prompt:
Chapter: AT the University I had the good fortune to come immediately under the
influence of a brilliant and inspiring young scholar. Gaston Cleric had
arrived in Lincoln only a few weeks earlier than I, to begin his work as
head of the Latin Department. He came West at the suggestion of his
physicians, his health having been enfeebled by a long illness in Italy.
When I took my entrance examinations he was my examiner, and my course was
arranged under his supervision.

I did not go home for my first summer vacation, but stayed in Lincoln,
working off a year's Greek, which had been my only condition on entering
the Freshman class. Cleric's doctor advised against his going back to New
England, and except for a few weeks in Colorado, he, too, was in Lincoln
all that summer. We played tennis, read, and took long walks together. I
shall always look back on that time of mental awakening as one of the
happiest in my life. Gaston Cleric introduced me to the world of ideas;
when one first enters that world everything else fades for a time, and all
that went before is as if it had not been. Yet I found curious survivals;
some of the figures of my old life seemed to be waiting for me in the new.

In those days there were many serious young men among the students who had
come up to the University from the farms and the little towns scattered
over the thinly settled State. Some of those boys came straight from the
cornfields with only a summer's wages in their pockets, hung on through
the four years, shabby and underfed, and completed the course by really
heroic self-sacrifice. Our instructors were oddly assorted; wandering
pioneer school-teachers, stranded ministers of the Gospel, a few
enthusiastic young men just out of graduate schools. There was an
atmosphere of endeavor, of expectancy and bright hopefulness about the
young college that had lifted its head from the prairie only a few years
before.

Our personal life was as free as that of our instructors. There were no
college dormitories; we lived where we could and as we could. I took rooms
with an old couple, early settlers in Lincoln, who had married off their
children and now lived quietly in their house at the edge of town, near
the open country. The house was inconveniently situated for students, and
on that account I got two rooms for the price of one. My bedroom,
originally a linen closet, was unheated and was barely large enough to
contain my cot bed, but it enabled me to call the other room my study. The
dresser, and the great walnut wardrobe which held all my clothes, even my
hats and shoes, I had pushed out of the way, and I considered them
non-existent, as children eliminate incongruous objects when they are
playing house. I worked at a commodious green-topped table placed directly
in front of the west window which looked out over the prairie. In the
corner at my right were all my books, in shelves I had made and painted
myself. On the blank wall at my left the dark, old-fashioned wall-paper
was covered by a large map of ancient Rome, the work of some German
scholar. Cleric had ordered it for me when he was sending for books from
abroad. Over the bookcase hung a photograph of the Tragic Theater at
Pompeii, which he had given me from his collection.

When I sat at work I half faced a deep, upholstered chair which stood at
the end of my table, its high back against the wall. I had bought it with
great care. My instructor sometimes looked in upon me when he was out for
an evening tramp, and I noticed that he was more likely to linger and
become talkative if I had a comfortable chair for him to sit in, and if he
found a bottle of Benedictine and plenty of the kind of cigarettes he
liked, at his elbow. He was, I had discovered, parsimonious about small
expenditures--a trait absolutely inconsistent with his general character.
Sometimes when he came he was silent and moody, and after a few sarcastic
remarks went away again, to tramp the streets of Lincoln, which were
almost as quiet and oppressively domestic as those of Black Hawk. Again,
he would sit until nearly midnight, talking about Latin and English
poetry, or telling me about his long stay in Italy.

I can give no idea of the peculiar charm and vividness of his talk. In a
crowd he was nearly always silent. Even for his classroom he had no
platitudes, no stock of professorial anecdotes. When he was tired his
lectures were clouded, obscure, elliptical; but when he was interested
they were wonderful. I believe that Gaston Cleric narrowly missed being a
great poet, and I have sometimes thought that his bursts of imaginative
talk were fatal to his poetic gift. He squandered too much in the heat of
personal communication. How often I have seen him draw his dark brows
together, fix his eyes upon some object on the wall or a figure in the
carpet, and then flash into the lamplight the very image that was in his
brain. He could bring the drama of antique life before one out of the
shadows--white figures against blue backgrounds. I shall never forget his
face as it looked one night when he told me about the solitary day he
spent among the sea temples at Paestum: the soft wind blowing through the
roofless columns, the birds flying low over the flowering marsh grasses,
the changing lights on the silver, cloud-hung mountains. He had willfully
stayed the short summer night there, wrapped in his coat and rug, watching
the constellations on their path down the sky until "the bride of old
Tithonus" rose out of the sea, and the mountains stood sharp in the dawn.
It was there he caught the fever which held him back on the eve of his
departure for Greece and of which he lay ill so long in Naples. He was
still, indeed, doing penance for it.

I remember vividly another evening, when something led us to talk of
Dante's veneration for Virgil. Cleric went through canto after canto of
the "Commedia," repeating the discourse between Dante and his "sweet
teacher," while his cigarette burned itself out unheeded between his long
fingers. I can hear him now, speaking the lines of the poet Statius, who
spoke for Dante: "_I was famous on earth with the name which endures
longest and honors most. The seeds of my ardor were the sparks from that
divine flame whereby more than a thousand have kindled; I speak of the
AEneid, mother to me and nurse to me in poetry._"

Although I admired scholarship so much in Cleric, I was not deceived about
myself; I knew that I should never be a scholar. I could never lose myself
for long among impersonal things. Mental excitement was apt to send me
with a rush back to my own naked land and the figures scattered upon it.
While I was in the very act of yearning toward the new forms that Cleric
brought up before me, my mind plunged away from me, and I suddenly found
myself thinking of the places and people of my own infinitesimal past.
They stood out strengthened and simplified now, like the image of the
plough against the sun. They were all I had for an answer to the new
appeal. I begrudged the room that Jake and Otto and Russian Peter took up
in my memory, which I wanted to crowd with other things. But whenever my
consciousness was quickened, all those early friends were quickened within
it, and in some strange way they accompanied me through all my new
experiences. They were so much alive in me that I scarcely stopped to
wonder whether they were alive anywhere else, or how.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the university, Jim comes under the mentorship of Gaston Cleric, a romantic Latin scholar with ruined health. He has been sent to Nebraska for his health. Jim has to stay in Lincoln after his first terms at school so he can finish a years worth of Greek. He finds this time of mental awakening one of the best times of his life. The university is only a few years old. The students and the professors are a mixed lot. Some are students who came straight from the farms with very little money who work extraordinarily hard on their studies. The professors are a mix of fresh graduate school graduates, "stranded ministers of the Gospel," and "wandering pioneer school teachers. There are no college dormitories, so Jim rents rooms from an old couple on the edge of town. He sets up his room carefully and buys a comfortable plush chair so that when Gaston Cleric comes to see him, he will stay a long time. Jim thinks Gaston Cleric could have been a great poet, but wasted all his poetic energy on intense conversation. He remembers one night when Gaston Cleric stayed up with him talking about Dantes relationship with Virgil and quoting the Paradiso. Though Jim admires his mentors scholarship, he is sure he wont be one himself since he cant get his mind away from his friends and acquaintances in Black Hawk.


prompt:
Chapter: ONE March evening in my Sophomore year I was sitting alone in my room
after supper. There had been a warm thaw all day, with mushy yards and
little streams of dark water gurgling cheerfully into the streets out of
old snow-banks. My window was open, and the earthy wind blowing through
made me indolent. On the edge of the prairie, where the sun had gone down,
the sky was turquoise blue, like a lake, with gold light throbbing in it.
Higher up, in the utter clarity of the western slope, the evening star
hung like a lamp suspended by silver chains--like the lamp engraved upon
the title-page of old Latin texts, which is always appearing in new
heavens, and waking new desires in men. It reminded me, at any rate, to
shut my window and light my wick in answer. I did so regretfully, and the
dim objects in the room emerged from the shadows and took their place
about me with the helpfulness which custom breeds.

I propped my book open and stared listlessly at the page of the Georgics
where to-morrow's lesson began. It opened with the melancholy reflection
that, in the lives of mortals, the best days are the first to flee.
"Optima dies {~HORIZONTAL ELLIPSIS~} prima fugit." I turned back to the beginning of the third
book, which we had read in class that morning. "Primus ego in patriam
mecum {~HORIZONTAL ELLIPSIS~} deducam Musas"; "for I shall be the first, if I live, to bring the
Muse into my country." Cleric had explained to us that "patria" here
meant, not a nation or even a province, but the little rural neighborhood
on the Mincio where the poet was born. This was not a boast, but a hope,
at once bold and devoutly humble, that he might bring the Muse (but lately
come to Italy from her cloudy Grecian mountains), not to the capital, the
palatia Romana, but to his own little "country"; to his father's fields,
"sloping down to the river and to the old beech trees with broken tops."

Cleric said he thought Virgil, when he was dying at Brindisi, must have
remembered that passage. After he had faced the bitter fact that he was to
leave the AEneid unfinished, and had decreed that the great canvas, crowded
with figures of gods and men, should be burned rather than survive him
unperfected, then his mind must have gone back to the perfect utterance of
the Georgics, where the pen was fitted to the matter as the plough is to
the furrow; and he must have said to himself with the thankfulness of a
good man, "I was the first to bring the Muse into my country."

We left the classroom quietly, conscious that we had been brushed by the
wing of a great feeling, though perhaps I alone knew Cleric intimately
enough to guess what that feeling was. In the evening, as I sat staring at
my book, the fervor of his voice stirred through the quantities on the
page before me. I was wondering whether that particular rocky strip of New
England coast about which he had so often told me was Cleric's patria.
Before I had got far with my reading I was disturbed by a knock. I hurried
to the door and when I opened it saw a woman standing in the dark hall.

"I expect you hardly know me, Jim."

The voice seemed familiar, but I did not recognize her until she stepped
into the light of my doorway and I beheld--Lena Lingard! She was so quietly
conventionalized by city clothes that I might have passed her on the
street without seeing her. Her black suit fitted her figure smoothly, and
a black lace hat, with pale-blue forget-me-nots, sat demurely on her
yellow hair.

I led her toward Cleric's chair, the only comfortable one I had,
questioning her confusedly.

She was not disconcerted by my embarrassment. She looked about her with
the naive curiosity I remembered so well. "You are quite comfortable here,
are n't you? I live in Lincoln now, too, Jim. I'm in business for myself.
I have a dressmaking shop in the Raleigh Block, out on O Street. I've made
a real good start."

"But, Lena, when did you come?"

"Oh, I've been here all winter. Did n't your grandmother ever write you?
I've thought about looking you up lots of times. But we've all heard what
a studious young man you've got to be, and I felt bashful. I did n't know
whether you'd be glad to see me." She laughed her mellow, easy laugh, that
was either very artless or very comprehending, one never quite knew which.
"You seem the same, though,--except you're a young man, now, of course. Do
you think I've changed?"

"Maybe you're prettier--though you were always pretty enough. Perhaps it's
your clothes that make a difference."

"You like my new suit? I have to dress pretty well in my business." She
took off her jacket and sat more at ease in her blouse, of some soft,
flimsy silk. She was already at home in my place, had slipped quietly into
it, as she did into everything. She told me her business was going well,
and she had saved a little money.

"This summer I'm going to build the house for mother I've talked about so
long. I won't be able to pay up on it at first, but I want her to have it
before she is too old to enjoy it. Next summer I'll take her down new
furniture and carpets, so she'll have something to look forward to all
winter."

I watched Lena sitting there so smooth and sunny and well cared-for, and
thought of how she used to run barefoot over the prairie until after the
snow began to fly, and how Crazy Mary chased her round and round the
cornfields. It seemed to me wonderful that she should have got on so well
in the world. Certainly she had no one but herself to thank for it.

"You must feel proud of yourself, Lena," I said heartily. "Look at me;
I've never earned a dollar, and I don't know that I'll ever be able to."

"Tony says you're going to be richer than Mr. Harling some day. She's
always bragging about you, you know."

"Tell me, how _is_ Tony?"

"She's fine. She works for Mrs. Gardener at the hotel now. She's
housekeeper. Mrs. Gardener's health is n't what it was, and she can't see
after everything like she used to. She has great confidence in Tony.
Tony's made it up with the Harlings, too. Little Nina is so fond of her
that Mrs. Harling kind of overlooked things."

"Is she still going with Larry Donovan?"

"Oh, that's on, worse than ever! I guess they're engaged. Tony talks about
him like he was president of the railroad. Everybody laughs about it,
because she was never a girl to be soft. She won't hear a word against
him. She's so sort of innocent."

I said I did n't like Larry, and never would.

Lena's face dimpled. "Some of us could tell her things, but it would n't
do any good. She'd always believe him. That's Antonia's failing, you know;
if she once likes people, she won't hear anything against them."

"I think I'd better go home and look after Antonia," I said.

"I think you had." Lena looked up at me in frank amusement. "It's a good
thing the Harlings are friendly with her again. Larry's afraid of them.
They ship so much grain, they have influence with the railroad people.
What are you studying?" She leaned her elbows on the table and drew my
book toward her. I caught a faint odor of violet sachet. "So that's Latin,
is it? It looks hard. You do go to the theater sometimes, though, for I've
seen you there. Don't you just love a good play, Jim? I can't stay at home
in the evening if there's one in town. I'd be willing to work like a
slave, it seems to me, to live in a place where there are theaters."

"Let's go to a show together sometime. You are going to let me come to see
you, are n't you?"

"Would you like to? I'd be ever so pleased. I'm never busy after six
o'clock, and I let my sewing girls go at half-past five. I board, to save
time, but sometimes I cook a chop for myself, and I'd be glad to cook one
for you. Well,"--she began to put on her white gloves,--"it's been awful
good to see you, Jim."

"You need n't hurry, need you? You've hardly told me anything yet."

"We can talk when you come to see me. I expect you don't often have lady
visitors. The old woman downstairs did n't want to let me come up very
much. I told her I was from your home town, and had promised your
grandmother to come and see you. How surprised Mrs. Burden would be!" Lena
laughed softly as she rose.

When I caught up my hat she shook her head. "No, I don't want you to go
with me. I'm to meet some Swedes at the drug-store. You would n't care for
them. I wanted to see your room so I could write Tony all about it, but I
must tell her how I left you right here with your books. She's always so
afraid some one will run off with you!" Lena slipped her silk sleeves into
the jacket I held for her, smoothed it over her person, and buttoned it
slowly. I walked with her to the door. "Come and see me sometimes when
you're lonesome. But maybe you have all the friends you want. Have you?"
She turned her soft cheek to me. "Have you?" she whispered teasingly in my
ear. In a moment I watched her fade down the dusky stairway.

When I turned back to my room the place seemed much pleasanter than
before. Lena had left something warm and friendly in the lamplight. How I
loved to hear her laugh again! It was so soft and unexcited and
appreciative--gave a favorable interpretation to everything. When I closed
my eyes I could hear them all laughing--the Danish laundry girls and the
three Bohemian Marys. Lena had brought them all back to me. It came over
me, as it had never done before, the relation between girls like those and
the poetry of Virgil. If there were no girls like them in the world, there
would be no poetry. I understood that clearly, for the first time. This
revelation seemed to me inestimably precious. I clung to it as if it might
suddenly vanish.

As I sat down to my book at last, my old dream about Lena coming across
the harvest field in her short skirt seemed to me like the memory of an
actual experience. It floated before me on the page like a picture, and
underneath it stood the mournful line: Optima dies {~HORIZONTAL ELLIPSIS~} prima fugit.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the university, Jim comes under the mentorship of Gaston Cleric, a romantic Latin scholar with ruined health. He has been sent to Nebraska for his health. Jim has to stay in Lincoln after his first terms at school so he can finish a years worth of Greek. He finds this time of mental awakening one of the best times of his life. The university is only a few years old. The students and the professors are a mixed lot. Some are students who came straight from the farms with very little money who work extraordinarily hard on their studies. The professors are a mix of fresh graduate school graduates, "stranded ministers of the Gospel," and "wandering pioneer school teachers. There are no college dormitories, so Jim rents rooms from an old couple on the edge of town. He sets up his room carefully and buys a comfortable plush chair so that when Gaston Cleric comes to see him, he will stay a long time. Jim thinks Gaston Cleric could have been a great poet, but wasted all his poetic energy on intense conversation. He remembers one night when Gaston Cleric stayed up with him talking about Dantes relationship with Virgil and quoting the Paradiso. Though Jim admires his mentors scholarship, he is sure he wont be one himself since he cant get his mind away from his friends and acquaintances in Black Hawk.


prompt:
Chapter: IN Lincoln the best part of the theatrical season came late, when the good
companies stopped off there for one-night stands, after their long runs in
New York and Chicago. That spring Lena went with me to see Joseph
Jefferson in "Rip Van Winkle," and to a war play called "Shenandoah." She
was inflexible about paying for her own seat; said she was in business
now, and she would n't have a schoolboy spending his money on her. I liked
to watch a play with Lena; everything was wonderful to her, and everything
was true. It was like going to revival meetings with some one who was
always being converted. She handed her feelings over to the actors with a
kind of fatalistic resignation. Accessories of costume and scene meant
much more to her than to me. She sat entranced through "Robin Hood" and
hung upon the lips of the contralto who sang, "Oh, Promise Me!"

Toward the end of April, the billboards, which I watched anxiously in
those days, bloomed out one morning with gleaming white posters on which
two names were impressively printed in blue Gothic letters: the name of an
actress of whom I had often heard, and the name "Camille."

I called at the Raleigh Block for Lena on Saturday evening, and we walked
down to the theater. The weather was warm and sultry and put us both in a
holiday humor. We arrived early, because Lena liked to watch the people
come in. There was a note on the programme, saying that the "incidental
music" would be from the opera "Traviata," which was made from the same
story as the play. We had neither of us read the play, and we did not know
what it was about--though I seemed to remember having heard it was a piece
in which great actresses shone. "The Count of Monte Cristo," which I had
seen James O'Neill play that winter, was by the only Alexandre Dumas I
knew. This play, I saw, was by his son, and I expected a family
resemblance. A couple of jack-rabbits, run in off the prairie, could not
have been more innocent of what awaited them than were Lena and I.

Our excitement began with the rise of the curtain, when the moody
Varville, seated before the fire, interrogated Nanine. Decidedly, there
was a new tang about this dialogue. I had never heard in the theater lines
that were alive, that presupposed and took for granted, like those which
passed between Varville and Marguerite in the brief encounter before her
friends entered. This introduced the most brilliant, worldly, the most
enchantingly gay scene I had ever looked upon. I had never seen champagne
bottles opened on the stage before--indeed, I had never seen them opened
anywhere. The memory of that supper makes me hungry now; the sight of it
then, when I had only a students' boarding-house dinner behind me, was
delicate torment. I seem to remember gilded chairs and tables (arranged
hurriedly by footmen in white gloves and stockings), linen of dazzling
whiteness, glittering glass, silver dishes, a great bowl of fruit, and the
reddest of roses. The room was invaded by beautiful women and dashing
young men, laughing and talking together. The men were dressed more or
less after the period in which the play was written; the women were not. I
saw no inconsistency. Their talk seemed to open to one the brilliant world
in which they lived; every sentence made one older and wiser, every
pleasantry enlarged one's horizon. One could experience excess and satiety
without the inconvenience of learning what to do with one's hands in a
drawing-room! When the characters all spoke at once and I missed some of
the phrases they flashed at each other, I was in misery. I strained my
ears and eyes to catch every exclamation.

The actress who played Marguerite was even then old-fashioned, though
historic. She had been a member of Daly's famous New York company, and
afterward a "star" under his direction. She was a woman who could not be
taught, it is said, though she had a crude natural force which carried
with people whose feelings were accessible and whose taste was not
squeamish. She was already old, with a ravaged countenance and a physique
curiously hard and stiff. She moved with difficulty--I think she was lame--I
seem to remember some story about a malady of the spine. Her Armand was
disproportionately young and slight, a handsome youth, perplexed in the
extreme. But what did it matter? I believed devoutly in her power to
fascinate him, in her dazzling loveliness. I believed her young, ardent,
reckless, disillusioned, under sentence, feverish, avid of pleasure. I
wanted to cross the footlights and help the slim-waisted Armand in the
frilled shirt to convince her that there was still loyalty and devotion in
the world. Her sudden illness, when the gayety was at its height, her
pallor, the handkerchief she crushed against her lips, the cough she
smothered under the laughter while Gaston kept playing the piano
lightly--it all wrung my heart. But not so much as her cynicism in the long
dialogue with her lover which followed. How far was I from questioning her
unbelief! While the charmingly sincere young man pleaded with
her--accompanied by the orchestra in the old "Traviata" duet, "misterioso,
misterioso!"--she maintained her bitter skepticism, and the curtain fell on
her dancing recklessly with the others, after Armand had been sent away
with his flower.

Between the acts we had no time to forget. The orchestra kept sawing away
at the "Traviata" music, so joyous and sad, so thin and far-away, so
clap-trap and yet so heart-breaking. After the second act I left Lena in
tearful contemplation of the ceiling, and went out into the lobby to
smoke. As I walked about there I congratulated myself that I had not
brought some Lincoln girl who would talk during the waits about the Junior
dances, or whether the cadets would camp at Plattsmouth. Lena was at least
a woman, and I was a man.

Through the scene between Marguerite and the elder Duval, Lena wept
unceasingly, and I sat helpless to prevent the closing of that chapter of
idyllic love, dreading the return of the young man whose ineffable
happiness was only to be the measure of his fall.

I suppose no woman could have been further in person, voice, and
temperament from Dumas' appealing heroine than the veteran actress who
first acquainted me with her. Her conception of the character was as heavy
and uncompromising as her diction; she bore hard on the idea and on the
consonants. At all times she was highly tragic, devoured by remorse.
Lightness of stress or behavior was far from her. Her voice was heavy and
deep: "Ar-r-r-mond!" she would begin, as if she were summoning him to the
bar of Judgment. But the lines were enough. She had only to utter them.
They created the character in spite of her.

The heartless world which Marguerite re-entered with Varville had never
been so glittering and reckless as on the night when it gathered in
Olympe's salon for the fourth act. There were chandeliers hung from the
ceiling, I remember, many servants in livery, gaming-tables where the men
played with piles of gold, and a staircase down which the guests made
their entrance. After all the others had gathered round the card tables,
and young Duval had been warned by Prudence, Marguerite descended the
staircase with Varville; such a cloak, such a fan, such jewels--and her
face! One knew at a glance how it was with her. When Armand, with the
terrible words, "Look, all of you, I owe this woman nothing!" flung the
gold and bank-notes at the half-swooning Marguerite, Lena cowered beside
me and covered her face with her hands.

The curtain rose on the bedroom scene. By this time there was n't a nerve
in me that had n't been twisted. Nanine alone could have made me cry. I
loved Nanine tenderly; and Gaston, how one clung to that good fellow! The
New Year's presents were not too much; nothing could be too much now. I
wept unrestrainedly. Even the handkerchief in my breast-pocket, worn for
elegance and not at all for use, was wet through by the time that moribund
woman sank for the last time into the arms of her lover.

When we reached the door of the theater, the streets were shining with
rain. I had prudently brought along Mrs. Harling's useful Commencement
present, and I took Lena home under its shelter. After leaving her, I
walked slowly out into the country part of the town where I lived. The
lilacs were all blooming in the yards, and the smell of them after the
rain, of the new leaves and the blossoms together, blew into my face with
a sort of bitter sweetness. I tramped through the puddles and under the
showery trees, mourning for Marguerite Gauthier as if she had died only
yesterday, sighing with the spirit of 1840, which had sighed so much, and
which had reached me only that night, across long years and several
languages, through the person of an infirm old actress. The idea is one
that no circumstances can frustrate. Wherever and whenever that piece is
put on, it is April.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The theatrical season in Lincoln comes after the main season in New York and Chicago. The theatrical companies come to Lincoln after theyve played in these large cities. Jim takes Lena to many plays and enjoys her company. Lena is completely mesmerized by the stage, the costumes, the emotion of the actors, and the pure spectacle. At the end of April a famous play by Alexandre Dumass son comes to town. Jim and Lena arrive early since she likes to watch people come in. When the curtain rises, Jim is overwhelmed with excitement at the scene and the fresh dialogue. The actress who plays the lead role is aging and stiff in her movements and speech, but since the lines are so well-written, the play doesnt suffer from her ineptitude. At the intermission, Jim goes out to smoke and congratulates himself on inviting Lena instead of one of the Lincoln women who would be chattering during the intermission about the local social scene. " Lena was at least a woman, and I was a man." As the play closes, Lena and Jim weep at the tragic denouement. As he walks home after the play, he thinks that no matter who plays the parts or what time of year it is played, the play will always bring springtime with it.


prompt:
Chapter: HOW well I remember the stiff little parlor where I used to wait for Lena:
the hard horsehair furniture, bought at some auction sale, the long
mirror, the fashion-plates on the wall. If I sat down even for a moment I
was sure to find threads and bits of colored silk clinging to my clothes
after I went away. Lena's success puzzled me. She was so easy-going; had
none of the push and self-assertiveness that get people ahead in business.
She had come to Lincoln, a country girl, with no introductions except to
some cousins of Mrs. Thomas who lived there, and she was already making
clothes for the women of "the young married set." She evidently had great
natural aptitude for her work. She knew, as she said, "what people looked
well in." She never tired of poring over fashion books. Sometimes in the
evening I would find her alone in her work-room, draping folds of satin on
a wire figure, with a quite blissful expression of countenance. I could
n't help thinking that the years when Lena literally had n't enough
clothes to cover herself might have something to do with her untiring
interest in dressing the human figure. Her clients said that Lena "had
style," and overlooked her habitual inaccuracies. She never, I discovered,
finished anything by the time she had promised, and she frequently spent
more money on materials than her customer had authorized. Once, when I
arrived at six o'clock, Lena was ushering out a fidgety mother and her
awkward, overgrown daughter. The woman detained Lena at the door to say
apologetically:--

"You'll try to keep it under fifty for me, won't you, Miss Lingard? You
see, she's really too young to come to an expensive dressmaker, but I knew
you could do more with her than anybody else."

"Oh, that will be all right, Mrs. Herron. I think we'll manage to get a
good effect," Lena replied blandly.

I thought her manner with her customers very good, and wondered where she
had learned such self-possession.

Sometimes after my morning classes were over, I used to encounter Lena
downtown, in her velvet suit and a little black hat, with a veil tied
smoothly over her face, looking as fresh as the spring morning. Maybe she
would be carrying home a bunch of jonquils or a hyacinth plant. When we
passed a candy store her footsteps would hesitate and linger. "Don't let
me go in," she would murmur. "Get me by if you can." She was very fond of
sweets, and was afraid of growing too plump.

We had delightful Sunday breakfasts together at Lena's. At the back of her
long work-room was a bay-window, large enough to hold a box-couch and a
reading-table. We breakfasted in this recess, after drawing the curtains
that shut out the long room, with cutting-tables and wire women and
sheet-draped garments on the walls. The sunlight poured in, making
everything on the table shine and glitter and the flame of the alcohol
lamp disappear altogether. Lena's curly black water-spaniel, Prince,
breakfasted with us. He sat beside her on the couch and behaved very well
until the Polish violin-teacher across the hall began to practice, when
Prince would growl and sniff the air with disgust. Lena's landlord, old
Colonel Raleigh, had given her the dog, and at first she was not at all
pleased. She had spent too much of her life taking care of animals to have
much sentiment about them. But Prince was a knowing little beast, and she
grew fond of him. After breakfast I made him do his lessons; play dead
dog, shake hands, stand up like a soldier. We used to put my cadet cap on
his head--I had to take military drill at the University--and give him a
yard-measure to hold with his front leg. His gravity made us laugh
immoderately.

Lena's talk always amused me. Antonia had never talked like the people
about her. Even after she learned to speak English readily there was
always something impulsive and foreign in her speech. But Lena had picked
up all the conventional expressions she heard at Mrs. Thomas's dressmaking
shop. Those formal phrases, the very flower of small-town proprieties, and
the flat commonplaces, nearly all hypocritical in their origin, became
very funny, very engaging, when they were uttered in Lena's soft voice,
with her caressing intonation and arch naivete. Nothing could be more
diverting than to hear Lena, who was almost as candid as Nature, call a
leg a "limb" or a house a "home."

We used to linger a long while over our coffee in that sunny corner. Lena
was never so pretty as in the morning; she wakened fresh with the world
every day, and her eyes had a deeper color then, like the blue flowers
that are never so blue as when they first open. I could sit idle all
through a Sunday morning and look at her. Ole Benson's behavior was now no
mystery to me.

"There was never any harm in Ole," she said once. "People need n't have
troubled themselves. He just liked to come over and sit on the draw-side
and forget about his bad luck. I liked to have him. Any company's welcome
when you're off with cattle all the time."

"But was n't he always glum?" I asked. "People said he never talked at
all."

"Sure he talked, in Norwegian. He'd been a sailor on an English boat and
had seen lots of queer places. He had wonderful tattoos. We used to sit
and look at them for hours; there was n't much to look at out there. He
was like a picture book. He had a ship and a strawberry girl on one arm,
and on the other a girl standing before a little house, with a fence and
gate and all, waiting for her sweetheart. Farther up his arm, her sailor
had come back and was kissing her. 'The Sailor's Return,' he called it."

I admitted it was no wonder Ole liked to look at a pretty girl once in a
while, with such a fright at home.

"You know," Lena said confidentially, "he married Mary because he thought
she was strong-minded and would keep him straight. He never could keep
straight on shore. The last time he landed in Liverpool he'd been out on a
two years' voyage. He was paid off one morning, and by the next he had n't
a cent left, and his watch and compass were gone. He'd got with some
women, and they'd taken everything. He worked his way to this country on a
little passenger boat. Mary was a stewardess, and she tried to convert him
on the way over. He thought she was just the one to keep him steady. Poor
Ole! He used to bring me candy from town, hidden in his feed-bag. He could
n't refuse anything to a girl. He'd have given away his tattoos long ago,
if he could. He's one of the people I'm sorriest for."

If I happened to spend an evening with Lena and stayed late, the Polish
violin-teacher across the hall used to come out and watch me descend the
stairs, muttering so threateningly that it would have been easy to fall
into a quarrel with him. Lena had told him once that she liked to hear him
practice, so he always left his door open, and watched who came and went.

There was a coolness between the Pole and Lena's landlord on her account.
Old Colonel Raleigh had come to Lincoln from Kentucky and invested an
inherited fortune in real estate, at the time of inflated prices. Now he
sat day after day in his office in the Raleigh Block, trying to discover
where his money had gone and how he could get some of it back. He was a
widower, and found very little congenial companionship in this casual
Western city. Lena's good looks and gentle manners appealed to him. He
said her voice reminded him of Southern voices, and he found as many
opportunities of hearing it as possible. He painted and papered her rooms
for her that spring, and put in a porcelain bathtub in place of the tin
one that had satisfied the former tenant. While these repairs were being
made, the old gentleman often dropped in to consult Lena's preferences.
She told me with amusement how Ordinsky, the Pole, had presented himself
at her door one evening, and said that if the landlord was annoying her by
his attentions, he would promptly put a stop to it.

"I don't exactly know what to do about him," she said, shaking her head,
"he's so sort of wild all the time. I would n't like to have him say
anything rough to that nice old man. The Colonel is long-winded, but then
I expect he's lonesome. I don't think he cares much for Ordinsky, either.
He said once that if I had any complaints to make of my neighbors, I must
n't hesitate."

One Saturday evening when I was having supper with Lena we heard a knock
at her parlor door, and there stood the Pole, coatless, in a dress shirt
and collar. Prince dropped on his paws and began to growl like a mastiff,
while the visitor apologized, saying that he could not possibly come in
thus attired, but he begged Lena to lend him some safety pins.

"Oh, you'll have to come in, Mr. Ordinsky, and let me see what's the
matter." She closed the door behind him. "Jim, won't you make Prince
behave?"

I rapped Prince on the nose, while Ordinsky explained that he had not had
his dress clothes on for a long time, and to-night, when he was going to
play for a concert, his waistcoat had split down the back. He thought he
could pin it together until he got it to a tailor.

Lena took him by the elbow and turned him round. She laughed when she saw
the long gap in the satin. "You could never pin that, Mr. Ordinsky. You've
kept it folded too long, and the goods is all gone along the crease. Take
it off. I can put a new piece of lining-silk in there for you in ten
minutes." She disappeared into her work-room with the vest, leaving me to
confront the Pole, who stood against the door like a wooden figure. He
folded his arms and glared at me with his excitable, slanting brown eyes.
His head was the shape of a chocolate drop, and was covered with dry,
straw-colored hair that fuzzed up about his pointed crown. He had never
done more than mutter at me as I passed him, and I was surprised when he
now addressed me.

"Miss Lingard," he said haughtily, "is a young woman for whom I have the
utmost, the utmost respect."

"So have I," I said coldly.

He paid no heed to my remark, but began to do rapid finger-exercises on
his shirt-sleeves, as he stood with tightly folded arms.

"Kindness of heart," he went on, staring at the ceiling, "sentiment, are
not understood in a place like this. The noblest qualities are ridiculed.
Grinning college boys, ignorant and conceited, what do they know of
delicacy!"

I controlled my features and tried to speak seriously.

"If you mean me, Mr. Ordinsky, I have known Miss Lingard a long time, and
I think I appreciate her kindness. We come from the same town, and we grew
up together."

His gaze traveled slowly down from the ceiling and rested on me. "Am I to
understand that you have this young woman's interests at heart? That you
do not wish to compromise her?"

"That's a word we don't use much here, Mr. Ordinsky. A girl who makes her
own living can ask a college boy to supper without being talked about. We
take some things for granted."

"Then I have misjudged you, and I ask your pardon,"--he bowed gravely.
"Miss Lingard," he went on, "is an absolutely trustful heart. She has not
learned the hard lessons of life. As for you and me, noblesse oblige,"--he
watched me narrowly.

Lena returned with the vest. "Come in and let us look at you as you go
out, Mr. Ordinsky. I've never seen you in your dress suit," she said as
she opened the door for him.

A few moments later he reappeared with his violin case--a heavy muffler
about his neck and thick woolen gloves on his bony hands. Lena spoke
encouragingly to him, and he went off with such an important, professional
air, that we fell to laughing as soon as we had shut the door. "Poor
fellow," Lena said indulgently, "he takes everything so hard."

After that Ordinsky was friendly to me, and behaved as if there were some
deep understanding between us. He wrote a furious article, attacking the
musical taste of the town, and asked me to do him a great service by
taking it to the editor of the morning paper. If the editor refused to
print it, I was to tell him that he would be answerable to Ordinsky "in
person." He declared that he would never retract one word, and that he was
quite prepared to lose all his pupils. In spite of the fact that nobody
ever mentioned his article to him after it appeared--full of typographical
errors which he thought intentional--he got a certain satisfaction from
believing that the citizens of Lincoln had meekly accepted the epithet
"coarse barbarians." "You see how it is," he said to me, "where there is
no chivalry, there is no amour propre." When I met him on his rounds now,
I thought he carried his head more disdainfully than ever, and strode up
the steps of front porches and rang doorbells with more assurance. He told
Lena he would never forget how I had stood by him when he was "under
fire."

All this time, of course, I was drifting. Lena had broken up my serious
mood. I was n't interested in my classes. I played with Lena and Prince, I
played with the Pole, I went buggy-riding with the old Colonel, who had
taken a fancy to me and used to talk to me about Lena and the "great
beauties" he had known in his youth. We were all three in love with Lena.

Before the first of June, Gaston Cleric was offered an instructorship at
Harvard College, and accepted it. He suggested that I should follow him in
the fall, and complete my course at Harvard. He had found out about
Lena--not from me--and he talked to me seriously.

"You won't do anything here now. You should either quit school and go to
work, or change your college and begin again in earnest. You won't recover
yourself while you are playing about with this handsome Norwegian. Yes,
I've seen her with you at the theater. She's very pretty, and perfectly
irresponsible, I should judge."

Cleric wrote my grandfather that he would like to take me East with him.
To my astonishment, grandfather replied that I might go if I wished. I was
both glad and sorry on the day when the letter came. I stayed in my room
all evening and thought things over; I even tried to persuade myself that
I was standing in Lena's way--it is so necessary to be a little noble!--and
that if she had not me to play with, she would probably marry and secure
her future.

The next evening I went to call on Lena. I found her propped up on the
couch in her bay window, with her foot in a big slipper. An awkward little
Russian girl whom she had taken into her work-room had dropped a flat-iron
on Lena's toe. On the table beside her there was a basket of early summer
flowers which the Pole had left after he heard of the accident. He always
managed to know what went on in Lena's apartment.

Lena was telling me some amusing piece of gossip about one of her clients,
when I interrupted her and picked up the flower basket.

"This old chap will be proposing to you some day, Lena."

"Oh, he has--often!" she murmured.

"What! After you've refused him?"

"He does n't mind that. It seems to cheer him to mention the subject. Old
men are like that, you know. It makes them feel important to think they're
in love with somebody."

"The Colonel would marry you in a minute. I hope you won't marry some old
fellow; not even a rich one."

Lena shifted her pillows and looked up at me in surprise. "Why, I'm not
going to marry anybody. Did n't you know that?"

"Nonsense, Lena. That's what girls say, but you know better. Every
handsome girl like you marries, of course."

She shook her head. "Not me."

"But why not? What makes you say that?" I persisted.

Lena laughed. "Well, it's mainly because I don't want a husband. Men are
all right for friends, but as soon as you marry them they turn into cranky
old fathers, even the wild ones. They begin to tell you what's sensible
and what's foolish, and want you to stick at home all the time. I prefer
to be foolish when I feel like it, and be accountable to nobody."

"But you'll be lonesome. You'll get tired of this sort of life, and you'll
want a family."

"Not me. I like to be lonesome. When I went to work for Mrs. Thomas I was
nineteen years old, and I had never slept a night in my life when there
were n't three in the bed. I never had a minute to myself except when I
was off with the cattle."

Usually, when Lena referred to her life in the country at all, she
dismissed it with a single remark, humorous or mildly cynical. But
to-night her mind seemed to dwell on those early years. She told me she
could n't remember a time when she was so little that she was n't lugging
a heavy baby about, helping to wash for babies, trying to keep their
little chapped hands and faces clean. She remembered home as a place where
there were always too many children, a cross man, and work piling up
around a sick woman.

"It was n't mother's fault. She would have made us comfortable if she
could. But that was no life for a girl! After I began to herd and milk I
could never get the smell of the cattle off me. The few underclothes I had
I kept in a cracker box. On Saturday nights, after everybody was in bed,
then I could take a bath if I was n't too tired. I could make two trips to
the windmill to carry water, and heat it in the wash-boiler on the stove.
While the water was heating, I could bring in a washtub out of the cave,
and take my bath in the kitchen. Then I could put on a clean nightgown and
get into bed with two others, who likely had n't had a bath unless I'd
given it to them. You can't tell me anything about family life. I've had
plenty to last me."

"But it's not all like that," I objected.

"Near enough. It's all being under somebody's thumb. What's on your mind,
Jim? Are you afraid I'll want you to marry me some day?"

Then I told her I was going away.

"What makes you want to go away, Jim? Have n't I been nice to you?"

"You've been just awfully good to me, Lena," I blurted. "I don't think
about much else. I never shall think about much else while I'm with you.
I'll never settle down and grind if I stay here. You know that." I dropped
down beside her and sat looking at the floor. I seemed to have forgotten
all my reasonable explanations.

Lena drew close to me, and the little hesitation in her voice that had
hurt me was not there when she spoke again.

"I ought n't to have begun it, ought I?" she murmured. "I ought n't to
have gone to see you that first time. But I did want to. I guess I've
always been a little foolish about you. I don't know what first put it
into my head, unless it was Antonia, always telling me I must n't be up to
any of my nonsense with you. I let you alone for a long while, though, did
n't I?"

She was a sweet creature to those she loved, that Lena Lingard!

At last she sent me away with her soft, slow, renunciatory kiss. "You are
n't sorry I came to see you that time?" she whispered. "It seemed so
natural. I used to think I'd like to be your first sweetheart. You were
such a funny kid!" She always kissed one as if she were sadly and wisely
sending one away forever.

We said many good-byes before I left Lincoln, but she never tried to
hinder me or hold me back. "You are going, but you have n't gone yet, have
you?" she used to say.

My Lincoln chapter closed abruptly. I went home to my grandparents for a
few weeks, and afterward visited my relatives in Virginia until I joined
Cleric in Boston. I was then nineteen years old.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The theatrical season in Lincoln comes after the main season in New York and Chicago. The theatrical companies come to Lincoln after theyve played in these large cities. Jim takes Lena to many plays and enjoys her company. Lena is completely mesmerized by the stage, the costumes, the emotion of the actors, and the pure spectacle. At the end of April a famous play by Alexandre Dumass son comes to town. Jim and Lena arrive early since she likes to watch people come in. When the curtain rises, Jim is overwhelmed with excitement at the scene and the fresh dialogue. The actress who plays the lead role is aging and stiff in her movements and speech, but since the lines are so well-written, the play doesnt suffer from her ineptitude. At the intermission, Jim goes out to smoke and congratulates himself on inviting Lena instead of one of the Lincoln women who would be chattering during the intermission about the local social scene. " Lena was at least a woman, and I was a man." As the play closes, Lena and Jim weep at the tragic denouement. As he walks home after the play, he thinks that no matter who plays the parts or what time of year it is played, the play will always bring springtime with it.


prompt:
Chapter: TWO years after I left Lincoln I completed my academic course at Harvard.
Before I entered the Law School I went home for the summer vacation. On
the night of my arrival Mrs. Harling and Frances and Sally came over to
greet me. Everything seemed just as it used to be. My grandparents looked
very little older. Frances Harling was married now, and she and her
husband managed the Harling interests in Black Hawk. When we gathered in
grandmother's parlor, I could hardly believe that I had been away at all.
One subject, however, we avoided all evening.

When I was walking home with Frances, after we had left Mrs. Harling at
her gate, she said simply, "You know, of course, about poor Antonia."

Poor Antonia! Every one would be saying that now, I thought bitterly. I
replied that grandmother had written me how Antonia went away to marry
Larry Donovan at some place where he was working; that he had deserted
her, and that there was now a baby. This was all I knew.

"He never married her," Frances said. "I have n't seen her since she came
back. She lives at home, on the farm, and almost never comes to town. She
brought the baby in to show it to mama once. I'm afraid she's settled down
to be Ambrosch's drudge for good."

I tried to shut Antonia out of my mind. I was bitterly disappointed in
her. I could not forgive her for becoming an object of pity, while Lena
Lingard, for whom people had always foretold trouble, was now the leading
dressmaker of Lincoln, much respected in Black Hawk. Lena gave her heart
away when she felt like it, but she kept her head for her business and had
got on in the world.

Just then it was the fashion to speak indulgently of Lena and severely of
Tiny Soderball, who had quietly gone West to try her fortune the year
before. A Black Hawk boy, just back from Seattle, brought the news that
Tiny had not gone to the coast on a venture, as she had allowed people to
think, but with very definite plans. One of the roving promoters that used
to stop at Mrs. Gardener's hotel owned idle property along the water-front
in Seattle, and he had offered to set Tiny up in business in one of his
empty buildings. She was now conducting a sailors' lodging-house. This,
every one said, would be the end of Tiny. Even if she had begun by running
a decent place, she could n't keep it up; all sailors' boarding-houses
were alike.

When I thought about it, I discovered that I had never known Tiny as well
as I knew the other girls. I remembered her tripping briskly about the
dining-room on her high heels, carrying a big tray full of dishes,
glancing rather pertly at the spruce traveling men, and contemptuously at
the scrubby ones--who were so afraid of her that they did n't dare to ask
for two kinds of pie. Now it occurred to me that perhaps the sailors, too,
might be afraid of Tiny. How astonished we would have been, as we sat
talking about her on Frances Harling's front porch, if we could have known
what her future was really to be! Of all the girls and boys who grew up
together in Black Hawk, Tiny Soderball was to lead the most adventurous
life and to achieve the most solid worldly success.

This is what actually happened to Tiny: While she was running her
lodging-house in Seattle, gold was discovered in Alaska. Miners and
sailors came back from the North with wonderful stories and pouches of
gold. Tiny saw it and weighed it in her hands. That daring which nobody
had ever suspected in her, awoke. She sold her business and set out for
Circle City, in company with a carpenter and his wife whom she had
persuaded to go along with her. They reached Skaguay in a snowstorm, went
in dog sledges over the Chilkoot Pass, and shot the Yukon in flatboats.
They reached Circle City on the very day when some Siwash Indians came
into the settlement with the report that there had been a rich gold strike
farther up the river, on a certain Klondike Creek. Two days later Tiny and
her friends, and nearly every one else in Circle City, started for the
Klondike fields on the last steamer that went up the Yukon before it froze
for the winter. That boatload of people founded Dawson City. Within a few
weeks there were fifteen hundred homeless men in camp. Tiny and the
carpenter's wife began to cook for them, in a tent. The miners gave her a
lot, and the carpenter put up a log hotel for her. There she sometimes fed
a hundred and fifty men a day. Miners came in on snowshoes from their
placer claims twenty miles away to buy fresh bread from her, and paid for
it in gold.

That winter Tiny kept in her hotel a Swede whose legs had been frozen one
night in a storm when he was trying to find his way back to his cabin. The
poor fellow thought it great good fortune to be cared for by a woman, and
a woman who spoke his own tongue. When he was told that his feet must be
amputated, he said he hoped he would not get well; what could a
working-man do in this hard world without feet? He did, in fact, die from
the operation, but not before he had deeded Tiny Soderball his claim on
Hunker Creek. Tiny sold her hotel, invested half her money in Dawson
building lots, and with the rest she developed her claim. She went off
into the wilds and lived on it. She bought other claims from discouraged
miners, traded or sold them on percentages.

After nearly ten years in the Klondike, Tiny returned, with a considerable
fortune, to live in San Francisco. I met her in Salt Lake City in 1908.
She was a thin, hard-faced woman, very well-dressed, very reserved in
manner. Curiously enough, she reminded me of Mrs. Gardener, for whom she
had worked in Black Hawk so long ago. She told me about some of the
desperate chances she had taken in the gold country, but the thrill of
them was quite gone. She said frankly that nothing interested her much now
but making money. The only two human beings of whom she spoke with any
feeling were the Swede, Johnson, who had given her his claim, and Lena
Lingard. She had persuaded Lena to come to San Francisco and go into
business there.

"Lincoln was never any place for her," Tiny remarked. "In a town of that
size Lena would always be gossiped about. Frisco's the right field for
her. She has a fine class of trade. Oh, she's just the same as she always
was! She's careless, but she's level-headed. She's the only person I know
who never gets any older. It's fine for me to have her there; somebody who
enjoys things like that. She keeps an eye on me and won't let me be
shabby. When she thinks I need a new dress, she makes it and sends it
home--with a bill that's long enough, I can tell you!"

Tiny limped slightly when she walked. The claim on Hunker Creek took toll
from its possessors. Tiny had been caught in a sudden turn of weather,
like poor Johnson. She lost three toes from one of those pretty little
feet that used to trip about Black Hawk in pointed slippers and striped
stockings. Tiny mentioned this mutilation quite casually--did n't seem
sensitive about it. She was satisfied with her success, but not elated.
She was like some one in whom the faculty of becoming interested is worn
out.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: After two years at Harvard in which he completes his academic courses, Jim returns to Black Hawk for a visit. He finds Antonia has been disgraced with an out of wedlock baby and a desertion by her lover, Larry Donovan. He is disgusted with her and refuses to go visit her on her brothers farm. He also hears about Tiny Soderball, who has gone west, to Seattle, to open a boarding house for sailors. Everyone thinks she will become an immoral person, but Jim tells the story of her life. She went to Seattle and opened a boarding house for sailors. Then heard about the first gold rush in Alaska and went north with a carpenter and his wife. They arrived in Circle City and immediately heard of a gold strike further north. After an arduous journey, they arrived and helped found Dawson City. Tiny built a hotel and was very successful. A Swedish man, Johnson, hurt himself prospecting and lived in her hotel as he was dying. He was so taken with her that he left her his claim when he died. She sold her hotel, bought property in Dawson City, then went out to his claim and began buying and selling other claims until she became quite rich. Then she moved to San Francisco after she had been in the Klondike for ten years. Jim saw her as a "thin, hard- faced woman" who reminds him of Mrs. Gardener, her former boss in Black Hawk. She told him about her life, but with little feeling for the excitement of it. She only had feeling for Lena Lingard and Johnson, the man who gave her his claim. She convinced Lena to move to San Francisco and enjoyed her company.


prompt:
Chapter: SOON after I got home that summer I persuaded my grandparents to have
their photographs taken, and one morning I went into the photographer's
shop to arrange for sittings. While I was waiting for him to come out of
his developing-room, I walked about trying to recognize the likenesses on
his walls: girls in Commencement dresses, country brides and grooms
holding hands, family groups of three generations. I noticed, in a heavy
frame, one of those depressing "crayon enlargements" often seen in
farmhouse parlors, the subject being a round-eyed baby in short dresses.
The photographer came out and gave a constrained, apologetic laugh.

"That's Tony Shimerda's baby. You remember her; she used to be the
Harling's Tony. Too bad! She seems proud of the baby, though; would n't
hear to a cheap frame for the picture. I expect her brother will be in for
it Saturday."

I went away feeling that I must see Antonia again. Another girl would have
kept her baby out of sight, but Tony, of course, must have its picture on
exhibition at the town photographer's, in a great gilt frame. How like
her! I could forgive her, I told myself, if she had n't thrown herself
away on such a cheap sort of fellow.

Larry Donovan was a passenger conductor, one of those train-crew
aristocrats who are always afraid that some one may ask them to put up a
car-window, and who, if requested to perform such a menial service,
silently point to the button that calls the porter. Larry wore this air of
official aloofness even on the street, where there were no car-windows to
compromise his dignity. At the end of his run he stepped indifferently
from the train along with the passengers, his street hat on his head and
his conductor's cap in an alligator-skin bag, went directly into the
station and changed his clothes. It was a matter of the utmost importance
to him never to be seen in his blue trousers away from his train. He was
usually cold and distant with men, but with all women he had a silent,
grave familiarity, a special handshake, accompanied by a significant,
deliberate look. He took women, married or single, into his confidence;
walked them up and down in the moonlight, telling them what a mistake he
had made by not entering the office branch of the service, and how much
better fitted he was to fill the post of General Passenger Agent in Denver
than the roughshod man who then bore that title. His unappreciated worth
was the tender secret Larry shared with his sweethearts, and he was always
able to make some foolish heart ache over it.

As I drew near home that morning, I saw Mrs. Harling out in her yard,
digging round her mountain-ash tree. It was a dry summer, and she had now
no boy to help her. Charley was off in his battleship, cruising somewhere
on the Caribbean sea. I turned in at the gate--it was with a feeling of
pleasure that I opened and shut that gate in those days; I liked the feel
of it under my hand. I took the spade away from Mrs. Harling, and while I
loosened the earth around the tree, she sat down on the steps and talked
about the oriole family that had a nest in its branches.

"Mrs. Harling," I said presently, "I wish I could find out exactly how
Antonia's marriage fell through."

"Why don't you go out and see your grandfather's tenant, the Widow
Steavens? She knows more about it than anybody else. She helped Antonia
get ready to be married, and she was there when Antonia came back. She
took care of her when the baby was born. She could tell you everything.
Besides, the Widow Steavens is a good talker, and she has a remarkable
memory."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: After two years at Harvard in which he completes his academic courses, Jim returns to Black Hawk for a visit. He finds Antonia has been disgraced with an out of wedlock baby and a desertion by her lover, Larry Donovan. He is disgusted with her and refuses to go visit her on her brothers farm. He also hears about Tiny Soderball, who has gone west, to Seattle, to open a boarding house for sailors. Everyone thinks she will become an immoral person, but Jim tells the story of her life. She went to Seattle and opened a boarding house for sailors. Then heard about the first gold rush in Alaska and went north with a carpenter and his wife. They arrived in Circle City and immediately heard of a gold strike further north. After an arduous journey, they arrived and helped found Dawson City. Tiny built a hotel and was very successful. A Swedish man, Johnson, hurt himself prospecting and lived in her hotel as he was dying. He was so taken with her that he left her his claim when he died. She sold her hotel, bought property in Dawson City, then went out to his claim and began buying and selling other claims until she became quite rich. Then she moved to San Francisco after she had been in the Klondike for ten years. Jim saw her as a "thin, hard- faced woman" who reminds him of Mrs. Gardener, her former boss in Black Hawk. She told him about her life, but with little feeling for the excitement of it. She only had feeling for Lena Lingard and Johnson, the man who gave her his claim. She convinced Lena to move to San Francisco and enjoyed her company.


prompt:
Chapter: ON the first or second day of August I got a horse and cart and set out
for the high country, to visit the Widow Steavens. The wheat harvest was
over, and here and there along the horizon I could see black puffs of
smoke from the steam thrashing-machines. The old pasture land was now
being broken up into wheatfields and cornfields, the red grass was
disappearing, and the whole face of the country was changing. There were
wooden houses where the old sod dwellings used to be, and little orchards,
and big red barns; all this meant happy children, contented women, and men
who saw their lives coming to a fortunate issue. The windy springs and the
blazing summers, one after another, had enriched and mellowed that flat
tableland; all the human effort that had gone into it was coming back in
long, sweeping lines of fertility. The changes seemed beautiful and
harmonious to me; it was like watching the growth of a great man or of a
great idea. I recognized every tree and sandbank and rugged draw. I found
that I remembered the conformation of the land as one remembers the
modeling of human faces.

When I drew up to our old windmill, the Widow Steavens came out to meet
me. She was brown as an Indian woman, tall, and very strong. When I was
little, her massive head had always seemed to me like a Roman senator's. I
told her at once why I had come.

"You'll stay the night with us, Jimmy? I'll talk to you after supper. I
can take more interest when my work is off my mind. You've no prejudice
against hot biscuit for supper? Some have, these days."

While I was putting my horse away I heard a rooster squawking. I looked at
my watch and sighed; it was three o'clock, and I knew that I must eat him
at six.

After supper Mrs. Steavens and I went upstairs to the old sitting-room,
while her grave, silent brother remained in the basement to read his farm
papers. All the windows were open. The white summer moon was shining
outside, the windmill was pumping lazily in the light breeze. My hostess
put the lamp on a stand in the corner, and turned it low because of the
heat. She sat down in her favorite rocking-chair and settled a little
stool comfortably under her tired feet. "I'm troubled with callouses, Jim;
getting old," she sighed cheerfully. She crossed her hands in her lap and
sat as if she were at a meeting of some kind.

"Now, it's about that dear Antonia you want to know? Well, you've come to
the right person. I've watched her like she'd been my own daughter.

"When she came home to do her sewing that summer before she was to be
married, she was over here about every day. They've never had a sewing
machine at the Shimerdas', and she made all her things here. I taught her
hemstitching, and I helped her to cut and fit. She used to sit there at
that machine by the window, pedaling the life out of it--she was so
strong--and always singing them queer Bohemian songs, like she was the
happiest thing in the world.

"'Antonia,' I used to say, 'don't run that machine so fast. You won't
hasten the day none that way.'

"Then she'd laugh and slow down for a little, but she'd soon forget and
begin to pedal and sing again. I never saw a girl work harder to go to
housekeeping right and well-prepared. Lovely table linen the Harlings had
given her, and Lena Lingard had sent her nice things from Lincoln. We
hemstitched all the tablecloths and pillow-cases, and some of the sheets.
Old Mrs. Shimerda knit yards and yards of lace for her underclothes. Tony
told me just how she meant to have everything in her house. She'd even
bought silver spoons and forks, and kept them in her trunk. She was always
coaxing brother to go to the post-office. Her young man did write her real
often, from the different towns along his run.

"The first thing that troubled her was when he wrote that his run had been
changed, and they would likely have to live in Denver. 'I'm a country
girl,' she said, 'and I doubt if I'll be able to manage so well for him in
a city. I was counting on keeping chickens, and maybe a cow.' She soon
cheered up, though.

"At last she got the letter telling her when to come. She was shaken by
it; she broke the seal and read it in this room. I suspected then that
she'd begun to get faint-hearted, waiting; though she'd never let me see
it.

"Then there was a great time of packing. It was in March, if I remember
rightly, and a terrible muddy, raw spell, with the roads bad for hauling
her things to town. And here let me say, Ambrosch did the right thing. He
went to Black Hawk and bought her a set of plated silver in a purple
velvet box, good enough for her station. He gave her three hundred dollars
in money; I saw the check. He'd collected her wages all those first years
she worked out, and it was but right. I shook him by the hand in this
room. 'You're behaving like a man, Ambrosch,' I said, 'and I'm glad to see
it, son.'

"'T was a cold, raw day he drove her and her three trunks into Black Hawk
to take the night train for Denver--the boxes had been shipped before. He
stopped the wagon here, and she ran in to tell me good-bye. She threw her
arms around me and kissed me, and thanked me for all I'd done for her. She
was so happy she was crying and laughing at the same time, and her red
cheeks was all wet with rain.

"'You're surely handsome enough for any man,' I said, looking her over.

"She laughed kind of flighty like, and whispered, 'Good-bye, dear house!'
and then ran out to the wagon. I expect she meant that for you and your
grandmother, as much as for me, so I'm particular to tell you. This house
had always been a refuge to her.

"Well, in a few days we had a letter saying she got to Denver safe, and he
was there to meet her. They were to be married in a few days. He was
trying to get his promotion before he married, she said. I did n't like
that, but I said nothing. The next week Yulka got a postal card, saying
she was 'well and happy.' After that we heard nothing. A month went by,
and old Mrs. Shimerda began to get fretful. Ambrosch was as sulky with me
as if I'd picked out the man and arranged the match.

"One night brother William came in and said that on his way back from the
fields he had passed a livery team from town, driving fast out the west
road. There was a trunk on the front seat with the driver, and another
behind. In the back seat there was a woman all bundled up; but for all her
veils, he thought 't was Antonia Shimerda, or Antonia Donovan, as her name
ought now to be.

"The next morning I got brother to drive me over. I can walk still, but my
feet ain't what they used to be, and I try to save myself. The lines
outside the Shimerdas' house was full of washing, though it was the middle
of the week. As we got nearer I saw a sight that made my heart sink--all
those underclothes we'd put so much work on, out there swinging in the
wind. Yulka came bringing a dishpanful of wrung clothes, but she darted
back into the house like she was loath to see us. When I went in, Antonia
was standing over the tubs, just finishing up a big washing. Mrs. Shimerda
was going about her work, talking and scolding to herself. She did n't so
much as raise her eyes. Tony wiped her hand on her apron and held it out
to me, looking at me steady but mournful. When I took her in my arms she
drew away. 'Don't, Mrs. Steavens,' she says, 'you'll make me cry, and I
don't want to.'

"I whispered and asked her to come out of doors with me. I knew she could
n't talk free before her mother. She went out with me, bareheaded, and we
walked up toward the garden.

"'I'm not married, Mrs. Steavens,' she says to me very quiet and
natural-like, 'and I ought to be.'

"'Oh, my child,' says I, 'what's happened to you? Don't be afraid to tell
me!'

"She sat down on the draw-side, out of sight of the house. 'He's run away
from me,' she said. 'I don't know if he ever meant to marry me.'

"'You mean he's thrown up his job and quit the country?' says I.

"'He did n't have any job. He'd been fired; blacklisted for knocking down
fares. I did n't know. I thought he had n't been treated right. He was
sick when I got there. He'd just come out of the hospital. He lived with
me till my money gave out, and afterwards I found he had n't really been
hunting work at all. Then he just did n't come back. One nice fellow at
the station told me, when I kept going to look for him, to give it up. He
said he was afraid Larry'd gone bad and would n't come back any more. I
guess he's gone to Old Mexico. The conductors get rich down there,
collecting half-fares off the natives and robbing the company. He was
always talking about fellows who had got ahead that way.'

"I asked her, of course, why she did n't insist on a civil marriage at
once--that would have given her some hold on him. She leaned her head on
her hands, poor child, and said, 'I just don't know, Mrs. Steavens. I
guess my patience was wore out, waiting so long. I thought if he saw how
well I could do for him, he'd want to stay with me.'

"Jimmy, I sat right down on that bank beside her and made lament. I cried
like a young thing. I could n't help it. I was just about heart-broke. It
was one of them lovely warm May days, and the wind was blowing and the
colts jumping around in the pastures; but I felt bowed with despair. My
Antonia, that had so much good in her, had come home disgraced. And that
Lena Lingard, that was always a bad one, say what you will, had turned out
so well, and was coming home here every summer in her silks and her
satins, and doing so much for her mother. I give credit where credit is
due, but you know well enough, Jim Burden, there is a great difference in
the principles of those two girls. And here it was the good one that had
come to grief! I was poor comfort to her. I marveled at her calm. As we
went back to the house, she stopped to feel of her clothes to see if they
was drying well, and seemed to take pride in their whiteness--she said
she'd been living in a brick block, where she did n't have proper
conveniences to wash them.

"The next time I saw Antonia, she was out in the fields ploughing corn.
All that spring and summer she did the work of a man on the farm; it
seemed to be an understood thing. Ambrosch did n't get any other hand to
help him. Poor Marek had got violent and been sent away to an institution
a good while back. We never even saw any of Tony's pretty dresses. She did
n't take them out of her trunks. She was quiet and steady. Folks respected
her industry and tried to treat her as if nothing had happened. They
talked, to be sure; but not like they would if she'd put on airs. She was
so crushed and quiet that nobody seemed to want to humble her. She never
went anywhere. All that summer she never once came to see me. At first I
was hurt, but I got to feel that it was because this house reminded her of
too much. I went over there when I could, but the times when she was in
from the fields were the times when I was busiest here. She talked about
the grain and the weather as if she'd never had another interest, and if I
went over at night she always looked dead weary. She was afflicted with
toothache; one tooth after another ulcerated, and she went about with her
face swollen half the time. She would n't go to Black Hawk to a dentist
for fear of meeting people she knew. Ambrosch had got over his good spell
long ago, and was always surly. Once I told him he ought not to let
Antonia work so hard and pull herself down. He said, 'If you put that in
her head, you better stay home.' And after that I did.

"Antonia worked on through harvest and thrashing, though she was too
modest to go out thrashing for the neighbors, like when she was young and
free. I did n't see much of her until late that fall when she begun to
herd Ambrosch's cattle in the open ground north of here, up toward the big
dog town. Sometimes she used to bring them over the west hill, there, and
I would run to meet her and walk north a piece with her. She had thirty
cattle in her bunch; it had been dry, and the pasture was short, or she
would n't have brought them so far.

"It was a fine open fall, and she liked to be alone. While the steers
grazed, she used to sit on them grassy banks along the draws and sun
herself for hours. Sometimes I slipped up to visit with her, when she had
n't gone too far.

"'It does seem like I ought to make lace, or knit like Lena used to,' she
said one day, 'but if I start to work, I look around and forget to go on.
It seems such a little while ago when Jim Burden and I was playing all
over this country. Up here I can pick out the very places where my father
used to stand. Sometimes I feel like I'm not going to live very long, so
I'm just enjoying every day of this fall.'

"After the winter begun she wore a man's long overcoat and boots, and a
man's felt hat with a wide brim. I used to watch her coming and going, and
I could see that her steps were getting heavier. One day in December, the
snow began to fall. Late in the afternoon I saw Antonia driving her cattle
homeward across the hill. The snow was flying round her and she bent to
face it, looking more lonesome-like to me than usual. 'Deary me,' I says
to myself, 'the girl's stayed out too late. It'll be dark before she gets
them cattle put into the corral.' I seemed to sense she'd been feeling too
miserable to get up and drive them.

"That very night, it happened. She got her cattle home, turned them into
the corral, and went into the house, into her room behind the kitchen, and
shut the door. There, without calling to anybody, without a groan, she lay
down on the bed and bore her child.

"I was lifting supper when old Mrs. Shimerda came running down the
basement stairs, out of breath and screeching:--

"'Baby come, baby come!' she says. 'Ambrosch much like devil!'

"Brother William is surely a patient man. He was just ready to sit down to
a hot supper after a long day in the fields. Without a word he rose and
went down to the barn and hooked up his team. He got us over there as
quick as it was humanly possible. I went right in, and began to do for
Antonia; but she laid there with her eyes shut and took no account of me.
The old woman got a tubful of warm water to wash the baby. I overlooked
what she was doing and I said out loud:--

"'Mrs. Shimerda, don't you put that strong yellow soap near that baby.
You'll blister its little skin.' I was indignant.

             [Illustration: Antonia driving her cattle home]

"'Mrs. Steavens,' Antonia said from the bed, 'if you'll look in the top
tray of my trunk, you'll see some fine soap.' That was the first word she
spoke.

"After I'd dressed the baby, I took it out to show it to Ambrosch. He was
muttering behind the stove and would n't look at it.

"'You'd better put it out in the rain barrel,' he says.

"'Now, see here, Ambrosch,' says I, 'there's a law in this land, don't
forget that. I stand here a witness that this baby has come into the world
sound and strong, and I intend to keep an eye on what befalls it.' I pride
myself I cowed him.

"Well, I expect you're not much interested in babies, but Antonia's got on
fine. She loved it from the first as dearly as if she'd had a ring on her
finger, and was never ashamed of it. It's a year and eight months old now,
and no baby was ever better cared-for. Antonia is a natural-born mother. I
wish she could marry and raise a family, but I don't know as there's much
chance now."

I slept that night in the room I used to have when I was a little boy,
with the summer wind blowing in at the windows, bringing the smell of the
ripe fields. I lay awake and watched the moonlight shining over the barn
and the stacks and the pond, and the windmill making its old dark shadow
against the blue sky.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the beginning of August, Jim goes to see the Widow Steavens. He notices the great changes that have happened in the land. The red prairies have almost completely disappeared and the sod houses have been replaced with wood-framed houses. He approves of these changes greatly. When he gets to Mrs. Steavens house, the house he grew up in, she invites him to spend the night. After dinner she tells him Antonias story. Antonia got word from Larry Donovan that they would be married, so she came to Mrs. Steavens house every day to sew her linens and clothes. She was very excited about the wedding and setting up house in Black Hawk. The wait was a long one and when she finally got a letter, Mrs. Steavens noticed that she had begun to lose heart. Larry wrote that they would be living in Denver, a decision Antonia was not happy with but soon accepted. Ambrosch gave her three hundred dollars and drove her to the station. They got a letter that she was there and he had met her, but that the wedding had been delayed while he was working on getting his promotion. Then they heard nothing. Soon everyone began to get very worried. One day, William Steavens, Mrs. Steavens brother, came home to report that he had seen Antonia in a wagon along with all her trunks. Mrs. Steavens went to see her and Antonia told her she was not married, but should be. She said Larry had fooled her into believing he was getting promoted, when in fact he had been fired and blacklisted for cheating customers. He had stayed with her until all her money was gone and then had abandoned her. She thought he must have gone to Mexico to try his hand at railroad cheating there. Mrs. Steavens watched Antonia over the next months as she worked in the field doing mens work. She saw that Antonia was pregnant and watched her get slower and slower in her movements. Then one night, Mrs. Shimerda came over to say the baby came. Antonia had come in from the fields where she was herding cattle, gone to her room, and gave birth to her child alone. Ambrosch was in a fury. Mrs. Steavens went immediately to the Shimerdas and helped Antonia get cleaned up and wrapped the baby. Antonia was very silent. When Mrs. Steavens took the baby out of the room, Ambrosch told her she should put it in the rain barrel. She told him he had better remember there was a law in the land and that she was a witness that the baby was born healthy. Mrs. Steavens reports that the baby grew well and Antonia was very happy with it. She wishes Antonia could get married and raise a family, but fears that she probably wont be able to. That night Jim stays in his old room. He lies awake watching the moon outside his window.


prompt:
Chapter: THE next afternoon I walked over to the Shimerdas'. Yulka showed me the
baby and told me that Antonia was shocking wheat on the southwest quarter.
I went down across the fields, and Tony saw me from a long way off. She
stood still by her shocks, leaning on her pitchfork, watching me as I
came. We met like the people in the old song, in silence, if not in tears.
Her warm hand clasped mine.

"I thought you'd come, Jim. I heard you were at Mrs. Steavens's last
night. I've been looking for you all day."

She was thinner than I had ever seen her, and looked, as Mrs. Steavens
said, "worked down," but there was a new kind of strength in the gravity
of her face, and her color still gave her that look of deep-seated health
and ardor. Still? Why, it flashed across me that though so much had
happened in her life and in mine, she was barely twenty-four years old.

Antonia stuck her fork in the ground, and instinctively we walked toward
that unploughed patch at the crossing of the roads as the fittest place to
talk to each other. We sat down outside the sagging wire fence that shut
Mr. Shimerda's plot off from the rest of the world. The tall red grass had
never been cut there. It had died down in winter and come up again in the
spring until it was as thick and shrubby as some tropical garden-grass. I
found myself telling her everything: why I had decided to study law and to
go into the law office of one of my mother's relatives in New York City;
about Gaston Cleric's death from pneumonia last winter, and the difference
it had made in my life. She wanted to know about my friends and my way of
living, and my dearest hopes.

"Of course it means you are going away from us for good," she said with a
sigh. "But that don't mean I'll lose you. Look at my papa here; he's been
dead all these years, and yet he is more real to me than almost anybody
else. He never goes out of my life. I talk to him and consult him all the
time. The older I grow, the better I know him and the more I understand
him."

She asked me whether I had learned to like big cities. "I'd always be
miserable in a city. I'd die of lonesomeness. I like to be where I know
every stack and tree, and where all the ground is friendly. I want to live
and die here. Father Kelly says everybody's put into this world for
something, and I know what I've got to do. I'm going to see that my little
girl has a better chance than ever I had. I'm going to take care of that
girl, Jim."

I told her I knew she would. "Do you know, Antonia, since I've been away,
I think of you more often than of any one else in this part of the world.
I'd have liked to have you for a sweetheart, or a wife, or my mother or my
sister--anything that a woman can be to a man. The idea of you is a part of
my mind; you influence my likes and dislikes, all my tastes, hundreds of
times when I don't realize it. You really are a part of me."

She turned her bright, believing eyes to me, and the tears came up in them
slowly. "How can it be like that, when you know so many people, and when
I've disappointed you so? Ain't it wonderful, Jim, how much people can
mean to each other? I'm so glad we had each other when we were little. I
can't wait till my little girl's old enough to tell her about all the
things we used to do. You'll always remember me when you think about old
times, won't you? And I guess everybody thinks about old times, even the
happiest people."

As we walked homeward across the fields, the sun dropped and lay like a
great golden globe in the low west. While it hung there, the moon rose in
the east, as big as a cartwheel, pale silver and streaked with rose color,
thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two
luminaries confronted each other across the level land, resting on
opposite edges of the world. In that singular light every little tree and
shock of wheat, every sunflower stalk and clump of snow-on-the-mountain,
drew itself up high and pointed; the very clods and furrows in the fields
seemed to stand up sharply. I felt the old pull of the earth, the solemn
magic that comes out of those fields at nightfall. I wished I could be a
little boy again, and that my way could end there.

We reached the edge of the field, where our ways parted. I took her hands
and held them against my breast, feeling once more how strong and warm and
good they were, those brown hands, and remembering how many kind things
they had done for me. I held them now a long while, over my heart. About
us it was growing darker and darker, and I had to look hard to see her
face, which I meant always to carry with me; the closest, realest face,
under all the shadows of women's faces, at the very bottom of my memory.

"I'll come back," I said earnestly, through the soft, intrusive darkness.

"Perhaps you will"--I felt rather than saw her smile. "But even if you
don't, you're here, like my father. So I won't be lonesome."

As I went back alone over that familiar road, I could almost believe that
a boy and girl ran along beside me, as our shadows used to do, laughing
and whispering to each other in the grass.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: At the beginning of August, Jim goes to see the Widow Steavens. He notices the great changes that have happened in the land. The red prairies have almost completely disappeared and the sod houses have been replaced with wood-framed houses. He approves of these changes greatly. When he gets to Mrs. Steavens house, the house he grew up in, she invites him to spend the night. After dinner she tells him Antonias story. Antonia got word from Larry Donovan that they would be married, so she came to Mrs. Steavens house every day to sew her linens and clothes. She was very excited about the wedding and setting up house in Black Hawk. The wait was a long one and when she finally got a letter, Mrs. Steavens noticed that she had begun to lose heart. Larry wrote that they would be living in Denver, a decision Antonia was not happy with but soon accepted. Ambrosch gave her three hundred dollars and drove her to the station. They got a letter that she was there and he had met her, but that the wedding had been delayed while he was working on getting his promotion. Then they heard nothing. Soon everyone began to get very worried. One day, William Steavens, Mrs. Steavens brother, came home to report that he had seen Antonia in a wagon along with all her trunks. Mrs. Steavens went to see her and Antonia told her she was not married, but should be. She said Larry had fooled her into believing he was getting promoted, when in fact he had been fired and blacklisted for cheating customers. He had stayed with her until all her money was gone and then had abandoned her. She thought he must have gone to Mexico to try his hand at railroad cheating there. Mrs. Steavens watched Antonia over the next months as she worked in the field doing mens work. She saw that Antonia was pregnant and watched her get slower and slower in her movements. Then one night, Mrs. Shimerda came over to say the baby came. Antonia had come in from the fields where she was herding cattle, gone to her room, and gave birth to her child alone. Ambrosch was in a fury. Mrs. Steavens went immediately to the Shimerdas and helped Antonia get cleaned up and wrapped the baby. Antonia was very silent. When Mrs. Steavens took the baby out of the room, Ambrosch told her she should put it in the rain barrel. She told him he had better remember there was a law in the land and that she was a witness that the baby was born healthy. Mrs. Steavens reports that the baby grew well and Antonia was very happy with it. She wishes Antonia could get married and raise a family, but fears that she probably wont be able to. That night Jim stays in his old room. He lies awake watching the moon outside his window.