prompt:
Chapter: Pete took note of Maggie.

"Say, Mag, I'm stuck on yer shape.  It's outa sight," he said,
parenthetically, with an affable grin.

As he became aware that she was listening closely, he grew still more
eloquent in his descriptions of various happenings in his career.  It
appeared that he was invincible in fights.

"Why," he said, referring to a man with whom he had had a
misunderstanding, "dat mug scrapped like a damn dago.  Dat's right.  He
was dead easy.  See?  He tau't he was a scrapper.  But he foun' out
diff'ent!  Hully gee."

He walked to and fro in the small room, which seemed then to grow even
smaller and unfit to hold his dignity, the attribute of a supreme
warrior.  That swing of the shoulders that had frozen the timid when he
was but a lad had increased with his growth and education at the ratio
of ten to one.  It, combined with the sneer upon his mouth, told
mankind that there was nothing in space which could appall him.  Maggie
marvelled at him and surrounded him with greatness.  She vaguely tried
to calculate the altitude of the pinnacle from which he must have
looked down upon her.

"I met a chump deh odder day way up in deh city," he said.  "I was
goin' teh see a frien' of mine.  When I was a-crossin' deh street deh
chump runned plump inteh me, an' den he turns aroun' an' says, 'Yer
insolen' ruffin,' he says, like dat.  'Oh, gee,' I says, 'oh, gee, go
teh hell and git off deh eart',' I says, like dat.  See?  'Go teh hell
an' git off deh eart',' like dat.  Den deh blokie he got wild.  He says
I was a contempt'ble scoun'el, er somet'ing like dat, an' he says I was
doom' teh everlastin' pe'dition an' all like dat.  'Gee,' I says, 'gee!
Deh hell I am,' I says.  'Deh hell I am,' like dat.  An' den I slugged
'im.  See?"

With Jimmie in his company, Pete departed in a sort of a blaze of glory
from the Johnson home.  Maggie, leaning from the window, watched him as
he walked down the street.

Here was a formidable man who disdained the strength of a world full of
fists.  Here was one who had contempt for brass-clothed power; one
whose knuckles could defiantly ring against the granite of law.  He was
a knight.

The two men went from under the glimmering street-lamp and passed into
shadows.

Turning, Maggie contemplated the dark, dust-stained walls, and the
scant and crude furniture of her home.  A clock, in a splintered and
battered oblong box of varnished wood, she suddenly regarded as an
abomination.  She noted that it ticked raspingly.  The almost vanished
flowers in the carpet-pattern, she conceived to be newly hideous.  Some
faint attempts she had made with blue ribbon, to freshen the appearance
of a dingy curtain, she now saw to be piteous.

She wondered what Pete dined on.

She reflected upon the collar and cuff factory.  It began to appear to
her mind as a dreary place of endless grinding.  Pete's elegant
occupation brought him, no doubt, into contact with people who had
money and manners.  It was probable that he had a large acquaintance of
pretty girls.  He must have great sums of money to spend.

To her the earth was composed of hardships and insults.  She felt
instant admiration for a man who openly defied it.  She thought that if
the grim angel of death should clutch his heart, Pete would shrug his
shoulders and say: "Oh, ev'ryt'ing goes."

She anticipated that he would come again shortly.  She spent some of
her week's pay in the purchase of flowered cretonne for a lambrequin.
She made it with infinite care and hung it to the slightly-careening
mantel, over the stove, in the kitchen.  She studied it with painful
anxiety from different points in the room.  She wanted it to look well
on Sunday night when, perhaps, Jimmie's friend would come.  On Sunday
night, however, Pete did not appear.

Afterward the girl looked at it with a sense of humiliation.  She was
now convinced that Pete was superior to admiration for lambrequins.

A few evenings later Pete entered with fascinating innovations in his
apparel.  As she had seen him twice and he had different suits on each
time, Maggie had a dim impression that his wardrobe was prodigiously
extensive.

"Say, Mag," he said, "put on yer bes' duds Friday night an' I'll take
yehs teh deh show.  See?"

He spent a few moments in flourishing his clothes and then vanished,
without having glanced at the lambrequin.

Over the eternal collars and cuffs in the factory Maggie spent the most
of three days in making imaginary sketches of Pete and his daily
environment.  She imagined some half dozen women in love with him and
thought he must lean dangerously toward an indefinite one, whom she
pictured with great charms of person, but with an altogether
contemptible disposition.

She thought he must live in a blare of pleasure.  He had friends, and
people who were afraid of him.

She saw the golden glitter of the place where Pete was to take her.  An
entertainment of many hues and many melodies where she was afraid she
might appear small and mouse-colored.

Her mother drank whiskey all Friday morning.  With lurid face and
tossing hair she cursed and destroyed furniture all Friday afternoon.
When Maggie came home at half-past six her mother lay asleep amidst the
wreck of chairs and a table.  Fragments of various household utensils
were scattered about the floor.  She had vented some phase of drunken
fury upon the lambrequin.  It lay in a bedraggled heap in the corner.

"Hah," she snorted, sitting up suddenly, "where deh hell yeh been?  Why
deh hell don' yeh come home earlier?  Been loafin' 'round deh streets.
Yer gettin' teh be a reg'lar devil."

When Pete arrived Maggie, in a worn black dress, was waiting for him in
the midst of a floor strewn with wreckage.  The curtain at the window
had been pulled by a heavy hand and hung by one tack, dangling to and
fro in the draft through the cracks at the sash.  The knots of blue
ribbons appeared like violated flowers.  The fire in the stove had gone
out.  The displaced lids and open doors showed heaps of sullen grey
ashes.  The remnants of a meal, ghastly, like dead flesh, lay in a
corner.  Maggie's red mother, stretched on the floor, blasphemed and
gave her daughter a bad name.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: She's cute, and he's a "warrior," "invincible," and a "formidable man." Suffice it to say, she's hooked on the Pete Kool-Aid. Now her house seems even grimmer. She passes the time thinking about Pete and his job, his friends, his money, and just how generally superior he is to everything in her sad-sack life. Anticipating Pete's next visit, Maggie spruces up the house with some drapery. Apparently it--or something--works, because he asks her out to see a show. She's all excited because everyone is afraid of him. He is clearly the Big Man on Campus, and crowds part when he comes down the sidewalk. Momma Mary is still getting wasted, so of course she embarrasses Maggie when Pete comes to pick her up. Thanks, Mom.


prompt:
Chapter: An orchestra of yellow silk women and bald-headed men on an elevated
stage near the centre of a great green-hued hall, played a popular
waltz.  The place was crowded with people grouped about little tables.
A battalion of waiters slid among the throng, carrying trays of beer
glasses and making change from the inexhaustible vaults of their
trousers pockets.  Little boys, in the costumes of French chefs,
paraded up and down the irregular aisles vending fancy cakes.  There
was a low rumble of conversation and a subdued clinking of glasses.
Clouds of tobacco smoke rolled and wavered high in air about the dull
gilt of the chandeliers.

The vast crowd had an air throughout of having just quitted labor.  Men
with calloused hands and attired in garments that showed the wear of an
endless trudge for a living, smoked their pipes contentedly and spent
five, ten, or perhaps fifteen cents for beer.  There was a mere
sprinkling of kid-gloved men who smoked cigars purchased elsewhere.
The great body of the crowd was composed of people who showed that all
day they strove with their hands.  Quiet Germans, with maybe their
wives and two or three children, sat listening to the music, with the
expressions of happy cows.  An occasional party of sailors from a
war-ship, their faces pictures of sturdy health, spent the earlier
hours of the evening at the small round tables.  Very infrequent tipsy
men, swollen with the value of their opinions, engaged their companions
in earnest and confidential conversation.  In the balcony, and here and
there below, shone the impassive faces of women.  The nationalities of
the Bowery beamed upon the stage from all directions.

Pete aggressively walked up a side aisle and took seats with Maggie at
a table beneath the balcony.

"Two beehs!"

Leaning back he regarded with eyes of superiority the scene before
them.  This attitude affected Maggie strongly.  A man who could regard
such a sight with indifference must be accustomed to very great things.

It was obvious that Pete had been to this place many times before, and
was very familiar with it.  A knowledge of this fact made Maggie feel
little and new.

He was extremely gracious and attentive.  He displayed the
consideration of a cultured gentleman who knew what was due.

"Say, what deh hell?  Bring deh lady a big glass!  What deh hell use is
dat pony?"

"Don't be fresh, now," said the waiter, with some warmth, as he
departed.

"Ah, git off deh eart'," said Pete, after the other's retreating form.

Maggie perceived that Pete brought forth all his elegance and all his
knowledge of high-class customs for her benefit.  Her heart warmed as
she reflected upon his condescension.

The orchestra of yellow silk women and bald-headed men gave vent to a
few bars of anticipatory music and a girl, in a pink dress with short
skirts, galloped upon the stage.  She smiled upon the throng as if in
acknowledgment of a warm welcome, and began to walk to and fro, making
profuse gesticulations and singing, in brazen soprano tones, a song,
the words of which were inaudible.  When she broke into the swift
rattling measures of a chorus some half-tipsy men near the stage joined
in the rollicking refrain and glasses were pounded rhythmically upon
the tables.  People leaned forward to watch her and to try to catch the
words of the song.  When she vanished there were long rollings of
applause.

Obedient to more anticipatory bars, she reappeared amidst the
half-suppressed cheering of the tipsy men.  The orchestra plunged into
dance music and the laces of the dancer fluttered and flew in the glare
of gas jets.  She divulged the fact that she was attired in some half
dozen skirts.  It was patent that any one of them would have proved
adequate for the purpose for which skirts are intended.  An occasional
man bent forward, intent upon the pink stockings.  Maggie wondered at
the splendor of the costume and lost herself in calculations of the
cost of the silks and laces.

The dancer's smile of stereotyped enthusiasm was turned for ten minutes
upon the faces of her audience.  In the finale she fell into some of
those grotesque attitudes which were at the time popular among the
dancers in the theatres up-town, giving to the Bowery public the
phantasies of the aristocratic theatre-going public, at reduced rates.

"Say, Pete," said Maggie, leaning forward, "dis is great."

"Sure," said Pete, with proper complacence.

A ventriloquist followed the dancer.  He held two fantastic dolls on
his knees.  He made them sing mournful ditties and say funny things
about geography and Ireland.

"Do dose little men talk?" asked Maggie.

"Naw," said Pete, "it's some damn fake.  See?"

Two girls, on the bills as sisters, came forth and sang a duet that is
heard occasionally at concerts given under church auspices.  They
supplemented it with a dance which of course can never be seen at
concerts given under church auspices.

After the duettists had retired, a woman of debatable age sang a negro
melody.  The chorus necessitated some grotesque waddlings supposed to
be an imitation of a plantation darkey, under the influence, probably,
of music and the moon.  The audience was just enthusiastic enough over
it to have her return and sing a sorrowful lay, whose lines told of a
mother's love and a sweetheart who waited and a young man who was lost
at sea under the most harrowing circumstances.  From the faces of a
score or so in the crowd, the self-contained look faded.  Many heads
were bent forward with eagerness and sympathy.  As the last distressing
sentiment of the piece was brought forth, it was greeted by that kind
of applause which rings as sincere.

As a final effort, the singer rendered some verses which described a
vision of Britain being annihilated by America, and Ireland bursting
her bonds.  A carefully prepared crisis was reached in the last line of
the last verse, where the singer threw out her arms and cried, "The
star-spangled banner."  Instantly a great cheer swelled from the
throats of the assemblage of the masses.  There was a heavy rumble of
booted feet thumping the floor.  Eyes gleamed with sudden fire, and
calloused hands waved frantically in the air.

After a few moments' rest, the orchestra played crashingly, and a small
fat man burst out upon the stage.  He began to roar a song and stamp
back and forth before the foot-lights, wildly waving a glossy silk hat
and throwing leers, or smiles, broadcast.  He made his face into
fantastic grimaces until he looked like a pictured devil on a Japanese
kite.  The crowd laughed gleefully.  His short, fat legs were never
still a moment.  He shouted and roared and bobbed his shock of red wig
until the audience broke out in excited applause.

Pete did not pay much attention to the progress of events upon the
stage.  He was drinking beer and watching Maggie.

Her cheeks were blushing with excitement and her eyes were glistening.
She drew deep breaths of pleasure.  No thoughts of the atmosphere of
the collar and cuff factory came to her.

When the orchestra crashed finally, they jostled their way to the
sidewalk with the crowd.  Pete took Maggie's arm and pushed a way for
her, offering to fight with a man or two.

They reached Maggie's home at a late hour and stood for a moment in
front of the gruesome doorway.

"Say, Mag," said Pete, "give us a kiss for takin' yeh teh deh show,
will yer?"

Maggie laughed, as if startled, and drew away from him.

"Naw, Pete," she said, "dat wasn't in it."

"Ah, what deh hell?" urged Pete.

The girl retreated nervously.

"Ah, what deh hell?" repeated he.

Maggie darted into the hall, and up the stairs.  She turned and smiled
at him, then disappeared.

Pete walked slowly down the street.  He had something of an astonished
expression upon his features.  He paused under a lamp-post and breathed
a low breath of surprise.

"Gawd," he said, "I wonner if I've been played fer a duffer."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Does Pete know how to party? You betcha. He loves himself a spectacle, so he takes Maggie to music halls, burlesque shows, and all manner of lowbrow entertainment. For Maggie, the escape from life at home is more than welcome. She really digs hanging out with Pete at the smoky orchestra performances, drinking beer and mingling with the masses. Pete stands out because he's a real gentleman, and she loves how he works the whole classy angle for her. But Maggie sees Pete as more than just a night at the theater spent watching people sing and ventriloquists do their acts--he's her ticket out of the dump that is Rum Alley. Pete's really into Maggie, too; she can tell because he stares at her a lot and asks her to kiss him. She's not down for smooching, though. Bummer for Pete--he thought he was going to get some.


prompt:
Chapter: As thoughts of Pete came to Maggie's mind, she began to have an intense
dislike for all of her dresses.

"What deh hell ails yeh?  What makes yeh be allus fixin' and fussin'?
Good Gawd," her mother would frequently roar at her.

She began to note, with more interest, the well-dressed women she met
on the avenues.  She envied elegance and soft palms.  She craved those
adornments of person which she saw every day on the street, conceiving
them to be allies of vast importance to women.

Studying faces, she thought many of the women and girls she chanced to
meet, smiled with serenity as though forever cherished and watched over
by those they loved.

The air in the collar and cuff establishment strangled her.  She knew
she was gradually and surely shrivelling in the hot, stuffy room.  The
begrimed windows rattled incessantly from the passing of elevated
trains.  The place was filled with a whirl of noises and odors.

She wondered as she regarded some of the grizzled women in the room,
mere mechanical contrivances sewing seams and grinding out, with heads
bended over their work, tales of imagined or real girlhood happiness,
past drunks, the baby at home, and unpaid wages.  She speculated how
long her youth would endure.  She began to see the bloom upon her
cheeks as valuable.

She imagined herself, in an exasperating future, as a scrawny woman
with an eternal grievance.  Too, she thought Pete to be a very
fastidious person concerning the appearance of women.

She felt she would love to see somebody entangle their fingers in the
oily beard of the fat foreigner who owned the establishment.  He was a
detestable creature.  He wore white socks with low shoes.

He sat all day delivering orations, in the depths of a cushioned chair.
His pocketbook deprived them of the power to retort.

"What een hell do you sink I pie fife dolla a week for? Play? No, py
damn!" Maggie was anxious for a friend to whom she could talk about
Pete. She would have liked to discuss his admirable mannerisms with a
reliable mutual friend. At home, she found her mother often drunk and
always raving. It seems that the world had treated this woman very
badly, and she took a deep revenge upon such portions of it as came
within her reach. She broke furniture as if she were at last getting her
rights. She swelled with virtuous indignation as she carried the lighter
articles of household use, one by one under the shadows of the three
gilt balls, where Hebrews chained them with chains of interest.

Jimmie came when he was obliged to by circumstances over which he had no
control. His well-trained legs brought him staggering home and put him
to bed some nights when he would rather have gone elsewhere. Swaggering
Pete loomed like a golden sun to Maggie. He took her to a dime museum
where rows of meek freaks astonished her. She contemplated their
deformities with awe and thought them a sort of chosen tribe.

"What een hell do you sink I pie fife dolla a week for? Play? No, py
damn!" Maggie was anxious for a friend to whom she could talk about
Pete. She would have liked to discuss his admirable mannerisms with a
reliable mutual friend. At home, she found her mother often drunk and
always raving. It seems that the world had treated this woman very
badly, and she took a deep revenge upon such portions of it as came
within her reach. She broke furniture as if she were at last getting her
rights. She swelled with virtuous indignation as she carried the lighter
articles of household use, one by one under the shadows of the three
gilt balls, where Hebrews chained them with chains of interest.

Jimmie came when he was obliged to by circumstances over which he had no
control. His well-trained legs brought him staggering home and put him
to bed some nights when he would rather have gone elsewhere. Swaggering
Pete loomed like a golden sun to Maggie. He took her to a dime museum
where rows of meek freaks astonished her. She contemplated their
deformities with awe and thought them a sort of chosen tribe.

Pete, raking his brains for amusement, discovered the Central Park
Menagerie and the Museum of Arts. Sunday afternoons would sometimes find
them at these places. Pete did not appear to be particularly interested
in what he saw. He stood around looking heavy, while Maggie giggled in
glee.

Once at the Menagerie he went into a trance of admiration before the
spectacle of a very small monkey threatening to thrash a cageful because
one of them had pulled his tail and he had not wheeled about quickly
enough to discover who did it. Ever after Pete knew that monkey by sight
and winked at him, trying to induce hime to fight with other and larger
monkeys. At the Museum, Maggie said, "Dis is outa sight."

"Oh hell," said Pete, "wait 'till next summer an' I'll take yehs to a
picnic."

While the girl wandered in the vaulted rooms, Pete occupied himself in
returning stony stare for stony stare, the appalling scrutiny of the
watch-dogs of the treasures. Occasionally he would remark in loud tones:
"Dat jay has got glass eyes," and sentences of the sort. When he tired
of this amusement he would go to the mummies and moralize over them.

Usually he submitted with silent dignity to all which he had to go
through, but, at times, he was goaded into comment.

"What deh hell," he demanded once.  "Look at all dese little jugs!
Hundred jugs in a row!  Ten rows in a case an' 'bout a t'ousand cases!
What deh blazes use is dem?"

Evenings during the week he took her to see plays in which the
brain-clutching heroine was rescued from the palatial home of her
guardian, who is cruelly after her bonds, by the hero with the
beautiful sentiments.  The latter spent most of his time out at soak in
pale-green snow storms, busy with a nickel-plated revolver, rescuing
aged strangers from villains.

Maggie lost herself in sympathy with the wanderers swooning in snow
storms beneath happy-hued church windows.  And a choir within singing
"Joy to the World."  To Maggie and the rest of the audience this was
transcendental realism.  Joy always within, and they, like the actor,
inevitably without.  Viewing it, they hugged themselves in ecstatic
pity of their imagined or real condition.

The girl thought the arrogance and granite-heartedness of the magnate
of the play was very accurately drawn.  She echoed the maledictions
that the occupants of the gallery showered on this individual when his
lines compelled him to expose his extreme selfishness.

Shady persons in the audience revolted from the pictured villainy of
the drama.  With untiring zeal they hissed vice and applauded virtue.
Unmistakably bad men evinced an apparently sincere admiration for
virtue.

The loud gallery was overwhelmingly with the unfortunate and the
oppressed.  They encouraged the struggling hero with cries, and jeered
the villain, hooting and calling attention to his whiskers.  When
anybody died in the pale-green snow storms, the gallery mourned.  They
sought out the painted misery and hugged it as akin.

In the hero's erratic march from poverty in the first act, to wealth
and triumph in the final one, in which he forgives all the enemies that
he has left, he was assisted by the gallery, which applauded his
generous and noble sentiments and confounded the speeches of his
opponents by making irrelevant but very sharp remarks.  Those actors
who were cursed with villainy parts were confronted at every turn by
the gallery.  If one of them rendered lines containing the most subtile
distinctions between right and wrong, the gallery was immediately aware
if the actor meant wickedness, and denounced him accordingly.

The last act was a triumph for the hero, poor and of the masses, the
representative of the audience, over the villain and the rich man, his
pockets stuffed with bonds, his heart packed with tyrannical purposes,
imperturbable amid suffering.

Maggie always departed with raised spirits from the showing places of
the melodrama.  She rejoiced at the way in which the poor and virtuous
eventually surmounted the wealthy and wicked.  The theatre made her
think.  She wondered if the culture and refinement she had seen
imitated, perhaps grotesquely, by the heroine on the stage, could be
acquired by a girl who lived in a tenement house and worked in a shirt
factory.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Maggie starts getting stressed about her wardrobe. Dating Pete has upped the ante, and it seems like every lady on the street has nicer clothes. This stinks. She also starts to worry that she's going to become an old hag, like some of her co-workers at the collar and cuff factory. Pete is showing Maggie a really good time: dime shows, menageries, museums, a whole world of culture she never knew existed. Oh--and the melodramas with damsels in distress. What a knight in shining armor Pete is. These shows are infinitely entertaining. The villains so villainous and the heroes so, well, heroic. Maggie is ready to climb on stage and become a character in one of the plays; she wonders if she might act the part of a classy lady just like actresses do on stage.


prompt:
Chapter: A group of urchins were intent upon the side door of a saloon.
Expectancy gleamed from their eyes.  They were twisting their fingers
in excitement.

"Here she comes," yelled one of them suddenly.

The group of urchins burst instantly asunder and its individual
fragments were spread in a wide, respectable half circle about the
point of interest.  The saloon door opened with a crash, and the figure
of a woman appeared upon the threshold.  Her grey hair fell in knotted
masses about her shoulders.  Her face was crimsoned and wet with
perspiration.  Her eyes had a rolling glare.

"Not a damn cent more of me money will yehs ever get, not a damn cent.
I spent me money here fer t'ree years an' now yehs tells me yeh'll sell
me no more stuff!  T'hell wid yeh, Johnnie Murckre!  'Disturbance'?
Disturbance be damned!  T'hell wid yeh, Johnnie--"

The door received a kick of exasperation from within and the woman
lurched heavily out on the sidewalk.

The gamins in the half-circle became violently agitated.  They began to
dance about and hoot and yell and jeer.  Wide dirty grins spread over
each face.

The woman made a furious dash at a particularly outrageous cluster of
little boys.  They laughed delightedly and scampered off a short
distance, calling out over their shoulders to her.  She stood tottering
on the curb-stone and thundered at them.

"Yeh devil's kids," she howled, shaking red fists.  The little boys
whooped in glee.  As she started up the street they fell in behind and
marched uproariously.  Occasionally she wheeled about and made charges
on them.  They ran nimbly out of reach and taunted her.

In the frame of a gruesome doorway she stood for a moment cursing them.
Her hair straggled, giving her crimson features a look of insanity.
Her great fists quivered as she shook them madly in the air.

The urchins made terrific noises until she turned and disappeared.
Then they filed quietly in the way they had come.

The woman floundered about in the lower hall of the tenement house and
finally stumbled up the stairs.  On an upper hall a door was opened and
a collection of heads peered curiously out, watching her.  With a
wrathful snort the woman confronted the door, but it was slammed
hastily in her face and the key was turned.

She stood for a few minutes, delivering a frenzied challenge at the
panels.

"Come out in deh hall, Mary Murphy, damn yeh, if yehs want a row.  Come
ahn, yeh overgrown terrier, come ahn."

She began to kick the door with her great feet.  She shrilly defied the
universe to appear and do battle.  Her cursing trebles brought heads
from all doors save the one she threatened.  Her eyes glared in every
direction.  The air was full of her tossing fists.

"Come ahn, deh hull damn gang of yehs, come ahn," she roared at the
spectators.  An oath or two, cat-calls, jeers and bits of facetious
advice were given in reply.  Missiles clattered about her feet.

"What deh hell's deh matter wid yeh?" said a voice in the gathered
gloom, and Jimmie came forward.  He carried a tin dinner-pail in his
hand and under his arm a brown truckman's apron done in a bundle.
"What deh hell's wrong?" he demanded.

"Come out, all of yehs, come out," his mother was howling.  "Come ahn
an' I'll stamp her damn brains under me feet."

"Shet yer face, an' come home, yeh damned old fool," roared Jimmie at
her.  She strided up to him and twirled her fingers in his face.  Her
eyes were darting flames of unreasoning rage and her frame trembled
with eagerness for a fight.

"T'hell wid yehs!  An' who deh hell are yehs?  I ain't givin' a snap of
me fingers fer yehs," she bawled at him.  She turned her huge back in
tremendous disdain and climbed the stairs to the next floor.

Jimmie followed, cursing blackly.  At the top of the flight he seized
his mother's arm and started to drag her toward the door of their room.

"Come home, damn yeh," he gritted between his teeth.

"Take yer hands off me!  Take yer hands off me," shrieked his mother.

She raised her arm and whirled her great fist at her son's face.
Jimmie dodged his head and the blow struck him in the back of the neck.
"Damn yeh," gritted he again.  He threw out his left hand and writhed
his fingers about her middle arm.  The mother and the son began to sway
and struggle like gladiators.

"Whoop!" said the Rum Alley tenement house.  The hall filled with
interested spectators.

"Hi, ol' lady, dat was a dandy!"

"T'ree to one on deh red!"

"Ah, stop yer damn scrappin'!"

The door of the Johnson home opened and Maggie looked out.  Jimmie made
a supreme cursing effort and hurled his mother into the room.  He
quickly followed and closed the door.  The Rum Alley tenement swore
disappointedly and retired.

The mother slowly gathered herself up from the floor.  Her eyes
glittered menacingly upon her children.

"Here, now," said Jimmie, "we've had enough of dis.  Sit down, an' don'
make no trouble."

He grasped her arm, and twisting it, forced her into a creaking chair.

"Keep yer hands off me," roared his mother again.

"Damn yer ol' hide," yelled Jimmie, madly.  Maggie shrieked and ran
into the other room.  To her there came the sound of a storm of crashes
and curses.  There was a great final thump and Jimmie's voice cried:
"Dere, damn yeh, stay still."  Maggie opened the door now, and went
warily out.  "Oh, Jimmie."

He was leaning against the wall and swearing.  Blood stood upon bruises
on his knotty fore-arms where they had scraped against the floor or the
walls in the scuffle.  The mother lay screeching on the floor, the
tears running down her furrowed face.

Maggie, standing in the middle of the room, gazed about her.  The usual
upheaval of the tables and chairs had taken place.  Crockery was strewn
broadcast in fragments.  The stove had been disturbed on its legs, and
now leaned idiotically to one side.  A pail had been upset and water
spread in all directions.

The door opened and Pete appeared.  He shrugged his shoulders.  "Oh,
Gawd," he observed.

He walked over to Maggie and whispered in her ear.  "Ah, what deh hell,
Mag?  Come ahn and we'll have a hell of a time."

The mother in the corner upreared her head and shook her tangled locks.

"Teh hell wid him and you," she said, glowering at her daughter in the
gloom.  Her eyes seemed to burn balefully.  "Yeh've gone teh deh devil,
Mag Johnson, yehs knows yehs have gone teh deh devil.  Yer a disgrace
teh yer people, damn yeh.  An' now, git out an' go ahn wid dat
doe-faced jude of yours.  Go teh hell wid him, damn yeh, an' a good
riddance.  Go teh hell an' see how yeh likes it."

Maggie gazed long at her mother.

"Go teh hell now, an' see how yeh likes it.  Git out.  I won't have
sech as yehs in me house!  Get out, d'yeh hear!  Damn yeh, git out!"

The girl began to tremble.

At this instant Pete came forward.  "Oh, what deh hell, Mag, see,"
whispered he softly in her ear.  "Dis all blows over.  See?  Deh ol'
woman 'ill be all right in deh mornin'.  Come ahn out wid me!  We'll
have a hell of a time."

The woman on the floor cursed.  Jimmie was intent upon his bruised
fore-arms.  The girl cast a glance about the room filled with a chaotic
mass of debris, and at the red, writhing body of her mother.

"Go teh hell an' good riddance."

She went.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Mary gets kicked out of the local saloon, an event she does not take well. The local collection of street urchins finds amusement in her anger, taunting and laughing, but it's not pretty to anyone else. Not one for subtlety, Mary kicks in the door of the apartment, where Jimmie greets her. A tussle ensues. Pete arrives just in time to witness the violent family episode. Mary takes the opportunity to humiliate Maggie, accusing her of all sorts of shameful behavior, calling her a "disgrace," and in not so many words, telling her she is a worthless, shall we say, lady of the night. Pete and Maggie beat a hasty retreat.


prompt:
Chapter: Jimmie had an idea it wasn't common courtesy for a friend to come to
one's home and ruin one's sister.  But he was not sure how much Pete
knew about the rules of politeness.

The following night he returned home from work at rather a late hour in
the evening.  In passing through the halls he came upon the gnarled and
leathery old woman who possessed the music box.  She was grinning in
the dim light that drifted through dust-stained panes.  She beckoned to
him with a smudged forefinger.

"Ah, Jimmie, what do yehs t'ink I got onto las' night.  It was deh
funnies' t'ing I ever saw," she cried, coming close to him and leering.
She was trembling with eagerness to tell her tale.  "I was by me door
las' night when yer sister and her jude feller came in late, oh, very
late.  An' she, the dear, she was a-cryin' as if her heart would break,
she was.  It was deh funnies' t'ing I ever saw.  An' right out here by
me door she asked him did he love her, did he.  An' she was a-cryin' as
if her heart would break, poor t'ing.  An' him, I could see by deh way
what he said it dat she had been askin' orften, he says: 'Oh, hell,
yes,' he says, says he, 'Oh, hell, yes.'"

Storm-clouds swept over Jimmie's face, but he turned from the leathery
old woman and plodded on up-stairs.

"Oh, hell, yes," called she after him.  She laughed a laugh that was
like a prophetic croak.  "'Oh, hell, yes,' he says, says he, 'Oh, hell,
yes.'"

There was no one in at home.  The rooms showed that attempts had been
made at tidying them.  Parts of the wreckage of the day before had been
repaired by an unskilful hand.  A chair or two and the table, stood
uncertainly upon legs.  The floor had been newly swept.  Too, the blue
ribbons had been restored to the curtains, and the lambrequin, with its
immense sheaves of yellow wheat and red roses of equal size, had been
returned, in a worn and sorry state, to its position at the mantel.
Maggie's jacket and hat were gone from the nail behind the door.

Jimmie walked to the window and began to look through the blurred
glass.  It occurred to him to vaguely wonder, for an instant, if some
of the women of his acquaintance had brothers.

Suddenly, however, he began to swear.

"But he was me frien'!  I brought 'im here!  Dat's deh hell of it!"

He fumed about the room, his anger gradually rising to the furious
pitch.

"I'll kill deh jay!  Dat's what I'll do!  I'll kill deh jay!"

He clutched his hat and sprang toward the door.  But it opened and his
mother's great form blocked the passage.

"What deh hell's deh matter wid yeh?" exclaimed she, coming into the
rooms.

Jimmie gave vent to a sardonic curse and then laughed heavily.

"Well, Maggie's gone teh deh devil!  Dat's what!  See?"

"Eh?" said his mother.

"Maggie's gone teh deh devil!  Are yehs deaf?" roared Jimmie,
impatiently.

"Deh hell she has," murmured the mother, astounded.

Jimmie grunted, and then began to stare out at the window.  His mother
sat down in a chair, but a moment later sprang erect and delivered a
maddened whirl of oaths.  Her son turned to look at her as she reeled
and swayed in the middle of the room, her fierce face convulsed with
passion, her blotched arms raised high in imprecation.

"May Gawd curse her forever," she shrieked.  "May she eat nothin' but
stones and deh dirt in deh street.  May she sleep in deh gutter an'
never see deh sun shine agin.  Deh damn--"

"Here, now," said her son.  "Take a drop on yourself."

The mother raised lamenting eyes to the ceiling.

"She's deh devil's own chil', Jimmie," she whispered.  "Ah, who would
t'ink such a bad girl could grow up in our fambly, Jimmie, me son.
Many deh hour I've spent in talk wid dat girl an' tol' her if she ever
went on deh streets I'd see her damned.  An' after all her bringin' up
an' what I tol' her and talked wid her, she goes teh deh bad, like a
duck teh water."

The tears rolled down her furrowed face.  Her hands trembled.

"An' den when dat Sadie MacMallister next door to us was sent teh deh
devil by dat feller what worked in deh soap-factory, didn't I tell our
Mag dat if she--"

"Ah, dat's annuder story," interrupted the brother.  "Of course, dat
Sadie was nice an' all dat--but--see--it ain't dessame as if--well,
Maggie was diff'ent--see--she was diff'ent."

He was trying to formulate a theory that he had always unconsciously
held, that all sisters, excepting his own, could advisedly be ruined.

He suddenly broke out again.  "I'll go t'ump hell outa deh mug what did
her deh harm.  I'll kill 'im!  He t'inks he kin scrap, but when he gits
me a-chasin' 'im he'll fin' out where he's wrong, deh damned duffer.
I'll wipe up deh street wid 'im."

In a fury he plunged out of the doorway.  As he vanished the mother
raised her head and lifted both hands, entreating.

"May Gawd curse her forever," she cried.

In the darkness of the hallway Jimmie discerned a knot of women talking
volubly.  When he strode by they paid no attention to him.

"She allus was a bold thing," he heard one of them cry in an eager
voice.  "Dere wasn't a feller come teh deh house but she'd try teh mash
'im.  My Annie says deh shameless t'ing tried teh ketch her feller, her
own feller, what we useter know his fader."

"I could a' tol' yehs dis two years ago," said a woman, in a key of
triumph.  "Yessir, it was over two years ago dat I says teh my ol' man,
I says, 'Dat Johnson girl ain't straight,' I says.  'Oh, hell,' he
says.  'Oh, hell.'  'Dat's all right,' I says, 'but I know what I
knows,' I says, 'an' it 'ill come out later.  You wait an' see,' I
says, 'you see.'"

"Anybody what had eyes could see dat dere was somethin' wrong wid dat
girl.  I didn't like her actions."

On the street Jimmie met a friend.  "What deh hell?" asked the latter.

Jimmie explained.  "An' I'll t'ump 'im till he can't stand."

"Oh, what deh hell," said the friend.  "What's deh use!  Yeh'll git
pulled in!  Everybody 'ill be onto it!  An' ten plunks!  Gee!"

Jimmie was determined.  "He t'inks he kin scrap, but he'll fin' out
diff'ent."

"Gee," remonstrated the friend.  "What deh hell?"

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Jimmie starts to get a little irked about Pete coming by and compromising his sister's reputation. A neighbor provokes Jimmie even more by reporting that she overheard Maggie basically begging Pete to love her. This can only mean one thing: Maggie has not acted so ladylike. He reports to his mom that Maggie has "gone teh deh devil" . So much for sibling loyalty, we guess... Mary is thoroughly perplexed about how Maggie could have become such a bad girl after being raised in such a decent and morally upstanding household. Why? Why? Why? It doesn't help that Mary curses her daughter, but Jimmie's off to take care of business in the form of--you guessed it--a brawl. Bring it on.


prompt:
Chapter: On a corner a glass-fronted building shed a yellow glare upon the
pavements.  The open mouth of a saloon called seductively to passengers
to enter and annihilate sorrow or create rage.

The interior of the place was papered in olive and bronze tints of
imitation leather.  A shining bar of counterfeit massiveness extended
down the side of the room.  Behind it a great mahogany-appearing
sideboard reached the ceiling.  Upon its shelves rested pyramids of
shimmering glasses that were never disturbed.  Mirrors set in the face
of the sideboard multiplied them.  Lemons, oranges and paper napkins,
arranged with mathematical precision, sat among the glasses.  Many-hued
decanters of liquor perched at regular intervals on the lower shelves.
A nickel-plated cash register occupied a position in the exact centre
of the general effect.  The elementary senses of it all seemed to be
opulence and geometrical accuracy.

Across from the bar a smaller counter held a collection of plates upon
which swarmed frayed fragments of crackers, slices of boiled ham,
dishevelled bits of cheese, and pickles swimming in vinegar.  An odor
of grasping, begrimed hands and munching mouths pervaded.

Pete, in a white jacket, was behind the bar bending expectantly toward
a quiet stranger.  "A beeh," said the man.  Pete drew a foam-topped
glassful and set it dripping upon the bar.

At this moment the light bamboo doors at the entrance swung open and
crashed against the siding.  Jimmie and a companion entered.  They
swaggered unsteadily but belligerently toward the bar and looked at
Pete with bleared and blinking eyes.

"Gin," said Jimmie.

"Gin," said the companion.

Pete slid a bottle and two glasses along the bar.  He bended his head
sideways as he assiduously polished away with a napkin at the gleaming
wood.  He had a look of watchfulness upon his features.

Jimmie and his companion kept their eyes upon the bartender and
conversed loudly in tones of contempt.

"He's a dindy masher, ain't he, by Gawd?" laughed Jimmie.

"Oh, hell, yes," said the companion, sneering widely.  "He's great, he
is.  Git onto deh mug on deh blokie.  Dat's enough to make a feller
turn hand-springs in 'is sleep."

The quiet stranger moved himself and his glass a trifle further away
and maintained an attitude of oblivion.

"Gee! ain't he hot stuff!"

"Git onto his shape!  Great Gawd!"

"Hey," cried Jimmie, in tones of command.  Pete came along slowly, with
a sullen dropping of the under lip.

"Well," he growled, "what's eatin' yehs?"

"Gin," said Jimmie.

"Gin," said the companion.

As Pete confronted them with the bottle and the glasses, they laughed
in his face.  Jimmie's companion, evidently overcome with merriment,
pointed a grimy forefinger in Pete's direction.

"Say, Jimmie," demanded he, "what deh hell is dat behind deh bar?"

"Damned if I knows," replied Jimmie.  They laughed loudly.  Pete put
down a bottle with a bang and turned a formidable face toward them.  He
disclosed his teeth and his shoulders heaved restlessly.

"You fellers can't guy me," he said.  "Drink yer stuff an' git out an'
don' make no trouble."

Instantly the laughter faded from the faces of the two men and
expressions of offended dignity immediately came.

"Who deh hell has said anyt'ing teh you," cried they in the same breath.

The quiet stranger looked at the door calculatingly.

"Ah, come off," said Pete to the two men.  "Don't pick me up for no
jay.  Drink yer rum an' git out an' don' make no trouble."

"Oh, deh hell," airily cried Jimmie.

"Oh, deh hell," airily repeated his companion.

"We goes when we git ready!  See!" continued Jimmie.

"Well," said Pete in a threatening voice, "don' make no trouble."

Jimmie suddenly leaned forward with his head on one side.  He snarled
like a wild animal.

"Well, what if we does?  See?" said he.

Dark blood flushed into Pete's face, and he shot a lurid glance at
Jimmie.

"Well, den we'll see whose deh bes' man, you or me," he said.

The quiet stranger moved modestly toward the door.

Jimmie began to swell with valor.

"Don' pick me up fer no tenderfoot.  When yeh tackles me yeh tackles
one of deh bes' men in deh city.  See?  I'm a scrapper, I am.  Ain't
dat right, Billie?"

"Sure, Mike," responded his companion in tones of conviction.

"Oh, hell," said Pete, easily.  "Go fall on yerself."

The two men again began to laugh.

"What deh hell is dat talkin'?" cried the companion.

"Damned if I knows," replied Jimmie with exaggerated contempt.

Pete made a furious gesture.  "Git outa here now, an' don' make no
trouble.  See?  Youse fellers er lookin' fer a scrap an' it's damn
likely yeh'll fin' one if yeh keeps on shootin' off yer mout's.  I know
yehs!  See?  I kin lick better men dan yehs ever saw in yer lifes.
Dat's right!  See?  Don' pick me up fer no stuff er yeh might be jolted
out in deh street before yeh knows where yeh is.  When I comes from
behind dis bar, I t'rows yehs bote inteh deh street.  See?"

"Oh, hell," cried the two men in chorus.

The glare of a panther came into Pete's eyes.  "Dat's what I said!
Unnerstan'?"

He came through a passage at the end of the bar and swelled down upon
the two men.  They stepped promptly forward and crowded close to him.

They bristled like three roosters.  They moved their heads pugnaciously
and kept their shoulders braced.  The nervous muscles about each mouth
twitched with a forced smile of mockery.

"Well, what deh hell yer goin' teh do?" gritted Jimmie.

Pete stepped warily back, waving his hands before him to keep the men
from coming too near.

"Well, what deh hell yer goin' teh do?" repeated Jimmie's ally.  They
kept close to him, taunting and leering.  They strove to make him
attempt the initial blow.

"Keep back, now!  Don' crowd me," ominously said Pete.

Again they chorused in contempt.  "Oh, hell!"

In a small, tossing group, the three men edged for positions like
frigates contemplating battle.

"Well, why deh hell don' yeh try teh t'row us out?" cried Jimmie and
his ally with copious sneers.

The bravery of bull-dogs sat upon the faces of the men.  Their clenched
fists moved like eager weapons.

The allied two jostled the bartender's elbows, glaring at him with
feverish eyes and forcing him toward the wall.

Suddenly Pete swore redly.  The flash of action gleamed from his eyes.
He threw back his arm and aimed a tremendous, lightning-like blow at
Jimmie's face.  His foot swung a step forward and the weight of his
body was behind his fist.  Jimmie ducked his head, Bowery-like, with
the quickness of a cat.  The fierce, answering blows of him and his
ally crushed on Pete's bowed head.

The quiet stranger vanished.

The arms of the combatants whirled in the air like flails.  The faces
of the men, at first flushed to flame-colored anger, now began to fade
to the pallor of warriors in the blood and heat of a battle.  Their
lips curled back and stretched tightly over the gums in ghoul-like
grins.  Through their white, gripped teeth struggled hoarse whisperings
of oaths.  Their eyes glittered with murderous fire.

Each head was huddled between its owner's shoulders, and arms were
swinging with marvelous rapidity.  Feet scraped to and fro with a loud
scratching sound upon the sanded floor.  Blows left crimson blotches
upon pale skin.  The curses of the first quarter minute of the fight
died away.  The breaths of the fighters came wheezingly from their lips
and the three chests were straining and heaving.  Pete at intervals
gave vent to low, labored hisses, that sounded like a desire to kill.
Jimmie's ally gibbered at times like a wounded maniac.  Jimmie was
silent, fighting with the face of a sacrificial priest.  The rage of
fear shone in all their eyes and their blood-colored fists swirled.

At a tottering moment a blow from Pete's hand struck the ally and he
crashed to the floor.  He wriggled instantly to his feet and grasping
the quiet stranger's beer glass from the bar, hurled it at Pete's head.

High on the wall it burst like a bomb, shivering fragments flying in
all directions.  Then missiles came to every man's hand.  The place had
heretofore appeared free of things to throw, but suddenly glass and
bottles went singing through the air.  They were thrown point blank at
bobbing heads.  The pyramid of shimmering glasses, that had never been
disturbed, changed to cascades as heavy bottles were flung into them.
Mirrors splintered to nothing.

The three frothing creatures on the floor buried themselves in a frenzy
for blood.  There followed in the wake of missiles and fists some
unknown prayers, perhaps for death.

The quiet stranger had sprawled very pyrotechnically out on the
sidewalk.  A laugh ran up and down the avenue for the half of a block.

"Dey've trowed a bloke inteh deh street."

People heard the sound of breaking glass and shuffling feet within the
saloon and came running.  A small group, bending down to look under the
bamboo doors, watching the fall of glass, and three pairs of violent
legs, changed in a moment to a crowd.

A policeman came charging down the sidewalk and bounced through the
doors into the saloon.  The crowd bended and surged in absorbing
anxiety to see.

Jimmie caught first sight of the on-coming interruption.  On his feet
he had the same regard for a policeman that, when on his truck, he had
for a fire engine.  He howled and ran for the side door.

The officer made a terrific advance, club in hand.  One comprehensive
sweep of the long night stick threw the ally to the floor and forced
Pete to a corner.  With his disengaged hand he made a furious effort at
Jimmie's coat-tails.  Then he regained his balance and paused.

"Well, well, you are a pair of pictures.  What in hell yeh been up to?"

Jimmie, with his face drenched in blood, escaped up a side street,
pursued a short distance by some of the more law-loving, or excited
individuals of the crowd.

Later, from a corner safely dark, he saw the policeman, the ally and
the bartender emerge from the saloon.  Pete locked the doors and then
followed up the avenue in the rear of the crowd-encompassed policeman
and his charge.

On first thoughts Jimmie, with his heart throbbing at battle heat,
started to go desperately to the rescue of his friend, but he halted.

"Ah, what deh hell?" he demanded of himself.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Meanwhile, at a local saloon--a kind of fancy place with some really stylish details, like "shimmering glasses" and "many-hued decanters" --Pete is behind the bar in a white jacket doing bartender-y things like pouring beer and drying glasses. Jimmie comes in with his pal Billie. They are both so good to go that we almost feel sorry for Pete, except that he has spoiled sweet Maggie. And not in the way your grandma spoils you--we're talking the spoiled milk kind of spoiled. A full-blown fistfight ensues. Glass smashing, cups flying, fists in the air. It's a violent spectacle... until the cops show up and Jimmie escapes through a side door.


prompt:
Chapter: In a hall of irregular shape sat Pete and Maggie drinking beer.  A
submissive orchestra dictated to by a spectacled man with frowsy hair
and a dress suit, industriously followed the bobs of his head and the
waves of his baton.  A ballad singer, in a dress of flaming scarlet,
sang in the inevitable voice of brass.  When she vanished, men seated
at the tables near the front applauded loudly, pounding the polished
wood with their beer glasses.  She returned attired in less gown, and
sang again.  She received another enthusiastic encore.  She reappeared
in still less gown and danced.  The deafening rumble of glasses and
clapping of hands that followed her exit indicated an overwhelming
desire to have her come on for the fourth time, but the curiosity of
the audience was not gratified.

Maggie was pale.  From her eyes had been plucked all look of
self-reliance.  She leaned with a dependent air toward her companion.
She was timid, as if fearing his anger or displeasure.  She seemed to
beseech tenderness of him.

Pete's air of distinguished valor had grown upon him until it
threatened stupendous dimensions.  He was infinitely gracious to the
girl.  It was apparent to her that his condescension was a marvel.

He could appear to strut even while sitting still and he showed that he
was a lion of lordly characteristics by the air with which he spat.

With Maggie gazing at him wonderingly, he took pride in commanding the
waiters who were, however, indifferent or deaf.

"Hi, you, git a russle on yehs!  What deh hell yehs lookin' at?  Two
more beehs, d'yeh hear?"

He leaned back and critically regarded the person of a girl with a
straw-colored wig who upon the stage was flinging her heels in somewhat
awkward imitation of a well-known danseuse.

At times Maggie told Pete long confidential tales of her former home
life, dwelling upon the escapades of the other members of the family
and the difficulties she had to combat in order to obtain a degree of
comfort.  He responded in tones of philanthropy.  He pressed her arm
with an air of reassuring proprietorship.

"Dey was damn jays," he said, denouncing the mother and brother.

The sound of the music which, by the efforts of the frowsy-headed
leader, drifted to her ears through the smoke-filled atmosphere, made
the girl dream.  She thought of her former Rum Alley environment and
turned to regard Pete's strong protecting fists.  She thought of the
collar and cuff manufactory and the eternal moan of the proprietor:
"What een hell do you sink I pie fife dolla a week for?  Play?  No, py
damn."  She contemplated Pete's man-subduing eyes and noted that wealth
and prosperity was indicated by his clothes.  She imagined a future,
rose-tinted, because of its distance from all that she previously had
experienced.

As to the present she perceived only vague reasons to be miserable.
Her life was Pete's and she considered him worthy of the charge.  She
would be disturbed by no particular apprehensions, so long as Pete
adored her as he now said he did.  She did not feel like a bad woman.
To her knowledge she had never seen any better.

At times men at other tables regarded the girl furtively.  Pete, aware
of it, nodded at her and grinned.  He felt proud.

"Mag, yer a bloomin' good-looker," he remarked, studying her face
through the haze.  The men made Maggie fear, but she blushed at Pete's
words as it became apparent to her that she was the apple of his eye.

Grey-headed men, wonderfully pathetic in their dissipation, stared at
her through clouds.  Smooth-cheeked boys, some of them with faces of
stone and mouths of sin, not nearly so pathetic as the grey heads,
tried to find the girl's eyes in the smoke wreaths.  Maggie considered
she was not what they thought her.  She confined her glances to Pete
and the stage.

The orchestra played negro melodies and a versatile drummer pounded,
whacked, clattered and scratched on a dozen machines to make noise.

Those glances of the men, shot at Maggie from under half-closed lids,
made her tremble.  She thought them all to be worse men than Pete.

"Come, let's go," she said.

As they went out Maggie perceived two women seated at a table with some
men.  They were painted and their cheeks had lost their roundness.  As
she passed them the girl, with a shrinking movement, drew back her
skirts.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Some time has passed, and we find Pete and Maggie in an "irregular shaped" hall. The vibe of the venue has changed, and the classy factor seems to have nosedived. The seduction is over. Maggie still worships Pete as a valiant hero, while his interest seems to have waned some. She is reconciled with her decision to leave home and become sort of... unmarriageable, shall we say. What with his dapper dress and valiant ways, Pete rescued her from "her former Rum Alley environment" and the "cursed jays," a.k.a. Maggie's mother and brother.


prompt:
Chapter: Jimmie did not return home for a number of days after the fight with
Pete in the saloon.  When he did, he approached with extreme caution.

He found his mother raving.  Maggie had not returned home.  The parent
continually wondered how her daughter could come to such a pass.  She
had never considered Maggie as a pearl dropped unstained into Rum Alley
from Heaven, but she could not conceive how it was possible for her
daughter to fall so low as to bring disgrace upon her family.  She was
terrific in denunciation of the girl's wickedness.

The fact that the neighbors talked of it, maddened her.  When women
came in, and in the course of their conversation casually asked,
"Where's Maggie dese days?" the mother shook her fuzzy head at them and
appalled them with curses.  Cunning hints inviting confidence she
rebuffed with violence.

"An' wid all deh bringin' up she had, how could she?" moaningly she
asked of her son.  "Wid all deh talkin' wid her I did an' deh t'ings I
tol' her to remember?  When a girl is bringed up deh way I bringed up
Maggie, how kin she go teh deh devil?"

Jimmie was transfixed by these questions.  He could not conceive how
under the circumstances his mother's daughter and his sister could have
been so wicked.

His mother took a drink from a squdgy bottle that sat on the table.
She continued her lament.

"She had a bad heart, dat girl did, Jimmie.  She was wicked teh deh
heart an' we never knowed it."

Jimmie nodded, admitting the fact.

"We lived in deh same house wid her an' I brought her up an' we never
knowed how bad she was."

Jimmie nodded again.

"Wid a home like dis an' a mudder like me, she went teh deh bad," cried
the mother, raising her eyes.

One day, Jimmie came home, sat down in a chair and began to wriggle
about with a new and strange nervousness.  At last he spoke
shamefacedly.

"Well, look-a-here, dis t'ing queers us!  See?  We're queered!  An'
maybe it 'ud be better if I--well, I t'ink I kin look 'er up an'--maybe
it 'ud be better if I fetched her home an'--"

The mother started from her chair and broke forth into a storm of
passionate anger.

"What!  Let 'er come an' sleep under deh same roof wid her mudder agin!
Oh, yes, I will, won't I?  Sure?  Shame on yehs, Jimmie Johnson, for
sayin' such a t'ing teh yer own mudder--teh yer own mudder!  Little did
I t'ink when yehs was a babby playin' about me feet dat ye'd grow up
teh say sech a t'ing teh yer mudder--yer own mudder.  I never taut--"

Sobs choked her and interrupted her reproaches.

"Dere ain't nottin' teh raise sech hell about," said Jimmie.  "I on'y
says it 'ud be better if we keep dis t'ing dark, see?  It queers us!
See?"

His mother laughed a laugh that seemed to ring through the city and be
echoed and re-echoed by countless other laughs.  "Oh, yes, I will,
won't I!  Sure!"

"Well, yeh must take me fer a damn fool," said Jimmie, indignant at his
mother for mocking him.  "I didn't say we'd make 'er inteh a little tin
angel, ner nottin', but deh way it is now she can queer us!  Don' che
see?"

"Aye, she'll git tired of deh life atter a while an' den she'll wanna
be a-comin' home, won' she, deh beast!  I'll let 'er in den, won' I?"

"Well, I didn' mean none of dis prod'gal bus'ness anyway," explained
Jimmie.

"It wasn't no prod'gal dauter, yeh damn fool," said the mother.  "It
was prod'gal son, anyhow."

"I know dat," said Jimmie.

For a time they sat in silence.  The mother's eyes gloated on a scene
her imagination could call before her.  Her lips were set in a
vindictive smile.

"Aye, she'll cry, won' she, an' carry on, an' tell how Pete, or some
odder feller, beats 'er an' she'll say she's sorry an' all dat an' she
ain't happy, she ain't, an' she wants to come home agin, she does."

With grim humor, the mother imitated the possible wailing notes of the
daughter's voice.

"Den I'll take 'er in, won't I, deh beast.  She kin cry 'er two eyes
out on deh stones of deh street before I'll dirty deh place wid her.
She abused an' ill-treated her own mudder--her own mudder what loved
her an' she'll never git anodder chance dis side of hell."

Jimmie thought he had a great idea of women's frailty, but he could not
understand why any of his kin should be victims.

"Damn her," he fervidly said.

Again he wondered vaguely if some of the women of his acquaintance had
brothers.  Nevertheless, his mind did not for an instant confuse
himself with those brothers nor his sister with theirs.  After the
mother had, with great difficulty, suppressed the neighbors, she went
among them and proclaimed her grief.  "May Gawd forgive dat girl," was
her continual cry.  To attentive ears she recited the whole length and
breadth of her woes.

"I bringed 'er up deh way a dauter oughta be bringed up an' dis is how
she served me!  She went teh deh devil deh first chance she got!  May
Gawd forgive her."

When arrested for drunkenness she used the story of her daughter's
downfall with telling effect upon the police justices.  Finally one of
them said to her, peering down over his spectacles: "Mary, the records
of this and other courts show that you are the mother of forty-two
daughters who have been ruined.  The case is unparalleled in the annals
of this court, and this court thinks--"

The mother went through life shedding large tears of sorrow.  Her red
face was a picture of agony.

Of course Jimmie publicly damned his sister that he might appear on a
higher social plane.  But, arguing with himself, stumbling about in
ways that he knew not, he, once, almost came to a conclusion that his
sister would have been more firmly good had she better known why.
However, he felt that he could not hold such a view.  He threw it
hastily aside.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: When Jimmie finally makes it back home after fighting with Pete, Mary is fit to be tied--she says that Maggie is a good-for-nothing so-and-so who has compromised her morality and ruined the family's reputation. Mary concludes by describing her daughter as wicked. Jimmie makes a feeble attempt to defend Maggie, but it's a no go. He attempts to put himself in someone else's shoes... maybe all those women he has dated have brothers? Maybe he's no different from that cad Pete? On second thought: nah. In fact, Jimmie decides he's so definitely different from Pete that if anyone in the neighborhood brings up Maggie's relationship with the guy, Jimmie will not defend his sister's honor. Ouch.


prompt:
Chapter: In a hilarious hall there were twenty-eight tables and twenty-eight
women and a crowd of smoking men.  Valiant noise was made on a stage at
the end of the hall by an orchestra composed of men who looked as if
they had just happened in.  Soiled waiters ran to and fro, swooping
down like hawks on the unwary in the throng; clattering along the
aisles with trays covered with glasses; stumbling over women's skirts
and charging two prices for everything but beer, all with a swiftness
that blurred the view of the cocoanut palms and dusty monstrosities
painted upon the walls of the room.  A bouncer, with an immense load of
business upon his hands, plunged about in the crowd, dragging bashful
strangers to prominent chairs, ordering waiters here and there and
quarreling furiously with men who wanted to sing with the orchestra.

The usual smoke cloud was present, but so dense that heads and arms
seemed entangled in it.  The rumble of conversation was replaced by a
roar.  Plenteous oaths heaved through the air.  The room rang with the
shrill voices of women bubbling o'er with drink-laughter.  The chief
element in the music of the orchestra was speed.  The musicians played
in intent fury.  A woman was singing and smiling upon the stage, but no
one took notice of her.  The rate at which the piano, cornet and
violins were going, seemed to impart wildness to the half-drunken
crowd.  Beer glasses were emptied at a gulp and conversation became a
rapid chatter.  The smoke eddied and swirled like a shadowy river
hurrying toward some unseen falls.  Pete and Maggie entered the hall
and took chairs at a table near the door.  The woman who was seated
there made an attempt to occupy Pete's attention and, failing, went
away.

Three weeks had passed since the girl had left home.  The air of
spaniel-like dependence had been magnified and showed its direct effect
in the peculiar off-handedness and ease of Pete's ways toward her.

She followed Pete's eyes with hers, anticipating with smiles gracious
looks from him.

A woman of brilliance and audacity, accompanied by a mere boy, came
into the place and took seats near them.

At once Pete sprang to his feet, his face beaming with glad surprise.

"By Gawd, there's Nellie," he cried.

He went over to the table and held out an eager hand to the woman.

"Why, hello, Pete, me boy, how are you," said she, giving him her
fingers.

Maggie took instant note of the woman.  She perceived that her black
dress fitted her to perfection.  Her linen collar and cuffs were
spotless.  Tan gloves were stretched over her well-shaped hands.  A hat
of a prevailing fashion perched jauntily upon her dark hair.  She wore
no jewelry and was painted with no apparent paint.  She looked
clear-eyed through the stares of the men.

"Sit down, and call your lady-friend over," she said cordially to Pete.
At his beckoning Maggie came and sat between Pete and the mere boy.

"I thought yeh were gone away fer good," began Pete, at once.  "When
did yeh git back?  How did dat Buff'lo bus'ness turn out?"

The woman shrugged her shoulders.  "Well, he didn't have as many stamps
as he tried to make out, so I shook him, that's all."

"Well, I'm glad teh see yehs back in deh city," said Pete, with awkward
gallantry.

He and the woman entered into a long conversation, exchanging
reminiscences of days together.  Maggie sat still, unable to formulate
an intelligent sentence upon the conversation and painfully aware of it.

She saw Pete's eyes sparkle as he gazed upon the handsome stranger.  He
listened smilingly to all she said.  The woman was familiar with all
his affairs, asked him about mutual friends, and knew the amount of his
salary.

She paid no attention to Maggie, looking toward her once or twice and
apparently seeing the wall beyond.

The mere boy was sulky.  In the beginning he had welcomed with
acclamations the additions.

"Let's all have a drink!  What'll you take, Nell?  And you, Miss
what's-your-name.  Have a drink, Mr. -----, you, I mean."

He had shown a sprightly desire to do the talking for the company and
tell all about his family.  In a loud voice he declaimed on various
topics.  He assumed a patronizing air toward Pete.  As Maggie was
silent, he paid no attention to her.  He made a great show of lavishing
wealth upon the woman of brilliance and audacity.

"Do keep still, Freddie!  You gibber like an ape, dear," said the woman
to him.  She turned away and devoted her attention to Pete.

"We'll have many a good time together again, eh?"

"Sure, Mike," said Pete, enthusiastic at once.

"Say," whispered she, leaning forward, "let's go over to Billie's and
have a heluva time."

"Well, it's dis way!  See?" said Pete.  "I got dis lady frien' here."

"Oh, t'hell with her," argued the woman.

Pete appeared disturbed.

"All right," said she, nodding her head at him.  "All right for you!
We'll see the next time you ask me to go anywheres with you."

Pete squirmed.

"Say," he said, beseechingly, "come wid me a minit an' I'll tell yer
why."

The woman waved her hand.

"Oh, that's all right, you needn't explain, you know.  You wouldn't
come merely because you wouldn't come, that's all there is of it."

To Pete's visible distress she turned to the mere boy, bringing him
speedily from a terrific rage.  He had been debating whether it would
be the part of a man to pick a quarrel with Pete, or would he be
justified in striking him savagely with his beer glass without warning.
But he recovered himself when the woman turned to renew her smilings.
He beamed upon her with an expression that was somewhat tipsy and
inexpressibly tender.

"Say, shake that Bowery jay," requested he, in a loud whisper.

"Freddie, you are so droll," she replied.

Pete reached forward and touched the woman on the arm.

"Come out a minit while I tells yeh why I can't go wid yer.  Yer doin'
me dirt, Nell!  I never taut ye'd do me dirt, Nell.  Come on, will
yer?"  He spoke in tones of injury.

"Why, I don't see why I should be interested in your explanations,"
said the woman, with a coldness that seemed to reduce Pete to a pulp.

His eyes pleaded with her.  "Come out a minit while I tells yeh."

The woman nodded slightly at Maggie and the mere boy, "'Scuse me."

The mere boy interrupted his loving smile and turned a shrivelling
glare upon Pete.  His boyish countenance flushed and he spoke, in a
whine, to the woman:

"Oh, I say, Nellie, this ain't a square deal, you know.  You aren't
goin' to leave me and go off with that duffer, are you?  I should
think--"

"Why, you dear boy, of course I'm not," cried the woman,
affectionately.  She bended over and whispered in his ear.  He smiled
again and settled in his chair as if resolved to wait patiently.

As the woman walked down between the rows of tables, Pete was at her
shoulder talking earnestly, apparently in explanation.  The woman waved
her hands with studied airs of indifference.  The doors swung behind
them, leaving Maggie and the mere boy seated at the table.

Maggie was dazed.  She could dimly perceive that something stupendous
had happened.  She wondered why Pete saw fit to remonstrate with the
woman, pleading for forgiveness with his eyes.  She thought she noted
an air of submission about her leonine Pete.  She was astounded.

The mere boy occupied himself with cock-tails and a cigar.  He was
tranquilly silent for half an hour.  Then he bestirred himself and
spoke.

"Well," he said, sighing, "I knew this was the way it would be." There
was another stillness.  The mere boy seemed to be musing.

"She was pulling m'leg.  That's the whole amount of it," he said,
suddenly.  "It's a bloomin' shame the way that girl does.  Why, I've
spent over two dollars in drinks to-night.  And she goes off with that
plug-ugly who looks as if he had been hit in the face with a coin-die.
I call it rocky treatment for a fellah like me.  Here, waiter, bring me
a cock-tail and make it damned strong."

Maggie made no reply.  She was watching the doors.  "It's a mean piece
of business," complained the mere boy.  He explained to her how amazing
it was that anybody should treat him in such a manner.  "But I'll get
square with her, you bet.  She won't get far ahead of yours truly, you
know," he added, winking.  "I'll tell her plainly that it was bloomin'
mean business.  And she won't come it over me with any of her
'now-Freddie-dears.'  She thinks my name is Freddie, you know, but of
course it ain't.  I always tell these people some name like that,
because if they got onto your right name they might use it sometime.
Understand?  Oh, they don't fool me much."

Maggie was paying no attention, being intent upon the doors.  The mere
boy relapsed into a period of gloom, during which he exterminated a
number of cock-tails with a determined air, as if replying defiantly to
fate.  He occasionally broke forth into sentences composed of
invectives joined together in a long string.

The girl was still staring at the doors.  After a time the mere boy
began to see cobwebs just in front of his nose.  He spurred himself
into being agreeable and insisted upon her having a charlotte-russe and
a glass of beer.

"They's gone," he remarked, "they's gone."  He looked at her through
the smoke wreaths.  "Shay, lil' girl, we mightish well make bes' of it.
You ain't such bad-lookin' girl, y'know.  Not half bad.  Can't come up
to Nell, though.  No, can't do it!  Well, I should shay not!  Nell
fine-lookin' girl!  F--i--n--ine.  You look damn bad longsider her, but
by y'self ain't so bad.  Have to do anyhow.  Nell gone.  On'y you left.
Not half bad, though."

Maggie stood up.

"I'm going home," she said.

The mere boy started.

"Eh?  What?  Home," he cried, struck with amazement.  "I beg pardon,
did hear say home?"

"I'm going home," she repeated.

"Great Gawd, what hava struck," demanded the mere boy of himself,
stupefied.

In a semi-comatose state he conducted her on board an up-town car,
ostentatiously paid her fare, leered kindly at her through the rear
window and fell off the steps.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: What would she do without Pete? Maggie has been out of the house for three weeks and Pete is her everything, which is never a good thing, ladies. They continue to hang out at a sequence of seedy bars and cheesy entertainment venues. Pete no longer gazes at Maggie the same way, though, and now she stares at him "spaniel-like" just hoping for a sign... Enter Nellie: "A woman of brilliance and audacity" . Whatever attention Pete was paying to Maggie immediately evaporates; this old flame is suddenly all Pete cares about. A really cringe-worthy exchange ensues in which Pete pants over Nellie, Nellie puts on airs, Nellie's boy escort--a.k.a. Freddie--sulks, and Maggie fumes. The two spurned lovers look on while Nellie and Pete "reminisce of days together" . The more Nellie humiliates and dismisses Pete, the more he follows her around. Pretty soon the two of them leave together, and Maggie is left sitting with Freddie . He takes it upon himself to clarify this situation for the rosy-tinted Maggie: Nellie and Pete aren't coming back. Maggie announces she is going home, a concept that Mike/Freddie does not seem to grasp--like, home? What's that? She gets up and leaves.


prompt:
Chapter: A forlorn woman went along a lighted avenue.  The street was filled
with people desperately bound on missions.  An endless crowd darted at
the elevated station stairs and the horse cars were thronged with
owners of bundles.

The pace of the forlorn woman was slow.  She was apparently searching
for some one.  She loitered near the doors of saloons and watched men
emerge from them.  She scanned furtively the faces in the rushing
stream of pedestrians.  Hurrying men, bent on catching some boat or
train, jostled her elbows, failing to notice her, their thoughts fixed
on distant dinners.

The forlorn woman had a peculiar face.  Her smile was no smile.  But
when in repose her features had a shadowy look that was like a sardonic
grin, as if some one had sketched with cruel forefinger indelible lines
about her mouth.

Jimmie came strolling up the avenue.  The woman encountered him with an
aggrieved air.

"Oh, Jimmie, I've been lookin' all over fer yehs--," she began.

Jimmie made an impatient gesture and quickened his pace.

"Ah, don't bodder me!  Good Gawd!" he said, with the savageness of a
man whose life is pestered.

The woman followed him along the sidewalk in somewhat the manner of a
suppliant.

"But, Jimmie," she said, "yehs told me ye'd--"

Jimmie turned upon her fiercely as if resolved to make a last stand for
comfort and peace.

"Say, fer Gawd's sake, Hattie, don' foller me from one end of deh city
teh deh odder.  Let up, will yehs!  Give me a minute's res', can't
yehs?  Yehs makes me tired, allus taggin' me.  See?  Ain' yehs got no
sense.  Do yehs want people teh get onto me?  Go chase yerself, fer
Gawd's sake."

The woman stepped closer and laid her fingers on his arm.  "But,
look-a-here--"

Jimmie snarled.  "Oh, go teh hell."

He darted into the front door of a convenient saloon and a moment later
came out into the shadows that surrounded the side door.  On the
brilliantly lighted avenue he perceived the forlorn woman dodging about
like a scout.  Jimmie laughed with an air of relief and went away.

When he arrived home he found his mother clamoring.  Maggie had
returned.  She stood shivering beneath the torrent of her mother's
wrath.

"Well, I'm damned," said Jimmie in greeting.

His mother, tottering about the room, pointed a quivering forefinger.

"Lookut her, Jimmie, lookut her.  Dere's yer sister, boy.  Dere's yer
sister.  Lookut her!  Lookut her!"

She screamed in scoffing laughter.

The girl stood in the middle of the room.  She edged about as if unable
to find a place on the floor to put her feet.

"Ha, ha, ha," bellowed the mother.  "Dere she stands!  Ain' she purty?
Lookut her!  Ain' she sweet, deh beast?  Lookut her!  Ha, ha, lookut
her!"

She lurched forward and put her red and seamed hands upon her
daughter's face.  She bent down and peered keenly up into the eyes of
the girl.

"Oh, she's jes' dessame as she ever was, ain' she?  She's her mudder's
purty darlin' yit, ain' she?  Lookut her, Jimmie!  Come here, fer
Gawd's sake, and lookut her."

The loud, tremendous sneering of the mother brought the denizens of the
Rum Alley tenement to their doors.  Women came in the hallways.
Children scurried to and fro.

"What's up?  Dat Johnson party on anudder tear?"

"Naw!  Young Mag's come home!"

"Deh hell yeh say?"

Through the open door curious eyes stared in at Maggie.  Children
ventured into the room and ogled her, as if they formed the front row
at a theatre.  Women, without, bended toward each other and whispered,
nodding their heads with airs of profound philosophy.  A baby, overcome
with curiosity concerning this object at which all were looking, sidled
forward and touched her dress, cautiously, as if investigating a
red-hot stove.  Its mother's voice rang out like a warning trumpet.
She rushed forward and grabbed her child, casting a terrible look of
indignation at the girl.

Maggie's mother paced to and fro, addressing the doorful of eyes,
expounding like a glib showman at a museum.  Her voice rang through the
building.

"Dere she stands," she cried, wheeling suddenly and pointing with
dramatic finger.  "Dere she stands!  Lookut her!  Ain' she a dindy?
An' she was so good as to come home teh her mudder, she was!  Ain' she
a beaut'?  Ain' she a dindy?  Fer Gawd's sake!"

The jeering cries ended in another burst of shrill laughter.

The girl seemed to awaken.  "Jimmie--"

He drew hastily back from her.

"Well, now, yer a hell of a t'ing, ain' yeh?" he said, his lips curling
in scorn.  Radiant virtue sat upon his brow and his repelling hands
expressed horror of contamination.

Maggie turned and went.

The crowd at the door fell back precipitately.  A baby falling down in
front of the door, wrenched a scream like a wounded animal from its
mother.  Another woman sprang forward and picked it up, with a
chivalrous air, as if rescuing a human being from an oncoming express
train.

As the girl passed down through the hall, she went before open doors
framing more eyes strangely microscopic, and sending broad beams of
inquisitive light into the darkness of her path.  On the second floor
she met the gnarled old woman who possessed the music box.

"So," she cried, "'ere yehs are back again, are yehs?  An' dey've
kicked yehs out?  Well, come in an' stay wid me teh-night.  I ain' got
no moral standin'."

From above came an unceasing babble of tongues, over all of which rang
the mother's derisive laughter.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: A "forlorn woman" is wandering down a crowded avenue. Surely, it must be Maggie--she's the definition of forlorn. But wait... it isn't Maggie; it's Hattie. Apparently Jimmie has done his own number on a woman and now she's trying to track him down. It looks like Jimmie is no better than Pete after all, especially since he rejects her in an equally roguish way. Back at Rum Alley: Maggie has returned home , and Mom is milking the opportunity to make Maggie feel like a rotten piece of you-know-what. Mary downright enjoys humiliating her daughter, while the denizens of Rum Alley turn the reunion into a spectacle.


prompt:
Chapter: Pete did not consider that he had ruined Maggie.  If he had thought
that her soul could never smile again, he would have believed the
mother and brother, who were pyrotechnic over the affair, to be
responsible for it.

Besides, in his world, souls did not insist upon being able to smile.
"What deh hell?"

He felt a trifle entangled.  It distressed him.  Revelations and scenes
might bring upon him the wrath of the owner of the saloon, who insisted
upon respectability of an advanced type.

"What deh hell do dey wanna raise such a smoke about it fer?" demanded
he of himself, disgusted with the attitude of the family.  He saw no
necessity for anyone's losing their equilibrium merely because their
sister or their daughter had stayed away from home.

Searching about in his mind for possible reasons for their conduct, he
came upon the conclusion that Maggie's motives were correct, but that
the two others wished to snare him.  He felt pursued.

The woman of brilliance and audacity whom he had met in the hilarious
hall showed a disposition to ridicule him.

"A little pale thing with no spirit," she said.  "Did you note the
expression of her eyes?  There was something in them about pumpkin pie
and virtue.  That is a peculiar way the left corner of her mouth has of
twitching, isn't it?  Dear, dear, my cloud-compelling Pete, what are
you coming to?"

Pete asserted at once that he never was very much interested in the
girl.  The woman interrupted him, laughing.

"Oh, it's not of the slightest consequence to me, my dear young man.
You needn't draw maps for my benefit.  Why should I be concerned about
it?"

But Pete continued with his explanations.  If he was laughed at for his
tastes in women, he felt obliged to say that they were only temporary
or indifferent ones.

The morning after Maggie had departed from home, Pete stood behind the
bar.  He was immaculate in white jacket and apron and his hair was
plastered over his brow with infinite correctness.  No customers were
in the place.  Pete was twisting his napkined fist slowly in a beer
glass, softly whistling to himself and occasionally holding the object
of his attention between his eyes and a few weak beams of sunlight that
had found their way over the thick screens and into the shaded room.

With lingering thoughts of the woman of brilliance and audacity, the
bartender raised his head and stared through the varying cracks between
the swaying bamboo doors.  Suddenly the whistling pucker faded from his
lips.  He saw Maggie walking slowly past.  He gave a great start,
fearing for the previously-mentioned eminent respectability of the
place.

He threw a swift, nervous glance about him, all at once feeling guilty.
No one was in the room.

He went hastily over to the side door.  Opening it and looking out, he
perceived Maggie standing, as if undecided, on the corner.  She was
searching the place with her eyes.

As she turned her face toward him Pete beckoned to her hurriedly,
intent upon returning with speed to a position behind the bar and to
the atmosphere of respectability upon which the proprietor insisted.

Maggie came to him, the anxious look disappearing from her face and a
smile wreathing her lips.

"Oh, Pete--," she began brightly.

The bartender made a violent gesture of impatience.

"Oh, my Gawd," cried he, vehemently.  "What deh hell do yeh wanna hang
aroun' here fer?  Do yeh wanna git me inteh trouble?" he demanded with
an air of injury.

Astonishment swept over the girl's features.  "Why, Pete! yehs tol'
me--"

Pete glanced profound irritation.  His countenance reddened with the
anger of a man whose respectability is being threatened.

"Say, yehs makes me tired.  See?  What deh hell deh yeh wanna tag
aroun' atter me fer?  Yeh'll git me inteh trouble wid deh ol' man an'
dey'll be hell teh pay!  If he sees a woman roun' here he'll go crazy
an' I'll lose me job!  See?  Yer brudder come in here an' raised hell
an' deh ol' man hada put up fer it!  An' now I'm done!  See?  I'm done."

The girl's eyes stared into his face.  "Pete, don't yeh remem--"

"Oh, hell," interrupted Pete, anticipating.

The girl seemed to have a struggle with herself.  She was apparently
bewildered and could not find speech.  Finally she asked in a low
voice: "But where kin I go?"

The question exasperated Pete beyond the powers of endurance.  It was a
direct attempt to give him some responsibility in a matter that did not
concern him.  In his indignation he volunteered information.

"Oh, go teh hell," cried he.  He slammed the door furiously and
returned, with an air of relief, to his respectability.

Maggie went away.

She wandered aimlessly for several blocks.  She stopped once and asked
aloud a question of herself: "Who?"

A man who was passing near her shoulder, humorously took the
questioning word as intended for him.

"Eh?  What?  Who?  Nobody!  I didn't say anything," he laughingly said,
and continued his way.

Soon the girl discovered that if she walked with such apparent
aimlessness, some men looked at her with calculating eyes.  She
quickened her step, frightened.  As a protection, she adopted a
demeanor of intentness as if going somewhere.

After a time she left rattling avenues and passed between rows of
houses with sternness and stolidity stamped upon their features.  She
hung her head for she felt their eyes grimly upon her.

Suddenly she came upon a stout gentleman in a silk hat and a chaste
black coat, whose decorous row of buttons reached from his chin to his
knees.  The girl had heard of the Grace of God and she decided to
approach this man.

His beaming, chubby face was a picture of benevolence and
kind-heartedness.  His eyes shone good-will.

But as the girl timidly accosted him, he gave a convulsive movement and
saved his respectability by a vigorous side-step.  He did not risk it
to save a soul.  For how was he to know that there was a soul before
him that needed saving?

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Pete has no clue the trouble he hath wrought. Maggie has nowhere to turn, and not even Jimmie comes to her defense. But in-between thoughts of his new old love--"the woman of brilliance and audacity"--Pete feels some nagging guilt. He tries to push it away. He really hopes Maggie doesn't go to the bar where he works; he already got a talking-to about keeping the place respectable. So, of course, enter Maggie. She has nowhere to go, but Pete doesn't care . Maggie finds herself walking the streets, which is not a thing a "good" girl would do back then. Men are avoiding contact with her. No one will save her soul. She is extra doomed.


prompt:
Chapter: Upon a wet evening, several months after the last chapter, two
interminable rows of cars, pulled by slipping horses, jangled along a
prominent side-street.  A dozen cabs, with coat-enshrouded drivers,
clattered to and fro.  Electric lights, whirring softly, shed a blurred
radiance.  A flower dealer, his feet tapping impatiently, his nose and
his wares glistening with rain-drops, stood behind an array of roses
and chrysanthemums.  Two or three theatres emptied a crowd upon the
storm-swept pavements.  Men pulled their hats over their eyebrows and
raised their collars to their ears.  Women shrugged impatient shoulders
in their warm cloaks and stopped to arrange their skirts for a walk
through the storm.  People having been comparatively silent for two
hours burst into a roar of conversation, their hearts still kindling
from the glowings of the stage.

The pavements became tossing seas of umbrellas.  Men stepped forth to
hail cabs or cars, raising their fingers in varied forms of polite
request or imperative demand.  An endless procession wended toward
elevated stations.  An atmosphere of pleasure and prosperity seemed to
hang over the throng, born, perhaps, of good clothes and of having just
emerged from a place of forgetfulness.

In the mingled light and gloom of an adjacent park, a handful of wet
wanderers, in attitudes of chronic dejection, was scattered among the
benches.

A girl of the painted cohorts of the city went along the street.  She
threw changing glances at men who passed her, giving smiling
invitations to men of rural or untaught pattern and usually seeming
sedately unconscious of the men with a metropolitan seal upon their
faces.

Crossing glittering avenues, she went into the throng emerging from the
places of forgetfulness.  She hurried forward through the crowd as if
intent upon reaching a distant home, bending forward in her handsome
cloak, daintily lifting her skirts and picking for her well-shod feet
the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated
rows of men before bars and hurrying barkeepers.

A concert hall gave to the street faint sounds of swift, machine-like
music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near
the girl.  He had on evening dress, a moustache, a chrysanthemum, and a
look of ennui, all of which he kept carefully under his eye.  Seeing
the girl walk on as if such a young man as he was not in existence, he
looked back transfixed with interest.  He stared glassily for a moment,
but gave a slight convulsive start when he discerned that she was
neither new, Parisian, nor theatrical.  He wheeled about hastily and
turned his stare into the air, like a sailor with a search-light.

A stout gentleman, with pompous and philanthropic whiskers, went
stolidly by, the broad of his back sneering at the girl.

A belated man in business clothes, and in haste to catch a car, bounced
against her shoulder.  "Hi, there, Mary, I beg your pardon!  Brace up,
old girl."  He grasped her arm to steady her, and then was away running
down the middle of the street.

The girl walked on out of the realm of restaurants and saloons.  She
passed more glittering avenues and went into darker blocks than those
where the crowd travelled.

A young man in light overcoat and derby hat received a glance shot
keenly from the eyes of the girl.  He stopped and looked at her,
thrusting his hands in his pockets and making a mocking smile curl his
lips.  "Come, now, old lady," he said, "you don't mean to tel me that
you sized me up for a farmer?"

A labouring man marched along; with bundles under his arms. To her
remarks, he replied, "It's a fine evenin', ain't it?"

She smiled squarely into the face of a boy who was hurrying by with his
hands buried in his overcoat pockets, his blonde locks bobbing on his
youthful temples, and a cheery smile of unconcern upon his lips. He
turned his head and smiled back at her, waving his hands.

"Not this eve--some other eve!"

A drunken man, reeling in her pathway, began to roar at her. "I ain' ga
no money!" he shouted, in a dismal voice. He lurched on up the street,
wailing to himself: "I ain' ga no money. Ba' luck. Ain' ga no more
money."

The girl went into gloomy districts near the river, where the tall
black factories shut in the street and only occasional broad beams of
light fell across the pavements from saloons. In front of one of these
places, whence came the sound of a violin vigorously scraped, the
patter of feet on boards and the ring of loud laughter, there stood a
man with blotched features.

Further on in the darkness she met a ragged being with shifting,
bloodshot eyes and grimy hands.

She went into the blackness of the final block. The shutters of the
tall buildings were closed like grim lips. The structures seemed to
have eyes that looked over them, beyond them, at other things. Afar off
the lights of the avenues glittered as if from an impossible distance.
Street-car bells jingled with a sound of merriment.

At the feet of the tall buildings appeared the deathly black hue of the
river. Some hidden factory sent up a yellow glare, that lit for a
moment the waters lapping oilily against timbers. The varied sounds of
life, made joyous by distance and seeming unapproachableness, came
faintly and died away to a silence.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Several months later... a painted lady walks down the street. Attempts to make eye contact with men fail. We assume this is Maggie, poor thing, now a prostitute looking for some man to pick her up. Men stare and offer excuses; no one is interested. She continues walking down the wet, cold streets until she gets to the river. What will happen to poor Maggie?