prompt:
Chapter: Outside Dorlcote Mill

A wide plain, where the broadening Floss hurries on between its green
banks to the sea, and the loving tide, rushing to meet it, checks its
passage with an impetuous embrace. On this mighty tide the black
ships--laden with the fresh-scented fir-planks, with rounded sacks of
oil-bearing seed, or with the dark glitter of coal--are borne along to
the town of St. Ogg's, which shows its aged, fluted red roofs and the
broad gables of its wharves between the low wooded hill and the
river-brink, tingeing the water with a soft purple hue under the
transient glance of this February sun. Far away on each hand stretch
the rich pastures, and the patches of dark earth made ready for the
seed of broad-leaved green crops, or touched already with the tint of
the tender-bladed autumn-sown corn. There is a remnant still of last
year's golden clusters of beehive-ricks rising at intervals beyond the
hedgerows; and everywhere the hedgerows are studded with trees; the
distant ships seem to be lifting their masts and stretching their
red-brown sails close among the branches of the spreading ash. Just by
the red-roofed town the tributary Ripple flows with a lively current
into the Floss. How lovely the little river is, with its dark changing
wavelets! It seems to me like a living companion while I wander along
the bank, and listen to its low, placid voice, as to the voice of one
who is deaf and loving. I remember those large dipping willows. I
remember the stone bridge.

And this is Dorlcote Mill. I must stand a minute or two here on the
bridge and look at it, though the clouds are threatening, and it is
far on in the afternoon. Even in this leafless time of departing
February it is pleasant to look at,--perhaps the chill, damp season
adds a charm to the trimly kept, comfortable dwelling-house, as old as
the elms and chestnuts that shelter it from the northern blast. The
stream is brimful now, and lies high in this little withy plantation,
and half drowns the grassy fringe of the croft in front of the house.
As I look at the full stream, the vivid grass, the delicate
bright-green powder softening the outline of the great trunks and
branches that gleam from under the bare purple boughs, I am in love
with moistness, and envy the white ducks that are dipping their heads
far into the water here among the withes, unmindful of the awkward
appearance they make in the drier world above.

The rush of the water and the booming of the mill bring a dreamy
deafness, which seems to heighten the peacefulness of the scene. They
are like a great curtain of sound, shutting one out from the world
beyond. And now there is the thunder of the huge covered wagon coming
home with sacks of grain. That honest wagoner is thinking of his
dinner, getting sadly dry in the oven at this late hour; but he will
not touch it till he has fed his horses,--the strong, submissive,
meek-eyed beasts, who, I fancy, are looking mild reproach at him from
between their blinkers, that he should crack his whip at them in that
awful manner as if they needed that hint! See how they stretch their
shoulders up the slope toward the bridge, with all the more energy
because they are so near home. Look at their grand shaggy feet that
seem to grasp the firm earth, at the patient strength of their necks,
bowed under the heavy collar, at the mighty muscles of their
struggling haunches! I should like well to hear them neigh over their
hardly earned feed of corn, and see them, with their moist necks freed
from the harness, dipping their eager nostrils into the muddy pond.
Now they are on the bridge, and down they go again at a swifter pace,
and the arch of the covered wagon disappears at the turning behind the
trees.

Now I can turn my eyes toward the mill again, and watch the unresting
wheel sending out its diamond jets of water. That little girl is
watching it too; she has been standing on just the same spot at the
edge of the water ever since I paused on the bridge. And that queer
white cur with the brown ear seems to be leaping and barking in
ineffectual remonstrance with the wheel; perhaps he is jealous because
his playfellow in the beaver bonnet is so rapt in its movement. It is
time the little playfellow went in, I think; and there is a very
bright fire to tempt her: the red light shines out under the deepening
gray of the sky. It is time, too, for me to leave off resting my arms
on the cold stone of this bridge....

Ah, my arms are really benumbed. I have been pressing my elbows on the
arms of my chair, and dreaming that I was standing on the bridge in
front of Dorlcote Mill, as it looked one February afternoon many years
ago. Before I dozed off, I was going to tell you what Mr. and Mrs.
Tulliver were talking about, as they sat by the bright fire in the
left-hand parlor, on that very afternoon I have been dreaming of.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: An anonymous narrator describes the Floss to us, which is a river. Good to know it's not of the dental variety, because this book would be really bizarre then. The narrator describes a picturesque, or pretty, nature scene. The narrator emphasizes how noisy the mill and the river are and notes that the sound cuts off the mill from the outside world. A little girl appears on the scene and the narrator watches her while standing on the bridge. The little girl is playing with a dog.


prompt:
Chapter: Mr. Tulliver, of Dorlcote Mill, Declares His Resolution about Tom

"What I want, you know," said Mr. Tulliver,--"what I want is to give
Tom a good eddication; an eddication as'll be a bread to him. That was
what I was thinking of when I gave notice for him to leave the academy
at Lady-day. I mean to put him to a downright good school at
Midsummer. The two years at th' academy 'ud ha' done well enough, if
I'd meant to make a miller and farmer of him, for he's had a fine
sight more schoolin' nor _I_ ever got. All the learnin' _my_ father
ever paid for was a bit o' birch at one end and the alphabet at th'
other. But I should like Tom to be a bit of a scholard, so as he might
be up to the tricks o' these fellows as talk fine and write with a
flourish. It 'ud be a help to me wi' these lawsuits, and arbitrations,
and things. I wouldn't make a downright lawyer o' the lad,--I should
be sorry for him to be a raskill,--but a sort o' engineer, or a
surveyor, or an auctioneer and vallyer, like Riley, or one o' them
smartish businesses as are all profits and no outlay, only for a big
watch-chain and a high stool. They're pretty nigh all one, and they're
not far off being even wi' the law, _I_ believe; for Riley looks
Lawyer Wakem i' the face as hard as one cat looks another. _He's_ none
frightened at him."

Mr. Tulliver was speaking to his wife, a blond comely woman in a
fan-shaped cap (I am afraid to think how long it is since fan-shaped
caps were worn, they must be so near coming in again. At that time,
when Mrs. Tulliver was nearly forty, they were new at St. Ogg's, and
considered sweet things).

"Well, Mr. Tulliver, you know best: _I've_ no objections. But hadn't I
better kill a couple o' fowl, and have th' aunts and uncles to dinner
next week, so as you may hear what sister Glegg and sister Pullet have
got to say about it? There's a couple o' fowl _wants_ killing!"

"You may kill every fowl i' the yard if you like, Bessy; but I shall
ask neither aunt nor uncle what I'm to do wi' my own lad," said Mr.
Tulliver, defiantly.

"Dear heart!" said Mrs. Tulliver, shocked at this sanguinary rhetoric,
"how can you talk so, Mr. Tulliver? But it's your way to speak
disrespectful o' my family; and sister Glegg throws all the blame
upo' me, though I'm sure I'm as innocent as the babe unborn. For
nobody's ever heard me say as it wasn't lucky for my children to have
aunts and uncles as can live independent. Howiver, if Tom's to go to a
new school, I should like him to go where I can wash him and mend him;
else he might as well have calico as linen, for they'd be one as
yallow as th' other before they'd been washed half-a-dozen times. And
then, when the box is goin' back'ard and forrard, I could send the lad
a cake, or a pork-pie, or an apple; for he can do with an extry bit,
bless him! whether they stint him at the meals or no. My children can
eat as much victuals as most, thank God!"

"Well, well, we won't send him out o' reach o' the carrier's cart, if
other things fit in," said Mr. Tulliver. "But you mustn't put a spoke
i' the wheel about the washin,' if we can't get a school near enough.
That's the fault I have to find wi' you, Bessy; if you see a stick i'
the road, you're allays thinkin' you can't step over it. You'd want me
not to hire a good wagoner, 'cause he'd got a mole on his face."

"Dear heart!" said Mrs. Tulliver, in mild surprise, "when did I iver
make objections to a man because he'd got a mole on his face? I'm sure
I'm rether fond o' the moles; for my brother, as is dead an' gone, had
a mole on his brow. But I can't remember your iver offering to hire a
wagoner with a mole, Mr. Tulliver. There was John Gibbs hadn't a mole
on his face no more nor you have, an' I was all for having you hire
_him_; an' so you did hire him, an' if he hadn't died o' th'
inflammation, as we paid Dr. Turnbull for attending him, he'd very
like ha' been drivin' the wagon now. He might have a mole somewhere
out o' sight, but how was I to know that, Mr. Tulliver?"

"No, no, Bessy; I didn't mean justly the mole; I meant it to stand for
summat else; but niver mind--it's puzzling work, talking is. What I'm
thinking on, is how to find the right sort o' school to send Tom to,
for I might be ta'en in again, as I've been wi' th' academy. I'll have
nothing to do wi' a 'cademy again: whativer school I send Tom to, it
sha'n't be a 'cademy; it shall be a place where the lads spend their
time i' summat else besides blacking the family's shoes, and getting
up the potatoes. It's an uncommon puzzling thing to know what school
to pick."

Mr. Tulliver paused a minute or two, and dived with both hands into
his breeches pockets as if he hoped to find some suggestion there.
Apparently he was not disappointed, for he presently said, "I know
what I'll do: I'll talk it over wi' Riley; he's coming to-morrow, t'
arbitrate about the dam."

"Well, Mr. Tulliver, I've put the sheets out for the best bed, and
Kezia's got 'em hanging at the fire. They aren't the best sheets, but
they're good enough for anybody to sleep in, be he who he will; for as
for them best Holland sheets, I should repent buying 'em, only they'll
do to lay us out in. An' if you was to die to-morrow, Mr. Tulliver,
they're mangled beautiful, an' all ready, an' smell o' lavender as it
'ud be a pleasure to lay 'em out; an' they lie at the left-hand corner
o' the big oak linen-chest at the back: not as I should trust anybody
to look 'em out but myself."

As Mrs. Tulliver uttered the last sentence, she drew a bright bunch of
keys from her pocket, and singled out one, rubbing her thumb and
finger up and down it with a placid smile while she looked at the
clear fire. If Mr. Tulliver had been a susceptible man in his conjugal
relation, he might have supposed that she drew out the key to aid her
imagination in anticipating the moment when he would be in a state to
justify the production of the best Holland sheets. Happily he was not
so; he was only susceptible in respect of his right to water-power;
moreover, he had the marital habit of not listening very closely, and
since his mention of Mr. Riley, had been apparently occupied in a
tactile examination of his woollen stockings.

"I think I've hit it, Bessy," was his first remark after a short
silence. "Riley's as likely a man as any to know o' some school; he's
had schooling himself, an' goes about to all sorts o' places,
arbitratin' and vallyin' and that. And we shall have time to talk it
over to-morrow night when the business is done. I want Tom to be such
a sort o' man as Riley, you know,--as can talk pretty nigh as well as
if it was all wrote out for him, and knows a good lot o' words as
don't mean much, so as you can't lay hold of 'em i' law; and a good
solid knowledge o' business too."

"Well," said Mrs. Tulliver, "so far as talking proper, and knowing
everything, and walking with a bend in his back, and setting his hair
up, I shouldn't mind the lad being brought up to that. But them
fine-talking men from the big towns mostly wear the false
shirt-fronts; they wear a frill till it's all a mess, and then hide it
with a bib; I know Riley does. And then, if Tom's to go and live at
Mudport, like Riley, he'll have a house with a kitchen hardly big
enough to turn in, an' niver get a fresh egg for his breakfast, an'
sleep up three pair o' stairs,--or four, for what I know,--and be
burnt to death before he can get down."

"No, no," said Mr. Tulliver, "I've no thoughts of his going to
Mudport: I mean him to set up his office at St. Ogg's, close by us,
an' live at home. But," continued Mr. Tulliver after a pause, "what
I'm a bit afraid on is, as Tom hasn't got the right sort o' brains for
a smart fellow. I doubt he's a bit slowish. He takes after your
family, Bessy."

"Yes, that he does," said Mrs. Tulliver, accepting the last
proposition entirely on its own merits; "he's wonderful for liking a
deal o' salt in his broth. That was my brother's way, and my father's
before him."

"It seems a bit a pity, though," said Mr. Tulliver, "as the lad should
take after the mother's side instead o' the little wench. That's the
worst on't wi' crossing o' breeds: you can never justly calkilate
what'll come on't. The little un takes after my side, now: she's twice
as 'cute as Tom. Too 'cute for a woman, I'm afraid," continued Mr.
Tulliver, turning his head dubiously first on one side and then on the
other. "It's no mischief much while she's a little un; but an
over-'cute woman's no better nor a long-tailed sheep,--she'll fetch
none the bigger price for that."

"Yes, it _is_ a mischief while she's a little un, Mr. Tulliver, for it
runs to naughtiness. How to keep her in a clean pinafore two hours
together passes my cunning. An' now you put me i' mind," continued
Mrs. Tulliver, rising and going to the window, "I don't know where she
is now, an' it's pretty nigh tea-time. Ah, I thought so,--wanderin' up
an' down by the water, like a wild thing: She'll tumble in some day."

Mrs. Tulliver rapped the window sharply, beckoned, and shook her
head,--a process which she repeated more than once before she returned
to her chair.

"You talk o' 'cuteness, Mr. Tulliver," she observed as she sat down,
"but I'm sure the child's half an idiot i' some things; for if I send
her upstairs to fetch anything, she forgets what she's gone for, an'
perhaps 'ull sit down on the floor i' the sunshine an' plait her hair
an' sing to herself like a Bedlam creatur', all the while I'm waiting
for her downstairs. That niver run i' my family, thank God! no more
nor a brown skin as makes her look like a mulatter. I don't like to
fly i' the face o' Providence, but it seems hard as I should have but
one gell, an' her so comical."

"Pooh, nonsense!" said Mr. Tulliver; "she's a straight, black-eyed
wench as anybody need wish to see. I don't know i' what she's behind
other folks's children; and she can read almost as well as the
parson."

"But her hair won't curl all I can do with it, and she's so franzy
about having it put i' paper, and I've such work as never was to make
her stand and have it pinched with th' irons."

"Cut it off--cut it off short," said the father, rashly.

"How can you talk so, Mr. Tulliver? She's too big a gell--gone nine,
and tall of her age--to have her hair cut short; an' there's her
cousin Lucy's got a row o' curls round her head, an' not a hair out o'
place. It seems hard as my sister Deane should have that pretty child;
I'm sure Lucy takes more after me nor my own child does. Maggie,
Maggie," continued the mother, in a tone of half-coaxing fretfulness,
as this small mistake of nature entered the room, "where's the use o'
my telling you to keep away from the water? You'll tumble in and be
drownded some day, an' then you'll be sorry you didn't do as mother
told you."

Maggie's hair, as she threw off her bonnet, painfully confirmed her
mother's accusation. Mrs. Tulliver, desiring her daughter to have a
curled crop, "like other folks's children," had had it cut too short
in front to be pushed behind the ears; and as it was usually straight
an hour after it had been taken out of paper, Maggie was incessantly
tossing her head to keep the dark, heavy locks out of her gleaming
black eyes,--an action which gave her very much the air of a small
Shetland pony.

"Oh, dear, oh, dear, Maggie, what are you thinkin' of, to throw your
bonnet down there? Take it upstairs, there's a good gell, an' let your
hair be brushed, an' put your other pinafore on, an' change your
shoes, do, for shame; an' come an' go on with your patchwork, like a
little lady."

"Oh, mother," said Maggie, in a vehemently cross tone, "I don't _want_
to do my patchwork."

"What! not your pretty patchwork, to make a counterpane for your aunt
Glegg?"

"It's foolish work," said Maggie, with a toss of her mane,--"tearing
things to pieces to sew 'em together again. And I don't want to do
anything for my aunt Glegg. I don't like her."

Exit Maggie, dragging her bonnet by the string, while Mr. Tulliver
laughs audibly.

"I wonder at you, as you'll laugh at her, Mr. Tulliver," said the
mother, with feeble fretfulness in her tone. "You encourage her i'
naughtiness. An' her aunts will have it as it's me spoils her."

Mrs. Tulliver was what is called a good-tempered person,--never cried,
when she was a baby, on any slighter ground than hunger and pins; and
from the cradle upward had been healthy, fair, plump, and dull-witted;
in short, the flower of her family for beauty and amiability. But milk
and mildness are not the best things for keeping, and when they turn
only a little sour, they may disagree with young stomachs seriously. I
have often wondered whether those early Madonnas of Raphael, with the
blond faces and somewhat stupid expression, kept their placidity
undisturbed when their strong-limbed, strong-willed boys got a little
too old to do without clothing. I think they must have been given to
feeble remonstrance, getting more and more peevish as it became more
and more ineffectual.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Mr. Tulliver announces that he wants Tom to get a good education. He thinks Tom's current school is terrible and wants to send him to a better one so that he can become something cool one day, like an engineer or a surveyor. Mr. Tulliver does not want Tom to be a lawyer though, because lawyers are evil. But Tom will need a good education to deal with lawyers. Apparently, in this period lawyers roamed the earth like zombies, causing problems and stealing people's money. Only the power of a good education could combat them. Mr. Tulliver also notes that "Old Harry" created the lawyers. Mrs. Tulliver is down with this plan, but she thinks Mr. Tulliver should talk things over with her sisters, Mrs. Pullet and Mrs. Glegg. Mr. Tulliver shoots that idea down. Mrs. Tulliver defends her family and reiterates that Tom can go somewhere to school as long as it's not too far away. Mr. Tulliver continues to talk about Tom's education and Mrs. Tulliver starts talking about household matters - neither are really listening to the other. After a bit, Mr. Tulliver decides that he'll run his plans for Tom by Mr. Riley, who is an informed individual apparently. But there is a problem: Mr. Tulliver is worried that Tom is a bit dumb and won't succeed at school. He is sad that his daughter got all the brains. Mrs. Tulliver laments that her daughter is always getting into trouble and she'll probably fall in the river and drown one day. If this were a movie, music of doom would now start playing. While Mr. Tulliver defends his daughter, Mrs. Tulliver complains about her physical appearance and her crazy antics. Mrs. Tulliver wishes that her niece, Lucy, was her kid instead - Lucy looks more like her than her own kid. Maggie comes running inside and is very messy. She complains loudly about having to sew and do chores. Mr. Tulliver finds this hilarious, and Mrs. Tulliver complains some more.


prompt:
Chapter: Mr. Riley Gives His Advice Concerning a School for Tom

The gentleman in the ample white cravat and shirt-frill, taking his
brandy-and-water so pleasantly with his good friend Tulliver, is Mr.
Riley, a gentleman with a waxen complexion and fat hands, rather
highly educated for an auctioneer and appraiser, but large-hearted
enough to show a great deal of _bonhomie_ toward simple country
acquaintances of hospitable habits. Mr. Riley spoke of such
acquaintances kindly as "people of the old school."

The conversation had come to a pause. Mr. Tulliver, not without a
particular reason, had abstained from a seventh recital of the cool
retort by which Riley had shown himself too many for Dix, and how
Wakem had had his comb cut for once in his life, now the business of
the dam had been settled by arbitration, and how there never would
have been any dispute at all about the height of water if everybody
was what they should be, and Old Harry hadn't made the lawyers.

Mr. Tulliver was, on the whole, a man of safe traditional opinions;
but on one or two points he had trusted to his unassisted intellect,
and had arrived at several questionable conclusions; amongst the rest,
that rats, weevils, and lawyers were created by Old Harry. Unhappily
he had no one to tell him that this was rampant Manichaeism, else he
might have seen his error. But to-day it was clear that the good
principle was triumphant: this affair of the water-power had been a
tangled business somehow, for all it seemed--look at it one way--as
plain as water's water; but, big a puzzle as it was, it hadn't got the
better of Riley. Mr. Tulliver took his brandy-and-water a little
stronger than usual, and, for a man who might be supposed to have a
few hundreds lying idle at his banker's, was rather incautiously open
in expressing his high estimate of his friend's business talents.

But the dam was a subject of conversation that would keep; it could
always be taken up again at the same point, and exactly in the same
condition; and there was another subject, as you know, on which Mr.
Tulliver was in pressing want of Mr. Riley's advice. This was his
particular reason for remaining silent for a short space after his
last draught, and rubbing his knees in a meditative manner. He was not
a man to make an abrupt transition. This was a puzzling world, as he
often said, and if you drive your wagon in a hurry, you may light on
an awkward corner. Mr. Riley, meanwhile, was not impatient. Why should
he be? Even Hotspur, one would think, must have been patient in his
slippers on a warm hearth, taking copious snuff, and sipping
gratuitous brandy-and-water.

"There's a thing I've got i' my head," said Mr. Tulliver at last, in
rather a lower tone than usual, as he turned his head and looked
steadfastly at his companion.

"Ah!" said Mr. Riley, in a tone of mild interest. He was a man with
heavy waxen eyelids and high-arched eyebrows, looking exactly the same
under all circumstances. This immovability of face, and the habit of
taking a pinch of snuff before he gave an answer, made him trebly
oracular to Mr. Tulliver.

"It's a very particular thing," he went on; "it's about my boy Tom."

At the sound of this name, Maggie, who was seated on a low stool close
by the fire, with a large book open on her lap, shook her heavy hair
back and looked up eagerly. There were few sounds that roused Maggie
when she was dreaming over her book, but Tom's name served as well as
the shrillest whistle; in an instant she was on the watch, with
gleaming eyes, like a Skye terrier suspecting mischief, or at all
events determined to fly at any one who threatened it toward Tom.

"You see, I want to put him to a new school at Midsummer," said Mr.
Tulliver; "he's comin' away from the 'cademy at Lady-day, an' I shall
let him run loose for a quarter; but after that I want to send him to
a downright good school, where they'll make a scholard of him."

"Well," said Mr. Riley, "there's no greater advantage you can give him
than a good education. Not," he added, with polite significance,--"not
that a man can't be an excellent miller and farmer, and a shrewd,
sensible fellow into the bargain, without much help from the
schoolmaster."

"I believe you," said Mr. Tulliver, winking, and turning his head on
one side; "but that's where it is. I don't _mean_ Tom to be a miller
and farmer. I see no fun i' that. Why, if I made him a miller an'
farmer, he'd be expectin' to take to the mill an' the land, an'
a-hinting at me as it was time for me to lay by an' think o' my latter
end. Nay, nay, I've seen enough o' that wi' sons. I'll never pull my
coat off before I go to bed. I shall give Tom an eddication an' put
him to a business, as he may make a nest for himself, an' not want to
push me out o' mine. Pretty well if he gets it when I'm dead an' gone.
I sha'n't be put off wi' spoon-meat afore I've lost my teeth."

This was evidently a point on which Mr. Tulliver felt strongly; and
the impetus which had given unusual rapidity and emphasis to his
speech showed itself still unexhausted for some minutes afterward in a
defiant motion of the head from side to side, and an occasional "Nay,
nay," like a subsiding growl.

These angry symptoms were keenly observed by Maggie, and cut her to
the quick. Tom, it appeared, was supposed capable of turning his
father out of doors, and of making the future in some way tragic by
his wickedness. This was not to be borne; and Maggie jumped up from
her stool, forgetting all about her heavy book, which fell with a bang
within the fender, and going up between her father's knees, said, in a
half-crying, half-indignant voice,--

"Father, Tom wouldn't be naughty to you ever; I know he wouldn't."

Mrs. Tulliver was out of the room superintending a choice supper-dish,
and Mr. Tulliver's heart was touched; so Maggie was not scolded about
the book. Mr. Riley quietly picked it up and looked at it, while the
father laughed, with a certain tenderness in his hard-lined face, and
patted his little girl on the back, and then held her hands and kept
her between his knees.

"What! they mustn't say any harm o' Tom, eh?" said Mr. Tulliver,
looking at Maggie with a twinkling eye. Then, in a lower voice,
turning to Mr. Riley, as though Maggie couldn't hear, "She understands
what one's talking about so as never was. And you should hear her
read,--straight off, as if she knowed it all beforehand. And allays at
her book! But it's bad--it's bad," Mr. Tulliver added sadly, checking
this blamable exultation. "A woman's no business wi' being so clever;
it'll turn to trouble, I doubt. But bless you!"--here the exultation
was clearly recovering the mastery,--"she'll read the books and
understand 'em better nor half the folks as are growed up."

Maggie's cheeks began to flush with triumphant excitement. She thought
Mr. Riley would have a respect for her now; it had been evident that
he thought nothing of her before.

Mr. Riley was turning over the leaves of the book, and she could make
nothing of his face, with its high-arched eyebrows; but he presently
looked at her, and said,--

"Come, come and tell me something about this book; here are some
pictures,--I want to know what they mean."

Maggie, with deepening color, went without hesitation to Mr. Riley's
elbow and looked over the book, eagerly seizing one corner, and
tossing back her mane, while she said,--

"Oh, I'll tell you what that means. It's a dreadful picture, isn't it?
But I can't help looking at it. That old woman in the water's a
witch,--they've put her in to find out whether she's a witch or no;
and if she swims she's a witch, and if she's drowned--and killed, you
know--she's innocent, and not a witch, but only a poor silly old
woman. But what good would it do her then, you know, when she was
drowned? Only, I suppose, she'd go to heaven, and God would make it up
to her. And this dreadful blacksmith with his arms akimbo,
laughing,--oh, isn't he ugly?--I'll tell you what he is. He's the
Devil _really_" (here Maggie's voice became louder and more emphatic),
"and not a right blacksmith; for the Devil takes the shape of wicked
men, and walks about and sets people doing wicked things, and he's
oftener in the shape of a bad man than any other, because, you know,
if people saw he was the Devil, and he roared at 'em, they'd run away,
and he couldn't make 'em do what he pleased."

Mr. Tulliver had listened to this exposition of Maggie's with
petrifying wonder.

"Why, what book is it the wench has got hold on?" he burst out at
last.

"The 'History of the Devil,' by Daniel Defoe,--not quite the right
book for a little girl," said Mr. Riley. "How came it among your
books, Mr. Tulliver?"

Maggie looked hurt and discouraged, while her father said,--

"Why, it's one o' the books I bought at Partridge's sale. They was all
bound alike,--it's a good binding, you see,--and I thought they'd be
all good books. There's Jeremy Taylor's 'Holy Living and Dying' among
'em. I read in it often of a Sunday" (Mr. Tulliver felt somehow a
familiarity with that great writer, because his name was Jeremy); "and
there's a lot more of 'em,--sermons mostly, I think,--but they've all
got the same covers, and I thought they were all o' one sample, as you
may say. But it seems one mustn't judge by th' outside. This is a
puzzlin' world."

"Well," said Mr. Riley, in an admonitory, patronizing tone as he
patted Maggie on the head, "I advise you to put by the 'History of the
Devil,' and read some prettier book. Have you no prettier books?"

"Oh, yes," said Maggie, reviving a little in the desire to vindicate
the variety of her reading. "I know the reading in this book isn't
pretty; but I like the pictures, and I make stories to the pictures
out of my own head, you know. But I've got 'AEsop's Fables,' and a book
about Kangaroos and things, and the 'Pilgrim's Progress.'"

"Ah, a beautiful book," said Mr. Riley; "you can't read a better."

"Well, but there's a great deal about the Devil in that," said Maggie,
triumphantly, "and I'll show you the picture of him in his true shape,
as he fought with Christian."

Maggie ran in an instant to the corner of the room, jumped on a chair,
and reached down from the small bookcase a shabby old copy of Bunyan,
which opened at once, without the least trouble of search, at the
picture she wanted.

"Here he is," she said, running back to Mr. Riley, "and Tom colored
him for me with his paints when he was at home last holidays,--the
body all black, you know, and the eyes red, like fire, because he's
all fire inside, and it shines out at his eyes."

"Go, go!" said Mr. Tulliver, peremptorily, beginning to feel rather
uncomfortable at these free remarks on the personal appearance of a
being powerful enough to create lawyers; "shut up the book, and let's
hear no more o' such talk. It is as I thought--the child 'ull learn
more mischief nor good wi' the books. Go, go and see after your
mother."

Maggie shut up the book at once, with a sense of disgrace, but not
being inclined to see after her mother, she compromised the matter by
going into a dark corner behind her father's chair, and nursing her
doll, toward which she had an occasional fit of fondness in Tom's
absence, neglecting its toilet, but lavishing so many warm kisses on
it that the waxen cheeks had a wasted, unhealthy appearance.

"Did you ever hear the like on't?" said Mr. Tulliver, as Maggie
retired. "It's a pity but what she'd been the lad,--she'd ha' been a
match for the lawyers, _she_ would. It's the wonderful'st thing"--here
he lowered his voice--"as I picked the mother because she wasn't o'er
'cute--bein' a good-looking woman too, an' come of a rare family for
managing; but I picked her from her sisters o' purpose, 'cause she was
a bit weak like; for I wasn't agoin' to be told the rights o' things
by my own fireside. But you see when a man's got brains himself,
there's no knowing where they'll run to; an' a pleasant sort o' soft
woman may go on breeding you stupid lads and 'cute wenches, till it's
like as if the world was turned topsy-turvy. It's an uncommon puzzlin'
thing."

Mr. Riley's gravity gave way, and he shook a little under the
application of his pinch of snuff before he said,--

"But your lad's not stupid, is he? I saw him, when I was here last,
busy making fishing-tackle; he seemed quite up to it."

"Well, he isn't not to say stupid,--he's got a notion o' things out o'
door, an' a sort o' common sense, as he'd lay hold o' things by the
right handle. But he's slow with his tongue, you see, and he reads but
poorly, and can't abide the books, and spells all wrong, they tell me,
an' as shy as can be wi' strangers, an' you never hear him say 'cute
things like the little wench. Now, what I want is to send him to a
school where they'll make him a bit nimble with his tongue and his
pen, and make a smart chap of him. I want my son to be even wi' these
fellows as have got the start o' me with having better schooling. Not
but what, if the world had been left as God made it, I could ha' seen
my way, and held my own wi' the best of 'em; but things have got so
twisted round and wrapped up i' unreasonable words, as aren't a bit
like 'em, as I'm clean at fault, often an' often. Everything winds
about so--the more straightforrad you are, the more you're puzzled."

Mr. Tulliver took a draught, swallowed it slowly, and shook his head
in a melancholy manner, conscious of exemplifying the truth that a
perfectly sane intellect is hardly at home in this insane world.

"You're quite in the right of it, Tulliver," observed Mr. Riley.
"Better spend an extra hundred or two on your son's education, than
leave it him in your will. I know I should have tried to do so by a
son of mine, if I'd had one, though, God knows, I haven't your ready
money to play with, Tulliver; and I have a houseful of daughters into
the bargain."

"I dare say, now, you know of a school as 'ud be just the thing for
Tom," said Mr. Tulliver, not diverted from his purpose by any sympathy
with Mr. Riley's deficiency of ready cash.

Mr. Riley took a pinch of snuff, and kept Mr. Tulliver in suspense by
a silence that seemed deliberative, before he said,--

"I know of a very fine chance for any one that's got the necessary
money and that's what you have, Tulliver. The fact is, I wouldn't
recommend any friend of mine to send a boy to a regular school, if he
could afford to do better. But if any one wanted his boy to get
superior instruction and training, where he would be the companion of
his master, and that master a first rate fellow, I know his man. I
wouldn't mention the chance to everybody, because I don't think
everybody would succeed in getting it, if he were to try; but I
mention it to you, Tulliver, between ourselves."

The fixed inquiring glance with which Mr. Tulliver had been watching
his friend's oracular face became quite eager.

"Ay, now, let's hear," he said, adjusting himself in his chair with
the complacency of a person who is thought worthy of important
communications.

"He's an Oxford man," said Mr. Riley, sententiously, shutting his
mouth close, and looking at Mr. Tulliver to observe the effect of this
stimulating information.

"What! a parson?" said Mr. Tulliver, rather doubtfully.

"Yes, and an M.A. The bishop, I understand, thinks very highly of him:
why, it was the bishop who got him his present curacy."

"Ah?" said Mr. Tulliver, to whom one thing was as wonderful as another
concerning these unfamiliar phenomena. "But what can he want wi' Tom,
then?"

"Why, the fact is, he's fond of teaching, and wishes to keep up his
studies, and a clergyman has but little opportunity for that in his
parochial duties. He's willing to take one or two boys as pupils to
fill up his time profitably. The boys would be quite of the
family,--the finest thing in the world for them; under Stelling's eye
continually."

"But do you think they'd give the poor lad twice o' pudding?" said
Mrs. Tulliver, who was now in her place again. "He's such a boy for
pudding as never was; an' a growing boy like that,--it's dreadful to
think o' their stintin' him."

"And what money 'ud he want?" said Mr. Tulliver, whose instinct told
him that the services of this admirable M.A. would bear a high price.

"Why, I know of a clergyman who asks a hundred and fifty with his
youngest pupils, and he's not to be mentioned with Stelling, the man I
speak of. I know, on good authority, that one of the chief people at
Oxford said, Stelling might get the highest honors if he chose. But he
didn't care about university honors; he's a quiet man--not noisy."

"Ah, a deal better--a deal better," said Mr. Tulliver; "but a hundred
and fifty's an uncommon price. I never thought o' paying so much as
that."

"A good education, let me tell you, Tulliver,--a good education is
cheap at the money. But Stelling is moderate in his terms; he's not a
grasping man. I've no doubt he'd take your boy at a hundred, and
that's what you wouldn't get many other clergymen to do. I'll write to
him about it, if you like."

Mr. Tulliver rubbed his knees, and looked at the carpet in a
meditative manner.

"But belike he's a bachelor," observed Mrs. Tulliver, in the interval;
"an' I've no opinion o' housekeepers. There was my brother, as is dead
an' gone, had a housekeeper once, an' she took half the feathers out
o' the best bed, an' packed 'em up an' sent 'em away. An' it's unknown
the linen she made away with--Stott her name was. It 'ud break my
heart to send Tom where there's a housekeeper, an' I hope you won't
think of it, Mr. Tulliver."

"You may set your mind at rest on that score, Mrs. Tulliver," said Mr.
Riley, "for Stelling is married to as nice a little woman as any man
need wish for a wife. There isn't a kinder little soul in the world; I
know her family well. She has very much your complexion,--light curly
hair. She comes of a good Mudport family, and it's not every offer
that would have been acceptable in that quarter. But Stelling's not an
every-day man; rather a particular fellow as to the people he chooses
to be connected with. But I _think_ he would have no objection to take
your son; I _think_ he would not, on my representation."

"I don't know what he could have _against_ the lad," said Mrs.
Tulliver, with a slight touch of motherly indignation; "a nice
fresh-skinned lad as anybody need wish to see."

"But there's one thing I'm thinking on," said Mr. Tulliver, turning
his head on one side and looking at Mr. Riley, after a long perusal of
the carpet. "Wouldn't a parson be almost too high-learnt to bring up a
lad to be a man o' business? My notion o' the parsons was as they'd
got a sort o' learning as lay mostly out o' sight. And that isn't what
I want for Tom. I want him to know figures, and write like print, and
see into things quick, and know what folks mean, and how to wrap
things up in words as aren't actionable. It's an uncommon fine thing,
that is," concluded Mr. Tulliver, shaking his head, "when you can let
a man know what you think of him without paying for it."

"Oh, my dear Tulliver," said Mr. Riley, "you're quite under a mistake
about the clergy; all the best schoolmasters are of the clergy. The
schoolmasters who are not clergymen are a very low set of men
generally."

"Ay, that Jacobs is, at the 'cademy," interposed Mr. Tulliver.

"To be sure,--men who have failed in other trades, most likely. Now, a
clergyman is a gentleman by profession and education; and besides
that, he has the knowledge that will ground a boy, and prepare him for
entering on any career with credit. There may be some clergymen who
are mere bookmen; but you may depend upon it, Stelling is not one of
them,--a man that's wide awake, let me tell you. Drop him a hint, and
that's enough. You talk of figures, now; you have only to say to
Stelling, 'I want my son to be a thorough arithmetician,' and you may
leave the rest to him."

Mr. Riley paused a moment, while Mr. Tulliver, some-what reassured as
to clerical tutorship, was inwardly rehearsing to an imaginary Mr.
Stelling the statement, "I want my son to know 'rethmetic."

"You see, my dear Tulliver," Mr. Riley continued, "when you get a
thoroughly educated man, like Stelling, he's at no loss to take up any
branch of instruction. When a workman knows the use of his tools, he
can make a door as well as a window."

"Ay, that's true," said Mr. Tulliver, almost convinced now that the
clergy must be the best of schoolmasters.

"Well, I'll tell you what I'll do for you," said Mr. Riley, "and I
wouldn't do it for everybody. I'll see Stelling's father-in-law, or
drop him a line when I get back to Mudport, to say that you wish to
place your boy with his son-in-law, and I dare say Stelling will write
to you, and send you his terms."

"But there's no hurry, is there?" said Mrs. Tulliver; "for I hope, Mr.
Tulliver, you won't let Tom begin at his new school before Midsummer.
He began at the 'cademy at the Lady-day quarter, and you see what
good's come of it."

"Ay, ay, Bessy, never brew wi' bad malt upo' Michael-masday, else
you'll have a poor tap," said Mr. Tulliver, winking and smiling at Mr.
Riley, with the natural pride of a man who has a buxom wife
conspicuously his inferior in intellect. "But it's true there's no
hurry; you've hit it there, Bessy."

"It might be as well not to defer the arrangement too long," said Mr.
Riley, quietly, "for Stelling may have propositions from other
parties, and I know he would not take more than two or three boarders,
if so many. If I were you, I think I would enter on the subject with
Stelling at once: there's no necessity for sending the boy before
Midsummer, but I would be on the safe side, and make sure that nobody
forestalls you."

"Ay, there's summat in that," said Mr. Tulliver.

"Father," broke in Maggie, who had stolen unperceived to her father's
elbow again, listening with parted lips, while she held her doll
topsy-turvy, and crushed its nose against the wood of the
chair,--"father, is it a long way off where Tom is to go? Sha'n't we
ever go to see him?"

"I don't know, my wench," said the father, tenderly. "Ask Mr. Riley;
he knows."

Maggie came round promptly in front of Mr. Riley, and said, "How far
is it, please, sir?"

"Oh, a long, long way off," that gentleman answered, being of opinion
that children, when they are not naughty, should always be spoken to
jocosely. "You must borrow the seven-leagued boots to get to him."

"That's nonsense!" said Maggie, tossing her head haughtily, and
turning away, with the tears springing in her eyes. She began to
dislike Mr. Riley; it was evident he thought her silly and of no
consequence.

"Hush, Maggie! for shame of you, asking questions and chattering,"
said her mother. "Come and sit down on your little stool, and hold
your tongue, do. But," added Mrs. Tulliver, who had her own alarm
awakened, "is it so far off as I couldn't wash him and mend him?"

"About fifteen miles; that's all," said Mr. Riley. "You can drive
there and back in a day quite comfortably. Or--Stelling is a
hospitable, pleasant man--he'd be glad to have you stay."

"But it's too far off for the linen, I doubt," said Mrs. Tulliver,
sadly.

The entrance of supper opportunely adjourned this difficulty, and
relieved Mr. Riley from the labor of suggesting some solution or
compromise,--a labor which he would otherwise doubtless have
undertaken; for, as you perceive, he was a man of very obliging
manners. And he had really given himself the trouble of recommending
Mr. Stelling to his friend Tulliver without any positive expectation
of a solid, definite advantage resulting to himself, notwithstanding
the subtle indications to the contrary which might have misled a
too-sagacious observer. For there is nothing more widely misleading
than sagacity if it happens to get on a wrong scent; and sagacity,
persuaded that men usually act and speak from distinct motives, with a
consciously proposed end in view, is certain to waste its energies on
imaginary game.

Plotting covetousness and deliberate contrivance, in order to compass
a selfish end, are nowhere abundant but in the world of the dramatist:
they demand too intense a mental action for many of our
fellow-parishioners to be guilty of them. It is easy enough to spoil
the lives of our neighbors without taking so much trouble; we can do
it by lazy acquiescence and lazy omission, by trivial falsities for
which we hardly know a reason, by small frauds neutralized by small
extravagances, by maladroit flatteries, and clumsily improvised
insinuations. We live from hand to mouth, most of us, with a small
family of immediate desires; we do little else than snatch a morsel to
satisfy the hungry brood, rarely thinking of seed-corn or the next
year's crop.

Mr. Riley was a man of business, and not cold toward his own interest,
yet even he was more under the influence of small promptings than of
far-sighted designs. He had no private understanding with the Rev.
Walter Stelling; on the contrary, he knew very little of that M.A. and
his acquirements,--not quite enough, perhaps, to warrant so strong a
recommendation of him as he had given to his friend Tulliver. But he
believed Mr. Stelling to be an excellent classic, for Gadsby had said
so, and Gadsby's first cousin was an Oxford tutor; which was better
ground for the belief even than his own immediate observation would
have been, for though Mr. Riley had received a tincture of the
classics at the great Mudport Free School, and had a sense of
understanding Latin generally, his comprehension of any particular
Latin was not ready. Doubtless there remained a subtle aroma from his
juvenile contact with the "De Senectute" and the fourth book of the
"AEneid," but it had ceased to be distinctly recognizable as classical,
and was only perceived in the higher finish and force of his
auctioneering style. Then, Stelling was an Oxford man, and the Oxford
men were always--no, no, it was the Cambridge men who were always good
mathematicians. But a man who had had a university education could
teach anything he liked; especially a man like Stelling, who had made
a speech at a Mudport dinner on a political occasion, and had
acquitted himself so well that it was generally remarked, this
son-in-law of Timpson's was a sharp fellow. It was to be expected of a
Mudport man, from the parish of St. Ursula, that he would not omit to
do a good turn to a son-in-law of Timpson's, for Timpson was one of
the most useful and influential men in the parish, and had a good deal
of business, which he knew how to put into the right hands. Mr. Riley
liked such men, quite apart from any money which might be diverted,
through their good judgment, from less worthy pockets into his own;
and it would be a satisfaction to him to say to Timpson on his return
home, "I've secured a good pupil for your son-in-law." Timpson had a
large family of daughters; Mr. Riley felt for him; besides, Louisa
Timpson's face, with its light curls, had been a familiar object to
him over the pew wainscot on a Sunday for nearly fifteen years; it was
natural her husband should be a commendable tutor. Moreover, Mr. Riley
knew of no other schoolmaster whom he had any ground for recommending
in preference; why, then, should he not recommend Stelling? His friend
Tulliver had asked him for an opinion; it is always chilling, in
friendly intercourse, to say you have no opinion to give. And if you
deliver an opinion at all, it is mere stupidity not to do it with an
air of conviction and well-founded knowledge. You make it your own in
uttering it, and naturally get fond of it. Thus Mr. Riley, knowing no
harm of Stelling to begin with, and wishing him well, so far as he had
any wishes at all concerning him, had no sooner recommended him than
he began to think with admiration of a man recommended on such high
authority, and would soon have gathered so warm an interest on the
subject, that if Mr. Tulliver had in the end declined to send Tom to
Stelling, Mr. Riley would have thought his "friend of the old school"
a thoroughly pig-headed fellow.

If you blame Mr. Riley very severely for giving a recommendation on
such slight grounds, I must say you are rather hard upon him. Why
should an auctioneer and appraiser thirty years ago, who had as good
as forgotten his free-school Latin, be expected to manifest a delicate
scrupulosity which is not always exhibited by gentlemen of the learned
professions, even in our present advanced stage of morality?

Besides, a man with the milk of human kindness in him can scarcely
abstain from doing a good-natured action, and one cannot be
good-natured all round. Nature herself occasionally quarters an
inconvenient parasite on an animal toward whom she has otherwise no
ill will. What then? We admire her care for the parasite. If Mr. Riley
had shrunk from giving a recommendation that was not based on valid
evidence, he would not have helped Mr. Stelling to a paying pupil, and
that would not have been so well for the reverend gentleman. Consider,
too, that all the pleasant little dim ideas and complacencies--of
standing well with Timpson, of dispensing advice when he was asked for
it, of impressing his friend Tulliver with additional respect, of
saying something, and saying it emphatically, with other inappreciably
minute ingredients that went along with the warm hearth and the
brandy-and-water to make up Mr. Riley's consciousness on this
occasion--would have been a mere blank.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: We meet Mr. Riley, who is an auctioneer and an appraiser. He's an educated businessman. Mr. Tulliver complains about lawyers some more. We learn that there's a man named Wakem involved in some dispute about water rights on the river with Mr. Tulliver. Once again, Mr. Tulliver begins his spiel about sending Tom to a nice school for a good education. This time Maggie is in the room reading, and she eavesdrops accordingly since the grown-ups are talking about her favorite person, Tom. Mr. Riley has an inspirational poster view of education and talks about how Tom will be able to reach for the stars with a good one. Mr. Tulliver says he wants Tom to have a different job some day. He doesn't want Tom to be a miller and a farmer like him because he's heard about sons taking over their fathers' businesses and causing problems. Paranoid much, Mr. Tulliver? Maggie pipes up and says that Tom would never behave that badly. She comes over and Mr. Tulliver brags about how smart she is to Mr. Riley. Maggie starts telling Mr. Riley about the book she is reading and gives him a rather graphic description of the witch hunts in Europe and how people used to drown witches, just like in Monty Python and the Holy Grail. Mr. Riley sees that she's reading a book by Daniel Defoe that's not really meant for kids. He asks if she has more kid-friendly books, like Harry Potter, lying around. Turns out Maggie does - she brings him a book that has a nice illustrated picture of the Devil and describes it in great detail. Mr. Tulliver is getting worried about all this discussion of the Devil and tells Maggie to go away. Maggie runs off to a corner and plays with her doll. Mr. Tulliver notes that Maggie got all the brains once again, but concedes that Tom is really more slow than stupid to Mr. Riley. Mr. Riley says that getting Tom a good education is a good idea, and he knows just the person to do it. Turns out Mr. Riley knows all about a man named Mr. Stelling. Mr. Stelling is a parson who went to Oxford and tutors boys out of his home. , there weren't public schools and going to school wasn't mandatory, or required. So parents could send kids to boarding schools or private tutors if they wanted. There were things like Sunday schools and free schools for poorer kids, but the overall education system wasn't organized at all.) The narrator jumps in here to tell us that Mr. Riley is exaggerating his knowledge of how awesome Mr. Stelling is. Basically, Riley doesn't know Stelling well at all, but he doesn't want to sound ill-informed. Riley also wants an "in" with Stelling's father-in-law, and figures that landing Stelling a pupil will make him popular with the Stelling family.


prompt:
Chapter: Tom Is Expected

It was a heavy disappointment to Maggie that she was not allowed to go
with her father in the gig when he went to fetch Tom home from the
academy; but the morning was too wet, Mrs. Tulliver said, for a little
girl to go out in her best bonnet. Maggie took the opposite view very
strongly, and it was a direct consequence of this difference of
opinion that when her mother was in the act of brushing out the
reluctant black crop Maggie suddenly rushed from under her hands and
dipped her head in a basin of water standing near, in the vindictive
determination that there should be no more chance of curls that day.

"Maggie, Maggie!" exclaimed Mrs. Tulliver, sitting stout and helpless
with the brushes on her lap, "what is to become of you if you're so
naughty? I'll tell your aunt Glegg and your aunt Pullet when they come
next week, and they'll never love you any more. Oh dear, oh dear! look
at your clean pinafore, wet from top to bottom. Folks 'ull think it's
a judgment on me as I've got such a child,--they'll think I've done
summat wicked."

Before this remonstrance was finished, Maggie was already out of
hearing, making her way toward the great attic that run under the old
high-pitched roof, shaking the water from her black locks as she ran,
like a Skye terrier escaped from his bath. This attic was Maggie's
favorite retreat on a wet day, when the weather was not too cold; here
she fretted out all her ill humors, and talked aloud to the worm-eaten
floors and the worm-eaten shelves, and the dark rafters festooned with
cobwebs; and here she kept a Fetish which she punished for all her
misfortunes. This was the trunk of a large wooden doll, which once
stared with the roundest of eyes above the reddest of cheeks; but was
now entirely defaced by a long career of vicarious suffering. Three
nails driven into the head commemorated as many crises in Maggie's
nine years of earthly struggle; that luxury of vengeance having been
suggested to her by the picture of Jael destroying Sisera in the old
Bible. The last nail had been driven in with a fiercer stroke than
usual, for the Fetish on that occasion represented aunt Glegg. But
immediately afterward Maggie had reflected that if she drove many
nails in she would not be so well able to fancy that the head was hurt
when she knocked it against the wall, nor to comfort it, and make
believe to poultice it, when her fury was abated; for even aunt Glegg
would be pitiable when she had been hurt very much, and thoroughly
humiliated, so as to beg her niece's pardon. Since then she had driven
no more nails in, but had soothed herself by alternately grinding and
beating the wooden head against the rough brick of the great chimneys
that made two square pillars supporting the roof. That was what she
did this morning on reaching the attic, sobbing all the while with a
passion that expelled every other form of consciousness,--even the
memory of the grievance that had caused it. As at last the sobs were
getting quieter, and the grinding less fierce, a sudden beam of
sunshine, falling through the wire lattice across the worm-eaten
shelves, made her throw away the Fetish and run to the window. The sun
was really breaking out; the sound of the mill seemed cheerful again;
the granary doors were open; and there was Yap, the queer
white-and-brown terrier, with one ear turned back, trotting about and
sniffing vaguely, as if he were in search of a companion. It was
irresistible. Maggie tossed her hair back and ran downstairs, seized
her bonnet without putting it on, peeped, and then dashed along the
passage lest she should encounter her mother, and was quickly out in
the yard, whirling round like a Pythoness, and singing as she whirled,
"Yap, Yap, Tom's coming home!" while Yap danced and barked round her,
as much as to say, if there was any noise wanted he was the dog for
it.

"Hegh, hegh, Miss! you'll make yourself giddy, an' tumble down i' the
dirt," said Luke, the head miller, a tall, broad-shouldered man of
forty, black-eyed and black-haired, subdued by a general mealiness,
like an auricula.

Maggie paused in her whirling and said, staggering a little, "Oh no,
it doesn't make me giddy, Luke; may I go into the mill with you?"

Maggie loved to linger in the great spaces of the mill, and often came
out with her black hair powdered to a soft whiteness that made her
dark eyes flash out with new fire. The resolute din, the unresting
motion of the great stones, giving her a dim, delicious awe as at the
presence of an uncontrollable force; the meal forever pouring,
pouring; the fine white powder softening all surfaces, and making the
very spidernets look like a faery lace-work; the sweet, pure scent of
the meal,--all helped to make Maggie feel that the mill was a little
world apart from her outside every-day life. The spiders were
especially a subject of speculation with her. She wondered if they had
any relatives outside the mill, for in that case there must be a
painful difficulty in their family intercourse,--a fat and floury
spider, accustomed to take his fly well dusted with meal, must suffer
a little at a cousin's table where the fly was _au naturel_, and the
lady spiders must be mutually shocked at each other's appearance. But
the part of the mill she liked best was the topmost story,--the
corn-hutch, where there were the great heaps of grain, which she could
sit on and slide down continually. She was in the habit of taking this
recreation as she conversed with Luke, to whom she was very
communicative, wishing him to think well of her understanding, as her
father did.

Perhaps she felt it necessary to recover her position with him on the
present occasion for, as she sat sliding on the heap of grain near
which he was busying himself, she said, at that shrill pitch which was
requisite in mill-society,--

"I think you never read any book but the Bible, did you, Luke?"

"Nay, Miss, an' not much o' that," said Luke, with great frankness.
"I'm no reader, I aren't."

"But if I lent you one of my books, Luke? I've not got any _very_
pretty books that would be easy for you to read; but there's 'Pug's
Tour of Europe,'--that would tell you all about the different sorts of
people in the world, and if you didn't understand the reading, the
pictures would help you; they show the looks and ways of the people,
and what they do. There are the Dutchmen, very fat, and smoking, you
know, and one sitting on a barrel."

"Nay, Miss, I'n no opinion o' Dutchmen. There ben't much good i'
knowin' about _them_."

"But they're our fellow-creatures, Luke; we ought to know about our
fellow-creatures."

"Not much o' fellow-creaturs, I think, Miss; all I know--my old
master, as war a knowin' man, used to say, says he, 'If e'er I sow my
wheat wi'out brinin', I'm a Dutchman,' says he; an' that war as much
as to say as a Dutchman war a fool, or next door. Nay, nay, I aren't
goin' to bother mysen about Dutchmen. There's fools enoo, an' rogues
enoo, wi'out lookin' i' books for 'em."

"Oh, well," said Maggie, rather foiled by Luke's unexpectedly decided
views about Dutchmen, "perhaps you would like 'Animated Nature'
better; that's not Dutchmen, you know, but elephants and kangaroos,
and the civet-cat, and the sunfish, and a bird sitting on its tail,--I
forget its name. There are countries full of those creatures, instead
of horses and cows, you know. Shouldn't you like to know about them,
Luke?"

"Nay, Miss, I'n got to keep count o' the flour an' corn; I can't do
wi' knowin' so many things besides my work. That's what brings folks
to the gallows,--knowin' everything but what they'n got to get their
bread by. An' they're mostly lies, I think, what's printed i' the
books: them printed sheets are, anyhow, as the men cry i' the
streets."

"Why, you're like my brother Tom, Luke," said Maggie, wishing to turn
the conversation agreeably; "Tom's not fond of reading. I love Tom so
dearly, Luke,--better than anybody else in the world. When he grows up
I shall keep his house, and we shall always live together. I can tell
him everything he doesn't know. But I think Tom's clever, for all he
doesn't like books; he makes beautiful whipcord and rabbit-pens."

"Ah," said Luke, "but he'll be fine an' vexed, as the rabbits are all
dead."

"Dead!" screamed Maggie, jumping up from her sliding seat on the corn.
"Oh dear, Luke! What! the lop-eared one, and the spotted doe that Tom
spent all his money to buy?"

"As dead as moles," said Luke, fetching his comparison from the
unmistakable corpses nailed to the stable wall.

"Oh dear, Luke," said Maggie, in a piteous tone, while the big tears
rolled down her cheek; "Tom told me to take care of 'em, and I forgot.
What _shall_ I do?"

"Well, you see, Miss, they were in that far tool-house, an' it was
nobody's business to see to 'em. I reckon Master Tom told Harry to
feed 'em, but there's no countin' on Harry; _he's_ an offal creatur as
iver come about the primises, he is. He remembers nothing but his own
inside--an' I wish it 'ud gripe him."

"Oh, Luke, Tom told me to be sure and remember the rabbits every day;
but how could I, when they didn't come into my head, you know? Oh, he
will be so angry with me, I know he will, and so sorry about his
rabbits, and so am I sorry. Oh, what _shall_ I do?"

"Don't you fret, Miss," said Luke, soothingly; "they're nash things,
them lop-eared rabbits; they'd happen ha' died, if they'd been fed.
Things out o' natur niver thrive: God A'mighty doesn't like 'em. He
made the rabbits' ears to lie back, an' it's nothin' but contrairiness
to make 'em hing down like a mastiff dog's. Master Tom 'ull know
better nor buy such things another time. Don't you fret, Miss. Will
you come along home wi' me, and see my wife? I'm a-goin' this minute."

The invitation offered an agreeable distraction to Maggie's grief, and
her tears gradually subsided as she trotted along by Luke's side to
his pleasant cottage, which stood with its apple and pear trees, and
with the added dignity of a lean-to pigsty, at the other end of the
Mill fields. Mrs. Moggs, Luke's wife, was a decidedly agreeable
acquaintance. She exhibited her hospitality in bread and treacle, and
possessed various works of art. Maggie actually forgot that she had
any special cause of sadness this morning, as she stood on a chair to
look at a remarkable series of pictures representing the Prodigal Son
in the costume of Sir Charles Grandison, except that, as might have
been expected from his defective moral character, he had not, like
that accomplished hero, the taste and strength of mind to dispense
with a wig. But the indefinable weight the dead rabbits had left on
her mind caused her to feel more than usual pity for the career of
this weak young man, particularly when she looked at the picture where
he leaned against a tree with a flaccid appearance, his knee-breeches
unbuttoned and his wig awry, while the swine apparently of some
foreign breed, seemed to insult him by their good spirits over their
feast of husks.

"I'm very glad his father took him back again, aren't you, Luke?" she
said. "For he was very sorry, you know, and wouldn't do wrong again."

"Eh, Miss," said Luke, "he'd be no great shakes, I doubt, let's
feyther do what he would for him."

That was a painful thought to Maggie, and she wished much that the
subsequent history of the young man had not been left a blank.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Maggie is bummed out that she can't go with her dad to pick up Tom from school. Her mom is trying to fix her hair, but Maggie finds this annoying. So she runs off and dunks her head in some water, ruining her hairstyle. Mrs. Tulliver is frustrated and scolds Maggie. An angry Maggie runs off to the attic and proceeds to beat a wooden doll, known as her "Fetish." Maggie had driven nails into the dolls head before, but now she just whacks it against a wall and then "comforts" it once she feels better. After sobbing and beating up her doll, Maggie calms down. She sees her dog Yap outside and goes to play with him. Luke, the head miller, comes up and Maggie goes to the mill with him. Maggie loves going to the mill and thinks the machines are really cool since they are so loud and powerful. We find out that the Tullivers own some sort of grain mill that produces flour and cornmeal. Maggie enjoys sliding down the huge piles of grain and making a mess. That sounds like fun actually. Luke and Maggie talk about books. Luke says he doesn't really care for reading and Maggie says he should read to learn more about the world. Luke says that he doesn't really care about the rest of the world. At least Luke is honest. Maggie moves on to her other favorite subject: Tom. Maggie says that Tom hates reading and only likes things like guns and rabbits. Luke observes that Tom will be bummed since his pet rabbits are dead. Maggie freaks out - she was supposed to take care of the rabbits and forgot. Luke assures Maggie that Tom will get over it, but Maggie is still worried. So Luke takes Maggie to his house to say hi to his wife. Maggie gets distracted by some cool paintings. She likes the one of the Prodigal Son, from the Biblical story. The Prodigal Son basically runs off and leads a wild and crazy life, and then comes back home to beg his family for forgiveness and cash. So, he's basically like your typical college student. Maggie thinks this is a cool story, but she wonders what happened to the Son after he came back home. Was he grounded for life?


prompt:
Chapter: Tom Comes Home

Tom was to arrive early in the afternoon, and there was another
fluttering heart besides Maggie's when it was late enough for the
sound of the gig-wheels to be expected; for if Mrs. Tulliver had a
strong feeling, it was fondness for her boy. At last the sound
came,--that quick light bowling of the gig-wheels,--and in spite of
the wind, which was blowing the clouds about, and was not likely to
respect Mrs. Tulliver's curls and cap-strings, she came outside the
door, and even held her hand on Maggie's offending head, forgetting
all the griefs of the morning.

"There he is, my sweet lad! But, Lord ha' mercy! he's got never a
collar on; it's been lost on the road, I'll be bound, and spoilt the
set."

Mrs. Tulliver stood with her arms open; Maggie jumped first on one leg
and then on the other; while Tom descended from the gig, and said,
with masculine reticence as to the tender emotions, "Hallo! Yap--what!
are you there?"

Nevertheless he submitted to be kissed willingly enough, though Maggie
hung on his neck in rather a strangling fashion, while his blue-gray
eyes wandered toward the croft and the lambs and the river, where he
promised himself that he would begin to fish the first thing to-morrow
morning. He was one of those lads that grow everywhere in England, and
at twelve or thirteen years of age look as much alike as goslings,--a
lad with light-brown hair, cheeks of cream and roses, full lips,
indeterminate nose and eyebrows,--a physiognomy in which it seems
impossible to discern anything but the generic character to boyhood;
as different as possible from poor Maggie's phiz, which Nature seemed
to have moulded and colored with the most decided intention. But that
same Nature has the deep cunning which hides itself under the
appearance of openness, so that simple people think they can see
through her quite well, and all the while she is secretly preparing a
refutation of their confident prophecies. Under these average boyish
physiognomies that she seems to turn off by the gross, she conceals
some of her most rigid, inflexible purposes, some of her most
unmodifiable characters; and the dark-eyed, demonstrative, rebellious
girl may after all turn out to be a passive being compared with this
pink-and-white bit of masculinity with the indeterminate features.

"Maggie," said Tom, confidentially, taking her into a corner, as soon
as his mother was gone out to examine his box and the warm parlor had
taken off the chill he had felt from the long drive, "you don't know
what I've got in _my_ pockets," nodding his head up and down as a
means of rousing her sense of mystery.

"No," said Maggie. "How stodgy they look, Tom! Is it marls (marbles)
or cobnuts?" Maggie's heart sank a little, because Tom always said it
was "no good" playing with _her_ at those games, she played so badly.

"Marls! no; I've swopped all my marls with the little fellows, and
cobnuts are no fun, you silly, only when the nuts are green. But see
here!" He drew something half out of his right-hand pocket.

"What is it?" said Maggie, in a whisper. "I can see nothing but a bit
of yellow."

"Why, it's--a--new--guess, Maggie!"

"Oh, I _can't_ guess, Tom," said Maggie, impatiently.

"Don't be a spitfire, else I won't tell you," said Tom, thrusting his
hand back into his pocket and looking determined.

"No, Tom," said Maggie, imploringly, laying hold of the arm that was
held stiffly in the pocket. "I'm not cross, Tom; it was only because I
can't bear guessing. _Please_ be good to me."

Tom's arm slowly relaxed, and he said, "Well, then, it's a new
fish-line--two new uns,--one for you, Maggie, all to yourself. I
wouldn't go halves in the toffee and gingerbread on purpose to save
the money; and Gibson and Spouncer fought with me because I wouldn't.
And here's hooks; see here--I say, _won't_ we go and fish to-morrow
down by the Round Pool? And you shall catch your own fish, Maggie and
put the worms on, and everything; won't it be fun?"

Maggie's answer was to throw her arms round Tom's neck and hug him,
and hold her cheek against his without speaking, while he slowly
unwound some of the line, saying, after a pause,--

"Wasn't I a good brother, now, to buy you a line all to yourself? You
know, I needn't have bought it, if I hadn't liked."

"Yes, very, very good--I _do_ love you, Tom."

Tom had put the line back in his pocket, and was looking at the hooks
one by one, before he spoke again.

"And the fellows fought me, because I wouldn't give in about the
toffee."

"Oh, dear! I wish they wouldn't fight at your school, Tom. Didn't it
hurt you?"

"Hurt me? no," said Tom, putting up the hooks again, taking out a
large pocket-knife, and slowly opening the largest blade, which he
looked at meditatively as he rubbed his finger along it. Then he
added,--

"I gave Spouncer a black eye, I know; that's what he got by wanting to
leather _me;_ I wasn't going to go halves because anybody leathered
me."

"Oh, how brave you are, Tom! I think you're like Samson. If there came
a lion roaring at me, I think you'd fight him, wouldn't you, Tom?"

"How can a lion come roaring at you, you silly thing? There's no
lions, only in the shows."

"No; but if we were in the lion countries--I mean in Africa, where
it's very hot; the lions eat people there. I can show it you in the
book where I read it."

"Well, I should get a gun and shoot him."

"But if you hadn't got a gun,--we might have gone out, you know, not
thinking, just as we go fishing; and then a great lion might run
toward us roaring, and we couldn't get away from him. What should you
do, Tom?"

Tom paused, and at last turned away contemptuously, saying, "But the
lion _isn't_ coming. What's the use of talking?"

"But I like to fancy how it would be," said Maggie, following him.
"Just think what you would do, Tom."

"Oh, don't bother, Maggie! you're such a silly. I shall go and see my
rabbits."

Maggie's heart began to flutter with fear. She dared not tell the sad
truth at once, but she walked after Tom in trembling silence as he
went out, thinking how she could tell him the news so as to soften at
once his sorrow and his anger; for Maggie dreaded Tom's anger of all
things; it was quite a different anger from her own.

"Tom," she said, timidly, when they were out of doors, "how much money
did you give for your rabbits?"

"Two half-crowns and a sixpence," said Tom, promptly.

"I think I've got a great deal more than that in my steel purse
upstairs. I'll ask mother to give it you."

"What for?" said Tom. "I don't want _your_ money, you silly thing.
I've got a great deal more money than you, because I'm a boy. I always
have half-sovereigns and sovereigns for my Christmas boxes because I
shall be a man, and you only have five-shilling pieces, because you're
only a girl."

"Well, but, Tom--if mother would let me give you two half-crowns and a
sixpence out of my purse to put into your pocket and spend, you know,
and buy some more rabbits with it?"

"More rabbits? I don't want any more."

"Oh, but, Tom, they're all dead."

Tom stopped immediately in his walk and turned round toward Maggie.
"You forgot to feed 'em, then, and Harry forgot?" he said, his color
heightening for a moment, but soon subsiding. "I'll pitch into Harry.
I'll have him turned away. And I don't love you, Maggie. You sha'n't
go fishing with me to-morrow. I told you to go and see the rabbits
every day." He walked on again.

"Yes, but I forgot--and I couldn't help it, indeed, Tom. I'm so very
sorry," said Maggie, while the tears rushed fast.

"You're a naughty girl," said Tom, severely, "and I'm sorry I bought
you the fish-line. I don't love you."

"Oh, Tom, it's very cruel," sobbed Maggie. "I'd forgive you, if _you_
forgot anything--I wouldn't mind what you did--I'd forgive you and
love you."

"Yes, you're silly; but I never _do_ forget things, _I_ don't."

"Oh, please forgive me, Tom; my heart will break," said Maggie,
shaking with sobs, clinging to Tom's arm, and laying her wet cheek on
his shoulder.

Tom shook her off, and stopped again, saying in a peremptory tone,
"Now, Maggie, you just listen. Aren't I a good brother to you?"

"Ye-ye-es," sobbed Maggie, her chin rising and falling convulsedly.

"Didn't I think about your fish-line all this quarter, and mean to buy
it, and saved my money o' purpose, and wouldn't go halves in the
toffee, and Spouncer fought me because I wouldn't?"

"Ye-ye-es--and I--lo-lo-love you so, Tom."

"But you're a naughty girl. Last holidays you licked the paint off my
lozenge-box, and the holidays before that you let the boat drag my
fish-line down when I'd set you to watch it, and you pushed your head
through my kite, all for nothing."

"But I didn't mean," said Maggie; "I couldn't help it."

"Yes, you could," said Tom, "if you'd minded what you were doing. And
you're a naughty girl, and you sha'n't go fishing with me to-morrow."

With this terrible conclusion, Tom ran away from Maggie toward the
mill, meaning to greet Luke there, and complain to him of Harry.

Maggie stood motionless, except from her sobs, for a minute or two;
then she turned round and ran into the house, and up to her attic,
where she sat on the floor and laid her head against the worm-eaten
shelf, with a crushing sense of misery. Tom was come home, and she had
thought how happy she should be; and now he was cruel to her. What use
was anything if Tom didn't love her? Oh, he was very cruel! Hadn't she
wanted to give him the money, and said how very sorry she was? She
knew she was naughty to her mother, but she had never been naughty to
Tom--had never _meant_ to be naughty to him.

"Oh, he is cruel!" Maggie sobbed aloud, finding a wretched pleasure in
the hollow resonance that came through the long empty space of the
attic. She never thought of beating or grinding her Fetish; she was
too miserable to be angry.

These bitter sorrows of childhood! when sorrow is all new and strange,
when hope has not yet got wings to fly beyond the days and weeks, and
the space from summer to summer seems measureless.

Maggie soon thought she had been hours in the attic, and it must be
tea-time, and they were all having their tea, and not thinking of her.
Well, then, she would stay up there and starve herself,--hide herself
behind the tub, and stay there all night,--and then they would all be
frightened, and Tom would be sorry. Thus Maggie thought in the pride
of her heart, as she crept behind the tub; but presently she began to
cry again at the idea that they didn't mind her being there. If she
went down again to Tom now--would he forgive her? Perhaps her father
would be there, and he would take her part. But then she wanted Tom to
forgive her because he loved her, not because his father told him. No,
she would never go down if Tom didn't come to fetch her. This
resolution lasted in great intensity for five dark minutes behind the
tub; but then the need of being loved--the strongest need in poor
Maggie's nature--began to wrestle with her pride, and soon threw it.
She crept from behind her tub into the twilight of the long attic, but
just then she heard a quick foot-step on the stairs.

Tom had been too much interested in his talk with Luke, in going the
round of the premises, walking in and out where he pleased, and
whittling sticks without any particular reason,--except that he didn't
whittle sticks at school,--to think of Maggie and the effect his anger
had produced on her. He meant to punish her, and that business having
been performed, he occupied himself with other matters, like a
practical person. But when he had been called in to tea, his father
said, "Why, where's the little wench?" and Mrs. Tulliver, almost at
the same moment, said, "Where's your little sister?"--both of them
having supposed that Maggie and Tom had been together all the
afternoon.

"I don't know," said Tom. He didn't want to "tell" of Maggie, though
he was angry with her; for Tom Tulliver was a lad of honor.

"What! hasn't she been playing with you all this while?" said the
father. "She'd been thinking o' nothing but your coming home."

"I haven't seen her this two hours," says Tom, commencing on the
plumcake.

"Goodness heart; she's got drownded!" exclaimed Mrs. Tulliver, rising
from her seat and running to the window.

"How could you let her do so?" she added, as became a fearful woman,
accusing she didn't know whom of she didn't know what.

"Nay, nay, she's none drownded," said Mr. Tulliver. "You've been
naughty to her, I doubt, Tom?"

"I'm sure I haven't, father," said Tom, indignantly. "I think she's in
the house."

"Perhaps up in that attic," said Mrs. Tulliver, "a-singing and talking
to herself, and forgetting all about meal-times."

"You go and fetch her down, Tom," said Mr. Tulliver, rather
sharply,--his perspicacity or his fatherly fondness for Maggie making
him suspect that the lad had been hard upon "the little un," else she
would never have left his side. "And be good to her, do you hear? Else
I'll let you know better."

Tom never disobeyed his father, for Mr. Tulliver was a peremptory man,
and, as he said, would never let anybody get hold of his whip-hand;
but he went out rather sullenly, carrying his piece of plumcake, and
not intending to reprieve Maggie's punishment, which was no more than
she deserved. Tom was only thirteen, and had no decided views in
grammar and arithmetic, regarding them for the most part as open
questions, but he was particularly clear and positive on one
point,--namely, that he would punish everybody who deserved it. Why,
he wouldn't have minded being punished himself if he deserved it; but,
then, he never _did_ deserve it.

It was Tom's step, then, that Maggie heard on the stairs, when her
need of love had triumphed over her pride, and she was going down with
her swollen eyes and dishevelled hair to beg for pity. At least her
father would stroke her head and say, "Never mind, my wench." It is a
wonderful subduer, this need of love,--this hunger of the heart,--as
peremptory as that other hunger by which Nature forces us to submit to
the yoke, and change the face of the world.

But she knew Tom's step, and her heart began to beat violently with
the sudden shock of hope. He only stood still at the top of the stairs
and said, "Maggie, you're to come down." But she rushed to him and
clung round his neck, sobbing, "Oh, Tom, please forgive me--I can't
bear it--I will always be good--always remember things--do love
me--please, dear Tom!"

We learn to restrain ourselves as we get older. We keep apart when we
have quarrelled, express ourselves in well-bred phrases, and in this
way preserve a dignified alienation, showing much firmness on one
side, and swallowing much grief on the other. We no longer approximate
in our behavior to the mere impulsiveness of the lower animals, but
conduct ourselves in every respect like members of a highly civilized
society. Maggie and Tom were still very much like young animals, and
so she could rub her cheek against his, and kiss his ear in a random
sobbing way; and there were tender fibres in the lad that had been
used to answer to Maggie's fondling, so that he behaved with a
weakness quite inconsistent with his resolution to punish her as much
as she deserved. He actually began to kiss her in return, and say,--

"Don't cry, then, Magsie; here, eat a bit o' cake."

Maggie's sobs began to subside, and she put out her mouth for the cake
and bit a piece; and then Tom bit a piece, just for company, and they
ate together and rubbed each other's cheeks and brows and noses
together, while they ate, with a humiliating resemblance to two
friendly ponies.

"Come along, Magsie, and have tea," said Tom at last, when there was
no more cake except what was down-stairs.

So ended the sorrows of this day, and the next morning Maggie was
trotting with her own fishing-rod in one hand and a handle of the
basket in the other, stepping always, by a peculiar gift, in the
muddiest places, and looking darkly radiant from under her
beaver-bonnet because Tom was good to her. She had told Tom, however,
that she should like him to put the worms on the hook for her,
although she accepted his word when he assured her that worms couldn't
feel (it was Tom's private opinion that it didn't much matter if they
did). He knew all about worms, and fish, and those things; and what
birds were mischievous, and how padlocks opened, and which way the
handles of the gates were to be lifted. Maggie thought this sort of
knowledge was very wonderful,--much more difficult than remembering
what was in the books; and she was rather in awe of Tom's superiority,
for he was the only person who called her knowledge "stuff," and did
not feel surprised at her cleverness. Tom, indeed, was of opinion that
Maggie was a silly little thing; all girls were silly,--they couldn't
throw a stone so as to hit anything, couldn't do anything with a
pocket-knife, and were frightened at frogs. Still, he was very fond of
his sister, and meant always to take care of her, make her his
housekeeper, and punish her when she did wrong.

They were on their way to the Round Pool,--that wonderful pool, which
the floods had made a long while ago. No one knew how deep it was; and
it was mysterious, too, that it should be almost a perfect round,
framed in with willows and tall reeds, so that the water was only to
be seen when you got close to the brink. The sight of the old favorite
spot always heightened Tom's good humor, and he spoke to Maggie in the
most amicable whispers, as he opened the precious basket and prepared
their tackle. He threw her line for her, and put the rod into her
hand. Maggie thought it probable that the small fish would come to her
hook, and the large ones to Tom's. But she had forgotten all about the
fish, and was looking dreamily at the glassy water, when Tom said, in
a loud whisper, "Look, look, Maggie!" and came running to prevent her
from snatching her line away.

Maggie was frightened lest she had been doing something wrong, as
usual, but presently Tom drew out her line and brought a large tench
bouncing on the grass.

Tom was excited.

"O Magsie, you little duck! Empty the basket."

Maggie was not conscious of unusual merit, but it was enough that Tom
called her Magsie, and was pleased with her. There was nothing to mar
her delight in the whispers and the dreamy silences, when she listened
to the light dripping sounds of the rising fish, and the gentle
rustling, as if the willows and the reeds and the water had their
happy whisperings also. Maggie thought it would make a very nice
heaven to sit by the pool in that way, and never be scolded. She never
knew she had a bite till Tom told her; but she liked fishing very
much.

It was one of their happy mornings. They trotted along and sat down
together, with no thought that life would ever change much for them;
they would only get bigger and not go to school, and it would always
be like the holidays; they would always live together and be fond of
each other. And the mill with its booming; the great chestnut-tree
under which they played at houses; their own little river, the Ripple,
where the banks seemed like home, and Tom was always seeing the
water-rats, while Maggie gathered the purple plumy tops of the reeds,
which she forgot and dropped afterward; above all, the great Floss,
along which they wandered with a sense of travel, to see the rushing
spring-tide, the awful Eagle, come up like a hungry monster, or to see
the Great Ash which had once wailed and groaned like a man, these
things would always be just the same to them. Tom thought people were
at a disadvantage who lived on any other spot of the globe; and
Maggie, when she read about Christiana passing "the river over which
there is no bridge," always saw the Floss between the green pastures
by the Great Ash.

Life did change for Tom and Maggie; and yet they were not wrong in
believing that the thoughts and loves of these first years would
always make part of their lives. We could never have loved the earth
so well if we had had no childhood in it,--if it were not the earth
where the same flowers come up again every spring that we used to
gather with our tiny fingers as we sat lisping to ourselves on the
grass; the same hips and haws on the autumn's hedgerows; the same
redbreasts that we used to call "God's birds," because they did no
harm to the precious crops. What novelty is worth that sweet monotony
where everything is known, and _loved_ because it is known?

The wood I walk in on this mild May day, with the young yellow-brown
foliage of the oaks between me and the blue sky, the white
star-flowers and the blue-eyed speedwell and the ground ivy at my
feet, what grove of tropic palms, what strange ferns or splendid
broad-petalled blossoms, could ever thrill such deep and delicate
fibres within me as this home scene? These familiar flowers, these
well-remembered bird-notes, this sky, with its fitful brightness,
these furrowed and grassy fields, each with a sort of personality
given to it by the capricious hedgerows,--such things as these are the
mother-tongue of our imagination, the language that is laden with all
the subtle, inextricable associations the fleeting hours of our
childhood left behind them. Our delight in the sunshine on the
deep-bladed grass to-day might be no more than the faint perception of
wearied souls, if it were not for the sunshine and the grass in the
far-off years which still live in us, and transform our perception
into love.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Tom finally arrives. We learn that Mrs. Tulliver plays favorites with her kids and that she is much nicer to Tom than she is to Maggie. Tom looks like a typical English kid around the age of twelve or thirteen. Being a nice brother, Tom has brought Maggie a present. He gives her a fishing rod and tells her that he'll take her fishing with him tomorrow. Tom brags about what an awesome brother he is and Maggie agrees with him. Maggie says Tom is brave like Samson and asks Tom to imagine how he would fight a lion. Tom thinks imagination is stupid and won't play along with Maggie. Maggie now tries to brace Tom for the news that his rabbits are dead. Tom doesn't take the news well and he blames Maggie for killing all the rabbits. Between the "Fetish" doll and the rabbits, Maggie may very well be a future serial killer. Just saying. Maggie starts crying and apologizing, but Tom is harsh with her and storms off. Maggie runs off to cry in the attic. Watch out wooden doll! Meanwhile her parents are looking for her, and Tom lies and says he doesn't know where Maggie is, since he isn't a tattle-tale. Tom goes to get Maggie and she apologizes some more. Tom decides to forgive her and brings her downstairs for tea. The next day Tom and Maggie go fishing and Maggie catches a fish. The two are very happy and have lots of fun. The narrator busts in on the idyllic scene to warn us of impending doom. But, despite how much Tom and Maggie change in the future, they never lose this happy little childhood memory and their love of home.