prompt:
Chapter: When the first cold days set in Emma left her bedroom for the
sitting-room, a long apartment with a low ceiling, in which there was
on the mantelpiece a large bunch of coral spread out against the
looking-glass. Seated in her arm chair near the window, she could see
the villagers pass along the pavement.

Twice a day Leon went from his office to the Lion d'Or. Emma could hear
him coming from afar; she leant forward listening, and the young man
glided past the curtain, always dressed in the same way, and without
turning his head. But in the twilight, when, her chin resting on her
left hand, she let the embroidery she had begun fall on her knees, she
often shuddered at the apparition of this shadow suddenly gliding past.
She would get up and order the table to be laid.

Monsieur Homais called at dinner-time. Skull-cap in hand, he came in on
tiptoe, in order to disturb no one, always repeating the same phrase,
"Good evening, everybody." Then, when he had taken his seat at the table
between the pair, he asked the doctor about his patients, and the latter
consulted his as to the probability of their payment. Next they talked
of "what was in the paper."

Homais by this hour knew it almost by heart, and he repeated it from end
to end, with the reflections of the penny-a-liners, and all the stories
of individual catastrophes that had occurred in France or abroad. But
the subject becoming exhausted, he was not slow in throwing out some
remarks on the dishes before him.

Sometimes even, half-rising, he delicately pointed out to madame the
tenderest morsel, or turning to the servant, gave her some advice on the
manipulation of stews and the hygiene of seasoning.

He talked aroma, osmazome, juices, and gelatine in a bewildering manner.
Moreover, Homais, with his head fuller of recipes than his shop of jars,
excelled in making all kinds of preserves, vinegars, and sweet liqueurs;
he knew also all the latest inventions in economic stoves, together with
the art of preserving cheese and of curing sick wines.

At eight o'clock Justin came to fetch him to shut up the shop.

Then Monsieur Homais gave him a sly look, especially if Felicite was
there, for he half noticed that his apprentice was fond of the doctor's
house.

"The young dog," he said, "is beginning to have ideas, and the devil
take me if I don't believe he's in love with your servant!"

But a more serious fault with which he reproached Justin was his
constantly listening to conversation. On Sunday, for example, one could
not get him out of the drawing-room, whither Madame Homais had called
him to fetch the children, who were falling asleep in the arm-chairs,
and dragging down with their backs calico chair-covers that were too
large.

Not many people came to these soirees at the chemist's, his
scandal-mongering and political opinions having successfully alienated
various respectable persons from him. The clerk never failed to be
there. As soon as he heard the bell he ran to meet Madame Bovary, took
her shawl, and put away under the shop-counter the thick list shoes that
she wore over her boots when there was snow.

First they played some hands at trente-et-un; next Monsieur Homais
played ecarte with Emma; Leon behind her gave her advice.

Standing up with his hands on the back of her chair he saw the teeth of
her comb that bit into her chignon. With every movement that she made
to throw her cards the right side of her dress was drawn up. From her
turned-up hair a dark colour fell over her back, and growing gradually
paler, lost itself little by little in the shade. Then her dress fell
on both sides of her chair, puffing out full of folds, and reached the
ground. When Leon occasionally felt the sole of his boot resting on it,
he drew back as if he had trodden upon some one.

When the game of cards was over, the druggist and the Doctor played
dominoes, and Emma, changing her place, leant her elbow on the table,
turning over the leaves of "L'Illustration". She had brought her ladies'
journal with her. Leon sat down near her; they looked at the engravings
together, and waited for one another at the bottom of the pages. She
often begged him to read her the verses; Leon declaimed them in a
languid voice, to which he carefully gave a dying fall in the love
passages. But the noise of the dominoes annoyed him. Monsieur Homais
was strong at the game; he could beat Charles and give him a double-six.
Then the three hundred finished, they both stretched themselves out in
front of the fire, and were soon asleep. The fire was dying out in the
cinders; the teapot was empty, Leon was still reading.

Emma listened to him, mechanically turning around the lampshade, on the
gauze of which were painted clowns in carriages, and tight-rope dances
with their balancing-poles. Leon stopped, pointing with a gesture to his
sleeping audience; then they talked in low tones, and their conversation
seemed the more sweet to them because it was unheard.

Thus a kind of bond was established between them, a constant commerce
of books and of romances. Monsieur Bovary, little given to jealousy, did
not trouble himself about it.

On his birthday he received a beautiful phrenological head, all marked
with figures to the thorax and painted blue. This was an attention of
the clerk's. He showed him many others, even to doing errands for him
at Rouen; and the book of a novelist having made the mania for cactuses
fashionable, Leon bought some for Madame Bovary, bringing them back on
his knees in the "Hirondelle," pricking his fingers on their hard hairs.

She had a board with a balustrade fixed against her window to hold the
pots. The clerk, too, had his small hanging garden; they saw each other
tending their flowers at their windows.

Of the windows of the village there was one yet more often occupied; for
on Sundays from morning to night, and every morning when the weather was
bright, one could see at the dormer-window of the garret the profile of
Monsieur Binet bending over his lathe, whose monotonous humming could be
heard at the Lion d'Or.

One evening on coming home Leon found in his room a rug in velvet and
wool with leaves on a pale ground. He called Madame Homais, Monsieur
Homais, Justin, the children, the cook; he spoke of it to his chief;
every one wanted to see this rug. Why did the doctor's wife give the
clerk presents? It looked queer. They decided that she must be his
lover.

He made this seem likely, so ceaselessly did he talk of her charms and
of her wit; so much so, that Binet once roughly answered him--

"What does it matter to me since I'm not in her set?"

He tortured himself to find out how he could make his declaration to
her, and always halting between the fear of displeasing her and the
shame of being such a coward, he wept with discouragement and desire.
Then he took energetic resolutions, wrote letters that he tore up, put
it off to times that he again deferred.

Often he set out with the determination to dare all; but this resolution
soon deserted him in Emma's presence, and when Charles, dropping in,
invited him to jump into his chaise to go with him to see some patient
in the neighbourhood, he at once accepted, bowed to madame, and went
out. Her husband, was he not something belonging to her? As to Emma,
she did not ask herself whether she loved. Love, she thought, must come
suddenly, with great outbursts and lightnings--a hurricane of the skies,
which falls upon life, revolutionises it, roots up the will like a leaf,
and sweeps the whole heart into the abyss. She did not know that on
the terrace of houses it makes lakes when the pipes are choked, and she
would thus have remained in her security when she suddenly discovered a
rent in the wall of it.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Once the winter arrives, Emma moves into the parlor from her room. She sits and people-watches all day. Twice a day, she sees Leon go back and forth to and from his office. Monsieur Homais continues to be an attentive neighbor; he stops by every day around dinner time to discuss the daily news with Charles and to give Emma household tips. After this evening chat, Justin comes in to fetch his master. Homais pokes fun at the boy for having a crush on Felicite. The pharmacist also scolds Justin for eavesdropping all the time. On Sundays, the Homais household entertains the few townspeople Monsieur Homais hasn't alienated. Leon and the Bovarys always come. On these occasions, Leon is always by Emma's side, talking to her, coaching her at card games, and looking at magazines with her. Something is obviously going on between Emma and Leon. Charles, unsuspecting as ever, has no idea. At this point, Emma herself doesn't fully realize it. Leon is careful to include Charles in his thoughts, as to avoid suspicions. He gives the officier de sante a splendid phrenological head model for his birthday . Leon is always willing to get things for Emma, from the latest books to a bushel of cacti. Emma and Leon each have little gardens outside their windows, from which they look at each other while tending the plants. To show her gratitude, Emma has a gorgeous velvet bedspread sent over to Leon...it seems like something of an extravagant present. Everyone else is sure that the pair are lovers. Leon idiotically reinforces this idea by talking about Emma 24/7. Even poor Binet gets so sick of him that he snaps at the boy one day. Ah, l'amour! Leon is tortured by his love for Emma, and tries to figure out how to possibly tell her. He can't bring himself to do it. Emma, on the other hand, doesn't get all worked up; she doesn't even try and see if she is or isn't in love with him. Flaubert ominously ends the chapter, though, with the suggestion that one day she'll crack and her love will be out of control.


prompt:
Chapter: It was a Sunday in February, an afternoon when the snow was falling.

They had all, Monsieur and Madame Bovary, Homais, and Monsieur Leon,
gone to see a yarn-mill that was being built in the valley a mile and a
half from Yonville. The druggist had taken Napoleon and Athalie to give
them some exercise, and Justin accompanied them, carrying the umbrellas
on his shoulder.

Nothing, however, could be less curious than this curiosity. A great
piece of waste ground, on which pell-mell, amid a mass of sand and
stones, were a few break-wheels, already rusty, surrounded by a
quadrangular building pierced by a number of little windows. The
building was unfinished; the sky could be seen through the joists of the
roofing. Attached to the stop-plank of the gable a bunch of straw mixed
with corn-ears fluttered its tricoloured ribbons in the wind.

Homais was talking. He explained to the company the future importance
of this establishment, computed the strength of the floorings, the
thickness of the walls, and regretted extremely not having a yard-stick
such as Monsieur Binet possessed for his own special use.

Emma, who had taken his arm, bent lightly against his shoulder, and
she looked at the sun's disc shedding afar through the mist his pale
splendour. She turned. Charles was there. His cap was drawn down over
his eyebrows, and his two thick lips were trembling, which added a look
of stupidity to his face; his very back, his calm back, was irritating
to behold, and she saw written upon his coat all the platitude of the
bearer.

While she was considering him thus, tasting in her irritation a sort of
depraved pleasure, Leon made a step forward. The cold that made him pale
seemed to add a more gentle languor to his face; between his cravat and
his neck the somewhat loose collar of his shirt showed the skin; the
lobe of his ear looked out from beneath a lock of hair, and his large
blue eyes, raised to the clouds, seemed to Emma more limpid and more
beautiful than those mountain-lakes where the heavens are mirrored.

"Wretched boy!" suddenly cried the chemist.

And he ran to his son, who had just precipitated himself into a heap of
lime in order to whiten his boots. At the reproaches with which he was
being overwhelmed Napoleon began to roar, while Justin dried his shoes
with a wisp of straw. But a knife was wanted; Charles offered his.

"Ah!" she said to herself, "he carried a knife in his pocket like a
peasant."

The hoar-frost was falling, and they turned back to Yonville.

In the evening Madame Bovary did not go to her neighbour's, and when
Charles had left and she felt herself alone, the comparison re-began
with the clearness of a sensation almost actual, and with that
lengthening of perspective which memory gives to things. Looking from
her bed at the clean fire that was burning, she still saw, as she had
down there, Leon standing up with one hand behind his cane, and with
the other holding Athalie, who was quietly sucking a piece of ice. She
thought him charming; she could not tear herself away from him; she
recalled his other attitudes on other days, the words he had spoken, the
sound of his voice, his whole person; and she repeated, pouting out her
lips as if for a kiss--

"Yes, charming! charming! Is he not in love?" she asked herself; "but
with whom? With me?"

All the proofs arose before her at once; her heart leapt. The flame of
the fire threw a joyous light upon the ceiling; she turned on her back,
stretching out her arms.

Then began the eternal lamentation: "Oh, if Heaven had not willed it!
And why not? What prevented it?"

When Charles came home at midnight, she seemed to have just awakened,
and as he made a noise undressing, she complained of a headache, then
asked carelessly what had happened that evening.

"Monsieur Leon," he said, "went to his room early."

She could not help smiling, and she fell asleep, her soul filled with a
new delight.

The next day, at dusk, she received a visit from Monsieur Lherueux, the
draper. He was a man of ability, was this shopkeeper. Born a Gascon but
bred a Norman, he grafted upon his southern volubility the cunning of
the Cauchois. His fat, flabby, beardless face seemed dyed by a
decoction of liquorice, and his white hair made even more vivid the
keen brilliance of his small black eyes. No one knew what he had been
formerly; a pedlar said some, a banker at Routot according to others.
What was certain was that he made complex calculations in his head that
would have frightened Binet himself. Polite to obsequiousness, he always
held himself with his back bent in the position of one who bows or who
invites.

After leaving at the door his hat surrounded with crape, he put down
a green bandbox on the table, and began by complaining to madame, with
many civilities, that he should have remained till that day without
gaining her confidence. A poor shop like his was not made to attract
a "fashionable lady"; he emphasized the words; yet she had only to
command, and he would undertake to provide her with anything she might
wish, either in haberdashery or linen, millinery or fancy goods, for
he went to town regularly four times a month. He was connected with the
best houses. You could speak of him at the "Trois Freres," at the "Barbe
d'Or," or at the "Grand Sauvage"; all these gentlemen knew him as
well as the insides of their pockets. To-day, then he had come to show
madame, in passing, various articles he happened to have, thanks to
the most rare opportunity. And he pulled out half-a-dozen embroidered
collars from the box.

Madame Bovary examined them. "I do not require anything," she said.

Then Monsieur Lheureux delicately exhibited three Algerian scarves,
several packets of English needles, a pair of straw slippers, and
finally, four eggcups in cocoanut wood, carved in open work by convicts.
Then, with both hands on the table, his neck stretched out, his figure
bent forward, open-mouthed, he watched Emma's look, who was walking up
and down undecided amid these goods. From time to time, as if to remove
some dust, he filliped with his nail the silk of the scarves spread
out at full length, and they rustled with a little noise, making in the
green twilight the gold spangles of their tissue scintillate like little
stars.

"How much are they?"

"A mere nothing," he replied, "a mere nothing. But there's no hurry;
whenever it's convenient. We are not Jews."

She reflected for a few moments, and ended by again declining Monsieur
Lheureux's offer. He replied quite unconcernedly--

"Very well. We shall understand one another by and by. I have always got
on with ladies--if I didn't with my own!"

Emma smiled.

"I wanted to tell you," he went on good-naturedly, after his joke, "that
it isn't the money I should trouble about. Why, I could give you some,
if need be."

She made a gesture of surprise.

"Ah!" said he quickly and in a low voice, "I shouldn't have to go far to
find you some, rely on that."

And he began asking after Pere Tellier, the proprietor of the "Cafe
Francais," whom Monsieur Bovary was then attending.

"What's the matter with Pere Tellier? He coughs so that he shakes his
whole house, and I'm afraid he'll soon want a deal covering rather than
a flannel vest. He was such a rake as a young man! Those sort of people,
madame, have not the least regularity; he's burnt up with brandy. Still
it's sad, all the same, to see an acquaintance go off."

And while he fastened up his box he discoursed about the doctor's
patients.

"It's the weather, no doubt," he said, looking frowningly at the floor,
"that causes these illnesses. I, too, don't feel the thing. One of these
days I shall even have to consult the doctor for a pain I have in my
back. Well, good-bye, Madame Bovary. At your service; your very humble
servant." And he closed the door gently.

Emma had her dinner served in her bedroom on a tray by the fireside; she
was a long time over it; everything was well with her.

"How good I was!" she said to herself, thinking of the scarves.

She heard some steps on the stairs. It was Leon. She got up and took
from the chest of drawers the first pile of dusters to be hemmed. When
he came in she seemed very busy.

The conversation languished; Madame Bovary gave it up every few minutes,
whilst he himself seemed quite embarrassed. Seated on a low chair near
the fire, he turned round in his fingers the ivory thimble-case. She
stitched on, or from time to time turned down the hem of the cloth with
her nail. She did not speak; he was silent, captivated by her silence,
as he would have been by her speech.

"Poor fellow!" she thought.

"How have I displeased her?" he asked himself.

At last, however, Leon said that he should have, one of these days, to
go to Rouen on some office business.

"Your music subscription is out; am I to renew it?"

"No," she replied.

"Why?"

"Because--"

And pursing her lips she slowly drew a long stitch of grey thread.

This work irritated Leon. It seemed to roughen the ends of her fingers.
A gallant phrase came into his head, but he did not risk it.

"Then you are giving it up?" he went on.

"What?" she asked hurriedly. "Music? Ah! yes! Have I not my house to
look after, my husband to attend to, a thousand things, in fact, many
duties that must be considered first?"

She looked at the clock. Charles was late. Then, she affected anxiety.
Two or three times she even repeated, "He is so good!"

The clerk was fond of Monsieur Bovary. But this tenderness on his behalf
astonished him unpleasantly; nevertheless he took up on his praises,
which he said everyone was singing, especially the chemist.

"Ah! he is a good fellow," continued Emma.

"Certainly," replied the clerk.

And he began talking of Madame Homais, whose very untidy appearance
generally made them laugh.

"What does it matter?" interrupted Emma. "A good housewife does not
trouble about her appearance."

Then she relapsed into silence.

It was the same on the following days; her talks, her manners,
everything changed. She took interest in the housework, went to church
regularly, and looked after her servant with more severity.

She took Berthe from nurse. When visitors called, Felicite brought her
in, and Madame Bovary undressed her to show off her limbs. She declared
she adored children; this was her consolation, her joy, her passion,
and she accompanied her caresses with lyrical outburst which would have
reminded anyone but the Yonville people of Sachette in "Notre Dame de
Paris."

When Charles came home he found his slippers put to warm near the fire.
His waistcoat now never wanted lining, nor his shirt buttons, and it was
quite a pleasure to see in the cupboard the night-caps arranged in piles
of the same height. She no longer grumbled as formerly at taking a turn
in the garden; what he proposed was always done, although she did not
understand the wishes to which she submitted without a murmur; and when
Leon saw him by his fireside after dinner, his two hands on his stomach,
his two feet on the fender, his two cheeks red with feeding, his eyes
moist with happiness, the child crawling along the carpet, and this
woman with the slender waist who came behind his arm-chair to kiss his
forehead: "What madness!" he said to himself. "And how to reach her!"

And thus she seemed so virtuous and inaccessible to him that he lost all
hope, even the faintest. But by this renunciation he placed her on
an extraordinary pinnacle. To him she stood outside those fleshly
attributes from which he had nothing to obtain, and in his heart she
rose ever, and became farther removed from him after the magnificent
manner of an apotheosis that is taking wing. It was one of those pure
feelings that do not interfere with life, that are cultivated because
they are rare, and whose loss would afflict more than their passion
rejoices.

Emma grew thinner, her cheeks paler, her face longer. With her black
hair, her large eyes, her aquiline nose, her birdlike walk, and always
silent now, did she not seem to be passing through life scarcely
touching it, and to bear on her brow the vague impress of some divine
destiny? She was so sad and so calm, at once so gentle and so reserved,
that near her one felt oneself seized by an icy charm, as we shudder
in churches at the perfume of the flowers mingling with the cold of the
marble. The others even did not escape from this seduction. The chemist
said--

"She is a woman of great parts, who wouldn't be misplaced in a
sub-prefecture."

The housewives admired her economy, the patients her politeness, the
poor her charity.

But she was eaten up with desires, with rage, with hate. That dress with
the narrow folds hid a distracted fear, of whose torment those chaste
lips said nothing. She was in love with Leon, and sought solitude that
she might with the more ease delight in his image. The sight of his
form troubled the voluptuousness of this mediation. Emma thrilled at
the sound of his step; then in his presence the emotion subsided, and
afterwards there remained to her only an immense astonishment that ended
in sorrow.

Leon did not know that when he left her in despair she rose after he had
gone to see him in the street. She concerned herself about his comings
and goings; she watched his face; she invented quite a history to find
an excuse for going to his room. The chemist's wife seemed happy to her
to sleep under the same roof, and her thoughts constantly centered upon
this house, like the "Lion d'Or" pigeons, who came there to dip their
red feet and white wings in its gutters. But the more Emma recognised
her love, the more she crushed it down, that it might not be evident,
that she might make it less. She would have liked Leon to guess it, and
she imagined chances, catastrophes that should facilitate this.

What restrained her was, no doubt, idleness and fear, and a sense of
shame also. She thought she had repulsed him too much, that the time was
past, that all was lost. Then, pride, and joy of being able to say to
herself, "I am virtuous," and to look at herself in the glass taking
resigned poses, consoled her a little for the sacrifice she believed she
was making.

Then the lusts of the flesh, the longing for money, and the melancholy
of passion all blended themselves into one suffering, and instead of
turning her thoughts from it, she clave to it the more, urging herself
to pain, and seeking everywhere occasion for it. She was irritated by
an ill-served dish or by a half-open door; bewailed the velvets she had
not, the happiness she had missed, her too exalted dreams, her narrow
home.

What exasperated her was that Charles did not seem to notice her
anguish. His conviction that he was making her happy seemed to her an
imbecile insult, and his sureness on this point ingratitude. For whose
sake, then was she virtuous? Was it not for him, the obstacle to all
felicity, the cause of all misery, and, as it were, the sharp clasp of
that complex strap that bucked her in on all sides.

On him alone, then, she concentrated all the various hatreds that
resulted from her boredom, and every effort to diminish only augmented
it; for this useless trouble was added to the other reasons for despair,
and contributed still more to the separation between them. Her own
gentleness to herself made her rebel against him. Domestic mediocrity
drove her to lewd fancies, marriage tenderness to adulterous desires.
She would have liked Charles to beat her, that she might have a better
right to hate him, to revenge herself upon him. She was surprised
sometimes at the atrocious conjectures that came into her thoughts, and
she had to go on smiling, to hear repeated to her at all hours that she
was happy, to pretend to be happy, to let it be believed.

Yet she had loathing of this hypocrisy. She was seized with the
temptation to flee somewhere with Leon to try a new life; but at once a
vague chasm full of darkness opened within her soul.

"Besides, he no longer loves me," she thought. "What is to become of me?
What help is to be hoped for, what consolation, what solace?"

She was left broken, breathless, inert, sobbing in a low voice, with
flowing tears.

"Why don't you tell master?" the servant asked her when she came in
during these crises.

"It is the nerves," said Emma. "Do not speak to him of it; it would
worry him."

"Ah! yes," Felicite went on, "you are just like La Guerine, Pere
Guerin's daughter, the fisherman at Pollet, that I used to know at
Dieppe before I came to you. She was so sad, so sad, to see her
standing upright on the threshold of her house, she seemed to you like a
winding-sheet spread out before the door. Her illness, it appears, was
a kind of fog that she had in her head, and the doctors could not do
anything, nor the priest either. When she was taken too bad she went
off quite alone to the sea-shore, so that the customs officer, going his
rounds, often found her lying flat on her face, crying on the shingle.
Then, after her marriage, it went off, they say."

"But with me," replied Emma, "it was after marriage that it began."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The usual quartet is out on an odd and incredibly boring field trip. They're visiting a new spinning mill just outside town, along with two of Homais' unfortunately named children, Athalie and Napoleon. The main attraction is generally unattractive. Homais, as usual, chats up a storm. Everyone else is somewhat pensive. Emma reflects suddenly upon how irritating Charles is, even when he's doing nothing. Leon, on the other hand, looks particularly lovely to her. She begins to realize that something is happening between them. Napoleon ruins the moment by generally being bratty. He's painted his shoes white with a pile of lime that's lying around the mill. Charles and Justin attempt to get rid of it. That evening, Emma thinks about the day - and about Leon. She can't stop envisioning his face, his mannerisms, the sound of his voice. Finally, an epiphany: Leon loves her! Once she admits this to herself, Emma goes into full-out dramatic Love Overdrive. She laments fate, lolls around the house swooning left and right, and drifts about in a blissful haze. Generally, she does everything she's read about in books. The next day, Monsieur Lheureux, the dry-goods merchant stops by for a visit. He is quite clever and sounds, from Flaubert's description, like a pretty shady character. Nobody knows what he was up to before he came to Yonville. The merchant knows exactly what buttons to press with Emma. He talks up her elegance and refinement, then offers her a selection of dainty items to choose from. She sticks by her guns and says she doesn't need anything, but the seed has been planted - Emma, naturally, wants pretty things. Lheureux also slyly tells Emma that if she needs money, she can always borrow it from him...which doesn't sound like such a great idea, if you ask us. Emma congratulates herself on being so frugal, but she still can't stop thinking of Monsieur Lheureux's pretty wares. Leon shows up, nervous and on edge. He wants to say something to her about his feelings, but chickens out yet again. Awkwardness ensues. In the wake of the realization that she and Leon are in love, Emma attempts briefly to reform herself - she goes all serious and tries to clean up her act. Emma's good girl facade fools everyone, even Leon. He begins to wonder how he'd even hoped to get close to her. In his mind, she becomes even more spectacular and flawless. Everyone admires Emma for her elegance and character. Now that she's playing the good housewife, she floats along easily in Yonville society. However, on the inside, she conceals passionate feelings. We're talking serious angst, here. When she's alone, she can only think of Leon - actually, these fantasies are more enjoyable than his presence, which leaves her unsatisfied. Emma wishes Leon would notice that she's in love with him, but she's either too lazy or too scared to make anything happen herself. She consoles herself by striking dramatic poses in the mirror and prides herself on her "virtue." All of Emma's secret troubles build up to the boiling point, and she strikes out, complaining about the littlest things, like a door left open or a dish she doesn't enjoy. She is also incredibly irritated by Charles's dopey lack of awareness; he's still sure that he's making her perfectly happy. She feels underappreciated, and makes Charles the focus of all her aggression. Emma's depression returns from time to time. Felicite tries to comfort her, telling her that she once knew another girl who suffered from a similar problem - it was cured by marriage. Unfortunately for Emma, her sadness was brought on by her marriage to Charles.


prompt:
Chapter: One evening when the window was open, and she, sitting by it, had been
watching Lestiboudois, the beadle, trimming the box, she suddenly heard
the Angelus ringing.

It was the beginning of April, when the primroses are in bloom, and a
warm wind blows over the flower-beds newly turned, and the gardens, like
women, seem to be getting ready for the summer fetes. Through the bars
of the arbour and away beyond the river seen in the fields, meandering
through the grass in wandering curves. The evening vapours rose between
the leafless poplars, touching their outlines with a violet tint, paler
and more transparent than a subtle gauze caught athwart their branches.
In the distance cattle moved about; neither their steps nor their lowing
could be heard; and the bell, still ringing through the air, kept up its
peaceful lamentation.

With this repeated tinkling the thoughts of the young woman lost
themselves in old memories of her youth and school-days. She remembered
the great candlesticks that rose above the vases full of flowers on the
altar, and the tabernacle with its small columns. She would have liked
to be once more lost in the long line of white veils, marked off here
and there by the stuff black hoods of the good sisters bending over
their prie-Dieu. At mass on Sundays, when she looked up, she saw the
gentle face of the Virgin amid the blue smoke of the rising incense.
Then she was moved; she felt herself weak and quite deserted, like the
down of a bird whirled by the tempest, and it was unconsciously that she
went towards the church, included to no matter what devotions, so that
her soul was absorbed and all existence lost in it.

On the Place she met Lestivoudois on his way back, for, in order not
to shorten his day's labour, he preferred interrupting his work,
then beginning it again, so that he rang the Angelus to suit his own
convenience. Besides, the ringing over a little earlier warned the lads
of catechism hour.

Already a few who had arrived were playing marbles on the stones of the
cemetery. Others, astride the wall, swung their legs, kicking with their
clogs the large nettles growing between the little enclosure and the
newest graves. This was the only green spot. All the rest was but
stones, always covered with a fine powder, despite the vestry-broom.

The children in list shoes ran about there as if it were an enclosure
made for them. The shouts of their voices could be heard through the
humming of the bell. This grew less and less with the swinging of the
great rope that, hanging from the top of the belfry, dragged its end on
the ground. Swallows flitted to and fro uttering little cries, cut the
air with the edge of their wings, and swiftly returned to their yellow
nests under the tiles of the coping. At the end of the church a lamp was
burning, the wick of a night-light in a glass hung up. Its light from a
distance looked like a white stain trembling in the oil. A long ray of
the sun fell across the nave and seemed to darken the lower sides and
the corners.

"Where is the cure?" asked Madame Bovary of one of the lads, who was
amusing himself by shaking a swivel in a hole too large for it.

"He is just coming," he answered.

And in fact the door of the presbytery grated; Abbe Bournisien appeared;
the children, pell-mell, fled into the church.

"These young scamps!" murmured the priest, "always the same!"

Then, picking up a catechism all in rags that he had struck with is
foot, "They respect nothing!" But as soon as he caught sight of Madame
Bovary, "Excuse me," he said; "I did not recognise you."

He thrust the catechism into his pocket, and stopped short, balancing
the heavy vestry key between his two fingers.

The light of the setting sun that fell full upon his face paled the
lasting of his cassock, shiny at the elbows, unravelled at the hem.
Grease and tobacco stains followed along his broad chest the lines
of the buttons, and grew more numerous the farther they were from his
neckcloth, in which the massive folds of his red chin rested; this was
dotted with yellow spots, that disappeared beneath the coarse hair of
his greyish beard. He had just dined and was breathing noisily.

"How are you?" he added.

"Not well," replied Emma; "I am ill."

"Well, and so am I," answered the priest. "These first warm days weaken
one most remarkably, don't they? But, after all, we are born to suffer,
as St. Paul says. But what does Monsieur Bovary think of it?"

"He!" she said with a gesture of contempt.

"What!" replied the good fellow, quite astonished, "doesn't he prescribe
something for you?"

"Ah!" said Emma, "it is no earthly remedy I need."

But the cure from time to time looked into the church, where the
kneeling boys were shouldering one another, and tumbling over like packs
of cards.

"I should like to know--" she went on.

"You look out, Riboudet," cried the priest in an angry voice; "I'll warm
your ears, you imp!" Then turning to Emma, "He's Boudet the carpenter's
son; his parents are well off, and let him do just as he pleases. Yet he
could learn quickly if he would, for he is very sharp. And so sometimes
for a joke I call him Riboudet (like the road one takes to go to
Maromme) and I even say 'Mon Riboudet.' Ha! Ha! 'Mont Riboudet.' The
other day I repeated that just to Monsignor, and he laughed at it; he
condescended to laugh at it. And how is Monsieur Bovary?"

She seemed not to hear him. And he went on--

"Always very busy, no doubt; for he and I are certainly the busiest
people in the parish. But he is doctor of the body," he added with a
thick laugh, "and I of the soul."

She fixed her pleading eyes upon the priest. "Yes," she said, "you
solace all sorrows."

"Ah! don't talk to me of it, Madame Bovary. This morning I had to go to
Bas-Diauville for a cow that was ill; they thought it was under a spell.
All their cows, I don't know how it is--But pardon me! Longuemarre and
Boudet! Bless me! Will you leave off?"

And with a bound he ran into the church.

The boys were just then clustering round the large desk, climbing over
the precentor's footstool, opening the missal; and others on tiptoe were
just about to venture into the confessional. But the priest suddenly
distributed a shower of cuffs among them. Seizing them by the collars of
their coats, he lifted them from the ground, and deposited them on their
knees on the stones of the choir, firmly, as if he meant planting them
there.

"Yes," said he, when he returned to Emma, unfolding his large cotton
handkerchief, one corner of which he put between his teeth, "farmers are
much to be pitied."

"Others, too," she replied.

"Assuredly. Town-labourers, for example."

"It is not they--"

"Pardon! I've there known poor mothers of families, virtuous women, I
assure you, real saints, who wanted even bread."

"But those," replied Emma, and the corners of her mouth twitched as she
spoke, "those, Monsieur le Cure, who have bread and have no--"

"Fire in the winter," said the priest.

"Oh, what does that matter?"

"What! What does it matter? It seems to me that when one has firing and
food--for, after all--"

"My God! my God!" she sighed.

"It is indigestion, no doubt? You must get home, Madame Bovary; drink
a little tea, that will strengthen you, or else a glass of fresh water
with a little moist sugar."

"Why?" And she looked like one awaking from a dream.

"Well, you see, you were putting your hand to your forehead. I thought
you felt faint." Then, bethinking himself, "But you were asking me
something? What was it? I really don't remember."

"I? Nothing! nothing!" repeated Emma.

And the glance she cast round her slowly fell upon the old man in the
cassock. They looked at one another face to face without speaking.

"Then, Madame Bovary," he said at last, "excuse me, but duty first, you
know; I must look after my good-for-nothings. The first communion will
soon be upon us, and I fear we shall be behind after all. So after
Ascension Day I keep them recta* an extra hour every Wednesday. Poor
children! One cannot lead them too soon into the path of the Lord, as,
moreover, he has himself recommended us to do by the mouth of his Divine
Son. Good health to you, madame; my respects to your husband."

     *On the straight and narrow path.

And he went into the church making a genuflexion as soon as he reached
the door.

Emma saw him disappear between the double row of forms, walking with a
heavy tread, his head a little bent over his shoulder, and with his two
hands half-open behind him.

Then she turned on her heel all of one piece, like a statue on a pivot,
and went homewards. But the loud voice of the priest, the clear voices
of the boys still reached her ears, and went on behind her.

"Are you a Christian?"

"Yes, I am a Christian."

"What is a Christian?"

"He who, being baptized-baptized-baptized--"

She went up the steps of the staircase holding on to the banisters, and
when she was in her room threw herself into an arm-chair.

The whitish light of the window-panes fell with soft undulations.

The furniture in its place seemed to have become more immobile, and to
lose itself in the shadow as in an ocean of darkness. The fire was out,
the clock went on ticking, and Emma vaguely marvelled at this calm of
all things while within herself was such tumult. But little Berthe was
there, between the window and the work-table, tottering on her knitted
shoes, and trying to come to her mother to catch hold of the ends of her
apron-strings.

"Leave me alone," said the latter, putting her from her with her hand.

The little girl soon came up closer against her knees, and leaning on
them with her arms, she looked up with her large blue eyes, while a
small thread of pure saliva dribbled from her lips on to the silk apron.

"Leave me alone," repeated the young woman quite irritably.

Her face frightened the child, who began to scream.

"Will you leave me alone?" she said, pushing her with her elbow.

Berthe fell at the foot of the drawers against the brass handle, cutting
her cheek, which began to bleed, against it. Madame Bovary sprang to
lift her up, broke the bell-rope, called for the servant with all her
might, and she was just going to curse herself when Charles appeared. It
was the dinner-hour; he had come home.

"Look, dear!" said Emma, in a calm voice, "the little one fell down
while she was playing, and has hurt herself."

Charles reassured her; the case was not a serious one, and he went for
some sticking plaster.

Madame Bovary did not go downstairs to the dining-room; she wished
to remain alone to look after the child. Then watching her sleep, the
little anxiety she felt gradually wore off, and she seemed very stupid
to herself, and very good to have been so worried just now at so little.
Berthe, in fact, no longer sobbed.

Her breathing now imperceptibly raised the cotton covering. Big tears
lay in the corner of the half-closed eyelids, through whose lashes one
could see two pale sunken pupils; the plaster stuck on her cheek drew
the skin obliquely.

"It is very strange," thought Emma, "how ugly this child is!"

When at eleven o'clock Charles came back from the chemist's shop,
whither he had gone after dinner to return the remainder of the
sticking-plaster, he found his wife standing by the cradle.

"I assure you it's nothing." he said, kissing her on the forehead.
"Don't worry, my poor darling; you will make yourself ill."

He had stayed a long time at the chemist's. Although he had not seemed
much moved, Homais, nevertheless, had exerted himself to buoy him up, to
"keep up his spirits." Then they had talked of the various dangers that
threaten childhood, of the carelessness of servants. Madame Homais knew
something of it, having still upon her chest the marks left by a basin
full of soup that a cook had formerly dropped on her pinafore, and
her good parents took no end of trouble for her. The knives were not
sharpened, nor the floors waxed; there were iron gratings to the windows
and strong bars across the fireplace; the little Homais, in spite of
their spirit, could not stir without someone watching them; at the
slightest cold their father stuffed them with pectorals; and until
they were turned four they all, without pity, had to wear wadded
head-protectors. This, it is true, was a fancy of Madame Homais'; her
husband was inwardly afflicted at it. Fearing the possible consequences
of such compression to the intellectual organs. He even went so far as
to say to her, "Do you want to make Caribs or Botocudos of them?"

Charles, however, had several times tried to interrupt the conversation.
"I should like to speak to you," he had whispered in the clerk's ear,
who went upstairs in front of him.

"Can he suspect anything?" Leon asked himself. His heart beat, and he
racked his brain with surmises.

At last, Charles, having shut the door, asked him to see himself
what would be the price at Rouen of a fine daguerreotypes. It was a
sentimental surprise he intended for his wife, a delicate attention--his
portrait in a frock-coat. But he wanted first to know "how much it would
be." The inquiries would not put Monsieur Leon out, since he went to
town almost every week.

Why? Monsieur Homais suspected some "young man's affair" at the bottom
of it, an intrigue. But he was mistaken. Leon was after no love-making.
He was sadder than ever, as Madame Lefrancois saw from the amount of
food he left on his plate. To find out more about it she questioned
the tax-collector. Binet answered roughly that he "wasn't paid by the
police."

All the same, his companion seemed very strange to him, for Leon often
threw himself back in his chair, and stretching out his arms, complained vaguely of life.

"It's because you don't take enough recreation," said the collector.

"What recreation?"

"If I were you I'd have a lathe."

"But I don't know how to turn," answered the clerk.

"Ah! that's true," said the other, rubbing his chin with an air of
mingled contempt and satisfaction.

Leon was weary of loving without any result; moreover he was beginning
to feel that depression caused by the repetition of the same kind of
life, when no interest inspires and no hope sustains it. He was so bored
with Yonville and its inhabitants, that the sight of certain persons,
of certain houses, irritated him beyond endurance; and the chemist, good
fellow though he was, was becoming absolutely unbearable to him. Yet
the prospect of a new condition of life frightened as much as it seduced
him.

This apprehension soon changed into impatience, and then Paris from afar
sounded its fanfare of masked balls with the laugh of grisettes. As he
was to finish reading there, why not set out at once? What prevented
him? And he began making home-preparations; he arranged his occupations
beforehand. He furnished in his head an apartment. He would lead an
artist's life there! He would take lessons on the guitar! He would have
a dressing-gown, a Basque cap, blue velvet slippers! He even already was
admiring two crossed foils over his chimney-piece, with a death's head
on the guitar above them.

The difficulty was the consent of his mother; nothing, however, seemed
more reasonable. Even his employer advised him to go to some other
chambers where he could advance more rapidly. Taking a middle course,
then, Leon looked for some place as second clerk at Rouen; found none,
and at last wrote his mother a long letter full of details, in which
he set forth the reasons for going to live at Paris immediately. She
consented.

He did not hurry. Every day for a month Hivert carried boxes, valises,
parcels for him from Yonville to Rouen and from Rouen to Yonville;
and when Leon had packed up his wardrobe, had his three arm-chairs
restuffed, bought a stock of neckties, in a word, had made more
preparations than for a voyage around the world, he put it off from week
to week, until he received a second letter from his mother urging him to
leave, since he wanted to pass his examination before the vacation.

When the moment for the farewells had come, Madame Homais wept, Justin
sobbed; Homais, as a man of nerve, concealed his emotion; he wished to
carry his friend's overcoat himself as far as the gate of the notary,
who was taking Leon to Rouen in his carriage.

The latter had just time to bid farewell to Monsieur Bovary.

When he reached the head of the stairs, he stopped, he was so out of
breath. As he came in, Madame Bovary arose hurriedly.

"It is I again!" said Leon.

"I was sure of it!"

She bit her lips, and a rush of blood flowing under her skin made her
red from the roots of her hair to the top of her collar. She remained
standing, leaning with her shoulder against the wainscot.

"The doctor is not here?" he went on.

"He is out." She repeated, "He is out."

Then there was silence. They looked at one another and their thoughts,
confounded in the same agony, clung close together like two throbbing
breasts.

"I should like to kiss Berthe," said Leon.

Emma went down a few steps and called Felicite.

He threw one long look around him that took in the walls, the
decorations, the fireplace, as if to penetrate everything, carry away
everything. But she returned, and the servant brought Berthe, who was
swinging a windmill roof downwards at the end of a string. Leon kissed
her several times on the neck.

"Good-bye, poor child! good-bye, dear little one! good-bye!" And he gave
her back to her mother.

"Take her away," she said.

They remained alone--Madame Bovary, her back turned, her face pressed
against a window-pane; Leon held his cap in his hand, knocking it softly
against his thigh.

"It is going to rain," said Emma.

"I have a cloak," he answered.

"Ah!"

She turned around, her chin lowered, her forehead bent forward.

The light fell on it as on a piece of marble, to the curve of the
eyebrows, without one's being able to guess what Emma was seeing on the
horizon or what she was thinking within herself.

"Well, good-bye," he sighed.

She raised her head with a quick movement.

"Yes, good-bye--go!"

They advanced towards each other; he held out his hand; she hesitated.

"In the English fashion, then," she said, giving her own hand wholly to
him, and forcing a laugh.

Leon felt it between his fingers, and the very essence of all his being
seemed to pass down into that moist palm. Then he opened his hand; their
eyes met again, and he disappeared.

When he reached the market-place, he stopped and hid behind a pillar to
look for the last time at this white house with the four green blinds.
He thought he saw a shadow behind the window in the room; but the
curtain, sliding along the pole as though no one were touching it,
slowly opened its long oblique folds that spread out with a single
movement, and thus hung straight and motionless as a plaster wall. Leon
set off running.

From afar he saw his employer's gig in the road, and by it a man in
a coarse apron holding the horse. Homais and Monsieur Guillaumin were
talking. They were waiting for him.

"Embrace me," said the druggist with tears in his eyes. "Here is your
coat, my good friend. Mind the cold; take care of yourself; look after
yourself."

"Come, Leon, jump in," said the notary.

Homais bent over the splash-board, and in a voice broken by sobs uttered
these three sad words--

"A pleasant journey!"

"Good-night," said Monsieur Guillaumin. "Give him his head." They set
out, and Homais went back.

Madame Bovary had opened her window overlooking the garden and watched
the clouds. They gathered around the sunset on the side of Rouen and
then swiftly rolled back their black columns, behind which the great
rays of the sun looked out like the golden arrows of a suspended trophy,
while the rest of the empty heavens was white as porcelain. But a gust
of wind bowed the poplars, and suddenly the rain fell; it pattered
against the green leaves.

Then the sun reappeared, the hens clucked, sparrows shook their wings in
the damp thickets, and the pools of water on the gravel as they flowed
away carried off the pink flowers of an acacia.

"Ah! how far off he must be already!" she thought.

Monsieur Homais, as usual, came at half-past six during dinner.

"Well," said he, "so we've sent off our young friend!"

"So it seems," replied the doctor. Then turning on his chair; "Any news
at home?"

"Nothing much. Only my wife was a little moved this afternoon. You know
women--a nothing upsets them, especially my wife. And we should be
wrong to object to that, since their nervous organization is much more
malleable than ours."

"Poor Leon!" said Charles. "How will he live at Paris? Will he get used
to it?"

Madame Bovary sighed.

"Get along!" said the chemist, smacking his lips. "The outings at
restaurants, the masked balls, the champagne--all that'll be jolly
enough, I assure you."

"I don't think he'll go wrong," objected Bovary.

"Nor do I," said Monsieur Homais quickly; "although he'll have to do
like the rest for fear of passing for a Jesuit. And you don't know what
a life those dogs lead in the Latin quarter with actresses. Besides,
students are thought a great deal of in Paris. Provided they have a few
accomplishments, they are received in the best society; there are even
ladies of the Faubourg Saint-Germain who fall in love with them, which
subsequently furnishes them opportunities for making very good matches."

"But," said the doctor, "I fear for him that down there--"

"You are right," interrupted the chemist; "that is the reverse of the
medal. And one is constantly obliged to keep one's hand in one's pocket
there. Thus, we will suppose you are in a public garden. An individual
presents himself, well dressed, even wearing an order, and whom one
would take for a diplomatist. He approaches you, he insinuates himself;
offers you a pinch of snuff, or picks up your hat. Then you become more
intimate; he takes you to a cafe, invites you to his country-house,
introduces you, between two drinks, to all sorts of people; and
three-fourths of the time it's only to plunder your watch or lead you
into some pernicious step.

"That is true," said Charles; "but I was thinking especially of
illnesses--of typhoid fever, for example, that attacks students from the
provinces."

Emma shuddered.

"Because of the change of regimen," continued the chemist, "and of the
perturbation that results therefrom in the whole system. And then the
water at Paris, don't you know! The dishes at restaurants, all the
spiced food, end by heating the blood, and are not worth, whatever
people may say of them, a good soup. For my own part, I have always
preferred plain living; it is more healthy. So when I was studying
pharmacy at Rouen, I boarded in a boarding house; I dined with the
professors."

And thus he went on, expounding his opinions generally and his personal
likings, until Justin came to fetch him for a mulled egg that was
wanted.

"Not a moment's peace!" he cried; "always at it! I can't go out for a
minute! Like a plough-horse, I have always to be moiling and toiling.
What drudgery!" Then, when he was at the door, "By the way, do you know
the news?"

"What news?"

"That it is very likely," Homais went on, raising his eyebrows and
assuming one of his most serious expression, "that the agricultural
meeting of the Seine-Inferieure will be held this year at
Yonville-l'Abbaye. The rumour, at all events, is going the round. This
morning the paper alluded to it. It would be of the utmost importance
for our district. But we'll talk it over later on. I can see, thank you;
Justin has the lantern."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Poor Emma. It's springtime, and she finally attempts to do something to change her life. Remembering how much she loved the convent school, she goes to church to talk to Father Bournisien. She finds the priest much preoccupied by the schoolboys he's in charge of. He's something of an irritable and unpleasant man. Emma flat-out tells the priest that she's suffering. He assumes that her suffering is physical, and asks if Charles has prescribed anything for it. When Emma attempts to explain her situation, he gets distracted by the boys again, and breaks off the conversation to yell at them. This is hopeless. The priest obviously has nothing to offer Emma - they talk for a while longer, their conversation punctuated by the children. Father Bournisien eventually just dismisses Emma, telling her to go home and have a cup of tea. She leaves, disgruntled. When she gets home, the stillness of the house seems to mock her. Berthe tries to come over and hug her mother. Emma , angrily pushes the little girl away. Pushing a baby? Come on, Emma. This is a new low. Poor Berthe falls and hits her head on the dresser. She starts to bleed, and Emma freaks out. She feels terrible. Charles comes home, and Emma tells him that the baby fell over while she was playing. He takes care of the injury and tells Emma not to worry. Emma feels bad for a while, but her anxiety eventually wears off. She looks at Berthe dispassionately, thinking about how ugly the child is. Charles, in the meanwhile, has been visiting the Homais family. Mr. and Mrs. Homais. try to cheer him up in a truly warped way, by talking about the various dangers that children face in their everyday lives. The Homais kids live in a totally child-safe household without sharp knives and with bars on the windows. Leon is also around. Charles pulls him aside - the clerk worries that the doctor suspects his feelings for Emma. Luckily for Leon, Charles is still the same old well-intentioned buffoon he always was. He actually wants Leon to go into Rouen for him and make some inquiries about getting a portrait of Charles made. It turns out that Leon goes into the city every week - nobody knows why. Homais suspects that the young man has a secret lover there . Nobody can figure out what Leon's deal is. Madame Lefrancois notices that he's started leaving food on his plate at dinner. Binet suggests that Leon should take up carpentry to improve his disposition . Leon's boredom with Yonville and angst about his love for Emma are at a breaking point. However, he's also afraid of moving away. In the end, though, he decides to leave right away for Paris, to start his studies in the big city. Soon enough it's time to go. The Homais give Leon a tearful seeing-off, but before he leaves, he goes to bid Charles and Emma farewell. Charles isn't at home, so he and Emma have a tense parting moment. He kisses baby Berthe goodbye, then he and Emma are left alone. They shake hands awkwardly - the tension is palpable. Leon leaves Yonville, accompanied by the notary, Monsieur Guillaumin. After he's gone, Emma mopes around, wondering where he is. Monsieur Homais comes over to visit as usual, and they discuss Leon's fate in Paris. Homais and Charles are worried that Leon will be corrupted by the city, or else catch some horrible disease. Emma is distressed. Soon enough, though, Homais acts as though nothing has happened. He heads back home merrily.


prompt:
Chapter: The next day was a dreary one for Emma. Everything seemed to her
enveloped in a black atmosphere floating confusedly over the exterior of
things, and sorrow was engulfed within her soul with soft shrieks such
as the winter wind makes in ruined castles. It was that reverie which we
give to things that will not return, the lassitude that seizes you after
everything was done; that pain, in fine, that the interruption of every
wonted movement, the sudden cessation of any prolonged vibration, brings
on.

As on the return from Vaubyessard, when the quadrilles were running in
her head, she was full of a gloomy melancholy, of a numb despair.
Leon reappeared, taller, handsomer, more charming, more vague. Though
separated from her, he had not left her; he was there, and the walls of
the house seemed to hold his shadow.

She could not detach her eyes from the carpet where he had walked, from
those empty chairs where he had sat. The river still flowed on, and
slowly drove its ripples along the slippery banks.

They had often walked there to the murmur of the waves over the
moss-covered pebbles. How bright the sun had been! What happy afternoons
they had seen alone in the shade at the end of the garden! He read
aloud, bareheaded, sitting on a footstool of dry sticks; the fresh wind
of the meadow set trembling the leaves of the book and the nasturtiums
of the arbour. Ah! he was gone, the only charm of her life, the only
possible hope of joy. Why had she not seized this happiness when it came
to her? Why not have kept hold of it with both hands, with both knees,
when it was about to flee from her? And she cursed herself for not
having loved Leon. She thirsted for his lips. The wish took possession
of her to run after and rejoin him, throw herself into his arms and
say to him, "It is I; I am yours." But Emma recoiled beforehand at the
difficulties of the enterprise, and her desires, increased by regret,
became only the more acute.

Henceforth the memory of Leon was the centre of her boredom; it burnt
there more brightly than the fire travellers have left on the snow of
a Russian steppe. She sprang towards him, she pressed against him, she
stirred carefully the dying embers, sought all around her anything
that could revive it; and the most distant reminiscences, like the most
immediate occasions, what she experienced as well as what she imagined,
her voluptuous desires that were unsatisfied, her projects of happiness
that crackled in the wind like dead boughs, her sterile virtue, her
lost hopes, the domestic tete-a-tete--she gathered it all up, took
everything, and made it all serve as fuel for her melancholy.

The flames, however, subsided, either because the supply had exhausted
itself, or because it had been piled up too much. Love, little by
little, was quelled by absence; regret stifled beneath habit; and this
incendiary light that had empurpled her pale sky was overspread and
faded by degrees. In the supineness of her conscience she even took her
repugnance towards her husband for aspirations towards her lover, the
burning of hate for the warmth of tenderness; but as the tempest still
raged, and as passion burnt itself down to the very cinders, and no help
came, no sun rose, there was night on all sides, and she was lost in the
terrible cold that pierced her.

Then the evil days of Tostes began again. She thought herself now far
more unhappy; for she had the experience of grief, with the certainty
that it would not end.

A woman who had laid on herself such sacrifices could well allow herself
certain whims. She bought a Gothic prie-dieu, and in a month spent
fourteen francs on lemons for polishing her nails; she wrote to Rouen
for a blue cashmere gown; she chose one of Lheureux's finest scarves,
and wore it knotted around her waist over her dressing-gown; and, with
closed blinds and a book in her hand, she lay stretched out on a couch
in this garb.

She often changed her coiffure; she did her hair a la Chinoise, in
flowing curls, in plaited coils; she parted in on one side and rolled it
under like a man's.

She wanted to learn Italian; she bought dictionaries, a grammar, and
a supply of white paper. She tried serious reading, history, and
philosophy. Sometimes in the night Charles woke up with a start,
thinking he was being called to a patient. "I'm coming," he stammered;
and it was the noise of a match Emma had struck to relight the lamp. But
her reading fared like her piece of embroidery, all of which, only just
begun, filled her cupboard; she took it up, left it, passed on to other
books.

She had attacks in which she could easily have been driven to commit any
folly. She maintained one day, in opposition to her husband, that she
could drink off a large glass of brandy, and, as Charles was stupid
enough to dare her to, she swallowed the brandy to the last drop.

In spite of her vapourish airs (as the housewives of Yonville called
them), Emma, all the same, never seemed gay, and usually she had at the
corners of her mouth that immobile contraction that puckers the faces of
old maids, and those of men whose ambition has failed. She was pale all
over, white as a sheet; the skin of her nose was drawn at the nostrils,
her eyes looked at you vaguely. After discovering three grey hairs on
her temples, she talked much of her old age.

She often fainted. One day she even spat blood, and, as Charles fussed
around her showing his anxiety--

"Bah!" she answered, "what does it matter?"

Charles fled to his study and wept there, both his elbows on the table,
sitting in an arm-chair at his bureau under the phrenological head.

Then he wrote to his mother begging her to come, and they had many long
consultations together on the subject of Emma.

What should they decide? What was to be done since she rejected all
medical treatment? "Do you know what your wife wants?" replied Madame
Bovary senior.

"She wants to be forced to occupy herself with some manual work. If she
were obliged, like so many others, to earn her living, she wouldn't have
these vapours, that come to her from a lot of ideas she stuffs into her
head, and from the idleness in which she lives."

"Yet she is always busy," said Charles.

"Ah! always busy at what? Reading novels, bad books, works against
religion, and in which they mock at priests in speeches taken from
Voltaire. But all that leads you far astray, my poor child. Anyone who
has no religion always ends by turning out badly."

So it was decided to stop Emma reading novels. The enterprise did not
seem easy. The good lady undertook it. She was, when she passed through
Rouen, to go herself to the lending-library and represent that Emma had
discontinued her subscription. Would they not have a right to apply
to the police if the librarian persisted all the same in his poisonous
trade? The farewells of mother and daughter-in-law were cold. During
the three weeks that they had been together they had not exchanged
half-a-dozen words apart from the inquiries and phrases when they met at
table and in the evening before going to bed.

Madame Bovary left on a Wednesday, the market-day at Yonville.

The Place since morning had been blocked by a row of carts, which, on
end and their shafts in the air, spread all along the line of houses
from the church to the inn. On the other side there were canvas booths,
where cotton checks, blankets, and woollen stockings were sold,
together with harness for horses, and packets of blue ribbon, whose ends
fluttered in the wind. The coarse hardware was spread out on the ground
between pyramids of eggs and hampers of cheeses, from which sticky straw
stuck out.

Near the corn-machines clucking hens passed their necks through the bars
of flat cages. The people, crowding in the same place and unwilling
to move thence, sometimes threatened to smash the shop front of the
chemist. On Wednesdays his shop was never empty, and the people pushed
in less to buy drugs than for consultations. So great was Homais'
reputation in the neighbouring villages. His robust aplomb had
fascinated the rustics. They considered him a greater doctor than all
the doctors.

Emma was leaning out at the window; she was often there. The window in
the provinces replaces the theatre and the promenade, she was amusing
herself with watching the crowd of boors when she saw a gentleman in
a green velvet coat. He had on yellow gloves, although he wore heavy
gaiters; he was coming towards the doctor's house, followed by a peasant
walking with a bent head and quite a thoughtful air.

"Can I see the doctor?" he asked Justin, who was talking on the
doorsteps with Felicite, and, taking him for a servant of the
house--"Tell him that Monsieur Rodolphe Boulanger of La Huchette is
here."

It was not from territorial vanity that the new arrival added "of La
Huchette" to his name, but to make himself the better known.

La Huchette, in fact, was an estate near Yonville, where he had just
bought the chateau and two farms that he cultivated himself, without,
however, troubling very much about them. He lived as a bachelor, and was
supposed to have "at least fifteen thousand francs a year."

Charles came into the room. Monsieur Boulanger introduced his man, who
wanted to be bled because he felt "a tingling all over."

"That'll purge me," he urged as an objection to all reasoning.

So Bovary ordered a bandage and a basin, and asked Justin to hold it.
Then addressing the peasant, who was already pale--

"Don't be afraid, my lad."

"No, no, sir," said the other; "get on."

And with an air of bravado he held out his great arm. At the prick of
the lancet the blood spurted out, splashing against the looking-glass.

"Hold the basin nearer," exclaimed Charles.

"Lor!" said the peasant, "one would swear it was a little fountain
flowing. How red my blood is! That's a good sign, isn't it?"

"Sometimes," answered the doctor, "one feels nothing at first, and then
syncope sets in, and more especially with people of strong constitution
like this man."

At these words the rustic let go the lancet-case he was twisting between
his fingers. A shudder of his shoulders made the chair-back creak. His
hat fell off.

"I thought as much," said Bovary, pressing his finger on the vein.

The basin was beginning to tremble in Justin's hands; his knees shook,
he turned pale.

"Emma! Emma!" called Charles.

With one bound she came down the staircase.

"Some vinegar," he cried. "O dear! two at once!"

And in his emotion he could hardly put on the compress.

"It is nothing," said Monsieur Boulanger quietly, taking Justin in his
arms. He seated him on the table with his back resting against the wall.

Madame Bovary began taking off his cravat. The strings of his shirt had
got into a knot, and she was for some minutes moving her light fingers
about the young fellow's neck. Then she poured some vinegar on her
cambric handkerchief; she moistened his temples with little dabs, and
then blew upon them softly. The ploughman revived, but Justin's syncope
still lasted, and his eyeballs disappeared in the pale sclerotics like
blue flowers in milk.

"We must hide this from him," said Charles.

Madame Bovary took the basin to put it under the table. With the
movement she made in bending down, her dress (it was a summer dress with
four flounces, yellow, long in the waist and wide in the skirt) spread
out around her on the flags of the room; and as Emma stooping, staggered
a little as she stretched out her arms.

The stuff here and there gave with the inflections of her bust.

Then she went to fetch a bottle of water, and she was melting some
pieces of sugar when the chemist arrived. The servant had been to
fetch him in the tumult. Seeing his pupil's eyes staring he drew a long
breath; then going around him he looked at him from head to foot.

"Fool!" he said, "really a little fool! A fool in four letters! A
phlebotomy's a big affair, isn't it! And a fellow who isn't afraid of
anything; a kind of squirrel, just as he is who climbs to vertiginous
heights to shake down nuts. Oh, yes! you just talk to me, boast about
yourself! Here's a fine fitness for practising pharmacy later on; for
under serious circumstances you may be called before the tribunals in
order to enlighten the minds of the magistrates, and you would have to
keep your head then, to reason, show yourself a man, or else pass for an
imbecile."

Justin did not answer. The chemist went on--

"Who asked you to come? You are always pestering the doctor and madame.
On Wednesday, moreover, your presence is indispensable to me. There are
now twenty people in the shop. I left everything because of the interest
I take in you. Come, get along! Sharp! Wait for me, and keep an eye on
the jars."

When Justin, who was rearranging his dress, had gone, they talked for a
little while about fainting-fits. Madame Bovary had never fainted.

"That is extraordinary for a lady," said Monsieur Boulanger; "but some
people are very susceptible. Thus in a duel, I have seen a second lose
consciousness at the mere sound of the loading of pistols."

"For my part," said the chemist, "the sight of other people's blood
doesn't affect me at all, but the mere thought of my own flowing would
make me faint if I reflected upon it too much."

Monsieur Boulanger, however, dismissed his servant, advising him to calm
himself, since his fancy was over.

"It procured me the advantage of making your acquaintance," he added,
and he looked at Emma as he said this. Then he put three francs on the
corner of the table, bowed negligently, and went out.

He was soon on the other side of the river (this was his way back to La
Huchette), and Emma saw him in the meadow, walking under the poplars,
slackening his pace now and then as one who reflects.

"She is very pretty," he said to himself; "she is very pretty, this
doctor's wife. Fine teeth, black eyes, a dainty foot, a figure like a
Parisienne's. Where the devil does she come from? Wherever did that fat
fellow pick her up?"

Monsieur Rodolphe Boulanger was thirty-four; he was of brutal
temperament and intelligent perspicacity, having, moreover, had much to
do with women, and knowing them well. This one had seemed pretty to him;
so he was thinking about her and her husband.

"I think he is very stupid. She is tired of him, no doubt. He has dirty
nails, and hasn't shaved for three days. While he is trotting after his
patients, she sits there botching socks. And she gets bored! She would
like to live in town and dance polkas every evening. Poor little woman!
She is gaping after love like a carp after water on a kitchen-table.
With three words of gallantry she'd adore one, I'm sure of it. She'd be
tender, charming. Yes; but how to get rid of her afterwards?"

Then the difficulties of love-making seen in the distance made him by
contrast think of his mistress. She was an actress at Rouen, whom he
kept; and when he had pondered over this image, with which, even in
remembrance, he was satiated--

"Ah! Madame Bovary," he thought, "is much prettier, especially fresher.
Virginie is decidedly beginning to grow fat. She is so finiky about her
pleasures; and, besides, she has a mania for prawns."

The fields were empty, and around him Rodolphe only heard the regular
beating of the grass striking against his boots, with a cry of the
grasshopper hidden at a distance among the oats. He again saw Emma in
her room, dressed as he had seen her, and he undressed her.

"Oh, I will have her," he cried, striking a blow with his stick at a
clod in front of him. And he at once began to consider the political
part of the enterprise. He asked himself--

"Where shall we meet? By what means? We shall always be having the brat
on our hands, and the servant, the neighbours, and husband, all sorts of
worries. Pshaw! one would lose too much time over it."

Then he resumed, "She really has eyes that pierce one's heart like a
gimlet. And that pale complexion! I adore pale women!"

When he reached the top of the Arguiel hills he had made up his mind.
"It's only finding the opportunities. Well, I will call in now and then.
I'll send them venison, poultry; I'll have myself bled, if need be. We
shall become friends; I'll invite them to my place. By Jove!" added he,
"there's the agricultural show coming on. She'll be there. I shall see
her. We'll begin boldly, for that's the surest way."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Emma sinks back into depression. Now that Leon is gone, she has nothing but her romantic fantasies left. It's just like it was after the ball at La Vaubyessard - nothing seems good enough for her. Leon becomes the center of Emma's fantasy life - not the real Leon, mind you, but her own construction of him. Now that he's gone, she curses herself for never giving into her love and...how shall we put this delicately...er, offering herself to him. The memory of Leon becomes the center of Emma's life; Flaubert compares this memory to a campfire burning in the middle of a desolate, snow-covered plain. Emma clings to it desperately for a while, but soon enough it dies down. Eventually, the flame of Emma's love for Leon dies completely, and she's left in the dark. Her depression is again as intense as it was in Tostes. Emma melodramatically feels that her life will never be better now that she's experienced something she thinks is real grief. This time around, Emma attempts to console herself with material things. She goes on a shopping spree, purchasing a special prie-dieu , new clothes, and a variety of other pricey things. She also half-heartedly picks up some new hobbies, like learning Italian and reading "serious" books instead of novels, but quickly abandons them. She also acts with an astounding unpredictability - one day she even downs a whole glass of brandy, much to Charles's dismay. Emma is flighty and unpredictable, but she never seems to swing over to "happy." Her looks reflect her inner unhappiness, and she starts to complain about aging. Her health is on the decline on the whole - one day she even spits up some blood. Charles is understandably worried, but Emma waves him off. She seems not to care whether she lives or dies. Charles cares, though. This incident reduces him to tears, and the only thing he can think to do is write to his mother. The elder Madame Bovary suggests rather vehemently that it's Emma's novels and lack of religion that make her ill - so Charles decides to keep Emma from reading them. He's afraid to tell this to Emma himself, so his mother comes to take care of the matter. She cancels Emma's library card herself. Emma and her mother-in-law are not happy to see each other - Madame Bovary Senior leaves after three weeks of uncomfortable silence. Mama Bovary leaves on a market-day and, after she's gone, Emma hangs out her window, watching the merchants assembled sell their wares. In the crowd, she notices a real live gentleman in a fancy velvet coat. Shockingly, he's headed towards the Bovary house. The gentleman asks Justin and Felicite if Charles is available - apparently his servant isn't feeling well and wants to be bled. Charles gets Justin to help with the operation by holding a basin to catch the blood. The sight of blood is too much for both the servant and for Justin - both of them pass out cold. Emma has to come and assist with the remainder of the business. Emma is undisturbed by the blood. She competently helps Charles and attempts to revive Justin. As she helps her husband, she looks particularly beautiful, even amidst all the mess. Homais comes over, just as all of this is happening. He yells at Justin for hanging about the Bovary household instead of working in the pharmacy where he belongs; the boy heads back home. The remaining party briefly discusses fainting - Emma has never done it. Monsieur Boulanger comments that it's very rare that a lady should have such a strong constitution, but notes that some men are also really easily disturbed by blood. Monsieur Boulanger sends his servant back home, but lingers to pay...and get a better look at Emma. He's shocked by how beautiful and graceful Emma is, and can't believe that she's married to Charles. We get the idea that Rodolphe Boulanger is bad, bad news. He's handsome, brutish, and intelligent - a dangerous combination. Furthermore, he's a real womanizer. Emma is out of her league with this guy. Rodolphe decides to seduce Emma. He's incredibly arrogant about it - he thinks he has her all figured out. Unfortunately, he's right.