prompt:
Chapter: She had read "Paul and Virginia," and she had dreamed of the little
bamboo-house, the nigger Domingo, the dog Fidele, but above all of the
sweet friendship of some dear little brother, who seeks red fruit for
you on trees taller than steeples, or who runs barefoot over the sand,
bringing you a bird's nest.

When she was thirteen, her father himself took her to town to place
her in the convent. They stopped at an inn in the St. Gervais quarter,
where, at their supper, they used painted plates that set forth the
story of Mademoiselle de la Valliere. The explanatory legends, chipped
here and there by the scratching of knives, all glorified religion, the
tendernesses of the heart, and the pomps of court.

Far from being bored at first at the convent, she took pleasure in the
society of the good sisters, who, to amuse her, took her to the chapel,
which one entered from the refectory by a long corridor. She played very
little during recreation hours, knew her catechism well, and it was she
who always answered Monsieur le Vicaire's difficult questions. Living
thus, without ever leaving the warm atmosphere of the classrooms, and
amid these pale-faced women wearing rosaries with brass crosses, she
was softly lulled by the mystic languor exhaled in the perfumes of the
altar, the freshness of the holy water, and the lights of the tapers.
Instead of attending to mass, she looked at the pious vignettes with
their azure borders in her book, and she loved the sick lamb, the sacred
heart pierced with sharp arrows, or the poor Jesus sinking beneath the
cross he carries. She tried, by way of mortification, to eat nothing a
whole day. She puzzled her head to find some vow to fulfil.

When she went to confession, she invented little sins in order that she
might stay there longer, kneeling in the shadow, her hands joined,
her face against the grating beneath the whispering of the priest.
The comparisons of betrothed, husband, celestial lover, and eternal
marriage, that recur in sermons, stirred within her soul depths of
unexpected sweetness.

In the evening, before prayers, there was some religious reading in
the study. On week-nights it was some abstract of sacred history or
the Lectures of the Abbe Frayssinous, and on Sundays passages from the
"Genie du Christianisme," as a recreation. How she listened at first to
the sonorous lamentations of its romantic melancholies reechoing
through the world and eternity! If her childhood had been spent in the
shop-parlour of some business quarter, she might perhaps have opened
her heart to those lyrical invasions of Nature, which usually come to
us only through translation in books. But she knew the country too well;
she knew the lowing of cattle, the milking, the ploughs.

Accustomed to calm aspects of life, she turned, on the contrary, to
those of excitement. She loved the sea only for the sake of its storms,
and the green fields only when broken up by ruins.

She wanted to get some personal profit out of things, and she rejected
as useless all that did not contribute to the immediate desires of her
heart, being of a temperament more sentimental than artistic, looking
for emotions, not landscapes.

At the convent there was an old maid who came for a week each month to
mend the linen. Patronized by the clergy, because she belonged to an
ancient family of noblemen ruined by the Revolution, she dined in the
refectory at the table of the good sisters, and after the meal had a bit
of chat with them before going back to her work. The girls often slipped
out from the study to go and see her. She knew by heart the love songs
of the last century, and sang them in a low voice as she stitched away.

She told stories, gave them news, went errands in the town, and on
the sly lent the big girls some novel, that she always carried in the
pockets of her apron, and of which the good lady herself swallowed
long chapters in the intervals of her work. They were all love, lovers,
sweethearts, persecuted ladies fainting in lonely pavilions, postilions
killed at every stage, horses ridden to death on every page, sombre
forests, heartaches, vows, sobs, tears and kisses, little skiffs by
moonlight, nightingales in shady groves, "gentlemen" brave as lions,
gentle as lambs, virtuous as no one ever was, always well dressed, and
weeping like fountains. For six months, then, Emma, at fifteen years of
age, made her hands dirty with books from old lending libraries.

Through Walter Scott, later on, she fell in love with historical events,
dreamed of old chests, guard-rooms and minstrels. She would have liked
to live in some old manor-house, like those long-waisted chatelaines
who, in the shade of pointed arches, spent their days leaning on the
stone, chin in hand, watching a cavalier with white plume galloping on
his black horse from the distant fields. At this time she had a cult
for Mary Stuart and enthusiastic veneration for illustrious or unhappy
women. Joan of Arc, Heloise, Agnes Sorel, the beautiful Ferroniere, and
Clemence Isaure stood out to her like comets in the dark immensity of
heaven, where also were seen, lost in shadow, and all unconnected, St.
Louis with his oak, the dying Bayard, some cruelties of Louis XI, a
little of St. Bartholomew's Day, the plume of the Bearnais, and always
the remembrance of the plates painted in honour of Louis XIV.

In the music class, in the ballads she sang, there was nothing but
little angels with golden wings, madonnas, lagunes, gondoliers;-mild
compositions that allowed her to catch a glimpse athwart the obscurity
of style and the weakness of the music of the attractive phantasmagoria
of sentimental realities. Some of her companions brought "keepsakes"
given them as new year's gifts to the convent. These had to be hidden;
it was quite an undertaking; they were read in the dormitory. Delicately
handling the beautiful satin bindings, Emma looked with dazzled eyes at
the names of the unknown authors, who had signed their verses for the
most part as counts or viscounts.

She trembled as she blew back the tissue paper over the engraving and
saw it folded in two and fall gently against the page. Here behind the
balustrade of a balcony was a young man in a short cloak, holding in his
arms a young girl in a white dress wearing an alms-bag at her belt; or
there were nameless portraits of English ladies with fair curls, who
looked at you from under their round straw hats with their large clear
eyes. Some there were lounging in their carriages, gliding through
parks, a greyhound bounding along in front of the equipage driven at
a trot by two midget postilions in white breeches. Others, dreaming on
sofas with an open letter, gazed at the moon through a slightly open
window half draped by a black curtain. The naive ones, a tear on their
cheeks, were kissing doves through the bars of a Gothic cage, or,
smiling, their heads on one side, were plucking the leaves of a
marguerite with their taper fingers, that curved at the tips like peaked
shoes. And you, too, were there, Sultans with long pipes reclining
beneath arbours in the arms of Bayaderes; Djiaours, Turkish sabres,
Greek caps; and you especially, pale landscapes of dithyrambic lands,
that often show us at once palm trees and firs, tigers on the right, a
lion to the left, Tartar minarets on the horizon; the whole framed by
a very neat virgin forest, and with a great perpendicular sunbeam
trembling in the water, where, standing out in relief like white
excoriations on a steel-grey ground, swans are swimming about.

And the shade of the argand lamp fastened to the wall above Emma's head
lighted up all these pictures of the world, that passed before her one
by one in the silence of the dormitory, and to the distant noise of some
belated carriage rolling over the Boulevards.

When her mother died she cried much the first few days. She had a
funeral picture made with the hair of the deceased, and, in a letter
sent to the Bertaux full of sad reflections on life, she asked to be
buried later on in the same grave. The goodman thought she must be ill,
and came to see her. Emma was secretly pleased that she had reached at
a first attempt the rare ideal of pale lives, never attained by mediocre
hearts. She let herself glide along with Lamartine meanderings, listened
to harps on lakes, to all the songs of dying swans, to the falling of
the leaves, the pure virgins ascending to heaven, and the voice of
the Eternal discoursing down the valleys. She wearied of it, would not
confess it, continued from habit, and at last was surprised to feel
herself soothed, and with no more sadness at heart than wrinkles on her
brow.

The good nuns, who had been so sure of her vocation, perceived with
great astonishment that Mademoiselle Rouault seemed to be slipping
from them. They had indeed been so lavish to her of prayers, retreats,
novenas, and sermons, they had so often preached the respect due to
saints and martyrs, and given so much good advice as to the modesty of
the body and the salvation of her soul, that she did as tightly reined
horses; she pulled up short and the bit slipped from her teeth. This
nature, positive in the midst of its enthusiasms, that had loved the
church for the sake of the flowers, and music for the words of the
songs, and literature for its passional stimulus, rebelled against
the mysteries of faith as it grew irritated by discipline, a thing
antipathetic to her constitution. When her father took her from school,
no one was sorry to see her go. The Lady Superior even thought that she
had latterly been somewhat irreverent to the community.

Emma, at home once more, first took pleasure in looking after the
servants, then grew disgusted with the country and missed her convent.
When Charles came to the Bertaux for the first time, she thought herself
quite disillusioned, with nothing more to learn, and nothing more to
feel.

But the uneasiness of her new position, or perhaps the disturbance
caused by the presence of this man, had sufficed to make her believe
that she at last felt that wondrous passion which, till then, like a
great bird with rose-coloured wings, hung in the splendour of the skies
of poesy; and now she could not think that the calm in which she lived
was the happiness she had dreamed.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Emma recalls her thirteenth year, when her father took her to the convent to live. She enjoyed the convent at first; she liked talking with the nuns and she enjoyed answering the difficult questions correctly. But she soon relinquished herself to the languid atmosphere of the convent and found herself admiring the beauty of the chapel rather than listening to the lessons. She gave herself over to romantic notions concerning the church and dreamed of the "sick lamb" and the metaphors of a "betrothed spouse, heavenly lover, marriage everlasting," and she listened only to the romantic melancholy of the lamentations. There was an old maid who came to the convent and who would sing romantic ballads to the girls on the sly. Emma then read voraciously from tales of romance involving lonely meetings, secret encounters, gloomy forests, and troubles of the heart. She became enthusiastic over Sir Walter Scott and dreamed of living in some romantic palace where a cavalier with a white plume could come galloping up and rescue her. When her mother died, Emma had a lock of her dead mother's hair mounted and wrote her father that when she died she would like to be buried in the same grave. She gave her time to reading romantic, sentimental poetry and while enjoying the mysteries of the church, she rebelled against the discipline. When her father took her from the convent, she enjoyed managing the servants for a while, but soon tired of it and longed for the convent. When Charles appeared, she found it difficult to believe that the quietness and dullness of her romance was what she had read about in the novels.


prompt:
Chapter: She thought, sometimes, that, after all, this was the happiest time
of her life--the honeymoon, as people called it. To taste the full
sweetness of it, it would have been necessary doubtless to fly to those
lands with sonorous names where the days after marriage are full of
laziness most suave. In post chaises behind blue silken curtains to ride
slowly up steep road, listening to the song of the postilion re-echoed
by the mountains, along with the bells of goats and the muffled sound of
a waterfall; at sunset on the shores of gulfs to breathe in the perfume
of lemon trees; then in the evening on the villa-terraces above, hand in
hand to look at the stars, making plans for the future. It seemed to her
that certain places on earth must bring happiness, as a plant peculiar
to the soil, and that cannot thrive elsewhere. Why could not she lean
over balconies in Swiss chalets, or enshrine her melancholy in a Scotch
cottage, with a husband dressed in a black velvet coat with long tails,
and thin shoes, a pointed hat and frills? Perhaps she would have liked
to confide all these things to someone. But how tell an undefinable
uneasiness, variable as the clouds, unstable as the winds? Words failed
her--the opportunity, the courage.

If Charles had but wished it, if he had guessed it, if his look had but
once met her thought, it seemed to her that a sudden plenty would have
gone out from her heart, as the fruit falls from a tree when shaken by
a hand. But as the intimacy of their life became deeper, the greater
became the gulf that separated her from him.

Charles's conversation was commonplace as a street pavement, and
everyone's ideas trooped through it in their everyday garb, without
exciting emotion, laughter, or thought. He had never had the curiosity,
he said, while he lived at Rouen, to go to the theatre to see the actors
from Paris. He could neither swim, nor fence, nor shoot, and one day
he could not explain some term of horsemanship to her that she had come
across in a novel.

A man, on the contrary, should he not know everything, excel in manifold
activities, initiate you into the energies of passion, the refinements
of life, all mysteries? But this one taught nothing, knew nothing,
wished nothing. He thought her happy; and she resented this easy calm,
this serene heaviness, the very happiness she gave him.

Sometimes she would draw; and it was great amusement to Charles to stand
there bolt upright and watch her bend over her cardboard, with eyes
half-closed the better to see her work, or rolling, between her fingers,
little bread-pellets. As to the piano, the more quickly her fingers
glided over it the more he wondered. She struck the notes with aplomb,
and ran from top to bottom of the keyboard without a break. Thus shaken
up, the old instrument, whose strings buzzed, could be heard at the
other end of the village when the window was open, and often the
bailiff's clerk, passing along the highroad bare-headed and in list
slippers, stopped to listen, his sheet of paper in his hand.

Emma, on the other hand, knew how to look after her house. She sent the
patients' accounts in well-phrased letters that had no suggestion of
a bill. When they had a neighbour to dinner on Sundays, she managed to
have some tasty dish--piled up pyramids of greengages on vine leaves,
served up preserves turned out into plates--and even spoke of buying
finger-glasses for dessert. From all this much consideration was
extended to Bovary.

Charles finished by rising in his own esteem for possessing such a wife.
He showed with pride in the sitting room two small pencil sketches by
her that he had had framed in very large frames, and hung up against the
wallpaper by long green cords. People returning from mass saw him at his
door in his wool-work slippers.

He came home late--at ten o'clock, at midnight sometimes. Then he asked
for something to eat, and as the servant had gone to bed, Emma waited
on him. He took off his coat to dine more at his ease. He told her, one
after the other, the people he had met, the villages where he had been,
the prescriptions he had written, and, well pleased with himself, he
finished the remainder of the boiled beef and onions, picked pieces off
the cheese, munched an apple, emptied his water-bottle, and then went to
bed, and lay on his back and snored.

As he had been for a time accustomed to wear nightcaps, his handkerchief
would not keep down over his ears, so that his hair in the morning was
all tumbled pell-mell about his face and whitened with the feathers of
the pillow, whose strings came untied during the night. He always wore
thick boots that had two long creases over the instep running obliquely
towards the ankle, while the rest of the upper continued in a straight
line as if stretched on a wooden foot. He said that "was quite good
enough for the country."

His mother approved of his economy, for she came to see him as formerly
when there had been some violent row at her place; and yet Madame Bovary
senior seemed prejudiced against her daughter-in-law. She thought "her
ways too fine for their position"; the wood, the sugar, and the candles
disappeared as "at a grand establishment," and the amount of firing in
the kitchen would have been enough for twenty-five courses. She put her
linen in order for her in the presses, and taught her to keep an eye on
the butcher when he brought the meat. Emma put up with these lessons.
Madame Bovary was lavish of them; and the words "daughter" and "mother"
were exchanged all day long, accompanied by little quiverings of the
lips, each one uttering gentle words in a voice trembling with anger.

In Madame Dubuc's time the old woman felt that she was still the
favorite; but now the love of Charles for Emma seemed to her a desertion
from her tenderness, an encroachment upon what was hers, and she watched
her son's happiness in sad silence, as a ruined man looks through
the windows at people dining in his old house. She recalled to him as
remembrances her troubles and her sacrifices, and, comparing these with
Emma's negligence, came to the conclusion that it was not reasonable to
adore her so exclusively.

Charles knew not what to answer: he respected his mother, and he loved
his wife infinitely; he considered the judgment of the one infallible,
and yet he thought the conduct of the other irreproachable. When Madam
Bovary had gone, he tried timidly and in the same terms to hazard one or
two of the more anodyne observations he had heard from his mamma. Emma
proved to him with a word that he was mistaken, and sent him off to his
patients.

And yet, in accord with theories she believed right, she wanted to make
herself in love with him. By moonlight in the garden she recited all
the passionate rhymes she knew by heart, and, sighing, sang to him many
melancholy adagios; but she found herself as calm after as before, and
Charles seemed no more amorous and no more moved.

When she had thus for a while struck the flint on her heart without
getting a spark, incapable, moreover, of understanding what she did
not experience as of believing anything that did not present itself
in conventional forms, she persuaded herself without difficulty that
Charles's passion was nothing very exorbitant. His outbursts became
regular; he embraced her at certain fixed times. It was one habit among
other habits, and, like a dessert, looked forward to after the monotony
of dinner.

A gamekeeper, cured by the doctor of inflammation of the lungs, had
given madame a little Italian greyhound; she took her out walking, for
she went out sometimes in order to be alone for a moment, and not to see
before her eyes the eternal garden and the dusty road. She went as far
as the beeches of Banneville, near the deserted pavilion which forms an
angle of the wall on the side of the country. Amidst the vegetation of
the ditch there are long reeds with leaves that cut you.

She began by looking round her to see if nothing had changed since last
she had been there. She found again in the same places the foxgloves and
wallflowers, the beds of nettles growing round the big stones, and
the patches of lichen along the three windows, whose shutters, always
closed, were rotting away on their rusty iron bars. Her thoughts,
aimless at first, wandered at random, like her greyhound, who ran round
and round in the fields, yelping after the yellow butterflies, chasing
the shrew-mice, or nibbling the poppies on the edge of a cornfield.

Then gradually her ideas took definite shape, and, sitting on the grass
that she dug up with little prods of her sunshade, Emma repeated to
herself, "Good heavens! Why did I marry?"

She asked herself if by some other chance combination it would have not
been possible to meet another man; and she tried to imagine what would
have been these unrealised events, this different life, this unknown
husband. All, surely, could not be like this one. He might have been
handsome, witty, distinguished, attractive, such as, no doubt, her old
companions of the convent had married. What were they doing now? In
town, with the noise of the streets, the buzz of the theatres and the
lights of the ballroom, they were living lives where the heart expands,
the senses bourgeon out. But she--her life was cold as a garret whose
dormer window looks on the north, and ennui, the silent spider, was
weaving its web in the darkness in every corner of her heart.

She recalled the prize days, when she mounted the platform to receive
her little crowns, with her hair in long plaits. In her white frock and
open prunella shoes she had a pretty way, and when she went back to her
seat, the gentlemen bent over her to congratulate her; the courtyard was
full of carriages; farewells were called to her through their windows;
the music master with his violin case bowed in passing by. How far all
of this! How far away! She called Djali, took her between her knees, and
smoothed the long delicate head, saying, "Come, kiss mistress; you have
no troubles."

Then noting the melancholy face of the graceful animal, who yawned
slowly, she softened, and comparing her to herself, spoke to her aloud
as to somebody in trouble whom one is consoling.

Occasionally there came gusts of winds, breezes from the sea rolling in
one sweep over the whole plateau of the Caux country, which brought
even to these fields a salt freshness. The rushes, close to the ground,
whistled; the branches trembled in a swift rustling, while their
summits, ceaselessly swaying, kept up a deep murmur. Emma drew her shawl
round her shoulders and rose.

In the avenue a green light dimmed by the leaves lit up the short moss
that crackled softly beneath her feet. The sun was setting; the sky
showed red between the branches, and the trunks of the trees, uniform,
and planted in a straight line, seemed a brown colonnade standing out
against a background of gold. A fear took hold of her; she called Djali,
and hurriedly returned to Tostes by the high road, threw herself into an
armchair, and for the rest of the evening did not speak.

But towards the end of September something extraordinary fell upon her
life; she was invited by the Marquis d'Andervilliers to Vaubyessard.

Secretary of State under the Restoration, the Marquis, anxious to
re-enter political life, set about preparing for his candidature to
the Chamber of Deputies long beforehand. In the winter he distributed a
great deal of wood, and in the Conseil General always enthusiastically
demanded new roads for his arrondissement. During the dog-days he had
suffered from an abscess, which Charles had cured as if by miracle by
giving a timely little touch with the lancet. The steward sent to Tostes
to pay for the operation reported in the evening that he had seen some
superb cherries in the doctor's little garden. Now cherry trees did not
thrive at Vaubyessard; the Marquis asked Bovary for some slips; made it
his business to thank his personally; saw Emma; thought she had a pretty
figure, and that she did not bow like a peasant; so that he did not
think he was going beyond the bounds of condescension, nor, on the other
hand, making a mistake, in inviting the young couple.

On Wednesday at three o'clock, Monsieur and Madame Bovary, seated in
their dog-cart, set out for Vaubyessard, with a great trunk strapped
on behind and a bonnet-box in front of the apron. Besides these Charles
held a bandbox between his knees.

They arrived at nightfall, just as the lamps in the park were being lit
to show the way for the carriages.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Emma wondered if the honeymoon was actually to be the finest part of her life. She wondered why she couldn't be standing in a Swiss chalet with a husband in a dashing outfit of velvet, soft boots, peaked hat, and so forth. As Charles' outward attraction for her increased, she began inwardly to detach herself from him. As she observed Charles, she noted that he simply trudged through every day. His talk was dull, he provoked no emotions in her, he had no desire to do or see anything, and he couldn't even explain a riding term in one of her novels. Ideally, she dreamed of a man who would introduce her to a multitude of activities and passions, who would inspire her to live to the fullest. And when she perceived that Charles was perfectly content simply to be with her, she hated him for his placid immobility and contentment. Charles, on the other hand, found no fault with his wife. She was an excellent manager and played the piano with skill. All her acts gave him pleasure, and in every way he was content with his life and good fortune. Whenever Mrs. Bovary visited, however, he was confounded by the coldness between his wife and mother. Emma resented the older woman's advice or interference, and the mother was jealous of her son's affection for his wife. Meanwhile, Emma continued to crave the exalted and passionate love which she sadly felt had been denied her. She criticized herself for ever having married and suffered from envy of the imagined happiness of the girls with whom she had gone to school. One September the Bovarys were invited to a ball at the chateau of the Marquis d'Andervilliers, whom Charles had treated. The Marquis was far above them in social rank but wanted to demonstrate his gratitude for the service Bovary had done him. Emma looked forward to this unique event with great eagerness.


prompt:
Chapter: The chateau, a modern building in Italian style, with two projecting
wings and three flights of steps, lay at the foot of an immense
green-sward, on which some cows were grazing among groups of large trees
set out at regular intervals, while large beds of arbutus, rhododendron,
syringas, and guelder roses bulged out their irregular clusters of
green along the curve of the gravel path. A river flowed under a bridge;
through the mist one could distinguish buildings with thatched roofs
scattered over the field bordered by two gently sloping, well timbered
hillocks, and in the background amid the trees rose in two parallel
lines the coach houses and stables, all that was left of the ruined old
chateau.

Charles's dog-cart pulled up before the middle flight of steps; servants
appeared; the Marquis came forward, and, offering his arm to the
doctor's wife, conducted her to the vestibule.

It was paved with marble slabs, was very lofty, and the sound of
footsteps and that of voices re-echoed through it as in a church.

Opposite rose a straight staircase, and on the left a gallery
overlooking the garden led to the billiard room, through whose door one
could hear the click of the ivory balls. As she crossed it to go to the
drawing room, Emma saw standing round the table men with grave faces,
their chins resting on high cravats. They all wore orders, and smiled
silently as they made their strokes.

On the dark wainscoting of the walls large gold frames bore at
the bottom names written in black letters. She read: "Jean-Antoine
d'Andervilliers d'Yvervonbille, Count de la Vaubyessard and Baron de la
Fresnay, killed at the battle of Coutras on the 20th of October,
1587." And on another: "Jean-Antoine-Henry-Guy d'Andervilliers de
la Vaubyessard, Admiral of France and Chevalier of the Order of St.
Michael, wounded at the battle of the Hougue-Saint-Vaast on the 29th of
May, 1692; died at Vaubyessard on the 23rd of January 1693." One could
hardly make out those that followed, for the light of the lamps lowered
over the green cloth threw a dim shadow round the room. Burnishing the
horizontal pictures, it broke up against these in delicate lines where
there were cracks in the varnish, and from all these great black squares
framed in with gold stood out here and there some lighter portion of the
painting--a pale brow, two eyes that looked at you, perukes flowing over
and powdering red-coated shoulders, or the buckle of a garter above a
well-rounded calf.

The Marquis opened the drawing room door; one of the ladies (the
Marchioness herself) came to meet Emma. She made her sit down by her on
an ottoman, and began talking to her as amicably as if she had known her
a long time. She was a woman of about forty, with fine shoulders, a hook
nose, a drawling voice, and on this evening she wore over her brown hair
a simple guipure fichu that fell in a point at the back. A fair young
woman sat in a high-backed chair in a corner; and gentlemen with flowers
in their buttonholes were talking to ladies round the fire.

At seven dinner was served. The men, who were in the majority, sat down
at the first table in the vestibule; the ladies at the second in the
dining room with the Marquis and Marchioness.

Emma, on entering, felt herself wrapped round by the warm air, a
blending of the perfume of flowers and of the fine linen, of the fumes
of the viands, and the odour of the truffles. The silver dish covers
reflected the lighted wax candles in the candelabra, the cut crystal
covered with light steam reflected from one to the other pale rays;
bouquets were placed in a row the whole length of the table; and in
the large-bordered plates each napkin, arranged after the fashion of a
bishop's mitre, held between its two gaping folds a small oval shaped
roll. The red claws of lobsters hung over the dishes; rich fruit in open
baskets was piled up on moss; there were quails in their plumage; smoke
was rising; and in silk stockings, knee-breeches, white cravat, and
frilled shirt, the steward, grave as a judge, offering ready carved
dishes between the shoulders of the guests, with a touch of the spoon
gave you the piece chosen. On the large stove of porcelain inlaid
with copper baguettes the statue of a woman, draped to the chin, gazed
motionless on the room full of life.

Madame Bovary noticed that many ladies had not put their gloves in their
glasses.

But at the upper end of the table, alone amongst all these women, bent
over his full plate, and his napkin tied round his neck like a child, an
old man sat eating, letting drops of gravy drip from his mouth. His eyes
were bloodshot, and he wore a little queue tied with black ribbon. He
was the Marquis's father-in-law, the old Duke de Laverdiere, once on
a time favourite of the Count d'Artois, in the days of the Vaudreuil
hunting-parties at the Marquis de Conflans', and had been, it was said,
the lover of Queen Marie Antoinette, between Monsieur de Coigny and
Monsieur de Lauzun. He had lived a life of noisy debauch, full of duels,
bets, elopements; he had squandered his fortune and frightened all his
family. A servant behind his chair named aloud to him in his ear the
dishes that he pointed to stammering, and constantly Emma's eyes
turned involuntarily to this old man with hanging lips, as to something
extraordinary. He had lived at court and slept in the bed of queens!
Iced champagne was poured out. Emma shivered all over as she felt
it cold in her mouth. She had never seen pomegranates nor tasted
pineapples. The powdered sugar even seemed to her whiter and finer than
elsewhere.

The ladies afterwards went to their rooms to prepare for the ball.

Emma made her toilet with the fastidious care of an actress on her
debut. She did her hair according to the directions of the hairdresser,
and put on the barege dress spread out upon the bed.

Charles's trousers were tight across the belly.

"My trouser-straps will be rather awkward for dancing," he said.

"Dancing?" repeated Emma.

"Yes!"

"Why, you must be mad! They would make fun of you; keep your place.
Besides, it is more becoming for a doctor," she added.

Charles was silent. He walked up and down waiting for Emma to finish
dressing.

He saw her from behind in the glass between two lights. Her black eyes
seemed blacker than ever. Her hair, undulating towards the ears, shone
with a blue lustre; a rose in her chignon trembled on its mobile stalk,
with artificial dewdrops on the tip of the leaves. She wore a gown of
pale saffron trimmed with three bouquets of pompon roses mixed with
green.

Charles came and kissed her on her shoulder.

"Let me alone!" she said; "you are tumbling me."

One could hear the flourish of the violin and the notes of a horn. She
went downstairs restraining herself from running.

Dancing had begun. Guests were arriving. There was some crushing.

She sat down on a form near the door.

The quadrille over, the floor was occupied by groups of men standing up
and talking and servants in livery bearing large trays. Along the line
of seated women painted fans were fluttering, bouquets half hid smiling
faces, and gold stoppered scent-bottles were turned in partly-closed
hands, whose white gloves outlined the nails and tightened on the flesh
at the wrists. Lace trimmings, diamond brooches, medallion bracelets
trembled on bodices, gleamed on breasts, clinked on bare arms.

The hair, well-smoothed over the temples and knotted at the nape,
bore crowns, or bunches, or sprays of mytosotis, jasmine, pomegranate
blossoms, ears of corn, and corn-flowers. Calmly seated in their places,
mothers with forbidding countenances were wearing red turbans.

Emma's heart beat rather faster when, her partner holding her by the
tips of the fingers, she took her place in a line with the dancers, and
waited for the first note to start. But her emotion soon vanished, and,
swaying to the rhythm of the orchestra, she glided forward with slight
movements of the neck. A smile rose to her lips at certain delicate
phrases of the violin, that sometimes played alone while the other
instruments were silent; one could hear the clear clink of the louis
d'or that were being thrown down upon the card tables in the next room;
then all struck again, the cornet-a-piston uttered its sonorous note,
feet marked time, skirts swelled and rustled, hands touched and parted;
the same eyes falling before you met yours again.

A few men (some fifteen or so), of twenty-five to forty, scattered here
and there among the dancers or talking at the doorways, distinguished
themselves from the crowd by a certain air of breeding, whatever their
differences in age, dress, or face.

Their clothes, better made, seemed of finer cloth, and their hair,
brought forward in curls towards the temples, glossy with more delicate
pomades. They had the complexion of wealth--that clear complexion that
is heightened by the pallor of porcelain, the shimmer of satin, the
veneer of old furniture, and that an ordered regimen of exquisite
nurture maintains at its best. Their necks moved easily in their low
cravats, their long whiskers fell over their turned-down collars, they
wiped their lips upon handkerchiefs with embroidered initials that gave
forth a subtle perfume. Those who were beginning to grow old had an air
of youth, while there was something mature in the faces of the young.
In their unconcerned looks was the calm of passions daily satiated, and
through all their gentleness of manner pierced that peculiar brutality,
the result of a command of half-easy things, in which force is exercised
and vanity amused--the management of thoroughbred horses and the society
of loose women.

A few steps from Emma a gentleman in a blue coat was talking of Italy
with a pale young woman wearing a parure of pearls.

They were praising the breadth of the columns of St. Peter's, Tivoly,
Vesuvius, Castellamare, and Cassines, the roses of Genoa, the Coliseum
by moonlight. With her other ear Emma was listening to a conversation
full of words she did not understand. A circle gathered round a very
young man who the week before had beaten "Miss Arabella" and "Romolus,"
and won two thousand louis jumping a ditch in England. One complained
that his racehorses were growing fat; another of the printers' errors
that had disfigured the name of his horse.

The atmosphere of the ball was heavy; the lamps were growing dim.

Guests were flocking to the billiard room. A servant got upon a chair
and broke the window-panes. At the crash of the glass Madame Bovary
turned her head and saw in the garden the faces of peasants pressed
against the window looking in at them. Then the memory of the Bertaux
came back to her. She saw the farm again, the muddy pond, her father in
a blouse under the apple trees, and she saw herself again as formerly,
skimming with her finger the cream off the milk-pans in the dairy. But
in the refulgence of the present hour her past life, so distinct until
then, faded away completely, and she almost doubted having lived it. She
was there; beyond the ball was only shadow overspreading all the rest.
She was just eating a maraschino ice that she held with her left hand
in a silver-gilt cup, her eyes half-closed, and the spoon between her
teeth.

A lady near her dropped her fan. A gentlemen was passing.

"Would you be so good," said the lady, "as to pick up my fan that has
fallen behind the sofa?"

The gentleman bowed, and as he moved to stretch out his arm, Emma saw
the hand of a young woman throw something white, folded in a triangle,
into his hat. The gentleman, picking up the fan, offered it to the lady
respectfully; she thanked him with an inclination of the head, and began
smelling her bouquet.

After supper, where were plenty of Spanish and Rhine wines, soups a la
bisque and au lait d'amandes*, puddings a la Trafalgar, and all sorts of
cold meats with jellies that trembled in the dishes, the carriages one
after the other began to drive off. Raising the corners of the muslin
curtain, one could see the light of their lanterns glimmering through
the darkness. The seats began to empty, some card-players were still
left; the musicians were cooling the tips of their fingers on their
tongues. Charles was half asleep, his back propped against a door.

     *With almond milk

At three o'clock the cotillion began. Emma did not know how to waltz.
Everyone was waltzing, Mademoiselle d'Andervilliers herself and the
Marquis; only the guests staying at the castle were still there, about a
dozen persons.

One of the waltzers, however, who was familiarly called Viscount, and
whose low cut waistcoat seemed moulded to his chest, came a second time
to ask Madame Bovary to dance, assuring her that he would guide her, and
that she would get through it very well.

They began slowly, then went more rapidly. They turned; all around them
was turning--the lamps, the furniture, the wainscoting, the floor, like
a disc on a pivot. On passing near the doors the bottom of Emma's dress
caught against his trousers.

Their legs commingled; he looked down at her; she raised her eyes to
his. A torpor seized her; she stopped. They started again, and with a
more rapid movement; the Viscount, dragging her along disappeared with
her to the end of the gallery, where panting, she almost fell, and for
a moment rested her head upon his breast. And then, still turning, but
more slowly, he guided her back to her seat. She leaned back against the
wall and covered her eyes with her hands.

When she opened them again, in the middle of the drawing room three
waltzers were kneeling before a lady sitting on a stool.

She chose the Viscount, and the violin struck up once more.

Everyone looked at them. They passed and re-passed, she with rigid body,
her chin bent down, and he always in the same pose, his figure curved,
his elbow rounded, his chin thrown forward. That woman knew how to
waltz! They kept up a long time, and tired out all the others.

Then they talked a few moments longer, and after the goodnights, or
rather good mornings, the guests of the chateau retired to bed.

Charles dragged himself up by the balusters. His "knees were going
up into his body." He had spent five consecutive hours standing
bolt upright at the card tables, watching them play whist, without
understanding anything about it, and it was with a deep sigh of relief
that he pulled off his boots.

Emma threw a shawl over her shoulders, opened the window, and leant out.

The night was dark; some drops of rain were falling. She breathed in the
damp wind that refreshed her eyelids. The music of the ball was still
murmuring in her ears. And she tried to keep herself awake in order to
prolong the illusion of this luxurious life that she would soon have to
give up.

Day began to break. She looked long at the windows of the chateau,
trying to guess which were the rooms of all those she had noticed the
evening before. She would fain have known their lives, have penetrated,
blended with them. But she was shivering with cold. She undressed, and
cowered down between the sheets against Charles, who was asleep.

There were a great many people to luncheon. The repast lasted ten
minutes; no liqueurs were served, which astonished the doctor.

Next, Mademoiselle d'Andervilliers collected some pieces of roll in a
small basket to take them to the swans on the ornamental waters, and
they went to walk in the hot-houses, where strange plants, bristling
with hairs, rose in pyramids under hanging vases, whence, as from
over-filled nests of serpents, fell long green cords interlacing.
The orangery, which was at the other end, led by a covered way to the
outhouses of the chateau. The Marquis, to amuse the young woman, took
her to see the stables.

Above the basket-shaped racks porcelain slabs bore the names of the
horses in black letters. Each animal in its stall whisked its tail when
anyone went near and said "Tchk! tchk!" The boards of the harness room
shone like the flooring of a drawing room. The carriage harness was
piled up in the middle against two twisted columns, and the bits, the
whips, the spurs, the curbs, were ranged in a line all along the wall.

Charles, meanwhile, went to ask a groom to put his horse to. The
dog-cart was brought to the foot of the steps, and, all the parcels
being crammed in, the Bovarys paid their respects to the Marquis and
Marchioness and set out again for Tostes.

Emma watched the turning wheels in silence. Charles, on the extreme edge
of the seat, held the reins with his two arms wide apart, and the little
horse ambled along in the shafts that were too big for him. The loose
reins hanging over his crupper were wet with foam, and the box fastened
on behind the chaise gave great regular bumps against it.

They were on the heights of Thibourville when suddenly some horsemen
with cigars between their lips passed laughing. Emma thought she
recognized the Viscount, turned back, and caught on the horizon only the
movement of the heads rising or falling with the unequal cadence of the
trot or gallop.

A mile farther on they had to stop to mend with some string the traces
that had broken.

But Charles, giving a last look to the harness, saw something on the
ground between his horse's legs, and he picked up a cigar-case with
a green silk border and beblazoned in the centre like the door of a
carriage.

"There are even two cigars in it," said he; "they'll do for this evening
after dinner."

"Why, do you smoke?" she asked.

"Sometimes, when I get a chance."

He put his find in his pocket and whipped up the nag.

When they reached home the dinner was not ready. Madame lost her temper.
Nastasie answered rudely.

"Leave the room!" said Emma. "You are forgetting yourself. I give you
warning."

For dinner there was onion soup and a piece of veal with sorrel.

Charles, seated opposite Emma, rubbed his hands gleefully.

"How good it is to be at home again!"

Nastasie could be heard crying. He was rather fond of the poor girl.
She had formerly, during the wearisome time of his widowhood, kept him
company many an evening. She had been his first patient, his oldest
acquaintance in the place.

"Have you given her warning for good?" he asked at last.

"Yes. Who is to prevent me?" she replied.

Then they warmed themselves in the kitchen while their room was being
made ready. Charles began to smoke. He smoked with lips protruding,
spitting every moment, recoiling at every puff.

"You'll make yourself ill," she said scornfully.

He put down his cigar and ran to swallow a glass of cold water at the
pump. Emma seizing hold of the cigar case threw it quickly to the back
of the cupboard.

The next day was a long one. She walked about her little garden, up
and down the same walks, stopping before the beds, before the espalier,
before the plaster curate, looking with amazement at all these things
of once-on-a-time that she knew so well. How far off the ball seemed
already! What was it that thus set so far asunder the morning of the day
before yesterday and the evening of to-day? Her journey to Vaubyessard
had made a hole in her life, like one of those great crevices that
a storm will sometimes make in one night in mountains. Still she was
resigned. She devoutly put away in her drawers her beautiful dress, down
to the satin shoes whose soles were yellowed with the slippery wax of
the dancing floor. Her heart was like these. In its friction against
wealth something had come over it that could not be effaced.

The memory of this ball, then, became an occupation for Emma.

Whenever the Wednesday came round she said to herself as she awoke, "Ah!
I was there a week--a fortnight--three weeks ago."

And little by little the faces grew confused in her remembrance.

She forgot the tune of the quadrilles; she no longer saw the liveries
and appointments so distinctly; some details escaped her, but the regret
remained with her.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The chateau was a building of stately proportions, situated on a large and prosperous estate. The many rooms were filled with expensive and artistic furnishings and decorations. The ball was attended by all the aristocracy and gentry of the surrounding area. Emma was overjoyed at the opportunity of being able to move freely in such noble company. During their stay at the chateau she constantly berated Bovary, whom she felt looked like a country buffoon and whose presence embarrassed her. Emma dressed and attempted to behave as if she too were a great lady and mingled with the other guests. All night she basked in the reflected glory of those around her. The ball and the people at it seemed to be transported from out of the novels and dreams she had long cherished. Emma was so ecstatic she never noticed that most of the guests ignored her. The high point of her evening came when a man known only as "Vicomte" danced with her. On the trip home Emma suffered from bitter disappointment that she, who was so obviously entitled to preferment, could not live this way all year round. In her disillusionment she saw Bovary as a clumsy, simple oaf. Back home her frustration caused her to be cross with him, and in a fit of pique she fired the maid, despite the woman's devotion and good service. Each day Emma attempted to recall the great events of the ball, but in time they became vague memories.


prompt:
Chapter: Often when Charles was out she took from the cupboard, between the
folds of the linen where she had left it, the green silk cigar case.
She looked at it, opened it, and even smelt the odour of the lining--a
mixture of verbena and tobacco. Whose was it? The Viscount's? Perhaps
it was a present from his mistress. It had been embroidered on some
rosewood frame, a pretty little thing, hidden from all eyes, that had
occupied many hours, and over which had fallen the soft curls of the
pensive worker. A breath of love had passed over the stitches on the
canvas; each prick of the needle had fixed there a hope or a memory, and
all those interwoven threads of silk were but the continuity of the same
silent passion. And then one morning the Viscount had taken it away
with him. Of what had they spoken when it lay upon the wide-mantelled
chimneys between flower-vases and Pompadour clocks? She was at Tostes;
he was at Paris now, far away! What was this Paris like? What a vague
name! She repeated it in a low voice, for the mere pleasure of it; it
rang in her ears like a great cathedral bell; it shone before her eyes,
even on the labels of her pomade-pots.

At night, when the carriers passed under her windows in their carts
singing the "Marjolaine," she awoke, and listened to the noise of the
iron-bound wheels, which, as they gained the country road, was soon
deadened by the soil. "They will be there to-morrow!" she said to
herself.

And she followed them in thought up and down the hills, traversing
villages, gliding along the highroads by the light of the stars. At the
end of some indefinite distance there was always a confused spot, into
which her dream died.

She bought a plan of Paris, and with the tip of her finger on the map
she walked about the capital. She went up the boulevards, stopping at
every turning, between the lines of the streets, in front of the white
squares that represented the houses. At last she would close the lids of
her weary eyes, and see in the darkness the gas jets flaring in the wind
and the steps of carriages lowered with much noise before the peristyles
of theatres.

She took in "La Corbeille," a lady's journal, and the "Sylphe des
Salons." She devoured, without skipping a word, all the accounts of
first nights, races, and soirees, took interest in the debut of a
singer, in the opening of a new shop. She knew the latest fashions, the
addresses of the best tailors, the days of the Bois and the Opera. In
Eugene Sue she studied descriptions of furniture; she read Balzac and
George Sand, seeking in them imaginary satisfaction for her own desires.
Even at table she had her book by her, and turned over the pages
while Charles ate and talked to her. The memory of the Viscount always
returned as she read. Between him and the imaginary personages she made
comparisons. But the circle of which he was the centre gradually widened
round him, and the aureole that he bore, fading from his form, broadened
out beyond, lighting up her other dreams.

Paris, more vague than the ocean, glimmered before Emma's eyes in an
atmosphere of vermilion. The many lives that stirred amid this tumult
were, however, divided into parts, classed as distinct pictures. Emma
perceived only two or three that hid from her all the rest, and in
themselves represented all humanity. The world of ambassadors moved over
polished floors in drawing rooms lined with mirrors, round oval tables
covered with velvet and gold-fringed cloths. There were dresses with
trains, deep mysteries, anguish hidden beneath smiles. Then came the
society of the duchesses; all were pale; all got up at four o'clock; the
women, poor angels, wore English point on their petticoats; and the men,
unappreciated geniuses under a frivolous outward seeming, rode horses to
death at pleasure parties, spent the summer season at Baden, and towards
the forties married heiresses. In the private rooms of restaurants,
where one sups after midnight by the light of wax candles, laughed the
motley crowd of men of letters and actresses. They were prodigal as
kings, full of ideal, ambitious, fantastic frenzy. This was an existence
outside that of all others, between heaven and earth, in the midst of
storms, having something of the sublime. For the rest of the world it
was lost, with no particular place and as if non-existent. The nearer
things were, moreover, the more her thoughts turned away from them.
All her immediate surroundings, the wearisome country, the middle-class
imbeciles, the mediocrity of existence, seemed to her exceptional, a
peculiar chance that had caught hold of her, while beyond stretched, as
far as eye could see, an immense land of joys and passions. She confused
in her desire the sensualities of luxury with the delights of the heart,
elegance of manners with delicacy of sentiment. Did not love, like
Indian plants, need a special soil, a particular temperature? Signs
by moonlight, long embraces, tears flowing over yielded hands, all
the fevers of the flesh and the languors of tenderness could not be
separated from the balconies of great castles full of indolence,
from boudoirs with silken curtains and thick carpets, well-filled
flower-stands, a bed on a raised dias, nor from the flashing of precious
stones and the shoulder-knots of liveries.

The lad from the posting house who came to groom the mare every morning
passed through the passage with his heavy wooden shoes; there were holes
in his blouse; his feet were bare in list slippers. And this was the
groom in knee-britches with whom she had to be content! His work done,
he did not come back again all day, for Charles on his return put up
his horse himself, unsaddled him and put on the halter, while the
servant-girl brought a bundle of straw and threw it as best she could
into the manger.

To replace Nastasie (who left Tostes shedding torrents of tears) Emma
took into her service a young girl of fourteen, an orphan with a sweet
face. She forbade her wearing cotton caps, taught her to address her in
the third person, to bring a glass of water on a plate, to knock before
coming into a room, to iron, starch, and to dress her--wanted to make a
lady's-maid of her. The new servant obeyed without a murmur, so as not
to be sent away; and as madame usually left the key in the sideboard,
Felicite every evening took a small supply of sugar that she ate alone
in her bed after she had said her prayers.

Sometimes in the afternoon she went to chat with the postilions.

Madame was in her room upstairs. She wore an open dressing gown that
showed between the shawl facings of her bodice a pleated chamisette with
three gold buttons. Her belt was a corded girdle with great tassels, and
her small garnet coloured slippers had a large knot of ribbon that fell
over her instep. She had bought herself a blotting book, writing case,
pen-holder, and envelopes, although she had no one to write to; she
dusted her what-not, looked at herself in the glass, picked up a book,
and then, dreaming between the lines, let it drop on her knees. She
longed to travel or to go back to her convent. She wished at the same
time to die and to live in Paris.

Charles in snow and rain trotted across country. He ate omelettes on
farmhouse tables, poked his arm into damp beds, received the tepid
spurt of blood-lettings in his face, listened to death-rattles, examined
basins, turned over a good deal of dirty linen; but every evening he
found a blazing fire, his dinner ready, easy-chairs, and a well-dressed
woman, charming with an odour of freshness, though no one could say
whence the perfume came, or if it were not her skin that made odorous
her chemise.

She charmed him by numerous attentions; now it was some new way of
arranging paper sconces for the candles, a flounce that she altered on
her gown, or an extraordinary name for some very simple dish that the
servant had spoilt, but that Charles swallowed with pleasure to the last
mouthful. At Rouen she saw some ladies who wore a bunch of charms on the
watch-chains; she bought some charms. She wanted for her mantelpiece two
large blue glass vases, and some time after an ivory necessaire with a
silver-gilt thimble. The less Charles understood these refinements
the more they seduced him. They added something to the pleasure of the
senses and to the comfort of his fireside. It was like a golden dust
sanding all along the narrow path of his life.

He was well, looked well; his reputation was firmly established.

The country-folk loved him because he was not proud. He petted the
children, never went to the public house, and, moreover, his morals
inspired confidence. He was specially successful with catarrhs and chest
complaints. Being much afraid of killing his patients, Charles, in fact
only prescribed sedatives, from time to time and emetic, a footbath,
or leeches. It was not that he was afraid of surgery; he bled people
copiously like horses, and for the taking out of teeth he had the
"devil's own wrist."

Finally, to keep up with the times, he took in "La Ruche Medicale,"
a new journal whose prospectus had been sent him. He read it a little
after dinner, but in about five minutes the warmth of the room added to
the effect of his dinner sent him to sleep; and he sat there, his chin
on his two hands and his hair spreading like a mane to the foot of the
lamp. Emma looked at him and shrugged her shoulders. Why, at least, was
not her husband one of those men of taciturn passions who work at their
books all night, and at last, when about sixty, the age of rheumatism
sets in, wear a string of orders on their ill-fitting black coat?
She could have wished this name of Bovary, which was hers, had been
illustrious, to see it displayed at the booksellers', repeated in the
newspapers, known to all France. But Charles had no ambition.

An Yvetot doctor whom he had lately met in consultation had somewhat
humiliated him at the very bedside of the patient, before the assembled
relatives. When, in the evening, Charles told her this anecdote, Emma
inveighed loudly against his colleague. Charles was much touched. He
kissed her forehead with a tear in his eyes. But she was angered with
shame; she felt a wild desire to strike him; she went to open the window
in the passage and breathed in the fresh air to calm herself.

"What a man! What a man!" she said in a low voice, biting her lips.

Besides, she was becoming more irritated with him. As he grew older his
manner grew heavier; at dessert he cut the corks of the empty bottles;
after eating he cleaned his teeth with his tongue; in taking soup
he made a gurgling noise with every spoonful; and, as he was getting
fatter, the puffed-out cheeks seemed to push the eyes, always small, up
to the temples.

Sometimes Emma tucked the red borders of his under-vest unto his
waistcoat, rearranged his cravat, and threw away the dirty gloves he was
going to put on; and this was not, as he fancied, for himself; it
was for herself, by a diffusion of egotism, of nervous irritation.
Sometimes, too, she told him of what she had read, such as a passage in
a novel, of a new play, or an anecdote of the "upper ten" that she
had seen in a feuilleton; for, after all, Charles was something, an
ever-open ear, and ever-ready approbation. She confided many a thing to
her greyhound. She would have done so to the logs in the fireplace or to
the pendulum of the clock.

At the bottom of her heart, however, she was waiting for something to
happen. Like shipwrecked sailors, she turned despairing eyes upon the
solitude of her life, seeking afar off some white sail in the mists of
the horizon. She did not know what this chance would be, what wind would
bring it her, towards what shore it would drive her, if it would be a
shallop or a three-decker, laden with anguish or full of bliss to the
portholes. But each morning, as she awoke, she hoped it would come that
day; she listened to every sound, sprang up with a start, wondered that
it did not come; then at sunset, always more saddened, she longed for
the morrow.

Spring came round. With the first warm weather, when the pear trees
began to blossom, she suffered from dyspnoea.

From the beginning of July she counted how many weeks there were to
October, thinking that perhaps the Marquis d'Andervilliers would give
another ball at Vaubyessard. But all September passed without letters or
visits.

After the ennui of this disappointment her heart once more remained
empty, and then the same series of days recommenced. So now they would
thus follow one another, always the same, immovable, and bringing
nothing. Other lives, however flat, had at least the chance of some
event. One adventure sometimes brought with it infinite consequences and
the scene changed. But nothing happened to her; God had willed it so!
The future was a dark corridor, with its door at the end shut fast.

She gave up music. What was the good of playing? Who would hear her?
Since she could never, in a velvet gown with short sleeves, striking
with her light fingers the ivory keys of an Erard at a concert, feel
the murmur of ecstasy envelop her like a breeze, it was not worth while
boring herself with practicing. Her drawing cardboard and her embroidery
she left in the cupboard. What was the good? What was the good? Sewing
irritated her. "I have read everything," she said to herself. And she
sat there making the tongs red-hot, or looked at the rain falling.

How sad she was on Sundays when vespers sounded! She listened with dull
attention to each stroke of the cracked bell. A cat slowly walking over
some roof put up his back in the pale rays of the sun. The wind on the
highroad blew up clouds of dust. Afar off a dog sometimes howled; and
the bell, keeping time, continued its monotonous ringing that died away
over the fields.

But the people came out from church. The women in waxed clogs, the
peasants in new blouses, the little bare-headed children skipping along
in front of them, all were going home. And till nightfall, five or six
men, always the same, stayed playing at corks in front of the large door
of the inn.

The winter was severe. The windows every morning were covered with
rime, and the light shining through them, dim as through ground-glass,
sometimes did not change the whole day long. At four o'clock the lamp
had to be lighted.

On fine days she went down into the garden. The dew had left on the
cabbages a silver lace with long transparent threads spreading from one
to the other. No birds were to be heard; everything seemed asleep, the
espalier covered with straw, and the vine, like a great sick serpent
under the coping of the wall, along which, on drawing near, one saw the
many-footed woodlice crawling. Under the spruce by the hedgerow, the
curie in the three-cornered hat reading his breviary had lost his right
foot, and the very plaster, scaling off with the frost, had left white
scabs on his face.

Then she went up again, shut her door, put on coals, and fainting with
the heat of the hearth, felt her boredom weigh more heavily than ever.
She would have liked to go down and talk to the servant, but a sense of
shame restrained her.

Every day at the same time the schoolmaster in a black skullcap opened
the shutters of his house, and the rural policeman, wearing his sabre
over his blouse, passed by. Night and morning the post-horses, three by
three, crossed the street to water at the pond. From time to time the
bell of a public house door rang, and when it was windy one could hear
the little brass basins that served as signs for the hairdresser's shop
creaking on their two rods. This shop had as decoration an old engraving
of a fashion-plate stuck against a windowpane and the wax bust of a
woman with yellow hair. He, too, the hairdresser, lamented his wasted
calling, his hopeless future, and dreaming of some shop in a big
town--at Rouen, for example, overlooking the harbour, near the
theatre--he walked up and down all day from the mairie to the church,
sombre and waiting for customers. When Madame Bovary looked up, she
always saw him there, like a sentinel on duty, with his skullcap over
his ears and his vest of lasting.

Sometimes in the afternoon outside the window of her room, the head of a
man appeared, a swarthy head with black whiskers, smiling slowly, with
a broad, gentle smile that showed his white teeth. A waltz immediately
began and on the organ, in a little drawing room, dancers the size of
a finger, women in pink turbans, Tyrolians in jackets, monkeys in frock
coats, gentlemen in knee-breeches, turned and turned between the sofas,
the consoles, multiplied in the bits of looking glass held together
at their corners by a piece of gold paper. The man turned his handle,
looking to the right and left, and up at the windows. Now and again,
while he shot out a long squirt of brown saliva against the milestone,
with his knee raised his instrument, whose hard straps tired his
shoulder; and now, doleful and drawling, or gay and hurried, the music
escaped from the box, droning through a curtain of pink taffeta under
a brass claw in arabesque. They were airs played in other places at
the theatres, sung in drawing rooms, danced to at night under lighted
lustres, echoes of the world that reached even to Emma. Endless
sarabands ran through her head, and, like an Indian dancing girl on the
flowers of a carpet, her thoughts leapt with the notes, swung from dream
to dream, from sadness to sadness. When the man had caught some coppers
in his cap, he drew down an old cover of blue cloth, hitched his organ
on to his back, and went off with a heavy tread. She watched him going.

But it was above all the meal-times that were unbearable to her, in this
small room on the ground floor, with its smoking stove, its creaking
door, the walls that sweated, the damp flags; all the bitterness in life
seemed served up on her plate, and with smoke of the boiled beef there
rose from her secret soul whiffs of sickliness. Charles was a slow
eater; she played with a few nuts, or, leaning on her elbow, amused
herself with drawing lines along the oilcloth table cover with the point
of her knife.

She now let everything in her household take care of itself, and Madame
Bovary senior, when she came to spend part of Lent at Tostes, was much
surprised at the change. She who was formerly so careful, so dainty,
now passed whole days without dressing, wore grey cotton stockings, and
burnt tallow candles. She kept saying they must be economical since
they were not rich, adding that she was very contented, very happy, that
Tostes pleased her very much, with other speeches that closed the mouth
of her mother-in-law. Besides, Emma no longer seemed inclined to follow
her advice; once even, Madame Bovary having thought fit to maintain that
mistresses ought to keep an eye on the religion of their servants, she
had answered with so angry a look and so cold a smile that the good
woman did not interfere again.

Emma was growing difficult, capricious. She ordered dishes for herself,
then she did not touch them; one day drank only pure milk, the next
cups of tea by the dozen. Often she persisted in not going out, then,
stifling, threw open the windows and put on light dresses. After she had
well scolded her servant she gave her presents or sent her out to see
neighbours, just as she sometimes threw beggars all the silver in her
purse, although she was by no means tender-hearted or easily accessible
to the feelings of others, like most country-bred people, who always
retain in their souls something of the horny hardness of the paternal
hands.

Towards the end of February old Rouault, in memory of his cure, himself
brought his son-in-law a superb turkey, and stayed three days at Tostes.
Charles being with his patients, Emma kept him company. He smoked in the
room, spat on the firedogs, talked farming, calves, cows, poultry, and
municipal council, so that when he left she closed the door on him with
a feeling of satisfaction that surprised even herself. Moreover she no
longer concealed her contempt for anything or anybody, and at times she
set herself to express singular opinions, finding fault with that which
others approved, and approving things perverse and immoral, all of which
made her husband open his eyes widely.

Would this misery last for ever? Would she never issue from it? Yet
she was as good as all the women who were living happily. She had seen
duchesses at Vaubyessard with clumsier waists and commoner ways, and she
execrated the injustice of God. She leant her head against the walls
to weep; she envied lives of stir; longed for masked balls, for violent
pleasures, with all the wildness that she did not know, but that these
must surely yield.

She grew pale and suffered from palpitations of the heart.

Charles prescribed valerian and camphor baths. Everything that was tried
only seemed to irritate her the more.

On certain days she chatted with feverish rapidity, and this
over-excitement was suddenly followed by a state of torpor, in which
she remained without speaking, without moving. What then revived her was
pouring a bottle of eau-de-cologne over her arms.

As she was constantly complaining about Tostes, Charles fancied that her
illness was no doubt due to some local cause, and fixing on this idea,
began to think seriously of setting up elsewhere.

From that moment she drank vinegar, contracted a sharp little cough, and
completely lost her appetite.

It cost Charles much to give up Tostes after living there four years and
"when he was beginning to get on there." Yet if it must be! He took her
to Rouen to see his old master. It was a nervous complaint: change of
air was needed.

After looking about him on this side and on that, Charles learnt that
in the Neufchatel arrondissement there was a considerable market town
called Yonville-l'Abbaye, whose doctor, a Polish refugee, had decamped a
week before. Then he wrote to the chemist of the place to ask the
number of the population, the distance from the nearest doctor, what
his predecessor had made a year, and so forth; and the answer being
satisfactory, he made up his mind to move towards the spring, if Emma's
health did not improve.

One day when, in view of her departure, she was tidying a drawer,
something pricked her finger. It was a wire of her wedding bouquet.
The orange blossoms were yellow with dust and the silver bordered satin
ribbons frayed at the edges. She threw it into the fire. It flared
up more quickly than dry straw. Then it was, like a red bush in the
cinders, slowly devoured. She watched it burn.

The little pasteboard berries burst, the wire twisted, the gold
lace melted; and the shriveled paper corollas, fluttering like black
butterflies at the back of the stove, at last flew up the chimney.

When they left Tostes at the month of March, Madame Bovary was pregnant.

Part II

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Emma buried herself in her fantasies and dreamed of living in Paris, among the nobility. She visualized life in the capital as a constant round of balls, parties, amours, and other exciting things. She read novels and travel books voraciously and studied maps of the city. Much of her time was spent planning imaginary trips, adventures, secret meetings, and visits to the theater or opera. The reality of life at Tostes became unbearable to her, and she was even more critical of Bovary. At first Emma attempted to add little touches of elegance to her humdrum life, such as fancy lampshades and silver, but this soon became an unsatisfactory solution to her craving, even though it pleased Charles. Emma's despair became more intense when she finally was forced to realize that there would be no further invitations to the chateau, and in her depression she gave up her music, sketching, and other pursuits. She was often sad and lonely, and during the long winter her plight became worse. She seemed to cultivate her unhappiness and self-pity by concentrating on her unattainable aspirations, and by finding so little with which to occupy herself. Most of her time was now spent staring down from her window at the village street. She was sullen and rarely spoke to Charles. As her condition became even worse, Emma's moods began to fluctuate between extreme forms of behavior. Sometimes she was very active, sometimes lethargic and slovenly, sometimes nervous and stingy, sometimes capricious and temperamental, but always she was unpredictable and difficult to get along with. Soon she became physically ill. None of Charles' worried efforts to cure her were successful, and he took her to Rouen, to see the medical professor under whom he had studied. This learned doctor recommended a change of scene for the sake of Emma's health, since it was evidently a nervous disorder and she complained so much of disliking Tostes. Despite the fact that he had built a flourishing practice in the village, Charles was willing to sacrifice all for Emma's welfare. After making some inquiries, he decided to move to the town of Yonville, which was located in a nice area and where a doctor was needed. While Emma was helping with the packing, she pricked her hand on her old bridal bouquet, which was now dried up, frayed and yellow with dust. She threw it into the fire and watched it burn. By the time they moved to the new town, Emma was pregnant.