prompt:
Chapter: Jimmie had an idea it wasn't common courtesy for a friend to come to
one's home and ruin one's sister.  But he was not sure how much Pete
knew about the rules of politeness.

The following night he returned home from work at rather a late hour in
the evening.  In passing through the halls he came upon the gnarled and
leathery old woman who possessed the music box.  She was grinning in
the dim light that drifted through dust-stained panes.  She beckoned to
him with a smudged forefinger.

"Ah, Jimmie, what do yehs t'ink I got onto las' night.  It was deh
funnies' t'ing I ever saw," she cried, coming close to him and leering.
She was trembling with eagerness to tell her tale.  "I was by me door
las' night when yer sister and her jude feller came in late, oh, very
late.  An' she, the dear, she was a-cryin' as if her heart would break,
she was.  It was deh funnies' t'ing I ever saw.  An' right out here by
me door she asked him did he love her, did he.  An' she was a-cryin' as
if her heart would break, poor t'ing.  An' him, I could see by deh way
what he said it dat she had been askin' orften, he says: 'Oh, hell,
yes,' he says, says he, 'Oh, hell, yes.'"

Storm-clouds swept over Jimmie's face, but he turned from the leathery
old woman and plodded on up-stairs.

"Oh, hell, yes," called she after him.  She laughed a laugh that was
like a prophetic croak.  "'Oh, hell, yes,' he says, says he, 'Oh, hell,
yes.'"

There was no one in at home.  The rooms showed that attempts had been
made at tidying them.  Parts of the wreckage of the day before had been
repaired by an unskilful hand.  A chair or two and the table, stood
uncertainly upon legs.  The floor had been newly swept.  Too, the blue
ribbons had been restored to the curtains, and the lambrequin, with its
immense sheaves of yellow wheat and red roses of equal size, had been
returned, in a worn and sorry state, to its position at the mantel.
Maggie's jacket and hat were gone from the nail behind the door.

Jimmie walked to the window and began to look through the blurred
glass.  It occurred to him to vaguely wonder, for an instant, if some
of the women of his acquaintance had brothers.

Suddenly, however, he began to swear.

"But he was me frien'!  I brought 'im here!  Dat's deh hell of it!"

He fumed about the room, his anger gradually rising to the furious
pitch.

"I'll kill deh jay!  Dat's what I'll do!  I'll kill deh jay!"

He clutched his hat and sprang toward the door.  But it opened and his
mother's great form blocked the passage.

"What deh hell's deh matter wid yeh?" exclaimed she, coming into the
rooms.

Jimmie gave vent to a sardonic curse and then laughed heavily.

"Well, Maggie's gone teh deh devil!  Dat's what!  See?"

"Eh?" said his mother.

"Maggie's gone teh deh devil!  Are yehs deaf?" roared Jimmie,
impatiently.

"Deh hell she has," murmured the mother, astounded.

Jimmie grunted, and then began to stare out at the window.  His mother
sat down in a chair, but a moment later sprang erect and delivered a
maddened whirl of oaths.  Her son turned to look at her as she reeled
and swayed in the middle of the room, her fierce face convulsed with
passion, her blotched arms raised high in imprecation.

"May Gawd curse her forever," she shrieked.  "May she eat nothin' but
stones and deh dirt in deh street.  May she sleep in deh gutter an'
never see deh sun shine agin.  Deh damn--"

"Here, now," said her son.  "Take a drop on yourself."

The mother raised lamenting eyes to the ceiling.

"She's deh devil's own chil', Jimmie," she whispered.  "Ah, who would
t'ink such a bad girl could grow up in our fambly, Jimmie, me son.
Many deh hour I've spent in talk wid dat girl an' tol' her if she ever
went on deh streets I'd see her damned.  An' after all her bringin' up
an' what I tol' her and talked wid her, she goes teh deh bad, like a
duck teh water."

The tears rolled down her furrowed face.  Her hands trembled.

"An' den when dat Sadie MacMallister next door to us was sent teh deh
devil by dat feller what worked in deh soap-factory, didn't I tell our
Mag dat if she--"

"Ah, dat's annuder story," interrupted the brother.  "Of course, dat
Sadie was nice an' all dat--but--see--it ain't dessame as if--well,
Maggie was diff'ent--see--she was diff'ent."

He was trying to formulate a theory that he had always unconsciously
held, that all sisters, excepting his own, could advisedly be ruined.

He suddenly broke out again.  "I'll go t'ump hell outa deh mug what did
her deh harm.  I'll kill 'im!  He t'inks he kin scrap, but when he gits
me a-chasin' 'im he'll fin' out where he's wrong, deh damned duffer.
I'll wipe up deh street wid 'im."

In a fury he plunged out of the doorway.  As he vanished the mother
raised her head and lifted both hands, entreating.

"May Gawd curse her forever," she cried.

In the darkness of the hallway Jimmie discerned a knot of women talking
volubly.  When he strode by they paid no attention to him.

"She allus was a bold thing," he heard one of them cry in an eager
voice.  "Dere wasn't a feller come teh deh house but she'd try teh mash
'im.  My Annie says deh shameless t'ing tried teh ketch her feller, her
own feller, what we useter know his fader."

"I could a' tol' yehs dis two years ago," said a woman, in a key of
triumph.  "Yessir, it was over two years ago dat I says teh my ol' man,
I says, 'Dat Johnson girl ain't straight,' I says.  'Oh, hell,' he
says.  'Oh, hell.'  'Dat's all right,' I says, 'but I know what I
knows,' I says, 'an' it 'ill come out later.  You wait an' see,' I
says, 'you see.'"

"Anybody what had eyes could see dat dere was somethin' wrong wid dat
girl.  I didn't like her actions."

On the street Jimmie met a friend.  "What deh hell?" asked the latter.

Jimmie explained.  "An' I'll t'ump 'im till he can't stand."

"Oh, what deh hell," said the friend.  "What's deh use!  Yeh'll git
pulled in!  Everybody 'ill be onto it!  An' ten plunks!  Gee!"

Jimmie was determined.  "He t'inks he kin scrap, but he'll fin' out
diff'ent."

"Gee," remonstrated the friend.  "What deh hell?"

On a corner a glass-fronted building shed a yellow glare upon the
pavements.  The open mouth of a saloon called seductively to passengers
to enter and annihilate sorrow or create rage.

The interior of the place was papered in olive and bronze tints of
imitation leather.  A shining bar of counterfeit massiveness extended
down the side of the room.  Behind it a great mahogany-appearing
sideboard reached the ceiling.  Upon its shelves rested pyramids of
shimmering glasses that were never disturbed.  Mirrors set in the face
of the sideboard multiplied them.  Lemons, oranges and paper napkins,
arranged with mathematical precision, sat among the glasses.  Many-hued
decanters of liquor perched at regular intervals on the lower shelves.
A nickel-plated cash register occupied a position in the exact centre
of the general effect.  The elementary senses of it all seemed to be
opulence and geometrical accuracy.

Across from the bar a smaller counter held a collection of plates upon
which swarmed frayed fragments of crackers, slices of boiled ham,
dishevelled bits of cheese, and pickles swimming in vinegar.  An odor
of grasping, begrimed hands and munching mouths pervaded.

Pete, in a white jacket, was behind the bar bending expectantly toward
a quiet stranger.  "A beeh," said the man.  Pete drew a foam-topped
glassful and set it dripping upon the bar.

At this moment the light bamboo doors at the entrance swung open and
crashed against the siding.  Jimmie and a companion entered.  They
swaggered unsteadily but belligerently toward the bar and looked at
Pete with bleared and blinking eyes.

"Gin," said Jimmie.

"Gin," said the companion.

Pete slid a bottle and two glasses along the bar.  He bended his head
sideways as he assiduously polished away with a napkin at the gleaming
wood.  He had a look of watchfulness upon his features.

Jimmie and his companion kept their eyes upon the bartender and
conversed loudly in tones of contempt.

"He's a dindy masher, ain't he, by Gawd?" laughed Jimmie.

"Oh, hell, yes," said the companion, sneering widely.  "He's great, he
is.  Git onto deh mug on deh blokie.  Dat's enough to make a feller
turn hand-springs in 'is sleep."

The quiet stranger moved himself and his glass a trifle further away
and maintained an attitude of oblivion.

"Gee! ain't he hot stuff!"

"Git onto his shape!  Great Gawd!"

"Hey," cried Jimmie, in tones of command.  Pete came along slowly, with
a sullen dropping of the under lip.

"Well," he growled, "what's eatin' yehs?"

"Gin," said Jimmie.

"Gin," said the companion.

As Pete confronted them with the bottle and the glasses, they laughed
in his face.  Jimmie's companion, evidently overcome with merriment,
pointed a grimy forefinger in Pete's direction.

"Say, Jimmie," demanded he, "what deh hell is dat behind deh bar?"

"Damned if I knows," replied Jimmie.  They laughed loudly.  Pete put
down a bottle with a bang and turned a formidable face toward them.  He
disclosed his teeth and his shoulders heaved restlessly.

"You fellers can't guy me," he said.  "Drink yer stuff an' git out an'
don' make no trouble."

Instantly the laughter faded from the faces of the two men and
expressions of offended dignity immediately came.

"Who deh hell has said anyt'ing teh you," cried they in the same breath.

The quiet stranger looked at the door calculatingly.

"Ah, come off," said Pete to the two men.  "Don't pick me up for no
jay.  Drink yer rum an' git out an' don' make no trouble."

"Oh, deh hell," airily cried Jimmie.

"Oh, deh hell," airily repeated his companion.

"We goes when we git ready!  See!" continued Jimmie.

"Well," said Pete in a threatening voice, "don' make no trouble."

Jimmie suddenly leaned forward with his head on one side.  He snarled
like a wild animal.

"Well, what if we does?  See?" said he.

Dark blood flushed into Pete's face, and he shot a lurid glance at
Jimmie.

"Well, den we'll see whose deh bes' man, you or me," he said.

The quiet stranger moved modestly toward the door.

Jimmie began to swell with valor.

"Don' pick me up fer no tenderfoot.  When yeh tackles me yeh tackles
one of deh bes' men in deh city.  See?  I'm a scrapper, I am.  Ain't
dat right, Billie?"

"Sure, Mike," responded his companion in tones of conviction.

"Oh, hell," said Pete, easily.  "Go fall on yerself."

The two men again began to laugh.

"What deh hell is dat talkin'?" cried the companion.

"Damned if I knows," replied Jimmie with exaggerated contempt.

Pete made a furious gesture.  "Git outa here now, an' don' make no
trouble.  See?  Youse fellers er lookin' fer a scrap an' it's damn
likely yeh'll fin' one if yeh keeps on shootin' off yer mout's.  I know
yehs!  See?  I kin lick better men dan yehs ever saw in yer lifes.
Dat's right!  See?  Don' pick me up fer no stuff er yeh might be jolted
out in deh street before yeh knows where yeh is.  When I comes from
behind dis bar, I t'rows yehs bote inteh deh street.  See?"

"Oh, hell," cried the two men in chorus.

The glare of a panther came into Pete's eyes.  "Dat's what I said!
Unnerstan'?"

He came through a passage at the end of the bar and swelled down upon
the two men.  They stepped promptly forward and crowded close to him.

They bristled like three roosters.  They moved their heads pugnaciously
and kept their shoulders braced.  The nervous muscles about each mouth
twitched with a forced smile of mockery.

"Well, what deh hell yer goin' teh do?" gritted Jimmie.

Pete stepped warily back, waving his hands before him to keep the men
from coming too near.

"Well, what deh hell yer goin' teh do?" repeated Jimmie's ally.  They
kept close to him, taunting and leering.  They strove to make him
attempt the initial blow.

"Keep back, now!  Don' crowd me," ominously said Pete.

Again they chorused in contempt.  "Oh, hell!"

In a small, tossing group, the three men edged for positions like
frigates contemplating battle.

"Well, why deh hell don' yeh try teh t'row us out?" cried Jimmie and
his ally with copious sneers.

The bravery of bull-dogs sat upon the faces of the men.  Their clenched
fists moved like eager weapons.

The allied two jostled the bartender's elbows, glaring at him with
feverish eyes and forcing him toward the wall.

Suddenly Pete swore redly.  The flash of action gleamed from his eyes.
He threw back his arm and aimed a tremendous, lightning-like blow at
Jimmie's face.  His foot swung a step forward and the weight of his
body was behind his fist.  Jimmie ducked his head, Bowery-like, with
the quickness of a cat.  The fierce, answering blows of him and his
ally crushed on Pete's bowed head.

The quiet stranger vanished.

The arms of the combatants whirled in the air like flails.  The faces
of the men, at first flushed to flame-colored anger, now began to fade
to the pallor of warriors in the blood and heat of a battle.  Their
lips curled back and stretched tightly over the gums in ghoul-like
grins.  Through their white, gripped teeth struggled hoarse whisperings
of oaths.  Their eyes glittered with murderous fire.

Each head was huddled between its owner's shoulders, and arms were
swinging with marvelous rapidity.  Feet scraped to and fro with a loud
scratching sound upon the sanded floor.  Blows left crimson blotches
upon pale skin.  The curses of the first quarter minute of the fight
died away.  The breaths of the fighters came wheezingly from their lips
and the three chests were straining and heaving.  Pete at intervals
gave vent to low, labored hisses, that sounded like a desire to kill.
Jimmie's ally gibbered at times like a wounded maniac.  Jimmie was
silent, fighting with the face of a sacrificial priest.  The rage of
fear shone in all their eyes and their blood-colored fists swirled.

At a tottering moment a blow from Pete's hand struck the ally and he
crashed to the floor.  He wriggled instantly to his feet and grasping
the quiet stranger's beer glass from the bar, hurled it at Pete's head.

High on the wall it burst like a bomb, shivering fragments flying in
all directions.  Then missiles came to every man's hand.  The place had
heretofore appeared free of things to throw, but suddenly glass and
bottles went singing through the air.  They were thrown point blank at
bobbing heads.  The pyramid of shimmering glasses, that had never been
disturbed, changed to cascades as heavy bottles were flung into them.
Mirrors splintered to nothing.

The three frothing creatures on the floor buried themselves in a frenzy
for blood.  There followed in the wake of missiles and fists some
unknown prayers, perhaps for death.

The quiet stranger had sprawled very pyrotechnically out on the
sidewalk.  A laugh ran up and down the avenue for the half of a block.

"Dey've trowed a bloke inteh deh street."

People heard the sound of breaking glass and shuffling feet within the
saloon and came running.  A small group, bending down to look under the
bamboo doors, watching the fall of glass, and three pairs of violent
legs, changed in a moment to a crowd.

A policeman came charging down the sidewalk and bounced through the
doors into the saloon.  The crowd bended and surged in absorbing
anxiety to see.

Jimmie caught first sight of the on-coming interruption.  On his feet
he had the same regard for a policeman that, when on his truck, he had
for a fire engine.  He howled and ran for the side door.

The officer made a terrific advance, club in hand.  One comprehensive
sweep of the long night stick threw the ally to the floor and forced
Pete to a corner.  With his disengaged hand he made a furious effort at
Jimmie's coat-tails.  Then he regained his balance and paused.

"Well, well, you are a pair of pictures.  What in hell yeh been up to?"

Jimmie, with his face drenched in blood, escaped up a side street,
pursued a short distance by some of the more law-loving, or excited
individuals of the crowd.

Later, from a corner safely dark, he saw the policeman, the ally and
the bartender emerge from the saloon.  Pete locked the doors and then
followed up the avenue in the rear of the crowd-encompassed policeman
and his charge.

On first thoughts Jimmie, with his heart throbbing at battle heat,
started to go desperately to the rescue of his friend, but he halted.

"Ah, what deh hell?" he demanded of himself.

In a hall of irregular shape sat Pete and Maggie drinking beer.  A
submissive orchestra dictated to by a spectacled man with frowsy hair
and a dress suit, industriously followed the bobs of his head and the
waves of his baton.  A ballad singer, in a dress of flaming scarlet,
sang in the inevitable voice of brass.  When she vanished, men seated
at the tables near the front applauded loudly, pounding the polished
wood with their beer glasses.  She returned attired in less gown, and
sang again.  She received another enthusiastic encore.  She reappeared
in still less gown and danced.  The deafening rumble of glasses and
clapping of hands that followed her exit indicated an overwhelming
desire to have her come on for the fourth time, but the curiosity of
the audience was not gratified.

Maggie was pale.  From her eyes had been plucked all look of
self-reliance.  She leaned with a dependent air toward her companion.
She was timid, as if fearing his anger or displeasure.  She seemed to
beseech tenderness of him.

Pete's air of distinguished valor had grown upon him until it
threatened stupendous dimensions.  He was infinitely gracious to the
girl.  It was apparent to her that his condescension was a marvel.

He could appear to strut even while sitting still and he showed that he
was a lion of lordly characteristics by the air with which he spat.

With Maggie gazing at him wonderingly, he took pride in commanding the
waiters who were, however, indifferent or deaf.

"Hi, you, git a russle on yehs!  What deh hell yehs lookin' at?  Two
more beehs, d'yeh hear?"

He leaned back and critically regarded the person of a girl with a
straw-colored wig who upon the stage was flinging her heels in somewhat
awkward imitation of a well-known danseuse.

At times Maggie told Pete long confidential tales of her former home
life, dwelling upon the escapades of the other members of the family
and the difficulties she had to combat in order to obtain a degree of
comfort.  He responded in tones of philanthropy.  He pressed her arm
with an air of reassuring proprietorship.

"Dey was damn jays," he said, denouncing the mother and brother.

The sound of the music which, by the efforts of the frowsy-headed
leader, drifted to her ears through the smoke-filled atmosphere, made
the girl dream.  She thought of her former Rum Alley environment and
turned to regard Pete's strong protecting fists.  She thought of the
collar and cuff manufactory and the eternal moan of the proprietor:
"What een hell do you sink I pie fife dolla a week for?  Play?  No, py
damn."  She contemplated Pete's man-subduing eyes and noted that wealth
and prosperity was indicated by his clothes.  She imagined a future,
rose-tinted, because of its distance from all that she previously had
experienced.

As to the present she perceived only vague reasons to be miserable.
Her life was Pete's and she considered him worthy of the charge.  She
would be disturbed by no particular apprehensions, so long as Pete
adored her as he now said he did.  She did not feel like a bad woman.
To her knowledge she had never seen any better.

At times men at other tables regarded the girl furtively.  Pete, aware
of it, nodded at her and grinned.  He felt proud.

"Mag, yer a bloomin' good-looker," he remarked, studying her face
through the haze.  The men made Maggie fear, but she blushed at Pete's
words as it became apparent to her that she was the apple of his eye.

Grey-headed men, wonderfully pathetic in their dissipation, stared at
her through clouds.  Smooth-cheeked boys, some of them with faces of
stone and mouths of sin, not nearly so pathetic as the grey heads,
tried to find the girl's eyes in the smoke wreaths.  Maggie considered
she was not what they thought her.  She confined her glances to Pete
and the stage.

The orchestra played negro melodies and a versatile drummer pounded,
whacked, clattered and scratched on a dozen machines to make noise.

Those glances of the men, shot at Maggie from under half-closed lids,
made her tremble.  She thought them all to be worse men than Pete.

"Come, let's go," she said.

As they went out Maggie perceived two women seated at a table with some
men.  They were painted and their cheeks had lost their roundness.  As
she passed them the girl, with a shrinking movement, drew back her
skirts.

Jimmie did not return home for a number of days after the fight with
Pete in the saloon.  When he did, he approached with extreme caution.

He found his mother raving.  Maggie had not returned home.  The parent
continually wondered how her daughter could come to such a pass.  She
had never considered Maggie as a pearl dropped unstained into Rum Alley
from Heaven, but she could not conceive how it was possible for her
daughter to fall so low as to bring disgrace upon her family.  She was
terrific in denunciation of the girl's wickedness.

The fact that the neighbors talked of it, maddened her.  When women
came in, and in the course of their conversation casually asked,
"Where's Maggie dese days?" the mother shook her fuzzy head at them and
appalled them with curses.  Cunning hints inviting confidence she
rebuffed with violence.

"An' wid all deh bringin' up she had, how could she?" moaningly she
asked of her son.  "Wid all deh talkin' wid her I did an' deh t'ings I
tol' her to remember?  When a girl is bringed up deh way I bringed up
Maggie, how kin she go teh deh devil?"

Jimmie was transfixed by these questions.  He could not conceive how
under the circumstances his mother's daughter and his sister could have
been so wicked.

His mother took a drink from a squdgy bottle that sat on the table.
She continued her lament.

"She had a bad heart, dat girl did, Jimmie.  She was wicked teh deh
heart an' we never knowed it."

Jimmie nodded, admitting the fact.

"We lived in deh same house wid her an' I brought her up an' we never
knowed how bad she was."

Jimmie nodded again.

"Wid a home like dis an' a mudder like me, she went teh deh bad," cried
the mother, raising her eyes.

One day, Jimmie came home, sat down in a chair and began to wriggle
about with a new and strange nervousness.  At last he spoke
shamefacedly.

"Well, look-a-here, dis t'ing queers us!  See?  We're queered!  An'
maybe it 'ud be better if I--well, I t'ink I kin look 'er up an'--maybe
it 'ud be better if I fetched her home an'--"

The mother started from her chair and broke forth into a storm of
passionate anger.

"What!  Let 'er come an' sleep under deh same roof wid her mudder agin!
Oh, yes, I will, won't I?  Sure?  Shame on yehs, Jimmie Johnson, for
sayin' such a t'ing teh yer own mudder--teh yer own mudder!  Little did
I t'ink when yehs was a babby playin' about me feet dat ye'd grow up
teh say sech a t'ing teh yer mudder--yer own mudder.  I never taut--"

Sobs choked her and interrupted her reproaches.

"Dere ain't nottin' teh raise sech hell about," said Jimmie.  "I on'y
says it 'ud be better if we keep dis t'ing dark, see?  It queers us!
See?"

His mother laughed a laugh that seemed to ring through the city and be
echoed and re-echoed by countless other laughs.  "Oh, yes, I will,
won't I!  Sure!"

"Well, yeh must take me fer a damn fool," said Jimmie, indignant at his
mother for mocking him.  "I didn't say we'd make 'er inteh a little tin
angel, ner nottin', but deh way it is now she can queer us!  Don' che
see?"

"Aye, she'll git tired of deh life atter a while an' den she'll wanna
be a-comin' home, won' she, deh beast!  I'll let 'er in den, won' I?"

"Well, I didn' mean none of dis prod'gal bus'ness anyway," explained
Jimmie.

"It wasn't no prod'gal dauter, yeh damn fool," said the mother.  "It
was prod'gal son, anyhow."

"I know dat," said Jimmie.

For a time they sat in silence.  The mother's eyes gloated on a scene
her imagination could call before her.  Her lips were set in a
vindictive smile.

"Aye, she'll cry, won' she, an' carry on, an' tell how Pete, or some
odder feller, beats 'er an' she'll say she's sorry an' all dat an' she
ain't happy, she ain't, an' she wants to come home agin, she does."

With grim humor, the mother imitated the possible wailing notes of the
daughter's voice.

"Den I'll take 'er in, won't I, deh beast.  She kin cry 'er two eyes
out on deh stones of deh street before I'll dirty deh place wid her.
She abused an' ill-treated her own mudder--her own mudder what loved
her an' she'll never git anodder chance dis side of hell."

Jimmie thought he had a great idea of women's frailty, but he could not
understand why any of his kin should be victims.

"Damn her," he fervidly said.

Again he wondered vaguely if some of the women of his acquaintance had
brothers.  Nevertheless, his mind did not for an instant confuse
himself with those brothers nor his sister with theirs.  After the
mother had, with great difficulty, suppressed the neighbors, she went
among them and proclaimed her grief.  "May Gawd forgive dat girl," was
her continual cry.  To attentive ears she recited the whole length and
breadth of her woes.

"I bringed 'er up deh way a dauter oughta be bringed up an' dis is how
she served me!  She went teh deh devil deh first chance she got!  May
Gawd forgive her."

When arrested for drunkenness she used the story of her daughter's
downfall with telling effect upon the police justices.  Finally one of
them said to her, peering down over his spectacles: "Mary, the records
of this and other courts show that you are the mother of forty-two
daughters who have been ruined.  The case is unparalleled in the annals
of this court, and this court thinks--"

The mother went through life shedding large tears of sorrow.  Her red
face was a picture of agony.

Of course Jimmie publicly damned his sister that he might appear on a
higher social plane.  But, arguing with himself, stumbling about in
ways that he knew not, he, once, almost came to a conclusion that his
sister would have been more firmly good had she better known why.
However, he felt that he could not hold such a view.  He threw it
hastily aside.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The night after Mary tells Maggie to "go teh hell," Jimmie hears that the old woman saw Maggie crying and asking Pete if he loved her. Perhaps because he has been a party to this kind of scene before, Jimmie recognizes what it means: going home, he tells Mary that "Maggie's gone teh deh devil," the novel's euphemism for premarital sex. Mary immediately launches into a self-pitying, moralizing rant, asking, in a moment of supreme irony, "who would tink such a bad girl could grow up in our fambly?" Jimmie, for his part, resolves to "wipe up deh street" with Pete. Accordingly, Jimmie and his friend Billie find Pete at the bar where he works as bartender. After provocative posturing, the three get into a fistfight--fiercely and lyrically depicted--that wrecks the bar and results in the arrests of Pete and Billie; Jimmie abandons his friend and escapes. There is, presumably, a short passage of time. We are shown Jimmie and Maggie in a fairly disreputable bar--"a hall of irregular shape." After leaving her family, Maggie has become utterly dependent on Pete, who has assumed the character of a hero and a savior in her eyes: "wealth and prosperity was in his clothes. She imagined a future rose-tinted, because of its distance from all that she previously experienced. " She does not consider herself disgraced: "she did not feel like a bad woman. To her knowledge she had never seen any better." In another scene, which we imagine to follow chronologically, at a distance of some unspecified "number of days," Jimmie returns home to find his mother "raving" about what she sees as the utterly unwarranted and unpredictable disgrace visited upon the family by Maggie's actions. Jimmie has faint rumblings of introspection and sympathy--"he wondered if some of the women of his acquaintance had brothers"--but he quickly suppresses his sympathies, and, like his mother, continues to damn his sister publicly. Maggie and Pete are seated in the lowest in their chain of progressively degraded drinking halls. It is three weeks after Maggie has left home, and she has become utterly dependent on her seducer. But Pete, in turn, is seduced; in the bar, he sees an old acquaintance--and, presumably, paramour--Nellie, who is on a date with a "mere boy." Nellie flirts with Pete and eventually gets him to leave with her. Maggie, shocked at Pete's sudden abandonment, sits stunned, and eventually makes her way home to her family's tenement.


prompt:
Chapter: In a hilarious hall there were twenty-eight tables and twenty-eight
women and a crowd of smoking men.  Valiant noise was made on a stage at
the end of the hall by an orchestra composed of men who looked as if
they had just happened in.  Soiled waiters ran to and fro, swooping
down like hawks on the unwary in the throng; clattering along the
aisles with trays covered with glasses; stumbling over women's skirts
and charging two prices for everything but beer, all with a swiftness
that blurred the view of the cocoanut palms and dusty monstrosities
painted upon the walls of the room.  A bouncer, with an immense load of
business upon his hands, plunged about in the crowd, dragging bashful
strangers to prominent chairs, ordering waiters here and there and
quarreling furiously with men who wanted to sing with the orchestra.

The usual smoke cloud was present, but so dense that heads and arms
seemed entangled in it.  The rumble of conversation was replaced by a
roar.  Plenteous oaths heaved through the air.  The room rang with the
shrill voices of women bubbling o'er with drink-laughter.  The chief
element in the music of the orchestra was speed.  The musicians played
in intent fury.  A woman was singing and smiling upon the stage, but no
one took notice of her.  The rate at which the piano, cornet and
violins were going, seemed to impart wildness to the half-drunken
crowd.  Beer glasses were emptied at a gulp and conversation became a
rapid chatter.  The smoke eddied and swirled like a shadowy river
hurrying toward some unseen falls.  Pete and Maggie entered the hall
and took chairs at a table near the door.  The woman who was seated
there made an attempt to occupy Pete's attention and, failing, went
away.

Three weeks had passed since the girl had left home.  The air of
spaniel-like dependence had been magnified and showed its direct effect
in the peculiar off-handedness and ease of Pete's ways toward her.

She followed Pete's eyes with hers, anticipating with smiles gracious
looks from him.

A woman of brilliance and audacity, accompanied by a mere boy, came
into the place and took seats near them.

At once Pete sprang to his feet, his face beaming with glad surprise.

"By Gawd, there's Nellie," he cried.

He went over to the table and held out an eager hand to the woman.

"Why, hello, Pete, me boy, how are you," said she, giving him her
fingers.

Maggie took instant note of the woman.  She perceived that her black
dress fitted her to perfection.  Her linen collar and cuffs were
spotless.  Tan gloves were stretched over her well-shaped hands.  A hat
of a prevailing fashion perched jauntily upon her dark hair.  She wore
no jewelry and was painted with no apparent paint.  She looked
clear-eyed through the stares of the men.

"Sit down, and call your lady-friend over," she said cordially to Pete.
At his beckoning Maggie came and sat between Pete and the mere boy.

"I thought yeh were gone away fer good," began Pete, at once.  "When
did yeh git back?  How did dat Buff'lo bus'ness turn out?"

The woman shrugged her shoulders.  "Well, he didn't have as many stamps
as he tried to make out, so I shook him, that's all."

"Well, I'm glad teh see yehs back in deh city," said Pete, with awkward
gallantry.

He and the woman entered into a long conversation, exchanging
reminiscences of days together.  Maggie sat still, unable to formulate
an intelligent sentence upon the conversation and painfully aware of it.

She saw Pete's eyes sparkle as he gazed upon the handsome stranger.  He
listened smilingly to all she said.  The woman was familiar with all
his affairs, asked him about mutual friends, and knew the amount of his
salary.

She paid no attention to Maggie, looking toward her once or twice and
apparently seeing the wall beyond.

The mere boy was sulky.  In the beginning he had welcomed with
acclamations the additions.

"Let's all have a drink!  What'll you take, Nell?  And you, Miss
what's-your-name.  Have a drink, Mr. -----, you, I mean."

He had shown a sprightly desire to do the talking for the company and
tell all about his family.  In a loud voice he declaimed on various
topics.  He assumed a patronizing air toward Pete.  As Maggie was
silent, he paid no attention to her.  He made a great show of lavishing
wealth upon the woman of brilliance and audacity.

"Do keep still, Freddie!  You gibber like an ape, dear," said the woman
to him.  She turned away and devoted her attention to Pete.

"We'll have many a good time together again, eh?"

"Sure, Mike," said Pete, enthusiastic at once.

"Say," whispered she, leaning forward, "let's go over to Billie's and
have a heluva time."

"Well, it's dis way!  See?" said Pete.  "I got dis lady frien' here."

"Oh, t'hell with her," argued the woman.

Pete appeared disturbed.

"All right," said she, nodding her head at him.  "All right for you!
We'll see the next time you ask me to go anywheres with you."

Pete squirmed.

"Say," he said, beseechingly, "come wid me a minit an' I'll tell yer
why."

The woman waved her hand.

"Oh, that's all right, you needn't explain, you know.  You wouldn't
come merely because you wouldn't come, that's all there is of it."

To Pete's visible distress she turned to the mere boy, bringing him
speedily from a terrific rage.  He had been debating whether it would
be the part of a man to pick a quarrel with Pete, or would he be
justified in striking him savagely with his beer glass without warning.
But he recovered himself when the woman turned to renew her smilings.
He beamed upon her with an expression that was somewhat tipsy and
inexpressibly tender.

"Say, shake that Bowery jay," requested he, in a loud whisper.

"Freddie, you are so droll," she replied.

Pete reached forward and touched the woman on the arm.

"Come out a minit while I tells yeh why I can't go wid yer.  Yer doin'
me dirt, Nell!  I never taut ye'd do me dirt, Nell.  Come on, will
yer?"  He spoke in tones of injury.

"Why, I don't see why I should be interested in your explanations,"
said the woman, with a coldness that seemed to reduce Pete to a pulp.

His eyes pleaded with her.  "Come out a minit while I tells yeh."

The woman nodded slightly at Maggie and the mere boy, "'Scuse me."

The mere boy interrupted his loving smile and turned a shrivelling
glare upon Pete.  His boyish countenance flushed and he spoke, in a
whine, to the woman:

"Oh, I say, Nellie, this ain't a square deal, you know.  You aren't
goin' to leave me and go off with that duffer, are you?  I should
think--"

"Why, you dear boy, of course I'm not," cried the woman,
affectionately.  She bended over and whispered in his ear.  He smiled
again and settled in his chair as if resolved to wait patiently.

As the woman walked down between the rows of tables, Pete was at her
shoulder talking earnestly, apparently in explanation.  The woman waved
her hands with studied airs of indifference.  The doors swung behind
them, leaving Maggie and the mere boy seated at the table.

Maggie was dazed.  She could dimly perceive that something stupendous
had happened.  She wondered why Pete saw fit to remonstrate with the
woman, pleading for forgiveness with his eyes.  She thought she noted
an air of submission about her leonine Pete.  She was astounded.

The mere boy occupied himself with cock-tails and a cigar.  He was
tranquilly silent for half an hour.  Then he bestirred himself and
spoke.

"Well," he said, sighing, "I knew this was the way it would be." There
was another stillness.  The mere boy seemed to be musing.

"She was pulling m'leg.  That's the whole amount of it," he said,
suddenly.  "It's a bloomin' shame the way that girl does.  Why, I've
spent over two dollars in drinks to-night.  And she goes off with that
plug-ugly who looks as if he had been hit in the face with a coin-die.
I call it rocky treatment for a fellah like me.  Here, waiter, bring me
a cock-tail and make it damned strong."

Maggie made no reply.  She was watching the doors.  "It's a mean piece
of business," complained the mere boy.  He explained to her how amazing
it was that anybody should treat him in such a manner.  "But I'll get
square with her, you bet.  She won't get far ahead of yours truly, you
know," he added, winking.  "I'll tell her plainly that it was bloomin'
mean business.  And she won't come it over me with any of her
'now-Freddie-dears.'  She thinks my name is Freddie, you know, but of
course it ain't.  I always tell these people some name like that,
because if they got onto your right name they might use it sometime.
Understand?  Oh, they don't fool me much."

Maggie was paying no attention, being intent upon the doors.  The mere
boy relapsed into a period of gloom, during which he exterminated a
number of cock-tails with a determined air, as if replying defiantly to
fate.  He occasionally broke forth into sentences composed of
invectives joined together in a long string.

The girl was still staring at the doors.  After a time the mere boy
began to see cobwebs just in front of his nose.  He spurred himself
into being agreeable and insisted upon her having a charlotte-russe and
a glass of beer.

"They's gone," he remarked, "they's gone."  He looked at her through
the smoke wreaths.  "Shay, lil' girl, we mightish well make bes' of it.
You ain't such bad-lookin' girl, y'know.  Not half bad.  Can't come up
to Nell, though.  No, can't do it!  Well, I should shay not!  Nell
fine-lookin' girl!  F--i--n--ine.  You look damn bad longsider her, but
by y'self ain't so bad.  Have to do anyhow.  Nell gone.  On'y you left.
Not half bad, though."

Maggie stood up.

"I'm going home," she said.

The mere boy started.

"Eh?  What?  Home," he cried, struck with amazement.  "I beg pardon,
did hear say home?"

"I'm going home," she repeated.

"Great Gawd, what hava struck," demanded the mere boy of himself,
stupefied.

In a semi-comatose state he conducted her on board an up-town car,
ostentatiously paid her fare, leered kindly at her through the rear
window and fell off the steps.

A forlorn woman went along a lighted avenue.  The street was filled
with people desperately bound on missions.  An endless crowd darted at
the elevated station stairs and the horse cars were thronged with
owners of bundles.

The pace of the forlorn woman was slow.  She was apparently searching
for some one.  She loitered near the doors of saloons and watched men
emerge from them.  She scanned furtively the faces in the rushing
stream of pedestrians.  Hurrying men, bent on catching some boat or
train, jostled her elbows, failing to notice her, their thoughts fixed
on distant dinners.

The forlorn woman had a peculiar face.  Her smile was no smile.  But
when in repose her features had a shadowy look that was like a sardonic
grin, as if some one had sketched with cruel forefinger indelible lines
about her mouth.

Jimmie came strolling up the avenue.  The woman encountered him with an
aggrieved air.

"Oh, Jimmie, I've been lookin' all over fer yehs--," she began.

Jimmie made an impatient gesture and quickened his pace.

"Ah, don't bodder me!  Good Gawd!" he said, with the savageness of a
man whose life is pestered.

The woman followed him along the sidewalk in somewhat the manner of a
suppliant.

"But, Jimmie," she said, "yehs told me ye'd--"

Jimmie turned upon her fiercely as if resolved to make a last stand for
comfort and peace.

"Say, fer Gawd's sake, Hattie, don' foller me from one end of deh city
teh deh odder.  Let up, will yehs!  Give me a minute's res', can't
yehs?  Yehs makes me tired, allus taggin' me.  See?  Ain' yehs got no
sense.  Do yehs want people teh get onto me?  Go chase yerself, fer
Gawd's sake."

The woman stepped closer and laid her fingers on his arm.  "But,
look-a-here--"

Jimmie snarled.  "Oh, go teh hell."

He darted into the front door of a convenient saloon and a moment later
came out into the shadows that surrounded the side door.  On the
brilliantly lighted avenue he perceived the forlorn woman dodging about
like a scout.  Jimmie laughed with an air of relief and went away.

When he arrived home he found his mother clamoring.  Maggie had
returned.  She stood shivering beneath the torrent of her mother's
wrath.

"Well, I'm damned," said Jimmie in greeting.

His mother, tottering about the room, pointed a quivering forefinger.

"Lookut her, Jimmie, lookut her.  Dere's yer sister, boy.  Dere's yer
sister.  Lookut her!  Lookut her!"

She screamed in scoffing laughter.

The girl stood in the middle of the room.  She edged about as if unable
to find a place on the floor to put her feet.

"Ha, ha, ha," bellowed the mother.  "Dere she stands!  Ain' she purty?
Lookut her!  Ain' she sweet, deh beast?  Lookut her!  Ha, ha, lookut
her!"

She lurched forward and put her red and seamed hands upon her
daughter's face.  She bent down and peered keenly up into the eyes of
the girl.

"Oh, she's jes' dessame as she ever was, ain' she?  She's her mudder's
purty darlin' yit, ain' she?  Lookut her, Jimmie!  Come here, fer
Gawd's sake, and lookut her."

The loud, tremendous sneering of the mother brought the denizens of the
Rum Alley tenement to their doors.  Women came in the hallways.
Children scurried to and fro.

"What's up?  Dat Johnson party on anudder tear?"

"Naw!  Young Mag's come home!"

"Deh hell yeh say?"

Through the open door curious eyes stared in at Maggie.  Children
ventured into the room and ogled her, as if they formed the front row
at a theatre.  Women, without, bended toward each other and whispered,
nodding their heads with airs of profound philosophy.  A baby, overcome
with curiosity concerning this object at which all were looking, sidled
forward and touched her dress, cautiously, as if investigating a
red-hot stove.  Its mother's voice rang out like a warning trumpet.
She rushed forward and grabbed her child, casting a terrible look of
indignation at the girl.

Maggie's mother paced to and fro, addressing the doorful of eyes,
expounding like a glib showman at a museum.  Her voice rang through the
building.

"Dere she stands," she cried, wheeling suddenly and pointing with
dramatic finger.  "Dere she stands!  Lookut her!  Ain' she a dindy?
An' she was so good as to come home teh her mudder, she was!  Ain' she
a beaut'?  Ain' she a dindy?  Fer Gawd's sake!"

The jeering cries ended in another burst of shrill laughter.

The girl seemed to awaken.  "Jimmie--"

He drew hastily back from her.

"Well, now, yer a hell of a t'ing, ain' yeh?" he said, his lips curling
in scorn.  Radiant virtue sat upon his brow and his repelling hands
expressed horror of contamination.

Maggie turned and went.

The crowd at the door fell back precipitately.  A baby falling down in
front of the door, wrenched a scream like a wounded animal from its
mother.  Another woman sprang forward and picked it up, with a
chivalrous air, as if rescuing a human being from an oncoming express
train.

As the girl passed down through the hall, she went before open doors
framing more eyes strangely microscopic, and sending broad beams of
inquisitive light into the darkness of her path.  On the second floor
she met the gnarled old woman who possessed the music box.

"So," she cried, "'ere yehs are back again, are yehs?  An' dey've
kicked yehs out?  Well, come in an' stay wid me teh-night.  I ain' got
no moral standin'."

From above came an unceasing babble of tongues, over all of which rang
the mother's derisive laughter.

Pete did not consider that he had ruined Maggie.  If he had thought
that her soul could never smile again, he would have believed the
mother and brother, who were pyrotechnic over the affair, to be
responsible for it.

Besides, in his world, souls did not insist upon being able to smile.
"What deh hell?"

He felt a trifle entangled.  It distressed him.  Revelations and scenes
might bring upon him the wrath of the owner of the saloon, who insisted
upon respectability of an advanced type.

"What deh hell do dey wanna raise such a smoke about it fer?" demanded
he of himself, disgusted with the attitude of the family.  He saw no
necessity for anyone's losing their equilibrium merely because their
sister or their daughter had stayed away from home.

Searching about in his mind for possible reasons for their conduct, he
came upon the conclusion that Maggie's motives were correct, but that
the two others wished to snare him.  He felt pursued.

The woman of brilliance and audacity whom he had met in the hilarious
hall showed a disposition to ridicule him.

"A little pale thing with no spirit," she said.  "Did you note the
expression of her eyes?  There was something in them about pumpkin pie
and virtue.  That is a peculiar way the left corner of her mouth has of
twitching, isn't it?  Dear, dear, my cloud-compelling Pete, what are
you coming to?"

Pete asserted at once that he never was very much interested in the
girl.  The woman interrupted him, laughing.

"Oh, it's not of the slightest consequence to me, my dear young man.
You needn't draw maps for my benefit.  Why should I be concerned about
it?"

But Pete continued with his explanations.  If he was laughed at for his
tastes in women, he felt obliged to say that they were only temporary
or indifferent ones.

The morning after Maggie had departed from home, Pete stood behind the
bar.  He was immaculate in white jacket and apron and his hair was
plastered over his brow with infinite correctness.  No customers were
in the place.  Pete was twisting his napkined fist slowly in a beer
glass, softly whistling to himself and occasionally holding the object
of his attention between his eyes and a few weak beams of sunlight that
had found their way over the thick screens and into the shaded room.

With lingering thoughts of the woman of brilliance and audacity, the
bartender raised his head and stared through the varying cracks between
the swaying bamboo doors.  Suddenly the whistling pucker faded from his
lips.  He saw Maggie walking slowly past.  He gave a great start,
fearing for the previously-mentioned eminent respectability of the
place.

He threw a swift, nervous glance about him, all at once feeling guilty.
No one was in the room.

He went hastily over to the side door.  Opening it and looking out, he
perceived Maggie standing, as if undecided, on the corner.  She was
searching the place with her eyes.

As she turned her face toward him Pete beckoned to her hurriedly,
intent upon returning with speed to a position behind the bar and to
the atmosphere of respectability upon which the proprietor insisted.

Maggie came to him, the anxious look disappearing from her face and a
smile wreathing her lips.

"Oh, Pete--," she began brightly.

The bartender made a violent gesture of impatience.

"Oh, my Gawd," cried he, vehemently.  "What deh hell do yeh wanna hang
aroun' here fer?  Do yeh wanna git me inteh trouble?" he demanded with
an air of injury.

Astonishment swept over the girl's features.  "Why, Pete! yehs tol'
me--"

Pete glanced profound irritation.  His countenance reddened with the
anger of a man whose respectability is being threatened.

"Say, yehs makes me tired.  See?  What deh hell deh yeh wanna tag
aroun' atter me fer?  Yeh'll git me inteh trouble wid deh ol' man an'
dey'll be hell teh pay!  If he sees a woman roun' here he'll go crazy
an' I'll lose me job!  See?  Yer brudder come in here an' raised hell
an' deh ol' man hada put up fer it!  An' now I'm done!  See?  I'm done."

The girl's eyes stared into his face.  "Pete, don't yeh remem--"

"Oh, hell," interrupted Pete, anticipating.

The girl seemed to have a struggle with herself.  She was apparently
bewildered and could not find speech.  Finally she asked in a low
voice: "But where kin I go?"

The question exasperated Pete beyond the powers of endurance.  It was a
direct attempt to give him some responsibility in a matter that did not
concern him.  In his indignation he volunteered information.

"Oh, go teh hell," cried he.  He slammed the door furiously and
returned, with an air of relief, to his respectability.

Maggie went away.

She wandered aimlessly for several blocks.  She stopped once and asked
aloud a question of herself: "Who?"

A man who was passing near her shoulder, humorously took the
questioning word as intended for him.

"Eh?  What?  Who?  Nobody!  I didn't say anything," he laughingly said,
and continued his way.

Soon the girl discovered that if she walked with such apparent
aimlessness, some men looked at her with calculating eyes.  She
quickened her step, frightened.  As a protection, she adopted a
demeanor of intentness as if going somewhere.

After a time she left rattling avenues and passed between rows of
houses with sternness and stolidity stamped upon their features.  She
hung her head for she felt their eyes grimly upon her.

Suddenly she came upon a stout gentleman in a silk hat and a chaste
black coat, whose decorous row of buttons reached from his chin to his
knees.  The girl had heard of the Grace of God and she decided to
approach this man.

His beaming, chubby face was a picture of benevolence and
kind-heartedness.  His eyes shone good-will.

But as the girl timidly accosted him, he gave a convulsive movement and
saved his respectability by a vigorous side-step.  He did not risk it
to save a soul.  For how was he to know that there was a soul before
him that needed saving?

Upon a wet evening, several months after the last chapter, two
interminable rows of cars, pulled by slipping horses, jangled along a
prominent side-street.  A dozen cabs, with coat-enshrouded drivers,
clattered to and fro.  Electric lights, whirring softly, shed a blurred
radiance.  A flower dealer, his feet tapping impatiently, his nose and
his wares glistening with rain-drops, stood behind an array of roses
and chrysanthemums.  Two or three theatres emptied a crowd upon the
storm-swept pavements.  Men pulled their hats over their eyebrows and
raised their collars to their ears.  Women shrugged impatient shoulders
in their warm cloaks and stopped to arrange their skirts for a walk
through the storm.  People having been comparatively silent for two
hours burst into a roar of conversation, their hearts still kindling
from the glowings of the stage.

The pavements became tossing seas of umbrellas.  Men stepped forth to
hail cabs or cars, raising their fingers in varied forms of polite
request or imperative demand.  An endless procession wended toward
elevated stations.  An atmosphere of pleasure and prosperity seemed to
hang over the throng, born, perhaps, of good clothes and of having just
emerged from a place of forgetfulness.

In the mingled light and gloom of an adjacent park, a handful of wet
wanderers, in attitudes of chronic dejection, was scattered among the
benches.

A girl of the painted cohorts of the city went along the street.  She
threw changing glances at men who passed her, giving smiling
invitations to men of rural or untaught pattern and usually seeming
sedately unconscious of the men with a metropolitan seal upon their
faces.

Crossing glittering avenues, she went into the throng emerging from the
places of forgetfulness.  She hurried forward through the crowd as if
intent upon reaching a distant home, bending forward in her handsome
cloak, daintily lifting her skirts and picking for her well-shod feet
the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated
rows of men before bars and hurrying barkeepers.

A concert hall gave to the street faint sounds of swift, machine-like
music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near
the girl.  He had on evening dress, a moustache, a chrysanthemum, and a
look of ennui, all of which he kept carefully under his eye.  Seeing
the girl walk on as if such a young man as he was not in existence, he
looked back transfixed with interest.  He stared glassily for a moment,
but gave a slight convulsive start when he discerned that she was
neither new, Parisian, nor theatrical.  He wheeled about hastily and
turned his stare into the air, like a sailor with a search-light.

A stout gentleman, with pompous and philanthropic whiskers, went
stolidly by, the broad of his back sneering at the girl.

A belated man in business clothes, and in haste to catch a car, bounced
against her shoulder.  "Hi, there, Mary, I beg your pardon!  Brace up,
old girl."  He grasped her arm to steady her, and then was away running
down the middle of the street.

The girl walked on out of the realm of restaurants and saloons.  She
passed more glittering avenues and went into darker blocks than those
where the crowd travelled.

A young man in light overcoat and derby hat received a glance shot
keenly from the eyes of the girl.  He stopped and looked at her,
thrusting his hands in his pockets and making a mocking smile curl his
lips.  "Come, now, old lady," he said, "you don't mean to tel me that
you sized me up for a farmer?"

A labouring man marched along; with bundles under his arms. To her
remarks, he replied, "It's a fine evenin', ain't it?"

She smiled squarely into the face of a boy who was hurrying by with his
hands buried in his overcoat pockets, his blonde locks bobbing on his
youthful temples, and a cheery smile of unconcern upon his lips. He
turned his head and smiled back at her, waving his hands.

"Not this eve--some other eve!"

A drunken man, reeling in her pathway, began to roar at her. "I ain' ga
no money!" he shouted, in a dismal voice. He lurched on up the street,
wailing to himself: "I ain' ga no money. Ba' luck. Ain' ga no more
money."

The girl went into gloomy districts near the river, where the tall
black factories shut in the street and only occasional broad beams of
light fell across the pavements from saloons. In front of one of these
places, whence came the sound of a violin vigorously scraped, the
patter of feet on boards and the ring of loud laughter, there stood a
man with blotched features.

Further on in the darkness she met a ragged being with shifting,
bloodshot eyes and grimy hands.

She went into the blackness of the final block. The shutters of the
tall buildings were closed like grim lips. The structures seemed to
have eyes that looked over them, beyond them, at other things. Afar off
the lights of the avenues glittered as if from an impossible distance.
Street-car bells jingled with a sound of merriment.

At the feet of the tall buildings appeared the deathly black hue of the
river. Some hidden factory sent up a yellow glare, that lit for a
moment the waters lapping oilily against timbers. The varied sounds of
life, made joyous by distance and seeming unapproachableness, came
faintly and died away to a silence.

In a partitioned-off section of a saloon sat a man with a half dozen
women, gleefully laughing, hovering about him.  The man had arrived at
that stage of drunkenness where affection is felt for the universe.

"I'm good f'ler, girls," he said, convincingly.  "I'm damn good f'ler.
An'body treats me right, I allus trea's zem right!  See?"

The women nodded their heads approvingly.  "To be sure," they cried out
in hearty chorus.  "You're the kind of a man we like, Pete.  You're
outa sight!  What yeh goin' to buy this time, dear?"

"An't'ing yehs wants, damn it," said the man in an abandonment of good
will.  His countenance shone with the true spirit of benevolence.  He
was in the proper mode of missionaries.  He would have fraternized with
obscure Hottentots.  And above all, he was overwhelmed in tenderness
for his friends, who were all illustrious.

"An't'ing yehs wants, damn it," repeated he, waving his hands with
beneficent recklessness.  "I'm good f'ler, girls, an' if an'body treats
me right I--here," called he through an open door to a waiter, "bring
girls drinks, damn it.  What 'ill yehs have, girls?  An't'ing yehs
wants, damn it!"

The waiter glanced in with the disgusted look of the man who serves
intoxicants for the man who takes too much of them.  He nodded his head
shortly at the order from each individual, and went.

"Damn it," said the man, "we're havin' heluva time.  I like you girls!
Damn'd if I don't!  Yer right sort!  See?"

He spoke at length and with feeling, concerning the excellencies of his
assembled friends.

"Don' try pull man's leg, but have a heluva time!  Das right!  Das way
teh do!  Now, if I sawght yehs tryin' work me fer drinks, wouldn' buy
damn t'ing!  But yer right sort, damn it!  Yehs know how ter treat a
f'ler, an' I stays by yehs 'til spen' las' cent!  Das right!  I'm good
f'ler an' I knows when an'body treats me right!"

Between the times of the arrival and departure of the waiter, the man
discoursed to the women on the tender regard he felt for all living
things.  He laid stress upon the purity of his motives in all dealings
with men in the world and spoke of the fervor of his friendship for
those who were amiable.  Tears welled slowly from his eyes.  His voice
quavered when he spoke to them.

Once when the waiter was about to depart with an empty tray, the man
drew a coin from his pocket and held it forth.

"Here," said he, quite magnificently, "here's quar'."

The waiter kept his hands on his tray.

"I don' want yer money," he said.

The other put forth the coin with tearful insistence.

"Here, damn it," cried he, "tak't!  Yer damn goo' f'ler an' I wan' yehs
tak't!"

"Come, come, now," said the waiter, with the sullen air of a man who is
forced into giving advice.  "Put yer mon in yer pocket!  Yer loaded an'
yehs on'y makes a damn fool of yerself."

As the latter passed out of the door the man turned pathetically to the
women.

"He don' know I'm damn goo' f'ler," cried he, dismally.

"Never you mind, Pete, dear," said a woman of brilliance and audacity,
laying her hand with great affection upon his arm.  "Never you mind,
old boy!  We'll stay by you, dear!"

"Das ri'," cried the man, his face lighting up at the soothing tones of
the woman's voice.  "Das ri', I'm damn goo' f'ler an' w'en anyone
trea's me ri', I treats zem ri'!  Shee!"

"Sure!" cried the women.  "And we're not goin' back on you, old man."

The man turned appealing eyes to the woman of brilliance and audacity.
He felt that if he could be convicted of a contemptible action he would
die.

"Shay, Nell, damn it, I allus trea's yehs shquare, didn' I?  I allus
been goo' f'ler wi' yehs, ain't I, Nell?"

"Sure you have, Pete," assented the woman.  She delivered an oration to
her companions.  "Yessir, that's a fact.  Pete's a square fellah, he
is.  He never goes back on a friend.  He's the right kind an' we stay
by him, don't we, girls?"

"Sure," they exclaimed.  Looking lovingly at him they raised their
glasses and drank his health.

"Girlsh," said the man, beseechingly, "I allus trea's yehs ri', didn'
I?  I'm goo' f'ler, ain' I, girlsh?"

"Sure," again they chorused.

"Well," said he finally, "le's have nozzer drink, zen."

"That's right," hailed a woman, "that's right.  Yer no bloomin' jay!
Yer spends yer money like a man.  Dat's right."

The man pounded the table with his quivering fists.

"Yessir," he cried, with deep earnestness, as if someone disputed him.
"I'm damn goo' f'ler, an' w'en anyone trea's me ri', I allus
trea's--le's have nozzer drink."

He began to beat the wood with his glass.

"Shay," howled he, growing suddenly impatient.  As the waiter did not
then come, the man swelled with wrath.

"Shay," howled he again.

The waiter appeared at the door.

"Bringsh drinksh," said the man.

The waiter disappeared with the orders.

"Zat f'ler damn fool," cried the man.  "He insul' me!  I'm ge'man!
Can' stan' be insul'!  I'm goin' lickim when comes!"

"No, no," cried the women, crowding about and trying to subdue him.
"He's all right!  He didn't mean anything!  Let it go!  He's a good
fellah!"

"Din' he insul' me?" asked the man earnestly.

"No," said they.  "Of course he didn't!  He's all right!"

"Sure he didn' insul' me?" demanded the man, with deep anxiety in his
voice.

"No, no!  We know him!  He's a good fellah.  He didn't mean anything."

"Well, zen," said the man, resolutely, "I'm go' 'pol'gize!"

When the waiter came, the man struggled to the middle of the floor.

"Girlsh shed you insul' me!  I shay damn lie!  I 'pol'gize!"

"All right," said the waiter.

The man sat down.  He felt a sleepy but strong desire to straighten
things out and have a perfect understanding with everybody.

"Nell, I allus trea's yeh shquare, din' I?  Yeh likes me, don' yehs,
Nell?  I'm goo' f'ler?"

"Sure," said the woman of brilliance and audacity.

"Yeh knows I'm stuck on yehs, don' yehs, Nell?"

"Sure," she repeated, carelessly.

Overwhelmed by a spasm of drunken adoration, he drew two or three bills
from his pocket, and, with the trembling fingers of an offering priest,
laid them on the table before the woman.

"Yehs knows, damn it, yehs kin have all got, 'cause I'm stuck on yehs,
Nell, damn't, I--I'm stuck on yehs, Nell--buy drinksh--damn't--we're
havin' heluva time--w'en anyone trea's me ri'--I--damn't, Nell--we're
havin' heluva--time."

Shortly he went to sleep with his swollen face fallen forward on his
chest.

The women drank and laughed, not heeding the slumbering man in the
corner.  Finally he lurched forward and fell groaning to the floor.

The women screamed in disgust and drew back their skirts.

"Come ahn," cried one, starting up angrily, "let's get out of here."

The woman of brilliance and audacity stayed behind, taking up the bills
and stuffing them into a deep, irregularly-shaped pocket.  A guttural
snore from the recumbent man caused her to turn and look down at him.

She laughed.  "What a damn fool," she said, and went.

The smoke from the lamps settled heavily down in the little
compartment, obscuring the way out.  The smell of oil, stifling in its
intensity, pervaded the air.  The wine from an overturned glass dripped
softly down upon the blotches on the man's neck.

In a room a woman sat at a table eating like a fat monk in a picture.

A soiled, unshaven man pushed open the door and entered.

"Well," said he, "Mag's dead."

"What?" said the woman, her mouth filled with bread.

"Mag's dead," repeated the man.

"Deh hell she is," said the woman.  She continued her meal.  When she
finished her coffee she began to weep.

"I kin remember when her two feet was no bigger dan yer t'umb, and she
weared worsted boots," moaned she.

"Well, whata dat?" said the man.

"I kin remember when she weared worsted boots," she cried.

The neighbors began to gather in the hall, staring in at the weeping
woman as if watching the contortions of a dying dog.  A dozen women
entered and lamented with her.  Under their busy hands the rooms took
on that appalling appearance of neatness and order with which death is
greeted.

Suddenly the door opened and a woman in a black gown rushed in with
outstretched arms.  "Ah, poor Mary," she cried, and tenderly embraced
the moaning one.

"Ah, what ter'ble affliction is dis," continued she.  Her vocabulary
was derived from mission churches.  "Me poor Mary, how I feel fer yehs!
Ah, what a ter'ble affliction is a disobed'ent chil'."

Her good, motherly face was wet with tears.  She trembled in eagerness
to express her sympathy.  The mourner sat with bowed head, rocking her
body heavily to and fro, and crying out in a high, strained voice that
sounded like a dirge on some forlorn pipe.

"I kin remember when she weared worsted boots an' her two feets was no
bigger dan yer t'umb an' she weared worsted boots, Miss Smith," she
cried, raising her streaming eyes.

"Ah, me poor Mary," sobbed the woman in black.  With low, coddling
cries, she sank on her knees by the mourner's chair, and put her arms
about her.  The other women began to groan in different keys.

"Yer poor misguided chil' is gone now, Mary, an' let us hope it's fer
deh bes'.  Yeh'll fergive her now, Mary, won't yehs, dear, all her
disobed'ence?  All her t'ankless behavior to her mudder an' all her
badness?  She's gone where her ter'ble sins will be judged."

The woman in black raised her face and paused.  The inevitable sunlight
came streaming in at the windows and shed a ghastly cheerfulness upon
the faded hues of the room.  Two or three of the spectators were
sniffling, and one was loudly weeping.  The mourner arose and staggered
into the other room.  In a moment she emerged with a pair of faded baby
shoes held in the hollow of her hand.

"I kin remember when she used to wear dem," cried she.  The women burst
anew into cries as if they had all been stabbed.  The mourner turned to
the soiled and unshaven man.

"Jimmie, boy, go git yer sister!  Go git yer sister an' we'll put deh
boots on her feets!"

"Dey won't fit her now, yeh damn fool," said the man.

"Go git yer sister, Jimmie," shrieked the woman, confronting him
fiercely.

The man swore sullenly.  He went over to a corner and slowly began to
put on his coat.  He took his hat and went out, with a dragging,
reluctant step.

The woman in black came forward and again besought the mourner.

"Yeh'll fergive her, Mary!  Yeh'll fergive yer bad, bad, chil'!  Her
life was a curse an' her days were black an' yeh'll fergive yer bad
girl?  She's gone where her sins will be judged."

"She's gone where her sins will be judged," cried the other women, like
a choir at a funeral.

"Deh Lord gives and deh Lord takes away," said the woman in black,
raising her eyes to the sunbeams.

"Deh Lord gives and deh Lord takes away," responded the others.

"Yeh'll fergive her, Mary!" pleaded the woman in black.  The mourner
essayed to speak but her voice gave way.  She shook her great shoulders
frantically, in an agony of grief.  Hot tears seemed to scald her
quivering face.  Finally her voice came and arose like a scream of pain.

"Oh, yes, I'll fergive her!  I'll fergive her!"

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: We see a scene with a "forlorn woman" walking alone at night, searching for someone in saloon doorways. For a moment we imagine it might be Maggie, but then we discover it is Hattie, a woman who has been seduced and abandoned not by Pete but by Jimmie. She finds Jimmie, and he once again rebuffs her. But when Jimmie goes home, the reader is reminded that an identical situation afflicts Jimmie's own sister, who has returned to face her mother's wrath. Mary is impossibly cruel, holding her silent daughter up to ridicule in front of the assembled neighbors, who treat Maggie like a leper. Jimmie, too, rejects his sister. Cast aside, Maggie leaves; her only shred of comfort comes from the old woman, who offers her shelter. Quickly, the scene cuts to the next day, in Pete's barroom, where Pete is washing his hands of the entire affair, for which he does not consider himself responsible. Maggie comes to see him at the bar, and Pete angrily sends her away. In response to her question "where kin I go?", he snarls "Oh, go teh hell." Walking away aimlessly, Maggie comes upon a man whose "face was a picture of benevolence," but even he, the personification of the "Grace of God," shudders and turns away from her. Several months later, on a wet evening, "a girl of the painted cohorts of the city"--a prostitute, and possibly Maggie--is walking the streets of New York. She passes scorned, unnoticed, or leered at, through the busy streets, and eventually finds herself in the blackness near the river. There, a disgusting fat man detaches himself from the shadows and follows the girl; the sounds of the city fade away into silence, and her fate is anyone's guess. The novel's penultimate chapter finds Pete in a saloon with a half-dozen giggling women; one of them is Nellie. Pete is badly drunk, and spends the evening buying drinks for the party and slurring nonsense about his own goodness, in an attempt, it is implied, to fend off pangs of conscience. Before collapsing, Pete gives Nellie money, and declares pathetically that he is "stuck on" her. When he loses consciousness, she leaves him, saying, "What a damn fool." In the final scene, Jimmie returns to the tenement with the news that Maggie is dead. His mother chooses this occasion, when it is far too late, to express motherly love and sympathy for her daughter. She works herself into a frenzy of mourning, whipped onwards by Miss Smith. The last words of the novel have Mary, the novel's "sated villain," ironically forgiving her daughter for her imagined sins: "I'll fergive her! I'll fergive her!"


prompt:
Chapter: A very little boy stood upon a heap of gravel for the honor of Rum
Alley.  He was throwing stones at howling urchins from Devil's Row who
were circling madly about the heap and pelting at him.

His infantile countenance was livid with fury.  His small body was
writhing in the delivery of great, crimson oaths.

"Run, Jimmie, run!  Dey'll get yehs," screamed a retreating Rum Alley
child.

"Naw," responded Jimmie with a valiant roar, "dese micks can't make me
run."

Howls of renewed wrath went up from Devil's Row throats.  Tattered
gamins on the right made a furious assault on the gravel heap.  On
their small, convulsed faces there shone the grins of true assassins.
As they charged, they threw stones and cursed in shrill chorus.

The little champion of Rum Alley stumbled precipitately down the other
side.  His coat had been torn to shreds in a scuffle, and his hat was
gone.  He had bruises on twenty parts of his body, and blood was
dripping from a cut in his head.  His wan features wore a look of a
tiny, insane demon.

On the ground, children from Devil's Row closed in on their antagonist.
He crooked his left arm defensively about his head and fought with
cursing fury.  The little boys ran to and fro, dodging, hurling stones
and swearing in barbaric trebles.

From a window of an apartment house that upreared its form from amid
squat, ignorant stables, there leaned a curious woman.  Some laborers,
unloading a scow at a dock at the river, paused for a moment and
regarded the fight.  The engineer of a passive tugboat hung lazily to a
railing and watched.  Over on the Island, a worm of yellow convicts
came from the shadow of a building and crawled slowly along the river's
bank.

A stone had smashed into Jimmie's mouth.  Blood was bubbling over his
chin and down upon his ragged shirt.  Tears made furrows on his
dirt-stained cheeks.  His thin legs had begun to tremble and turn weak,
causing his small body to reel.  His roaring curses of the first part
of the fight had changed to a blasphemous chatter.

In the yells of the whirling mob of Devil's Row children there were
notes of joy like songs of triumphant savagery.  The little boys seemed
to leer gloatingly at the blood upon the other child's face.

Down the avenue came boastfully sauntering a lad of sixteen years,
although the chronic sneer of an ideal manhood already sat upon his
lips.  His hat was tipped with an air of challenge over his eye.
Between his teeth, a cigar stump was tilted at the angle of defiance.
He walked with a certain swing of the shoulders which appalled the
timid.  He glanced over into the vacant lot in which the little raving
boys from Devil's Row seethed about the shrieking and tearful child
from Rum Alley.

"Gee!" he murmured with interest.  "A scrap.  Gee!"

He strode over to the cursing circle, swinging his shoulders in a
manner which denoted that he held victory in his fists.  He approached
at the back of one of the most deeply engaged of the Devil's Row
children.

"Ah, what deh hell," he said, and smote the deeply-engaged one on the
back of the head.  The little boy fell to the ground and gave a hoarse,
tremendous howl.  He scrambled to his feet, and perceiving, evidently,
the size of his assailant, ran quickly off, shouting alarms.  The
entire Devil's Row party followed him.  They came to a stand a short
distance away and yelled taunting oaths at the boy with the chronic
sneer.  The latter, momentarily, paid no attention to them.

"What deh hell, Jimmie?" he asked of the small champion.

Jimmie wiped his blood-wet features with his sleeve.

"Well, it was dis way, Pete, see!  I was goin' teh lick dat Riley kid
and dey all pitched on me."

Some Rum Alley children now came forward.  The party stood for a moment
exchanging vainglorious remarks with Devil's Row.  A few stones were
thrown at long distances, and words of challenge passed between small
warriors.  Then the Rum Alley contingent turned slowly in the direction
of their home street.  They began to give, each to each, distorted
versions of the fight.  Causes of retreat in particular cases were
magnified.  Blows dealt in the fight were enlarged to catapultian
power, and stones thrown were alleged to have hurtled with infinite
accuracy.  Valor grew strong again, and the little boys began to swear
with great spirit.

"Ah, we blokies kin lick deh hull damn Row," said a child, swaggering.

Little Jimmie was striving to stanch the flow of blood from his cut
lips.  Scowling, he turned upon the speaker.

"Ah, where deh hell was yeh when I was doin' all deh fightin?" he
demanded.  "Youse kids makes me tired."

"Ah, go ahn," replied the other argumentatively.

Jimmie replied with heavy contempt.  "Ah, youse can't fight, Blue
Billie!  I kin lick yeh wid one han'."

"Ah, go ahn," replied Billie again.

"Ah," said Jimmie threateningly.

"Ah," said the other in the same tone.

They struck at each other, clinched, and rolled over on the cobble
stones.

"Smash 'im, Jimmie, kick deh damn guts out of 'im," yelled Pete, the
lad with the chronic sneer, in tones of delight.

The small combatants pounded and kicked, scratched and tore.  They
began to weep and their curses struggled in their throats with sobs.
The other little boys clasped their hands and wriggled their legs in
excitement.  They formed a bobbing circle about the pair.

A tiny spectator was suddenly agitated.

"Cheese it, Jimmie, cheese it!  Here comes yer fader," he yelled.

The circle of little boys instantly parted.  They drew away and waited
in ecstatic awe for that which was about to happen.  The two little
boys fighting in the modes of four thousand years ago, did not hear the
warning.

Up the avenue there plodded slowly a man with sullen eyes.  He was
carrying a dinner pail and smoking an apple-wood pipe.

As he neared the spot where the little boys strove, he regarded them
listlessly.  But suddenly he roared an oath and advanced upon the
rolling fighters.

"Here, you Jim, git up, now, while I belt yer life out, you damned
disorderly brat."

He began to kick into the chaotic mass on the ground.  The boy Billie
felt a heavy boot strike his head.  He made a furious effort and
disentangled himself from Jimmie.  He tottered away, damning.

Jimmie arose painfully from the ground and confronting his father,
began to curse him.  His parent kicked him.  "Come home, now," he
cried, "an' stop yer jawin', er I'll lam the everlasting head off yehs."

They departed.  The man paced placidly along with the apple-wood emblem
of serenity between his teeth.  The boy followed a dozen feet in the
rear.  He swore luridly, for he felt that it was degradation for one
who aimed to be some vague soldier, or a man of blood with a sort of
sublime license, to be taken home by a father.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: CHAPTER SUMMARIES WITH NOTES Chapter 1 One little boy is standing on a heap of gravel trying to defend the honor of Rum Alley against a group of boys from Devils Row. He is screaming curses at them. One of his friends from Rum Alley calls for him to run to save himself, but he refuses to run. He calls the Devils Row boys "micks," a racist term used on the Irish, and they scream at him and attack. He falls down the other side of the gravel heap under a pile of boys. He is bruised all over his body and his head has a deep cut. The other boys close in on him and he hides his head with one arm while striking out with another. The boys run around throwing rocks at him and screaming insults. Around them, adults watch half-heartedly. A woman leans out the window of a nearby apartment, some workers stop loading a boat to watch, an engineer from a passing tugboat leans over the railing watching, and a group of convicts come out across the river to look. One of the stones smashes Jimmies mouth, causing a thick flow of blood. He is crying and screaming at once. The boys around him yell in "notes of joy like songs of triumphant savagery." From down the road, a sixteen-year old boy with a chronic sneer on his face saunters up to the fight. He walks over and starts kicking at the boys who are on top of Jimmie. They fall away and then run off in a group. He says "What deh hell, Jimmie?" Jimmie explains to Pete that he had planned to fight the Riley kid and then all of them ganged up on him. Now the Rum Alley children come out and surround Jimmie and Pete. They scream insults at the Devils Row children who are standing at a safe distance. They start to discuss the fight in boastful and distorted ways. Jimmie wants to know where they all were when he needed them to back him up. Suddenly he gets into a fight with one of the other boys who ran instead of fighting with him. Pete eggs him on, calling out "Smash im, Jimmie, kick deh damn guts out of im." The other boys stand around excitedly watching the fight. Suddenly one of them calls to Jimmie that his father is coming. Before they can get up, a "man with sullen eyes" wanders over to them and begins kicking furiously at the fighting boys. He orders Jimmie to get up before he kills him. Jimmie gets up and his father kicks him. He tells him to come home now. They walk off. Jimmie is embarrassed to be escorted home by his father.


prompt:
Chapter: Eventually they entered into a dark region where, from a careening
building, a dozen gruesome doorways gave up loads of babies to the
street and the gutter.  A wind of early autumn raised yellow dust from
cobbles and swirled it against an hundred windows.  Long streamers of
garments fluttered from fire-escapes.  In all unhandy places there were
buckets, brooms, rags and bottles.  In the street infants played or
fought with other infants or sat stupidly in the way of vehicles.
Formidable women, with uncombed hair and disordered dress, gossiped
while leaning on railings, or screamed in frantic quarrels.  Withered
persons, in curious postures of submission to something, sat smoking
pipes in obscure corners.  A thousand odors of cooking food came forth
to the street.  The building quivered and creaked from the weight of
humanity stamping about in its bowels.

A small ragged girl dragged a red, bawling infant along the crowded
ways.  He was hanging back, baby-like, bracing his wrinkled, bare legs.

The little girl cried out: "Ah, Tommie, come ahn.  Dere's Jimmie and
fader.  Don't be a-pullin' me back."

She jerked the baby's arm impatiently.  He fell on his face, roaring.
With a second jerk she pulled him to his feet, and they went on.  With
the obstinacy of his order, he protested against being dragged in a
chosen direction.  He made heroic endeavors to keep on his legs,
denounce his sister and consume a bit of orange peeling which he chewed
between the times of his infantile orations.

As the sullen-eyed man, followed by the blood-covered boy, drew near,
the little girl burst into reproachful cries.  "Ah, Jimmie, youse bin
fightin' agin."

The urchin swelled disdainfully.

"Ah, what deh hell, Mag.  See?"

The little girl upbraided him,  "Youse allus fightin', Jimmie, an' yeh
knows it puts mudder out when yehs come home half dead, an' it's like
we'll all get a poundin'."

She began to weep.  The babe threw back his head and roared at his
prospects.

"Ah, what deh hell!" cried Jimmie.  "Shut up er I'll smack yer mout'.
See?"

As his sister continued her lamentations, he suddenly swore and struck
her.  The little girl reeled and, recovering herself, burst into tears
and quaveringly cursed him.  As she slowly retreated her brother
advanced dealing her cuffs.  The father heard and turned about.

"Stop that, Jim, d'yeh hear?  Leave yer sister alone on the street.
It's like I can never beat any sense into yer damned wooden head."

The urchin raised his voice in defiance to his parent and continued his
attacks.  The babe bawled tremendously, protesting with great violence.
During his sister's hasty manoeuvres, he was dragged by the arm.

Finally the procession plunged into one of the gruesome doorways.  They
crawled up dark stairways and along cold, gloomy halls.  At last the
father pushed open a door and they entered a lighted room in which a
large woman was rampant.

She stopped in a career from a seething stove to a pan-covered table.
As the father and children filed in she peered at them.

"Eh, what?  Been fightin' agin, by Gawd!"  She threw herself upon
Jimmie.  The urchin tried to dart behind the others and in the scuffle
the babe, Tommie, was knocked down.  He protested with his usual
vehemence, because they had bruised his tender shins against a table
leg.

The mother's massive shoulders heaved with anger.  Grasping the urchin
by the neck and shoulder she shook him until he rattled.  She dragged
him to an unholy sink, and, soaking a rag in water, began to scrub his
lacerated face with it.  Jimmie screamed in pain and tried to twist his
shoulders out of the clasp of the huge arms.

The babe sat on the floor watching the scene, his face in contortions
like that of a woman at a tragedy.  The father, with a newly-ladened
pipe in his mouth, crouched on a backless chair near the stove.
Jimmie's cries annoyed him.  He turned about and bellowed at his wife:

"Let the damned kid alone for a minute, will yeh, Mary?  Yer allus
poundin' 'im.  When I come nights I can't git no rest 'cause yer allus
poundin' a kid.  Let up, d'yeh hear?  Don't be allus poundin' a kid."

The woman's operations on the urchin instantly increased in violence.
At last she tossed him to a corner where he limply lay cursing and
weeping.

The wife put her immense hands on her hips and with a chieftain-like
stride approached her husband.

"Ho," she said, with a great grunt of contempt.  "An' what in the devil
are you stickin' your nose for?"

The babe crawled under the table and, turning, peered out cautiously.
The ragged girl retreated and the urchin in the corner drew his legs
carefully beneath him.

The man puffed his pipe calmly and put his great mudded boots on the
back part of the stove.

"Go teh hell," he murmured, tranquilly.

The woman screamed and shook her fists before her husband's eyes.  The
rough yellow of her face and neck flared suddenly crimson.  She began
to howl.

He puffed imperturbably at his pipe for a time, but finally arose and
began to look out at the window into the darkening chaos of back yards.

"You've been drinkin', Mary," he said.  "You'd better let up on the
bot', ol' woman, or you'll git done."

"You're a liar.  I ain't had a drop," she roared in reply.

They had a lurid altercation, in which they damned each other's souls
with frequence.

The babe was staring out from under the table, his small face working
in his excitement.

The ragged girl went stealthily over to the corner where the urchin lay.

"Are yehs hurted much, Jimmie?" she whispered timidly.

"Not a damn bit!  See?" growled the little boy.

"Will I wash deh blood?"

"Naw!"

"Will I--"

"When I catch dat Riley kid I'll break 'is face!  Dat's right!  See?"

He turned his face to the wall as if resolved to grimly bide his time.

In the quarrel between husband and wife, the woman was victor.  The man
grabbed his hat and rushed from the room, apparently determined upon a
vengeful drunk.  She followed to the door and thundered at him as he
made his way down stairs.

She returned and stirred up the room until her children were bobbing
about like bubbles.

"Git outa deh way," she persistently bawled, waving feet with their
dishevelled shoes near the heads of her children.  She shrouded
herself, puffing and snorting, in a cloud of steam at the stove, and
eventually extracted a frying-pan full of potatoes that hissed.

She flourished it.  "Come teh yer suppers, now," she cried with sudden
exasperation.  "Hurry up, now, er I'll help yeh!"

The children scrambled hastily.  With prodigious clatter they arranged
themselves at table.  The babe sat with his feet dangling high from a
precarious infant chair and gorged his small stomach.  Jimmie forced,
with feverish rapidity, the grease-enveloped pieces between his wounded
lips.  Maggie, with side glances of fear of interruption, ate like a
small pursued tigress.

The mother sat blinking at them.  She delivered reproaches, swallowed
potatoes and drank from a yellow-brown bottle.  After a time her mood
changed and she wept as she carried little Tommie into another room and
laid him to sleep with his fists doubled in an old quilt of faded red
and green grandeur.  Then she came and moaned by the stove.  She rocked
to and fro upon a chair, shedding tears and crooning miserably to the
two children about their "poor mother" and "yer fader, damn 'is soul."

The little girl plodded between the table and the chair with a dish-pan
on it.  She tottered on her small legs beneath burdens of dishes.

Jimmie sat nursing his various wounds.  He cast furtive glances at his
mother.  His practised eye perceived her gradually emerge from a
muddled mist of sentiment until her brain burned in drunken heat.  He
sat breathless.

Maggie broke a plate.

The mother started to her feet as if propelled.

"Good Gawd," she howled.  Her eyes glittered on her child with sudden
hatred.  The fervent red of her face turned almost to purple.  The
little boy ran to the halls, shrieking like a monk in an earthquake.

He floundered about in darkness until he found the stairs.  He
stumbled, panic-stricken, to the next floor.  An old woman opened a
door.  A light behind her threw a flare on the urchin's quivering face.

"Eh, Gawd, child, what is it dis time?  Is yer fader beatin' yer
mudder, or yer mudder beatin' yer fader?"

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Jimmie and his father reach a neighborhood where dozens of unattended infants and small children sit around the street and gutter. Laundry hangs from the fire escapes. "Formidable women" gossip with each other and scream out at each other. "Withered persons" sit around as if they have finally submitted to the wretchedness of their lives. The building seems to quiver with the weight of all the people that inhabit it. One baby is crying and a little girl calls out its name, Tommie. She is trying to pull her little brother along to catch up with her brother, Jimmie, and their father. The baby holds back and screams in resistance. When she sees Jimmies bruises and blood, she cries out to him that hes been fighting again. She weeps along with the baby. She is worried about what their mother will do to all of them when she sees the state Jimmie is in. Jimmie hits his sister and she cries louder and shrinks away from him. His father turns on him and tells him to stop hitting his sister. His father bemoans the fact that he can never beat any sense into him. The four enter one of the "gruesome buildings" and climb the stairs. They enter a room "in which a large woman was rampant." She screams at Jimmie for fighting again. He hides behind the other children and bruises his shins against the table leg in doing so. She "heaves with anger" and picks Jimmie up by the neck and shoulder and shakes him. He screams and tries to get away. The baby sits on the floor watching in terror. The father sits in a chair with a pipe in his mouth. He yells at his wife to leave Jimmie alone so he can have some peace. He complains that she is always "poundin a kid." She beats Jimmie even more furiously. Then she tosses him into a corner where he lies down weeping and cursing. She stands over her husband demanding to know why hes interfering. He smokes his pipe as if hes unconcerned with her. The baby crawls under the table and the girl hides. The man tells the woman that shes been drinking again. She screams a denial. Meanwhile, Maggie asks Jimmie if he is hurt badly. She asks him if he would like her to wash his wounds. He only curses the Riley kid. He turns his face to the wall. The fight between wife and husband ends with him storming out of the house. She calls out to him as he descends the stairs. She returns to the room and tells her children to get out of the way. Then she serves up supper and tells them to come and eat. They scramble to their places and eat ravenously. The woman watches them and drinks. Her mood changes and she begins to weep. She carries Tommie to another room and puts him to bed. She comes back and sits by the stove moaning about her fate. Maggie cleans up the table and Jimmie sits nursing his wounds. Maggie breaks a plate and her mother jumps up from her seat screaming. Jimmie jumps up and runs for the door. He goes to an old womans apartment. She asks him what it is this time "Is yer fader beatin yer mudder, or yer mudder beatin yer fader?"


prompt:
Chapter: Jimmie and the old woman listened long in the hall.  Above the muffled
roar of conversation, the dismal wailings of babies at night, the
thumping of feet in unseen corridors and rooms, mingled with the sound
of varied hoarse shoutings in the street and the rattling of wheels
over cobbles, they heard the screams of the child and the roars of the
mother die away to a feeble moaning and a subdued bass muttering.

The old woman was a gnarled and leathery personage who could don, at
will, an expression of great virtue.  She possessed a small music-box
capable of one tune, and a collection of "God bless yehs" pitched in
assorted keys of fervency.  Each day she took a position upon the
stones of Fifth Avenue, where she crooked her legs under her and
crouched immovable and hideous, like an idol.  She received daily a
small sum in pennies.  It was contributed, for the most part, by
persons who did not make their homes in that vicinity.

Once, when a lady had dropped her purse on the sidewalk, the gnarled
woman had grabbed it and smuggled it with great dexterity beneath her
cloak.  When she was arrested she had cursed the lady into a partial
swoon, and with her aged limbs, twisted from rheumatism, had almost
kicked the stomach out of a huge policeman whose conduct upon that
occasion she referred to when she said: "The police, damn 'em."

"Eh, Jimmie, it's cursed shame," she said.  "Go, now, like a dear an'
buy me a can, an' if yer mudder raises 'ell all night yehs can sleep
here."

Jimmie took a tendered tin-pail and seven pennies and departed.  He
passed into the side door of a saloon and went to the bar.  Straining
up on his toes he raised the pail and pennies as high as his arms would
let him.  He saw two hands thrust down and take them.  Directly the
same hands let down the filled pail and he left.

In front of the gruesome doorway he met a lurching figure.  It was his
father, swaying about on uncertain legs.

"Give me deh can.  See?" said the man, threateningly.

"Ah, come off!  I got dis can fer dat ol' woman an' it 'ud be dirt teh
swipe it.  See?" cried Jimmie.

The father wrenched the pail from the urchin.  He grasped it in both
hands and lifted it to his mouth.  He glued his lips to the under edge
and tilted his head.  His hairy throat swelled until it seemed to grow
near his chin.  There was a tremendous gulping movement and the beer
was gone.

The man caught his breath and laughed.  He hit his son on the head with
the empty pail.  As it rolled clanging into the street, Jimmie began to
scream and kicked repeatedly at his father's shins.

"Look at deh dirt what yeh done me," he yelled.  "Deh ol' woman 'ill be
raisin' hell."

He retreated to the middle of the street, but the man did not pursue.
He staggered toward the door.

"I'll club hell outa yeh when I ketch yeh," he shouted, and disappeared.

During the evening he had been standing against a bar drinking whiskies
and declaring to all comers, confidentially: "My home reg'lar livin'
hell!  Damndes' place!  Reg'lar hell!  Why do I come an' drin' whisk'
here thish way?  'Cause home reg'lar livin' hell!"

Jimmie waited a long time in the street and then crept warily up
through the building.  He passed with great caution the door of the
gnarled woman, and finally stopped outside his home and listened.

He could hear his mother moving heavily about among the furniture of
the room.  She was chanting in a mournful voice, occasionally
interjecting bursts of volcanic wrath at the father, who, Jimmie
judged, had sunk down on the floor or in a corner.

"Why deh blazes don' chere try teh keep Jim from fightin'?  I'll break
her jaw," she suddenly bellowed.

The man mumbled with drunken indifference.  "Ah, wha' deh hell.  W'a's
odds?  Wha' makes kick?"

"Because he tears 'is clothes, yeh damn fool," cried the woman in
supreme wrath.

The husband seemed to become aroused.  "Go teh hell," he thundered
fiercely in reply.  There was a crash against the door and something
broke into clattering fragments.  Jimmie partially suppressed a howl
and darted down the stairway.  Below he paused and listened.  He heard
howls and curses, groans and shrieks, confusingly in chorus as if a
battle were raging.  With all was the crash of splintering furniture.
The eyes of the urchin glared in fear that one of them would discover
him.

Curious faces appeared in doorways, and whispered comments passed to
and fro.  "Ol' Johnson's raisin' hell agin."

Jimmie stood until the noises ceased and the other inhabitants of the
tenement had all yawned and shut their doors.  Then he crawled upstairs
with the caution of an invader of a panther den.  Sounds of labored
breathing came through the broken door-panels.  He pushed the door open
and entered, quaking.

A glow from the fire threw red hues over the bare floor, the cracked
and soiled plastering, and the overturned and broken furniture.

In the middle of the floor lay his mother asleep.  In one corner of the
room his father's limp body hung across the seat of a chair.

The urchin stole forward.  He began to shiver in dread of awakening his
parents.  His mother's great chest was heaving painfully.  Jimmie
paused and looked down at her.  Her face was inflamed and swollen from
drinking.  Her yellow brows shaded eyelids that had brown blue.  Her
tangled hair tossed in waves over her forehead.  Her mouth was set in
the same lines of vindictive hatred that it had, perhaps, borne during
the fight.  Her bare, red arms were thrown out above her head in
positions of exhaustion, something, mayhap, like those of a sated
villain.

The urchin bended over his mother.  He was fearful lest she should open
her eyes, and the dread within him was so strong, that he could not
forbear to stare, but hung as if fascinated over the woman's grim face.

Suddenly her eyes opened.  The urchin found himself looking straight
into that expression, which, it would seem, had the power to change his
blood to salt.  He howled piercingly and fell backward.

The woman floundered for a moment, tossed her arms about her head as if
in combat, and again began to snore.

Jimmie crawled back in the shadows and waited.  A noise in the next
room had followed his cry at the discovery that his mother was awake.
He grovelled in the gloom, the eyes from out his drawn face riveted
upon the intervening door.

He heard it creak, and then the sound of a small voice came to him.
"Jimmie!  Jimmie!  Are yehs dere?" it whispered.  The urchin started.
The thin, white face of his sister looked at him from the door-way of
the other room.  She crept to him across the floor.

The father had not moved, but lay in the same death-like sleep.  The
mother writhed in uneasy slumber, her chest wheezing as if she were in
the agonies of strangulation.  Out at the window a florid moon was
peering over dark roofs, and in the distance the waters of a river
glimmered pallidly.

The small frame of the ragged girl was quivering.  Her features were
haggard from weeping, and her eyes gleamed from fear.  She grasped the
urchin's arm in her little trembling hands and they huddled in a
corner.  The eyes of both were drawn, by some force, to stare at the
woman's face, for they thought she need only to awake and all fiends
would come from below.

They crouched until the ghost-mists of dawn appeared at the window,
drawing close to the panes, and looking in at the prostrate, heaving
body of the mother.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Jimmie and the old woman listen to the fighting going on. They hear not only the screams of the Johnsons but of other tenants of the building as well. The old woman is a beggar. She sits outside the building all day collecting pennies from people who live elsewhere. She "crooks her legs under her and crouches immovable and hideous, like an idol." One time, a woman dropped her purse and the old woman grabbed it. When she was caught, she cursed so severely that the other woman fainted and then she kicked the police officer in the stomach. She sends Jimmie to buy her a bucket of beer. He goes to a bar and gets the bucket filled. On his way back, his father stops him and steals the beer from him. Jimmie tells his father the old woman will hurt him for losing her beer, but Mr. Johnson doesnt take any notice as he drinks the whole bucket down. Mr. Johnson has been in the bar all evening telling anyone who would listen that his home is a regular hell and that is the reason he spends his evenings drinking whiskey. Jimmie sneaks past the old womans door and waits outside his own door listening to his parents argue. His father wants to know why his mother gets so angry about Jimmie fighting. Her answer is that Jimmie tears his clothes. His parents commence fighting again. Jimmie crouches in the hallway. He hears other tenants commenting on the fight. Finally his parents become quiet and he sneaks inside. His mother is asleep. Hes so fascinated with her ugliness that he creeps over to her and looks into her face. She opens her eyes and he screams in terror. She falls back asleep and he crawls to a sleeping place. His sister comes over to him. Their father is sleeping as if he were dead. The "florid moon" shines over the roofs. The two children crouch until dawn.