prompt:
Chapter: Fanny seemed nearer being right than Edmund had supposed. The business
of finding a play that would suit everybody proved to be no trifle; and
the carpenter had received his orders and taken his measurements, had
suggested and removed at least two sets of difficulties, and having made
the necessity of an enlargement of plan and expense fully evident, was
already at work, while a play was still to seek. Other preparations
were also in hand. An enormous roll of green baize had arrived from
Northampton, and been cut out by Mrs. Norris (with a saving by her good
management of full three-quarters of a yard), and was actually forming
into a curtain by the housemaids, and still the play was wanting; and
as two or three days passed away in this manner, Edmund began almost to
hope that none might ever be found.

There were, in fact, so many things to be attended to, so many people
to be pleased, so many best characters required, and, above all, such a
need that the play should be at once both tragedy and comedy, that there
did seem as little chance of a decision as anything pursued by youth and
zeal could hold out.

On the tragic side were the Miss Bertrams, Henry Crawford, and Mr.
Yates; on the comic, Tom Bertram, not _quite_ alone, because it was
evident that Mary Crawford's wishes, though politely kept back, inclined
the same way: but his determinateness and his power seemed to make
allies unnecessary; and, independent of this great irreconcilable
difference, they wanted a piece containing very few characters in the
whole, but every character first-rate, and three principal women. All
the best plays were run over in vain. Neither Hamlet, nor Macbeth, nor
Othello, nor Douglas, nor The Gamester, presented anything that could
satisfy even the tragedians; and The Rivals, The School for Scandal,
Wheel of Fortune, Heir at Law, and a long et cetera, were successively
dismissed with yet warmer objections. No piece could be proposed that
did not supply somebody with a difficulty, and on one side or the other
it was a continual repetition of, "Oh no, _that_ will never do! Let us
have no ranting tragedies. Too many characters. Not a tolerable
woman's part in the play. Anything but _that_, my dear Tom. It would be
impossible to fill it up. One could not expect anybody to take such a
part. Nothing but buffoonery from beginning to end. _That_ might do,
perhaps, but for the low parts. If I _must_ give my opinion, I have
always thought it the most insipid play in the English language. _I_ do
not wish to make objections; I shall be happy to be of any use, but I
think we could not chuse worse."

Fanny looked on and listened, not unamused to observe the selfishness
which, more or less disguised, seemed to govern them all, and wondering
how it would end. For her own gratification she could have wished that
something might be acted, for she had never seen even half a play, but
everything of higher consequence was against it.

"This will never do," said Tom Bertram at last. "We are wasting time
most abominably. Something must be fixed on. No matter what, so that
something is chosen. We must not be so nice. A few characters too many
must not frighten us. We must _double_ them. We must descend a little.
If a part is insignificant, the greater our credit in making anything of
it. From this moment I make no difficulties. I take any part you chuse
to give me, so as it be comic. Let it but be comic, I condition for
nothing more."

For about the fifth time he then proposed the Heir at Law, doubting only
whether to prefer Lord Duberley or Dr. Pangloss for himself; and very
earnestly, but very unsuccessfully, trying to persuade the others that
there were some fine tragic parts in the rest of the dramatis personae.

The pause which followed this fruitless effort was ended by the same
speaker, who, taking up one of the many volumes of plays that lay on the
table, and turning it over, suddenly exclaimed--"Lovers' Vows! And why
should not Lovers' Vows do for _us_ as well as for the Ravenshaws? How
came it never to be thought of before? It strikes me as if it would do
exactly. What say you all? Here are two capital tragic parts for Yates
and Crawford, and here is the rhyming Butler for me, if nobody else
wants it; a trifling part, but the sort of thing I should not dislike,
and, as I said before, I am determined to take anything and do my best.
And as for the rest, they may be filled up by anybody. It is only Count
Cassel and Anhalt."

The suggestion was generally welcome. Everybody was growing weary of
indecision, and the first idea with everybody was, that nothing had been
proposed before so likely to suit them all. Mr. Yates was particularly
pleased: he had been sighing and longing to do the Baron at Ecclesford,
had grudged every rant of Lord Ravenshaw's, and been forced to re-rant
it all in his own room. The storm through Baron Wildenheim was the
height of his theatrical ambition; and with the advantage of knowing
half the scenes by heart already, he did now, with the greatest
alacrity, offer his services for the part. To do him justice, however,
he did not resolve to appropriate it; for remembering that there was
some very good ranting-ground in Frederick, he professed an equal
willingness for that. Henry Crawford was ready to take either. Whichever
Mr. Yates did not chuse would perfectly satisfy him, and a short parley
of compliment ensued. Miss Bertram, feeling all the interest of an
Agatha in the question, took on her to decide it, by observing to Mr.
Yates that this was a point in which height and figure ought to
be considered, and that _his_ being the tallest, seemed to fit him
peculiarly for the Baron. She was acknowledged to be quite right, and
the two parts being accepted accordingly, she was certain of the proper
Frederick. Three of the characters were now cast, besides Mr. Rushworth,
who was always answered for by Maria as willing to do anything; when
Julia, meaning, like her sister, to be Agatha, began to be scrupulous on
Miss Crawford's account.

"This is not behaving well by the absent," said she. "Here are not women
enough. Amelia and Agatha may do for Maria and me, but here is nothing
for your sister, Mr. Crawford."

Mr. Crawford desired _that_ might not be thought of: he was very sure
his sister had no wish of acting but as she might be useful, and that
she would not allow herself to be considered in the present case. But
this was immediately opposed by Tom Bertram, who asserted the part of
Amelia to be in every respect the property of Miss Crawford, if she
would accept it. "It falls as naturally, as necessarily to her,"
said he, "as Agatha does to one or other of my sisters. It can be no
sacrifice on their side, for it is highly comic."

A short silence followed. Each sister looked anxious; for each felt the
best claim to Agatha, and was hoping to have it pressed on her by the
rest. Henry Crawford, who meanwhile had taken up the play, and with
seeming carelessness was turning over the first act, soon settled the
business.

"I must entreat Miss _Julia_ Bertram," said he, "not to engage in the
part of Agatha, or it will be the ruin of all my solemnity. You must
not, indeed you must not" (turning to her). "I could not stand your
countenance dressed up in woe and paleness. The many laughs we have had
together would infallibly come across me, and Frederick and his knapsack
would be obliged to run away."

Pleasantly, courteously, it was spoken; but the manner was lost in the
matter to Julia's feelings. She saw a glance at Maria which confirmed
the injury to herself: it was a scheme, a trick; she was slighted, Maria
was preferred; the smile of triumph which Maria was trying to suppress
shewed how well it was understood; and before Julia could command
herself enough to speak, her brother gave his weight against her too,
by saying, "Oh yes! Maria must be Agatha. Maria will be the best Agatha.
Though Julia fancies she prefers tragedy, I would not trust her in it.
There is nothing of tragedy about her. She has not the look of it. Her
features are not tragic features, and she walks too quick, and speaks
too quick, and would not keep her countenance. She had better do the old
countrywoman: the Cottager's wife; you had, indeed, Julia. Cottager's
wife is a very pretty part, I assure you. The old lady relieves the
high-flown benevolence of her husband with a good deal of spirit. You
shall be Cottager's wife."

"Cottager's wife!" cried Mr. Yates. "What are you talking of? The most
trivial, paltry, insignificant part; the merest commonplace; not a
tolerable speech in the whole. Your sister do that! It is an insult
to propose it. At Ecclesford the governess was to have done it. We
all agreed that it could not be offered to anybody else. A little more
justice, Mr. Manager, if you please. You do not deserve the office, if
you cannot appreciate the talents of your company a little better."

"Why, as to _that_, my good friend, till I and my company have really
acted there must be some guesswork; but I mean no disparagement to
Julia. We cannot have two Agathas, and we must have one Cottager's
wife; and I am sure I set her the example of moderation myself in being
satisfied with the old Butler. If the part is trifling she will have
more credit in making something of it; and if she is so desperately bent
against everything humorous, let her take Cottager's speeches instead of
Cottager's wife's, and so change the parts all through; _he_ is solemn
and pathetic enough, I am sure. It could make no difference in the play,
and as for Cottager himself, when he has got his wife's speeches, _I_
would undertake him with all my heart."

"With all your partiality for Cottager's wife," said Henry Crawford, "it
will be impossible to make anything of it fit for your sister, and we
must not suffer her good-nature to be imposed on. We must not _allow_
her to accept the part. She must not be left to her own complaisance.
Her talents will be wanted in Amelia. Amelia is a character more
difficult to be well represented than even Agatha. I consider Amelia
is the most difficult character in the whole piece. It requires great
powers, great nicety, to give her playfulness and simplicity without
extravagance. I have seen good actresses fail in the part. Simplicity,
indeed, is beyond the reach of almost every actress by profession.
It requires a delicacy of feeling which they have not. It requires a
gentlewoman--a Julia Bertram. You _will_ undertake it, I hope?" turning
to her with a look of anxious entreaty, which softened her a little; but
while she hesitated what to say, her brother again interposed with Miss
Crawford's better claim.

"No, no, Julia must not be Amelia. It is not at all the part for her.
She would not like it. She would not do well. She is too tall and
robust. Amelia should be a small, light, girlish, skipping figure. It is
fit for Miss Crawford, and Miss Crawford only. She looks the part, and I
am persuaded will do it admirably."

Without attending to this, Henry Crawford continued his supplication.
"You must oblige us," said he, "indeed you must. When you have studied
the character, I am sure you will feel it suit you. Tragedy may be your
choice, but it will certainly appear that comedy chuses _you_. You
will be to visit me in prison with a basket of provisions; you will
not refuse to visit me in prison? I think I see you coming in with your
basket."

The influence of his voice was felt. Julia wavered; but was he only
trying to soothe and pacify her, and make her overlook the previous
affront? She distrusted him. The slight had been most determined. He
was, perhaps, but at treacherous play with her. She looked suspiciously
at her sister; Maria's countenance was to decide it: if she were vexed
and alarmed--but Maria looked all serenity and satisfaction, and Julia
well knew that on this ground Maria could not be happy but at her
expense. With hasty indignation, therefore, and a tremulous voice, she
said to him, "You do not seem afraid of not keeping your countenance
when I come in with a basket of provisions--though one might have
supposed--but it is only as Agatha that I was to be so overpowering!"
She stopped--Henry Crawford looked rather foolish, and as if he did not
know what to say. Tom Bertram began again--

"Miss Crawford must be Amelia. She will be an excellent Amelia."

"Do not be afraid of _my_ wanting the character," cried Julia, with
angry quickness: "I am _not_ to be Agatha, and I am sure I will do
nothing else; and as to Amelia, it is of all parts in the world the
most disgusting to me. I quite detest her. An odious, little, pert,
unnatural, impudent girl. I have always protested against comedy, and
this is comedy in its worst form." And so saying, she walked hastily
out of the room, leaving awkward feelings to more than one, but exciting
small compassion in any except Fanny, who had been a quiet auditor of
the whole, and who could not think of her as under the agitations of
_jealousy_ without great pity.

A short silence succeeded her leaving them; but her brother soon
returned to business and Lovers' Vows, and was eagerly looking over
the play, with Mr. Yates's help, to ascertain what scenery would be
necessary--while Maria and Henry Crawford conversed together in an
under-voice, and the declaration with which she began of, "I am sure I
would give up the part to Julia most willingly, but that though I shall
probably do it very ill, I feel persuaded _she_ would do it worse," was
doubtless receiving all the compliments it called for.

When this had lasted some time, the division of the party was completed
by Tom Bertram and Mr. Yates walking off together to consult farther in
the room now beginning to be called _the_ _Theatre_, and Miss Bertram's
resolving to go down to the Parsonage herself with the offer of Amelia
to Miss Crawford; and Fanny remained alone.

The first use she made of her solitude was to take up the volume which
had been left on the table, and begin to acquaint herself with the play
of which she had heard so much. Her curiosity was all awake, and she ran
through it with an eagerness which was suspended only by intervals of
astonishment, that it could be chosen in the present instance, that it
could be proposed and accepted in a private theatre! Agatha and Amelia
appeared to her in their different ways so totally improper for home
representation--the situation of one, and the language of the other,
so unfit to be expressed by any woman of modesty, that she could hardly
suppose her cousins could be aware of what they were engaging in; and
longed to have them roused as soon as possible by the remonstrance which
Edmund would certainly make.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Fanny's prediction about the group having a hard time picking a play was correct. Some want a tragedy, others a comedy, and no one can agree. Fanny sits back and watches everyone argue. Finally they have a "duh" moment and decide to perform Lovers' Vows since Mr. Yates is familiar with it already and can direct everyone. Now everyone argues over who gets what part. The guys decide easily enough but both Julia and Maria fight over the lead role that will be the love interest of Henry's character. Henry says that Maria should do the part since Julia is better suited for comedy. Julia is hugely insulted and Maria is triumphant. Tom agrees with Henry but then insists that Mary play the other female lead. Henry tries to argue for Julia to play that part and so does Mr. Yates. But Tom insists Mary do the other part and Julia finally gets so mad that she refuses to do anything and storms out. The rest quickly recover and start planning eagerly. After everyone else wanders off, Fanny sits down to read Lovers' Vows and is appalled since the play deals with adultery and kids being born out of wedlock and other scandalous topics. Fanny hopes that Edmund will give them all a big lecture soon.


prompt:
Chapter: Miss Crawford accepted the part very readily; and soon after Miss
Bertram's return from the Parsonage, Mr. Rushworth arrived, and another
character was consequently cast. He had the offer of Count Cassel
and Anhalt, and at first did not know which to chuse, and wanted Miss
Bertram to direct him; but upon being made to understand the different
style of the characters, and which was which, and recollecting that he
had once seen the play in London, and had thought Anhalt a very stupid
fellow, he soon decided for the Count. Miss Bertram approved the
decision, for the less he had to learn the better; and though she could
not sympathise in his wish that the Count and Agatha might be to act
together, nor wait very patiently while he was slowly turning over the
leaves with the hope of still discovering such a scene, she very kindly
took his part in hand, and curtailed every speech that admitted being
shortened; besides pointing out the necessity of his being very much
dressed, and chusing his colours. Mr. Rushworth liked the idea of his
finery very well, though affecting to despise it; and was too much
engaged with what his own appearance would be to think of the others,
or draw any of those conclusions, or feel any of that displeasure which
Maria had been half prepared for.

Thus much was settled before Edmund, who had been out all the morning,
knew anything of the matter; but when he entered the drawing-room before
dinner, the buzz of discussion was high between Tom, Maria, and Mr.
Yates; and Mr. Rushworth stepped forward with great alacrity to tell him
the agreeable news.

"We have got a play," said he. "It is to be Lovers' Vows; and I am to be
Count Cassel, and am to come in first with a blue dress and a pink satin
cloak, and afterwards am to have another fine fancy suit, by way of a
shooting-dress. I do not know how I shall like it."

Fanny's eyes followed Edmund, and her heart beat for him as she heard
this speech, and saw his look, and felt what his sensations must be.

"Lovers' Vows!" in a tone of the greatest amazement, was his only reply
to Mr. Rushworth, and he turned towards his brother and sisters as if
hardly doubting a contradiction.

"Yes," cried Mr. Yates. "After all our debatings and difficulties, we
find there is nothing that will suit us altogether so well, nothing so
unexceptionable, as Lovers' Vows. The wonder is that it should not have
been thought of before. My stupidity was abominable, for here we have
all the advantage of what I saw at Ecclesford; and it is so useful to
have anything of a model! We have cast almost every part."

"But what do you do for women?" said Edmund gravely, and looking at
Maria.

Maria blushed in spite of herself as she answered, "I take the part
which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss
Crawford is to be Amelia."

"I should not have thought it the sort of play to be so easily filled
up, with _us_," replied Edmund, turning away to the fire, where sat
his mother, aunt, and Fanny, and seating himself with a look of great
vexation.

Mr. Rushworth followed him to say, "I come in three times, and have
two-and-forty speeches. That's something, is not it? But I do not much
like the idea of being so fine. I shall hardly know myself in a blue
dress and a pink satin cloak."

Edmund could not answer him. In a few minutes Mr. Bertram was called
out of the room to satisfy some doubts of the carpenter; and being
accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth,
Edmund almost immediately took the opportunity of saying, "I cannot,
before Mr. Yates, speak what I feel as to this play, without reflecting
on his friends at Ecclesford; but I must now, my dear Maria, tell _you_,
that I think it exceedingly unfit for private representation, and that I
hope you will give it up. I cannot but suppose you _will_ when you have
read it carefully over. Read only the first act aloud to either your
mother or aunt, and see how you can approve it. It will not be necessary
to send you to your _father's_ judgment, I am convinced."

"We see things very differently," cried Maria. "I am perfectly
acquainted with the play, I assure you; and with a very few omissions,
and so forth, which will be made, of course, I can see nothing
objectionable in it; and _I_ am not the _only_ young woman you find who
thinks it very fit for private representation."

"I am sorry for it," was his answer; "but in this matter it is _you_ who
are to lead. _You_ must set the example. If others have blundered, it
is your place to put them right, and shew them what true delicacy is.
In all points of decorum _your_ conduct must be law to the rest of the
party."

This picture of her consequence had some effect, for no one loved better
to lead than Maria; and with far more good-humour she answered, "I am
much obliged to you, Edmund; you mean very well, I am sure: but I still
think you see things too strongly; and I really cannot undertake to
harangue all the rest upon a subject of this kind. _There_ would be the
greatest indecorum, I think."

"Do you imagine that I could have such an idea in my head? No; let your
conduct be the only harangue. Say that, on examining the part, you feel
yourself unequal to it; that you find it requiring more exertion and
confidence than you can be supposed to have. Say this with firmness, and
it will be quite enough. All who can distinguish will understand your
motive. The play will be given up, and your delicacy honoured as it
ought."

"Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas
would not like it.--Fanny, ring the bell; I must have my dinner.--To be
sure, Julia is dressed by this time."

"I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas
would not like it."

"There, my dear, do you hear what Edmund says?"

"If I were to decline the part," said Maria, with renewed zeal, "Julia
would certainly take it."

"What!" cried Edmund, "if she knew your reasons!"

"Oh! she might think the difference between us--the difference in our
situations--that _she_ need not be so scrupulous as _I_ might feel
necessary. I am sure she would argue so. No; you must excuse me; I
cannot retract my consent; it is too far settled, everybody would be so
disappointed, Tom would be quite angry; and if we are so very nice, we
shall never act anything."

"I was just going to say the very same thing," said Mrs. Norris.
"If every play is to be objected to, you will act nothing, and the
preparations will be all so much money thrown away, and I am sure _that_
would be a discredit to us all. I do not know the play; but, as Maria
says, if there is anything a little too warm (and it is so with most of
them) it can be easily left out. We must not be over-precise, Edmund. As
Mr. Rushworth is to act too, there can be no harm. I only wish Tom had
known his own mind when the carpenters began, for there was the loss
of half a day's work about those side-doors. The curtain will be a good
job, however. The maids do their work very well, and I think we shall be
able to send back some dozens of the rings. There is no occasion to put
them so very close together. I _am_ of some use, I hope, in preventing
waste and making the most of things. There should always be one
steady head to superintend so many young ones. I forgot to tell Tom of
something that happened to me this very day. I had been looking about me
in the poultry-yard, and was just coming out, when who should I see but
Dick Jackson making up to the servants' hall-door with two bits of deal
board in his hand, bringing them to father, you may be sure; mother had
chanced to send him of a message to father, and then father had bid
him bring up them two bits of board, for he could not no how do without
them. I knew what all this meant, for the servants' dinner-bell
was ringing at the very moment over our heads; and as I hate such
encroaching people (the Jacksons are very encroaching, I have always
said so: just the sort of people to get all they can), I said to the boy
directly (a great lubberly fellow of ten years old, you know, who ought
to be ashamed of himself), '_I'll_ take the boards to your father, Dick,
so get you home again as fast as you can.' The boy looked very silly,
and turned away without offering a word, for I believe I might speak
pretty sharp; and I dare say it will cure him of coming marauding about
the house for one while. I hate such greediness--so good as your father
is to the family, employing the man all the year round!"

Nobody was at the trouble of an answer; the others soon returned; and
Edmund found that to have endeavoured to set them right must be his only
satisfaction.

Dinner passed heavily. Mrs. Norris related again her triumph over Dick
Jackson, but neither play nor preparation were otherwise much talked
of, for Edmund's disapprobation was felt even by his brother, though
he would not have owned it. Maria, wanting Henry Crawford's animating
support, thought the subject better avoided. Mr. Yates, who was trying
to make himself agreeable to Julia, found her gloom less impenetrable on
any topic than that of his regret at her secession from their company;
and Mr. Rushworth, having only his own part and his own dress in his
head, had soon talked away all that could be said of either.

But the concerns of the theatre were suspended only for an hour or two:
there was still a great deal to be settled; and the spirits of evening
giving fresh courage, Tom, Maria, and Mr. Yates, soon after their being
reassembled in the drawing-room, seated themselves in committee at a
separate table, with the play open before them, and were just getting
deep in the subject when a most welcome interruption was given by the
entrance of Mr. and Miss Crawford, who, late and dark and dirty as it
was, could not help coming, and were received with the most grateful
joy.

"Well, how do you go on?" and "What have you settled?" and "Oh! we
can do nothing without you," followed the first salutations; and Henry
Crawford was soon seated with the other three at the table, while his
sister made her way to Lady Bertram, and with pleasant attention was
complimenting _her_. "I must really congratulate your ladyship," said
she, "on the play being chosen; for though you have borne it with
exemplary patience, I am sure you must be sick of all our noise and
difficulties. The actors may be glad, but the bystanders must be
infinitely more thankful for a decision; and I do sincerely give you
joy, madam, as well as Mrs. Norris, and everybody else who is in the
same predicament," glancing half fearfully, half slyly, beyond Fanny to
Edmund.

She was very civilly answered by Lady Bertram, but Edmund said nothing.
His being only a bystander was not disclaimed. After continuing in chat
with the party round the fire a few minutes, Miss Crawford returned
to the party round the table; and standing by them, seemed to
interest herself in their arrangements till, as if struck by a sudden
recollection, she exclaimed, "My good friends, you are most composedly
at work upon these cottages and alehouses, inside and out; but pray let
me know my fate in the meanwhile. Who is to be Anhalt? What gentleman
among you am I to have the pleasure of making love to?"

For a moment no one spoke; and then many spoke together to tell the same
melancholy truth, that they had not yet got any Anhalt. "Mr. Rushworth
was to be Count Cassel, but no one had yet undertaken Anhalt."

"I had my choice of the parts," said Mr. Rushworth; "but I thought I
should like the Count best, though I do not much relish the finery I am
to have."

"You chose very wisely, I am sure," replied Miss Crawford, with a
brightened look; "Anhalt is a heavy part."

"_The_ _Count_ has two-and-forty speeches," returned Mr. Rushworth,
"which is no trifle."

"I am not at all surprised," said Miss Crawford, after a short pause,
"at this want of an Anhalt. Amelia deserves no better. Such a forward
young lady may well frighten the men."

"I should be but too happy in taking the part, if it were possible,"
cried Tom; "but, unluckily, the Butler and Anhalt are in together. I
will not entirely give it up, however; I will try what can be done--I
will look it over again."

"Your _brother_ should take the part," said Mr. Yates, in a low voice.
"Do not you think he would?"

"_I_ shall not ask him," replied Tom, in a cold, determined manner.

Miss Crawford talked of something else, and soon afterwards rejoined the
party at the fire.

"They do not want me at all," said she, seating herself. "I only puzzle
them, and oblige them to make civil speeches. Mr. Edmund Bertram, as
you do not act yourself, you will be a disinterested adviser; and,
therefore, I apply to _you_. What shall we do for an Anhalt? Is it
practicable for any of the others to double it? What is your advice?"

"My advice," said he calmly, "is that you change the play."

"_I_ should have no objection," she replied; "for though I should not
particularly dislike the part of Amelia if well supported, that is, if
everything went well, I shall be sorry to be an inconvenience; but
as they do not chuse to hear your advice at _that_ _table_" (looking
round), "it certainly will not be taken."

Edmund said no more.

"If _any_ part could tempt _you_ to act, I suppose it would be Anhalt,"
observed the lady archly, after a short pause; "for he is a clergyman,
you know."

"_That_ circumstance would by no means tempt me," he replied, "for I
should be sorry to make the character ridiculous by bad acting. It
must be very difficult to keep Anhalt from appearing a formal, solemn
lecturer; and the man who chuses the profession itself is, perhaps, one
of the last who would wish to represent it on the stage."

Miss Crawford was silenced, and with some feelings of resentment and
mortification, moved her chair considerably nearer the tea-table, and
gave all her attention to Mrs. Norris, who was presiding there.

"Fanny," cried Tom Bertram, from the other table, where the conference
was eagerly carrying on, and the conversation incessant, "we want your
services."

Fanny was up in a moment, expecting some errand; for the habit of
employing her in that way was not yet overcome, in spite of all that
Edmund could do.

"Oh! we do not want to disturb you from your seat. We do not want your
_present_ services. We shall only want you in our play. You must be
Cottager's wife."

"Me!" cried Fanny, sitting down again with a most frightened look.
"Indeed you must excuse me. I could not act anything if you were to give
me the world. No, indeed, I cannot act."

"Indeed, but you must, for we cannot excuse you. It need not frighten
you: it is a nothing of a part, a mere nothing, not above half a dozen
speeches altogether, and it will not much signify if nobody hears a word
you say; so you may be as creep-mouse as you like, but we must have you
to look at."

"If you are afraid of half a dozen speeches," cried Mr. Rushworth, "what
would you do with such a part as mine? I have forty-two to learn."

"It is not that I am afraid of learning by heart," said Fanny, shocked
to find herself at that moment the only speaker in the room, and to feel
that almost every eye was upon her; "but I really cannot act."

"Yes, yes, you can act well enough for _us_. Learn your part, and we
will teach you all the rest. You have only two scenes, and as I shall
be Cottager, I'll put you in and push you about, and you will do it very
well, I'll answer for it."

"No, indeed, Mr. Bertram, you must excuse me. You cannot have an idea.
It would be absolutely impossible for me. If I were to undertake it, I
should only disappoint you."

"Phoo! Phoo! Do not be so shamefaced. You'll do it very well. Every
allowance will be made for you. We do not expect perfection. You must
get a brown gown, and a white apron, and a mob cap, and we must make
you a few wrinkles, and a little of the crowsfoot at the corner of your
eyes, and you will be a very proper, little old woman."

"You must excuse me, indeed you must excuse me," cried Fanny, growing
more and more red from excessive agitation, and looking distressfully
at Edmund, who was kindly observing her; but unwilling to exasperate
his brother by interference, gave her only an encouraging smile. Her
entreaty had no effect on Tom: he only said again what he had said
before; and it was not merely Tom, for the requisition was now backed by
Maria, and Mr. Crawford, and Mr. Yates, with an urgency which differed
from his but in being more gentle or more ceremonious, and which
altogether was quite overpowering to Fanny; and before she could breathe
after it, Mrs. Norris completed the whole by thus addressing her in a
whisper at once angry and audible--"What a piece of work here is about
nothing: I am quite ashamed of you, Fanny, to make such a difficulty of
obliging your cousins in a trifle of this sort--so kind as they are to
you! Take the part with a good grace, and let us hear no more of the
matter, I entreat."

"Do not urge her, madam," said Edmund. "It is not fair to urge her
in this manner. You see she does not like to act. Let her chuse for
herself, as well as the rest of us. Her judgment may be quite as safely
trusted. Do not urge her any more."

"I am not going to urge her," replied Mrs. Norris sharply; "but I shall
think her a very obstinate, ungrateful girl, if she does not do what her
aunt and cousins wish her--very ungrateful, indeed, considering who and
what she is."

Edmund was too angry to speak; but Miss Crawford, looking for a moment
with astonished eyes at Mrs. Norris, and then at Fanny, whose tears were
beginning to shew themselves, immediately said, with some keenness, "I
do not like my situation: this _place_ is too hot for me," and moved
away her chair to the opposite side of the table, close to Fanny, saying
to her, in a kind, low whisper, as she placed herself, "Never mind,
my dear Miss Price, this is a cross evening: everybody is cross and
teasing, but do not let us mind them"; and with pointed attention
continued to talk to her and endeavour to raise her spirits, in spite of
being out of spirits herself. By a look at her brother she prevented any
farther entreaty from the theatrical board, and the really good feelings
by which she was almost purely governed were rapidly restoring her to
all the little she had lost in Edmund's favour.

Fanny did not love Miss Crawford; but she felt very much obliged to her
for her present kindness; and when, from taking notice of her work,
and wishing _she_ could work as well, and begging for the pattern, and
supposing Fanny was now preparing for her _appearance_, as of course she
would come out when her cousin was married, Miss Crawford proceeded to
inquire if she had heard lately from her brother at sea, and said that
she had quite a curiosity to see him, and imagined him a very fine young
man, and advised Fanny to get his picture drawn before he went to sea
again--she could not help admitting it to be very agreeable flattery, or
help listening, and answering with more animation than she had intended.

The consultation upon the play still went on, and Miss Crawford's
attention was first called from Fanny by Tom Bertram's telling her,
with infinite regret, that he found it absolutely impossible for him to
undertake the part of Anhalt in addition to the Butler: he had been most
anxiously trying to make it out to be feasible, but it would not do;
he must give it up. "But there will not be the smallest difficulty in
filling it," he added. "We have but to speak the word; we may pick and
chuse. I could name, at this moment, at least six young men within six
miles of us, who are wild to be admitted into our company, and there are
one or two that would not disgrace us: I should not be afraid to trust
either of the Olivers or Charles Maddox. Tom Oliver is a very clever
fellow, and Charles Maddox is as gentlemanlike a man as you will see
anywhere, so I will take my horse early to-morrow morning and ride over
to Stoke, and settle with one of them."

While he spoke, Maria was looking apprehensively round at Edmund in full
expectation that he must oppose such an enlargement of the plan as this:
so contrary to all their first protestations; but Edmund said nothing.
After a moment's thought, Miss Crawford calmly replied, "As far as I
am concerned, I can have no objection to anything that you all think
eligible. Have I ever seen either of the gentlemen? Yes, Mr. Charles
Maddox dined at my sister's one day, did not he, Henry? A quiet-looking
young man. I remember him. Let _him_ be applied to, if you please, for
it will be less unpleasant to me than to have a perfect stranger."

Charles Maddox was to be the man. Tom repeated his resolution of going
to him early on the morrow; and though Julia, who had scarcely opened
her lips before, observed, in a sarcastic manner, and with a glance
first at Maria and then at Edmund, that "the Mansfield theatricals would
enliven the whole neighbourhood exceedingly," Edmund still held his
peace, and shewed his feelings only by a determined gravity.

"I am not very sanguine as to our play," said Miss Crawford, in an
undervoice to Fanny, after some consideration; "and I can tell Mr.
Maddox that I shall shorten some of _his_ speeches, and a great many of
_my_ _own_, before we rehearse together. It will be very disagreeable,
and by no means what I expected."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Mary accepts her part in the play and Mr. Rushworth shows up for a part, too. Mr. Rushworth gets distracted with his part and his costume and so doesn't notice what's going on between Maria and Henry right in front of him. Edmund pops in and learns what the play will be. He's really upset. Edmund pulls Maria aside and lectures her accordingly. Maria insists that the play isn't that bad, that they're cutting out the worst parts, and that Mary thinks it's cool to do regardless. Edmund counters that if everyone else is jumping off a cliff it doesn't mean she should too. Edmund would make a great dad in the universe of Happy Days. Lady Bertram chimes in and tells Maria to not do anything improper. Edmund insists their dad won't like it and Lady Bertram seems a little concerned. But Maria says that Julia will do the part if she refuses it and to just drop it already. Mrs. Norris now chimes in and says that the play is an awesome idea and not a problem at all. She then brags about how helpful she's been. Edmund finally gives up. The Crawfords show up and the Mansfield Park Theater Club starts planning. Mary notices that they haven't cast her love interest in the play yet and it turns out they don't have an available guy for the role. Yates suggest they ask Edmund but Tom refuses. Mary asks Edmund for his advice and he says to just change the play. She then tries to convince Edmund to act since the open part is a clergyman but Edmund bluntly refuses. Suddenly Tom yells out for Fanny and says that they need her to play the part of an old woman. Fanny's horrified and refuses, saying she cannot act. This has some interesting double meanings. Tom argues with her and Maria, Yates, and Henry join in. Mrs. Norris then jumps in and tells Fanny to quit being difficult and just do the stupid part already. She tells Fanny that she's stubborn and ungrateful and implies that Fanny is somehow "lesser" than her cousins. Edmund is really angry at Mrs. Norris - too angry to speak, really. Mary's horrified by how mean Mrs. Norris is to Fanny and notes that Fanny is about to cry. Mary quickly goes over to consoles her and Fanny is grateful. Mary gets Fanny to tell her about William and Fanny starts to cheer up a little. The Mansfield Park Theater Club meanwhile decides that they'll just have to invite a neighbor over to play the role Edmund refused. Mary says a random neighbor is fine but she'd prefer a guy named Charles Maddox since she met him once before. Julia sarcastically observes that soon the whole neighborhood will be involved in the Theater Club. Mary confesses to Fanny that she's not really looking forward to the play now.


prompt:
Chapter: It was not in Miss Crawford's power to talk Fanny into any real
forgetfulness of what had passed. When the evening was over, she went to
bed full of it, her nerves still agitated by the shock of such an attack
from her cousin Tom, so public and so persevered in, and her spirits
sinking under her aunt's unkind reflection and reproach. To be called
into notice in such a manner, to hear that it was but the prelude to
something so infinitely worse, to be told that she must do what was
so impossible as to act; and then to have the charge of obstinacy and
ingratitude follow it, enforced with such a hint at the dependence
of her situation, had been too distressing at the time to make the
remembrance when she was alone much less so, especially with the
superadded dread of what the morrow might produce in continuation of the
subject. Miss Crawford had protected her only for the time; and if
she were applied to again among themselves with all the authoritative
urgency that Tom and Maria were capable of, and Edmund perhaps away,
what should she do? She fell asleep before she could answer the
question, and found it quite as puzzling when she awoke the next
morning. The little white attic, which had continued her sleeping-room
ever since her first entering the family, proving incompetent to suggest
any reply, she had recourse, as soon as she was dressed, to another
apartment more spacious and more meet for walking about in and thinking,
and of which she had now for some time been almost equally mistress. It
had been their school-room; so called till the Miss Bertrams would not
allow it to be called so any longer, and inhabited as such to a later
period. There Miss Lee had lived, and there they had read and written,
and talked and laughed, till within the last three years, when she had
quitted them. The room had then become useless, and for some time was
quite deserted, except by Fanny, when she visited her plants, or wanted
one of the books, which she was still glad to keep there, from the
deficiency of space and accommodation in her little chamber above: but
gradually, as her value for the comforts of it increased, she had added
to her possessions, and spent more of her time there; and having nothing
to oppose her, had so naturally and so artlessly worked herself into it,
that it was now generally admitted to be hers. The East room, as it had
been called ever since Maria Bertram was sixteen, was now considered
Fanny's, almost as decidedly as the white attic: the smallness of the
one making the use of the other so evidently reasonable that the Miss
Bertrams, with every superiority in their own apartments which their own
sense of superiority could demand, were entirely approving it; and Mrs.
Norris, having stipulated for there never being a fire in it on Fanny's
account, was tolerably resigned to her having the use of what nobody
else wanted, though the terms in which she sometimes spoke of the
indulgence seemed to imply that it was the best room in the house.

The aspect was so favourable that even without a fire it was habitable
in many an early spring and late autumn morning to such a willing mind
as Fanny's; and while there was a gleam of sunshine she hoped not to be
driven from it entirely, even when winter came. The comfort of it in
her hours of leisure was extreme. She could go there after anything
unpleasant below, and find immediate consolation in some pursuit, or
some train of thought at hand. Her plants, her books--of which she had
been a collector from the first hour of her commanding a shilling--her
writing-desk, and her works of charity and ingenuity, were all within
her reach; or if indisposed for employment, if nothing but musing would
do, she could scarcely see an object in that room which had not an
interesting remembrance connected with it. Everything was a friend, or
bore her thoughts to a friend; and though there had been sometimes much
of suffering to her; though her motives had often been misunderstood,
her feelings disregarded, and her comprehension undervalued; though she
had known the pains of tyranny, of ridicule, and neglect, yet almost
every recurrence of either had led to something consolatory: her aunt
Bertram had spoken for her, or Miss Lee had been encouraging, or, what
was yet more frequent or more dear, Edmund had been her champion and her
friend: he had supported her cause or explained her meaning, he had told
her not to cry, or had given her some proof of affection which made
her tears delightful; and the whole was now so blended together, so
harmonised by distance, that every former affliction had its charm. The
room was most dear to her, and she would not have changed its furniture
for the handsomest in the house, though what had been originally plain
had suffered all the ill-usage of children; and its greatest elegancies
and ornaments were a faded footstool of Julia's work, too ill done
for the drawing-room, three transparencies, made in a rage for
transparencies, for the three lower panes of one window, where Tintern
Abbey held its station between a cave in Italy and a moonlight lake in
Cumberland, a collection of family profiles, thought unworthy of being
anywhere else, over the mantelpiece, and by their side, and pinned
against the wall, a small sketch of a ship sent four years ago from the
Mediterranean by William, with H.M.S. Antwerp at the bottom, in letters
as tall as the mainmast.

To this nest of comforts Fanny now walked down to try its influence on
an agitated, doubting spirit, to see if by looking at Edmund's profile
she could catch any of his counsel, or by giving air to her geraniums
she might inhale a breeze of mental strength herself. But she had more
than fears of her own perseverance to remove: she had begun to feel
undecided as to what she _ought_ _to_ _do_; and as she walked round the
room her doubts were increasing. Was she _right_ in refusing what was
so warmly asked, so strongly wished for--what might be so essential to a
scheme on which some of those to whom she owed the greatest complaisance
had set their hearts? Was it not ill-nature, selfishness, and a fear of
exposing herself? And would Edmund's judgment, would his persuasion of
Sir Thomas's disapprobation of the whole, be enough to justify her in a
determined denial in spite of all the rest? It would be so horrible to
her to act that she was inclined to suspect the truth and purity of her
own scruples; and as she looked around her, the claims of her cousins
to being obliged were strengthened by the sight of present upon present
that she had received from them. The table between the windows was
covered with work-boxes and netting-boxes which had been given her at
different times, principally by Tom; and she grew bewildered as to the
amount of the debt which all these kind remembrances produced. A tap at
the door roused her in the midst of this attempt to find her way to her
duty, and her gentle "Come in" was answered by the appearance of one,
before whom all her doubts were wont to be laid. Her eyes brightened at
the sight of Edmund.

"Can I speak with you, Fanny, for a few minutes?" said he.

"Yes, certainly."

"I want to consult. I want your opinion."

"My opinion!" she cried, shrinking from such a compliment, highly as it
gratified her.

"Yes, your advice and opinion. I do not know what to do. This acting
scheme gets worse and worse, you see. They have chosen almost as bad a
play as they could, and now, to complete the business, are going to ask
the help of a young man very slightly known to any of us. This is the
end of all the privacy and propriety which was talked about at first.
I know no harm of Charles Maddox; but the excessive intimacy which
must spring from his being admitted among us in this manner is highly
objectionable, the _more_ than intimacy--the familiarity. I cannot
think of it with any patience; and it does appear to me an evil of such
magnitude as must, _if_ _possible_, be prevented. Do not you see it in
the same light?"

"Yes; but what can be done? Your brother is so determined."

"There is but _one_ thing to be done, Fanny. I must take Anhalt myself.
I am well aware that nothing else will quiet Tom."

Fanny could not answer him.

"It is not at all what I like," he continued. "No man can like being
driven into the _appearance_ of such inconsistency. After being known to
oppose the scheme from the beginning, there is absurdity in the face of
my joining them _now_, when they are exceeding their first plan in every
respect; but I can think of no other alternative. Can you, Fanny?"

"No," said Fanny slowly, "not immediately, but--"

"But what? I see your judgment is not with me. Think it a little over.
Perhaps you are not so much aware as I am of the mischief that _may_, of
the unpleasantness that _must_ arise from a young man's being received
in this manner: domesticated among us; authorised to come at all hours,
and placed suddenly on a footing which must do away all restraints. To
think only of the licence which every rehearsal must tend to create. It
is all very bad! Put yourself in Miss Crawford's place, Fanny. Consider
what it would be to act Amelia with a stranger. She has a right to be
felt for, because she evidently feels for herself. I heard enough of
what she said to you last night to understand her unwillingness to be
acting with a stranger; and as she probably engaged in the part with
different expectations--perhaps without considering the subject enough
to know what was likely to be--it would be ungenerous, it would be
really wrong to expose her to it. Her feelings ought to be respected.
Does it not strike you so, Fanny? You hesitate."

"I am sorry for Miss Crawford; but I am more sorry to see you drawn in
to do what you had resolved against, and what you are known to think
will be disagreeable to my uncle. It will be such a triumph to the
others!"

"They will not have much cause of triumph when they see how infamously I
act. But, however, triumph there certainly will be, and I must brave it.
But if I can be the means of restraining the publicity of the business,
of limiting the exhibition, of concentrating our folly, I shall be
well repaid. As I am now, I have no influence, I can do nothing: I have
offended them, and they will not hear me; but when I have put them in
good-humour by this concession, I am not without hopes of persuading
them to confine the representation within a much smaller circle than
they are now in the high road for. This will be a material gain. My
object is to confine it to Mrs. Rushworth and the Grants. Will not this
be worth gaining?"

"Yes, it will be a great point."

"But still it has not your approbation. Can you mention any other
measure by which I have a chance of doing equal good?"

"No, I cannot think of anything else."

"Give me your approbation, then, Fanny. I am not comfortable without
it."

"Oh, cousin!"

"If you are against me, I ought to distrust myself, and yet--But it is
absolutely impossible to let Tom go on in this way, riding about the
country in quest of anybody who can be persuaded to act--no matter whom:
the look of a gentleman is to be enough. I thought _you_ would have
entered more into Miss Crawford's feelings."

"No doubt she will be very glad. It must be a great relief to her," said
Fanny, trying for greater warmth of manner.

"She never appeared more amiable than in her behaviour to you last
night. It gave her a very strong claim on my goodwill."

"She _was_ very kind, indeed, and I am glad to have her spared"...

She could not finish the generous effusion. Her conscience stopt her in
the middle, but Edmund was satisfied.

"I shall walk down immediately after breakfast," said he, "and am sure
of giving pleasure there. And now, dear Fanny, I will not interrupt you
any longer. You want to be reading. But I could not be easy till I had
spoken to you, and come to a decision. Sleeping or waking, my head has
been full of this matter all night. It is an evil, but I am certainly
making it less than it might be. If Tom is up, I shall go to him
directly and get it over, and when we meet at breakfast we shall be all
in high good-humour at the prospect of acting the fool together with
such unanimity. _You_, in the meanwhile, will be taking a trip into
China, I suppose. How does Lord Macartney go on?"--opening a volume on
the table and then taking up some others. "And here are Crabbe's Tales,
and the Idler, at hand to relieve you, if you tire of your great book. I
admire your little establishment exceedingly; and as soon as I am
gone, you will empty your head of all this nonsense of acting, and sit
comfortably down to your table. But do not stay here to be cold."

He went; but there was no reading, no China, no composure for Fanny. He
had told her the most extraordinary, the most inconceivable, the most
unwelcome news; and she could think of nothing else. To be acting! After
all his objections--objections so just and so public! After all that she
had heard him say, and seen him look, and known him to be feeling. Could
it be possible? Edmund so inconsistent! Was he not deceiving himself?
Was he not wrong? Alas! it was all Miss Crawford's doing. She had seen
her influence in every speech, and was miserable. The doubts and alarms
as to her own conduct, which had previously distressed her, and
which had all slept while she listened to him, were become of little
consequence now. This deeper anxiety swallowed them up. Things should
take their course; she cared not how it ended. Her cousins might attack,
but could hardly tease her. She was beyond their reach; and if at last
obliged to yield--no matter--it was all misery now.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Fanny goes to bed but is still really upset over how her evening had gone. The next morning Fanny goes to her room, which used to be the school room. Fanny had claimed it and used it as a place to keep her books and keepsakes since her attic bedroom was too small to fit her treasures. We get a lot more details about the conditions Fanny has lived in since arriving at Mansfield. She has a lot in common with Harry Potter at the Dursley house, actually. For one, Harry has to sleep in a broom closet while Fanny has to stay in a tiny attic. Fanny is having a moral dilemma. She isn't sure if she should act or not. It would make everyone else happy but she thinks its wrong and really doesn't want to do it. Since she doesn't want to do it, she's convinced that her moral judgment is right on the money. Edmund comes to see Fanny and to discuss the problem of this Charles Maddox fellow. Who the heck is he? Edmund decides that he'll have to do the part himself in order to avoid having strangers join the Theater Club. He says his dad will be more upset if random people start coming to the house. Edmund insists that he's just doing the moral thing and that he's not being a flip-flopper. Fanny privately thinks that Edmund should apply for a job at the Waffle House and blames Mary's horrible influence for all of this. Edmund is happy when Fanny approves of his plan and chats with her about her books. Fanny's too stressed to read when he leaves and is mad at Mary and her evil, influential ways. She's so bummed that she doesn't even care if the others start in on her again about acting.


prompt:
Chapter: It was, indeed, a triumphant day to Mr. Bertram and Maria. Such a
victory over Edmund's discretion had been beyond their hopes, and was
most delightful. There was no longer anything to disturb them in their
darling project, and they congratulated each other in private on the
jealous weakness to which they attributed the change, with all the glee
of feelings gratified in every way. Edmund might still look grave, and
say he did not like the scheme in general, and must disapprove the play
in particular; their point was gained: he was to act, and he was driven
to it by the force of selfish inclinations only. Edmund had descended
from that moral elevation which he had maintained before, and they were
both as much the better as the happier for the descent.

They behaved very well, however, to _him_ on the occasion, betraying no
exultation beyond the lines about the corners of the mouth, and seemed
to think it as great an escape to be quit of the intrusion of Charles
Maddox, as if they had been forced into admitting him against their
inclination. "To have it quite in their own family circle was what
they had particularly wished. A stranger among them would have been the
destruction of all their comfort"; and when Edmund, pursuing that idea,
gave a hint of his hope as to the limitation of the audience, they were
ready, in the complaisance of the moment, to promise anything. It was
all good-humour and encouragement. Mrs. Norris offered to contrive his
dress, Mr. Yates assured him that Anhalt's last scene with the Baron
admitted a good deal of action and emphasis, and Mr. Rushworth undertook
to count his speeches.

"Perhaps," said Tom, "Fanny may be more disposed to oblige us now.
Perhaps you may persuade _her_."

"No, she is quite determined. She certainly will not act."

"Oh! very well." And not another word was said; but Fanny felt herself
again in danger, and her indifference to the danger was beginning to
fail her already.

There were not fewer smiles at the Parsonage than at the Park on this
change in Edmund; Miss Crawford looked very lovely in hers, and entered
with such an instantaneous renewal of cheerfulness into the whole
affair as could have but one effect on him. "He was certainly right in
respecting such feelings; he was glad he had determined on it." And the
morning wore away in satisfactions very sweet, if not very sound. One
advantage resulted from it to Fanny: at the earnest request of Miss
Crawford, Mrs. Grant had, with her usual good-humour, agreed to
undertake the part for which Fanny had been wanted; and this was all
that occurred to gladden _her_ heart during the day; and even this, when
imparted by Edmund, brought a pang with it, for it was Miss Crawford to
whom she was obliged--it was Miss Crawford whose kind exertions were to
excite her gratitude, and whose merit in making them was spoken of
with a glow of admiration. She was safe; but peace and safety were
unconnected here. Her mind had been never farther from peace. She could
not feel that she had done wrong herself, but she was disquieted
in every other way. Her heart and her judgment were equally against
Edmund's decision: she could not acquit his unsteadiness, and his
happiness under it made her wretched. She was full of jealousy and
agitation. Miss Crawford came with looks of gaiety which seemed an
insult, with friendly expressions towards herself which she could hardly
answer calmly. Everybody around her was gay and busy, prosperous and
important; each had their object of interest, their part, their dress,
their favourite scene, their friends and confederates: all were finding
employment in consultations and comparisons, or diversion in the playful
conceits they suggested. She alone was sad and insignificant: she had
no share in anything; she might go or stay; she might be in the midst
of their noise, or retreat from it to the solitude of the East room,
without being seen or missed. She could almost think anything would
have been preferable to this. Mrs. Grant was of consequence: _her_
good-nature had honourable mention; her taste and her time were
considered; her presence was wanted; she was sought for, and attended,
and praised; and Fanny was at first in some danger of envying her the
character she had accepted. But reflection brought better feelings, and
shewed her that Mrs. Grant was entitled to respect, which could never
have belonged to _her_; and that, had she received even the greatest,
she could never have been easy in joining a scheme which, considering
only her uncle, she must condemn altogether.

Fanny's heart was not absolutely the only saddened one amongst them,
as she soon began to acknowledge to herself. Julia was a sufferer too,
though not quite so blamelessly.

Henry Crawford had trifled with her feelings; but she had very long
allowed and even sought his attentions, with a jealousy of her sister so
reasonable as ought to have been their cure; and now that the conviction
of his preference for Maria had been forced on her, she submitted to it
without any alarm for Maria's situation, or any endeavour at rational
tranquillity for herself. She either sat in gloomy silence, wrapt in
such gravity as nothing could subdue, no curiosity touch, no wit amuse;
or allowing the attentions of Mr. Yates, was talking with forced gaiety
to him alone, and ridiculing the acting of the others.

For a day or two after the affront was given, Henry Crawford had
endeavoured to do it away by the usual attack of gallantry and
compliment, but he had not cared enough about it to persevere against a
few repulses; and becoming soon too busy with his play to have time for
more than one flirtation, he grew indifferent to the quarrel, or rather
thought it a lucky occurrence, as quietly putting an end to what might
ere long have raised expectations in more than Mrs. Grant. She was not
pleased to see Julia excluded from the play, and sitting by disregarded;
but as it was not a matter which really involved her happiness, as Henry
must be the best judge of his own, and as he did assure her, with a
most persuasive smile, that neither he nor Julia had ever had a serious
thought of each other, she could only renew her former caution as to
the elder sister, entreat him not to risk his tranquillity by too
much admiration there, and then gladly take her share in anything that
brought cheerfulness to the young people in general, and that did so
particularly promote the pleasure of the two so dear to her.

"I rather wonder Julia is not in love with Henry," was her observation
to Mary.

"I dare say she is," replied Mary coldly. "I imagine both sisters are."

"Both! no, no, that must not be. Do not give him a hint of it. Think of
Mr. Rushworth!"

"You had better tell Miss Bertram to think of Mr. Rushworth. It may
do _her_ some good. I often think of Mr. Rushworth's property and
independence, and wish them in other hands; but I never think of him. A
man might represent the county with such an estate; a man might escape a
profession and represent the county."

"I dare say he _will_ be in parliament soon. When Sir Thomas comes, I
dare say he will be in for some borough, but there has been nobody to
put him in the way of doing anything yet."

"Sir Thomas is to achieve many mighty things when he comes home," said
Mary, after a pause. "Do you remember Hawkins Browne's 'Address to
Tobacco,' in imitation of Pope?--

     Blest leaf! whose aromatic gales dispense
     To Templars modesty, to Parsons sense.

I will parody them--

     Blest Knight! whose dictatorial looks dispense
     To Children affluence, to Rushworth sense.

Will not that do, Mrs. Grant? Everything seems to depend upon Sir
Thomas's return."

"You will find his consequence very just and reasonable when you see him
in his family, I assure you. I do not think we do so well without him.
He has a fine dignified manner, which suits the head of such a house,
and keeps everybody in their place. Lady Bertram seems more of a cipher
now than when he is at home; and nobody else can keep Mrs. Norris in
order. But, Mary, do not fancy that Maria Bertram cares for Henry. I
am sure _Julia_ does not, or she would not have flirted as she did last
night with Mr. Yates; and though he and Maria are very good friends, I
think she likes Sotherton too well to be inconstant."

"I would not give much for Mr. Rushworth's chance if Henry stept in
before the articles were signed."

"If you have such a suspicion, something must be done; and as soon as
the play is all over, we will talk to him seriously and make him know
his own mind; and if he means nothing, we will send him off, though he
is Henry, for a time."

Julia _did_ suffer, however, though Mrs. Grant discerned it not, and
though it escaped the notice of many of her own family likewise. She had
loved, she did love still, and she had all the suffering which a warm
temper and a high spirit were likely to endure under the disappointment
of a dear, though irrational hope, with a strong sense of ill-usage.
Her heart was sore and angry, and she was capable only of angry
consolations. The sister with whom she was used to be on easy terms was
now become her greatest enemy: they were alienated from each other;
and Julia was not superior to the hope of some distressing end to the
attentions which were still carrying on there, some punishment to
Maria for conduct so shameful towards herself as well as towards Mr.
Rushworth. With no material fault of temper, or difference of opinion,
to prevent their being very good friends while their interests were
the same, the sisters, under such a trial as this, had not affection or
principle enough to make them merciful or just, to give them honour or
compassion. Maria felt her triumph, and pursued her purpose, careless of
Julia; and Julia could never see Maria distinguished by Henry Crawford
without trusting that it would create jealousy, and bring a public
disturbance at last.

Fanny saw and pitied much of this in Julia; but there was no outward
fellowship between them. Julia made no communication, and Fanny took
no liberties. They were two solitary sufferers, or connected only by
Fanny's consciousness.

The inattention of the two brothers and the aunt to Julia's
discomposure, and their blindness to its true cause, must be imputed to
the fullness of their own minds. They were totally preoccupied. Tom was
engrossed by the concerns of his theatre, and saw nothing that did not
immediately relate to it. Edmund, between his theatrical and his real
part, between Miss Crawford's claims and his own conduct, between love
and consistency, was equally unobservant; and Mrs. Norris was too busy
in contriving and directing the general little matters of the company,
superintending their various dresses with economical expedient, for
which nobody thanked her, and saving, with delighted integrity, half
a crown here and there to the absent Sir Thomas, to have leisure for
watching the behaviour, or guarding the happiness of his daughters.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: It's a glorious day for Tom and Maria: their overly-moral brother has fallen off his pedestal and has agreed to act with them. Edmund is now no better than they are and he's a big hypocrite, to boot. Edmund still insists he's doing the most moral thing he could do given the situation, but everyone ignores him. Edmund defends Fanny's decision to not act and she's soon the only young person in the house not in the play. She's not even offered a job as stage manager or set designer since Tom has hired some guys to build them a stage and to paint some scenery. It's questionable as to where Tom got the money to do this. Sir Thomas's piggy bank has probably been broken into. Fanny is super jealous of Mary and is pretty miserable to be left out even though she's just as terrified of being included and forced to act. Fanny notices that Julia is suffering, too, but decides that Julia's to blame for a lot of her problems while she herself is blameless. Fanny's rather full of herself here. Mrs. Grant has agreed to do the part that Fanny refused and everyone is glad to have her in the Club since she's so fun and nice. Julia spends her days sulking, making fun of everyone else, and chatting with Mr. Yates. Mrs. Grant chats about the situation with Mary. Mary thinks that everyone involved in the love quadrangle are being pretty ridiculous and that everything is probably going to blow up in their faces when Sir Thomas returns. Mrs. Grant says that neither of the Bertram girls really like Henry since Maria is engaged and Julia is now flirting with Yates. Mary is cynical about it all and Mrs. Grant says that they may need to send Henry away if this is going to be a problem. Julia is suffering from a broken heart all this time. She and Maria, once close sisters, have a hugely strained relationship now. Fanny is the only one who notices that Julia is suffering though she does nothing to reach out to her cousin. Both girls suffer in silence.


prompt:
Chapter: Everything was now in a regular train: theatre, actors, actresses, and
dresses, were all getting forward; but though no other great impediments
arose, Fanny found, before many days were past, that it was not all
uninterrupted enjoyment to the party themselves, and that she had not to
witness the continuance of such unanimity and delight as had been almost
too much for her at first. Everybody began to have their vexation.
Edmund had many. Entirely against _his_ judgment, a scene-painter
arrived from town, and was at work, much to the increase of the
expenses, and, what was worse, of the eclat of their proceedings; and
his brother, instead of being really guided by him as to the privacy of
the representation, was giving an invitation to every family who came
in his way. Tom himself began to fret over the scene-painter's slow
progress, and to feel the miseries of waiting. He had learned his
part--all his parts, for he took every trifling one that could be united
with the Butler, and began to be impatient to be acting; and every day
thus unemployed was tending to increase his sense of the insignificance
of all his parts together, and make him more ready to regret that some
other play had not been chosen.

Fanny, being always a very courteous listener, and often the only
listener at hand, came in for the complaints and the distresses of
most of them. _She_ knew that Mr. Yates was in general thought to rant
dreadfully; that Mr. Yates was disappointed in Henry Crawford; that
Tom Bertram spoke so quick he would be unintelligible; that Mrs. Grant
spoiled everything by laughing; that Edmund was behindhand with his
part, and that it was misery to have anything to do with Mr. Rushworth,
who was wanting a prompter through every speech. She knew, also, that
poor Mr. Rushworth could seldom get anybody to rehearse with him: _his_
complaint came before her as well as the rest; and so decided to her
eye was her cousin Maria's avoidance of him, and so needlessly often the
rehearsal of the first scene between her and Mr. Crawford, that she had
soon all the terror of other complaints from _him_. So far from being
all satisfied and all enjoying, she found everybody requiring something
they had not, and giving occasion of discontent to the others. Everybody
had a part either too long or too short; nobody would attend as they
ought; nobody would remember on which side they were to come in; nobody
but the complainer would observe any directions.

Fanny believed herself to derive as much innocent enjoyment from the
play as any of them; Henry Crawford acted well, and it was a pleasure to
_her_ to creep into the theatre, and attend the rehearsal of the first
act, in spite of the feelings it excited in some speeches for Maria.
Maria, she also thought, acted well, too well; and after the first
rehearsal or two, Fanny began to be their only audience; and sometimes
as prompter, sometimes as spectator, was often very useful. As far as
she could judge, Mr. Crawford was considerably the best actor of all: he
had more confidence than Edmund, more judgment than Tom, more talent and
taste than Mr. Yates. She did not like him as a man, but she must admit
him to be the best actor, and on this point there were not many who
differed from her. Mr. Yates, indeed, exclaimed against his tameness and
insipidity; and the day came at last, when Mr. Rushworth turned to her
with a black look, and said, "Do you think there is anything so very
fine in all this? For the life and soul of me, I cannot admire him; and,
between ourselves, to see such an undersized, little, mean-looking man,
set up for a fine actor, is very ridiculous in my opinion."

From this moment there was a return of his former jealousy, which Maria,
from increasing hopes of Crawford, was at little pains to remove; and
the chances of Mr. Rushworth's ever attaining to the knowledge of his
two-and-forty speeches became much less. As to his ever making anything
_tolerable_ of them, nobody had the smallest idea of that except
his mother; _she_, indeed, regretted that his part was not more
considerable, and deferred coming over to Mansfield till they were
forward enough in their rehearsal to comprehend all his scenes; but the
others aspired at nothing beyond his remembering the catchword, and the
first line of his speech, and being able to follow the prompter through
the rest. Fanny, in her pity and kindheartedness, was at great pains to
teach him how to learn, giving him all the helps and directions in her
power, trying to make an artificial memory for him, and learning every
word of his part herself, but without his being much the forwarder.

Many uncomfortable, anxious, apprehensive feelings she certainly had;
but with all these, and other claims on her time and attention, she was
as far from finding herself without employment or utility amongst them,
as without a companion in uneasiness; quite as far from having no
demand on her leisure as on her compassion. The gloom of her first
anticipations was proved to have been unfounded. She was occasionally
useful to all; she was perhaps as much at peace as any.

There was a great deal of needlework to be done, moreover, in which her
help was wanted; and that Mrs. Norris thought her quite as well off
as the rest, was evident by the manner in which she claimed it--"Come,
Fanny," she cried, "these are fine times for you, but you must not be
always walking from one room to the other, and doing the lookings-on at
your ease, in this way; I want you here. I have been slaving myself till
I can hardly stand, to contrive Mr. Rushworth's cloak without sending
for any more satin; and now I think you may give me your help in putting
it together. There are but three seams; you may do them in a trice. It
would be lucky for me if I had nothing but the executive part to do.
_You_ are best off, I can tell you: but if nobody did more than _you_,
we should not get on very fast."

Fanny took the work very quietly, without attempting any defence; but
her kinder aunt Bertram observed on her behalf--

"One cannot wonder, sister, that Fanny _should_ be delighted: it is
all new to her, you know; you and I used to be very fond of a play
ourselves, and so am I still; and as soon as I am a little more at
leisure, _I_ mean to look in at their rehearsals too. What is the play
about, Fanny? you have never told me."

"Oh! sister, pray do not ask her now; for Fanny is not one of those who
can talk and work at the same time. It is about Lovers' Vows."

"I believe," said Fanny to her aunt Bertram, "there will be three acts
rehearsed to-morrow evening, and that will give you an opportunity of
seeing all the actors at once."

"You had better stay till the curtain is hung," interposed Mrs. Norris;
"the curtain will be hung in a day or two--there is very little sense in
a play without a curtain--and I am much mistaken if you do not find it
draw up into very handsome festoons."

Lady Bertram seemed quite resigned to waiting. Fanny did not share her
aunt's composure: she thought of the morrow a great deal, for if the
three acts were rehearsed, Edmund and Miss Crawford would then be acting
together for the first time; the third act would bring a scene between
them which interested her most particularly, and which she was longing
and dreading to see how they would perform. The whole subject of it was
love--a marriage of love was to be described by the gentleman, and very
little short of a declaration of love be made by the lady.

She had read and read the scene again with many painful, many wondering
emotions, and looked forward to their representation of it as a
circumstance almost too interesting. She did not _believe_ they had yet
rehearsed it, even in private.

The morrow came, the plan for the evening continued, and Fanny's
consideration of it did not become less agitated. She worked very
diligently under her aunt's directions, but her diligence and her
silence concealed a very absent, anxious mind; and about noon she
made her escape with her work to the East room, that she might have no
concern in another, and, as she deemed it, most unnecessary rehearsal of
the first act, which Henry Crawford was just proposing, desirous at
once of having her time to herself, and of avoiding the sight of Mr.
Rushworth. A glimpse, as she passed through the hall, of the two ladies
walking up from the Parsonage made no change in her wish of retreat, and
she worked and meditated in the East room, undisturbed, for a quarter of
an hour, when a gentle tap at the door was followed by the entrance of
Miss Crawford.

"Am I right? Yes; this is the East room. My dear Miss Price, I beg your
pardon, but I have made my way to you on purpose to entreat your help."

Fanny, quite surprised, endeavoured to shew herself mistress of the room
by her civilities, and looked at the bright bars of her empty grate with
concern.

"Thank you; I am quite warm, very warm. Allow me to stay here a little
while, and do have the goodness to hear me my third act. I have brought
my book, and if you would but rehearse it with me, I should be _so_
obliged! I came here to-day intending to rehearse it with Edmund--by
ourselves--against the evening, but he is not in the way; and if he
_were_, I do not think I could go through it with _him_, till I have
hardened myself a little; for really there is a speech or two. You will
be so good, won't you?"

Fanny was most civil in her assurances, though she could not give them
in a very steady voice.

"Have you ever happened to look at the part I mean?" continued Miss
Crawford, opening her book. "Here it is. I did not think much of it at
first--but, upon my word. There, look at _that_ speech, and _that_, and
_that_. How am I ever to look him in the face and say such things? Could
you do it? But then he is your cousin, which makes all the difference.
You must rehearse it with me, that I may fancy _you_ him, and get on by
degrees. You _have_ a look of _his_ sometimes."

"Have I? I will do my best with the greatest readiness; but I must
_read_ the part, for I can say very little of it."

"_None_ of it, I suppose. You are to have the book, of course. Now for
it. We must have two chairs at hand for you to bring forward to the
front of the stage. There--very good school-room chairs, not made for a
theatre, I dare say; much more fitted for little girls to sit and kick
their feet against when they are learning a lesson. What would your
governess and your uncle say to see them used for such a purpose? Could
Sir Thomas look in upon us just now, he would bless himself, for we
are rehearsing all over the house. Yates is storming away in the
dining-room. I heard him as I came upstairs, and the theatre is engaged
of course by those indefatigable rehearsers, Agatha and Frederick. If
_they_ are not perfect, I _shall_ be surprised. By the bye, I looked in
upon them five minutes ago, and it happened to be exactly at one of the
times when they were trying _not_ to embrace, and Mr. Rushworth was with
me. I thought he began to look a little queer, so I turned it off as
well as I could, by whispering to him, 'We shall have an excellent
Agatha; there is something so _maternal_ in her manner, so completely
_maternal_ in her voice and countenance.' Was not that well done of me?
He brightened up directly. Now for my soliloquy."

She began, and Fanny joined in with all the modest feeling which the
idea of representing Edmund was so strongly calculated to inspire; but
with looks and voice so truly feminine as to be no very good picture of
a man. With such an Anhalt, however, Miss Crawford had courage enough;
and they had got through half the scene, when a tap at the door brought
a pause, and the entrance of Edmund, the next moment, suspended it all.

Surprise, consciousness, and pleasure appeared in each of the three
on this unexpected meeting; and as Edmund was come on the very same
business that had brought Miss Crawford, consciousness and pleasure were
likely to be more than momentary in _them_. He too had his book, and was
seeking Fanny, to ask her to rehearse with him, and help him to prepare
for the evening, without knowing Miss Crawford to be in the house;
and great was the joy and animation of being thus thrown together, of
comparing schemes, and sympathising in praise of Fanny's kind offices.

_She_ could not equal them in their warmth. _Her_ spirits sank under the
glow of theirs, and she felt herself becoming too nearly nothing to
both to have any comfort in having been sought by either. They must now
rehearse together. Edmund proposed, urged, entreated it, till the lady,
not very unwilling at first, could refuse no longer, and Fanny was
wanted only to prompt and observe them. She was invested, indeed, with
the office of judge and critic, and earnestly desired to exercise it and
tell them all their faults; but from doing so every feeling within her
shrank--she could not, would not, dared not attempt it: had she been
otherwise qualified for criticism, her conscience must have restrained
her from venturing at disapprobation. She believed herself to feel too
much of it in the aggregate for honesty or safety in particulars. To
prompt them must be enough for her; and it was sometimes _more_ than
enough; for she could not always pay attention to the book. In watching
them she forgot herself; and, agitated by the increasing spirit of
Edmund's manner, had once closed the page and turned away exactly as he
wanted help. It was imputed to very reasonable weariness, and she was
thanked and pitied; but she deserved their pity more than she hoped they
would ever surmise. At last the scene was over, and Fanny forced herself
to add her praise to the compliments each was giving the other; and when
again alone and able to recall the whole, she was inclined to believe
their performance would, indeed, have such nature and feeling in it as
must ensure their credit, and make it a very suffering exhibition to
herself. Whatever might be its effect, however, she must stand the brunt
of it again that very day.

The first regular rehearsal of the three first acts was certainly to
take place in the evening: Mrs. Grant and the Crawfords were engaged to
return for that purpose as soon as they could after dinner; and every
one concerned was looking forward with eagerness. There seemed a general
diffusion of cheerfulness on the occasion. Tom was enjoying such an
advance towards the end; Edmund was in spirits from the morning's
rehearsal, and little vexations seemed everywhere smoothed away. All
were alert and impatient; the ladies moved soon, the gentlemen soon
followed them, and with the exception of Lady Bertram, Mrs. Norris, and
Julia, everybody was in the theatre at an early hour; and having lighted
it up as well as its unfinished state admitted, were waiting only the
arrival of Mrs. Grant and the Crawfords to begin.

They did not wait long for the Crawfords, but there was no Mrs. Grant.
She could not come. Dr. Grant, professing an indisposition, for which he
had little credit with his fair sister-in-law, could not spare his wife.

"Dr. Grant is ill," said she, with mock solemnity. "He has been ill ever
since he did not eat any of the pheasant today. He fancied it tough,
sent away his plate, and has been suffering ever since".

Here was disappointment! Mrs. Grant's non-attendance was sad indeed.
Her pleasant manners and cheerful conformity made her always valuable
amongst them; but _now_ she was absolutely necessary. They could not
act, they could not rehearse with any satisfaction without her. The
comfort of the whole evening was destroyed. What was to be done? Tom, as
Cottager, was in despair. After a pause of perplexity, some eyes began
to be turned towards Fanny, and a voice or two to say, "If Miss Price
would be so good as to _read_ the part." She was immediately surrounded
by supplications; everybody asked it; even Edmund said, "Do, Fanny, if
it is not _very_ disagreeable to you."

But Fanny still hung back. She could not endure the idea of it. Why was
not Miss Crawford to be applied to as well? Or why had not she rather
gone to her own room, as she had felt to be safest, instead of attending
the rehearsal at all? She had known it would irritate and distress her;
she had known it her duty to keep away. She was properly punished.

"You have only to _read_ the part," said Henry Crawford, with renewed
entreaty.

"And I do believe she can say every word of it," added Maria, "for she
could put Mrs. Grant right the other day in twenty places. Fanny, I am
sure you know the part."

Fanny could not say she did _not_; and as they all persevered, as
Edmund repeated his wish, and with a look of even fond dependence on
her good-nature, she must yield. She would do her best. Everybody was
satisfied; and she was left to the tremors of a most palpitating heart,
while the others prepared to begin.

They _did_ begin; and being too much engaged in their own noise to be
struck by an unusual noise in the other part of the house, had proceeded
some way when the door of the room was thrown open, and Julia, appearing
at it, with a face all aghast, exclaimed, "My father is come! He is in
the hall at this moment."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Everyone is now super busy with the Theater Club. Tom's hired scene-painter arrives and Edmund gets increasingly annoyed by how overblown this production is getting. Fanny is stuck listening to everyone complain to her about everyone else. She's also forced to read through lines with everyone. The behind-the-scenes drama is intense. Henry and Maria rehearse together all the time, mainly their love scenes. Mr. Rushworth is increasingly jealous and, to make matters worse, he's also a terrible actor. Fanny starts trying to help him learn all his lines since she feels sorry for him. Mrs. Norris is sewing the costumes and makes Fanny help her. Fanny is increasingly anxious about the love scene between Edmund and Mary's characters, which has yet to be rehearsed. The next day Fanny is in her room when Mary comes up to see her. Mary wants Fanny to read through the love scene with her since she's nervous about reading it with Edmund. Fanny is horrified but agrees to do it. Before they start, Mary gossips a bit and sarcastically observes that Maria and Henry should be amazing since they rehearse so much together. She also notes that Sir Thomas wouldn't be so thrilled to see what they've done to his house. The girls start reading but then Edmund interrupts. He had the same idea as Mary and wanted Fanny to rehearse with him. The two then decide to rehearse together with Fanny as their prompter. Fanny would rather be run over by a cart than have to watch this, but she agrees. Fanny perhaps needs to learn the art of the white lie - it would get her out of a lot of these situations. Or she should start telling people to just go away. Fanny's emotional torture session ends when the two thespians notice she's tired and they decide to leave. A full rehearsal is set for that evening and everyone's in a great mood. The Theater Club was waiting for the Crawfords and the Grants to come over. They finally show up, but without Mrs. Grant. Mary informs them, mockingly, that Dr. Grant is "sick" since he didn't enjoy his dinner and Mrs. Grant is basically baby-sitting him. The others insist that Fanny read Mrs. Grant's part so they can rehearse and Fanny reluctantly agrees. But then Julia rushes in and calls a halt to the rehearsal: Sir Thomas has returned!