be a general desire
for solo music after the choral. Nancy declared that Tim the waggoner
knew a song and was "allays singing like a lark i' the stable,"
whereupon Mr. Poyser said encouragingly, "Come, Tim, lad, let's hear
it." Tim looked sheepish, tucked down his head, and said he couldn't
sing, but this encouraging invitation of the master's was echoed all
round the table. It was a conversational opportunity: everybody could
say, "Come, Tim," except Alick, who never relaxed into the frivolity of
unnecessary speech. At last, Tim's next neighbour, Ben Tholoway, began
to give emphasis to his speech by nudges, at which Tim, growing rather
savage, said, "Let me alooan, will ye? Else I'll ma' ye sing a toon ye
wonna like." A good-tempered waggoner's patience has limits, and Tim was
not to be urged further.

"Well, then, David, ye're the lad to sing," said Ben, willing to show
that he was not discomfited by this check. "Sing 'My loove's a roos
wi'out a thorn.'"

The amatory David was a young man of an unconscious abstracted
expression, which was due probably to a squint of superior intensity
rather than to any mental characteristic; for he was not indifferent to
Ben's invitation, but blushed and laughed and rubbed his sleeve over his
mouth in a way that was regarded as a symptom of yielding. And for some
time the company appeared to be much in earnest about the desire to hear
David's song. But in vain. The lyricism of the evening was in the cellar
at present, and was not to be drawn from that retreat just yet.

Meanwhile the conversation at the head of the table had taken a
political turn. Mr. Craig was not above talking politics occasionally,
though he piqued himself rather on a wise insight than on specific
information. He saw so far beyond the mere facts of a case that really
it was superfluous to know them.

"I'm no reader o' the paper myself," he observed to-night, as he filled
his pipe, "though I might read it fast enough if I liked, for there's
Miss Lyddy has 'em and 's done with 'em i' no time. But there's Mills,
now, sits i' the chimney-corner and reads the paper pretty nigh
from morning to night, and when he's got to th' end on't he's more
addle-headed than he was at the beginning. He's full o' this peace now,
as they talk on; he's been reading and reading, and thinks he's got to
the bottom on't. 'Why, Lor' bless you, Mills,' says I, 'you see no more
into this thing nor you can see into the middle of a potato. I'll tell
you what it is: you think it'll be a fine thing for the country. And I'm
not again' it--mark my words--I'm not again' it. But it's my opinion as
there's them at the head o' this country as are worse enemies to us
nor Bony and all the mounseers he's got at 's back; for as for the
mounseers, you may skewer half-a-dozen of 'em at once as if they war
frogs.'"

"Aye, aye," said Martin Poyser, listening with an air of much
intelligence and edification, "they ne'er ate a bit o' beef i' their
lives. Mostly sallet, I reckon."

"And says I to Mills," continued Mr. Craig, "'Will you try to make me
believe as furriners like them can do us half th' harm them ministers
do with their bad government? If King George 'ud turn 'em all away and
govern by himself, he'd see everything righted. He might take on Billy
Pitt again if he liked; but I don't see myself what we want wi' anybody
besides King and Parliament. It's that nest o' ministers does the
mischief, I tell you.'"

"Ah, it's fine talking," observed Mrs. Poyser, who was now seated near
her husband, with Totty on her lap--"it's fine talking. It's hard work
to tell which is Old Harry when everybody's got boots on."

"As for this peace," said Mr. Poyser, turning his head on one side in
a dubitative manner and giving a precautionary puff to his pipe between
each sentence, "I don't know. Th' war's a fine thing for the country,
an' how'll you keep up prices wi'out it? An' them French are a wicked
sort o' folks, by what I can make out. What can you do better nor fight
'em?"

"Ye're partly right there, Poyser," said Mr. Craig, "but I'm not again'
the peace--to make a holiday for a bit. We can break it when we like,
an' I'm in no fear o' Bony, for all they talk so much o' his cliverness.
That's what I says to Mills this morning. Lor' bless you, he sees no
more through Bony!...why, I put him up to more in three minutes than he
gets from's paper all the year round. Says I, 'Am I a gardener as knows
his business, or arn't I, Mills? Answer me that.' 'To be sure y' are,
Craig,' says he--he's not a bad fellow, Mills isn't, for a butler, but
weak i' the head. 'Well,' says I, 'you talk o' Bony's cliverness; would
it be any use my being a first-rate gardener if I'd got nought but a
quagmire to work on?' 'No,' says he. 'Well,' I says, 'that's just
what it is wi' Bony. I'll not deny but he may be a bit cliver--he's
no Frenchman born, as I understand--but what's he got at's back but
mounseers?'"

Mr. Craig paused a moment with an emphatic stare after this triumphant
specimen of Socratic argument, and then added, thumping the table rather
fiercely, "Why, it's a sure thing--and there's them 'ull bear witness
to't--as i' one regiment where there was one man a-missing, they put
the regimentals on a big monkey, and they fit him as the shell fits the
walnut, and you couldn't tell the monkey from the mounseers!"

"Ah! Think o' that, now!" said Mr. Poyser, impressed at once with the
political bearings of the fact and with its striking interest as an
anecdote in natural history.

"Come, Craig," said Adam, "that's a little too strong. You don't believe
that. It's all nonsense about the French being such poor sticks. Mr.
Irwine's seen 'em in their own country, and he says they've plenty o'
fine fellows among 'em. And as for knowledge, and contrivances, and
manufactures, there's a many things as we're a fine sight behind 'em in.
It's poor foolishness to run down your enemies. Why, Nelson and the
rest of 'em 'ud have no merit i' beating 'em, if they were such offal as
folks pretend."

Mr. Poyser looked doubtfully at Mr. Craig, puzzled by this opposition of
authorities. Mr. Irwine's testimony was not to be disputed; but, on the
other hand, Craig was a knowing fellow, and his view was less startling.
Martin had never "heard tell" of the French being good for much. Mr.
Craig had found no answer but such as was implied in taking a long
draught of ale and then looking down fixedly at the proportions of his
own leg, which he turned a little outward for that purpose, when Bartle
Massey returned from the fireplace, where he had been smoking his
first pipe in quiet, and broke the silence by saying, as he thrust his
forefinger into the canister, "Why, Adam, how happened you not to be at
church on Sunday? Answer me that, you rascal. The anthem went limping
without you. Are you going to disgrace your schoolmaster in his old
age?"

"No, Mr. Massey," said Adam. "Mr. and Mrs. Poyser can tell you where I
was. I was in no bad company."

"She's gone, Adam--gone to Snowfield," said Mr. Poyser, reminded of
Dinah for the first time this evening. "I thought you'd ha' persuaded
her better. Nought 'ud hold her, but she must go yesterday forenoon. The
missis has hardly got over it. I thought she'd ha' no sperrit for th'
harvest supper."

Mrs. Poyser had thought of Dinah several times since Adam had come in,
but she had had "no heart" to mention the bad news.

"What!" said Bartle, with an air of disgust. "Was there a woman
concerned? Then I give you up, Adam."

"But it's a woman you'n spoke well on, Bartle," said Mr. Poyser. "Come
now, you canna draw back; you said once as women wouldna ha' been a bad
invention if they'd all been like Dinah."

"I meant her voice, man--I meant her voice, that was all," said Bartle.
"I can bear to hear her speak without wanting to put wool in my ears. As
for other things, I daresay she's like the rest o' the women--thinks
two and two 'll come to make five, if she cries and bothers enough about
it."

"Aye, aye!" said Mrs. Poyser; "one 'ud think, an' hear some folks talk,
as the men war 'cute enough to count the corns in a bag o' wheat wi'
only smelling at it. They can see through a barn-door, they can. Perhaps
that's the reason THEY can see so little o' this side on't."

Martin Poyser shook with delighted laughter and winked at Adam, as much
as to say the schoolmaster was in for it now.

"Ah!" said Bartle sneeringly, "the women are quick enough--they're quick
enough. They know the rights of a story before they hear it, and can
tell a man what his thoughts are before he knows 'em himself."

"Like enough," said Mrs. Poyser, "for the men are mostly so slow, their
thoughts overrun 'em, an' they can only catch 'em by the tail. I can
count a stocking-top while a man's getting's tongue ready an' when he
outs wi' his speech at last, there's little broth to be made on't. It's
your dead chicks take the longest hatchin'. Howiver, I'm not denyin' the
women are foolish: God Almighty made 'em to match the men."

"Match!" said Bartle. "Aye, as vinegar matches one's teeth. If a man
says a word, his wife 'll match it with a contradiction; if he's a
mind for hot meat, his wife 'll match it with cold bacon; if he laughs,
she'll match him with whimpering. She's such a match as the horse-fly
is to th' horse: she's got the right venom to sting him with--the right
venom to sting him with."

"Yes," said Mrs. Poyser, "I know what the men like--a poor soft, as 'ud
simper at 'em like the picture o' the sun, whether they did right or
wrong, an' say thank you for a kick, an' pretend she didna know which
end she stood uppermost, till her husband told her. That's what a man
wants in a wife, mostly; he wants to make sure o' one fool as 'ull tell
him he's wise. But there's some men can do wi'out that--they think so
much o' themselves a'ready. An' that's how it is there's old bachelors."

"Come, Craig," said Mr. Poyser jocosely, "you mun get married pretty
quick, else you'll be set down for an old bachelor; an' you see what the
women 'ull think on you."

"Well," said Mr. Craig, willing to conciliate Mrs. Poyser and setting a
high value on his own compliments, "I like a cleverish woman--a woman o'
sperrit--a managing woman."

"You're out there, Craig," said Bartle, dryly; "you're out there. You
judge o' your garden-stuff on a better plan than that. You pick the
things for what they can excel in--for what they can excel in. You don't
value your peas for their roots, or your carrots for their flowers. Now,
that's the way you should choose women. Their cleverness 'll never come
to much--never come to much--but they make excellent simpletons, ripe
and strong-flavoured."

"What dost say to that?" said Mr. Poyser, throwing himself back and
looking merrily at his wife.

"Say!" answered Mrs. Poyser, with dangerous fire kindling in her
eye. "Why, I say as some folks' tongues are like the clocks as run
on strikin', not to tell you the time o' the day, but because there's
summat wrong i' their own inside..."

Mrs. Poyser would probably have brought her rejoinder to a further
climax, if every one's attention had not at this moment been called to
the other end of the table, where the lyricism, which had at first only
manifested itself by David's sotto voce performance of "My love's a rose
without a thorn," had gradually assumed a rather deafening and complex
character. Tim, thinking slightly of David's vocalization, was impelled
to supersede that feeble buzz by a spirited commencement of "Three Merry
Mowers," but David was not to be put down so easily, and showed himself
capable of a copious crescendo, which was rendering it doubtful whether
the rose would not predominate over the mowers, when old Kester, with
an entirely unmoved and immovable aspect, suddenly set up a quavering
treble--as if he had been an alarum, and the time was come for him to go
off.

The company at Alick's end of the table took this form of vocal
entertainment very much as a matter of course, being free from musical
prejudices; but Bartle Massey laid down his pipe and put his fingers in
his ears; and Adam, who had been longing to go ever since he had heard
Dinah was not in the house, rose and said he must bid good-night.

"I'll go with you, lad," said Bartle; "I'll go with you before my ears
are split."

"I'll go round by the Common and see you home, if you like, Mr. Massey,"
said Adam.

"Aye, aye!" said Bartle; "then we can have a bit o' talk together. I
never get hold of you now."

"Eh! It's a pity but you'd sit it out," said Martin Poyser. "They'll all
go soon, for th' missis niver lets 'em stay past ten."

But Adam was resolute, so the good-nights were said, and the two friends
turned out on their starlight walk together.

"There's that poor fool, Vixen, whimpering for me at home," said Bartle.
"I can never bring her here with me for fear she should be struck with
Mrs. Poyser's eye, and the poor bitch might go limping for ever after."

"I've never any need to drive Gyp back," said Adam, laughing. "He always
turns back of his own head when he finds out I'm coming here."

"Aye, aye," said Bartle. "A terrible woman!--made of needles, made of
needles. But I stick to Martin--I shall always stick to Martin. And
he likes the needles, God help him! He's a cushion made on purpose for
'em."

"But she's a downright good-natur'd woman, for all that," said Adam,
"and as true as the daylight. She's a bit cross wi' the dogs when they
offer to come in th' house, but if they depended on her, she'd take care
and have 'em well fed. If her tongue's keen, her heart's tender: I've
seen that in times o' trouble. She's one o' those women as are better
than their word."

"Well, well," said Bartle, "I don't say th' apple isn't sound at the
core; but it sets my teeth on edge--it sets my teeth on edge."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: On Wednesday, Adam returns home from work, hoping that he can fix a time to visit Dinah in Snowfield. Upon reaching the Poysers' home, he is alarmed that Dinah is not there. She has left already. Mr. Poyser watches half-witted Tom Saft enjoy his beef dinner with great amusement. Tom seems like something of a jester around the farm. Besides him, Mr. Poyser considers that he has the best servants and farmhands around. After the dinner, they all sing a song together. They drink a good quantity of ale as they do so. The conversation turns to politics, and Adam says that the French are not all so weak as everyone else thinks--otherwise Lord Nelson would have no honor in beating them. Bartle asks Adam why he was not at church, and when he finds out that it has to do with Dinah, he reproaches him. Though he was very taken with Dinah, Bartle argues that all women are the same. He gets into a heated argument with Mrs. Poyser over the point, which is interrupted by some awful singing by the servants. Adam and Bartle agree to leave together


prompt:
Chapter: ADAM understood Dinah's haste to go away, and drew hope rather than
discouragement from it. She was fearful lest the strength of her feeling
towards him should hinder her from waiting and listening faithfully for
the ultimate guiding voice from within.

"I wish I'd asked her to write to me, though," he thought. "And yet even
that might disturb her a bit, perhaps. She wants to be quite quiet
in her old way for a while. And I've no right to be impatient and
interrupting her with my wishes. She's told me what her mind is,
and she's not a woman to say one thing and mean another. I'll wait
patiently."

That was Adam's wise resolution, and it throve excellently for the first
two or three weeks on the nourishment it got from the remembrance of
Dinah's confession that Sunday afternoon. There is a wonderful amount
of sustenance in the first few words of love. But towards the middle
of October the resolution began to dwindle perceptibly, and showed
dangerous symptoms of exhaustion. The weeks were unusually long: Dinah
must surely have had more than enough time to make up her mind. Let a
woman say what she will after she has once told a man that she loves
him, he is a little too flushed and exalted with that first draught she
offers him to care much about the taste of the second. He treads the
earth with a very elastic step as he walks away from her, and makes
light of all difficulties. But that sort of glow dies out: memory gets
sadly diluted with time, and is not strong enough to revive us. Adam
was no longer so confident as he had been. He began to fear that perhaps
Dinah's old life would have too strong a grasp upon her for any new
feeling to triumph. If she had not felt this, she would surely have
written to him to give him some comfort; but it appeared that she held
it right to discourage him. As Adam's confidence waned, his patience
waned with it, and he thought he must write himself. He must ask Dinah
not to leave him in painful doubt longer than was needful. He sat up
late one night to write her a letter, but the next morning he burnt it,
afraid of its effect. It would be worse to have a discouraging answer
by letter than from her own lips, for her presence reconciled him to her
will.

You perceive how it was: Adam was hungering for the sight of Dinah, and
when that sort of hunger reaches a certain stage, a lover is likely to
still it though he may have to put his future in pawn.

But what harm could he do by going to Snowfield? Dinah could not be
displeased with him for it. She had not forbidden him to go. She must
surely expect that he would go before long. By the second Sunday in
October this view of the case had become so clear to Adam that he was
already on his way to Snowfield, on horseback this time, for his hours
were precious now, and he had borrowed Jonathan Burge's good nag for the
journey.

What keen memories went along the road with him! He had often been to
Oakbourne and back since that first journey to Snowfield, but beyond
Oakbourne the greystone walls, the broken country, the meagre trees,
seemed to be telling him afresh the story of that painful past which he
knew so well by heart. But no story is the same to us after a lapse of
time--or rather, we who read it are no longer the same interpreters--and
Adam this morning brought with him new thoughts through that grey
country, thoughts which gave an altered significance to its story of the
past.

That is a base and selfish, even a blasphemous, spirit which rejoices
and is thankful over the past evil that has blighted or crushed another,
because it has been made a source of unforeseen good to ourselves. Adam
could never cease to mourn over that mystery of human sorrow which had
been brought so close to him; he could never thank God for another's
misery. And if I were capable of that narrow-sighted joy in Adam's
behalf, I should still know he was not the man to feel it for himself.
He would have shaken his head at such a sentiment and said, "Evil's
evil, and sorrow's sorrow, and you can't alter it's natur by wrapping
it up in other words. Other folks were not created for my sake, that I
should think all square when things turn out well for me."

But it is not ignoble to feel that the fuller life which a sad
experience has brought us is worth our own personal share of pain.
Surely it is not possible to feel otherwise, any more than it would be
possible for a man with cataract to regret the painful process by which
his dim blurred sight of men as trees walking had been exchanged for
clear outline and effulgent day. The growth of higher feeling within
us is like the growth of faculty, bringing with it a sense of added
strength. We can no more wish to return to a narrower sympathy than
a painter or a musician can wish to return to his cruder manner, or a
philosopher to his less complete formula.

Something like this sense of enlarged being was in Adam's mind this
Sunday morning, as he rode along in vivid recollection of the past. His
feeling towards Dinah, the hope of passing his life with her, had been
the distant unseen point towards which that hard journey from Snowfield
eighteen months ago had been leading him. Tender and deep as his love
for Hetty had been--so deep that the roots of it would never be torn
away--his love for Dinah was better and more precious to him, for it
was the outgrowth of that fuller life which had come to him from his
acquaintance with deep sorrow. "It's like as if it was a new strength to
me," he said to himself, "to love her and know as she loves me. I shall
look t' her to help me to see things right. For she's better than I
am--there's less o' self in her, and pride. And it's a feeling as gives
you a sort o' liberty, as if you could walk more fearless, when you've
more trust in another than y' have in yourself. I've always been
thinking I knew better than them as belonged to me, and that's a poor
sort o' life, when you can't look to them nearest to you t' help you
with a bit better thought than what you've got inside you a'ready."

It was more than two o'clock in the afternoon when Adam came in sight of
the grey town on the hill-side and looked searchingly towards the green
valley below, for the first glimpse of the old thatched roof near the
ugly red mill. The scene looked less harsh in the soft October sunshine
than it had in the eager time of early spring, and the one grand charm
it possessed in common with all wide-stretching woodless regions--that
it filled you with a new consciousness of the overarching sky--had a
milder, more soothing influence than usual, on this almost cloudless
day. Adam's doubts and fears melted under this influence as the delicate
weblike clouds had gradually melted away into the clear blue above him.
He seemed to see Dinah's gentle face assuring him, with its looks alone,
of all he longed to know.

He did not expect Dinah to be at home at this hour, but he got down from
his horse and tied it at the little gate, that he might ask where she
was gone to-day. He had set his mind on following her and bringing her
home. She was gone to Sloman's End, a hamlet about three miles off, over
the hill, the old woman told him--had set off directly after morning
chapel, to preach in a cottage there, as her habit was. Anybody at the
town would tell him the way to Sloman's End. So Adam got on his horse
again and rode to the town, putting up at the old inn and taking a
hasty dinner there in the company of the too chatty landlord, from whose
friendly questions and reminiscences he was glad to escape as soon as
possible and set out towards Sloman's End. With all his haste it was
nearly four o'clock before he could set off, and he thought that as
Dinah had gone so early, she would perhaps already be near returning.
The little, grey, desolate-looking hamlet, unscreened by sheltering
trees, lay in sight long before he reached it, and as he came near he
could hear the sound of voices singing a hymn. "Perhaps that's the last
hymn before they come away," Adam thought. "I'll walk back a bit and
turn again to meet her, farther off the village." He walked back till he
got nearly to the top of the hill again, and seated himself on a loose
stone, against the low wall, to watch till he should see the little
black figure leaving the hamlet and winding up the hill. He chose
this spot, almost at the top of the hill, because it was away from all
eyes--no house, no cattle, not even a nibbling sheep near--no presence
but the still lights and shadows and the great embracing sky.

She was much longer coming than he expected. He waited an hour at
least watching for her and thinking of her, while the afternoon shadows
lengthened and the light grew softer. At last he saw the little black
figure coming from between the grey houses and gradually approaching the
foot of the hill. Slowly, Adam thought, but Dinah was really walking at
her usual pace, with a light quiet step. Now she was beginning to wind
along the path up the hill, but Adam would not move yet; he would not
meet her too soon; he had set his heart on meeting her in this assured
loneliness. And now he began to fear lest he should startle her too
much. "Yet," he thought, "she's not one to be overstartled; she's always
so calm and quiet, as if she was prepared for anything."

What was she thinking of as she wound up the hill? Perhaps she had found
complete repose without him, and had ceased to feel any need of his
love. On the verge of a decision we all tremble: hope pauses with
fluttering wings.

But now at last she was very near, and Adam rose from the stone wall.
It happened that just as he walked forward, Dinah had paused and turned
round to look back at the village--who does not pause and look back in
mounting a hill? Adam was glad, for, with the fine instinct of a lover,
he felt that it would be best for her to hear his voice before she
saw him. He came within three paces of her and then said, "Dinah!" She
started without looking round, as if she connected the sound with no
place. "Dinah!" Adam said again. He knew quite well what was in her
mind. She was so accustomed to think of impressions as purely spiritual
monitions that she looked for no material visible accompaniment of the
voice.

But this second time she looked round. What a look of yearning love it
was that the mild grey eyes turned on the strong dark-eyed man! She did
not start again at the sight of him; she said nothing, but moved towards
him so that his arm could clasp her round.

And they walked on so in silence, while the warm tears fell. Adam was
content, and said nothing. It was Dinah who spoke first.

"Adam," she said, "it is the Divine Will. My soul is so knit to yours
that it is but a divided life I live without you. And this moment, now
you are with me, and I feel that our hearts are filled with the same
love. I have a fulness of strength to bear and do our heavenly Father's
Will that I had lost before."

Adam paused and looked into her sincere eyes.

"Then we'll never part any more, Dinah, till death parts us."

And they kissed each other with a deep joy.

What greater thing is there for two human souls than to feel that they
are joined for life--to strengthen each other in all labour, to rest on
each other in all sorrow, to minister to each other in all pain, to be
one with each other in silent unspeakable memories at the moment of the
last parting?

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Adam understands Dinah's reasons for leaving--her feelings towards him were getting too strong. Adam writes her a letter, but he burns it and decides to go to Snowfield himself. On the way along the same road that he once walked to try to find Hetty, Adam understands that his love for Dinah is deeper and better. He rides where the people whose house she lives in have told him she is preaching, then waits for over an hour on a hill. As she mounts the hill, she stops to look back over the village. Adam calls out to her, and she comes to embrace him. She says that it is God's will that they must marry, because she lives a divided existence without him


prompt:
Chapter: IN little more than a month after that meeting on the hill--on a rimy
morning in departing November--Adam and Dinah were married.

It was an event much thought of in the village. All Mr. Burge's men had
a holiday, and all Mr. Poyser's, and most of those who had a holiday
appeared in their best clothes at the wedding. I think there was hardly
an inhabitant of Hayslope specially mentioned in this history and still
resident in the parish on this November morning who was not either in
church to see Adam and Dinah married, or near the church door to greet
them as they came forth. Mrs. Irwine and her daughters were waiting at
the churchyard gates in their carriage (for they had a carriage now) to
shake hands with the bride and bridegroom and wish them well; and in the
absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and
Mr. Craig had felt it incumbent on them to represent "the family" at the
Chase on the occasion. The churchyard walk was quite lined with familiar
faces, many of them faces that had first looked at Dinah when she
preached on the Green. And no wonder they showed this eager interest on
her marriage morning, for nothing like Dinah and the history which had
brought her and Adam Bede together had been known at Hayslope within the
memory of man.

Bessy Cranage, in her neatest cap and frock, was crying, though she did
not exactly know why; for, as her cousin Wiry Ben, who stood near her,
judiciously suggested, Dinah was not going away, and if Bessy was in low
spirits, the best thing for her to do was to follow Dinah's example and
marry an honest fellow who was ready to have her. Next to Bessy, just
within the church door, there were the Poyser children, peeping round
the corner of the pews to get a sight of the mysterious ceremony;
Totty's face wearing an unusual air of anxiety at the idea of seeing
cousin Dinah come back looking rather old, for in Totty's experience no
married people were young.

I envy them all the sight they had when the marriage was fairly ended
and Adam led Dinah out of church. She was not in black this morning,
for her Aunt Poyser would by no means allow such a risk of incurring bad
luck, and had herself made a present of the wedding dress, made all of
grey, though in the usual Quaker form, for on this point Dinah could not
give way. So the lily face looked out with sweet gravity from under
a grey Quaker bonnet, neither smiling nor blushing, but with lips
trembling a little under the weight of solemn feelings. Adam, as he
pressed her arm to his side, walked with his old erectness and his head
thrown rather backward as if to face all the world better. But it was
not because he was particularly proud this morning, as is the wont of
bridegrooms, for his happiness was of a kind that had little reference
to men's opinion of it. There was a tinge of sadness in his deep joy;
Dinah knew it, and did not feel aggrieved.

There were three other couples, following the bride and bridegroom:
first, Martin Poyser, looking as cheery as a bright fire on this rimy
morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely
happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with
Lisbeth--Lisbeth in a new gown and bonnet, too busy with her pride in
her son and her delight in possessing the one daughter she had desired
to devise a single pretext for complaint.

Bartle Massey had consented to attend the wedding at Adam's earnest
request, under protest against marriage in general and the marriage of a
sensible man in particular. Nevertheless, Mr. Poyser had a joke against
him after the wedding dinner, to the effect that in the vestry he had
given the bride one more kiss than was necessary.

Behind this last couple came Mr. Irwine, glad at heart over this good
morning's work of joining Adam and Dinah. For he had seen Adam in the
worst moments of his sorrow; and what better harvest from that painful
seed-time could there be than this? The love that had brought hope and
comfort in the hour of despair, the love that had found its way to the
dark prison cell and to poor Hetty's darker soul--this strong gentle
love was to be Adam's companion and helper till death.

There was much shaking of hands mingled with "God bless you's" and other
good wishes to the four couples, at the churchyard gate, Mr. Poyser
answering for the rest with unwonted vivacity of tongue, for he had
all the appropriate wedding-day jokes at his command. And the women, he
observed, could never do anything but put finger in eye at a wedding.
Even Mrs. Poyser could not trust herself to speak as the neighbours
shook hands with her, and Lisbeth began to cry in the face of the very
first person who told her she was getting young again.

Mr. Joshua Rann, having a slight touch of rheumatism, did not join
in the ringing of the bells this morning, and, looking on with some
contempt at these informal greetings which required no official
co-operation from the clerk, began to hum in his musical bass, "Oh what
a joyful thing it is," by way of preluding a little to the effect he
intended to produce in the wedding psalm next Sunday.

"That's a bit of good news to cheer Arthur," said Mr. Irwine to his
mother, as they drove off. "I shall write to him the first thing when we
get home."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: A little more than a month later, Adam and Dinah are married. It is a community-wide event. For once, Dinah does not wear black. She wears a gray dress in the Quaker style. There is a small tinge of sadness in Adam's great joy, which Dinah recognizes but does not begrudge him. Bartle Massey consents to attend the wedding, although with great protest against weddings in general. On the way home, Mr. Irwine says that it will be a bit of good news to write to Arthur. Epilogue Near the end of June in 1807, Dinah comes out of the yard that used to belong to Mr. Burge and which is now Adam's. She calls to Lisbeth, age four, who runs to her mother. Seth exits the house with his nephew Addy, age 2, riding on his shoulders. They walk down the road to meet Adam, who is returning from his first meeting with Arthur in a long time. Hetty died on her way back to the village some years before. Adam looks affected and says that Arthur looks much worse after the fever, though he still smiles like he did when he was a boy. Dinah regrets that she has never seen him smile, but Adam says that she will tomorrow, since he has invited Arthur to come and see her. He was pleased to hear that she still uses his watch--and said that he would probably turn Methodist as soon as he heard her speak. Adam told him that she does not preach any more because the Methodists have prohibited it. Seth says that this is a pity and that they should have left to join the Wesleyans. But Adam says that the new rule is wise because some of the other women did more harm than good with their preaching. Adam says that Arthur is also going to the Poysers' home with Mr. Irwine


prompt:
Chapter: With a single drop of ink for a mirror, the Egyptian sorcerer undertakes
to reveal to any chance comer far-reaching visions of the past. This is
what I undertake to do for you, reader. With this drop of ink at the
end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge,
carpenter and builder, in the village of Hayslope, as it appeared on the
eighteenth of June, in the year of our Lord 1799.

The afternoon sun was warm on the five workmen there, busy upon doors
and window-frames and wainscoting. A scent of pine-wood from a tentlike
pile of planks outside the open door mingled itself with the scent of
the elder-bushes which were spreading their summer snow close to
the open window opposite; the slanting sunbeams shone through the
transparent shavings that flew before the steady plane, and lit up the
fine grain of the oak panelling which stood propped against the wall.
On a heap of those soft shavings a rough, grey shepherd dog had
made himself a pleasant bed, and was lying with his nose between his
fore-paws, occasionally wrinkling his brows to cast a glance at the
tallest of the five workmen, who was carving a shield in the centre of
a wooden mantelpiece. It was to this workman that the strong barytone
belonged which was heard above the sound of plane and hammer singing--

     Awake, my soul, and with the sun
     Thy daily stage of duty run;
     Shake off dull sloth...

Here some measurement was to be taken which required more concentrated
attention, and the sonorous voice subsided into a low whistle; but it
presently broke out again with renewed vigour--

     Let all thy converse be sincere,
     Thy conscience as the noonday clear.

Such a voice could only come from a broad chest, and the broad chest
belonged to a large-boned, muscular man nearly six feet high, with a
back so flat and a head so well poised that when he drew himself up
to take a more distant survey of his work, he had the air of a soldier
standing at ease. The sleeve rolled up above the elbow showed an arm
that was likely to win the prize for feats of strength; yet the long
supple hand, with its broad finger-tips, looked ready for works of
skill. In his tall stalwartness Adam Bede was a Saxon, and justified his
name; but the jet-black hair, made the more noticeable by its contrast
with the light paper cap, and the keen glance of the dark eyes that
shone from under strongly marked, prominent and mobile eyebrows,
indicated a mixture of Celtic blood. The face was large and roughly
hewn, and when in repose had no other beauty than such as belongs to an
expression of good-humoured honest intelligence.

It is clear at a glance that the next workman is Adam's brother. He is
nearly as tall; he has the same type of features, the same hue of hair
and complexion; but the strength of the family likeness seems only to
render more conspicuous the remarkable difference of expression both in
form and face. Seth's broad shoulders have a slight stoop; his eyes
are grey; his eyebrows have less prominence and more repose than his
brother's; and his glance, instead of being keen, is confiding and
benign. He has thrown off his paper cap, and you see that his hair is
not thick and straight, like Adam's, but thin and wavy, allowing you
to discern the exact contour of a coronal arch that predominates very
decidedly over the brow.

The idle tramps always felt sure they could get a copper from Seth; they
scarcely ever spoke to Adam.

The concert of the tools and Adam's voice was at last broken by Seth,
who, lifting the door at which he had been working intently, placed
it against the wall, and said, "There! I've finished my door to-day,
anyhow."

The workmen all looked up; Jim Salt, a burly, red-haired man known as
Sandy Jim, paused from his planing, and Adam said to Seth, with a sharp
glance of surprise, "What! Dost think thee'st finished the door?"

"Aye, sure," said Seth, with answering surprise; "what's awanting to't?"

A loud roar of laughter from the other three workmen made Seth look
round confusedly. Adam did not join in the laughter, but there was a
slight smile on his face as he said, in a gentler tone than before,
"Why, thee'st forgot the panels."

The laughter burst out afresh as Seth clapped his hands to his head, and
coloured over brow and crown.

"Hoorray!" shouted a small lithe fellow called Wiry Ben, running forward
and seizing the door. "We'll hang up th' door at fur end o' th' shop an'
write on't 'Seth Bede, the Methody, his work.' Here, Jim, lend's hould
o' th' red pot."

"Nonsense!" said Adam. "Let it alone, Ben Cranage. You'll mayhap be
making such a slip yourself some day; you'll laugh o' th' other side o'
your mouth then."

"Catch me at it, Adam. It'll be a good while afore my head's full o' th'
Methodies," said Ben.

"Nay, but it's often full o' drink, and that's worse."

Ben, however, had now got the "red pot" in his hand, and was about
to begin writing his inscription, making, by way of preliminary, an
imaginary S in the air.

"Let it alone, will you?" Adam called out, laying down his tools,
striding up to Ben, and seizing his right shoulder. "Let it alone, or
I'll shake the soul out o' your body."

Ben shook in Adam's iron grasp, but, like a plucky small man as he was,
he didn't mean to give in. With his left hand he snatched the brush from
his powerless right, and made a movement as if he would perform the feat
of writing with his left. In a moment Adam turned him round, seized his
other shoulder, and, pushing him along, pinned him against the wall. But
now Seth spoke.

"Let be, Addy, let be. Ben will be joking. Why, he's i' the right to
laugh at me--I canna help laughing at myself."

"I shan't loose him till he promises to let the door alone," said Adam.

"Come, Ben, lad," said Seth, in a persuasive tone, "don't let's have a
quarrel about it. You know Adam will have his way. You may's well try
to turn a waggon in a narrow lane. Say you'll leave the door alone, and
make an end on't."

"I binna frighted at Adam," said Ben, "but I donna mind sayin' as I'll
let 't alone at your askin', Seth."

"Come, that's wise of you, Ben," said Adam, laughing and relaxing his
grasp.

They all returned to their work now; but Wiry Ben, having had the worst
in the bodily contest, was bent on retrieving that humiliation by a
success in sarcasm.

"Which was ye thinkin' on, Seth," he began--"the pretty parson's face or
her sarmunt, when ye forgot the panels?"

"Come and hear her, Ben," said Seth, good-humouredly; "she's going to
preach on the Green to-night; happen ye'd get something to think on
yourself then, instead o' those wicked songs you're so fond on. Ye might
get religion, and that 'ud be the best day's earnings y' ever made."

"All i' good time for that, Seth; I'll think about that when I'm a-goin'
to settle i' life; bachelors doesn't want such heavy earnin's. Happen
I shall do the coortin' an' the religion both together, as YE do, Seth;
but ye wouldna ha' me get converted an' chop in atween ye an' the pretty
preacher, an' carry her aff?"

"No fear o' that, Ben; she's neither for you nor for me to win, I doubt.
Only you come and hear her, and you won't speak lightly on her again."

"Well, I'm half a mind t' ha' a look at her to-night, if there isn't
good company at th' Holly Bush. What'll she take for her text? Happen ye
can tell me, Seth, if so be as I shouldna come up i' time for't. Will't
be--what come ye out for to see? A prophetess? Yea, I say unto you, and
more than a prophetess--a uncommon pretty young woman."

"Come, Ben," said Adam, rather sternly, "you let the words o' the Bible
alone; you're going too far now."

"What! Are YE a-turnin' roun', Adam? I thought ye war dead again th'
women preachin', a while agoo?"

"Nay, I'm not turnin' noway. I said nought about the women preachin'.
I said, You let the Bible alone: you've got a jest-book, han't you, as
you're rare and proud on? Keep your dirty fingers to that."

"Why, y' are gettin' as big a saint as Seth. Y' are goin' to th'
preachin' to-night, I should think. Ye'll do finely t' lead the singin'.
But I don' know what Parson Irwine 'ull say at his gran' favright Adam
Bede a-turnin' Methody."

"Never do you bother yourself about me, Ben. I'm not a-going to turn
Methodist any more nor you are--though it's like enough you'll turn
to something worse. Mester Irwine's got more sense nor to meddle wi'
people's doing as they like in religion. That's between themselves and
God, as he's said to me many a time."

"Aye, aye; but he's none so fond o' your dissenters, for all that."

"Maybe; I'm none so fond o' Josh Tod's thick ale, but I don't hinder you
from making a fool o' yourself wi't."

There was a laugh at this thrust of Adam's, but Seth said, very
seriously. "Nay, nay, Addy, thee mustna say as anybody's religion's
like thick ale. Thee dostna believe but what the dissenters and the
Methodists have got the root o' the matter as well as the church folks."

"Nay, Seth, lad; I'm not for laughing at no man's religion. Let 'em
follow their consciences, that's all. Only I think it 'ud be better if
their consciences 'ud let 'em stay quiet i' the church--there's a deal
to be learnt there. And there's such a thing as being oversperitial; we
must have something beside Gospel i' this world. Look at the canals, an'
th' aqueduc's, an' th' coal-pit engines, and Arkwright's mills there at
Cromford; a man must learn summat beside Gospel to make them things, I
reckon. But t' hear some o' them preachers, you'd think as a man must be
doing nothing all's life but shutting's eyes and looking what's agoing
on inside him. I know a man must have the love o' God in his soul, and
the Bible's God's word. But what does the Bible say? Why, it says as God
put his sperrit into the workman as built the tabernacle, to make him do
all the carved work and things as wanted a nice hand. And this is my
way o' looking at it: there's the sperrit o' God in all things and all
times--weekday as well as Sunday--and i' the great works and inventions,
and i' the figuring and the mechanics. And God helps us with our
headpieces and our hands as well as with our souls; and if a man does
bits o' jobs out o' working hours--builds a oven for 's wife to save her
from going to the bakehouse, or scrats at his bit o' garden and makes
two potatoes grow istead o' one, he's doin' more good, and he's just as
near to God, as if he was running after some preacher and a-praying and
a-groaning."

"Well done, Adam!" said Sandy Jim, who had paused from his planing to
shift his planks while Adam was speaking; "that's the best sarmunt I've
heared this long while. By th' same token, my wife's been a-plaguin' on
me to build her a oven this twelvemont."

"There's reason in what thee say'st, Adam," observed Seth, gravely. "But
thee know'st thyself as it's hearing the preachers thee find'st so much
fault with has turned many an idle fellow into an industrious un. It's
the preacher as empties th' alehouse; and if a man gets religion, he'll
do his work none the worse for that."

"On'y he'll lave the panels out o' th' doors sometimes, eh, Seth?" said
Wiry Ben.

"Ah, Ben, you've got a joke again' me as 'll last you your life. But it
isna religion as was i' fault there; it was Seth Bede, as was allays a
wool-gathering chap, and religion hasna cured him, the more's the pity."

"Ne'er heed me, Seth," said Wiry Ben, "y' are a down-right good-hearted
chap, panels or no panels; an' ye donna set up your bristles at every
bit o' fun, like some o' your kin, as is mayhap cliverer."

"Seth, lad," said Adam, taking no notice of the sarcasm against himself,
"thee mustna take me unkind. I wasna driving at thee in what I said just
now. Some 's got one way o' looking at things and some 's got another."

"Nay, nay, Addy, thee mean'st me no unkindness," said Seth, "I know that
well enough. Thee't like thy dog Gyp--thee bark'st at me sometimes, but
thee allays lick'st my hand after."

All hands worked on in silence for some minutes, until the church clock
began to strike six. Before the first stroke had died away, Sandy Jim
had loosed his plane and was reaching his jacket; Wiry Ben had left a
screw half driven in, and thrown his screwdriver into his tool-basket;
Mum Taft, who, true to his name, had kept silence throughout the
previous conversation, had flung down his hammer as he was in the act
of lifting it; and Seth, too, had straightened his back, and was putting
out his hand towards his paper cap. Adam alone had gone on with his work
as if nothing had happened. But observing the cessation of the tools, he
looked up, and said, in a tone of indignation, "Look there, now! I can't
abide to see men throw away their tools i' that way, the minute the
clock begins to strike, as if they took no pleasure i' their work and
was afraid o' doing a stroke too much."

Seth looked a little conscious, and began to be slower in his
preparations for going, but Mum Taft broke silence, and said, "Aye, aye,
Adam lad, ye talk like a young un. When y' are six-an'-forty like me,
istid o' six-an'-twenty, ye wonna be so flush o' workin' for nought."

"Nonsense," said Adam, still wrathful; "what's age got to do with it, I
wonder? Ye arena getting stiff yet, I reckon. I hate to see a man's arms
drop down as if he was shot, before the clock's fairly struck, just as
if he'd never a bit o' pride and delight in 's work. The very grindstone
'ull go on turning a bit after you loose it."

"Bodderation, Adam!" exclaimed Wiry Ben; "lave a chap aloon, will 'ee?
Ye war afinding faut wi' preachers a while agoo--y' are fond enough o'
preachin' yoursen. Ye may like work better nor play, but I like play
better nor work; that'll 'commodate ye--it laves ye th' more to do."

With this exit speech, which he considered effective, Wiry Ben
shouldered his basket and left the workshop, quickly followed by Mum
Taft and Sandy Jim. Seth lingered, and looked wistfully at Adam, as if
he expected him to say something.

"Shalt go home before thee go'st to the preaching?" Adam asked, looking
up.

"Nay; I've got my hat and things at Will Maskery's. I shan't be home
before going for ten. I'll happen see Dinah Morris safe home, if she's
willing. There's nobody comes with her from Poyser's, thee know'st."

"Then I'll tell mother not to look for thee," said Adam.

"Thee artna going to Poyser's thyself to-night?" said Seth rather
timidly, as he turned to leave the workshop.

"Nay, I'm going to th' school."

Hitherto Gyp had kept his comfortable bed, only lifting up his head and
watching Adam more closely as he noticed the other workmen departing.
But no sooner did Adam put his ruler in his pocket, and begin to twist
his apron round his waist, than Gyp ran forward and looked up in his
master's face with patient expectation. If Gyp had had a tail he would
doubtless have wagged it, but being destitute of that vehicle for his
emotions, he was like many other worthy personages, destined to appear
more phlegmatic than nature had made him.

"What! Art ready for the basket, eh, Gyp?" said Adam, with the same
gentle modulation of voice as when he spoke to Seth.

Gyp jumped and gave a short bark, as much as to say, "Of course." Poor
fellow, he had not a great range of expression.

The basket was the one which on workdays held Adam's and Seth's dinner;
and no official, walking in procession, could look more resolutely
unconscious of all acquaintances than Gyp with his basket, trotting at
his master's heels.

On leaving the workshop Adam locked the door, took the key out, and
carried it to the house on the other side of the woodyard. It was a
low house, with smooth grey thatch and buff walls, looking pleasant
and mellow in the evening light. The leaded windows were bright and
speckless, and the door-stone was as clean as a white boulder at ebb
tide. On the door-stone stood a clean old woman, in a dark-striped linen
gown, a red kerchief, and a linen cap, talking to some speckled fowls
which appeared to have been drawn towards her by an illusory expectation
of cold potatoes or barley. The old woman's sight seemed to be dim, for
she did not recognize Adam till he said, "Here's the key, Dolly; lay it
down for me in the house, will you?"

"Aye, sure; but wunna ye come in, Adam? Miss Mary's i' th' house, and
Mester Burge 'ull be back anon; he'd be glad t' ha' ye to supper wi'm,
I'll be's warrand."

"No, Dolly, thank you; I'm off home. Good evening."

Adam hastened with long strides, Gyp close to his heels, out of the
workyard, and along the highroad leading away from the village and down
to the valley. As he reached the foot of the slope, an elderly horseman,
with his portmanteau strapped behind him, stopped his horse when Adam
had passed him, and turned round to have another long look at the
stalwart workman in paper cap, leather breeches, and dark-blue worsted
stockings.

Adam, unconscious of the admiration he was exciting, presently struck
across the fields, and now broke out into the tune which had all day
long been running in his head:

     Let all thy converse be sincere,
     Thy conscience as the noonday clear;
     For God's all-seeing eye surveys
     Thy secret thoughts, thy works and ways.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The first person you meet in Adam Bede isn't a real, live, flesh-and-blood person. It's Eliot's third-person narrator. In the first paragraph, this narrator compares himself to an "Egyptian sorcerer" who reveals "far-reaching visions of the past" . Ooh, la la. The "vision" that begins the book is of "the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799" . But for now, pay no attention to Burge. Instead, all eyes should be on...Adam Bede. He's only one of Burge's workmen, but he stands out because of his baritone voice, powerful physique, and "expression of good-humored honest intelligence" . Turns out this whole carpenter thing runs in the Bede family. Working alongside Adam is his younger brother, Seth Bede. While Adam is intimidating, Seth is mild and good-natured. As the narrator puts it: "The tramps always felt sure they could get a copper from Seth; they scarcely ever spoke to Adam" . And Seth is also a bit of a dunce. He forgets to put the panels on a door he is constructing, and this finds him on the receiving end of a whole lot of laughter. But Adam's got Seth's back. He scolds the other workmen and even pushes around one of the more persistent jokers, a guy named Ben Cranage. Once things settle down, we discover a little more about Seth and Adam. Turns out that Seth's a Methodist. Turns out, also, that Seth's got a crush on a Methodist woman preacher. And this brings out the fourth-grader in our friend Wiry Ben. He asks Seth what he was thinking of, "the pretty parson's face or the sarmunt, when ye forgot the panels?" . Ah, but does the preacher "like" Seth? We'll see. In the meantime, Adam shuts Wiry Ben up and delivers a lecture on the value of hard work. Seth reveals himself as a bit of a dreamer and questions his brother's pragmatic views: "If a man gets religion, he'll do his work none the worse for that" . At 6:00 p.m. sharp, all the men stop working. All but Adam, who "can't abide to see men throw their tools i' that way, the minute the clock begins to strike" . Soon, though, Adam packs up and goes home. His tall, striding, singing figure arouses the admiration of an "elderly horseman" who happens to be passing by . Take that, Wiry Ben!