prompt:
Chapter: Alexandra did not find time to go to her neighbor's the next day, nor
the next. It was a busy season on the farm, with the corn-plowing
going on, and even Emil was in the field with a team and cultivator.
Carl went about over the farms with Alexandra in the morning, and
in the afternoon and evening they found a great deal to talk about.
Emil, for all his track practice, did not stand up under farmwork
very well, and by night he was too tired to talk or even to practise
on his cornet.

On Wednesday morning Carl got up before it was light, and stole
downstairs and out of the kitchen door just as old Ivar was making
his morning ablutions at the pump. Carl nodded to him and hurried
up the draw, past the garden, and into the pasture where the milking
cows used to be kept.

The dawn in the east looked like the light from some great fire that
was burning under the edge of the world. The color was reflected
in the globules of dew that sheathed the short gray pasture grass.
Carl walked rapidly until he came to the crest of the second hill,
where the Bergson pasture joined the one that had belonged to his
father. There he sat down and waited for the sun to rise. It was
just there that he and Alexandra used to do their milking together, he
on his side of the fence, she on hers. He could remember exactly
how she looked when she came over the close-cropped grass, her
skirts pinned up, her head bare, a bright tin pail in either hand,
and the milky light of the early morning all about her. Even as
a boy he used to feel, when he saw her coming with her free step,
her upright head and calm shoulders, that she looked as if she had
walked straight out of the morning itself. Since then, when he had
happened to see the sun come up in the country or on the water, he
had often remembered the young Swedish girl and her milking pails.

Carl sat musing until the sun leaped above the prairie, and in the
grass about him all the small creatures of day began to tune their
tiny instruments. Birds and insects without number began to chirp,
to twitter, to snap and whistle, to make all manner of fresh shrill
noises. The pasture was flooded with light; every clump of ironweed
and snow-on-the-mountain threw a long shadow, and the golden light
seemed to be rippling through the curly grass like the tide racing
in.

He crossed the fence into the pasture that was now the Shabatas' and
continued his walk toward the pond. He had not gone far, however,
when he discovered that he was not the only person abroad. In the
draw below, his gun in his hands, was Emil, advancing cautiously,
with a young woman beside him. They were moving softly, keeping
close together, and Carl knew that they expected to find ducks on
the pond. At the moment when they came in sight of the bright spot
of water, he heard a whirr of wings and the ducks shot up into the
air. There was a sharp crack from the gun, and five of the birds
fell to the ground. Emil and his companion laughed delightedly,
and Emil ran to pick them up. When he came back, dangling the
ducks by their feet, Marie held her apron and he dropped them into
it. As she stood looking down at them, her face changed. She
took up one of the birds, a rumpled ball of feathers with the blood
dripping slowly from its mouth, and looked at the live color that
still burned on its plumage.

As she let it fall, she cried in distress, "Oh, Emil, why did you?"

"I like that!" the boy exclaimed indignantly. "Why, Marie, you
asked me to come yourself."

"Yes, yes, I know," she said tearfully, "but I didn't think. I
hate to see them when they are first shot. They were having such
a good time, and we've spoiled it all for them."

Emil gave a rather sore laugh. "I should say we had! I'm not going
hunting with you any more. You're as bad as Ivar. Here, let me
take them." He snatched the ducks out of her apron.

"Don't be cross, Emil. Only--Ivar's right about wild things. They're
too happy to kill. You can tell just how they felt when they flew
up. They were scared, but they didn't really think anything could
hurt them. No, we won't do that any more."

"All right," Emil assented. "I'm sorry I made you feel bad." As
he looked down into her tearful eyes, there was a curious, sharp
young bitterness in his own.

Carl watched them as they moved slowly down the draw. They had
not seen him at all. He had not overheard much of their dialogue,
but he felt the import of it. It made him, somehow, unreasonably
mournful to find two young things abroad in the pasture in the
early morning. He decided that he needed his breakfast.

At dinner that day Alexandra said she thought they must really
manage to go over to the Shabatas' that afternoon. "It's not often
I let three days go by without seeing Marie. She will think I have
forsaken her, now that my old friend has come back."

After the men had gone back to work, Alexandra put on a white dress
and her sun-hat, and she and Carl set forth across the fields.
"You see we have kept up the old path, Carl. It has been so nice
for me to feel that there was a friend at the other end of it
again."

Carl smiled a little ruefully. "All the same, I hope it hasn't
been QUITE the same."

Alexandra looked at him with surprise. "Why, no, of course not.
Not the same. She could not very well take your place, if that's
what you mean. I'm friendly with all my neighbors, I hope. But
Marie is really a companion, some one I can talk to quite frankly.
You wouldn't want me to be more lonely than I have been, would
you?"

Carl laughed and pushed back the triangular lock of hair with the
edge of his hat. "Of course I don't. I ought to be thankful that
this path hasn't been worn by--well, by friends with more pressing
errands than your little Bohemian is likely to have." He paused
to give Alexandra his hand as she stepped over the stile. "Are
you the least bit disappointed in our coming together again?" he
asked abruptly. "Is it the way you hoped it would be?"

Alexandra smiled at this. "Only better. When I've thought about
your coming, I've sometimes been a little afraid of it. You have
lived where things move so fast, and everything is slow here; the
people slowest of all. Our lives are like the years, all made up
of weather and crops and cows. How you hated cows!" She shook her
head and laughed to herself.

"I didn't when we milked together. I walked up to the pasture
corners this morning. I wonder whether I shall ever be able to
tell you all that I was thinking about up there. It's a strange
thing, Alexandra; I find it easy to be frank with you about everything
under the sun except--yourself!"

"You are afraid of hurting my feelings, perhaps." Alexandra looked
at him thoughtfully.

"No, I'm afraid of giving you a shock. You've seen yourself for
so long in the dull minds of the people about you, that if I were
to tell you how you seem to me, it would startle you. But you must
see that you astonish me. You must feel when people admire you."

Alexandra blushed and laughed with some confusion. "I felt that
you were pleased with me, if you mean that."

"And you've felt when other people were pleased with you?" he
insisted.

"Well, sometimes. The men in town, at the banks and the county
offices, seem glad to see me. I think, myself, it is more pleasant
to do business with people who are clean and healthy-looking," she
admitted blandly.

Carl gave a little chuckle as he opened the Shabatas' gate for her.
"Oh, do you?" he asked dryly.

There was no sign of life about the Shabatas' house except a big
yellow cat, sunning itself on the kitchen doorstep.

Alexandra took the path that led to the orchard. "She often sits
there and sews. I didn't telephone her we were coming, because I
didn't want her to go to work and bake cake and freeze ice-cream.
She'll always make a party if you give her the least excuse. Do
you recognize the apple trees, Carl?"

Linstrum looked about him. "I wish I had a dollar for every bucket
of water I've carried for those trees. Poor father, he was an
easy man, but he was perfectly merciless when it came to watering
the orchard."

"That's one thing I like about Germans; they make an orchard grow
if they can't make anything else. I'm so glad these trees belong
to some one who takes comfort in them. When I rented this place,
the tenants never kept the orchard up, and Emil and I used to come
over and take care of it ourselves. It needs mowing now. There
she is, down in the corner. Maria-a-a!" she called.

A recumbent figure started up from the grass and came running toward
them through the flickering screen of light and shade.

"Look at her! Isn't she like a little brown rabbit?" Alexandra
laughed.

Maria ran up panting and threw her arms about Alexandra. "Oh, I
had begun to think you were not coming at all, maybe. I knew you
were so busy. Yes, Emil told me about Mr. Linstrum being here.
Won't you come up to the house?"

"Why not sit down there in your corner? Carl wants to see the
orchard. He kept all these trees alive for years, watering them
with his own back."

Marie turned to Carl. "Then I'm thankful to you, Mr. Linstrum. We'd
never have bought the place if it hadn't been for this orchard, and
then I wouldn't have had Alexandra, either." She gave Alexandra's
arm a little squeeze as she walked beside her. "How nice your dress
smells, Alexandra; you put rosemary leaves in your chest, like I
told you."

She led them to the northwest corner of the orchard, sheltered on
one side by a thick mulberry hedge and bordered on the other by a
wheatfield, just beginning to yellow. In this corner the ground
dipped a little, and the blue-grass, which the weeds had driven out
in the upper part of the orchard, grew thick and luxuriant. Wild
roses were flaming in the tufts of bunchgrass along the fence.
Under a white mulberry tree there was an old wagon-seat. Beside
it lay a book and a workbasket.

"You must have the seat, Alexandra. The grass would stain your
dress," the hostess insisted. She dropped down on the ground
at Alexandra's side and tucked her feet under her. Carl sat at
a little distance from the two women, his back to the wheatfield,
and watched them. Alexandra took off her shade-hat and threw it on
the ground. Marie picked it up and played with the white ribbons,
twisting them about her brown fingers as she talked. They made a
pretty picture in the strong sunlight, the leafy pattern surrounding
them like a net; the Swedish woman so white and gold, kindly and
amused, but armored in calm, and the alert brown one, her full lips
parted, points of yellow light dancing in her eyes as she laughed
and chattered. Carl had never forgotten little Marie Tovesky's
eyes, and he was glad to have an opportunity to study them. The
brown iris, he found, was curiously slashed with yellow, the color
of sunflower honey, or of old amber. In each eye one of these
streaks must have been larger than the others, for the effect was
that of two dancing points of light, two little yellow bubbles,
such as rise in a glass of champagne. Sometimes they seemed like
the sparks from a forge. She seemed so easily excited, to kindle
with a fierce little flame if one but breathed upon her. "What
a waste," Carl reflected. "She ought to be doing all that for a
sweetheart. How awkwardly things come about!"

It was not very long before Marie sprang up out of the grass again.
"Wait a moment. I want to show you something." She ran away and
disappeared behind the low-growing apple trees.

"What a charming creature," Carl murmured. "I don't wonder that
her husband is jealous. But can't she walk? does she always run?"

Alexandra nodded. "Always. I don't see many people, but I don't
believe there are many like her, anywhere."

Marie came back with a branch she had broken from an apricot tree,
laden with pale yellow, pink-cheeked fruit. She dropped it beside
Carl. "Did you plant those, too? They are such beautiful little
trees."

Carl fingered the blue-green leaves, porous like blotting-paper and
shaped like birch leaves, hung on waxen red stems. "Yes, I think
I did. Are these the circus trees, Alexandra?"

"Shall I tell her about them?" Alexandra asked. "Sit down like
a good girl, Marie, and don't ruin my poor hat, and I'll tell you
a story. A long time ago, when Carl and I were, say, sixteen and
twelve, a circus came to Hanover and we went to town in our wagon,
with Lou and Oscar, to see the parade. We hadn't money enough to
go to the circus. We followed the parade out to the circus grounds
and hung around until the show began and the crowd went inside the
tent. Then Lou was afraid we looked foolish standing outside in
the pasture, so we went back to Hanover feeling very sad. There
was a man in the streets selling apricots, and we had never seen
any before. He had driven down from somewhere up in the French
country, and he was selling them twenty-five cents a peck. We had
a little money our fathers had given us for candy, and I bought
two pecks and Carl bought one. They cheered us a good deal, and
we saved all the seeds and planted them. Up to the time Carl went
away, they hadn't borne at all."

"And now he's come back to eat them," cried Marie, nodding at Carl.
"That IS a good story. I can remember you a little, Mr. Linstrum.
I used to see you in Hanover sometimes, when Uncle Joe took me to
town. I remember you because you were always buying pencils and
tubes of paint at the drug store. Once, when my uncle left me at
the store, you drew a lot of little birds and flowers for me on a
piece of wrapping-paper. I kept them for a long while. I thought
you were very romantic because you could draw and had such black
eyes."

Carl smiled. "Yes, I remember that time. Your uncle bought you
some kind of a mechanical toy, a Turkish lady sitting on an ottoman
and smoking a hookah, wasn't it? And she turned her head backwards
and forwards."

"Oh, yes! Wasn't she splendid! I knew well enough I ought not
to tell Uncle Joe I wanted it, for he had just come back from the
saloon and was feeling good. You remember how he laughed? She
tickled him, too. But when we got home, my aunt scolded him for
buying toys when she needed so many things. We wound our lady up
every night, and when she began to move her head my aunt used to
laugh as hard as any of us. It was a music-box, you know, and the
Turkish lady played a tune while she smoked. That was how she made
you feel so jolly. As I remember her, she was lovely, and had a
gold crescent on her turban."

Half an hour later, as they were leaving the house, Carl and Alexandra
were met in the path by a strapping fellow in overalls and a blue
shirt. He was breathing hard, as if he had been running, and was
muttering to himself.

Marie ran forward, and, taking him by the arm, gave him a little
push toward her guests. "Frank, this is Mr. Linstrum."

Frank took off his broad straw hat and nodded to Alexandra. When
he spoke to Carl, he showed a fine set of white teeth. He was burned
a dull red down to his neckband, and there was a heavy three-days'
stubble on his face. Even in his agitation he was handsome, but
he looked a rash and violent man.

Barely saluting the callers, he turned at once to his wife and
began, in an outraged tone, "I have to leave my team to drive the
old woman Hiller's hogs out-a my wheat. I go to take dat old woman
to de court if she ain't careful, I tell you!"

His wife spoke soothingly. "But, Frank, she has only her lame boy
to help her. She does the best she can."

Alexandra looked at the excited man and offered a suggestion. "Why
don't you go over there some afternoon and hog-tight her fences?
You'd save time for yourself in the end."

Frank's neck stiffened. "Not-a-much, I won't. I keep my hogs
home. Other peoples can do like me. See? If that Louis can mend
shoes, he can mend fence."

"Maybe," said Alexandra placidly; "but I've found it sometimes pays
to mend other people's fences. Good-bye, Marie. Come to see me
soon."

Alexandra walked firmly down the path and Carl followed her.

Frank went into the house and threw himself on the sofa, his face
to the wall, his clenched fist on his hip. Marie, having seen her
guests off, came in and put her hand coaxingly on his shoulder.

"Poor Frank! You've run until you've made your head ache, now
haven't you? Let me make you some coffee."

"What else am I to do?" he cried hotly in Bohemian. "Am I to let
any old woman's hogs root up my wheat? Is that what I work myself
to death for?"

"Don't worry about it, Frank. I'll speak to Mrs. Hiller again.
But, really, she almost cried last time they got out, she was so
sorry."

Frank bounced over on his other side. "That's it; you always side
with them against me. They all know it. Anybody here feels free
to borrow the mower and break it, or turn their hogs in on me.
They know you won't care!"

Marie hurried away to make his coffee. When she came back, he was
fast asleep. She sat down and looked at him for a long while, very
thoughtfully. When the kitchen clock struck six she went out to
get supper, closing the door gently behind her. She was always
sorry for Frank when he worked himself into one of these rages, and
she was sorry to have him rough and quarrelsome with his neighbors.
She was perfectly aware that the neighbors had a good deal to put
up with, and that they bore with Frank for her sake.

Marie's father, Albert Tovesky, was one of the more intelligent
Bohemians who came West in the early seventies. He settled in Omaha
and became a leader and adviser among his people there. Marie was
his youngest child, by a second wife, and was the apple of his eye.
She was barely sixteen, and was in the graduating class of the
Omaha High School, when Frank Shabata arrived from the old country
and set all the Bohemian girls in a flutter. He was easily the
buck of the beer-gardens, and on Sunday he was a sight to see, with
his silk hat and tucked shirt and blue frock-coat, wearing gloves
and carrying a little wisp of a yellow cane. He was tall and fair,
with splendid teeth and close-cropped yellow curls, and he wore a
slightly disdainful expression, proper for a young man with high
connections, whose mother had a big farm in the Elbe valley. There
was often an interesting discontent in his blue eyes, and every
Bohemian girl he met imagined herself the cause of that unsatisfied
expression. He had a way of drawing out his cambric handkerchief
slowly, by one corner, from his breast-pocket, that was melancholy
and romantic in the extreme. He took a little flight with each
of the more eligible Bohemian girls, but it was when he was with
little Marie Tovesky that he drew his handkerchief out most slowly,
and, after he had lit a fresh cigar, dropped the match most
despairingly. Any one could see, with half an eye, that his proud
heart was bleeding for somebody.

One Sunday, late in the summer after Marie's graduation, she met
Frank at a Bohemian picnic down the river and went rowing with him
all the afternoon. When she got home that evening she went straight
to her father's room and told him that she was engaged to Shabata.
Old Tovesky was having a comfortable pipe before he went to bed.
When he heard his daughter's announcement, he first prudently
corked his beer bottle and then leaped to his feet and had a turn
of temper. He characterized Frank Shabata by a Bohemian expression
which is the equivalent of stuffed shirt.

"Why don't he go to work like the rest of us did? His farm in the
Elbe valley, indeed! Ain't he got plenty brothers and sisters?
It's his mother's farm, and why don't he stay at home and help her?
Haven't I seen his mother out in the morning at five o'clock with
her ladle and her big bucket on wheels, putting liquid manure on
the cabbages? Don't I know the look of old Eva Shabata's hands?
Like an old horse's hoofs they are--and this fellow wearing gloves
and rings! Engaged, indeed! You aren't fit to be out of school,
and that's what's the matter with you. I will send you off to the
Sisters of the Sacred Heart in St. Louis, and they will teach you
some sense, _I_ guess!"

Accordingly, the very next week, Albert Tovesky took his daughter,
pale and tearful, down the river to the convent. But the way to
make Frank want anything was to tell him he couldn't have it. He
managed to have an interview with Marie before she went away,
and whereas he had been only half in love with her before, he now
persuaded himself that he would not stop at anything. Marie took
with her to the convent, under the canvas lining of her trunk, the
results of a laborious and satisfying morning on Frank's part; no
less than a dozen photographs of himself, taken in a dozen different
love-lorn attitudes. There was a little round photograph for her
watch-case, photographs for her wall and dresser, and even long
narrow ones to be used as bookmarks. More than once the handsome
gentleman was torn to pieces before the French class by an indignant
nun.

Marie pined in the convent for a year, until her eighteenth birthday
was passed. Then she met Frank Shabata in the Union Station in
St. Louis and ran away with him. Old Tovesky forgave his daughter
because there was nothing else to do, and bought her a farm in
the country that she had loved so well as a child. Since then her
story had been a part of the history of the Divide. She and Frank
had been living there for five years when Carl Linstrum came back
to pay his long deferred visit to Alexandra. Frank had, on the
whole, done better than one might have expected. He had flung
himself at the soil with savage energy. Once a year he went to
Hastings or to Omaha, on a spree. He stayed away for a week or
two, and then came home and worked like a demon. He did work; if
he felt sorry for himself, that was his own affair.

On the evening of the day of Alexandra's call at the Shabatas',
a heavy rain set in. Frank sat up until a late hour reading the
Sunday newspapers. One of the Goulds was getting a divorce, and
Frank took it as a personal affront. In printing the story of the
young man's marital troubles, the knowing editor gave a sufficiently
colored account of his career, stating the amount of his income
and the manner in which he was supposed to spend it. Frank read
English slowly, and the more he read about this divorce case, the
angrier he grew. At last he threw down the page with a snort. He
turned to his farm-hand who was reading the other half of the paper.

"By God! if I have that young feller in de hayfield once, I show
him someting. Listen here what he do wit his money." And Frank
began the catalogue of the young man's reputed extravagances.

Marie sighed. She thought it hard that the Goulds, for whom she
had nothing but good will, should make her so much trouble. She
hated to see the Sunday newspapers come into the house. Frank was
always reading about the doings of rich people and feeling outraged.
He had an inexhaustible stock of stories about their crimes and
follies, how they bribed the courts and shot down their butlers
with impunity whenever they chose. Frank and Lou Bergson had very
similar ideas, and they were two of the political agitators of the
county.

The next morning broke clear and brilliant, but Frank said the
ground was too wet to plough, so he took the cart and drove over to
Sainte-Agnes to spend the day at Moses Marcel's saloon. After he
was gone, Marie went out to the back porch to begin her butter-making.
A brisk wind had come up and was driving puffy white clouds across
the sky. The orchard was sparkling and rippling in the sun. Marie
stood looking toward it wistfully, her hand on the lid of the
churn, when she heard a sharp ring in the air, the merry sound of
the whetstone on the scythe. That invitation decided her. She ran
into the house, put on a short skirt and a pair of her husband's
boots, caught up a tin pail and started for the orchard. Emil
had already begun work and was mowing vigorously. When he saw her
coming, he stopped and wiped his brow. His yellow canvas leggings
and khaki trousers were splashed to the knees.

"Don't let me disturb you, Emil. I'm going to pick cherries.
Isn't everything beautiful after the rain? Oh, but I'm glad to get
this place mowed! When I heard it raining in the night, I thought
maybe you would come and do it for me to-day. The wind wakened
me. Didn't it blow dreadfully? Just smell the wild roses! They
are always so spicy after a rain. We never had so many of them
in here before. I suppose it's the wet season. Will you have to
cut them, too?"

"If I cut the grass, I will," Emil said teasingly. "What's the
matter with you? What makes you so flighty?"

"Am I flighty? I suppose that's the wet season, too, then. It's
exciting to see everything growing so fast,--and to get the grass
cut! Please leave the roses till last, if you must cut them. Oh,
I don't mean all of them, I mean that low place down by my tree, where
there are so many. Aren't you splashed! Look at the spider-webs
all over the grass. Good-bye. I'll call you if I see a snake."

She tripped away and Emil stood looking after her. In a few moments
he heard the cherries dropping smartly into the pail, and he began
to swing his scythe with that long, even stroke that few American
boys ever learn. Marie picked cherries and sang softly to herself,
stripping one glittering branch after another, shivering when she
caught a shower of raindrops on her neck and hair. And Emil mowed
his way slowly down toward the cherry trees.

That summer the rains had been so many and opportune that it was
almost more than Shabata and his man could do to keep up with the
corn; the orchard was a neglected wilderness. All sorts of weeds and
herbs and flowers had grown up there; splotches of wild larkspur,
pale green-and-white spikes of hoarhound, plantations of wild
cotton, tangles of foxtail and wild wheat. South of the apricot
trees, cornering on the wheatfield, was Frank's alfalfa, where
myriads of white and yellow butterflies were always fluttering
above the purple blossoms. When Emil reached the lower corner by
the hedge, Marie was sitting under her white mulberry tree, the
pailful of cherries beside her, looking off at the gentle, tireless
swelling of the wheat.

"Emil," she said suddenly--he was mowing quietly about under the
tree so as not to disturb her--"what religion did the Swedes have
away back, before they were Christians?"

Emil paused and straightened his back. "I don't know. About like
the Germans', wasn't it?"

Marie went on as if she had not heard him. "The Bohemians, you
know, were tree worshipers before the missionaries came. Father says
the people in the mountains still do queer things, sometimes,--they
believe that trees bring good or bad luck."

Emil looked superior. "Do they? Well, which are the lucky trees?
I'd like to know."

"I don't know all of them, but I know lindens are. The old people
in the mountains plant lindens to purify the forest, and to do away
with the spells that come from the old trees they say have lasted
from heathen times. I'm a good Catholic, but I think I could get
along with caring for trees, if I hadn't anything else."

"That's a poor saying," said Emil, stooping over to wipe his hands
in the wet grass.

"Why is it? If I feel that way, I feel that way. I like trees
because they seem more resigned to the way they have to live than
other things do. I feel as if this tree knows everything I ever
think of when I sit here. When I come back to it, I never have to
remind it of anything; I begin just where I left off."

Emil had nothing to say to this. He reached up among the branches
and began to pick the sweet, insipid fruit,--long ivory-colored
berries, tipped with faint pink, like white coral, that fall to
the ground unheeded all summer through. He dropped a handful into
her lap.

"Do you like Mr. Linstrum?" Marie asked suddenly.

"Yes. Don't you?"

"Oh, ever so much; only he seems kind of staid and school-teachery.
But, of course, he is older than Frank, even. I'm sure I don't
want to live to be more than thirty, do you? Do you think Alexandra
likes him very much?"

"I suppose so. They were old friends."

"Oh, Emil, you know what I mean!" Marie tossed her head impatiently.
"Does she really care about him? When she used to tell me about
him, I always wondered whether she wasn't a little in love with
him."

"Who, Alexandra?" Emil laughed and thrust his hands into his
trousers pockets. "Alexandra's never been in love, you crazy!" He
laughed again. "She wouldn't know how to go about it. The idea!"

Marie shrugged her shoulders. "Oh, you don't know Alexandra as well
as you think you do! If you had any eyes, you would see that she
is very fond of him. It would serve you all right if she walked
off with Carl. I like him because he appreciates her more than
you do."

Emil frowned. "What are you talking about, Marie? Alexandra's
all right. She and I have always been good friends. What more do
you want? I like to talk to Carl about New York and what a fellow
can do there."

"Oh, Emil! Surely you are not thinking of going off there?"

"Why not? I must go somewhere, mustn't I?" The young man took up
his scythe and leaned on it. "Would you rather I went off in the
sand hills and lived like Ivar?"

Marie's face fell under his brooding gaze. She looked down at his
wet leggings. "I'm sure Alexandra hopes you will stay on here,"
she murmured.

"Then Alexandra will be disappointed," the young man said roughly.
"What do I want to hang around here for? Alexandra can run the
farm all right, without me. I don't want to stand around and look
on. I want to be doing something on my own account."

"That's so," Marie sighed. "There are so many, many things you
can do. Almost anything you choose."

"And there are so many, many things I can't do." Emil echoed her
tone sarcastically. "Sometimes I don't want to do anything at
all, and sometimes I want to pull the four corners of the Divide
together,"--he threw out his arm and brought it back with a jerk,--"so,
like a table-cloth. I get tired of seeing men and horses going up
and down, up and down."

Marie looked up at his defiant figure and her face clouded. "I wish
you weren't so restless, and didn't get so worked up over things,"
she said sadly.

"Thank you," he returned shortly.

She sighed despondently. "Everything I say makes you cross, don't
it? And you never used to be cross to me."

Emil took a step nearer and stood frowning down at her bent head.
He stood in an attitude of self-defense, his feet well apart, his
hands clenched and drawn up at his sides, so that the cords stood
out on his bare arms. "I can't play with you like a little boy
any more," he said slowly. "That's what you miss, Marie. You'll
have to get some other little boy to play with." He stopped and took
a deep breath. Then he went on in a low tone, so intense that it
was almost threatening: "Sometimes you seem to understand perfectly,
and then sometimes you pretend you don't. You don't help things
any by pretending. It's then that I want to pull the corners of
the Divide together. If you WON'T understand, you know, I could
make you!"

Marie clasped her hands and started up from her seat. She had grown
very pale and her eyes were shining with excitement and distress.
"But, Emil, if I understand, then all our good times are over, we
can never do nice things together any more. We shall have to behave
like Mr. Linstrum. And, anyhow, there's nothing to understand!"
She struck the ground with her little foot fiercely. "That won't
last. It will go away, and things will be just as they used to.
I wish you were a Catholic. The Church helps people, indeed it
does. I pray for you, but that's not the same as if you prayed
yourself."

She spoke rapidly and pleadingly, looked entreatingly into his
face. Emil stood defiant, gazing down at her.

"I can't pray to have the things I want," he said slowly, "and I
won't pray not to have them, not if I'm damned for it."

Marie turned away, wringing her hands. "Oh, Emil, you won't try!
Then all our good times are over."

"Yes; over. I never expect to have any more."

Emil gripped the hand-holds of his scythe and began to mow. Marie
took up her cherries and went slowly toward the house, crying
bitterly.

On Sunday afternoon, a month after Carl Linstrum's arrival, he rode
with Emil up into the French country to attend a Catholic fair. He
sat for most of the afternoon in the basement of the church, where
the fair was held, talking to Marie Shabata, or strolled about the
gravel terrace, thrown up on the hillside in front of the basement
doors, where the French boys were jumping and wrestling and throwing
the discus. Some of the boys were in their white baseball suits;
they had just come up from a Sunday practice game down in the
ballgrounds. Amedee, the newly married, Emil's best friend, was
their pitcher, renowned among the country towns for his dash and
skill. Amedee was a little fellow, a year younger than Emil and
much more boyish in appearance; very lithe and active and neatly
made, with a clear brown and white skin, and flashing white teeth.
The Sainte-Agnes boys were to play the Hastings nine in a fortnight,
and Amedee's lightning balls were the hope of his team. The little
Frenchman seemed to get every ounce there was in him behind the
ball as it left his hand.

"You'd have made the battery at the University for sure, 'Medee,"
Emil said as they were walking from the ball-grounds back to the
church on the hill. "You're pitching better than you did in the
spring."

Amedee grinned. "Sure! A married man don't lose his head no more."
He slapped Emil on the back as he caught step with him. "Oh, Emil,
you wanna get married right off quick! It's the greatest thing
ever!"

Emil laughed. "How am I going to get married without any girl?"

Amedee took his arm. "Pooh! There are plenty girls will have
you. You wanna get some nice French girl, now. She treat you well;
always be jolly. See,"--he began checking off on his fingers,--"there
is Severine, and Alphosen, and Josephine, and Hectorine, and Louise,
and Malvina--why, I could love any of them girls! Why don't you
get after them? Are you stuck up, Emil, or is anything the matter
with you? I never did know a boy twenty-two years old before that
didn't have no girl. You wanna be a priest, maybe? Not-a for me!"
Amedee swaggered. "I bring many good Catholics into this world,
I hope, and that's a way I help the Church."

Emil looked down and patted him on the shoulder. "Now you're windy,
'Medee. You Frenchies like to brag."

But Amedee had the zeal of the newly married, and he was not
to be lightly shaken off. "Honest and true, Emil, don't you want
ANY girl? Maybe there's some young lady in Lincoln, now, very
grand,"--Amedee waved his hand languidly before his face to denote
the fan of heartless beauty,--"and you lost your heart up there.
Is that it?"

"Maybe," said Emil.

But Amedee saw no appropriate glow in his friend's face. "Bah!"
he exclaimed in disgust. "I tell all the French girls to keep 'way
from you. You gotta rock in there," thumping Emil on the ribs.

When they reached the terrace at the side of the church, Amedee,
who was excited by his success on the ball-grounds, challenged
Emil to a jumping-match, though he knew he would be beaten. They
belted themselves up, and Raoul Marcel, the choir tenor and Father
Duchesne's pet, and Jean Bordelau, held the string over which they
vaulted. All the French boys stood round, cheering and humping
themselves up when Emil or Amedee went over the wire, as if they
were helping in the lift. Emil stopped at five-feet-five, declaring
that he would spoil his appetite for supper if he jumped any more.

Angelique, Amedee's pretty bride, as blonde and fair as her name,
who had come out to watch the match, tossed her head at Emil and
said:--

"'Medee could jump much higher than you if he were as tall. And
anyhow, he is much more graceful. He goes over like a bird, and
you have to hump yourself all up."

"Oh, I do, do I?" Emil caught her and kissed her saucy mouth squarely,
while she laughed and struggled and called, "'Medee! 'Medee!"

"There, you see your 'Medee isn't even big enough to get you away
from me. I could run away with you right now and he could only
sit down and cry about it. I'll show you whether I have to hump
myself!" Laughing and panting, he picked Angelique up in his arms
and began running about the rectangle with her. Not until he saw
Marie Shabata's tiger eyes flashing from the gloom of the basement
doorway did he hand the disheveled bride over to her husband.
"There, go to your graceful; I haven't the heart to take you away
from him."

Angelique clung to her husband and made faces at Emil over the
white shoulder of Amedee's ball-shirt. Emil was greatly amused at
her air of proprietorship and at Amedee's shameless submission to
it. He was delighted with his friend's good fortune. He liked to
see and to think about Amedee's sunny, natural, happy love.

He and Amedee had ridden and wrestled and larked together since
they were lads of twelve. On Sundays and holidays they were always
arm in arm. It seemed strange that now he should have to hide the
thing that Amedee was so proud of, that the feeling which gave one
of them such happiness should bring the other such despair. It
was like that when Alexandra tested her seed-corn in the spring,
he mused. From two ears that had grown side by side, the grains
of one shot up joyfully into the light, projecting themselves into
the future, and the grains from the other lay still in the earth
and rotted; and nobody knew why.

While Emil and Carl were amusing themselves at the fair, Alexandra
was at home, busy with her account-books, which had been neglected
of late. She was almost through with her figures when she heard
a cart drive up to the gate, and looking out of the window she saw
her two older brothers. They had seemed to avoid her ever since
Carl Linstrum's arrival, four weeks ago that day, and she hurried
to the door to welcome them. She saw at once that they had come
with some very definite purpose. They followed her stiffly into
the sitting-room. Oscar sat down, but Lou walked over to the window
and remained standing, his hands behind him.

"You are by yourself?" he asked, looking toward the doorway into
the parlor.

"Yes. Carl and Emil went up to the Catholic fair."

For a few moments neither of the men spoke.

Then Lou came out sharply. "How soon does he intend to go away
from here?"

"I don't know, Lou. Not for some time, I hope." Alexandra spoke
in an even, quiet tone that often exasperated her brothers. They
felt that she was trying to be superior with them.

Oscar spoke up grimly. "We thought we ought to tell you that people
have begun to talk," he said meaningly.

Alexandra looked at him. "What about?"

Oscar met her eyes blankly. "About you, keeping him here so long.
It looks bad for him to be hanging on to a woman this way. People
think you're getting taken in."

Alexandra shut her account-book firmly. "Boys," she said seriously,
"don't let's go on with this. We won't come out anywhere. I can't
take advice on such a matter. I know you mean well, but you must
not feel responsible for me in things of this sort. If we go on
with this talk it will only make hard feeling."

Lou whipped about from the window. "You ought to think a little
about your family. You're making us all ridiculous."

"How am I?"

"People are beginning to say you want to marry the fellow."

"Well, and what is ridiculous about that?"

Lou and Oscar exchanged outraged looks. "Alexandra! Can't you
see he's just a tramp and he's after your money? He wants to be
taken care of, he does!"

"Well, suppose I want to take care of him? Whose business is it
but my own?"

"Don't you know he'd get hold of your property?"

"He'd get hold of what I wished to give him, certainly."

Oscar sat up suddenly and Lou clutched at his bristly hair.

"Give him?" Lou shouted. "Our property, our homestead?"

"I don't know about the homestead," said Alexandra quietly. "I
know you and Oscar have always expected that it would be left to
your children, and I'm not sure but what you're right. But I'll
do exactly as I please with the rest of my land, boys."

"The rest of your land!" cried Lou, growing more excited every
minute. "Didn't all the land come out of the homestead? It was
bought with money borrowed on the homestead, and Oscar and me worked
ourselves to the bone paying interest on it."

"Yes, you paid the interest. But when you married we made a division
of the land, and you were satisfied. I've made more on my farms
since I've been alone than when we all worked together."

"Everything you've made has come out of the original land that us
boys worked for, hasn't it? The farms and all that comes out of
them belongs to us as a family."

Alexandra waved her hand impatiently. "Come now, Lou. Stick to
the facts. You are talking nonsense. Go to the county clerk and
ask him who owns my land, and whether my titles are good."

Lou turned to his brother. "This is what comes of letting a woman
meddle in business," he said bitterly. "We ought to have taken
things in our own hands years ago. But she liked to run things,
and we humored her. We thought you had good sense, Alexandra. We
never thought you'd do anything foolish."

Alexandra rapped impatiently on her desk with her knuckles.
"Listen, Lou. Don't talk wild. You say you ought to have taken
things into your own hands years ago. I suppose you mean before
you left home. But how could you take hold of what wasn't there?
I've got most of what I have now since we divided the property;
I've built it up myself, and it has nothing to do with you."

Oscar spoke up solemnly. "The property of a family really belongs
to the men of the family, no matter about the title. If anything
goes wrong, it's the men that are held responsible."

"Yes, of course," Lou broke in. "Everybody knows that. Oscar and
me have always been easy-going and we've never made any fuss. We
were willing you should hold the land and have the good of it, but
you got no right to part with any of it. We worked in the fields
to pay for the first land you bought, and whatever's come out of
it has got to be kept in the family."

Oscar reinforced his brother, his mind fixed on the one point he
could see. "The property of a family belongs to the men of the
family, because they are held responsible, and because they do the
work."

Alexandra looked from one to the other, her eyes full of indignation.
She had been impatient before, but now she was beginning to feel
angry. "And what about my work?" she asked in an unsteady voice.

Lou looked at the carpet. "Oh, now, Alexandra, you always took
it pretty easy! Of course we wanted you to. You liked to manage
round, and we always humored you. We realize you were a great
deal of help to us. There's no woman anywhere around that knows
as much about business as you do, and we've always been proud of
that, and thought you were pretty smart. But, of course, the real
work always fell on us. Good advice is all right, but it don't
get the weeds out of the corn."

"Maybe not, but it sometimes puts in the crop, and it sometimes
keeps the fields for corn to grow in," said Alexandra dryly. "Why,
Lou, I can remember when you and Oscar wanted to sell this homestead
and all the improvements to old preacher Ericson for two thousand
dollars. If I'd consented, you'd have gone down to the river and
scraped along on poor farms for the rest of your lives. When I put
in our first field of alfalfa you both opposed me, just because I
first heard about it from a young man who had been to the University.
You said I was being taken in then, and all the neighbors said
so. You know as well as I do that alfalfa has been the salvation
of this country. You all laughed at me when I said our land here
was about ready for wheat, and I had to raise three big wheat crops
before the neighbors quit putting all their land in corn. Why, I
remember you cried, Lou, when we put in the first big wheat-planting,
and said everybody was laughing at us."

Lou turned to Oscar. "That's the woman of it; if she tells you to
put in a crop, she thinks she's put it in. It makes women conceited
to meddle in business. I shouldn't think you'd want to remind us
how hard you were on us, Alexandra, after the way you baby Emil."

"Hard on you? I never meant to be hard. Conditions were hard.
Maybe I would never have been very soft, anyhow; but I certainly
didn't choose to be the kind of girl I was. If you take even a
vine and cut it back again and again, it grows hard, like a tree."

Lou felt that they were wandering from the point, and that
in digression Alexandra might unnerve him. He wiped his forehead
with a jerk of his handkerchief. "We never doubted you, Alexandra.
We never questioned anything you did. You've always had your own
way. But you can't expect us to sit like stumps and see you done
out of the property by any loafer who happens along, and making
yourself ridiculous into the bargain."

Oscar rose. "Yes," he broke in, "everybody's laughing to see you
get took in; at your age, too. Everybody knows he's nearly five
years younger than you, and is after your money. Why, Alexandra,
you are forty years old!"

"All that doesn't concern anybody but Carl and me. Go to town and
ask your lawyers what you can do to restrain me from disposing of
my own property. And I advise you to do what they tell you; for
the authority you can exert by law is the only influence you will
ever have over me again." Alexandra rose. "I think I would rather
not have lived to find out what I have to-day," she said quietly,
closing her desk.

Lou and Oscar looked at each other questioningly. There seemed to
be nothing to do but to go, and they walked out.

"You can't do business with women," Oscar said heavily as he
clambered into the cart. "But anyhow, we've had our say, at last."

Lou scratched his head. "Talk of that kind might come too high, you
know; but she's apt to be sensible. You hadn't ought to said that
about her age, though, Oscar. I'm afraid that hurt her feelings;
and the worst thing we can do is to make her sore at us. She'd
marry him out of contrariness."

"I only meant," said Oscar, "that she is old enough to know better,
and she is. If she was going to marry, she ought to done it long
ago, and not go making a fool of herself now."

Lou looked anxious, nevertheless. "Of course," he reflected hopefully
and inconsistently, "Alexandra ain't much like other women-folks.
Maybe it won't make her sore. Maybe she'd as soon be forty as
not!"

Emil came home at about half-past seven o'clock that evening. Old
Ivar met him at the windmill and took his horse, and the young
man went directly into the house. He called to his sister and she
answered from her bedroom, behind the sitting-room, saying that
she was lying down.

Emil went to her door.

"Can I see you for a minute?" he asked. "I want to talk to you
about something before Carl comes."

Alexandra rose quickly and came to the door. "Where is Carl?"

"Lou and Oscar met us and said they wanted to talk to him, so he
rode over to Oscar's with them. Are you coming out?" Emil asked
impatiently.

"Yes, sit down. I'll be dressed in a moment."

Alexandra closed her door, and Emil sank down on the old slat lounge
and sat with his head in his hands. When his sister came out, he
looked up, not knowing whether the interval had been short or long,
and he was surprised to see that the room had grown quite dark.
That was just as well; it would be easier to talk if he were not
under the gaze of those clear, deliberate eyes, that saw so far in
some directions and were so blind in others. Alexandra, too, was
glad of the dusk. Her face was swollen from crying.

Emil started up and then sat down again. "Alexandra," he said
slowly, in his deep young baritone, "I don't want to go away to
law school this fall. Let me put it off another year. I want to
take a year off and look around. It's awfully easy to rush into
a profession you don't really like, and awfully hard to get out of
it. Linstrum and I have been talking about that."

"Very well, Emil. Only don't go off looking for land." She came
up and put her hand on his shoulder. "I've been wishing you could
stay with me this winter."

"That's just what I don't want to do, Alexandra. I'm restless.
I want to go to a new place. I want to go down to the City of
Mexico to join one of the University fellows who's at the head of
an electrical plant. He wrote me he could give me a little job,
enough to pay my way, and I could look around and see what I want
to do. I want to go as soon as harvest is over. I guess Lou and
Oscar will be sore about it."

"I suppose they will." Alexandra sat down on the lounge beside
him. "They are very angry with me, Emil. We have had a quarrel.
They will not come here again."

Emil scarcely heard what she was saying; he did not notice the
sadness of her tone. He was thinking about the reckless life he
meant to live in Mexico.

"What about?" he asked absently.

"About Carl Linstrum. They are afraid I am going to marry him,
and that some of my property will get away from them."

Emil shrugged his shoulders. "What nonsense!" he murmured. "Just
like them."

Alexandra drew back. "Why nonsense, Emil?"

"Why, you've never thought of such a thing, have you? They always
have to have something to fuss about."

"Emil," said his sister slowly, "you ought not to take things for
granted. Do you agree with them that I have no right to change my
way of living?"

Emil looked at the outline of his sister's head in the dim light.
They were sitting close together and he somehow felt that she
could hear his thoughts. He was silent for a moment, and then said
in an embarrassed tone, "Why, no, certainly not. You ought to do
whatever you want to. I'll always back you."

"But it would seem a little bit ridiculous to you if I married
Carl?"

Emil fidgeted. The issue seemed to him too far-fetched to warrant
discussion. "Why, no. I should be surprised if you wanted to. I
can't see exactly why. But that's none of my business. You ought
to do as you please. Certainly you ought not to pay any attention
to what the boys say."

Alexandra sighed. "I had hoped you might understand, a little,
why I do want to. But I suppose that's too much to expect. I've
had a pretty lonely life, Emil. Besides Marie, Carl is the only
friend I have ever had."

Emil was awake now; a name in her last sentence roused him. He
put out his hand and took his sister's awkwardly. "You ought to
do just as you wish, and I think Carl's a fine fellow. He and I
would always get on. I don't believe any of the things the boys
say about him, honest I don't. They are suspicious of him because
he's intelligent. You know their way. They've been sore at me
ever since you let me go away to college. They're always trying to
catch me up. If I were you, I wouldn't pay any attention to them.
There's nothing to get upset about. Carl's a sensible fellow. He
won't mind them."

"I don't know. If they talk to him the way they did to me, I think
he'll go away."

Emil grew more and more uneasy. "Think so? Well, Marie said it
would serve us all right if you walked off with him."

"Did she? Bless her little heart! SHE would." Alexandra's voice
broke.

Emil began unlacing his leggings. "Why don't you talk to her about
it? There's Carl, I hear his horse. I guess I'll go upstairs and
get my boots off. No, I don't want any supper. We had supper at
five o'clock, at the fair."

Emil was glad to escape and get to his own room. He was a little
ashamed for his sister, though he had tried not to show it. He
felt that there was something indecorous in her proposal, and she
did seem to him somewhat ridiculous. There was trouble enough in
the world, he reflected, as he threw himself upon his bed, without
people who were forty years old imagining they wanted to get
married. In the darkness and silence Emil was not likely to think
long about Alexandra. Every image slipped away but one. He had
seen Marie in the crowd that afternoon. She sold candy at the
fair. WHY had she ever run away with Frank Shabata, and how could
she go on laughing and working and taking an interest in things?
Why did she like so many people, and why had she seemed pleased when
all the French and Bohemian boys, and the priest himself, crowded
round her candy stand? Why did she care about any one but him? Why
could he never, never find the thing he looked for in her playful,
affectionate eyes?

Then he fell to imagining that he looked once more and found it
there, and what it would be like if she loved him,--she who, as
Alexandra said, could give her whole heart. In that dream he could
lie for hours, as if in a trance. His spirit went out of his body
and crossed the fields to Marie Shabata.

At the University dances the girls had often looked wonderingly
at the tall young Swede with the fine head, leaning against the
wall and frowning, his arms folded, his eyes fixed on the ceiling
or the floor. All the girls were a little afraid of him. He was
distinguished-looking, and not the jollying kind. They felt that
he was too intense and preoccupied. There was something queer about
him. Emil's fraternity rather prided itself upon its dances, and
sometimes he did his duty and danced every dance. But whether he
was on the floor or brooding in a corner, he was always thinking
about Marie Shabata. For two years the storm had been gathering
in him.

Carl came into the sitting-room while Alexandra was lighting the
lamp. She looked up at him as she adjusted the shade. His sharp
shoulders stooped as if he were very tired, his face was pale,
and there were bluish shadows under his dark eyes. His anger had
burned itself out and left him sick and disgusted.

"You have seen Lou and Oscar?" Alexandra asked.

"Yes." His eyes avoided hers.

Alexandra took a deep breath. "And now you are going away. I
thought so."

Carl threw himself into a chair and pushed the dark lock back
from his forehead with his white, nervous hand. "What a hopeless
position you are in, Alexandra!" he exclaimed feverishly. "It is
your fate to be always surrounded by little men. And I am no better
than the rest. I am too little to face the criticism of even such
men as Lou and Oscar. Yes, I am going away; to-morrow. I cannot
even ask you to give me a promise until I have something to offer
you. I thought, perhaps, I could do that; but I find I can't."

"What good comes of offering people things they don't need?"
Alexandra asked sadly. "I don't need money. But I have needed
you for a great many years. I wonder why I have been permitted to
prosper, if it is only to take my friends away from me."

"I don't deceive myself," Carl said frankly. "I know that I am
going away on my own account. I must make the usual effort. I
must have something to show for myself. To take what you would
give me, I should have to be either a very large man or a very
small one, and I am only in the middle class."

Alexandra sighed. "I have a feeling that if you go away, you will
not come back. Something will happen to one of us, or to both.
People have to snatch at happiness when they can, in this world.
It is always easier to lose than to find. What I have is yours,
if you care enough about me to take it."

Carl rose and looked up at the picture of John Bergson. "But I
can't, my dear, I can't! I will go North at once. Instead of idling
about in California all winter, I shall be getting my bearings up
there. I won't waste another week. Be patient with me, Alexandra.
Give me a year!"

"As you will," said Alexandra wearily. "All at once, in a single
day, I lose everything; and I do not know why. Emil, too, is going
away." Carl was still studying John Bergson's face and Alexandra's
eyes followed his. "Yes," she said, "if he could have seen all
that would come of the task he gave me, he would have been sorry.
I hope he does not see me now. I hope that he is among the old
people of his blood and country, and that tidings do not reach him
from the New World."

PART III. Winter Memories

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Alexandra spends the next couple of days with Carl, taking walks, viewing the operations of the farm in the morning and talking well into the night. One morning, Carl walks at sunrise, reminded of his own youth in Nebraska, when he sees Emil and Marie hunting together. Emil kills five ducks and deposits them in Marie's apron. When she sees the blood oozing from their wounds she grows sad and declares, following one of Ivar's beliefs, that wild things are too happy to kill. Emil laughs at her, but says that he won't hunt any more. Seeing these two young people makes Carl melancholy as he goes in for breakfast. That afternoon Alexandra suggests to Carl that they visit the Shabatas. Wearing a white dress and sun-hat, she takes Carl along the old path they walked as youths. The two of them hint indirectly at their affection for one another, filled with the nostalgia of the walk. They arrive at the Shabatas' and greet Marie, who appears vivacious. Carl remarks to himself that he can understand Marie's husband's jealousy of her, as she's both attractive and very friendly. The three reminisce about the past and eat apricots from the trees on the property until Marie's husband, Frank, comes home. He is clearly in a bad mood, complaining about how old woman Hiller's hogs had gotten into his wheat, and he had to leave his team to drive them out again. Alexandra suggests gently that he should fix her fences, for she only has a lame son to help her, but Frank doesn't like the idea. Alexandra and Carl depart, leaving Marie to try and cheer up her husband. She attempts to sympathize, but he only grows more frustrated. He spends the rest of his evening frustrated over progressive political news-he, like Lou Bergson, is quite conservative. We learn the story of Frank and Marie's relationship. Marie had grown up in Omaha with her successful and doting father, Albert Tovesky. When she was sixteen, Frank Shabata moved to Omaha, and all of the young girls fell in love with him. Marie and Frank were engaged suddenly, as soon as Marie was out of high school, and Mr. Tovesky refused to accept Frank as a son-in-law and sent Marie to a convent. When she turned eighteen, Frank convinced her to elope with him. Marie's father at last accepted their marriage and bought them Carl Linstrum's old farm. Though Frank was a little unsteady, he worked hard and did better than some might have expected. The next morning, while Frank spends the day at a saloon, Marie comes across Emil cutting her grass, as promised. They work for a while, Emil mowing and Marie picking fruit, and talk about old pagan religions when their work carries them near one another. Marie believes she could worship the trees like the old Bohemians. They also discuss Carl and Alexandra's possible love for each other, and also Emil's future. He is thinking about moving to New York, a move that Marie opposes, and he openly resents her interest in his future, telling her to stop treating him like a child. A month later, Carl still has not departed. He and Emil attend a Catholic fair together and meet Amedee and Angelique, Emil's newly married friends. Emil jokes and flirts with the newlyweds, taking on Amedee in a high-jump contest and pretending to run away with his bride. The happy pair makes for a marked contrast with Carl, who seems to know nothing but despair. Meanwhile, Alexandra's brothers arrive at Alexandra's house for the first time since Carl Linstrum's arrival and inform her that she is making a fool of herself with Carl Linstrum. They insist that Carl is trying to take her for her money. Alexandra holds them off with reasonable arguments, noting that they got their fair share of the land when they were married and, under their continued duress, she lists the many important decisions she made that lead to their success. They insist that her decisions were not nearly as important as their labor. Then to add insult to injury, Oscar reminds Alexandra that she's forty years old and that everyone thinks she's being swindled. Finally Alexandra has had enough. She tells them to leave and never come back. As the boys depart they reflect that maybe they shouldn't have mentioned her age. They seem puzzled by Alexandra's anger. Emil arrives home and tells Alexandra that he and Carl met Lou and Oscar, who asked to talk with Carl. Alexandra tells him about her quarrel with her brothers, and though he doesn't fully understand her feelings on the subject he vows to support her. Meanwhile he tells her a new plan to go to Mexico City and pursue work. Emil goes to bed with thoughts of Marie, wondering why she and Frank eloped together and imagining a life with her. Carl returns and admits to Alexandra that he has seen Lou and Oscar and that he is leaving tomorrow. Alexandra half-heartedly tries to change his mind, as if she knows there's no point. He tells her he will go straight to Alaska and start getting the feel of the place, and he asks her to give him a year. She agrees sadly, commenting that she hopes that her father cannot see what has come of her family's success.