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Chapter: A WEEK after she had parted with her son at Bar Harbour, Mrs. Corey
suddenly walked in upon her husband in their house in Boston.  He was
at breakfast, and he gave her the patronising welcome with which the
husband who has been staying in town all summer receives his wife when
she drops down upon him from the mountains or the sea-side. For a
little moment she feels herself strange in the house, and suffers
herself to be treated like a guest, before envy of his comfort vexes
her back into possession and authority.  Mrs. Corey was a lady, and she
did not let her envy take the form of open reproach.

"Well, Anna, you find me here in the luxury you left me to.  How did
you leave the girls?"

"The girls were well," said Mrs. Corey, looking absently at her
husband's brown velvet coat, in which he was so handsome.  No man had
ever grown grey more beautifully.  His hair, while not remaining dark
enough to form a theatrical contrast with his moustache, was yet some
shades darker, and, in becoming a little thinner, it had become a
little more gracefully wavy.  His skin had the pearly tint which that
of elderly men sometimes assumes, and the lines which time had traced
upon it were too delicate for the name of wrinkles.  He had never had
any personal vanity, and there was no consciousness in his good looks
now.

"I am glad of that.  The boy I have with me," he returned; "that is,
when he IS with me."

"Why, where is he?" demanded the mother.

"Probably carousing with the boon Lapham somewhere.  He left me
yesterday afternoon to go and offer his allegiance to the Mineral Paint
King, and I haven't seen him since."

"Bromfield!" cried Mrs. Corey.  "Why didn't you stop him?"

"Well, my dear, I'm not sure that it isn't a very good thing."

"A good thing? It's horrid!"

"No, I don't think so.  It's decent.  Tom had found out--without
consulting the landscape, which I believe proclaims it everywhere----"

"Hideous!"

"That it's really a good thing; and he thinks that he has some ideas in
regard to its dissemination in the parts beyond seas."

"Why shouldn't he go into something else?" lamented the mother.

"I believe he has gone into nearly everything else and come out of it.
So there is a chance of his coming out of this.  But as I had nothing
to suggest in place of it, I thought it best not to interfere.  In
fact, what good would my telling him that mineral paint was nasty have
done? I dare say YOU told him it was nasty."

"Yes! I did."

"And you see with what effect, though he values your opinion three
times as much as he values mine.  Perhaps you came up to tell him again
that it was nasty?"

"I feel very unhappy about it.  He is throwing himself away.  Yes, I
should like to prevent it if I could!"

The father shook his head.

"If Lapham hasn't prevented it, I fancy it's too late.  But there may
be some hopes of Lapham.  As for Tom's throwing himself away, I don't
know.  There's no question but he is one of the best fellows under the
sun.  He's tremendously energetic, and he has plenty of the kind of
sense which we call horse; but he isn't brilliant.  No, Tom is not
brilliant.  I don't think he would get on in a profession, and he's
instinctively kept out of everything of the kind.  But he has got to do
something.  What shall he do? He says mineral paint, and really I don't
see why he shouldn't. If money is fairly and honestly earned, why
should we pretend to care what it comes out of, when we don't really
care? That superstition is exploded everywhere."

"Oh, it isn't the paint alone," said Mrs. Corey; and then she
perceptibly arrested herself, and made a diversion in continuing: "I
wish he had married some one."

"With money?" suggested her husband.  "From time to time I have
attempted Tom's corruption from that side, but I suspect Tom has a
conscience against it, and I rather like him for it.  I married for
love myself," said Corey, looking across the table at his wife.

She returned his look tolerantly, though she felt it right to say,
"What nonsense!"

"Besides," continued her husband, "if you come to money, there is the
paint princess.  She will have plenty."

"Ah, that's the worst of it," sighed the mother.  "I suppose I could
get on with the paint----"

"But not with the princess? I thought you said she was a very pretty,
well-behaved girl?"

"She is very pretty, and she is well-behaved; but there is nothing of
her.  She is insipid; she is very insipid."

"But Tom seemed to like her flavour, such as it was?"

"How can I tell? We were under a terrible obligation to them, and I
naturally wished him to be polite to them.  In fact, I asked him to be
so."

"And he was too polite."

"I can't say that he was.  But there is no doubt that the child is
extremely pretty."

"Tom says there are two of them.  Perhaps they will neutralise each
other."

"Yes, there is another daughter," assented Mrs. Corey.  "I don't see
how you can joke about such things, Bromfield," she added.

"Well, I don't either, my dear, to tell you the truth.  My hardihood
surprises me.  Here is a son of mine whom I see reduced to making his
living by a shrinkage in values.  It's very odd," interjected Corey,
"that some values should have this peculiarity of shrinking.  You never
hear of values in a picture shrinking; but rents, stocks, real
estate--all those values shrink abominably.  Perhaps it might be argued
that one should put all his values into pictures; I've got a good many
of mine there."

"Tom needn't earn his living," said Mrs. Corey, refusing her husband's
jest.  "There's still enough for all of us."

"That is what I have sometimes urged upon Tom.  I have proved to him
that with economy, and strict attention to business, he need do nothing
as long as he lives.  Of course he would be somewhat restricted, and it
would cramp the rest of us; but it is a world of sacrifices and
compromises.  He couldn't agree with me, and he was not in the least
moved by the example of persons of quality in Europe, which I alleged
in support of the life of idleness.  It appears that he wishes to do
something--to do something for himself.  I am afraid that Tom is
selfish."

Mrs. Corey smiled wanly.  Thirty years before, she had married the rich
young painter in Rome, who said so much better things than he
painted--charming things, just the things to please the fancy of a girl
who was disposed to take life a little too seriously and practically.
She saw him in a different light when she got him home to Boston; but
he had kept on saying the charming things, and he had not done much
else.  In fact, he had fulfilled the promise of his youth.  It was a
good trait in him that he was not actively but only passively
extravagant.  He was not adventurous with his money; his tastes were as
simple as an Italian's; he had no expensive habits.  In the process of
time he had grown to lead a more and more secluded life.  It was hard
to get him out anywhere, even to dinner.  His patience with their
narrowing circumstances had a pathos which she felt the more the more
she came into charge of their joint life.  At times it seemed too bad
that the children and their education and pleasures should cost so
much.  She knew, besides, that if it had not been for them she would
have gone back to Rome with him, and lived princely there for less than
it took to live respectably in Boston.

"Tom hasn't consulted me," continued his father, "but he has consulted
other people.  And he has arrived at the conclusion that mineral paint
is a good thing to go into.  He has found out all about it, and about
its founder or inventor.  It's quite impressive to hear him talk.  And
if he must do something for himself, I don't see why his egotism
shouldn't as well take that form as another.  Combined with the paint
princess, it isn't so agreeable; but that's only a remote possibility,
for which your principal ground is your motherly solicitude.  But even
if it were probable and imminent, what could you do? The chief
consolation that we American parents have in these matters is that we
can do nothing.  If we were Europeans, even English, we should take
some cognisance of our children's love affairs, and in some measure
teach their young affections how to shoot.  But it is our custom to
ignore them until they have shot, and then they ignore us.  We are
altogether too delicate to arrange the marriages of our children; and
when they have arranged them we don't like to say anything, for fear we
should only make bad worse.  The right way is for us to school
ourselves to indifference.  That is what the young people have to do
elsewhere, and that is the only logical result of our position here.
It is absurd for us to have any feeling about what we don't interfere
with."

"Oh, people do interfere with their children's marriages very often,"
said Mrs. Corey.

"Yes, but only in a half-hearted way, so as not to make it disagreeable
for themselves if the marriages go on in spite of them, as they're
pretty apt to do.  Now, my idea is that I ought to cut Tom off with a
shilling.  That would be very simple, and it would be economical.  But
you would never consent, and Tom wouldn't mind it."

"I think our whole conduct in regard to such things is wrong," said
Mrs. Corey.

"Oh, very likely.  But our whole civilisation is based upon it.  And
who is going to make a beginning? To which father in our acquaintance
shall I go and propose an alliance for Tom with his daughter? I should
feel like an ass.  And will you go to some mother, and ask her sons in
marriage for our daughters? You would feel like a goose.  No; the only
motto for us is, Hands off altogether."

"I shall certainly speak to Tom when the time comes," said Mrs. Corey.

"And I shall ask leave to be absent from your discomfiture, my dear,"
answered her husband.

The son returned that afternoon, and confessed his surprise at finding
his mother in Boston.  He was so frank that she had not quite the
courage to confess in turn why she had come, but trumped up an excuse.

"Well, mother," he said promptly, "I have made an engagement with Mr.
Lapham."

"Have you, Tom?" she asked faintly.

"Yes. For the present I am going to have charge of his foreign
correspondence, and if I see my way to the advantage I expect to find
in it, I am going out to manage that side of his business in South
America and Mexico.  He's behaved very handsomely about it.  He says
that if it appears for our common interest, he shall pay me a salary as
well as a commission.  I've talked with Uncle Jim, and he thinks it's a
good opening."

"Your Uncle Jim does?" queried Mrs. Corey in amaze.

"Yes; I consulted him the whole way through, and I've acted on his
advice."

This seemed an incomprehensible treachery on her brother's part.

"Yes; I thought you would like to have me.  And besides, I couldn't
possibly have gone to any one so well fitted to advise me."

His mother said nothing.  In fact, the mineral paint business, however
painful its interest, was, for the moment, superseded by a more
poignant anxiety.  She began to feel her way cautiously toward this.

"Have you been talking about your business with Mr. Lapham all night?"

"Well, pretty much," said her son, with a guiltless laugh.  "I went to
see him yesterday afternoon, after I had gone over the whole ground
with Uncle Jim, and Mr. Lapham asked me to go down with him and finish
up."

"Down?" repeated Mrs. Corey.  "Yes, to Nantasket.  He has a cottage
down there."

"At Nantasket?" Mrs. Corey knitted her brows a little.  "What in the
world can a cottage at Nantasket be like?"

"Oh, very much like a 'cottage' anywhere.  It has the usual allowance
of red roof and veranda.  There are the regulation rocks by the sea;
and the big hotels on the beach about a mile off, flaring away with
electric lights and roman-candles at night.  We didn't have them at
Nahant."

"No," said his mother.  "Is Mrs. Lapham well? And her daughter?"

"Yes, I think so," said the young man.  "The young ladies walked me
down to the rocks in the usual way after dinner, and then I came back
and talked paint with Mr. Lapham till midnight.  We didn't settle
anything till this morning coming up on the boat."

"What sort of people do they seem to be at home?"

"What sort? Well, I don't know that I noticed." Mrs. Corey permitted
herself the first part of a sigh of relief; and her son laughed, but
apparently not at her.  "They're just reading Middlemarch.  They say
there's so much talk about it.  Oh, I suppose they're very good people.
They seemed to be on very good terms with each other."

"I suppose it's the plain sister who's reading Middlemarch."

"Plain? Is she plain?" asked the young man, as if searching his
consciousness.  "Yes, it's the older one who does the reading,
apparently.  But I don't believe that even she overdoes it.  They like
to talk better.  They reminded me of Southern people in that." The
young man smiled, as if amused by some of his impressions of the Lapham
family.  "The living, as the country people call it, is tremendously
good.  The Colonel--he's a colonel--talked of the coffee as his wife's
coffee, as if she had personally made it in the kitchen, though I
believe it was merely inspired by her.  And there was everything in the
house that money could buy.  But money has its limitations."

This was a fact which Mrs. Corey was beginning to realise more and more
unpleasantly in her own life; but it seemed to bring her a certain
comfort in its application to the Laphams.  "Yes, there is a point
where taste has to begin," she said.

"They seemed to want to apologise to me for not having more books,"
said Corey.  "I don't know why they should.  The Colonel said they
bought a good many books, first and last; but apparently they don't
take them to the sea-side."

"I dare say they NEVER buy a NEW book.  I've met some of these moneyed
people lately, and they lavish on every conceivable luxury, and then
borrow books, and get them in the cheap paper editions."

"I fancy that's the way with the Lapham family," said the young man,
smilingly.  "But they are very good people.  The other daughter is
humorous."

"Humorous?" Mrs. Corey knitted her brows in some perplexity.  "Do you
mean like Mrs. Sayre?" she asked, naming the lady whose name must come
into every Boston mind when humour is mentioned.

"Oh no; nothing like that.  She never says anything that you can
remember; nothing in flashes or ripples; nothing the least literary.
But it's a sort of droll way of looking at things; or a droll medium
through which things present themselves.  I don't know.  She tells what
she's seen, and mimics a little."

"Oh," said Mrs. Corey coldly.  After a moment she asked: "And is Miss
Irene as pretty as ever?"

"She's a wonderful complexion," said the son unsatisfactorily.  "I
shall want to be by when father and Colonel Lapham meet," he added,
with a smile.

"Ah, yes, your father!" said the mother, in that way in which a wife at
once compassionates and censures her husband to their children.

"Do you think it's really going to be a trial to him?" asked the young
man quickly.

"No, no, I can't say it is.  But I confess I wish it was some other
business, Tom."

"Well, mother, I don't see why.  The principal thing looked at now is
the amount of money; and while I would rather starve than touch a
dollar that was dirty with any sort of dishonesty----"

"Of course you would, my son!" interposed his mother proudly.

"I shouldn't at all mind its having a little mineral paint on it.  I'll
use my influence with Colonel Lapham--if I ever have any--to have his
paint scraped off the landscape."

"I suppose you won't begin till the autumn."

"Oh yes, I shall," said the son, laughing at his mother's simple
ignorance of business.  "I shall begin to-morrow morning."

"To-morrow morning!"

"Yes. I've had my desk appointed already, and I shall be down there at
nine in the morning to take possession."

"Tom," cried his mother, "why do you think Mr. Lapham has taken you
into business so readily? I've always heard that it was so hard for
young men to get in."

"And do you think I found it easy with him? We had about twelve hours'
solid talk."

"And you don't suppose it was any sort of--personal consideration?"

"Why, I don't know exactly what you mean, mother.  I suppose he likes
me."

Mrs. Corey could not say just what she meant.  She answered,
ineffectually enough--

"Yes. You wouldn't like it to be a favour, would you?"

"I think he's a man who may be trusted to look after his own interest.
But I don't mind his beginning by liking me.  It'll be my own fault if
I don't make myself essential to him."

"Yes," said Mrs. Corey.

"Well," demanded her husband, at their first meeting after her
interview with their son, "what did you say to Tom?"

"Very little, if anything.  I found him with his mind made up, and it
would only have distressed him if I had tried to change it."

"That is precisely what I said, my dear."

"Besides, he had talked the matter over fully with James, and seems to
have been advised by him.  I can't understand James."

"Oh! it's in regard to the paint, and not the princess, that he's made
up his mind.  Well, I think you were wise to let him alone, Anna.  We
represent a faded tradition.  We don't really care what business a man
is in, so it is large enough, and he doesn't advertise offensively; but
we think it fine to affect reluctance."

"Do you really feel so, Bromfield?" asked his wife seriously.

"Certainly I do.  There was a long time in my misguided youth when I
supposed myself some sort of porcelain; but it's a relief to be of the
common clay, after all, and to know it.  If I get broken, I can be
easily replaced."

"If Tom must go into such a business," said Mrs. Corey, "I'm glad James
approves of it."

"I'm afraid it wouldn't matter to Tom if he didn't; and I don't know
that I should care," said Corey, betraying the fact that he had perhaps
had a good deal of his brother-in-law's judgment in the course of his
life.  "You had better consult him in regard to Tom's marrying the
princess."

"There is no necessity at present for that," said Mrs. Corey, with
dignity.  After a moment, she asked, "Should you feel quite so easy if
it were a question of that, Bromfield?"

"It would be a little more personal."

"You feel about it as I do.  Of course, we have both lived too long,
and seen too much of the world, to suppose we can control such things.
The child is good, I haven't the least doubt, and all those things can
be managed so that they wouldn't disgrace us.  But she has had a
certain sort of bringing up.  I should prefer Tom to marry a girl with
another sort, and this business venture of his increases the chances
that he won't. That's all."

"''Tis not so deep as a well, nor so wide as a church door, but 'twill
serve.'"

"I shouldn't like it."

"Well, it hasn't happened yet."

"Ah, you never can realise anything beforehand."

"Perhaps that has saved me some suffering.  But you have at least the
consolation of two anxieties at once.  I always find that a great
advantage.  You can play one off against the other."

Mrs. Corey drew a long breath as if she did not experience the
suggested consolation; and she arranged to quit, the following
afternoon, the scene of her defeat, which she had not had the courage
to make a battlefield.  Her son went down to see her off on the boat,
after spending his first day at his desk in Lapham's office.  He was in
a gay humour, and she departed in a reflected gleam of his good
spirits.  He told her all about it, as he sat talking with her at the
stern of the boat, lingering till the last moment, and then stepping
ashore, with as little waste of time as Lapham himself, on the
gang-plank which the deck-hands had laid hold of.  He touched his hat
to her from the wharf to reassure her of his escape from being carried
away with her, and the next moment his smiling face hid itself in the
crowd.

He walked on smiling up the long wharf, encumbered with trucks and
hacks and piles of freight, and, taking his way through the deserted
business streets beyond this bustle, made a point of passing the door
of Lapham's warehouse, on the jambs of which his name and paint were
lettered in black on a square ground of white.  The door was still
open, and Corey loitered a moment before it, tempted to go upstairs and
fetch away some foreign letters which he had left on his desk, and
which he thought he might finish up at home.  He was in love with his
work, and he felt the enthusiasm for it which nothing but the work we
can do well inspires in us.  He believed that he had found his place in
the world, after a good deal of looking, and he had the relief, the
repose, of fitting into it.  Every little incident of the momentous,
uneventful day was a pleasure in his mind, from his sitting down at his
desk, to which Lapham's boy brought him the foreign letters, till his
rising from it an hour ago.  Lapham had been in view within his own
office, but he had given Corey no formal reception, and had, in fact,
not spoken to him till toward the end of the forenoon, when he suddenly
came out of his den with some more letters in his hand, and after a
brief "How d'ye do?" had spoken a few words about them, and left them
with him.  He was in his shirt-sleeves again, and his sanguine person
seemed to radiate the heat with which he suffered.  He did not go out
to lunch, but had it brought to him in his office, where Corey saw him
eating it before he left his own desk to go out and perch on a swinging
seat before the long counter of a down-town restaurant.  He observed
that all the others lunched at twelve, and he resolved to anticipate
his usual hour.  When he returned, the pretty girl who had been
clicking away at a type-writer all the morning was neatly putting out
of sight the evidences of pie from the table where her machine stood,
and was preparing to go on with her copying.  In his office Lapham lay
asleep in his arm-chair, with a newspaper over his face.

Now, while Corey lingered at the entrance to the stairway, these two
came down the stairs together, and he heard Lapham saying, "Well, then,
you better get a divorce."

He looked red and excited, and the girl's face, which she veiled at
sight of Corey, showed traces of tears.  She slipped round him into the
street.

But Lapham stopped, and said, with the show of no feeling but surprise:
"Hello, Corey! Did you want to go up?"

"Yes; there were some letters I hadn't quite got through with."

"You'll find Dennis up there.  But I guess you better let them go till
to-morrow. I always make it a rule to stop work when I'm done."

"Perhaps you're right," said Corey, yielding.

"Come along down as far as the boat with me.  There's a little matter I
want to talk over with you."

It was a business matter, and related to Corey's proposed connection
with the house.

The next day the head book-keeper, who lunched at the long counter of
the same restaurant with Corey, began to talk with him about Lapham.
Walker had not apparently got his place by seniority; though with his
forehead, bald far up toward the crown, and his round smooth face, one
might have taken him for a plump elder, if he had not looked equally
like a robust infant.  The thick drabbish yellow moustache was what
arrested decision in either direction, and the prompt vigour of all his
movements was that of a young man of thirty, which was really Walker's
age.  He knew, of course, who Corey was, and he had waited for a man
who might look down on him socially to make the overtures toward
something more than business acquaintance; but, these made, he was
readily responsive, and drew freely on his philosophy of Lapham and his
affairs.

"I think about the only difference between people in this world is that
some know what they want, and some don't. Well, now," said Walker,
beating the bottom of his salt-box to make the salt come out, "the old
man knows what he wants every time.  And generally he gets it.  Yes,
sir, he generally gets it.  He knows what he's about, but I'll be
blessed if the rest of us do half the time.  Anyway, we don't till he's
ready to let us.  You take my position in most business houses.  It's
confidential.  The head book-keeper knows right along pretty much
everything the house has got in hand.  I'll give you my word I don't.
He may open up to you a little more in your department, but, as far as
the rest of us go, he don't open up any more than an oyster on a hot
brick.  They say he had a partner once; I guess he's dead.  I wouldn't
like to be the old man's partner.  Well, you see, this paint of his is
like his heart's blood.  Better not try to joke him about it.  I've
seen people come in occasionally and try it.  They didn't get much fun
out of it."

While he talked, Walker was plucking up morsels from his plate, tearing
off pieces of French bread from the long loaf, and feeding them into
his mouth in an impersonal way, as if he were firing up an engine.

"I suppose he thinks," suggested Corey, "that if he doesn't tell,
nobody else will."

Walker took a draught of beer from his glass, and wiped the foam from
his moustache.

"Oh, but he carries it too far! It's a weakness with him.  He's just so
about everything.  Look at the way he keeps it up about that
type-writer girl of his.  You'd think she was some princess travelling
incognito.  There isn't one of us knows who she is, or where she came
from, or who she belongs to.  He brought her and her machine into the
office one morning, and set 'em down at a table, and that's all there
is about it, as far as we're concerned.  It's pretty hard on the girl,
for I guess she'd like to talk; and to any one that didn't know the old
man----" Walker broke off and drained his glass of what was left in it.

Corey thought of the words he had overheard from Lapham to the girl.
But he said, "She seems to be kept pretty busy."

"Oh yes," said Walker; "there ain't much loafing round the place, in
any of the departments, from the old man's down.  That's just what I
say.  He's got to work just twice as hard, if he wants to keep
everything in his own mind.  But he ain't afraid of work.  That's one
good thing about him.  And Miss Dewey has to keep step with the rest of
us.  But she don't look like one that would take to it naturally.  Such
a pretty girl as that generally thinks she does enough when she looks
her prettiest."

"She's a pretty girl," said Corey, non-committally. "But I suppose a
great many pretty girls have to earn their living."

"Don't any of 'em like to do it," returned the book-keeper.  "They
think it's a hardship, and I don't blame 'em. They have got a right to
get married, and they ought to have the chance.  And Miss Dewey's
smart, too.  She's as bright as a biscuit.  I guess she's had trouble.
I shouldn't be much more than half surprised if Miss Dewey wasn't Miss
Dewey, or hadn't always been.  Yes, sir," continued the book-keeper,
who prolonged the talk as they walked back to Lapham's warehouse
together, "I don't know exactly what it is,--it isn't any one thing in
particular,--but I should say that girl had been married.  I wouldn't
speak so freely to any of the rest, Mr. Corey,--I want you to
understand that,--and it isn't any of my business, anyway; but that's
my opinion."

Corey made no reply, as he walked beside the book-keeper, who
continued--

"It's curious what a difference marriage makes in people.  Now, I know
that I don't look any more like a bachelor of my age than I do like the
man in the moon, and yet I couldn't say where the difference came in,
to save me.  And it's just so with a woman.  The minute you catch sight
of her face, there's something in it that tells you whether she's
married or not.  What do you suppose it is?"

"I'm sure I don't know," said Corey, willing to laugh away the topic.
"And from what I read occasionally of some people who go about
repeating their happiness, I shouldn't say that the intangible
evidences were always unmistakable."

"Oh, of course," admitted Walker, easily surrendering his position.
"All signs fail in dry weather.  Hello! What's that?" He caught Corey
by the arm, and they both stopped.

At a corner, half a block ahead of them, the summer noon solitude of
the place was broken by a bit of drama.  A man and woman issued from
the intersecting street, and at the moment of coming into sight the
man, who looked like a sailor, caught the woman by the arm, as if to
detain her.  A brief struggle ensued, the woman trying to free herself,
and the man half coaxing, half scolding.  The spectators could now see
that he was drunk; but before they could decide whether it was a case
for their interference or not, the woman suddenly set both hands
against the man's breast and gave him a quick push.  He lost his
footing and tumbled into a heap in the gutter.  The woman faltered an
instant, as if to see whether he was seriously hurt, and then turned
and ran.

When Corey and the book-keeper re-entered the office, Miss Dewey had
finished her lunch, and was putting a sheet of paper into her
type-writer. She looked up at them with her eyes of turquoise blue,
under her low white forehead, with the hair neatly rippled over it, and
then began to beat the keys of her machine.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Mrs. Corey returns suddenly to check on Tom and is horrified that he has been taken into Silas' business. Bromfield says that he couldn't have been stopped; Tom would pay no heed to their opinions in this matter. Bromfield realizes that Tom is energetic but not brilliant; he does not think Tom would succeed in a profession, but he knows Tom wants to do something. Mineral paint is not much different from the other things Tom could go into, Bromfield feels. Mrs. Corey objects more to the possibility of marriage between Tom and Irene than to Tom's going into the Lapham enterprise. She feels she could not get along with Irene, whom she says is insipid. "There is nothing to her," she states. "The chief consolation that we American parents have in these matters is that we can do nothing," Bromfield consoles his wife. Parents no longer wholeheartedly interfere in marriage, he points out. "To which father in our acquaintance shall I go and propose an alliance for Tom with his daughter? I should feel like an ass," Bromfield observes. Mrs. Corey resolves to speak to Tom about Irene when the time comes. When Tom returns from his stay at the Laphams, Mrs. Corey tries to feel out any possibility of a love affair with Irene. She learns only that Tom's Uncle Jim has suggested the business venture, Penelope has a droll sense of humor, and Irene has a wonderful complexion. She reports to her husband that she has found out very little about the possibility of a romance between Tom and Irene. She states that she has found him with his mind made up concerning the business venture. She also realizes that there will be nothing she can do if Tom decides to marry Irene, but she hopes that he will not. Defeated Mrs. Corey returns to the resort. Tom has become engrossed in his work, and, upon returning to the office to pick up some work, he encounters a mysterious rendezvous between Silas and Zerrilla, a girl Lapham employs. Walker, the head bookkeeper, points out to Tom the next day that Lapham has always been secretive about the typist.


prompt:
Chapter: LAPHAM had the pride which comes of self-making, and he would not
openly lower his crest to the young fellow he had taken into his
business.  He was going to be obviously master in his own place to
every one; and during the hours of business he did nothing to
distinguish Corey from the half-dozen other clerks and book-keepers in
the outer office, but he was not silent about the fact that Bromfield
Corey's son had taken a fancy to come to him.  "Did you notice that
fellow at the desk facing my type-writer girl? Well, sir, that's the
son of Bromfield Corey--old Phillips Corey's grandson.  And I'll say
this for him, that there isn't a man in the office that looks after his
work better.  There isn't anything he's too good for.  He's right here
at nine every morning, before the clock gets in the word.  I guess it's
his grandfather coming out in him.  He's got charge of the foreign
correspondence.  We're pushing the paint everywhere." He flattered
himself that he did not lug the matter in.  He had been warned against
that by his wife, but he had the right to do Corey justice, and his
brag took the form of illustration.  "Talk about training for
business--I tell you it's all in the man himself! I used to believe in
what old Horace Greeley said about college graduates being the poorest
kind of horned cattle; but I've changed my mind a little.  You take
that fellow Corey.  He's been through Harvard, and he's had about every
advantage that a fellow could have.  Been everywhere, and talks half a
dozen languages like English.  I suppose he's got money enough to live
without lifting a hand, any more than his father does; son of Bromfield
Corey, you know.  But the thing was in him.  He's a natural-born
business man; and I've had many a fellow with me that had come up out
of the street, and worked hard all his life, without ever losing his
original opposition to the thing.  But Corey likes it.  I believe the
fellow would like to stick at that desk of his night and day.  I don't
know where he got it.  I guess it must be his grandfather, old Phillips
Corey; it often skips a generation, you know.  But what I say is, a
thing has got to be born in a man; and if it ain't born in him, all the
privations in the world won't put it there, and if it is, all the
college training won't take it out."

Sometimes Lapham advanced these ideas at his own table, to a guest whom
he had brought to Nantasket for the night.  Then he suffered exposure
and ridicule at the hands of his wife, when opportunity offered.  She
would not let him bring Corey down to Nantasket at all.

"No, indeed!" she said.  "I am not going to have them think we're
running after him.  If he wants to see Irene, he can find out ways of
doing it for himself."

"Who wants him to see Irene?" retorted the Colonel angrily.

"I do," said Mrs. Lapham.  "And I want him to see her without any of
your connivance, Silas.  I'm not going to have it said that I put my
girls at anybody.  Why don't you invite some of your other clerks?"

"He ain't just like the other clerks.  He's going to take charge of a
part of the business.  It's quite another thing."

"Oh, indeed!" said Mrs. Lapham vexatiously.  "Then you ARE going to
take a partner."

"I shall ask him down if I choose!" returned the Colonel, disdaining
her insinuation.

His wife laughed with the fearlessness of a woman who knows her husband.

"But you won't choose when you've thought it over, Si." Then she
applied an emollient to his chafed surface.  "Don't you suppose I feel
as you do about it? I know just how proud you are, and I'm not going to
have you do anything that will make you feel meeching afterward.  You
just let things take their course.  If he wants Irene, he's going to
find out some way of seeing her; and if he don't, all the plotting and
planning in the world isn't going to make him."

"Who's plotting?" again retorted the Colonel, shuddering at the
utterance of hopes and ambitions which a man hides with shame, but a
woman talks over as freely and coolly as if they were items of a
milliner's bill.

"Oh, not you!" exulted his wife.  "I understand what you want.  You
want to get this fellow, who is neither partner nor clerk, down here to
talk business with him.  Well, now, you just talk business with him at
the office."

The only social attention which Lapham succeeded in offering Corey was
to take him in his buggy, now and then, for a spin out over the
Mill-dam. He kept the mare in town, and on a pleasant afternoon he
liked to knock off early, as he phrased it, and let the mare out a
little.  Corey understood something about horses, though in a
passionless way, and he would have preferred to talk business when
obliged to talk horse.  But he deferred to his business superior with
the sense of discipline which is innate in the apparently insubordinate
American nature.  If Corey could hardly have helped feeling the social
difference between Lapham and himself, in his presence he silenced his
traditions, and showed him all the respect that he could have exacted
from any of his clerks.  He talked horse with him, and when the Colonel
wished he talked house.  Besides himself and his paint Lapham had not
many other topics; and if he had a choice between the mare and the
edifice on the water side of Beacon Street, it was just now the latter.
Sometimes, in driving in or out, he stopped at the house, and made
Corey his guest there, if he might not at Nantasket; and one day it
happened that the young man met Irene there again.  She had come up
with her mother alone, and they were in the house, interviewing the
carpenter as before, when the Colonel jumped out of his buggy and cast
anchor at the pavement.  More exactly, Mrs. Lapham was interviewing the
carpenter, and Irene was sitting in the bow-window on a trestle, and
looking out at the driving.  She saw him come up with her father, and
bowed and blushed.  Her father went on up-stairs to find her mother,
and Corey pulled up another trestle which he found in the back part of
the room.  The first floorings had been laid throughout the house, and
the partitions had been lathed so that one could realise the shape of
the interior.

"I suppose you will sit at this window a good deal," said the young man.

"Yes, I think it will be very nice.  There's so much more going on than
there is in the Square."

"It must be very interesting to you to see the house grow."

"It is.  Only it doesn't seem to grow so fast as I expected."

"Why, I'm amazed at the progress your carpenter has made every time I
come."

The girl looked down, and then lifting her eyes she said, with a sort
of timorous appeal--

"I've been reading that book since you were down at Nantasket."

"Book?" repeated Corey, while she reddened with disappointment.  "Oh
yes.  Middlemarch.  Did you like it?"

"I haven't got through with it yet.  Pen has finished it."

"What does she think of it?"

"Oh, I think she likes it very well.  I haven't heard her talk about it
much.  Do you like it?"

"Yes; I liked it immensely.  But it's several years since I read it."

"I didn't know it was so old.  It's just got into the Seaside Library,"
she urged, with a little sense of injury in her tone.

"Oh, it hasn't been out such a very great while," said Corey politely.
"It came a little before DANIEL DERONDA."

The girl was again silent.  She followed the curl of a shaving on the
floor with the point of her parasol.

"Do you like that Rosamond Vincy?" she asked, without looking up.

Corey smiled in his kind way.

"I didn't suppose she was expected to have any friends.  I can't say I
liked her.  But I don't think I disliked her so much as the author
does.  She's pretty hard on her good-looking"--he was going to say
girls, but as if that might have been rather personal, he
said--"people."

"Yes, that's what Pen says.  She says she doesn't give her any chance
to be good.  She says she should have been just as bad as Rosamond if
she had been in her place."

The young man laughed.  "Your sister is very satirical, isn't she?"

"I don't know," said Irene, still intent upon the convolutions of the
shaving.  "She keeps us laughing.  Papa thinks there's nobody that can
talk like her." She gave the shaving a little toss from her, and took
the parasol up across her lap.  The unworldliness of the Lapham girls
did not extend to their dress; Irene's costume was very stylish, and
she governed her head and shoulders stylishly.  "We are going to have
the back room upstairs for a music-room and library," she said abruptly.

"Yes?" returned Corey.  "I should think that would be charming."

"We expected to have book-cases, but the architect wants to build the
shelves in."

The fact seemed to be referred to Corey for his comment.

"It seems to me that would be the best way.  They'll look like part of
the room then.  You can make them low, and hang your pictures above
them."

"Yes, that's what he said." The girl looked out of the window in
adding, "I presume with nice bindings it will look very well."

"Oh, nothing furnishes a room like books."

"No. There will have to be a good many of them."

"That depends upon the size of your room and the number of your
shelves."

"Oh, of course! I presume," said Irene, thoughtfully, "we shall have to
have Gibbon."

"If you want to read him," said Corey, with a laugh of sympathy for an
imaginable joke.

"We had a great deal about him at school.  I believe we had one of his
books.  Mine's lost, but Pen will remember."

The young man looked at her, and then said, seriously, "You'll want
Greene, of course, and Motley, and Parkman."

"Yes. What kind of writers are they?"

"They're historians too."

"Oh yes; I remember now.  That's what Gibbon was.  Is it Gibbon or
Gibbons?"

The young man decided the point with apparently superfluous delicacy.
"Gibbon, I think."

"There used to be so many of them," said Irene gaily.  "I used to get
them mixed up with each other, and I couldn't tell them from the poets.
Should you want to have poetry?"

"Yes; I suppose some edition of the English poets."

"We don't any of us like poetry.  Do you like it?"

"I'm afraid I don't very much," Corey owned.  "But, of course, there
was a time when Tennyson was a great deal more to me than he is now."

"We had something about him at school too.  I think I remember the
name.  I think we ought to have ALL the American poets."

"Well, not all.  Five or six of the best: you want Longfellow and
Bryant and Whittier and Holmes and Emerson and Lowell."

The girl listened attentively, as if making mental note of the names.

"And Shakespeare," she added.  "Don't you like Shakespeare's plays?"

"Oh yes, very much."

"I used to be perfectly crazy about his plays.  Don't you think
'Hamlet' is splendid? We had ever so much about Shakespeare.  Weren't
you perfectly astonished when you found out how many other plays of his
there were? I always thought there was nothing but 'Hamlet' and 'Romeo
and Juliet' and 'Macbeth' and 'Richard III.' and 'King Lear,' and that
one that Robeson and Crane have--oh yes! 'Comedy of Errors.'"

"Those are the ones they usually play," said Corey.

"I presume we shall have to have Scott's works," said Irene, returning
to the question of books.

"Oh yes."

"One of the girls used to think he was GREAT.  She was always talking
about Scott." Irene made a pretty little amiably contemptuous mouth.
"He isn't American, though?" she suggested.

"No," said Corey; "he's Scotch, I believe."

Irene passed her glove over her forehead.  "I always get him mixed up
with Cooper.  Well, papa has got to get them.  If we have a library, we
have got to have books in it.  Pen says it's perfectly ridiculous
having one.  But papa thinks whatever the architect says is right.  He
fought him hard enough at first.  I don't see how any one can keep the
poets and the historians and novelists separate in their mind.  Of
course papa will buy them if we say so.  But I don't see how I'm ever
going to tell him which ones." The joyous light faded out of her face
and left it pensive.

"Why, if you like," said the young man, taking out his pencil, "I'll
put down the names we've been talking about."

He clapped himself on his breast pockets to detect some lurking scrap
of paper.

"Will you?" she cried delightedly.  "Here! take one of my cards," and
she pulled out her card-case. "The carpenter writes on a three-cornered
block and puts it into his pocket, and it's so uncomfortable he can't
help remembering it.  Pen says she's going to adopt the
three-cornered-block plan with papa."

"Thank you," said Corey.  "I believe I'll use your card." He crossed
over to her, and after a moment sat down on the trestle beside her.
She looked over the card as he wrote.  "Those are the ones we
mentioned, but perhaps I'd better add a few others."

"Oh, thank you," she said, when he had written the card full on both
sides.  "He has got to get them in the nicest binding, too.  I shall
tell him about their helping to furnish the room, and then he can't
object." She remained with the card, looking at it rather wistfully.

Perhaps Corey divined her trouble of mind.  "If he will take that to
any bookseller, and tell him what bindings he wants, he will fill the
order for him."

"Oh, thank you very much," she said, and put the card back into her
card-case with great apparent relief.  Then she turned her lovely face
toward the young man, beaming with the triumph a woman feels in any bit
of successful manoeuvring, and began to talk with recovered gaiety of
other things, as if, having got rid of a matter annoying out of all
proportion to its importance, she was now going to indemnify herself.

Corey did not return to his own trestle.  She found another shaving
within reach of her parasol, and began poking that with it, and trying
to follow it through its folds.  Corey watched her a while.

"You seem to have a great passion for playing with shavings," he said.
"Is it a new one?"

"New what?"

"Passion."

"I don't know," she said, dropping her eyelids, and keeping on with her
effort.  She looked shyly aslant at him.  "Perhaps you don't approve of
playing with shavings?"

"Oh yes, I do.  I admire it very much.  But it seems rather difficult.
I've a great ambition to put my foot on the shaving's tail and hold it
for you."

"Well," said the girl.

"Thank you," said the young man.  He did so, and now she ran her
parasol point easily through it.  They looked at each other and
laughed.  "That was wonderful.  Would you like to try another?" he
asked.

"No, I thank you," she replied.  "I think one will do."

They both laughed again, for whatever reason or no reason, and then the
young girl became sober.  To a girl everything a young man does is of
significance; and if he holds a shaving down with his foot while she
pokes through it with her parasol, she must ask herself what he means
by it.

"They seem to be having rather a long interview with the carpenter
to-day," said Irene, looking vaguely toward the ceiling.  She turned
with polite ceremony to Corey.  "I'm afraid you're letting them keep
you.  You mustn't."

"Oh no.  You're letting me stay," he returned.

She bridled and bit her lip for pleasure.  "I presume they will be down
before a great while.  Don't you like the smell of the wood and the
mortar? It's so fresh."

"Yes, it's delicious." He bent forward and picked up from the floor the
shaving with which they had been playing, and put it to his nose.
"It's like a flower.  May I offer it to you?" he asked, as if it had
been one.

"Oh, thank you, thank you!" She took it from him and put it into her
belt, and then they both laughed once more.

Steps were heard descending.  When the elder people reached the floor
where they were sitting, Corey rose and presently took his leave.

"What makes you so solemn, 'Rene?" asked Mrs. Lapham.

"Solemn?" echoed the girl.  "I'm not a BIT solemn.  What CAN you mean?"

Corey dined at home that evening, and as he sat looking across the
table at his father, he said, "I wonder what the average literature of
non-cultivated people is."

"Ah," said the elder, "I suspect the average is pretty low even with
cultivated people.  You don't read a great many books yourself, Tom."

"No, I don't," the young man confessed.  "I read more books when I was
with Stanton, last winter, than I had since I was a boy.  But I read
them because I must--there was nothing else to do.  It wasn't because I
was fond of reading.  Still I think I read with some sense of
literature and the difference between authors.  I don't suppose that
people generally do that; I have met people who had read books without
troubling themselves to find out even the author's name, much less
trying to decide upon his quality.  I suppose that's the way the vast
majority of people read."

"Yes. If authors were not almost necessarily recluses, and ignorant of
the ignorance about them, I don't see how they could endure it.  Of
course they are fated to be overwhelmed by oblivion at last, poor
fellows; but to see it weltering all round them while they are in the
very act of achieving immortality must be tremendously discouraging.  I
don't suppose that we who have the habit of reading, and at least a
nodding acquaintance with literature, can imagine the bestial darkness
of the great mass of people--even people whose houses are rich and
whose linen is purple and fine.  But occasionally we get glimpses of
it.  I suppose you found the latest publications lying all about in
Lapham cottage when you were down there?"

Young Corey laughed.  "It wasn't exactly cumbered with them."

"No?"

"To tell the truth, I don't suppose they ever buy books.  The young
ladies get novels that they hear talked of out of the circulating
library."

"Had they knowledge enough to be ashamed of their ignorance?"

"Yes, in certain ways--to a certain degree."

"It's a curious thing, this thing we call civilisation," said the elder
musingly.  "We think it is an affair of epochs and of nations.  It's
really an affair of individuals.  One brother will be civilised and the
other a barbarian.  I've occasionally met young girls who were so
brutally, insolently, wilfully indifferent to the arts which make
civilisation that they ought to have been clothed in the skins of wild
beasts and gone about barefoot with clubs over their shoulders.  Yet
they were of polite origin, and their parents were at least respectful
of the things that these young animals despised."

"I don't think that is exactly the case with the Lapham family," said
the son, smiling.  "The father and mother rather apologised about not
getting time to read, and the young ladies by no means scorned it."

"They are quite advanced!"

"They are going to have a library in their Beacon Street house."

"Oh, poor things! How are they ever going to get the books together?"

"Well, sir," said the son, colouring a little, "I have been indirectly
applied to for help."

"You, Tom!" His father dropped back in his chair and laughed.

"I recommended the standard authors," said the son.

"Oh, I never supposed your PRUDENCE would be at fault, Tom!"

"But seriously," said the young man, generously smiling in sympathy
with his father's enjoyment, "they're not unintelligent people.  They
are very quick, and they are shrewd and sensible."

"I have no doubt that some of the Sioux are so.  But that is not saying
that they are civilised.  All civilisation comes through literature
now, especially in our country.  A Greek got his civilisation by
talking and looking, and in some measure a Parisian may still do it.
But we, who live remote from history and monuments, we must read or we
must barbarise.  Once we were softened, if not polished, by religion;
but I suspect that the pulpit counts for much less now in civilising."

"They're enormous devourers of newspapers, and theatre-goers; and they
go a great deal to lectures.  The Colonel prefers them with the
stereopticon."

"They might get a something in that way," said the elder thoughtfully.
"Yes, I suppose one must take those things into account--especially the
newspapers and the lectures.  I doubt if the theatre is a factor in
civilisation among us.  I dare say it doesn't deprave a great deal, but
from what I've seen of it I should say that it was intellectually
degrading.  Perhaps they might get some sort of lift from it; I don't
know.  Tom!" he added, after a moment's reflection.  "I really think I
ought to see this patron of yours.  Don't you think it would be rather
decent in me to make his acquaintance?"

"Well, if you have the fancy, sir," said the young man.  "But there's
no sort of obligation.  Colonel Lapham would be the last man in the
world to want to give our relation any sort of social character.  The
meeting will come about in the natural course of things."

"Ah, I didn't intend to propose anything immediate," said the father.
"One can't do anything in the summer, and I should prefer your mother's
superintendence.  Still, I can't rid myself of the idea of a dinner.
It appears to me that there ought to be a dinner."

"Oh, pray don't feel that there's any necessity."

"Well," said the elder, with easy resignation, "there's at least no
hurry."

"There is one thing I don't like," said Lapham, in the course of one of
those talks which came up between his wife and himself concerning
Corey, "or at least I don't understand it; and that's the way his
father behaves.  I don't want to force myself on any man; but it seems
to me pretty queer the way he holds off.  I should think he would take
enough interest in his son to want to know something about his
business.  What is he afraid of?" demanded Lapham angrily.  "Does he
think I'm going to jump at a chance to get in with him, if he gives me
one? He's mightily mistaken if he does.  I don't want to know him."

"Silas," said his wife, making a wife's free version of her husband's
words, and replying to their spirit rather than their letter, "I hope
you never said a word to Mr. Corey to let him know the way you feel."

"I never mentioned his father to him!" roared the Colonel.  "That's the
way I feel about it!"

"Because it would spoil everything.  I wouldn't have them think we
cared the least thing in the world for their acquaintance.  We
shouldn't be a bit better off.  We don't know the same people they do,
and we don't care for the same kind of things."

Lapham was breathless with resentment of his wife's implication.
"Don't I tell you," he gasped, "that I don't want to know them? Who
began it? They're friends of yours if they're anybody's."

"They're distant acquaintances of mine," returned Mrs. Lapham quietly;
"and this young Corey is a clerk of yours.  And I want we should hold
ourselves so that when they get ready to make the advances we can meet
them half-way or not, just as we choose."

"That's what grinds me," cried her husband.  "Why should we wait for
them to make the advances? Why shouldn't we make 'em? Are they any
better than we are?  My note of hand would be worth ten times what
Bromfield Corey's is on the street to-day. And I made MY money.  I
haven't loafed my life away."

"Oh, it isn't what you've got, and it isn't what you've done exactly.
It's what you are."

"Well, then, what's the difference?"

"None that really amounts to anything, or that need give you any
trouble, if you don't think of it.  But he's been all his life in
society, and he knows just what to say and what to do, and he can talk
about the things that society people like to talk about, and
you--can't."

Lapham gave a furious snort.  "And does that make him any better?"

"No. But it puts him where he can make the advances without demeaning
himself, and it puts you where you can't. Now, look here, Silas Lapham!
You understand this thing as well as I do.  You know that I appreciate
you, and that I'd sooner die than have you humble yourself to a living
soul.  But I'm not going to have you coming to me, and pretending that
you can meet Bromfield Corey as an equal on his own ground.  You can't.
He's got a better education than you, and if he hasn't got more brains
than you, he's got different.  And he and his wife, and their fathers
and grandfathers before 'em, have always had a high position, and you
can't help it.  If you want to know them, you've got to let them make
the advances.  If you don't, all well and good."

"I guess," said the chafed and vanquished Colonel, after a moment for
swallowing the pill, "that they'd have been in a pretty fix if you'd
waited to let them make the advances last summer."

"That was a different thing altogether.  I didn't know who they were,
or may be I should have waited.  But all I say now is that if you've
got young Corey into business with you, in hopes of our getting into
society with his father, you better ship him at once.  For I ain't
going to have it on that basis."

"Who wants to have it on that basis?" retorted her husband.

"Nobody, if you don't," said Mrs. Lapham tranquilly.

Irene had come home with the shaving in her belt, unnoticed by her
father, and unquestioned by her mother.  But her sister saw it at once,
and asked her what she was doing with it.

"Oh, nothing," said Irene, with a joyful smile of self-betrayal, taking
the shaving carefully out, and laying it among the laces and ribbons in
her drawer.

"Hadn't you better put it in water, 'Rene? It'll be all wilted by
morning," said Pen.

"You mean thing!" cried the happy girl.  "It isn't a flower!"

"Oh, I thought it was a whole bouquet.  Who gave it to you?"

"I shan't tell you," said Irene saucily.

"Oh, well, never mind.  Did you know Mr. Corey had been down here this
afternoon, walking on the beach with me?"

"He wasn't--he wasn't at all! He was at the house with ME.  There! I've
caught you fairly."

"Is that so?" drawled Penelope.  "Then I never could guess who gave you
that precious shaving."

"No, you couldn't!" said Irene, flushing beautifully.  "And you may
guess, and you may guess, and you may guess!" With her lovely eyes she
coaxed her sister to keep on teasing her, and Penelope continued the
comedy with the patience that women have for such things.

"Well, I'm not going to try, if it's no use.  But I didn't know it had
got to be the fashion to give shavings instead of flowers.  But there's
some sense in it.  They can be used for kindlings when they get old,
and you can't do anything with old flowers.  Perhaps he'll get to
sending 'em by the barrel."

Irene laughed for pleasure in this tormenting.  "O Pen, I want to tell
you how it all happened."

"Oh, he DID give it to you, then? Well, I guess I don't care to hear."

"You shall, and you've got to!" Irene ran and caught her sister, who
feigned to be going out of the room, and pushed her into a chair.
"There, now!" She pulled up another chair, and hemmed her in with it.
"He came over, and sat down on the trestle alongside of me----"

"What? As close as you are to me now?"

"You wretch! I will GIVE it to you! No, at a proper distance.  And here
was this shaving on the floor, that I'd been poking with my parasol----"

"To hide your embarrassment."

"Pshaw! I wasn't a bit embarrassed.  I was just as much at my ease! And
then he asked me to let him hold the shaving down with his foot, while
I went on with my poking.  And I said yes he might----"

"What a bold girl! You said he might hold a shaving down for you?"

"And then--and then----" continued Irene, lifting her eyes absently,
and losing herself in the beatific recollection, "and then----Oh yes!
Then I asked him if he didn't like the smell of pine shavings.  And
then he picked it up, and said it smelt like a flower.  And then he
asked if he might offer it to me--just for a joke, you know.  And I
took it, and stuck it in my belt.  And we had such a laugh! We got into
a regular gale.  And O Pen, what do you suppose he meant by it?" She
suddenly caught herself to her sister's breast, and hid her burning
face on her shoulder.

"Well, there used to be a book about the language of flowers.  But I
never knew much about the language of shavings, and I can't say
exactly----"

"Oh, don't--DON'T, Pen!" and here Irene gave over laughing, and began
to sob in her sister's arms.

"Why, 'Rene!" cried the elder girl.

"You KNOW he didn't mean anything.  He doesn't care a bit about me.  He
hates me! He despises me! Oh, what shall I do?"

A trouble passed over the face of the sister as she silently comforted
the child in her arms; then the drolling light came back into her eyes.
"Well, 'Rene, YOU haven't got to do ANYthing.  That's one advantage
girls have got--if it IS an advantage.  I'm not always sure."

Irene's tears turned to laughing again.  When she lifted her head it
was to look into the mirror confronting them, where her beauty showed
all the more brilliant for the shower that had passed over it.  She
seemed to gather courage from the sight.

"It must be awful to have to DO," she said, smiling into her own face.
"I don't see how they ever can."

"Some of 'em can't--especially when there's such a tearing beauty
around."

"Oh, pshaw, Pen! you know that isn't so.  You've got a real pretty
mouth, Pen," she added thoughtfully, surveying the feature in the
glass, and then pouting her own lips for the sake of that effect on
them.

"It's a useful mouth," Penelope admitted; "I don't believe I could get
along without it now, I've had it so long."

"It's got such a funny expression--just the mate of the look in your
eyes; as if you were just going to say something ridiculous.  He said,
the very first time he saw you, that he knew you were humorous."

"Is it possible? It must be so, if the Grand Mogul said it.  Why didn't
you tell me so before, and not let me keep on going round just like a
common person?"

Irene laughed as if she liked to have her sister take his praises in
that way rather than another.

"I've got such a stiff, prim kind of mouth," she said, drawing it down,
and then looking anxiously at it.

"I hope you didn't put on that expression when he offered you the
shaving.  If you did, I don't believe he'll ever give you another
splinter."

The severe mouth broke into a lovely laugh, and then pressed itself in
a kiss against Penelope's cheek.

"There! Be done, you silly thing! I'm not going to have you accepting
ME before I've offered myself, ANYWAY." She freed herself from her
sister's embrace, and ran from her round the room.

Irene pursued her, in the need of hiding her face against her shoulder
again.  "O Pen! O Pen!" she cried.

The next day, at the first moment of finding herself alone with her
eldest daughter, Mrs. Lapham asked, as if knowing that Penelope must
have already made it subject of inquiry: "What was Irene doing with
that shaving in her belt yesterday?"

"Oh, just some nonsense of hers with Mr. Corey.  He gave it to her at
the new house." Penelope did not choose to look up and meet her
mother's grave glance.

"What do you think he meant by it?"

Penelope repeated Irene's account of the affair, and her mother
listened without seeming to derive much encouragement from it.

"He doesn't seem like one to flirt with her," she said at last.  Then,
after a thoughtful pause: "Irene is as good a girl as ever breathed,
and she's a perfect beauty.  But I should hate the day when a daughter
of mine was married for her beauty."

"You're safe as far as I'm concerned, mother."

Mrs. Lapham smiled ruefully.  "She isn't really equal to him, Pen.  I
misdoubted that from the first, and it's been borne in upon me more and
more ever since.  She hasn't mind enough." "I didn't know that a man
fell in love with a girl's intellect," said Penelope quietly.

"Oh no.  He hasn't fallen in love with Irene at all.  If he had, it
wouldn't matter about the intellect."

Penelope let the self-contradiction pass.

"Perhaps he has, after all."

"No," said Mrs. Lapham.  "She pleases him when he sees her.  But he
doesn't try to see her."

"He has no chance.  You won't let father bring him here."

"He would find excuses to come without being brought, if he wished to
come," said the mother.  "But she isn't in his mind enough to make him.
He goes away and doesn't think anything more about her.  She's a child.
She's a good child, and I shall always say it; but she's nothing but a
child.  No, she's got to forget him."

"Perhaps that won't be so easy."

"No, I presume not.  And now your father has got the notion in his
head, and he will move heaven and earth to bring it to pass.  I can see
that he's always thinking about it."

"The Colonel has a will of his own," observed the girl, rocking to and
fro where she sat looking at her mother.

"I wish we had never met them!" cried Mrs. Lapham.  "I wish we had
never thought of building! I wish he had kept away from your father's
business!"

"Well, it's too late now, mother," said the girl.  "Perhaps it isn't so
bad as you think."

"Well, we must stand it, anyway," said Mrs. Lapham, with the grim
antique Yankee submission.

"Oh yes, we've got to stand it," said Penelope, with the quaint modern
American fatalism.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: This chapter delves further into Silas' social position. He does not treat Tom any better than one of his clerks; yet he likes to brag of Tom's presence on his staff. He believes that Tom is a born businessman and plots to have him marry Irene. Tom visits their new home and finds that, aside from business, horses, and the new house, he has little to talk about with Silas. He tries to suggest to Irene the books to include in their new library and gives her a wood shaving that they have amused themselves with. He reports to his family that the Laphams do not read with any attention to quality, but that they are not unintelligent people. "They are very quick, and they are shrewd and sensible," he says. "I have no doubt that some of the Sioux are so," his father retorts. "But that is not saying that they are civilized. All civilization comes through literature now, especially in our country." Bromfield, however, believes that there should be a dinner to recognize Tom's connection with the Laphams. Silas is at the same moment wondering why there have been no such social overtures. He unrealistically maintains that his daughters are equal to Bromfields'. Irene is also wondering what can be done to further her romance. Penelope tells her that she doesn't have to do anything. "Whether this is either an advantage or a disadvantage, I'm not always sure," she says.


prompt:
Chapter: IT was late June, almost July, when Corey took up his life in Boston
again, where the summer slips away so easily.  If you go out of town
early, it seems a very long summer when you come back in October; but
if you stay, it passes swiftly, and, seen foreshortened in its flight,
seems scarcely a month's length.  It has its days of heat, when it is
very hot, but for the most part it is cool, with baths of the east wind
that seem to saturate the soul with delicious freshness.  Then there
are stretches of grey westerly weather, when the air is full of the
sentiment of early autumn, and the frying, of the grasshopper in the
blossomed weed of the vacant lots on the Back Bay is intershot with the
carol of crickets; and the yellowing leaf on the long slope of Mt.
Vernon Street smites the sauntering observer with tender melancholy.
The caterpillar, gorged with the spoil of the lindens on Chestnut, and
weaving his own shroud about him in his lodgment on the brick-work,
records the passing of summer by mid-July; and if after that comes
August, its breath is thick and short, and September is upon the
sojourner before he has fairly had time to philosophise the character
of the town out of season.

But it must have appeared that its most characteristic feature was the
absence of everybody he knew.  This was one of the things that
commended Boston to Bromfield Corey during the summer; and if his son
had any qualms about the life he had entered upon with such vigour, it
must have been a relief to him that there was scarcely a soul left to
wonder or pity.  By the time people got back to town the fact of his
connection with the mineral paint man would be an old story, heard afar
off with different degrees of surprise, and considered with different
degrees of indifference.  A man has not reached the age of twenty-six
in any community where he was born and reared without having had his
capacity pretty well ascertained; and in Boston the analysis is
conducted with an unsparing thoroughness which may fitly impress the
un-Bostonian mind, darkened by the popular superstition that the
Bostonians blindly admire one another.  A man's qualities are sifted as
closely in Boston as they doubtless were in Florence or Athens; and, if
final mercy was shown in those cities because a man was, with all his
limitations, an Athenian or Florentine, some abatement might as justly
be made in Boston for like reason.  Corey's powers had been gauged in
college, and he had not given his world reason to think very
differently of him since he came out of college.  He was rated as an
energetic fellow, a little indefinite in aim, with the smallest amount
of inspiration that can save a man from being commonplace.  If he was
not commonplace, it was through nothing remarkable in his mind, which
was simply clear and practical, but through some combination of
qualities of the heart that made men trust him, and women call him
sweet--a word of theirs which conveys otherwise indefinable
excellences.  Some of the more nervous and excitable said that Tom
Corey was as sweet as he could live; but this perhaps meant no more
than the word alone.  No man ever had a son less like him than
Bromfield Corey.  If Tom Corey had ever said a witty thing, no one
could remember it; and yet the father had never said a witty thing to a
more sympathetic listener than his own son.  The clear mind which
produced nothing but practical results reflected everything with
charming lucidity; and it must have been this which endeared Tom Corey
to every one who spoke ten words with him.  In a city where people have
good reason for liking to shine, a man who did not care to shine must
be little short of universally acceptable without any other effort for
popularity; and those who admired and enjoyed Bromfield Corey loved his
son.  Yet, when it came to accounting for Tom Corey, as it often did in
a community where every one's generation is known to the remotest
degrees of cousinship, they could not trace his sweetness to his
mother, for neither Anna Bellingham nor any of her family, though they
were so many blocks of Wenham ice for purity and rectangularity, had
ever had any such savour; and, in fact, it was to his father, whose
habit of talk wronged it in himself, that they had to turn for this
quality of the son's. They traced to the mother the traits of
practicality and common-sense in which he bordered upon the
commonplace, and which, when they had dwelt upon them, made him seem
hardly worth the close inquiry they had given him.

While the summer wore away he came and went methodically about his
business, as if it had been the business of his life, sharing his
father's bachelor liberty and solitude, and expecting with equal
patience the return of his mother and sisters in the autumn.  Once or
twice he found time to run down to Mt.  Desert and see them; and then
he heard how the Philadelphia and New York people were getting in
everywhere, and was given reason to regret the house at Nahant which he
had urged to be sold.  He came back and applied himself to his desk
with a devotion that was exemplary rather than necessary; for Lapham
made no difficulty about the brief absences which he asked, and set no
term to the apprenticeship that Corey was serving in the office before
setting off upon that mission to South America in the early winter, for
which no date had yet been fixed.

The summer was a dull season for the paint as well as for everything
else.  Till things should brisk up, as Lapham said, in the fall, he was
letting the new house take a great deal of his time.  AEsthetic ideas
had never been intelligibly presented to him before, and he found a
delight in apprehending them that was very grateful to his imaginative
architect.  At the beginning, the architect had foreboded a series of
mortifying defeats and disastrous victories in his encounters with his
client; but he had never had a client who could be more reasonably led
on from one outlay to another.  It appeared that Lapham required but to
understand or feel the beautiful effect intended, and he was ready to
pay for it.  His bull-headed pride was concerned in a thing which the
architect made him see, and then he believed that he had seen it
himself, perhaps conceived it.  In some measure the architect seemed to
share his delusion, and freely said that Lapham was very suggestive.
Together they blocked out windows here, and bricked them up there; they
changed doors and passages; pulled down cornices and replaced them with
others of different design; experimented with costly devices of
decoration, and went to extravagant lengths in novelties of finish.
Mrs. Lapham, beginning with a woman's adventurousness in the unknown
region, took fright at the reckless outlay at last, and refused to let
her husband pass a certain limit.  He tried to make her believe that a
far-seeing economy dictated the expense; and that if he put the money
into the house, he could get it out any time by selling it.  She would
not be persuaded.

"I don't want you should sell it.  And you've put more money into it
now than you'll ever get out again, unless you can find as big a goose
to buy it, and that isn't likely.  No, sir! You just stop at a hundred
thousand, and don't you let him get you a cent beyond.  Why, you're
perfectly bewitched with that fellow! You've lost your head, Silas
Lapham, and if you don't look out you'll lose your money too."

The Colonel laughed; he liked her to talk that way, and promised he
would hold up a while.

"But there's no call to feel anxious, Pert.  It's only a question what
to do with the money.  I can reinvest it; but I never had so much of it
to spend before."

"Spend it, then," said his wife; "don't throw it away!  And how came
you to have so much more money than you know what to do with, Silas
Lapham?" she added.

"Oh, I've made a very good thing in stocks lately."

"In stocks? When did you take up gambling for a living?"

"Gambling? Stuff! What gambling? Who said it was gambling?"

"You have; many a time."

"Oh yes, buying and selling on a margin.  But this was a bona fide
transaction.  I bought at forty-three for an investment, and I sold at
a hundred and seven; and the money passed both times."

"Well, you better let stocks alone," said his wife, with the
conservatism of her sex.  "Next time you'll buy at a hundred and seven
and sell at forty three.  Then where'll you be?"

"Left," admitted the Colonel.

"You better stick to paint a while yet." The Colonel enjoyed this too,
and laughed again with the ease of a man who knows what he is about.  A
few days after that he came down to Nantasket with the radiant air
which he wore when he had done a good thing in business and wanted his
wife's sympathy.  He did not say anything of what had happened till he
was alone with her in their own room; but he was very gay the whole
evening, and made several jokes which Penelope said nothing but very
great prosperity could excuse: they all understood these moods of his.

"Well, what is it, Silas?" asked his wife when the time came.  "Any
more big-bugs wanting to go into the mineral paint business with you?"

"Something better than that."

"I could think of a good many better things," said his wife, with a
sigh of latent bitterness.  "What's this one?"

"I've had a visitor."

"Who?"

"Can't you guess?"

"I don't want to try.  Who was it?"

"Rogers."

Mrs. Lapham sat down with her hands in her lap, and stared at the smile
on her husband's face, where he sat facing her.

"I guess you wouldn't want to joke on that subject, Si," she said, a
little hoarsely, "and you wouldn't grin about it unless you had some
good news.  I don't know what the miracle is, but if you could tell
quick----"

She stopped like one who can say no more.

"I will, Persis," said her husband, and with that awed tone in which he
rarely spoke of anything but the virtues of his paint.  "He came to
borrow money of me, and I lent him it.  That's the short of it.  The
long----"

"Go on," said his wife, with gentle patience.

"Well, Pert, I was never so much astonished in my life as I was to see
that man come into my office.  You might have knocked me down with--I
don't know what."

"I don't wonder.  Go on!"

"And he was as much embarrassed as I was.  There we stood, gaping at
each other, and I hadn't hardly sense enough to ask him to take a
chair.  I don't know just how we got at it.  And I don't remember just
how it was that he said he came to come to me.  But he had got hold of
a patent right that he wanted to go into on a large scale, and there he
was wanting me to supply him the funds."

"Go on!" said Mrs. Lapham, with her voice further in her throat.

"I never felt the way you did about Rogers, but I know how you always
did feel, and I guess I surprised him with my answer.  He had brought
along a lot of stock as security----"

"You didn't take it, Silas!" his wife flashed out.

"Yes, I did, though," said Lapham.  "You wait.  We settled our
business, and then we went into the old thing, from the very start.
And we talked it all over.  And when we got through we shook hands.
Well, I don't know when it's done me so much good to shake hands with
anybody."

"And you told him--you owned up to him that you were in the wrong,
Silas?"

"No, I didn't," returned the Colonel promptly; "for I wasn't. And
before we got through, I guess he saw it the same as I did."

"Oh, no matter! so you had the chance to show how you felt."

"But I never felt that way," persisted the Colonel.  "I've lent him the
money, and I've kept his stocks.  And he got what he wanted out of me."

"Give him back his stocks!"

"No, I shan't. Rogers came to borrow.  He didn't come to beg.  You
needn't be troubled about his stocks.  They're going to come up in
time; but just now they're so low down that no bank would take them as
security, and I've got to hold them till they do rise.  I hope you're
satisfied now, Persis," said her husband; and he looked at her with the
willingness to receive the reward of a good action which we all feel
when we have performed one.  "I lent him the money you kept me from
spending on the house."

"Truly, Si? Well, I'm satisfied," said Mrs. Lapham, with a deep
tremulous breath.  "The Lord has been good to you, Silas," she
continued solemnly.  "You may laugh if you choose, and I don't know as
I believe in his interfering a great deal; but I believe he's
interfered this time; and I tell you, Silas, it ain't always he gives
people a chance to make it up to others in this life.  I've been afraid
you'd die, Silas, before you got the chance; but he's let you live to
make it up to Rogers."

"I'm glad to be let live," said Lapham stubbornly, "but I hadn't
anything to make up to Milton K. Rogers.  And if God has let me live
for that----"

"Oh, say what you please, Si! Say what you please, now you've done it!
I shan't stop you.  You've taken the one spot--the one SPECK--off you
that was ever there, and I'm satisfied."

"There wa'n't ever any speck there," Lapham held out, lapsing more and
more into his vernacular; "and what I done I done for you, Persis."

"And I thank you for your own soul's sake, Silas."

"I guess my soul's all right," said Lapham.

"And I want you should promise me one thing more."

"Thought you said you were satisfied?"

"I am.  But I want you should promise me this: that you won't let
anything tempt you--anything!--to ever trouble Rogers for that money
you lent him.  No matter what happens--no matter if you lose it all.
Do you promise?"

"Why, I don't ever EXPECT to press him for it.  That's what I said to
myself when I lent it.  And of course I'm glad to have that old trouble
healed up.  I don't THINK I ever did Rogers any wrong, and I never did
think so; but if I DID do it--IF I did--I'm willing to call it square,
if I never see a cent of my money back again."

"Well, that's all," said his wife.

They did not celebrate his reconciliation with his old enemy--for such
they had always felt him to be since he ceased to be an ally--by any
show of joy or affection.  It was not in their tradition, as stoical
for the woman as for the man, that they should kiss or embrace each
other at such a moment.  She was content to have told him that he had
done his duty, and he was content with her saying that.  But before she
slept she found words to add that she always feared the selfish part he
had acted toward Rogers had weakened him, and left him less able to
overcome any temptation that might beset him; and that was one reason
why she could never be easy about it.  Now she should never fear for
him again.

This time he did not explicitly deny her forgiving impeachment.  "Well,
it's all past and gone now, anyway; and I don't want you should think
anything more about it."

He was man enough to take advantage of the high favour in which he
stood when he went up to town, and to abuse it by bringing Corey down
to supper.  His wife could not help condoning the sin of disobedience
in him at such a time.  Penelope said that between the admiration she
felt for the Colonel's boldness and her mother's forbearance, she was
hardly in a state to entertain company that evening; but she did what
she could.

Irene liked being talked to better than talking, and when her sister
was by she was always, tacitly or explicitly, referring to her for
confirmation of what she said.  She was content to sit and look pretty
as she looked at the young man and listened to her sister's drolling.
She laughed and kept glancing at Corey to make sure that he was
understanding her.  When they went out on the veranda to see the moon
on the water, Penelope led the way and Irene followed.

They did not look at the moonlight long.  The young man perched on the
rail of the veranda, and Irene took one of the red-painted
rocking-chairs where she could conveniently look at him and at her
sister, who sat leaning forward lazily and running on, as the phrase
is.  That low, crooning note of hers was delicious; her face, glimpsed
now and then in the moonlight as she turned it or lifted it a little,
had a fascination which kept his eye.  Her talk was very unliterary,
and its effect seemed hardly conscious.  She was far from epigram in
her funning.  She told of this trifle and that; she sketched the
characters and looks of people who had interested her, and nothing
seemed to have escaped her notice; she mimicked a little, but not much;
she suggested, and then the affair represented itself as if without her
agency.  She did not laugh; when Corey stopped she made a soft cluck in
her throat, as if she liked his being amused, and went on again.

The Colonel, left alone with his wife for the first time since he had
come from town, made haste to take the word.  "Well, Pert, I've
arranged the whole thing with Rogers, and I hope you'll be satisfied to
know that he owes me twenty thousand dollars, and that I've got
security from him to the amount of a fourth of that, if I was to force
his stocks to a sale."

"How came he to come down with you?" asked Mrs. Lapham.

"Who? Rogers?"

"Mr. Corey."

"Corey? Oh!" said Lapham, affecting not to have thought she could mean
Corey.  "He proposed it."

"Likely!" jeered his wife, but with perfect amiability.

"It's so," protested the Colonel.  "We got talking about a matter just
before I left, and he walked down to the boat with me; and then he said
if I didn't mind he guessed he'd come along down and go back on the
return boat.  Of course I couldn't let him do that."

"It's well for you you couldn't."

"And I couldn't do less than bring him here to tea."

"Oh, certainly not."

"But he ain't going to stay the night--unless," faltered Lapham, "you
want him to."

"Oh, of course, I want him to! I guess he'll stay, probably."

"Well, you know how crowded that last boat always is, and he can't get
any other now."

Mrs. Lapham laughed at the simple wile.  "I hope you'll be just as well
satisfied, Si, if it turns out he doesn't want Irene after all."

"Pshaw, Persis! What are you always bringing that up for?" pleaded the
Colonel.  Then he fell silent, and presently his rude, strong face was
clouded with an unconscious frown.

"There!" cried his wife, startling him from his abstraction.  "I see
how you'd feel; and I hope that you'll remember who you've got to
blame."

"I'll risk it," said Lapham, with the confidence of a man used to
success.

From the veranda the sound of Penelope's lazy tone came through the
closed windows, with joyous laughter from Irene and peals from Corey.

"Listen to that!" said her father within, swelling up with
inexpressible satisfaction.  "That girl can talk for twenty, right
straight along.  She's better than a circus any day.  I wonder what
she's up to now."

"Oh, she's probably getting off some of those yarns of hers, or telling
about some people.  She can't step out of the house without coming back
with more things to talk about than most folks would bring back from
Japan.  There ain't a ridiculous person she's ever seen but what she's
got something from them to make you laugh at; and I don't believe we've
ever had anybody in the house since the girl could talk that she hain't
got some saying from, or some trick that'll paint 'em out so't you can
see 'em and hear 'em. Sometimes I want to stop her; but when she gets
into one of her gales there ain't any standing up against her.  I guess
it's lucky for Irene that she's got Pen there to help entertain her
company.  I can't ever feel down where Pen is."

"That's so," said the Colonel.  "And I guess she's got about as much
culture as any of them.  Don't you?"

"She reads a great deal," admitted her mother.  "She seems to be at it
the whole while.  I don't want she should injure her health, and
sometimes I feel like snatchin' the books away from her.  I don't know
as it's good for a girl to read so much, anyway, especially novels.  I
don't want she should get notions."

"Oh, I guess Pen'll know how to take care of herself," said Lapham.

"She's got sense enough.  But she ain't so practical as Irene.  She's
more up in the clouds--more of what you may call a dreamer.  Irene's
wide-awake every minute; and I declare, any one to see these two
together when there's anything to be done, or any lead to be taken,
would say Irene was the oldest, nine times out of ten.  It's only when
they get to talking that you can see Pen's got twice as much brains."

"Well," said Lapham, tacitly granting this point, and leaning back in
his chair in supreme content.  "Did you ever see much nicer girls
anywhere?"

His wife laughed at his pride.  "I presume they're as much swans as
anybody's geese."

"No; but honestly, now!"

"Oh, they'll do; but don't you be silly, if you can help it, Si."

The young people came in, and Corey said it was time for his boat.
Mrs. Lapham pressed him to stay, but he persisted, and he would not let
the Colonel send him to the boat; he said he would rather walk.
Outside, he pushed along toward the boat, which presently he could see
lying at her landing in the bay, across the sandy tract to the left of
the hotels.  From time to time he almost stopped in his rapid walk, as
a man does whose mind is in a pleasant tumult; and then he went forward
at a swifter pace.  "She's charming!" he said, and he thought he had
spoken aloud.  He found himself floundering about in the deep sand,
wide of the path; he got back to it, and reached the boat just before
she started.  The clerk came to take his fare, and Corey looked
radiantly up at him in his lantern-light, with a smile that he must
have been wearing a long time; his cheek was stiff with it.  Once some
people who stood near him edged suddenly and fearfully away, and then
he suspected himself of having laughed outright.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Silas is spending too much on additions to the house, and Mrs. Lapham objects. She is greatly relieved when he reveals he has loaned the remaining money he planned to spend on the house to Rogers, who wishes to invest in some business venture. Persis also objects to Silas' plot to match Tom Corey with Irene and has forbidden him to bring Tom home; however, Lapham uses her good mood over the Rogers loan to tax her patience and brings Corey home to dinner. As Tom leaves after a talk with Penelope and Irene, he finds himself saying, "She's charming!" and laughing out loud.