prompt:
Chapter: We were in class when the head-master came in, followed by a "new
fellow," not wearing the school uniform, and a school servant carrying a
large desk. Those who had been asleep woke up, and every one rose as if
just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the
class-master, he said to him in a low voice--

"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be
in the second. If his work and conduct are satisfactory, he will go into
one of the upper classes, as becomes his age."

The "new fellow," standing in the corner behind the door so that he
could hardly be seen, was a country lad of about fifteen, and taller
than any of us. His hair was cut square on his forehead like a village
chorister's; he looked reliable, but very ill at ease. Although he was
not broad-shouldered, his short school jacket of green cloth with black
buttons must have been tight about the arm-holes, and showed at the
opening of the cuffs red wrists accustomed to being bare. His legs, in
blue stockings, looked out from beneath yellow trousers, drawn tight by
braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as
attentive as if at a sermon, not daring even to cross his legs or lean
on his elbow; and when at two o'clock the bell rang, the master was
obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on
the ground so as to have our hands more free; we used from the door to
toss them under the form, so that they hit against the wall and made a
lot of dust: it was "the thing."

But, whether he had not noticed the trick, or did not dare to attempt
it, the "new fellow," was still holding his cap on his knees even after
prayers were over. It was one of those head-gears of composite order, in
which we can find traces of the bearskin, shako, billycock hat, sealskin
cap, and cotton night-cap; one of those poor things, in fine, whose
dumb ugliness has depths of expression, like an imbecile's face. Oval,
stiffened with whalebone, it began with three round knobs; then came in
succession lozenges of velvet and rabbit-skin separated by a red band;
after that a sort of bag that ended in a cardboard polygon covered with
complicated braiding, from which hung, at the end of a long thin cord,
small twisted gold threads in the manner of a tassel. The cap was new;
its peak shone.

"Rise," said the master.

He stood up; his cap fell. The whole class began to laugh. He stooped to
pick it up. A neighbor knocked it down again with his elbow; he picked
it up once more.

"Get rid of your helmet," said the master, who was a bit of a wag.

There was a burst of laughter from the boys, which so thoroughly put the
poor lad out of countenance that he did not know whether to keep his cap
in his hand, leave it on the ground, or put it on his head. He sat down
again and placed it on his knee.

"Rise," repeated the master, "and tell me your name."

The new boy articulated in a stammering voice an unintelligible name.

"Again!"

The same sputtering of syllables was heard, drowned by the tittering of
the class.

"Louder!" cried the master; "louder!"

The "new fellow" then took a supreme resolution, opened an inordinately
large mouth, and shouted at the top of his voice as if calling someone
in the word "Charbovari."

A hubbub broke out, rose in crescendo with bursts of shrill voices (they
yelled, barked, stamped, repeated "Charbovari! Charbovari"), then died
away into single notes, growing quieter only with great difficulty, and
now and again suddenly recommencing along the line of a form whence rose
here and there, like a damp cracker going off, a stifled laugh.

However, amid a rain of impositions, order was gradually re-established
in the class; and the master having succeeded in catching the name of
"Charles Bovary," having had it dictated to him, spelt out, and re-read,
at once ordered the poor devil to go and sit down on the punishment form
at the foot of the master's desk. He got up, but before going hesitated.

"What are you looking for?" asked the master.

"My c-a-p," timidly said the "new fellow," casting troubled looks round
him.

"Five hundred lines for all the class!" shouted in a furious voice
stopped, like the Quos ego*, a fresh outburst. "Silence!" continued the
master indignantly, wiping his brow with his handkerchief, which he
had just taken from his cap. "As to you, 'new boy,' you will conjugate
'ridiculus sum'** twenty times."

Then, in a gentler tone, "Come, you'll find your cap again; it hasn't
been stolen."

     *A quotation from the Aeneid signifying a threat.

     **I am ridiculous.

Quiet was restored. Heads bent over desks, and the "new fellow" remained
for two hours in an exemplary attitude, although from time to time some
paper pellet flipped from the tip of a pen came bang in his face. But he
wiped his face with one hand and continued motionless, his eyes lowered.

In the evening, at preparation, he pulled out his pens from his desk,
arranged his small belongings, and carefully ruled his paper. We saw him
working conscientiously, looking up every word in the dictionary, and
taking the greatest pains. Thanks, no doubt, to the willingness he
showed, he had not to go down to the class below. But though he knew his
rules passably, he had little finish in composition. It was the cure
of his village who had taught him his first Latin; his parents, from
motives of economy, having sent him to school as late as possible.

His father, Monsieur Charles Denis Bartolome Bovary, retired
assistant-surgeon-major, compromised about 1812 in certain conscription
scandals, and forced at this time to leave the service, had taken
advantage of his fine figure to get hold of a dowry of sixty thousand
francs that offered in the person of a hosier's daughter who had fallen
in love with his good looks. A fine man, a great talker, making his
spurs ring as he walked, wearing whiskers that ran into his moustache,
his fingers always garnished with rings and dressed in loud colours,
he had the dash of a military man with the easy go of a commercial
traveller.

Once married, he lived for three or four years on his wife's fortune,
dining well, rising late, smoking long porcelain pipes, not coming in
at night till after the theatre, and haunting cafes. The father-in-law
died, leaving little; he was indignant at this, "went in for the
business," lost some money in it, then retired to the country, where he
thought he would make money.

But, as he knew no more about farming than calico, as he rode his horses
instead of sending them to plough, drank his cider in bottle instead of
selling it in cask, ate the finest poultry in his farmyard, and greased
his hunting-boots with the fat of his pigs, he was not long in finding
out that he would do better to give up all speculation.

For two hundred francs a year he managed to live on the border of
the provinces of Caux and Picardy, in a kind of place half farm, half
private house; and here, soured, eaten up with regrets, cursing his
luck, jealous of everyone, he shut himself up at the age of forty-five,
sick of men, he said, and determined to live at peace.

His wife had adored him once on a time; she had bored him with a
thousand servilities that had only estranged him the more. Lively once,
expansive and affectionate, in growing older she had become (after the
fashion of wine that, exposed to air, turns to vinegar) ill-tempered,
grumbling, irritable. She had suffered so much without complaint at
first, until she had seem him going after all the village drabs, and
until a score of bad houses sent him back to her at night, weary,
stinking drunk. Then her pride revolted. After that she was silent,
burying her anger in a dumb stoicism that she maintained till her death.
She was constantly going about looking after business matters. She
called on the lawyers, the president, remembered when bills fell due,
got them renewed, and at home ironed, sewed, washed, looked after the
workmen, paid the accounts, while he, troubling himself about nothing,
eternally besotted in sleepy sulkiness, whence he only roused himself
to say disagreeable things to her, sat smoking by the fire and spitting
into the cinders.

When she had a child, it had to be sent out to nurse. When he came home,
the lad was spoilt as if he were a prince. His mother stuffed him
with jam; his father let him run about barefoot, and, playing the
philosopher, even said he might as well go about quite naked like the
young of animals. As opposed to the maternal ideas, he had a certain
virile idea of childhood on which he sought to mould his son, wishing
him to be brought up hardily, like a Spartan, to give him a strong
constitution. He sent him to bed without any fire, taught him to drink
off large draughts of rum and to jeer at religious processions. But,
peaceable by nature, the lad answered only poorly to his notions. His
mother always kept him near her; she cut out cardboard for him, told him
tales, entertained him with endless monologues full of melancholy gaiety
and charming nonsense. In her life's isolation she centered on the
child's head all her shattered, broken little vanities. She dreamed of
high station; she already saw him, tall, handsome, clever, settled as
an engineer or in the law. She taught him to read, and even, on an old
piano, she had taught him two or three little songs. But to all this
Monsieur Bovary, caring little for letters, said, "It was not worth
while. Would they ever have the means to send him to a public school, to
buy him a practice, or start him in business? Besides, with cheek a man
always gets on in the world." Madame Bovary bit her lips, and the child
knocked about the village.

He went after the labourers, drove away with clods of earth the ravens
that were flying about. He ate blackberries along the hedges, minded the
geese with a long switch, went haymaking during harvest, ran about in
the woods, played hop-scotch under the church porch on rainy days, and
at great fetes begged the beadle to let him toll the bells, that he
might hang all his weight on the long rope and feel himself borne upward
by it in its swing. Meanwhile he grew like an oak; he was strong on
hand, fresh of colour.

When he was twelve years old his mother had her own way; he began
lessons. The cure took him in hand; but the lessons were so short and
irregular that they could not be of much use. They were given at spare
moments in the sacristy, standing up, hurriedly, between a baptism and
a burial; or else the cure, if he had not to go out, sent for his pupil
after the Angelus*. They went up to his room and settled down; the
flies and moths fluttered round the candle. It was close, the child
fell asleep, and the good man, beginning to doze with his hands on his
stomach, was soon snoring with his mouth wide open. On other occasions,
when Monsieur le Cure, on his way back after administering the viaticum
to some sick person in the neighbourhood, caught sight of Charles
playing about the fields, he called him, lectured him for a quarter of
an hour and took advantage of the occasion to make him conjugate his
verb at the foot of a tree. The rain interrupted them or an acquaintance
passed. All the same he was always pleased with him, and even said the
"young man" had a very good memory.

     *A devotion said at morning, noon, and evening, at the sound
     of a bell. Here, the evening prayer.

Charles could not go on like this. Madame Bovary took strong steps.
Ashamed, or rather tired out, Monsieur Bovary gave in without a
struggle, and they waited one year longer, so that the lad should take
his first communion.

Six months more passed, and the year after Charles was finally sent to
school at Rouen, where his father took him towards the end of October,
at the time of the St. Romain fair.

It would now be impossible for any of us to remember anything about him.
He was a youth of even temperament, who played in playtime, worked in
school-hours, was attentive in class, slept well in the dormitory,
and ate well in the refectory. He had in loco parentis* a wholesale
ironmonger in the Rue Ganterie, who took him out once a month on Sundays
after his shop was shut, sent him for a walk on the quay to look at
the boats, and then brought him back to college at seven o'clock before
supper. Every Thursday evening he wrote a long letter to his mother with
red ink and three wafers; then he went over his history note-books, or
read an old volume of "Anarchasis" that was knocking about the study.
When he went for walks he talked to the servant, who, like himself, came
from the country.

     *In place of a parent.

By dint of hard work he kept always about the middle of the class; once
even he got a certificate in natural history. But at the end of his
third year his parents withdrew him from the school to make him study
medicine, convinced that he could even take his degree by himself.

His mother chose a room for him on the fourth floor of a dyer's she
knew, overlooking the Eau-de-Robec. She made arrangements for his
board, got him furniture, table and two chairs, sent home for an old
cherry-tree bedstead, and bought besides a small cast-iron stove with
the supply of wood that was to warm the poor child.

Then at the end of a week she departed, after a thousand injunctions to
be good now that he was going to be left to himself.

The syllabus that he read on the notice-board stunned him; lectures
on anatomy, lectures on pathology, lectures on physiology, lectures on
pharmacy, lectures on botany and clinical medicine, and therapeutics,
without counting hygiene and materia medica--all names of whose
etymologies he was ignorant, and that were to him as so many doors to
sanctuaries filled with magnificent darkness.

He understood nothing of it all; it was all very well to listen--he did
not follow. Still he worked; he had bound note-books, he attended all
the courses, never missed a single lecture. He did his little daily task
like a mill-horse, who goes round and round with his eyes bandaged, not
knowing what work he is doing.

To spare him expense his mother sent him every week by the carrier a
piece of veal baked in the oven, with which he lunched when he came back
from the hospital, while he sat kicking his feet against the wall.
After this he had to run off to lectures, to the operation-room, to the
hospital, and return to his home at the other end of the town. In the
evening, after the poor dinner of his landlord, he went back to his
room and set to work again in his wet clothes, which smoked as he sat in
front of the hot stove.

On the fine summer evenings, at the time when the close streets are
empty, when the servants are playing shuttle-cock at the doors, he
opened his window and leaned out. The river, that makes of this quarter
of Rouen a wretched little Venice, flowed beneath him, between the
bridges and the railings, yellow, violet, or blue. Working men, kneeling
on the banks, washed their bare arms in the water. On poles projecting
from the attics, skeins of cotton were drying in the air. Opposite,
beyond the roots spread the pure heaven with the red sun setting. How
pleasant it must be at home! How fresh under the beech-tree! And he
expanded his nostrils to breathe in the sweet odours of the country
which did not reach him.

He grew thin, his figure became taller, his face took a saddened look
that made it nearly interesting. Naturally, through indifference, he
abandoned all the resolutions he had made. Once he missed a lecture; the
next day all the lectures; and, enjoying his idleness, little by little,
he gave up work altogether. He got into the habit of going to the
public-house, and had a passion for dominoes. To shut himself up every
evening in the dirty public room, to push about on marble tables the
small sheep bones with black dots, seemed to him a fine proof of his
freedom, which raised him in his own esteem. It was beginning to see
life, the sweetness of stolen pleasures; and when he entered, he put
his hand on the door-handle with a joy almost sensual. Then many things
hidden within him came out; he learnt couplets by heart and sang them to
his boon companions, became enthusiastic about Beranger, learnt how to
make punch, and, finally, how to make love.

Thanks to these preparatory labours, he failed completely in his
examination for an ordinary degree. He was expected home the same night
to celebrate his success. He started on foot, stopped at the beginning
of the village, sent for his mother, and told her all. She excused
him, threw the blame of his failure on the injustice of the examiners,
encouraged him a little, and took upon herself to set matters straight.
It was only five years later that Monsieur Bovary knew the truth; it was
old then, and he accepted it. Moreover, he could not believe that a man
born of him could be a fool.

So Charles set to work again and crammed for his examination,
ceaselessly learning all the old questions by heart. He passed pretty
well. What a happy day for his mother! They gave a grand dinner.

Where should he go to practice? To Tostes, where there was only one old
doctor. For a long time Madame Bovary had been on the look-out for his
death, and the old fellow had barely been packed off when Charles was
installed, opposite his place, as his successor.

But it was not everything to have brought up a son, to have had him
taught medicine, and discovered Tostes, where he could practice it;
he must have a wife. She found him one--the widow of a bailiff at
Dieppe--who was forty-five and had an income of twelve hundred francs.
Though she was ugly, as dry as a bone, her face with as many pimples as
the spring has buds, Madame Dubuc had no lack of suitors. To attain her
ends Madame Bovary had to oust them all, and she even succeeded in
very cleverly baffling the intrigues of a port-butcher backed up by the
priests.

Charles had seen in marriage the advent of an easier life, thinking he
would be more free to do as he liked with himself and his money. But his
wife was master; he had to say this and not say that in company, to fast
every Friday, dress as she liked, harass at her bidding those patients
who did not pay. She opened his letter, watched his comings and goings,
and listened at the partition-wall when women came to consult him in his
surgery.

She must have her chocolate every morning, attentions without end. She
constantly complained of her nerves, her chest, her liver. The noise of
footsteps made her ill; when people left her, solitude became odious to
her; if they came back, it was doubtless to see her die. When Charles
returned in the evening, she stretched forth two long thin arms from
beneath the sheets, put them round his neck, and having made him sit
down on the edge of the bed, began to talk to him of her troubles: he
was neglecting her, he loved another. She had been warned she would be
unhappy; and she ended by asking him for a dose of medicine and a little
more love.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: We first meet Charles Bovary at fifteen years of age when his thrifty parents send him to school. On his first day Charles' classmates mock his ill-fitting clothes and awkward hat. Charles, thoroughly confused by the social codes of the classroom, blunders when the teacher asks for his name. The teacher commands him to speak louder and after several attempts he cries out "Charbovari. which causes the class to erupt in laughter. Charles' father, Monsieur Charles-Denis-Barholome Bovary, had been an army surgeon's aide but left the service following a conscription scandal. He then married a merchant's daughter who came with a dowry. He lived off his wife's income for several years during which time he developed a taste for the finer things in life. Charles' father tried several different careers but the years of easy living had made him lazy. At the age of 45, disgusted with mankind and resolved to bitterness, he took his wife to a village on the border of Normandy and Picardy where living was inexpensive and he could eschew work in general. His wife, tender and caring in her youth, grew to be a nervous and nagging woman who spoiled their only child despite the elder Bovary's insistence that the boy be subject to strict discipline. Charles' mother insisted that the boy be properly educated and when Charles was twelve the aged local priest was engaged to tutor him in Latin. Charles was a good learner and he went to the lycee in Rouen. Although he did not distinguish himself he worked hard and maintained an average standing. Before he finished the lycee, however, his parents sent him to medical school. The lessons were above his level but he went to class and took copious notes. Gradually he stopped attending and began passing time in the cafes playing dominoes. He learned to drink and even came to know love. He failed his first examination to become an officer de sante but passed on the second attempt. His mother secured a position for him in Tostes, a small village in the region and arranged for a 45 year-old widow with twelve hundred francs a year to be his wife. Charles' wife, formerly Madame Heloise Dubuc, was thin and unattractive. She suffered from numerous neurosis and insecurities and jealously ruled over her younger husband


prompt:
Chapter: One night towards eleven o'clock they were awakened by the noise of
a horse pulling up outside their door. The servant opened the
garret-window and parleyed for some time with a man in the street below.
He came for the doctor, had a letter for him. Natasie came downstairs
shivering and undid the bars and bolts one after the other. The man left
his horse, and, following the servant, suddenly came in behind her. He
pulled out from his wool cap with grey top-knots a letter wrapped up in
a rag and presented it gingerly to Charles, who rested on his elbow on
the pillow to read it. Natasie, standing near the bed, held the light.
Madame in modesty had turned to the wall and showed only her back.

This letter, sealed with a small seal in blue wax, begged Monsieur
Bovary to come immediately to the farm of the Bertaux to set a broken
leg. Now from Tostes to the Bertaux was a good eighteen miles across
country by way of Longueville and Saint-Victor. It was a dark night;
Madame Bovary junior was afraid of accidents for her husband. So it was
decided the stable-boy should go on first; Charles would start three
hours later when the moon rose. A boy was to be sent to meet him, and
show him the way to the farm, and open the gates for him.

Towards four o'clock in the morning, Charles, well wrapped up in his
cloak, set out for the Bertaux. Still sleepy from the warmth of his bed,
he let himself be lulled by the quiet trot of his horse. When it stopped
of its own accord in front of those holes surrounded with thorns that
are dug on the margin of furrows, Charles awoke with a start, suddenly
remembered the broken leg, and tried to call to mind all the fractures
he knew. The rain had stopped, day was breaking, and on the branches
of the leafless trees birds roosted motionless, their little feathers
bristling in the cold morning wind. The flat country stretched as far as
eye could see, and the tufts of trees round the farms at long intervals
seemed like dark violet stains on the cast grey surface, that on the
horizon faded into the gloom of the sky.

Charles from time to time opened his eyes, his mind grew weary, and,
sleep coming upon him, he soon fell into a doze wherein, his recent
sensations blending with memories, he became conscious of a double
self, at once student and married man, lying in his bed as but now, and
crossing the operation theatre as of old. The warm smell of poultices
mingled in his brain with the fresh odour of dew; he heard the iron
rings rattling along the curtain-rods of the bed and saw his wife
sleeping. As he passed Vassonville he came upon a boy sitting on the
grass at the edge of a ditch.

"Are you the doctor?" asked the child.

And on Charles's answer he took his wooden shoes in his hands and ran on
in front of him.

The general practitioner, riding along, gathered from his guide's talk
that Monsieur Rouault must be one of the well-to-do farmers.

He had broken his leg the evening before on his way home from a
Twelfth-night feast at a neighbour's. His wife had been dead for two
years. There was with him only his daughter, who helped him to keep
house.

The ruts were becoming deeper; they were approaching the Bertaux.

The little lad, slipping through a hole in the hedge, disappeared;
then he came back to the end of a courtyard to open the gate. The
horse slipped on the wet grass; Charles had to stoop to pass under
the branches. The watchdogs in their kennels barked, dragging at their
chains. As he entered the Bertaux, the horse took fright and stumbled.

It was a substantial-looking farm. In the stables, over the top of the
open doors, one could see great cart-horses quietly feeding from new
racks. Right along the outbuildings extended a large dunghill, from
which manure liquid oozed, while amidst fowls and turkeys, five or six
peacocks, a luxury in Chauchois farmyards, were foraging on the top of
it. The sheepfold was long, the barn high, with walls smooth as your
hand. Under the cart-shed were two large carts and four ploughs, with
their whips, shafts and harnesses complete, whose fleeces of blue wool
were getting soiled by the fine dust that fell from the granaries. The
courtyard sloped upwards, planted with trees set out symmetrically, and
the chattering noise of a flock of geese was heard near the pond.

A young woman in a blue merino dress with three flounces came to the
threshold of the door to receive Monsieur Bovary, whom she led to the
kitchen, where a large fire was blazing. The servant's breakfast was
boiling beside it in small pots of all sizes. Some damp clothes were
drying inside the chimney-corner. The shovel, tongs, and the nozzle
of the bellows, all of colossal size, shone like polished steel, while
along the walls hung many pots and pans in which the clear flame of the
hearth, mingling with the first rays of the sun coming in through the
window, was mirrored fitfully.

Charles went up the first floor to see the patient. He found him in his
bed, sweating under his bed-clothes, having thrown his cotton nightcap
right away from him. He was a fat little man of fifty, with white skin
and blue eyes, the forepart of his head bald, and he wore earrings. By
his side on a chair stood a large decanter of brandy, whence he poured
himself a little from time to time to keep up his spirits; but as soon
as he caught sight of the doctor his elation subsided, and instead of
swearing, as he had been doing for the last twelve hours, began to groan
freely.

The fracture was a simple one, without any kind of complication.

Charles could not have hoped for an easier case. Then calling to mind
the devices of his masters at the bedsides of patients, he comforted the
sufferer with all sorts of kindly remarks, those caresses of the surgeon
that are like the oil they put on bistouries. In order to make some
splints a bundle of laths was brought up from the cart-house. Charles
selected one, cut it into two pieces and planed it with a fragment
of windowpane, while the servant tore up sheets to make bandages, and
Mademoiselle Emma tried to sew some pads. As she was a long time before
she found her work-case, her father grew impatient; she did not answer,
but as she sewed she pricked her fingers, which she then put to her
mouth to suck them. Charles was surprised at the whiteness of her nails.
They were shiny, delicate at the tips, more polished than the ivory of
Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not
white enough, and a little hard at the knuckles; besides, it was too
long, with no soft inflections in the outlines. Her real beauty was in
her eyes. Although brown, they seemed black because of the lashes, and
her look came at you frankly, with a candid boldness.

The bandaging over, the doctor was invited by Monsieur Rouault himself
to "pick a bit" before he left.

Charles went down into the room on the ground floor. Knives and forks
and silver goblets were laid for two on a little table at the foot of a
huge bed that had a canopy of printed cotton with figures representing
Turks. There was an odour of iris-root and damp sheets that escaped
from a large oak chest opposite the window. On the floor in corners were
sacks of flour stuck upright in rows. These were the overflow from
the neighbouring granary, to which three stone steps led. By way of
decoration for the apartment, hanging to a nail in the middle of the
wall, whose green paint scaled off from the effects of the saltpetre,
was a crayon head of Minerva in gold frame, underneath which was written
in Gothic letters "To dear Papa."

First they spoke of the patient, then of the weather, of the great cold,
of the wolves that infested the fields at night.

Mademoiselle Rouault did not at all like the country, especially now
that she had to look after the farm almost alone. As the room was
chilly, she shivered as she ate. This showed something of her full lips,
that she had a habit of biting when silent.

Her neck stood out from a white turned-down collar. Her hair, whose
two black folds seemed each of a single piece, so smooth were they, was
parted in the middle by a delicate line that curved slightly with the
curve of the head; and, just showing the tip of the ear, it was joined
behind in a thick chignon, with a wavy movement at the temples that the
country doctor saw now for the first time in his life. The upper part of
her cheek was rose-coloured. She had, like a man, thrust in between two
buttons of her bodice a tortoise-shell eyeglass.

When Charles, after bidding farewell to old Rouault, returned to the
room before leaving, he found her standing, her forehead against the
window, looking into the garden, where the bean props had been knocked
down by the wind. She turned round. "Are you looking for anything?" she
asked.

"My whip, if you please," he answered.

He began rummaging on the bed, behind the doors, under the chairs. It
had fallen to the floor, between the sacks and the wall. Mademoiselle
Emma saw it, and bent over the flour sacks.

Charles out of politeness made a dash also, and as he stretched out his
arm, at the same moment felt his breast brush against the back of the
young girl bending beneath him. She drew herself up, scarlet, and looked
at him over her shoulder as she handed him his whip.

Instead of returning to the Bertaux in three days as he had promised,
he went back the very next day, then regularly twice a week, without
counting the visits he paid now and then as if by accident.

Everything, moreover, went well; the patient progressed favourably; and
when, at the end of forty-six days, old Rouault was seen trying to walk
alone in his "den," Monsieur Bovary began to be looked upon as a man
of great capacity. Old Rouault said that he could not have been cured
better by the first doctor of Yvetot, or even of Rouen.

As to Charles, he did not stop to ask himself why it was a pleasure
to him to go to the Bertaux. Had he done so, he would, no doubt, have
attributed his zeal to the importance of the case, or perhaps to the
money he hoped to make by it. Was it for this, however, that his visits
to the farm formed a delightful exception to the meagre occupations of
his life? On these days he rose early, set off at a gallop, urging on
his horse, then got down to wipe his boots in the grass and put on black
gloves before entering. He liked going into the courtyard, and noticing
the gate turn against his shoulder, the cock crow on the wall, the lads
run to meet him. He liked the granary and the stables; he liked old
Rouault, who pressed his hand and called him his saviour; he liked the
small wooden shoes of Mademoiselle Emma on the scoured flags of the
kitchen--her high heels made her a little taller; and when she walked in
front of him, the wooden soles springing up quickly struck with a sharp
sound against the leather of her boots.

She always accompanied him to the first step of the stairs. When his
horse had not yet been brought round she stayed there. They had said
"Good-bye"; there was no more talking. The open air wrapped her round,
playing with the soft down on the back of her neck, or blew to and fro
on her hips the apron-strings, that fluttered like streamers. Once,
during a thaw the bark of the trees in the yard was oozing, the snow on
the roofs of the outbuildings was melting; she stood on the threshold,
and went to fetch her sunshade and opened it. The sunshade of silk of
the colour of pigeons' breasts, through which the sun shone, lighted
up with shifting hues the white skin of her face. She smiled under the
tender warmth, and drops of water could be heard falling one by one on
the stretched silk.

During the first period of Charles's visits to the Bertaux, Madame
Bovary junior never failed to inquire after the invalid, and she had
even chosen in the book that she kept on a system of double entry a
clean blank page for Monsieur Rouault. But when she heard he had a
daughter, she began to make inquiries, and she learnt the Mademoiselle
Rouault, brought up at the Ursuline Convent, had received what is called
"a good education"; and so knew dancing, geography, drawing, how to
embroider and play the piano. That was the last straw.

"So it is for this," she said to herself, "that his face beams when he
goes to see her, and that he puts on his new waistcoat at the risk of
spoiling it with the rain. Ah! that woman! That woman!"

And she detested her instinctively. At first she solaced herself by
allusions that Charles did not understand, then by casual observations
that he let pass for fear of a storm, finally by open apostrophes to
which he knew not what to answer. "Why did he go back to the Bertaux now
that Monsieur Rouault was cured and that these folks hadn't paid yet?
Ah! it was because a young lady was there, some one who know how to
talk, to embroider, to be witty. That was what he cared about; he wanted
town misses." And she went on--

"The daughter of old Rouault a town miss! Get out! Their grandfather was
a shepherd, and they have a cousin who was almost had up at the assizes
for a nasty blow in a quarrel. It is not worth while making such a fuss,
or showing herself at church on Sundays in a silk gown like a countess.
Besides, the poor old chap, if it hadn't been for the colza last year,
would have had much ado to pay up his arrears."

For very weariness Charles left off going to the Bertaux. Heloise made
him swear, his hand on the prayer-book, that he would go there no more
after much sobbing and many kisses, in a great outburst of love. He
obeyed then, but the strength of his desire protested against the
servility of his conduct; and he thought, with a kind of naive
hypocrisy, that his interdict to see her gave him a sort of right to
love her. And then the widow was thin; she had long teeth; wore in all
weathers a little black shawl, the edge of which hung down between her
shoulder-blades; her bony figure was sheathed in her clothes as if they
were a scabbard; they were too short, and displayed her ankles with the
laces of her large boots crossed over grey stockings.

Charles's mother came to see them from time to time, but after a few
days the daughter-in-law seemed to put her own edge on her, and
then, like two knives, they scarified him with their reflections and
observations. It was wrong of him to eat so much.

Why did he always offer a glass of something to everyone who came?
What obstinacy not to wear flannels! In the spring it came about that a
notary at Ingouville, the holder of the widow Dubuc's property, one fine
day went off, taking with him all the money in his office. Heloise,
it is true, still possessed, besides a share in a boat valued at six
thousand francs, her house in the Rue St. Francois; and yet, with all
this fortune that had been so trumpeted abroad, nothing, excepting
perhaps a little furniture and a few clothes, had appeared in the
household. The matter had to be gone into. The house at Dieppe was found
to be eaten up with mortgages to its foundations; what she had placed
with the notary God only knew, and her share in the boat did not exceed
one thousand crowns. She had lied, the good lady! In his exasperation,
Monsieur Bovary the elder, smashing a chair on the flags, accused his
wife of having caused misfortune to the son by harnessing him to such
a harridan, whose harness wasn't worth her hide. They came to Tostes.
Explanations followed. There were scenes. Heloise in tears, throwing her
arms about her husband, implored him to defend her from his parents.

Charles tried to speak up for her. They grew angry and left the house.

But "the blow had struck home." A week after, as she was hanging up some
washing in her yard, she was seized with a spitting of blood, and
the next day, while Charles had his back turned to her drawing the
window-curtain, she said, "O God!" gave a sigh and fainted. She was
dead! What a surprise! When all was over at the cemetery Charles went
home. He found no one downstairs; he went up to the first floor to
their room; saw her dress still hanging at the foot of the alcove; then,
leaning against the writing-table, he stayed until the evening, buried
in a sorrowful reverie. She had loved him after all!

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Late one night Charles is called to treat a man with a broken leg. The man is the owner of a farm called Les Bertaux fifteen miles distant. After a long, cold ride Charles arrives at the farm which he observes to be clean and well equipped. He learns from his young guide that the owner, Monsieur Rouault, has broken his leg and though his wife has been dead for two years his unmarried daughter keeps house for him. This young woman, characterized by her blue dress, greets Monsieur Bovary and leads him through the kitchen to the upstairs where Monsieur Rouault, a man of about fifty years, lies moaning in his bed. The fracture is easily set and the man's daughter, Madamoiselle Emma, helps by sewing pads for the splints. Charles notices her perfectly shaped fingernails and her beautiful eyes that looked upon him with fearless candor. She fixes Charles a meal and they converse awhile before he leaves. Although he says he will return in three days, Charles returns the very next day to check on his patient and then regularly over the weeks as the bone heals. Without quite knowing why, Charles derives great pleasure from his visits to Les Bertaux and he becomes a familiar face at the farm. His wife, however, learns of the farmer's pretty, educated daughter. She accuses Charles of preferring this "city girl" and Charles discontinues his visits. His home life, particularly his wife and mother's nagging, seems drab and constricting by comparison. Early that Spring Heloise Bovary's notary flees the country with most of her money and a subsequent investigation reveals that her supposed fortune is a lie. The elder Bovary's are enraged but Charles dutifully defends his wife. Soon afterward, however, she takes ill and dies.


prompt:
Chapter: One morning old Rouault brought Charles the money for setting his
leg--seventy-five francs in forty-sou pieces, and a turkey. He had heard
of his loss, and consoled him as well as he could.

"I know what it is," said he, clapping him on the shoulder; "I've been
through it. When I lost my dear departed, I went into the fields to be
quite alone. I fell at the foot of a tree; I cried; I called on God; I
talked nonsense to Him. I wanted to be like the moles that I saw on the
branches, their insides swarming with worms, dead, and an end of it.
And when I thought that there were others at that very moment with their
nice little wives holding them in their embrace, I struck great blows on
the earth with my stick. I was pretty well mad with not eating; the very
idea of going to a cafe disgusted me--you wouldn't believe it. Well,
quite softly, one day following another, a spring on a winter, and an
autumn after a summer, this wore away, piece by piece, crumb by crumb;
it passed away, it is gone, I should say it has sunk; for something
always remains at the bottom as one would say--a weight here, at one's
heart. But since it is the lot of all of us, one must not give way
altogether, and, because others have died, want to die too. You must
pull yourself together, Monsieur Bovary. It will pass away. Come to see
us; my daughter thinks of you now and again, d'ye know, and she says
you are forgetting her. Spring will soon be here. We'll have some
rabbit-shooting in the warrens to amuse you a bit."

Charles followed his advice. He went back to the Bertaux. He found all
as he had left it, that is to say, as it was five months ago. The pear
trees were already in blossom, and Farmer Rouault, on his legs again,
came and went, making the farm more full of life.

Thinking it his duty to heap the greatest attention upon the doctor
because of his sad position, he begged him not to take his hat off,
spoke to him in an undertone as if he had been ill, and even pretended
to be angry because nothing rather lighter had been prepared for him
than for the others, such as a little clotted cream or stewed pears. He
told stories. Charles found himself laughing, but the remembrance of his
wife suddenly coming back to him depressed him. Coffee was brought in;
he thought no more about her.

He thought less of her as he grew accustomed to living alone. The new
delight of independence soon made his loneliness bearable. He could now
change his meal-times, go in or out without explanation, and when he was
very tired stretch himself at full length on his bed. So he nursed and
coddled himself and accepted the consolations that were offered him.
On the other hand, the death of his wife had not served him ill in his
business, since for a month people had been saying, "The poor young
man! what a loss!" His name had been talked about, his practice had
increased; and moreover, he could go to the Bertaux just as he liked.
He had an aimless hope, and was vaguely happy; he thought himself better
looking as he brushed his whiskers before the looking-glass.

One day he got there about three o'clock. Everybody was in the fields.
He went into the kitchen, but did not at once catch sight of Emma; the
outside shutters were closed. Through the chinks of the wood the sun
sent across the flooring long fine rays that were broken at the corners
of the furniture and trembled along the ceiling. Some flies on the table
were crawling up the glasses that had been used, and buzzing as they
drowned themselves in the dregs of the cider. The daylight that came in
by the chimney made velvet of the soot at the back of the fireplace, and
touched with blue the cold cinders. Between the window and the hearth
Emma was sewing; she wore no fichu; he could see small drops of
perspiration on her bare shoulders.

After the fashion of country folks she asked him to have something to
drink. He said no; she insisted, and at last laughingly offered to have
a glass of liqueur with him. So she went to fetch a bottle of curacao
from the cupboard, reached down two small glasses, filled one to the
brim, poured scarcely anything into the other, and, after having clinked
glasses, carried hers to her mouth. As it was almost empty she bent
back to drink, her head thrown back, her lips pouting, her neck on the
strain. She laughed at getting none of it, while with the tip of her
tongue passing between her small teeth she licked drop by drop the
bottom of her glass.

She sat down again and took up her work, a white cotton stocking she was
darning. She worked with her head bent down; she did not speak, nor did
Charles. The air coming in under the door blew a little dust over the
flags; he watched it drift along, and heard nothing but the throbbing
in his head and the faint clucking of a hen that had laid an egg in the
yard. Emma from time to time cooled her cheeks with the palms of her
hands, and cooled these again on the knobs of the huge fire-dogs.

She complained of suffering since the beginning of the season from
giddiness; she asked if sea-baths would do her any good; she began
talking of her convent, Charles of his school; words came to them. They
went up into her bedroom. She showed him her old music-books, the little
prizes she had won, and the oak-leaf crowns, left at the bottom of a
cupboard. She spoke to him, too, of her mother, of the country, and even
showed him the bed in the garden where, on the first Friday of every
month, she gathered flowers to put on her mother's tomb. But the
gardener they had never knew anything about it; servants are so stupid!
She would have dearly liked, if only for the winter, to live in town,
although the length of the fine days made the country perhaps even more
wearisome in the summer. And, according to what she was saying, her
voice was clear, sharp, or, on a sudden all languor, drawn out in
modulations that ended almost in murmurs as she spoke to herself, now
joyous, opening big naive eyes, then with her eyelids half closed, her
look full of boredom, her thoughts wandering.

Going home at night, Charles went over her words one by one, trying to
recall them, to fill out their sense, that he might piece out the life
she had lived before he knew her. But he never saw her in his thoughts
other than he had seen her the first time, or as he had just left her.
Then he asked himself what would become of her--if she would be married,
and to whom! Alas! Old Rouault was rich, and she!--so beautiful! But
Emma's face always rose before his eyes, and a monotone, like the
humming of a top, sounded in his ears, "If you should marry after
all! If you should marry!" At night he could not sleep; his throat was
parched; he was athirst. He got up to drink from the water-bottle and
opened the window. The night was covered with stars, a warm wind blowing
in the distance; the dogs were barking. He turned his head towards the
Bertaux.

Thinking that, after all, he should lose nothing, Charles promised
himself to ask her in marriage as soon as occasion offered, but each
time such occasion did offer the fear of not finding the right words
sealed his lips.

Old Rouault would not have been sorry to be rid of his daughter, who was
of no use to him in the house. In his heart he excused her, thinking
her too clever for farming, a calling under the ban of Heaven, since one
never saw a millionaire in it. Far from having made a fortune by it,
the good man was losing every year; for if he was good in bargaining, in
which he enjoyed the dodges of the trade, on the other hand, agriculture
properly so called, and the internal management of the farm, suited him
less than most people. He did not willingly take his hands out of his
pockets, and did not spare expense in all that concerned himself, liking
to eat well, to have good fires, and to sleep well. He liked old cider,
underdone legs of mutton, glorias* well beaten up. He took his meals in
the kitchen alone, opposite the fire, on a little table brought to him
all ready laid as on the stage.

     *A mixture of coffee and spirits.

When, therefore, he perceived that Charles's cheeks grew red if near his
daughter, which meant that he would propose for her one of these days,
he chewed the cud of the matter beforehand. He certainly thought him a
little meagre, and not quite the son-in-law he would have liked, but he
was said to be well brought-up, economical, very learned, and no doubt
would not make too many difficulties about the dowry. Now, as old
Rouault would soon be forced to sell twenty-two acres of "his property,"
as he owed a good deal to the mason, to the harness-maker, and as the
shaft of the cider-press wanted renewing, "If he asks for her," he said
to himself, "I'll give her to him."

At Michaelmas Charles went to spend three days at the Bertaux.

The last had passed like the others in procrastinating from hour to
hour. Old Rouault was seeing him off; they were walking along the road
full of ruts; they were about to part. This was the time. Charles gave
himself as far as to the corner of the hedge, and at last, when past
it--

"Monsieur Rouault," he murmured, "I should like to say something to
you."

They stopped. Charles was silent.

"Well, tell me your story. Don't I know all about it?" said old Rouault,
laughing softly.

"Monsieur Rouault--Monsieur Rouault," stammered Charles.

"I ask nothing better", the farmer went on. "Although, no doubt, the
little one is of my mind, still we must ask her opinion. So you get
off--I'll go back home. If it is 'yes', you needn't return because of
all the people about, and besides it would upset her too much. But so
that you mayn't be eating your heart, I'll open wide the outer shutter
of the window against the wall; you can see it from the back by leaning
over the hedge."

And he went off.

Charles fastened his horse to a tree; he ran into the road and waited.
Half an hour passed, then he counted nineteen minutes by his watch.
Suddenly a noise was heard against the wall; the shutter had been thrown
back; the hook was still swinging.

The next day by nine o'clock he was at the farm. Emma blushed as
he entered, and she gave a little forced laugh to keep herself in
countenance. Old Rouault embraced his future son-in-law. The discussion
of money matters was put off; moreover, there was plenty of time before
them, as the marriage could not decently take place till Charles was out
of mourning, that is to say, about the spring of the next year.

The winter passed waiting for this. Mademoiselle Rouault was busy with
her trousseau. Part of it was ordered at Rouen, and she made herself
chemises and nightcaps after fashion-plates that she borrowed. When
Charles visited the farmer, the preparations for the wedding were talked
over; they wondered in what room they should have dinner; they dreamed
of the number of dishes that would be wanted, and what should be
entrees.

Emma would, on the contrary, have preferred to have a midnight wedding
with torches, but old Rouault could not understand such an idea. So
there was a wedding at which forty-three persons were present, at which
they remained sixteen hours at table, began again the next day, and to
some extent on the days following.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: When Monsieur Rouault visits Charles to pay his bill he consoles the young man for his recent loss and invites him to the farm. Charles resumes his visits to the farm and realizes that the bachelor life suits him. He finds that he is increasingly attracted to Emma whom he learns is bored of life on the farm and desires to live in a city. He asks her father for permission to marry her and Monsieur Rouault, who has anticipated the proposal, puts the question to his daughter. She accepts and Monsieur signals to Bovary waiting behind a hedge outside by slamming the shutters. Though Emma would have preferred a torch-lit midnight ceremony they arrange for a traditional ceremony and reception at the farm


prompt:
Chapter: The guests arrived early in carriages, in one-horse chaises, two-wheeled
cars, old open gigs, waggonettes with leather hoods, and the young
people from the nearer villages in carts, in which they stood up in
rows, holding on to the sides so as not to fall, going at a trot
and well shaken up. Some came from a distance of thirty miles, from
Goderville, from Normanville, and from Cany.

All the relatives of both families had been invited, quarrels between
friends arranged, acquaintances long since lost sight of written to.

From time to time one heard the crack of a whip behind the hedge; then
the gates opened, a chaise entered. Galloping up to the foot of the
steps, it stopped short and emptied its load. They got down from all
sides, rubbing knees and stretching arms. The ladies, wearing bonnets,
had on dresses in the town fashion, gold watch chains, pelerines with
the ends tucked into belts, or little coloured fichus fastened down
behind with a pin, and that left the back of the neck bare. The lads,
dressed like their papas, seemed uncomfortable in their new clothes
(many that day hand-sewed their first pair of boots), and by their
sides, speaking never a work, wearing the white dress of their first
communion lengthened for the occasion were some big girls of fourteen or
sixteen, cousins or elder sisters no doubt, rubicund, bewildered, their
hair greasy with rose pomade, and very much afraid of dirtying their
gloves. As there were not enough stable-boys to unharness all the
carriages, the gentlemen turned up their sleeves and set about it
themselves. According to their different social positions they wore
tail-coats, overcoats, shooting jackets, cutaway-coats; fine tail-coats,
redolent of family respectability, that only came out of the wardrobe
on state occasions; overcoats with long tails flapping in the wind and
round capes and pockets like sacks; shooting jackets of coarse
cloth, generally worn with a cap with a brass-bound peak; very short
cutaway-coats with two small buttons in the back, close together like
a pair of eyes, and the tails of which seemed cut out of one piece by a
carpenter's hatchet. Some, too (but these, you may be sure, would sit at
the bottom of the table), wore their best blouses--that is to say,
with collars turned down to the shoulders, the back gathered into small
plaits and the waist fastened very low down with a worked belt.

And the shirts stood out from the chests like cuirasses! Everyone had
just had his hair cut; ears stood out from the heads; they had been
close-shaved; a few, even, who had had to get up before daybreak, and
not been able to see to shave, had diagonal gashes under their noses or
cuts the size of a three-franc piece along the jaws, which the fresh
air en route had enflamed, so that the great white beaming faces were
mottled here and there with red dabs.

The mairie was a mile and a half from the farm, and they went thither
on foot, returning in the same way after the ceremony in the church.
The procession, first united like one long coloured scarf that undulated
across the fields, along the narrow path winding amid the green corn,
soon lengthened out, and broke up into different groups that loitered to
talk. The fiddler walked in front with his violin, gay with ribbons at
its pegs. Then came the married pair, the relations, the friends, all
following pell-mell; the children stayed behind amusing themselves
plucking the bell-flowers from oat-ears, or playing amongst themselves
unseen. Emma's dress, too long, trailed a little on the ground; from
time to time she stopped to pull it up, and then delicately, with her
gloved hands, she picked off the coarse grass and the thistledowns,
while Charles, empty handed, waited till she had finished. Old Rouault,
with a new silk hat and the cuffs of his black coat covering his hands
up to the nails, gave his arm to Madame Bovary senior. As to Monsieur
Bovary senior, who, heartily despising all these folk, had come simply
in a frock-coat of military cut with one row of buttons--he was passing
compliments of the bar to a fair young peasant. She bowed, blushed,
and did not know what to say. The other wedding guests talked of their
business or played tricks behind each other's backs, egging one another
on in advance to be jolly. Those who listened could always catch the
squeaking of the fiddler, who went on playing across the fields. When
he saw that the rest were far behind he stopped to take breath, slowly
rosined his bow, so that the strings should sound more shrilly, then set
off again, by turns lowering and raising his neck, the better to mark
time for himself. The noise of the instrument drove away the little
birds from afar.

The table was laid under the cart-shed. On it were four sirloins, six
chicken fricassees, stewed veal, three legs of mutton, and in the middle
a fine roast suckling pig, flanked by four chitterlings with sorrel. At
the corners were decanters of brandy. Sweet bottled-cider frothed round
the corks, and all the glasses had been filled to the brim with wine
beforehand. Large dishes of yellow cream, that trembled with the least
shake of the table, had designed on their smooth surface the initials of
the newly wedded pair in nonpareil arabesques. A confectioner of Yvetot
had been intrusted with the tarts and sweets. As he had only just set up
on the place, he had taken a lot of trouble, and at dessert he himself
brought in a set dish that evoked loud cries of wonderment. To begin
with, at its base there was a square of blue cardboard, representing a
temple with porticoes, colonnades, and stucco statuettes all round, and
in the niches constellations of gilt paper stars; then on the second
stage was a dungeon of Savoy cake, surrounded by many fortifications
in candied angelica, almonds, raisins, and quarters of oranges; and
finally, on the upper platform a green field with rocks set in lakes of
jam, nutshell boats, and a small Cupid balancing himself in a chocolate
swing whose two uprights ended in real roses for balls at the top.

Until night they ate. When any of them were too tired of sitting, they
went out for a stroll in the yard, or for a game with corks in the
granary, and then returned to table. Some towards the finish went to
sleep and snored. But with the coffee everyone woke up. Then they began
songs, showed off tricks, raised heavy weights, performed feats with
their fingers, then tried lifting carts on their shoulders, made broad
jokes, kissed the women. At night when they left, the horses, stuffed
up to the nostrils with oats, could hardly be got into the shafts; they
kicked, reared, the harness broke, their masters laughed or swore;
and all night in the light of the moon along country roads there were
runaway carts at full gallop plunging into the ditches, jumping over
yard after yard of stones, clambering up the hills, with women leaning
out from the tilt to catch hold of the reins.

Those who stayed at the Bertaux spent the night drinking in the kitchen.
The children had fallen asleep under the seats.

The bride had begged her father to be spared the usual marriage
pleasantries. However, a fishmonger, one of their cousins (who had even
brought a pair of soles for his wedding present), began to squirt water
from his mouth through the keyhole, when old Rouault came up just in
time to stop him, and explain to him that the distinguished position
of his son-in-law would not allow of such liberties. The cousin all the
same did not give in to these reasons readily. In his heart he accused
old Rouault of being proud, and he joined four or five other guests in
a corner, who having, through mere chance, been several times running
served with the worst helps of meat, also were of opinion they had been
badly used, and were whispering about their host, and with covered hints
hoping he would ruin himself.

Madame Bovary, senior, had not opened her mouth all day. She had been
consulted neither as to the dress of her daughter-in-law nor as to the
arrangement of the feast; she went to bed early. Her husband, instead
of following her, sent to Saint-Victor for some cigars, and smoked till
daybreak, drinking kirsch-punch, a mixture unknown to the company. This
added greatly to the consideration in which he was held.

Charles, who was not of a facetious turn, did not shine at the wedding.
He answered feebly to the puns, doubles entendres*, compliments, and
chaff that it was felt a duty to let off at him as soon as the soup
appeared.

     *Double meanings.

The next day, on the other hand, he seemed another man. It was he who
might rather have been taken for the virgin of the evening before,
whilst the bride gave no sign that revealed anything. The shrewdest did
not know what to make of it, and they looked at her when she passed
near them with an unbounded concentration of mind. But Charles concealed
nothing. He called her "my wife", tutoyed* her, asked for her of
everyone, looked for her everywhere, and often he dragged her into the
yards, where he could be seen from far between the trees, putting his
arm around her waist, and walking half-bending over her, ruffling the
chemisette of her bodice with his head.

     *Used the familiar form of address.

Two days after the wedding the married pair left. Charles, on account of
his patients, could not be away longer. Old Rouault had them driven back
in his cart, and himself accompanied them as far as Vassonville. Here
he embraced his daughter for the last time, got down, and went his way.
When he had gone about a hundred paces he stopped, and as he saw the
cart disappearing, its wheels turning in the dust, he gave a deep sigh.
Then he remembered his wedding, the old times, the first pregnancy of
his wife; he, too, had been very happy the day when he had taken her
from her father to his home, and had carried her off on a pillion,
trotting through the snow, for it was near Christmas-time, and the
country was all white. She held him by one arm, her basket hanging from
the other; the wind blew the long lace of her Cauchois headdress so that
it sometimes flapped across his mouth, and when he turned his head he
saw near him, on his shoulder, her little rosy face, smiling silently
under the gold bands of her cap. To warm her hands she put them from
time to time in his breast. How long ago it all was! Their son would
have been thirty by now. Then he looked back and saw nothing on the
road. He felt dreary as an empty house; and tender memories mingling
with the sad thoughts in his brain, addled by the fumes of the feast, he
felt inclined for a moment to take a turn towards the church. As he was
afraid, however, that this sight would make him yet more sad, he went
right away home.

Monsieur and Madame Charles arrived at Tostes about six o'clock.

The neighbors came to the windows to see their doctor's new wife.

The old servant presented herself, curtsied to her, apologised for not
having dinner ready, and suggested that madame, in the meantime, should
look over her house.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: All the relations from both families are invited to the wedding and Flaubert describes the country fashions that ranged from the First Communion dresses of the adolescent girls to the coats of varying lengths worn by the men. The wedding party and all the guests walk to the Mayor's office for the civil ceremony and then to the church and afterward they follow a hired violinist back to the farm. Monsieur Roulaut escorts the elder Madame Bovary while the elder Monsieur Bovary flirts with a country girl. The dining table is in the carriage shed and amply supplied with hearty country food, cider and wine. The wedding cake is an extravagant three tiered affair topped by real rosebuds. The banquet lasts past nightfall, full of music, dancing and displays of strength. Eventually many of the guests drunkenly made their way home while others stay up all night drinking in the kitchen. At his daughter's request Monsieur Roulaut manages to prevent some of his coarser relatives from engaging in the traditional wedding night pranks though one cousin nearly succeeds in spitting a mouthful of water through the keyhole of the bridal chamber. The following day Emma seems unaffected by her lost virginity while Charles is obviously smitten with the girl. Two days later Emma and Charles travel to Tostes where the elderly maid greets them and offers Madame a tour of her new home


prompt:
Chapter: The brick front was just in a line with the street, or rather the road.
Behind the door hung a cloak with a small collar, a bridle, and a black
leather cap, and on the floor, in a corner, were a pair of leggings,
still covered with dry mud. On the right was the one apartment, that was
both dining and sitting room. A canary yellow paper, relieved at the
top by a garland of pale flowers, was puckered everywhere over the badly
stretched canvas; white calico curtains with a red border hung crossways
at the length of the window; and on the narrow mantelpiece a clock with
a head of Hippocrates shone resplendent between two plate candlesticks
under oval shades. On the other side of the passage was Charles's
consulting room, a little room about six paces wide, with a table,
three chairs, and an office chair. Volumes of the "Dictionary of Medical
Science," uncut, but the binding rather the worse for the successive
sales through which they had gone, occupied almost along the six shelves
of a deal bookcase.

The smell of melted butter penetrated through the walls when he saw
patients, just as in the kitchen one could hear the people coughing in
the consulting room and recounting their histories.

Then, opening on the yard, where the stable was, came a large
dilapidated room with a stove, now used as a wood-house, cellar, and
pantry, full of old rubbish, of empty casks, agricultural implements
past service, and a mass of dusty things whose use it was impossible to
guess.

The garden, longer than wide, ran between two mud walls with espaliered
apricots, to a hawthorn hedge that separated it from the field. In the
middle was a slate sundial on a brick pedestal; four flower beds with
eglantines surrounded symmetrically the more useful kitchen garden bed.
Right at the bottom, under the spruce bushes, was a cure in plaster
reading his breviary.

Emma went upstairs. The first room was not furnished, but in the second,
which was their bedroom, was a mahogany bedstead in an alcove with red
drapery. A shell box adorned the chest of drawers, and on the secretary
near the window a bouquet of orange blossoms tied with white satin
ribbons stood in a bottle. It was a bride's bouquet; it was the other
one's. She looked at it. Charles noticed it; he took it and carried it
up to the attic, while Emma seated in an arm-chair (they were putting
her things down around her) thought of her bridal flowers packed up in
a bandbox, and wondered, dreaming, what would be done with them if she
were to die.

During the first days she occupied herself in thinking about changes in
the house. She took the shades off the candlesticks, had new wallpaper
put up, the staircase repainted, and seats made in the garden round the
sundial; she even inquired how she could get a basin with a jet fountain
and fishes. Finally her husband, knowing that she liked to drive out,
picked up a second-hand dogcart, which, with new lamps and splashboard
in striped leather, looked almost like a tilbury.

He was happy then, and without a care in the world. A meal together,
a walk in the evening on the highroad, a gesture of her hands over her
hair, the sight of her straw hat hanging from the window-fastener, and
many another thing in which Charles had never dreamed of pleasure, now
made up the endless round of his happiness. In bed, in the morning, by
her side, on the pillow, he watched the sunlight sinking into the down
on her fair cheek, half hidden by the lappets of her night-cap. Seen
thus closely, her eyes looked to him enlarged, especially when, on
waking up, she opened and shut them rapidly many times. Black in the
shade, dark blue in broad daylight, they had, as it were, depths of
different colours, that, darker in the centre, grew paler towards the
surface of the eye. His own eyes lost themselves in these depths; he saw
himself in miniature down to the shoulders, with his handkerchief round
his head and the top of his shirt open. He rose. She came to the window
to see him off, and stayed leaning on the sill between two pots of
geranium, clad in her dressing gown hanging loosely about her. Charles,
in the street buckled his spurs, his foot on the mounting stone, while
she talked to him from above, picking with her mouth some scrap of
flower or leaf that she blew out at him. Then this, eddying, floating,
described semicircles in the air like a bird, and was caught before
it reached the ground in the ill-groomed mane of the old white mare
standing motionless at the door. Charles from horseback threw her a
kiss; she answered with a nod; she shut the window, and he set off. And
then along the highroad, spreading out its long ribbon of dust, along
the deep lanes that the trees bent over as in arbours, along paths where
the corn reached to the knees, with the sun on his back and the morning
air in his nostrils, his heart full of the joys of the past night, his
mind at rest, his flesh at ease, he went on, re-chewing his happiness,
like those who after dinner taste again the truffles which they are
digesting.

Until now what good had he had of his life? His time at school, when
he remained shut up within the high walls, alone, in the midst of
companions richer than he or cleverer at their work, who laughed at his
accent, who jeered at his clothes, and whose mothers came to the school
with cakes in their muffs? Later on, when he studied medicine, and never
had his purse full enough to treat some little work-girl who would have
become his mistress? Afterwards, he had lived fourteen months with the
widow, whose feet in bed were cold as icicles. But now he had for life
this beautiful woman whom he adored. For him the universe did not extend
beyond the circumference of her petticoat, and he reproached himself
with not loving her. He wanted to see her again; he turned back quickly,
ran up the stairs with a beating heart. Emma, in her room, was dressing;
he came up on tiptoe, kissed her back; she gave a cry.

He could not keep from constantly touching her comb, her ring, her
fichu; sometimes he gave her great sounding kisses with all his mouth on
her cheeks, or else little kisses in a row all along her bare arm
from the tip of her fingers up to her shoulder, and she put him away
half-smiling, half-vexed, as you do a child who hangs about you.

Before marriage she thought herself in love; but the happiness that
should have followed this love not having come, she must, she thought,
have been mistaken. And Emma tried to find out what one meant exactly in
life by the words felicity, passion, rapture, that had seemed to her so
beautiful in books.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The small house in Tostes is comfortable and modestly furnished. The front of the house is flush with the street and a narrow garden extends to the rear. Upstairs Emma discovers the previous Madame Bovary's wedding bouquet sitting in the master bedroom. Charles carries the bouquet to the attic and Emma wonders what will become of her own bouquet if she dies. In the following days Emma makes small changes to the house's decor and Charles purchases a second-hand buggy. Charles is perfectly happy now that Emma has come to live with him and he takes pleasure in the smallest routines of daily life. Emma wonders why she hasn't yet experienced true happiness. Words like "bliss", "passion", and "rapture" that hold so much meaning in novels seem impossibly distant in her life with Charles.


prompt:
Chapter: She had read "Paul and Virginia," and she had dreamed of the little
bamboo-house, the nigger Domingo, the dog Fidele, but above all of the
sweet friendship of some dear little brother, who seeks red fruit for
you on trees taller than steeples, or who runs barefoot over the sand,
bringing you a bird's nest.

When she was thirteen, her father himself took her to town to place
her in the convent. They stopped at an inn in the St. Gervais quarter,
where, at their supper, they used painted plates that set forth the
story of Mademoiselle de la Valliere. The explanatory legends, chipped
here and there by the scratching of knives, all glorified religion, the
tendernesses of the heart, and the pomps of court.

Far from being bored at first at the convent, she took pleasure in the
society of the good sisters, who, to amuse her, took her to the chapel,
which one entered from the refectory by a long corridor. She played very
little during recreation hours, knew her catechism well, and it was she
who always answered Monsieur le Vicaire's difficult questions. Living
thus, without ever leaving the warm atmosphere of the classrooms, and
amid these pale-faced women wearing rosaries with brass crosses, she
was softly lulled by the mystic languor exhaled in the perfumes of the
altar, the freshness of the holy water, and the lights of the tapers.
Instead of attending to mass, she looked at the pious vignettes with
their azure borders in her book, and she loved the sick lamb, the sacred
heart pierced with sharp arrows, or the poor Jesus sinking beneath the
cross he carries. She tried, by way of mortification, to eat nothing a
whole day. She puzzled her head to find some vow to fulfil.

When she went to confession, she invented little sins in order that she
might stay there longer, kneeling in the shadow, her hands joined,
her face against the grating beneath the whispering of the priest.
The comparisons of betrothed, husband, celestial lover, and eternal
marriage, that recur in sermons, stirred within her soul depths of
unexpected sweetness.

In the evening, before prayers, there was some religious reading in
the study. On week-nights it was some abstract of sacred history or
the Lectures of the Abbe Frayssinous, and on Sundays passages from the
"Genie du Christianisme," as a recreation. How she listened at first to
the sonorous lamentations of its romantic melancholies reechoing
through the world and eternity! If her childhood had been spent in the
shop-parlour of some business quarter, she might perhaps have opened
her heart to those lyrical invasions of Nature, which usually come to
us only through translation in books. But she knew the country too well;
she knew the lowing of cattle, the milking, the ploughs.

Accustomed to calm aspects of life, she turned, on the contrary, to
those of excitement. She loved the sea only for the sake of its storms,
and the green fields only when broken up by ruins.

She wanted to get some personal profit out of things, and she rejected
as useless all that did not contribute to the immediate desires of her
heart, being of a temperament more sentimental than artistic, looking
for emotions, not landscapes.

At the convent there was an old maid who came for a week each month to
mend the linen. Patronized by the clergy, because she belonged to an
ancient family of noblemen ruined by the Revolution, she dined in the
refectory at the table of the good sisters, and after the meal had a bit
of chat with them before going back to her work. The girls often slipped
out from the study to go and see her. She knew by heart the love songs
of the last century, and sang them in a low voice as she stitched away.

She told stories, gave them news, went errands in the town, and on
the sly lent the big girls some novel, that she always carried in the
pockets of her apron, and of which the good lady herself swallowed
long chapters in the intervals of her work. They were all love, lovers,
sweethearts, persecuted ladies fainting in lonely pavilions, postilions
killed at every stage, horses ridden to death on every page, sombre
forests, heartaches, vows, sobs, tears and kisses, little skiffs by
moonlight, nightingales in shady groves, "gentlemen" brave as lions,
gentle as lambs, virtuous as no one ever was, always well dressed, and
weeping like fountains. For six months, then, Emma, at fifteen years of
age, made her hands dirty with books from old lending libraries.

Through Walter Scott, later on, she fell in love with historical events,
dreamed of old chests, guard-rooms and minstrels. She would have liked
to live in some old manor-house, like those long-waisted chatelaines
who, in the shade of pointed arches, spent their days leaning on the
stone, chin in hand, watching a cavalier with white plume galloping on
his black horse from the distant fields. At this time she had a cult
for Mary Stuart and enthusiastic veneration for illustrious or unhappy
women. Joan of Arc, Heloise, Agnes Sorel, the beautiful Ferroniere, and
Clemence Isaure stood out to her like comets in the dark immensity of
heaven, where also were seen, lost in shadow, and all unconnected, St.
Louis with his oak, the dying Bayard, some cruelties of Louis XI, a
little of St. Bartholomew's Day, the plume of the Bearnais, and always
the remembrance of the plates painted in honour of Louis XIV.

In the music class, in the ballads she sang, there was nothing but
little angels with golden wings, madonnas, lagunes, gondoliers;-mild
compositions that allowed her to catch a glimpse athwart the obscurity
of style and the weakness of the music of the attractive phantasmagoria
of sentimental realities. Some of her companions brought "keepsakes"
given them as new year's gifts to the convent. These had to be hidden;
it was quite an undertaking; they were read in the dormitory. Delicately
handling the beautiful satin bindings, Emma looked with dazzled eyes at
the names of the unknown authors, who had signed their verses for the
most part as counts or viscounts.

She trembled as she blew back the tissue paper over the engraving and
saw it folded in two and fall gently against the page. Here behind the
balustrade of a balcony was a young man in a short cloak, holding in his
arms a young girl in a white dress wearing an alms-bag at her belt; or
there were nameless portraits of English ladies with fair curls, who
looked at you from under their round straw hats with their large clear
eyes. Some there were lounging in their carriages, gliding through
parks, a greyhound bounding along in front of the equipage driven at
a trot by two midget postilions in white breeches. Others, dreaming on
sofas with an open letter, gazed at the moon through a slightly open
window half draped by a black curtain. The naive ones, a tear on their
cheeks, were kissing doves through the bars of a Gothic cage, or,
smiling, their heads on one side, were plucking the leaves of a
marguerite with their taper fingers, that curved at the tips like peaked
shoes. And you, too, were there, Sultans with long pipes reclining
beneath arbours in the arms of Bayaderes; Djiaours, Turkish sabres,
Greek caps; and you especially, pale landscapes of dithyrambic lands,
that often show us at once palm trees and firs, tigers on the right, a
lion to the left, Tartar minarets on the horizon; the whole framed by
a very neat virgin forest, and with a great perpendicular sunbeam
trembling in the water, where, standing out in relief like white
excoriations on a steel-grey ground, swans are swimming about.

And the shade of the argand lamp fastened to the wall above Emma's head
lighted up all these pictures of the world, that passed before her one
by one in the silence of the dormitory, and to the distant noise of some
belated carriage rolling over the Boulevards.

When her mother died she cried much the first few days. She had a
funeral picture made with the hair of the deceased, and, in a letter
sent to the Bertaux full of sad reflections on life, she asked to be
buried later on in the same grave. The goodman thought she must be ill,
and came to see her. Emma was secretly pleased that she had reached at
a first attempt the rare ideal of pale lives, never attained by mediocre
hearts. She let herself glide along with Lamartine meanderings, listened
to harps on lakes, to all the songs of dying swans, to the falling of
the leaves, the pure virgins ascending to heaven, and the voice of
the Eternal discoursing down the valleys. She wearied of it, would not
confess it, continued from habit, and at last was surprised to feel
herself soothed, and with no more sadness at heart than wrinkles on her
brow.

The good nuns, who had been so sure of her vocation, perceived with
great astonishment that Mademoiselle Rouault seemed to be slipping
from them. They had indeed been so lavish to her of prayers, retreats,
novenas, and sermons, they had so often preached the respect due to
saints and martyrs, and given so much good advice as to the modesty of
the body and the salvation of her soul, that she did as tightly reined
horses; she pulled up short and the bit slipped from her teeth. This
nature, positive in the midst of its enthusiasms, that had loved the
church for the sake of the flowers, and music for the words of the
songs, and literature for its passional stimulus, rebelled against
the mysteries of faith as it grew irritated by discipline, a thing
antipathetic to her constitution. When her father took her from school,
no one was sorry to see her go. The Lady Superior even thought that she
had latterly been somewhat irreverent to the community.

Emma, at home once more, first took pleasure in looking after the
servants, then grew disgusted with the country and missed her convent.
When Charles came to the Bertaux for the first time, she thought herself
quite disillusioned, with nothing more to learn, and nothing more to
feel.

But the uneasiness of her new position, or perhaps the disturbance
caused by the presence of this man, had sufficed to make her believe
that she at last felt that wondrous passion which, till then, like a
great bird with rose-coloured wings, hung in the splendour of the skies
of poesy; and now she could not think that the calm in which she lived
was the happiness she had dreamed.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: This chapter provides the details of Emma's life up to her marriage. At the age of thirteen she became a boarder at a convent in the city of Rouen. She was a quick student and enjoyed life in the convent. The mysticism of the church appealed to her romantic temperament which was "more sentimental than artistic. An old spinster wash lady at the convent who had been a member of the aristocracy before the Revolution enthralled the girls with tales of the past and provided them with novels featuring romantic tales set in exotic locales. Emma took quickly to the notions in the novels. The idyllic pictures of heartsick maidens pining for their lovers deeply affected her. After her mother died she mourned profusely but gradually found that her sadness was contrived. Although she had initially loved the convent and the trappings of religious life she balked at the discipline and neither she nor the nuns were too disappointed when she left the school. She quickly tired of life on her father's farm, however, and when Charles appeared she thought her chance for true romantic happiness had arrived. The drab reality of the little house in Tostes, however, fails to match her idea of romance


prompt:
Chapter: She thought, sometimes, that, after all, this was the happiest time
of her life--the honeymoon, as people called it. To taste the full
sweetness of it, it would have been necessary doubtless to fly to those
lands with sonorous names where the days after marriage are full of
laziness most suave. In post chaises behind blue silken curtains to ride
slowly up steep road, listening to the song of the postilion re-echoed
by the mountains, along with the bells of goats and the muffled sound of
a waterfall; at sunset on the shores of gulfs to breathe in the perfume
of lemon trees; then in the evening on the villa-terraces above, hand in
hand to look at the stars, making plans for the future. It seemed to her
that certain places on earth must bring happiness, as a plant peculiar
to the soil, and that cannot thrive elsewhere. Why could not she lean
over balconies in Swiss chalets, or enshrine her melancholy in a Scotch
cottage, with a husband dressed in a black velvet coat with long tails,
and thin shoes, a pointed hat and frills? Perhaps she would have liked
to confide all these things to someone. But how tell an undefinable
uneasiness, variable as the clouds, unstable as the winds? Words failed
her--the opportunity, the courage.

If Charles had but wished it, if he had guessed it, if his look had but
once met her thought, it seemed to her that a sudden plenty would have
gone out from her heart, as the fruit falls from a tree when shaken by
a hand. But as the intimacy of their life became deeper, the greater
became the gulf that separated her from him.

Charles's conversation was commonplace as a street pavement, and
everyone's ideas trooped through it in their everyday garb, without
exciting emotion, laughter, or thought. He had never had the curiosity,
he said, while he lived at Rouen, to go to the theatre to see the actors
from Paris. He could neither swim, nor fence, nor shoot, and one day
he could not explain some term of horsemanship to her that she had come
across in a novel.

A man, on the contrary, should he not know everything, excel in manifold
activities, initiate you into the energies of passion, the refinements
of life, all mysteries? But this one taught nothing, knew nothing,
wished nothing. He thought her happy; and she resented this easy calm,
this serene heaviness, the very happiness she gave him.

Sometimes she would draw; and it was great amusement to Charles to stand
there bolt upright and watch her bend over her cardboard, with eyes
half-closed the better to see her work, or rolling, between her fingers,
little bread-pellets. As to the piano, the more quickly her fingers
glided over it the more he wondered. She struck the notes with aplomb,
and ran from top to bottom of the keyboard without a break. Thus shaken
up, the old instrument, whose strings buzzed, could be heard at the
other end of the village when the window was open, and often the
bailiff's clerk, passing along the highroad bare-headed and in list
slippers, stopped to listen, his sheet of paper in his hand.

Emma, on the other hand, knew how to look after her house. She sent the
patients' accounts in well-phrased letters that had no suggestion of
a bill. When they had a neighbour to dinner on Sundays, she managed to
have some tasty dish--piled up pyramids of greengages on vine leaves,
served up preserves turned out into plates--and even spoke of buying
finger-glasses for dessert. From all this much consideration was
extended to Bovary.

Charles finished by rising in his own esteem for possessing such a wife.
He showed with pride in the sitting room two small pencil sketches by
her that he had had framed in very large frames, and hung up against the
wallpaper by long green cords. People returning from mass saw him at his
door in his wool-work slippers.

He came home late--at ten o'clock, at midnight sometimes. Then he asked
for something to eat, and as the servant had gone to bed, Emma waited
on him. He took off his coat to dine more at his ease. He told her, one
after the other, the people he had met, the villages where he had been,
the prescriptions he had written, and, well pleased with himself, he
finished the remainder of the boiled beef and onions, picked pieces off
the cheese, munched an apple, emptied his water-bottle, and then went to
bed, and lay on his back and snored.

As he had been for a time accustomed to wear nightcaps, his handkerchief
would not keep down over his ears, so that his hair in the morning was
all tumbled pell-mell about his face and whitened with the feathers of
the pillow, whose strings came untied during the night. He always wore
thick boots that had two long creases over the instep running obliquely
towards the ankle, while the rest of the upper continued in a straight
line as if stretched on a wooden foot. He said that "was quite good
enough for the country."

His mother approved of his economy, for she came to see him as formerly
when there had been some violent row at her place; and yet Madame Bovary
senior seemed prejudiced against her daughter-in-law. She thought "her
ways too fine for their position"; the wood, the sugar, and the candles
disappeared as "at a grand establishment," and the amount of firing in
the kitchen would have been enough for twenty-five courses. She put her
linen in order for her in the presses, and taught her to keep an eye on
the butcher when he brought the meat. Emma put up with these lessons.
Madame Bovary was lavish of them; and the words "daughter" and "mother"
were exchanged all day long, accompanied by little quiverings of the
lips, each one uttering gentle words in a voice trembling with anger.

In Madame Dubuc's time the old woman felt that she was still the
favorite; but now the love of Charles for Emma seemed to her a desertion
from her tenderness, an encroachment upon what was hers, and she watched
her son's happiness in sad silence, as a ruined man looks through
the windows at people dining in his old house. She recalled to him as
remembrances her troubles and her sacrifices, and, comparing these with
Emma's negligence, came to the conclusion that it was not reasonable to
adore her so exclusively.

Charles knew not what to answer: he respected his mother, and he loved
his wife infinitely; he considered the judgment of the one infallible,
and yet he thought the conduct of the other irreproachable. When Madam
Bovary had gone, he tried timidly and in the same terms to hazard one or
two of the more anodyne observations he had heard from his mamma. Emma
proved to him with a word that he was mistaken, and sent him off to his
patients.

And yet, in accord with theories she believed right, she wanted to make
herself in love with him. By moonlight in the garden she recited all
the passionate rhymes she knew by heart, and, sighing, sang to him many
melancholy adagios; but she found herself as calm after as before, and
Charles seemed no more amorous and no more moved.

When she had thus for a while struck the flint on her heart without
getting a spark, incapable, moreover, of understanding what she did
not experience as of believing anything that did not present itself
in conventional forms, she persuaded herself without difficulty that
Charles's passion was nothing very exorbitant. His outbursts became
regular; he embraced her at certain fixed times. It was one habit among
other habits, and, like a dessert, looked forward to after the monotony
of dinner.

A gamekeeper, cured by the doctor of inflammation of the lungs, had
given madame a little Italian greyhound; she took her out walking, for
she went out sometimes in order to be alone for a moment, and not to see
before her eyes the eternal garden and the dusty road. She went as far
as the beeches of Banneville, near the deserted pavilion which forms an
angle of the wall on the side of the country. Amidst the vegetation of
the ditch there are long reeds with leaves that cut you.

She began by looking round her to see if nothing had changed since last
she had been there. She found again in the same places the foxgloves and
wallflowers, the beds of nettles growing round the big stones, and
the patches of lichen along the three windows, whose shutters, always
closed, were rotting away on their rusty iron bars. Her thoughts,
aimless at first, wandered at random, like her greyhound, who ran round
and round in the fields, yelping after the yellow butterflies, chasing
the shrew-mice, or nibbling the poppies on the edge of a cornfield.

Then gradually her ideas took definite shape, and, sitting on the grass
that she dug up with little prods of her sunshade, Emma repeated to
herself, "Good heavens! Why did I marry?"

She asked herself if by some other chance combination it would have not
been possible to meet another man; and she tried to imagine what would
have been these unrealised events, this different life, this unknown
husband. All, surely, could not be like this one. He might have been
handsome, witty, distinguished, attractive, such as, no doubt, her old
companions of the convent had married. What were they doing now? In
town, with the noise of the streets, the buzz of the theatres and the
lights of the ballroom, they were living lives where the heart expands,
the senses bourgeon out. But she--her life was cold as a garret whose
dormer window looks on the north, and ennui, the silent spider, was
weaving its web in the darkness in every corner of her heart.

She recalled the prize days, when she mounted the platform to receive
her little crowns, with her hair in long plaits. In her white frock and
open prunella shoes she had a pretty way, and when she went back to her
seat, the gentlemen bent over her to congratulate her; the courtyard was
full of carriages; farewells were called to her through their windows;
the music master with his violin case bowed in passing by. How far all
of this! How far away! She called Djali, took her between her knees, and
smoothed the long delicate head, saying, "Come, kiss mistress; you have
no troubles."

Then noting the melancholy face of the graceful animal, who yawned
slowly, she softened, and comparing her to herself, spoke to her aloud
as to somebody in trouble whom one is consoling.

Occasionally there came gusts of winds, breezes from the sea rolling in
one sweep over the whole plateau of the Caux country, which brought
even to these fields a salt freshness. The rushes, close to the ground,
whistled; the branches trembled in a swift rustling, while their
summits, ceaselessly swaying, kept up a deep murmur. Emma drew her shawl
round her shoulders and rose.

In the avenue a green light dimmed by the leaves lit up the short moss
that crackled softly beneath her feet. The sun was setting; the sky
showed red between the branches, and the trunks of the trees, uniform,
and planted in a straight line, seemed a brown colonnade standing out
against a background of gold. A fear took hold of her; she called Djali,
and hurriedly returned to Tostes by the high road, threw herself into an
armchair, and for the rest of the evening did not speak.

But towards the end of September something extraordinary fell upon her
life; she was invited by the Marquis d'Andervilliers to Vaubyessard.

Secretary of State under the Restoration, the Marquis, anxious to
re-enter political life, set about preparing for his candidature to
the Chamber of Deputies long beforehand. In the winter he distributed a
great deal of wood, and in the Conseil General always enthusiastically
demanded new roads for his arrondissement. During the dog-days he had
suffered from an abscess, which Charles had cured as if by miracle by
giving a timely little touch with the lancet. The steward sent to Tostes
to pay for the operation reported in the evening that he had seen some
superb cherries in the doctor's little garden. Now cherry trees did not
thrive at Vaubyessard; the Marquis asked Bovary for some slips; made it
his business to thank his personally; saw Emma; thought she had a pretty
figure, and that she did not bow like a peasant; so that he did not
think he was going beyond the bounds of condescension, nor, on the other
hand, making a mistake, in inviting the young couple.

On Wednesday at three o'clock, Monsieur and Madame Bovary, seated in
their dog-cart, set out for Vaubyessard, with a great trunk strapped
on behind and a bonnet-box in front of the apron. Besides these Charles
held a bandbox between his knees.

They arrived at nightfall, just as the lamps in the park were being lit
to show the way for the carriages.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: As their marriage progresses Emma's feeling of detachment from her husband grows greater. She feels that a man should have all the answers to life and be experienced in a wide variety of things but she discerns that Charles is complacent, boring and uninterested in culture. He takes his wife's happiness for granted and she secretly resents this. To compensate she draws pictures, plays the piano and runs the household with meticulous care. Charles' mother disapproves of her new daughter-in-law's extravagances and Charles finds himself frequently caught between the mother he respects and the wife that he loves. Because Charles never expresses any deep emotions Emma concludes that his love is nothing out of the ordinary. She receives an Italian greyhound bitch as a gift from one of Charles' patients and she takes the dog, which she names Djali, on long walks. The sum of her thoughts during these excursions is: "Why did I ever marry. She imagines that if she had waited longer to marry a more suitable man would have come into her life. Late in September Emma and Charles receive and invitation to attend a party at La Vaubyessard, home of the Marquis d'Andervilliers. The marquis had suffered from an abscess that Charles successfully treated and, noticing that Bovary's wife is pretty, the marquis determined that they could safely be invited to a gathering of their betters. So on the day of the party Charles and Emma load their carriage with boxes of clothing and journey to the estate. They arrive at sunset