prompt:
Chapter: ACT V. Scene I.
Elsinore. A churchyard.

Enter two Clowns, [with spades and pickaxes].

  Clown. Is she to be buried in Christian burial when she
wilfully
    seeks her own salvation?
  Other. I tell thee she is; therefore make her grave straight.
    The crowner hath sate on her, and finds it Christian burial.
  Clown. How can that be, unless she drown'd herself in her own
    defence?
  Other. Why, 'tis found so.
  Clown. It must be se offendendo; it cannot be else. For here
lies
    the point: if I drown myself wittingly, it argues an act; and
an
    act hath three branches-it is to act, to do, and to perform;
    argal, she drown'd herself wittingly.
  Other. Nay, but hear you, Goodman Delver!
  Clown. Give me leave. Here lies the water; good. Here stands
the
    man; good. If the man go to this water and drown himself, it
is,
    will he nill he, he goes- mark you that. But if the water
come to
    him and drown him, he drowns not himself. Argal, he that is
not
    guilty of his own death shortens not his own life.
  Other. But is this law?
  Clown. Ay, marry, is't- crowner's quest law.
  Other. Will you ha' the truth an't? If this had not been a
    gentlewoman, she should have been buried out o' Christian
burial.
  Clown. Why, there thou say'st! And the more pity that great
folk
    should have count'nance in this world to drown or hang
themselves
    more than their even-Christian. Come, my spade! There is no
    ancient gentlemen but gard'ners, ditchers, and grave-makers.
They
    hold up Adam's profession.
  Other. Was he a gentleman?
  Clown. 'A was the first that ever bore arms.
  Other. Why, he had none.
  Clown. What, art a heathen? How dost thou understand the
Scripture?
    The Scripture says Adam digg'd. Could he dig without arms?
I'll
    put another question to thee. If thou answerest me not to the
    purpose, confess thyself-
  Other. Go to!
  Clown. What is he that builds stronger than either the mason,
the
    shipwright, or the carpenter?
  Other. The gallows-maker; for that frame outlives a thousand
    tenants.
  Clown. I like thy wit well, in good faith. The gallows does
well.
    But how does it well? It does well to those that do ill. Now,
    thou dost ill to say the gallows is built stronger than the
    church. Argal, the gallows may do well to thee. To't again,
come!
  Other. Who builds stronger than a mason, a shipwright, or a
    carpenter?
  Clown. Ay, tell me that, and unyoke.
  Other. Marry, now I can tell!
  Clown. To't.
  Other. Mass, I cannot tell.

                 Enter Hamlet and Horatio afar off.

  Clown. Cudgel thy brains no more about it, for your dull ass
will
    not mend his pace with beating; and when you are ask'd this
    question next, say 'a grave-maker.' The houses he makes lasts
    till doomsday. Go, get thee to Yaughan; fetch me a stoup of
    liquor.
                                            [Exit Second Clown.]

                       [Clown digs and] sings.

       In youth when I did love, did love,
         Methought it was very sweet;
       To contract- O- the time for- a- my behove,
         O, methought there- a- was nothing- a- meet.

  Ham. Has this fellow no feeling of his business, that he sings
at
    grave-making?
  Hor. Custom hath made it in him a property of easiness.
  Ham. 'Tis e'en so. The hand of little employment hath the
daintier
    sense.
  Clown. (sings)
         But age with his stealing steps
           Hath clawed me in his clutch,
         And hath shipped me intil the land,
           As if I had never been such.
                                            [Throws up a skull.]

  Ham. That skull had a tongue in it, and could sing once. How
the
    knave jowls it to the ground,as if 'twere Cain's jawbone,
that
    did the first murther! This might be the pate of a
Politician,
    which this ass now o'erreaches; one that would circumvent
God,
    might it not?
  Hor. It might, my lord.
  Ham. Or of a courtier, which could say 'Good morrow, sweet
lord!
    How dost thou, good lord?' This might be my Lord Such-a-one,
that
    prais'd my Lord Such-a-one's horse when he meant to beg it-
might
    it not?
  Hor. Ay, my lord.
  Ham. Why, e'en so! and now my Lady Worm's, chapless, and
knock'd
    about the mazzard with a sexton's spade. Here's fine
revolution,
    and we had the trick to see't. Did these bones cost no more
the
    breeding but to play at loggets with 'em? Mine ache to think
    on't.
  Clown. (Sings)
         A pickaxe and a spade, a spade,
           For and a shrouding sheet;
         O, a Pit of clay for to be made
           For such a guest is meet.
                                      Throws up [another skull].

  Ham. There's another. Why may not that be the skull of a
lawyer?
    Where be his quiddits now, his quillets, his cases, his
tenures,
    and his tricks? Why does he suffer this rude knave now to
knock
    him about the sconce with a dirty shovel, and will not tell
him
    of his action of battery? Hum! This fellow might be in's time
a
    great buyer of land, with his statutes, his recognizances,
his
    fines, his double vouchers, his recoveries. Is this the fine
of
    his fines, and the recovery of his recoveries, to have his
fine
    pate full of fine dirt? Will his vouchers vouch him no more
of
    his purchases, and double ones too, than the length and
breadth
    of a pair of indentures? The very conveyances of his lands
will
    scarcely lie in this box; and must th' inheritor himself have
no
    more, ha?
  Hor. Not a jot more, my lord.
  Ham. Is not parchment made of sheepskins?
  Hor. Ay, my lord, And of calveskins too.
  Ham. They are sheep and calves which seek out assurance in
that. I
    will speak to this fellow. Whose grave's this, sirrah?
  Clown. Mine, sir.

    [Sings] O, a pit of clay for to be made
              For such a guest is meet.

  Ham. I think it be thine indeed, for thou liest in't.
  Clown. You lie out on't, sir, and therefore 'tis not yours.
    For my part, I do not lie in't, yet it is mine.
  Ham. Thou dost lie in't, to be in't and say it is thine. 'Tis
for
    the dead, not for the quick; therefore thou liest.
  Clown. 'Tis a quick lie, sir; 'twill away again from me to you.
  Ham. What man dost thou dig it for?
  Clown. For no man, sir.
  Ham. What woman then?
  Clown. For none neither.
  Ham. Who is to be buried in't?
  Clown. One that was a woman, sir; but, rest her soul, she's
dead.
  Ham. How absolute the knave is! We must speak by the card, or
    equivocation will undo us. By the Lord, Horatio, this three
years
    I have taken note of it, the age is grown so picked that the
toe
    of the peasant comes so near the heel of the courtier he
galls
    his kibe.- How long hast thou been a grave-maker?
  Clown. Of all the days i' th' year, I came to't that day that
our
    last king Hamlet overcame Fortinbras.
  Ham. How long is that since?
  Clown. Cannot you tell that? Every fool can tell that. It was
the
    very day that young Hamlet was born- he that is mad, and sent
    into England.
  Ham. Ay, marry, why was be sent into England?
  Clown. Why, because 'a was mad. 'A shall recover his wits
there;
    or, if 'a do not, 'tis no great matter there.
  Ham. Why?
  Clown. 'Twill not he seen in him there. There the men are as
mad as
    he.
  Ham. How came he mad?
  Clown. Very strangely, they say.
  Ham. How strangely?
  Clown. Faith, e'en with losing his wits.
  Ham. Upon what ground?
  Clown. Why, here in Denmark. I have been sexton here, man and
boy
    thirty years.
  Ham. How long will a man lie i' th' earth ere he rot?
  Clown. Faith, if 'a be not rotten before 'a die (as we have
many
    pocky corses now-a-days that will scarce hold the laying in,
I
    will last you some eight year or nine year. A tanner will
last
    you nine year.
  Ham. Why he more than another?
  Clown. Why, sir, his hide is so tann'd with his trade that 'a
will
    keep out water a great while; and your water is a sore
decayer of
    your whoreson dead body. Here's a skull now. This skull hath
lien
    you i' th' earth three-and-twenty years.
  Ham. Whose was it?
  Clown. A whoreson, mad fellow's it was. Whose do you think it
was?
  Ham. Nay, I know not.
  Clown. A pestilence on him for a mad rogue! 'A pour'd a flagon
of
    Rhenish on my head once. This same skull, sir, was Yorick's
    skull, the King's jester.
  Ham. This?
  Clown. E'en that.
  Ham. Let me see. [Takes the skull.] Alas, poor Yorick! I knew
him,
    Horatio. A fellow of infinite jest, of most excellent fancy.
He
    hath borne me on his back a thousand times. And now how
abhorred
    in my imagination it is! My gorge rises at it. Here hung
those
    lips that I have kiss'd I know not how oft. Where be your
gibes
    now? your gambols? your songs? your flashes of merriment that
    were wont to set the table on a roar? Not one now, to mock
your
    own grinning? Quite chap- fall'n? Now get you to my lady's
    chamber, and tell her, let her paint an inch thick, to this
    favour she must come. Make her laugh at that. Prithee,
Horatio,
    tell me one thing.
  Hor. What's that, my lord?
  Ham. Dost thou think Alexander look'd o' this fashion i' th'
earth?
  Hor. E'en so.
  Ham. And smelt so? Pah!
                                          [Puts down the skull.]
  Hor. E'en so, my lord.
  Ham. To what base uses we may return, Horatio! Why may not
    imagination trace the noble dust of Alexander till he find it
    stopping a bunghole?
  Hor. 'Twere to consider too curiously, to consider so.
  Ham. No, faith, not a jot; but to follow him thither with
modesty
    enough, and likelihood to lead it; as thus: Alexander died,
    Alexander was buried, Alexander returneth into dust; the dust
is
    earth; of earth we make loam; and why of that loam (whereto
he
    was converted) might they not stop a beer barrel?
    Imperious Caesar, dead and turn'd to clay,
    Might stop a hole to keep the wind away.
    O, that that earth which kept the world in awe
    Should patch a wall t' expel the winter's flaw!
    But soft! but soft! aside! Here comes the King-

    Enter [priests with] a coffin [in funeral procession], King,
             Queen, Laertes, with Lords attendant.]

    The Queen, the courtiers. Who is this they follow?
    And with such maimed rites? This doth betoken
    The corse they follow did with desp'rate hand
    Fordo it own life. 'Twas of some estate.
    Couch we awhile, and mark.
                                         [Retires with Horatio.]

  Laer. What ceremony else?
  Ham. That is Laertes,
    A very noble youth. Mark.
  Laer. What ceremony else?
  Priest. Her obsequies have been as far enlarg'd
    As we have warranty. Her death was doubtful;
    And, but that great command o'ersways the order,
    She should in ground unsanctified have lodg'd
    Till the last trumpet. For charitable prayers,
    Shards, flints, and pebbles should be thrown on her.
    Yet here she is allow'd her virgin rites,
    Her maiden strewments, and the bringing home
    Of bell and burial.
  Laer. Must there no more be done?
  Priest. No more be done.
    We should profane the service of the dead
    To sing a requiem and such rest to her
    As to peace-parted souls.
  Laer. Lay her i' th' earth;
    And from her fair and unpolluted flesh
    May violets spring! I tell thee, churlish priest,
    A minist'ring angel shall my sister be
    When thou liest howling.
  Ham. What, the fair Ophelia?
  Queen. Sweets to the sweet! Farewell.
                                             [Scatters flowers.]
    I hop'd thou shouldst have been my Hamlet's wife;
    I thought thy bride-bed to have deck'd, sweet maid,
    And not have strew'd thy grave.
  Laer. O, treble woe
    Fall ten times treble on that cursed head
    Whose wicked deed thy most ingenious sense
    Depriv'd thee of! Hold off the earth awhile,
    Till I have caught her once more in mine arms.
                                             Leaps in the grave.
    Now pile your dust upon the quick and dead
    Till of this flat a mountain you have made
    T' o'ertop old Pelion or the skyish head
    Of blue Olympus.
  Ham. [comes forward] What is he whose grief
    Bears such an emphasis? whose phrase of sorrow
    Conjures the wand'ring stars, and makes them stand
    Like wonder-wounded hearers? This is I,
    Hamlet the Dane.                    [Leaps in after Laertes.
  Laer. The devil take thy soul!
                                            [Grapples with him].
  Ham. Thou pray'st not well.
    I prithee take thy fingers from my throat;
    For, though I am not splenitive and rash,
    Yet have I in me something dangerous,
    Which let thy wisdom fear. Hold off thy hand!
  King. Pluck them asunder.
  Queen. Hamlet, Hamlet!
  All. Gentlemen!
  Hor. Good my lord, be quiet.
             [The Attendants part them, and they come out of the
                                                         grave.]
  Ham. Why, I will fight with him upon this theme
    Until my eyelids will no longer wag.
  Queen. O my son, what theme?
  Ham. I lov'd Ophelia. Forty thousand brothers
    Could not (with all their quantity of love)
    Make up my sum. What wilt thou do for her?
  King. O, he is mad, Laertes.
  Queen. For love of God, forbear him!
  Ham. 'Swounds, show me what thou't do.
    Woo't weep? woo't fight? woo't fast? woo't tear thyself?
    Woo't drink up esill? eat a crocodile?
    I'll do't. Dost thou come here to whine?
    To outface me with leaping in her grave?
    Be buried quick with her, and so will I.
    And if thou prate of mountains, let them throw
    Millions of acres on us, till our ground,
    Singeing his pate against the burning zone,
    Make Ossa like a wart! Nay, an thou'lt mouth,
    I'll rant as well as thou.
  Queen. This is mere madness;
    And thus a while the fit will work on him.
    Anon, as patient as the female dove
    When that her golden couplets are disclos'd,
    His silence will sit drooping.
  Ham. Hear you, sir!
    What is the reason that you use me thus?
    I lov'd you ever. But it is no matter.
    Let Hercules himself do what he may,
    The cat will mew, and dog will have his day.
Exit.
  King. I pray thee, good Horatio, wait upon him.
                                                   Exit Horatio.
    [To Laertes] Strengthen your patience in our last night's
speech.
    We'll put the matter to the present push.-
    Good Gertrude, set some watch over your son.-
    This grave shall have a living monument.
    An hour of quiet shortly shall we see;
    Till then in patience our proceeding be.
                                                         Exeunt.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: In the churchyard, two gravediggers shovel out a grave for Ophelia. They argue whether Ophelia should be buried in the churchyard, since her death looks like a suicide. According to religious doctrine, suicides may not receive Christian burial. The first gravedigger, who speaks cleverly and mischievously, asks the second gravedigger a riddle: "What is he that builds stronger than either the mason, the shipwright, or the carpenter?" . The second gravedigger answers that it must be the gallows-maker, for his frame outlasts a thousand tenants. The first gravedigger corrects him, saying that it is the gravedigger, for his "houses" will last until Doomsday. Hamlet and Horatio enter at a distance and watch the gravediggers work. Hamlet looks with wonder at the skulls they excavate to make room for the fresh grave and speculates darkly about what occupations the owners of these skulls served in life: "Why may not that be the skull of a lawyer? Where be his quiddities now . . . ?" . Hamlet asks the gravedigger whose grave he digs, and the gravedigger spars with him verbally, first claiming that the grave is his own, since he is digging it, then that the grave belongs to no man and no woman, because men and women are living things and the occupant of the grave will be dead. At last he admits that it belongs to one "that was a woman sir; but, rest her soul, she's dead" . The gravedigger, who does not recognize Hamlet as the prince, tells him that he has been a gravedigger since King Hamlet defeated the elder Fortinbras in battle, the very day on which young Prince Hamlet was born. Hamlet picks up a skull, and the gravedigger tells him that the skull belonged to Yorick, King Hamlet's jester. Hamlet tells Horatio that as a child he knew Yorick and is appalled at the sight of the skull. He realizes forcefully that all men will eventually become dust, even great men like Alexander the Great and Julius Caesar. Hamlet imagines that Julius Caesar has disintegrated and is now part of the dust used to patch up a wall. Suddenly, the funeral procession for Ophelia enters the churchyard, including Claudius, Gertrude, Laertes, and many mourning courtiers. Hamlet, wondering who has died, notices that the funeral rites seem "maimed," indicating that the dead man or woman took his or her own life . He and Horatio hide as the procession approaches the grave. As Ophelia is laid in the earth, Hamlet realizes it is she who has died. At the same moment, Laertes becomes infuriated with the priest, who says that to give Ophelia a proper Christian burial would profane the dead. Laertes leaps into Ophelia's grave to hold her once again in his arms. Grief-stricken and outraged, Hamlet bursts upon the company, declaring in agonized fury his own love for Ophelia. He leaps into the grave and fights with Laertes, saying that "forty thousand brothers / Could not, with all their quantity of love, / make up my sum" . Hamlet cries that he would do things for Ophelia that Laertes could not dream of--he would eat a crocodile for her, he would be buried alive with her. The combatants are pulled apart by the funeral company. Gertrude and Claudius declare that Hamlet is mad. Hamlet storms off, and Horatio follows. The king urges Laertes to be patient, and to remember their plan for revenge.


prompt:
Chapter: Scene II.
Elsinore. A hall in the Castle.

Enter Hamlet and Horatio.

  Ham. So much for this, sir; now shall you see the other.
    You do remember all the circumstance?
  Hor. Remember it, my lord!
  Ham. Sir, in my heart there was a kind of fighting
    That would not let me sleep. Methought I lay
    Worse than the mutinies in the bilboes. Rashly-
    And prais'd be rashness for it; let us know,
    Our indiscretion sometime serves us well
    When our deep plots do pall; and that should learn us
    There's a divinity that shapes our ends,
    Rough-hew them how we will-
  Hor. That is most certain.
  Ham. Up from my cabin,
    My sea-gown scarf'd about me, in the dark
    Grop'd I to find out them; had my desire,
    Finger'd their packet, and in fine withdrew
    To mine own room again; making so bold
    (My fears forgetting manners) to unseal
    Their grand commission; where I found, Horatio
    (O royal knavery!), an exact command,
    Larded with many several sorts of reasons,
    Importing Denmark's health, and England's too,
    With, hoo! such bugs and goblins in my life-
    That, on the supervise, no leisure bated,
    No, not to stay the finding of the axe,
    My head should be struck off.
  Hor. Is't possible?
  Ham. Here's the commission; read it at more leisure.
    But wilt thou bear me how I did proceed?
  Hor. I beseech you.
  Ham. Being thus benetted round with villanies,
    Or I could make a prologue to my brains,
    They had begun the play. I sat me down;
    Devis'd a new commission; wrote it fair.
    I once did hold it, as our statists do,
    A baseness to write fair, and labour'd much
    How to forget that learning; but, sir, now
    It did me yeoman's service. Wilt thou know
    Th' effect of what I wrote?
  Hor. Ay, good my lord.
  Ham. An earnest conjuration from the King,
    As England was his faithful tributary,
    As love between them like the palm might flourish,
    As peace should still her wheaten garland wear
    And stand a comma 'tween their amities,
    And many such-like as's of great charge,
    That, on the view and knowing of these contents,
    Without debatement further, more or less,
    He should the bearers put to sudden death,
    Not shriving time allow'd.
  Hor. How was this seal'd?
  Ham. Why, even in that was heaven ordinant.
    I had my father's signet in my purse,
    Which was the model of that Danish seal;
    Folded the writ up in the form of th' other,
    Subscrib'd it, gave't th' impression, plac'd it safely,
    The changeling never known. Now, the next day
    Was our sea-fight; and what to this was sequent
    Thou know'st already.
  Hor. So Guildenstern and Rosencrantz go to't.
  Ham. Why, man, they did make love to this employment!
    They are not near my conscience; their defeat
    Does by their own insinuation grow.
    'Tis dangerous when the baser nature comes
    Between the pass and fell incensed points
    Of mighty opposites.
  Hor. Why, what a king is this!
  Ham. Does it not, thinks't thee, stand me now upon-
    He that hath kill'd my king, and whor'd my mother;
    Popp'd in between th' election and my hopes;
    Thrown out his angle for my proper life,
    And with such coz'nage- is't not perfect conscience
    To quit him with this arm? And is't not to be damn'd
    To let this canker of our nature come
    In further evil?
  Hor. It must be shortly known to him from England
    What is the issue of the business there.
  Ham. It will be short; the interim is mine,
    And a man's life is no more than to say 'one.'
    But I am very sorry, good Horatio,
    That to Laertes I forgot myself,
    For by the image of my cause I see
    The portraiture of his. I'll court his favours.
    But sure the bravery of his grief did put me
    Into a tow'ring passion.
  Hor. Peace! Who comes here?

                 Enter young Osric, a courtier.

  Osr. Your lordship is right welcome back to Denmark.
  Ham. I humbly thank you, sir. [Aside to Horatio] Dost know this
    waterfly?
  Hor. [aside to Hamlet] No, my good lord.
  Ham. [aside to Horatio] Thy state is the more gracious; for
'tis a
    vice to know him. He hath much land, and fertile. Let a beast
be
    lord of beasts, and his crib shall stand at the king's mess.
'Tis
    a chough; but, as I say, spacious in the possession of dirt.

  Osr. Sweet lord, if your lordship were at leisure, I should
impart
    a thing to you from his Majesty.
  Ham. I will receive it, sir, with all diligence of spirit. Put
your
    bonnet to his right use. 'Tis for the head.
  Osr. I thank your lordship, it is very hot.
  Ham. No, believe me, 'tis very cold; the wind is northerly.
  Osr. It is indifferent cold, my lord, indeed.
  Ham. But yet methinks it is very sultry and hot for my
complexion.
  Osr. Exceedingly, my lord; it is very sultry, as 'twere- I
cannot
    tell how. But, my lord, his Majesty bade me signify to you
that
    he has laid a great wager on your head. Sir, this is the
matter-
  Ham. I beseech you remember.
                           [Hamlet moves him to put on his hat.]
  Osr. Nay, good my lord; for mine ease, in good faith. Sir, here
is
    newly come to court Laertes; believe me, an absolute
gentleman,
    full of most excellent differences, of very soft society and
    great showing. Indeed, to speak feelingly of him, he is the
card
    or calendar of gentry; for you shall find in him the
continent of
    what part a gentleman would see.
  Ham. Sir, his definement suffers no perdition in you; though, I

    know, to divide him inventorially would dozy th' arithmetic
of
    memory, and yet but yaw neither in respect of his quick sail.
    But, in the verity of extolment, I take him to be a soul of
great
    article, and his infusion of such dearth and rareness as, to
make
    true diction of him, his semblable is his mirror, and who
else
    would trace him, his umbrage, nothing more.
  Osr. Your lordship speaks most infallibly of him.
  Ham. The concernancy, sir? Why do we wrap the gentleman in our
more
    rawer breath?
  Osr. Sir?
  Hor [aside to Hamlet] Is't not possible to understand in
another
    tongue? You will do't, sir, really.
  Ham. What imports the nomination of this gentleman?
  Osr. Of Laertes?
  Hor. [aside] His purse is empty already. All's golden words are
    spent.
  Ham. Of him, sir.
  Osr. I know you are not ignorant-
  Ham. I would you did, sir; yet, in faith, if you did, it would
not
    much approve me. Well, sir?
  Osr. You are not ignorant of what excellence Laertes is-
  Ham. I dare not confess that, lest I should compare with him in
    excellence; but to know a man well were to know himself.
  Osr. I mean, sir, for his weapon; but in the imputation laid on
him
    by them, in his meed he's unfellowed.
  Ham. What's his weapon?
  Osr. Rapier and dagger.
  Ham. That's two of his weapons- but well.
  Osr. The King, sir, hath wager'd with him six Barbary horses;
    against the which he has impon'd, as I take it, six French
    rapiers and poniards, with their assigns, as girdle, hangers,
and
    so. Three of the carriages, in faith, are very dear to fancy,
    very responsive to the hilts, most delicate carriages, and of
    very liberal conceit.
  Ham. What call you the carriages?
  Hor. [aside to Hamlet] I knew you must be edified by the
margent
    ere you had done.
  Osr. The carriages, sir, are the hangers.
  Ham. The phrase would be more germane to the matter if we could
    carry cannon by our sides. I would it might be hangers till
then.
    But on! Six Barbary horses against six French swords, their
    assigns, and three liberal-conceited carriages: that's the
French
    bet against the Danish. Why is this all impon'd, as you call
it?
  Osr. The King, sir, hath laid that, in a dozen passes between
    yourself and him, he shall not exceed you three hits; he hath
    laid on twelve for nine, and it would come to immediate trial
    if your lordship would vouchsafe the answer.
  Ham. How if I answer no?
  Osr. I mean, my lord, the opposition of your person in trial.
  Ham. Sir, I will walk here in the hall. If it please his
Majesty,
    it is the breathing time of day with me. Let the foils be
    brought, the gentleman willing, and the King hold his
purpose,
    I will win for him if I can; if not, I will gain nothing but
my
    shame and the odd hits.
  Osr. Shall I redeliver you e'en so?
  Ham. To this effect, sir, after what flourish your nature will.
  Osr. I commend my duty to your lordship.
  Ham. Yours, yours. [Exit Osric.] He does well to commend it
    himself; there are no tongues else for's turn.
  Hor. This lapwing runs away with the shell on his head.
  Ham. He did comply with his dug before he suck'd it. Thus has
he,
    and many more of the same bevy that I know the drossy age
dotes
    on, only got the tune of the time and outward habit of
encounter-
    a kind of yesty collection, which carries them through and
    through the most fann'd and winnowed opinions; and do but
blow
    them to their trial-the bubbles are out,

                            Enter a Lord.

  Lord. My lord, his Majesty commended him to you by young Osric,
who
    brings back to him, that you attend him in the hall. He sends
to
    know if your pleasure hold to play with Laertes, or that you
will
    take longer time.
  Ham. I am constant to my purposes; they follow the King's
pleasure.
    If his fitness speaks, mine is ready; now or whensoever,
provided
    I be so able as now.
  Lord. The King and Queen and all are coming down.
  Ham. In happy time.
  Lord. The Queen desires you to use some gentle entertainment to
    Laertes before you fall to play.
  Ham. She well instructs me.
                                                    [Exit Lord.]
  Hor. You will lose this wager, my lord.
  Ham. I do not think so. Since he went into France I have been
in
    continual practice. I shall win at the odds. But thou wouldst
not
    think how ill all's here about my heart. But it is no matter.
  Hor. Nay, good my lord -
  Ham. It is but foolery; but it is such a kind of gaingiving as
    would perhaps trouble a woman.
  Hor. If your mind dislike anything, obey it. I will forestall
their
    repair hither and say you are not fit.
  Ham. Not a whit, we defy augury; there's a special providence
in
    the fall of a sparrow. If it be now, 'tis not to come; if it
be
    not to come, it will be now; if it be not now, yet it will
come:
    the readiness is all. Since no man knows aught of what he
leaves,
    what is't to leave betimes? Let be.

    Enter King, Queen, Laertes, Osric, and Lords, with other
              Attendants with foils and gauntlets.
               A table and flagons of wine on it.

  King. Come, Hamlet, come, and take this hand from me.
                    [The King puts Laertes' hand into Hamlet's.]
  Ham. Give me your pardon, sir. I have done you wrong;
    But pardon't, as you are a gentleman.
    This presence knows,
    And you must needs have heard, how I am punish'd
    With sore distraction. What I have done
    That might your nature, honour, and exception
    Roughly awake, I here proclaim was madness.
    Was't Hamlet wrong'd Laertes? Never Hamlet.
    If Hamlet from himself be taken away,
    And when he's not himself does wrong Laertes,
    Then Hamlet does it not, Hamlet denies it.
    Who does it, then? His madness. If't be so,
    Hamlet is of the faction that is wrong'd;
    His madness is poor Hamlet's enemy.
    Sir, in this audience,
    Let my disclaiming from a purpos'd evil
    Free me so far in your most generous thoughts
    That I have shot my arrow o'er the house
    And hurt my brother.
  Laer. I am satisfied in nature,
    Whose motive in this case should stir me most
    To my revenge. But in my terms of honour
    I stand aloof, and will no reconcilement
    Till by some elder masters of known honour
    I have a voice and precedent of peace
    To keep my name ungor'd. But till that time
    I do receive your offer'd love like love,
    And will not wrong it.
  Ham. I embrace it freely,
    And will this brother's wager frankly play.
    Give us the foils. Come on.
  Laer. Come, one for me.
  Ham. I'll be your foil, Laertes. In mine ignorance
    Your skill shall, like a star i' th' darkest night,
    Stick fiery off indeed.
  Laer. You mock me, sir.
  Ham. No, by this hand.
  King. Give them the foils, young Osric. Cousin Hamlet,
    You know the wager?
  Ham. Very well, my lord.
    Your Grace has laid the odds o' th' weaker side.
  King. I do not fear it, I have seen you both;
    But since he is better'd, we have therefore odds.
  Laer. This is too heavy; let me see another.
  Ham. This likes me well. These foils have all a length?
                                                Prepare to play.
  Osr. Ay, my good lord.
  King. Set me the stoups of wine upon that table.
    If Hamlet give the first or second hit,
    Or quit in answer of the third exchange,
    Let all the battlements their ordnance fire;
    The King shall drink to Hamlet's better breath,
    And in the cup an union shall he throw
    Richer than that which four successive kings
    In Denmark's crown have worn. Give me the cups;
    And let the kettle to the trumpet speak,
    The trumpet to the cannoneer without,
    The cannons to the heavens, the heaven to earth,
    'Now the King drinks to Hamlet.' Come, begin.
    And you the judges, bear a wary eye.
  Ham. Come on, sir.
  Laer. Come, my lord.                                They play.
  Ham. One.
  Laer. No.
  Ham. Judgment!
  Osr. A hit, a very palpable hit.
  Laer. Well, again!
  King. Stay, give me drink. Hamlet, this pearl is thine;
    Here's to thy health.
               [Drum; trumpets sound; a piece goes off [within].
    Give him the cup.
  Ham. I'll play this bout first; set it by awhile.
    Come. (They play.) Another hit. What say you?
  Laer. A touch, a touch; I do confess't.
  King. Our son shall win.
  Queen. He's fat, and scant of breath.
    Here, Hamlet, take my napkin, rub thy brows.
    The Queen carouses to thy fortune, Hamlet.
  Ham. Good madam!
  King. Gertrude, do not drink.
  Queen. I will, my lord; I pray you pardon me.          Drinks.
  King. [aside] It is the poison'd cup; it is too late.
  Ham. I dare not drink yet, madam; by-and-by.
  Queen. Come, let me wipe thy face.
  Laer. My lord, I'll hit him now.
  King. I do not think't.
  Laer. [aside] And yet it is almost against my conscience.
  Ham. Come for the third, Laertes! You but dally.
    Pray you pass with your best violence;
    I am afeard you make a wanton of me.
  Laer. Say you so? Come on.                               Play.
  Osr. Nothing neither way.
  Laer. Have at you now!
                [Laertes wounds Hamlet; then] in scuffling, they
                    change rapiers, [and Hamlet wounds Laertes].
  King. Part them! They are incens'd.
  Ham. Nay come! again!                         The Queen falls.

  Osr. Look to the Queen there, ho!
  Hor. They bleed on both sides. How is it, my lord?
  Osr. How is't, Laertes?
  Laer. Why, as a woodcock to mine own springe, Osric.
    I am justly kill'd with mine own treachery.
  Ham. How does the Queen?
  King. She sounds to see them bleed.
  Queen. No, no! the drink, the drink! O my dear Hamlet!
    The drink, the drink! I am poison'd.                 [Dies.]
  Ham. O villany! Ho! let the door be lock'd.
    Treachery! Seek it out.
                                                [Laertes falls.]
  Laer. It is here, Hamlet. Hamlet, thou art slain;
    No medicine in the world can do thee good.
    In thee there is not half an hour of life.
    The treacherous instrument is in thy hand,
    Unbated and envenom'd. The foul practice
    Hath turn'd itself on me. Lo, here I lie,
    Never to rise again. Thy mother's poison'd.
    I can no more. The King, the King's to blame.
  Ham. The point envenom'd too?
    Then, venom, to thy work.                    Hurts the King.
  All. Treason! treason!
  King. O, yet defend me, friends! I am but hurt.
  Ham. Here, thou incestuous, murd'rous, damned Dane,
    Drink off this potion! Is thy union here?
    Follow my mother.                                 King dies.
  Laer. He is justly serv'd.
    It is a poison temper'd by himself.
    Exchange forgiveness with me, noble Hamlet.
    Mine and my father's death come not upon thee,
    Nor thine on me!                                       Dies.
  Ham. Heaven make thee free of it! I follow thee.
    I am dead, Horatio. Wretched queen, adieu!
    You that look pale and tremble at this chance,
    That are but mutes or audience to this act,
    Had I but time (as this fell sergeant, Death,
    Is strict in his arrest) O, I could tell you-
    But let it be. Horatio, I am dead;
    Thou liv'st; report me and my cause aright
    To the unsatisfied.
  Hor. Never believe it.
    I am more an antique Roman than a Dane.
    Here's yet some liquor left.
  Ham. As th'art a man,
    Give me the cup. Let go! By heaven, I'll ha't.
    O good Horatio, what a wounded name
    (Things standing thus unknown) shall live behind me!
    If thou didst ever hold me in thy heart,
    Absent thee from felicity awhile,
    And in this harsh world draw thy breath in pain,
    To tell my story.         [March afar off, and shot within.]
    What warlike noise is this?
  Osr. Young Fortinbras, with conquest come from Poland,
    To the ambassadors of England gives
    This warlike volley.
  Ham. O, I die, Horatio!
    The potent poison quite o'ercrows my spirit.
    I cannot live to hear the news from England,
    But I do prophesy th' election lights
    On Fortinbras. He has my dying voice.
    So tell him, with th' occurrents, more and less,
    Which have solicited- the rest is silence.             Dies.
  Hor. Now cracks a noble heart. Good night, sweet prince,
    And flights of angels sing thee to thy rest!
                                                 [March within.]
    Why does the drum come hither?

    Enter Fortinbras and English Ambassadors, with Drum,
                  Colours, and Attendants.

  Fort. Where is this sight?
  Hor. What is it you will see?
    If aught of woe or wonder, cease your search.
  Fort. This quarry cries on havoc. O proud Death,
    What feast is toward in thine eternal cell
    That thou so many princes at a shot
    So bloodily hast struck.
  Ambassador. The sight is dismal;
    And our affairs from England come too late.
    The ears are senseless that should give us hearing
    To tell him his commandment is fulfill'd
    That Rosencrantz and Guildenstern are dead.
    Where should we have our thanks?
  Hor. Not from his mouth,
    Had it th' ability of life to thank you.
    He never gave commandment for their death.
    But since, so jump upon this bloody question,
    You from the Polack wars, and you from England,
    Are here arriv'd, give order that these bodies
    High on a stage be placed to the view;
    And let me speak to the yet unknowing world
    How these things came about. So shall you hear
    Of carnal, bloody and unnatural acts;
    Of accidental judgments, casual slaughters;
    Of deaths put on by cunning and forc'd cause;
    And, in this upshot, purposes mistook
    Fall'n on th' inventors' heads. All this can I
    Truly deliver.
  Fort. Let us haste to hear it,
    And call the noblest to the audience.
    For me, with sorrow I embrace my fortune.
    I have some rights of memory in this kingdom
    Which now, to claim my vantage doth invite me.
  Hor. Of that I shall have also cause to speak,
    And from his mouth whose voice will draw on more.
    But let this same be presently perform'd,
    Even while men's minds are wild, lest more mischance
    On plots and errors happen.
  Fort. Let four captains
    Bear Hamlet like a soldier to the stage;
    For he was likely, had he been put on,
    To have prov'd most royally; and for his passage
    The soldiers' music and the rites of war
    Speak loudly for him.
    Take up the bodies. Such a sight as this
    Becomes the field but here shows much amiss.
    Go, bid the soldiers shoot.
            Exeunt marching; after the which a peal of ordnance
                                                   are shot off.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The next day at Elsinore Castle, Hamlet tells Horatio how he plotted to overcome Claudius's scheme to have him murdered in England. He replaced the sealed letter carried by the unsuspecting Rosencrantz and Guildenstern, which called for Hamlet's execution, with one calling for the execution of the bearers of the letter--Rosencrantz and Guildenstern themselves. He tells Horatio that he has no sympathy for Rosencrantz and Guildenstern, who betrayed him and catered to Claudius, but that he feels sorry for having behaved with such hostility toward Laertes. In Laertes' desire to avenge his father's death, he says, he sees the mirror image of his own desire, and he promises to seek Laertes' good favor. Their conversation is interrupted by Osric, a foolish courtier. Osric tries to flatter Hamlet by agreeing with everything Hamlet says, even when he contradicts himself; in the space of seconds, he agrees first that it is cold, then that it is hot. He has come to tell them that Claudius wants Hamlet to fence with Laertes and that the king has made a wager with Laertes that Hamlet will win. Then Osric begins to praise Laertes effusively, though Hamlet and Horatio are unable to determine what point he is trying to make with his overly elaborate proclamations. Finally, a lord enters and asks Hamlet if he is ready to come to the match, as the king and queen are expecting him. Against Horatio's advice, Hamlet agrees to fight, saying that "all's ill here about my heart," but that one must be ready for death, since it will come no matter what one does . The court marches into the hall, and Hamlet asks Laertes for forgiveness, claiming that it was his madness, and not his own will, that murdered Polonius. Laertes says that he will not forgive Hamlet until an elder, an expert in the fine points of honor, has advised him in the matter. But, in the meantime, he says, he will accept Hamlet's offer of love. They select their foils , and the king says that if Hamlet wins the first or second hit, he will drink to Hamlet's health, then throw into the cup a valuable gem and give the wine to Hamlet. The duel begins. Hamlet strikes Laertes but declines to drink from the cup, saying that he will play another hit first. He hits Laertes again, and Gertrude rises to drink from the cup. The king tells her not to drink, but she does so anyway. In an aside, Claudius murmurs, "It is the poison'd cup: it is too late" . Laertes remarks under his breath that to wound Hamlet with the poisoned sword is almost against his conscience. But they fight again, and Laertes scores a hit against Hamlet, drawing blood. Scuffling, they manage to exchange swords, and Hamlet wounds Laertes with Laertes' own blade. The queen falls. Laertes, poisoned by his own sword, declares, "I am justly kill'd with my own treachery" . The queen moans that the cup must have been poisoned, calls out to Hamlet, and dies. Laertes tells Hamlet that he, too, has been slain, by his own poisoned sword, and that the king is to blame both for the poison on the sword and for the poison in the cup. Hamlet, in a fury, runs Claudius through with the poisoned sword and forces him to drink down the rest of the poisoned wine. Claudius dies crying out for help. Hamlet tells Horatio that he is dying and exchanges a last forgiveness with Laertes, who dies after absolving Hamlet. The sound of marching echoes through the hall, and a shot rings out nearby. Osric declares that Fortinbras has come in conquest from Poland and now fires a volley to the English ambassadors. Hamlet tells Horatio again that he is dying, and urges his friend not to commit suicide in light of all the tragedies, but instead to stay alive and tell his story. He says that he wishes Fortinbras to be made King of Denmark; then he dies. Fortinbras marches into the room accompanied by the English ambassadors, who announce that Rosencrantz and Guildenstern are dead. Horatio says that he will tell everyone assembled the story that led to the gruesome scene now on display. Fortinbras orders for Hamlet to be carried away like a soldier.


prompt:
Chapter: ACT I. Scene I.
Elsinore. A platform before the Castle.

Enter two Sentinels-[first,] Francisco, [who paces up and down
at his post; then] Bernardo, [who approaches him].

  Ber. Who's there?
  Fran. Nay, answer me. Stand and unfold yourself.
  Ber. Long live the King!
  Fran. Bernardo?
  Ber. He.
  Fran. You come most carefully upon your hour.
  Ber. 'Tis now struck twelve. Get thee to bed, Francisco.
  Fran. For this relief much thanks. 'Tis bitter cold,
    And I am sick at heart.
  Ber. Have you had quiet guard?
  Fran. Not a mouse stirring.
  Ber. Well, good night.
    If you do meet Horatio and Marcellus,
    The rivals of my watch, bid them make haste.

                    Enter Horatio and Marcellus.

  Fran. I think I hear them. Stand, ho! Who is there?
  Hor. Friends to this ground.
  Mar. And liegemen to the Dane.
  Fran. Give you good night.
  Mar. O, farewell, honest soldier.
    Who hath reliev'd you?
  Fran. Bernardo hath my place.
    Give you good night.                                   Exit.
  Mar. Holla, Bernardo!
  Ber. Say-
    What, is Horatio there ?
  Hor. A piece of him.
  Ber. Welcome, Horatio. Welcome, good Marcellus.
  Mar. What, has this thing appear'd again to-night?
  Ber. I have seen nothing.
  Mar. Horatio says 'tis but our fantasy,
    And will not let belief take hold of him
    Touching this dreaded sight, twice seen of us.
    Therefore I have entreated him along,
    With us to watch the minutes of this night,
    That, if again this apparition come,
    He may approve our eyes and speak to it.
  Hor. Tush, tush, 'twill not appear.
  Ber. Sit down awhile,
    And let us once again assail your ears,
    That are so fortified against our story,
    What we two nights have seen.
  Hor. Well, sit we down,
    And let us hear Bernardo speak of this.
  Ber. Last night of all,
    When yond same star that's westward from the pole
    Had made his course t' illume that part of heaven
    Where now it burns, Marcellus and myself,
    The bell then beating one-

                        Enter Ghost.

  Mar. Peace! break thee off! Look where it comes again!
  Ber. In the same figure, like the King that's dead.
  Mar. Thou art a scholar; speak to it, Horatio.
  Ber. Looks it not like the King? Mark it, Horatio.
  Hor. Most like. It harrows me with fear and wonder.
  Ber. It would be spoke to.
  Mar. Question it, Horatio.
  Hor. What art thou that usurp'st this time of night
    Together with that fair and warlike form
    In which the majesty of buried Denmark
    Did sometimes march? By heaven I charge thee speak!
  Mar. It is offended.
  Ber. See, it stalks away!
  Hor. Stay! Speak, speak! I charge thee speak!
                                                     Exit Ghost.
  Mar. 'Tis gone and will not answer.
  Ber. How now, Horatio? You tremble and look pale.
    Is not this something more than fantasy?
    What think you on't?
  Hor. Before my God, I might not this believe
    Without the sensible and true avouch
    Of mine own eyes.
  Mar. Is it not like the King?
  Hor. As thou art to thyself.
    Such was the very armour he had on
    When he th' ambitious Norway combated.
    So frown'd he once when, in an angry parle,
    He smote the sledded Polacks on the ice.
    'Tis strange.
  Mar. Thus twice before, and jump at this dead hour,
    With martial stalk hath he gone by our watch.
  Hor. In what particular thought to work I know not;
    But, in the gross and scope of my opinion,
    This bodes some strange eruption to our state.
  Mar. Good now, sit down, and tell me he that knows,
    Why this same strict and most observant watch
    So nightly toils the subject of the land,
    And why such daily cast of brazen cannon
    And foreign mart for implements of war;
    Why such impress of shipwrights, whose sore task
    Does not divide the Sunday from the week.
    What might be toward, that this sweaty haste
    Doth make the night joint-labourer with the day?
    Who is't that can inform me?
  Hor. That can I.
    At least, the whisper goes so. Our last king,
    Whose image even but now appear'd to us,
    Was, as you know, by Fortinbras of Norway,
    Thereto prick'd on by a most emulate pride,
    Dar'd to the combat; in which our valiant Hamlet
    (For so this side of our known world esteem'd him)
    Did slay this Fortinbras; who, by a seal'd compact,
    Well ratified by law and heraldry,
    Did forfeit, with his life, all those his lands
    Which he stood seiz'd of, to the conqueror;
    Against the which a moiety competent
    Was gaged by our king; which had return'd
    To the inheritance of Fortinbras,
    Had he been vanquisher, as, by the same cov'nant
    And carriage of the article design'd,
    His fell to Hamlet. Now, sir, young Fortinbras,
    Of unimproved mettle hot and full,
    Hath in the skirts of Norway, here and there,
    Shark'd up a list of lawless resolutes,
    For food and diet, to some enterprise
    That hath a stomach in't; which is no other,
    As it doth well appear unto our state,
    But to recover of us, by strong hand
    And terms compulsatory, those foresaid lands
    So by his father lost; and this, I take it,
    Is the main motive of our preparations,
    The source of this our watch, and the chief head
    Of this post-haste and romage in the land.
  Ber. I think it be no other but e'en so.
    Well may it sort that this portentous figure
    Comes armed through our watch, so like the King
    That was and is the question of these wars.
  Hor. A mote it is to trouble the mind's eye.
    In the most high and palmy state of Rome,
    A little ere the mightiest Julius fell,
    The graves stood tenantless, and the sheeted dead
    Did squeak and gibber in the Roman streets;
    As stars with trains of fire, and dews of blood,
    Disasters in the sun; and the moist star
    Upon whose influence Neptune's empire stands
    Was sick almost to doomsday with eclipse.
    And even the like precurse of fierce events,
    As harbingers preceding still the fates
    And prologue to the omen coming on,
    Have heaven and earth together demonstrated
    Unto our climature and countrymen.

                      Enter Ghost again.

    But soft! behold! Lo, where it comes again!
    I'll cross it, though it blast me.- Stay illusion!
                                               Spreads his arms.
    If thou hast any sound, or use of voice,
    Speak to me.
    If there be any good thing to be done,
    That may to thee do ease, and, race to me,
    Speak to me.
    If thou art privy to thy country's fate,
    Which happily foreknowing may avoid,
    O, speak!
    Or if thou hast uphoarded in thy life
    Extorted treasure in the womb of earth
    (For which, they say, you spirits oft walk in death),
                                                 The cock crows.
    Speak of it! Stay, and speak!- Stop it, Marcellus!
  Mar. Shall I strike at it with my partisan?
  Hor. Do, if it will not stand.
  Ber. 'Tis here!
  Hor. 'Tis here!
  Mar. 'Tis gone!
                                                     Exit Ghost.
    We do it wrong, being so majestical,
    To offer it the show of violence;
    For it is as the air, invulnerable,
    And our vain blows malicious mockery.
  Ber. It was about to speak, when the cock crew.
  Hor. And then it started, like a guilty thing
    Upon a fearful summons. I have heard
    The cock, that is the trumpet to the morn,
    Doth with his lofty and shrill-sounding throat
    Awake the god of day; and at his warning,
    Whether in sea or fire, in earth or air,
    Th' extravagant and erring spirit hies
    To his confine; and of the truth herein
    This present object made probation.
  Mar. It faded on the crowing of the cock.
    Some say that ever, 'gainst that season comes
    Wherein our Saviour's birth is celebrated,
    The bird of dawning singeth all night long;
    And then, they say, no spirit dare stir abroad,
    The nights are wholesome, then no planets strike,
    No fairy takes, nor witch hath power to charm,
    So hallow'd and so gracious is the time.
  Hor. So have I heard and do in part believe it.
    But look, the morn, in russet mantle clad,
    Walks o'er the dew of yon high eastward hill.
    Break we our watch up; and by my advice
    Let us impart what we have seen to-night
    Unto young Hamlet; for, upon my life,
    This spirit, dumb to us, will speak to him.
    Do you consent we shall acquaint him with it,
    As needful in our loves, fitting our duty?
    Let's do't, I pray; and I this morning know
    Where we shall find him most conveniently.           Exeunt.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The scene opens with the changing of the guard outside Elsinore, the royal residence and court of the King of Denmark. Francisco is on guard, but is very happy to relieved by Bernardo and Marcellus. All three guards discuss the ghost that they have seen on previous nights. Bernardo and Marcellus have brought along a friend, Horatio. Horatio is skeptical and believes the so-called ghost is a figment of the guards' imaginations. The ghost soon appears and looks like the recently deceased king. Horatio is struck with fear and wonder. When he tries to question the ghost, the apparition flees. The once skeptical Horatio is now convinced of the ghost's existence and believes it is a "fair and warlike form" of the late Danish King Hamlet. The fact that the ghost is wearing the King's armor, used in the defeat of the King of Norway, makes Horatio think that the ghost must mean something bad for the entire state of Denmark. Marcellus tells Horatio that the ghost has appeared in the same manner for the past two nights. Marcellus asks Horatio to explain why Claudius, the new king, has been mustering the military resources of the country with such haste. He also remarks that a general spirit of unease and unrest pervades the kingdom, especially in the wake of King Hamlet's death. Horatio seizes the moment to narrate some important information about the present state of Denmark. The dead King Hamlet had defeated and slain Fortinbras, King of Norway, in battle. In accordance with the victory, all the lands belonging to Norway were ceded to Denmark. King Hamlet's sudden death gave young Fortinbras, the late Norwegian king's son, the opportunity for revenge against Denmark. The Nordic prince has raised an army of "lawless resolutes" who are willing to fight only for food and water; their explicit purpose in attacking Denmark is to recover the lands lost by Fortinbras. For this reason, Denmark has been put on alert, including night watches of which all three men are now a part. Bernardo remarks that the appearance of the ghost is probably a warning about the military threat looming over the country. Horatio, however, sees the ghost as an omen of bad times ahead for Denmark; he reminds the others of the unnatural phenomena that preceded Julius Caesar's assassination. In the meantime, the ghost appears again, and Horatio calls on the apparition to answer his questions for the sake of the fate of Denmark. The ghost, however, remains silent and then departs. Horatio then tries to restrain the ghost from leaving by striking it; still, it vanishes. Marcellus thinks that they have committed a grievous error in striking the ghost of the late king. Horatio remarks that the ghost had "started like a guilty thing/ Upon a fearful summons" at the crowing of the cock. He recalls that traditionally the crowing of the cock is believed to awake the god of day and serve as a warning to all preternatural and erring spirits that the time has come to return to their confines. As dawn breaks, Horatio and the two officers decide to share the events of the night with Prince Hamlet, the late king's son.


prompt:
Chapter: Scene II.
Elsinore. A room of state in the Castle.

Flourish. [Enter Claudius, King of Denmark, Gertrude the Queen,
Hamlet,
Polonius, Laertes and his sister Ophelia, [Voltemand, Cornelius,]
Lords Attendant.

  King. Though yet of Hamlet our dear brother's death
    The memory be green, and that it us befitted
    To bear our hearts in grief, and our whole kingdom
    To be contracted in one brow of woe,
    Yet so far hath discretion fought with nature
    That we with wisest sorrow think on him
    Together with remembrance of ourselves.
    Therefore our sometime sister, now our queen,
    Th' imperial jointress to this warlike state,
    Have we, as 'twere with a defeated joy,
    With an auspicious, and a dropping eye,
    With mirth in funeral, and with dirge in marriage,
    In equal scale weighing delight and dole,
    Taken to wife; nor have we herein barr'd
    Your better wisdoms, which have freely gone
    With this affair along. For all, our thanks.
    Now follows, that you know, young Fortinbras,
    Holding a weak supposal of our worth,
    Or thinking by our late dear brother's death
    Our state to be disjoint and out of frame,
    Colleagued with this dream of his advantage,
    He hath not fail'd to pester us with message
    Importing the surrender of those lands
    Lost by his father, with all bands of law,
    To our most valiant brother. So much for him.
    Now for ourself and for this time of meeting.
    Thus much the business is: we have here writ
    To Norway, uncle of young Fortinbras,
    Who, impotent and bedrid, scarcely hears
    Of this his nephew's purpose, to suppress
    His further gait herein, in that the levies,
    The lists, and full proportions are all made
    Out of his subject; and we here dispatch
    You, good Cornelius, and you, Voltemand,
    For bearers of this greeting to old Norway,
    Giving to you no further personal power
    To business with the King, more than the scope
    Of these dilated articles allow.            [Gives a paper.]
    Farewell, and let your haste commend your duty.
  Cor., Volt. In that, and all things, will we show our duty.
  King. We doubt it nothing. Heartily farewell.
                                 Exeunt Voltemand and Cornelius.
    And now, Laertes, what's the news with you?
    You told us of some suit. What is't, Laertes?
    You cannot speak of reason to the Dane
    And lose your voice. What wouldst thou beg, Laertes,
    That shall not be my offer, not thy asking?
    The head is not more native to the heart,
    The hand more instrumental to the mouth,
    Than is the throne of Denmark to thy father.
    What wouldst thou have, Laertes?
  Laer. My dread lord,
    Your leave and favour to return to France;
    From whence though willingly I came to Denmark
    To show my duty in your coronation,
    Yet now I must confess, that duty done,
    My thoughts and wishes bend again toward France
    And bow them to your gracious leave and pardon.
  King. Have you your father's leave? What says Polonius?
  Pol. He hath, my lord, wrung from me my slow leave
    By laboursome petition, and at last
    Upon his will I seal'd my hard consent.
    I do beseech you give him leave to go.
  King. Take thy fair hour, Laertes. Time be thine,
    And thy best graces spend it at thy will!
    But now, my cousin Hamlet, and my son-
  Ham. [aside] A little more than kin, and less than kind!
  King. How is it that the clouds still hang on you?
  Ham. Not so, my lord. I am too much i' th' sun.
  Queen. Good Hamlet, cast thy nighted colour off,
    And let thine eye look like a friend on Denmark.
    Do not for ever with thy vailed lids
    Seek for thy noble father in the dust.
    Thou know'st 'tis common. All that lives must die,
    Passing through nature to eternity.
  Ham. Ay, madam, it is common.
  Queen. If it be,
    Why seems it so particular with thee?
  Ham. Seems, madam, Nay, it is. I know not 'seems.'
    'Tis not alone my inky cloak, good mother,
    Nor customary suits of solemn black,
    Nor windy suspiration of forc'd breath,
    No, nor the fruitful river in the eye,
    Nor the dejected havior of the visage,
    Together with all forms, moods, shapes of grief,
    'That can denote me truly. These indeed seem,
    For they are actions that a man might play;
    But I have that within which passeth show-
    These but the trappings and the suits of woe.
  King. 'Tis sweet and commendable in your nature, Hamlet,
    To give these mourning duties to your father;
    But you must know, your father lost a father;
    That father lost, lost his, and the survivor bound
    In filial obligation for some term
    To do obsequious sorrow. But to persever
    In obstinate condolement is a course
    Of impious stubbornness. 'Tis unmanly grief;
    It shows a will most incorrect to heaven,
    A heart unfortified, a mind impatient,
    An understanding simple and unschool'd;
    For what we know must be, and is as common
    As any the most vulgar thing to sense,
    Why should we in our peevish opposition
    Take it to heart? Fie! 'tis a fault to heaven,
    A fault against the dead, a fault to nature,
    To reason most absurd, whose common theme
    Is death of fathers, and who still hath cried,
    From the first corse till he that died to-day,
    'This must be so.' We pray you throw to earth
    This unprevailing woe, and think of us
    As of a father; for let the world take note
    You are the most immediate to our throne,
    And with no less nobility of love
    Than that which dearest father bears his son
    Do I impart toward you. For your intent
    In going back to school in Wittenberg,
    It is most retrograde to our desire;
    And we beseech you, bend you to remain
    Here in the cheer and comfort of our eye,
    Our chiefest courtier, cousin, and our son.
  Queen. Let not thy mother lose her prayers, Hamlet.
    I pray thee stay with us, go not to Wittenberg.
  Ham. I shall in all my best obey you, madam.
  King. Why, 'tis a loving and a fair reply.
    Be as ourself in Denmark. Madam, come.
    This gentle and unforc'd accord of Hamlet
    Sits smiling to my heart; in grace whereof,
    No jocund health that Denmark drinks to-day
    But the great cannon to the clouds shall tell,
    And the King's rouse the heaven shall bruit again,
    Respeaking earthly thunder. Come away.
                                Flourish. Exeunt all but Hamlet.
  Ham. O that this too too solid flesh would melt,
    Thaw, and resolve itself into a dew!
    Or that the Everlasting had not fix'd
    His canon 'gainst self-slaughter! O God! God!
    How weary, stale, flat, and unprofitable
    Seem to me all the uses of this world!
    Fie on't! ah, fie! 'Tis an unweeded garden
    That grows to seed; things rank and gross in nature
    Possess it merely. That it should come to this!
    But two months dead! Nay, not so much, not two.
    So excellent a king, that was to this
    Hyperion to a satyr; so loving to my mother
    That he might not beteem the winds of heaven
    Visit her face too roughly. Heaven and earth!
    Must I remember? Why, she would hang on him
    As if increase of appetite had grown
    By what it fed on; and yet, within a month-
    Let me not think on't! Frailty, thy name is woman!-
    A little month, or ere those shoes were old
    With which she followed my poor father's body
    Like Niobe, all tears- why she, even she
    (O God! a beast that wants discourse of reason
    Would have mourn'd longer) married with my uncle;
    My father's brother, but no more like my father
    Than I to Hercules. Within a month,
    Ere yet the salt of most unrighteous tears
    Had left the flushing in her galled eyes,
    She married. O, most wicked speed, to post
    With such dexterity to incestuous sheets!
    It is not, nor it cannot come to good.
    But break my heart, for I must hold my tongue!

          Enter Horatio, Marcellus, and Bernardo.

  Hor. Hail to your lordship!
  Ham. I am glad to see you well.
    Horatio!- or I do forget myself.
  Hor. The same, my lord, and your poor servant ever.
  Ham. Sir, my good friend- I'll change that name with you.
    And what make you from Wittenberg, Horatio?
    Marcellus?
  Mar. My good lord!
  Ham. I am very glad to see you.- [To Bernardo] Good even, sir.-

    But what, in faith, make you from Wittenberg?
  Hor. A truant disposition, good my lord.
  Ham. I would not hear your enemy say so,
    Nor shall you do my ear that violence
    To make it truster of your own report
    Against yourself. I know you are no truant.
    But what is your affair in Elsinore?
    We'll teach you to drink deep ere you depart.
  Hor. My lord, I came to see your father's funeral.
  Ham. I prithee do not mock me, fellow student.
    I think it was to see my mother's wedding.
  Hor. Indeed, my lord, it followed hard upon.
  Ham. Thrift, thrift, Horatio! The funeral bak'd meats
    Did coldly furnish forth the marriage tables.
    Would I had met my dearest foe in heaven
    Or ever I had seen that day, Horatio!
    My father- methinks I see my father.
  Hor. O, where, my lord?
  Ham. In my mind's eye, Horatio.
  Hor. I saw him once. He was a goodly king.
  Ham. He was a man, take him for all in all.
    I shall not look upon his like again.
  Hor. My lord, I think I saw him yesternight.
  Ham. Saw? who?
  Hor. My lord, the King your father.
  Ham. The King my father?
  Hor. Season your admiration for a while
    With an attent ear, till I may deliver
    Upon the witness of these gentlemen,
    This marvel to you.
  Ham. For God's love let me hear!
  Hor. Two nights together had these gentlemen
    (Marcellus and Bernardo) on their watch
    In the dead vast and middle of the night
    Been thus encount'red. A figure like your father,
    Armed at point exactly, cap-a-pe,
    Appears before them and with solemn march
    Goes slow and stately by them. Thrice he walk'd
    By their oppress'd and fear-surprised eyes,
    Within his truncheon's length; whilst they distill'd
    Almost to jelly with the act of fear,
    Stand dumb and speak not to him. This to me
    In dreadful secrecy impart they did,
    And I with them the third night kept the watch;
    Where, as they had deliver'd, both in time,
    Form of the thing, each word made true and good,
    The apparition comes. I knew your father.
    These hands are not more like.
  Ham. But where was this?
  Mar. My lord, upon the platform where we watch'd.
  Ham. Did you not speak to it?
  Hor. My lord, I did;
    But answer made it none. Yet once methought
    It lifted up it head and did address
    Itself to motion, like as it would speak;
    But even then the morning cock crew loud,
    And at the sound it shrunk in haste away
    And vanish'd from our sight.
  Ham. 'Tis very strange.
  Hor. As I do live, my honour'd lord, 'tis true;
    And we did think it writ down in our duty
    To let you know of it.
  Ham. Indeed, indeed, sirs. But this troubles me.
    Hold you the watch to-night?
  Both [Mar. and Ber.] We do, my lord.
  Ham. Arm'd, say you?
  Both. Arm'd, my lord.
  Ham. From top to toe?
  Both. My lord, from head to foot.
  Ham. Then saw you not his face?
  Hor. O, yes, my lord! He wore his beaver up.
  Ham. What, look'd he frowningly.
  Hor. A countenance more in sorrow than in anger.
  Ham. Pale or red?
  Hor. Nay, very pale.
  Ham. And fix'd his eyes upon you?
  Hor. Most constantly.
  Ham. I would I had been there.
  Hor. It would have much amaz'd you.
  Ham. Very like, very like. Stay'd it long?
  Hor. While one with moderate haste might tell a hundred.
  Both. Longer, longer.
  Hor. Not when I saw't.
  Ham. His beard was grizzled- no?
  Hor. It was, as I have seen it in his life,
    A sable silver'd.
  Ham. I will watch to-night.
    Perchance 'twill walk again.
  Hor. I warr'nt it will.
  Ham. If it assume my noble father's person,
    I'll speak to it, though hell itself should gape
    And bid me hold my peace. I pray you all,
    If you have hitherto conceal'd this sight,
    Let it be tenable in your silence still;
    And whatsoever else shall hap to-night,
    Give it an understanding but no tongue.
    I will requite your loves. So, fare you well.
    Upon the platform, 'twixt eleven and twelve,
    I'll visit you.
  All. Our duty to your honour.
  Ham. Your loves, as mine to you. Farewell.
                                        Exeunt [all but Hamlet].
    My father's spirit- in arms? All is not well.
    I doubt some foul play. Would the night were come!
    Till then sit still, my soul. Foul deeds will rise,
    Though all the earth o'erwhelm them, to men's eyes.
Exit.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Claudius, the new King of Denmark and brother of the late King Hamlet, enters with his new wife Queen Gertrude, his nephew-turned-stepson Hamlet, Polonius, Laertes, and other courtiers and attendants. Claudius is warning the members of the court against excessive grief over the late king. He justifies his admittedly hasty marriage to Gertrude, the widowed queen, by saying that the marriage had been done in the best interest of Denmark and with the approval of the courtiers. He then turns to the issue of the growing animosity between Denmark and Norway. Claudius tells the members of the court about the recent aggression by Young Fortinbras, Prince of Norway, who is mobilizing his military resources with the intention of recovering from Denmark the lands lost by his late father. Claudius feels the young Fortinbras is taking advantage of the confusion and disorganization of Denmark in the wake of the sudden death of King Hamlet. Claudius tells his court that the new King of Norway, who is the uncle of the young prince, is old and bed-ridden and has no knowledge of his nephew's vengeful actions. Claudius states that he has written a letter to the old King requesting him to restrain his nephew from his aggressive military preparations against Denmark. Claudius then turns to Laertes, who requests permission to return to France. Laertes explains that he had come to Denmark in order to be present at the coronation ceremony. Laertes' father, Polonius, is reluctant to say goodbye to his son, but finally consents. Claudius then grants leave to Laertes. Claudius turns to Prince Hamlet, who continues to grieve for his father, and questions him regarding his melancholy. Queen Gertrude advises Hamlet to deal philosophically with his grief, telling him all human beings must die eventually. She then begs her son to regard the new King  as a friend. Hamlet, extremely upset at his mother's hasty remarriage and her apparent lack of mourning, is deeply hurt and irritably replies to his mother that his grief is genuine and cannot be philosophized away. He explains that his dark cloak and other external signs of mourning are nothing in comparison with what he feels in his heart. Claudius commends Hamlet for his intense devotion to his late father but points out that everybody, at some point in life, suffers such a loss. He adds that a protracted period of mourning goes against the teachings of religion and is evidence of "impious stubbornness." Claudius asks Hamlet to regard him as his father and tries to give him paternal advice. Not approving of Hamlet's wish to return to Wittenberg, Claudius implores him to remain at Elsinore. When the Queen also urges Hamlet to stay, he consents. Claudius proclaims that a great feast will be held that night to celebrate Hamlet's "gentle and unforc'd accord." Claudius, Gertrude, and the courtiers then depart. Left alone for the first time, Hamlet expresses his melancholy aloud. He is disgusted with life, and the world appears to him "weary, stale, flat, and, unprofitable," a place fit for only those who are gross and ill of nature. He longs to die and wishes that suicide were not a sin. He is outraged by his mother's hasty marriage to his Uncle laudius barely two months after the death of his father and curses her frailty. Though Claudius is the late King's brother, he is a much inferior man and cannot be compared with Hamlet's father. Hamlet curbs his emotions as he sees Horatio and Marcellus approaching. During conversation with Hamlet, Horatio makes it clear that he does not approve of the Queen's hasty remarriage. He also tells Hamlet about Bernardo and Marcellus seeing the ghost of the late King on two consecutive nights during their guard duty. Horatio also explains that he himself joined the watch and saw the ghost with his own eyes. When Hamlet asks his friend whether he tried to speak to the ghost, Horatio explains how it remained silent and shrank away when the cock crowed. A curious Hamlet questions Horatio about every little detail of his encounter with the apparition. He then decides to join the watch later in the night, hopeful of seeing the ghost himself. He swears Horatio, Bernardo, and Marcellus to secrecy about what they have seen. After his friends depart, Hamlet is once again left alone and reflects upon the strange news he has just heard. He is convinced that the appearance of his father's apparition is an omen of foul play that will soon be revealed. Hamlet exclaims, "My father's spirit in arms! All is not well."


prompt:
Chapter: Scene III.
Elsinore. A room in the house of Polonius.

Enter Laertes and Ophelia.

  Laer. My necessaries are embark'd. Farewell.
    And, sister, as the winds give benefit
    And convoy is assistant, do not sleep,
    But let me hear from you.
  Oph. Do you doubt that?
  Laer. For Hamlet, and the trifling of his favour,
    Hold it a fashion, and a toy in blood;
    A violet in the youth of primy nature,
    Forward, not permanent- sweet, not lasting;
    The perfume and suppliance of a minute;
    No more.
  Oph. No more but so?
  Laer. Think it no more.
    For nature crescent does not grow alone
    In thews and bulk; but as this temple waxes,
    The inward service of the mind and soul
    Grows wide withal. Perhaps he loves you now,
    And now no soil nor cautel doth besmirch
    The virtue of his will; but you must fear,
    His greatness weigh'd, his will is not his own;
    For he himself is subject to his birth.
    He may not, as unvalued persons do,
    Carve for himself, for on his choice depends
    The safety and health of this whole state,
    And therefore must his choice be circumscrib'd
    Unto the voice and yielding of that body
    Whereof he is the head. Then if he says he loves you,
    It fits your wisdom so far to believe it
    As he in his particular act and place
    May give his saying deed; which is no further
    Than the main voice of Denmark goes withal.
    Then weigh what loss your honour may sustain
    If with too credent ear you list his songs,
    Or lose your heart, or your chaste treasure open
    To his unmast'red importunity.
    Fear it, Ophelia, fear it, my dear sister,
    And keep you in the rear of your affection,
    Out of the shot and danger of desire.
    The chariest maid is prodigal enough
    If she unmask her beauty to the moon.
    Virtue itself scopes not calumnious strokes.
    The canker galls the infants of the spring
    Too oft before their buttons be disclos'd,
    And in the morn and liquid dew of youth
    Contagious blastments are most imminent.
    Be wary then; best safety lies in fear.
    Youth to itself rebels, though none else near.
  Oph. I shall th' effect of this good lesson keep
    As watchman to my heart. But, good my brother,
    Do not as some ungracious pastors do,
    Show me the steep and thorny way to heaven,
    Whiles, like a puff'd and reckless libertine,
    Himself the primrose path of dalliance treads
    And recks not his own rede.
  Laer. O, fear me not!

                       Enter Polonius.

    I stay too long. But here my father comes.
    A double blessing is a double grace;
    Occasion smiles upon a second leave.
  Pol. Yet here, Laertes? Aboard, aboard, for shame!
    The wind sits in the shoulder of your sail,
    And you are stay'd for. There- my blessing with thee!
    And these few precepts in thy memory
    Look thou character. Give thy thoughts no tongue,
    Nor any unproportion'd thought his act.
    Be thou familiar, but by no means vulgar:
    Those friends thou hast, and their adoption tried,
    Grapple them unto thy soul with hoops of steel;
    But do not dull thy palm with entertainment
    Of each new-hatch'd, unfledg'd comrade. Beware
    Of entrance to a quarrel; but being in,
    Bear't that th' opposed may beware of thee.
    Give every man thine ear, but few thy voice;
    Take each man's censure, but reserve thy judgment.
    Costly thy habit as thy purse can buy,
    But not express'd in fancy; rich, not gaudy;
    For the apparel oft proclaims the man,
    And they in France of the best rank and station
    Are most select and generous, chief in that.
    Neither a borrower nor a lender be;
    For loan oft loses both itself and friend,
    And borrowing dulls the edge of husbandry.
    This above all- to thine own self be true,
    And it must follow, as the night the day,
    Thou canst not then be false to any man.
    Farewell. My blessing season this in thee!
  Laer. Most humbly do I take my leave, my lord.
  Pol. The time invites you. Go, your servants tend.
  Laer. Farewell, Ophelia, and remember well
    What I have said to you.
  Oph. 'Tis in my memory lock'd,
    And you yourself shall keep the key of it.
  Laer. Farewell.                                          Exit.
  Pol. What is't, Ophelia, he hath said to you?
  Oph. So please you, something touching the Lord Hamlet.
  Pol. Marry, well bethought!
    'Tis told me he hath very oft of late
    Given private time to you, and you yourself
    Have of your audience been most free and bounteous.
    If it be so- as so 'tis put on me,
    And that in way of caution- I must tell you
    You do not understand yourself so clearly
    As it behooves my daughter and your honour.
    What is between you? Give me up the truth.
  Oph. He hath, my lord, of late made many tenders
    Of his affection to me.
  Pol. Affection? Pooh! You speak like a green girl,
    Unsifted in such perilous circumstance.
    Do you believe his tenders, as you call them?
  Oph. I do not know, my lord, what I should think,
  Pol. Marry, I will teach you! Think yourself a baby
    That you have ta'en these tenders for true pay,
    Which are not sterling. Tender yourself more dearly,
    Or (not to crack the wind of the poor phrase,
    Running it thus) you'll tender me a fool.
  Oph. My lord, he hath importun'd me with love
    In honourable fashion.
  Pol. Ay, fashion you may call it. Go to, go to!
  Oph. And hath given countenance to his speech, my lord,
    With almost all the holy vows of heaven.
  Pol. Ay, springes to catch woodcocks! I do know,
    When the blood burns, how prodigal the soul
    Lends the tongue vows. These blazes, daughter,
    Giving more light than heat, extinct in both
    Even in their promise, as it is a-making,
    You must not take for fire. From this time
    Be something scanter of your maiden presence.
    Set your entreatments at a higher rate
    Than a command to parley. For Lord Hamlet,
    Believe so much in him, that he is young,
    And with a larger tether may he walk
    Than may be given you. In few, Ophelia,
    Do not believe his vows; for they are brokers,
    Not of that dye which their investments show,
    But mere implorators of unholy suits,
    Breathing like sanctified and pious bawds,
    The better to beguile. This is for all:
    I would not, in plain terms, from this time forth
    Have you so slander any moment leisure
    As to give words or talk with the Lord Hamlet.
    Look to't, I charge you. Come your ways.
  Oph. I shall obey, my lord.
                                                         Exeunt.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: In this scene, Laertes is saying goodbye to Ophelia, his sister, before he departs for France. Acting as a concerned and bossy older brother, he warns Ophelia not to reciprocate Hamlet's advances and professions of love, reminding her that princes are not free to choose their own wives. Ophelia accepts Laertes' advice with reluctance. Polonius enters and gives his son some last minute advice about his conduct abroad. As Laertes leaves, he reminds Ophelia to follow his advice. Polonius immediately asks Ophelia what her brother has been talking to her about and is pleased to hear that Laertes has discussed Hamlet with her. This provides Polonius with an opportunity to talk to his daughter himself. Ophelia admits that Hamlet has expressed his love for her on many occasions. Unlike Laertes, who never doubts the genuine nature of Hamlet's feelings for Ophelia, Polonius scoffs at the idea that Hamlet's love is true and tells Ophelia that she is too young and inexperienced to see the Prince's insincerity. Ophelia tries in vain to assert the honorable nature of Hamlet's love, but Polonius cannot be convinced. He tells her to be more reserved in her associations with men and forbids her from meeting Hamlet again. Ophelia, a dutiful daughter, obediently agrees to do so.


prompt:
Chapter: Scene IV.
Elsinore. The platform before the Castle.

Enter Hamlet, Horatio, and Marcellus.

  Ham. The air bites shrewdly; it is very cold.
  Hor. It is a nipping and an eager air.
  Ham. What hour now?
  Hor. I think it lacks of twelve.
  Mar. No, it is struck.
  Hor. Indeed? I heard it not. It then draws near the season
    Wherein the spirit held his wont to walk.
                   A flourish of trumpets, and two pieces go off.
    What does this mean, my lord?
  Ham. The King doth wake to-night and takes his rouse,
    Keeps wassail, and the swagg'ring upspring reels,
    And, as he drains his draughts of Rhenish down,
    The kettledrum and trumpet thus bray out
    The triumph of his pledge.
  Hor. Is it a custom?
  Ham. Ay, marry, is't;
    But to my mind, though I am native here
    And to the manner born, it is a custom
    More honour'd in the breach than the observance.
    This heavy-headed revel east and west
    Makes us traduc'd and tax'd of other nations;
    They clip us drunkards and with swinish phrase
    Soil our addition; and indeed it takes
    From our achievements, though perform'd at height,
    The pith and marrow of our attribute.
    So oft it chances in particular men
    That, for some vicious mole of nature in them,
    As in their birth,- wherein they are not guilty,
    Since nature cannot choose his origin,-
    By the o'ergrowth of some complexion,
    Oft breaking down the pales and forts of reason,
    Or by some habit that too much o'erleavens
    The form of plausive manners, that these men
    Carrying, I say, the stamp of one defect,
    Being nature's livery, or fortune's star,
    Their virtues else- be they as pure as grace,
    As infinite as man may undergo-
    Shall in the general censure take corruption
    From that particular fault. The dram of e'il
    Doth all the noble substance often dout To his own scandal.

                         Enter Ghost.

  Hor. Look, my lord, it comes!
  Ham. Angels and ministers of grace defend us!
    Be thou a spirit of health or goblin damn'd,
    Bring with thee airs from heaven or blasts from hell,
    Be thy intents wicked or charitable,
    Thou com'st in such a questionable shape
    That I will speak to thee. I'll call thee Hamlet,
    King, father, royal Dane. O, answer me?
    Let me not burst in ignorance, but tell
    Why thy canoniz'd bones, hearsed in death,
    Have burst their cerements; why the sepulchre
    Wherein we saw thee quietly inurn'd,
    Hath op'd his ponderous and marble jaws
    To cast thee up again. What may this mean
    That thou, dead corse, again in complete steel,
    Revisits thus the glimpses of the moon,
    Making night hideous, and we fools of nature
    So horridly to shake our disposition
    With thoughts beyond the reaches of our souls?
    Say, why is this? wherefore? What should we do?
                                           Ghost beckons Hamlet.
  Hor. It beckons you to go away with it,
    As if it some impartment did desire
    To you alone.
  Mar. Look with what courteous action
    It waves you to a more removed ground.
    But do not go with it!
  Hor. No, by no means!
  Ham. It will not speak. Then will I follow it.
  Hor. Do not, my lord!
  Ham. Why, what should be the fear?
    I do not set my life at a pin's fee;
    And for my soul, what can it do to that,
    Being a thing immortal as itself?
    It waves me forth again. I'll follow it.
  Hor. What if it tempt you toward the flood, my lord,
    Or to the dreadful summit of the cliff
    That beetles o'er his base into the sea,
    And there assume some other, horrible form
    Which might deprive your sovereignty of reason
    And draw you into madness? Think of it.
    The very place puts toys of desperation,
    Without more motive, into every brain
    That looks so many fadoms to the sea
    And hears it roar beneath.
  Ham. It waves me still.
    Go on. I'll follow thee.
  Mar. You shall not go, my lord.
  Ham. Hold off your hands!
  Hor. Be rul'd. You shall not go.
  Ham. My fate cries out
    And makes each petty artire in this body
    As hardy as the Nemean lion's nerve.
                                                [Ghost beckons.]

    Still am I call'd. Unhand me, gentlemen.
    By heaven, I'll make a ghost of him that lets me!-
    I say, away!- Go on. I'll follow thee.
                                        Exeunt Ghost and Hamlet.
  Hor. He waxes desperate with imagination.
  Mar. Let's follow. 'Tis not fit thus to obey him.
  Hor. Have after. To what issue will this come?
  Mar. Something is rotten in the state of Denmark.
  Hor. Heaven will direct it.
  Mar. Nay, let's follow him.
                                                         Exeunt.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The setting shifts to the outside battlements of the castle at Elsinore. As earlier planned, Hamlet arrives with Horatio and Marcellus, just before midnight in order to watch for the Ghost. While they are speaking to one another, a flourish of trumpets and canon fire is heard in the distance. Hamlet explains in disgust that this is a sign that the new King, his uncle and stepfather, is engaged in his customary drunken revelry. Suddenly the ghost appears. Hamlet addresses the apparition as "King, father; royal Dane" and implores it to reveal the reason for its nocturnal wanderings. The ghost simply beckons Hamlet to follow it to another place. Horatio and Marcellus beg Hamlet not to obey the ghost, fearing it would be dangerous and could even lead to his death; but Hamlet ignores his friends' warnings, breaks away from them when they try to physically restrain him, and follows the Ghost. Horatio and Marcellus are convinced that "something is rotten in the state of Denmark" and decide to follow Hamlet.


prompt:
Chapter: Scene V.
Elsinore. The Castle. Another part of the fortifications.

Enter Ghost and Hamlet.

  Ham. Whither wilt thou lead me? Speak! I'll go no further.
  Ghost. Mark me.
  Ham. I will.
  Ghost. My hour is almost come,
    When I to sulph'rous and tormenting flames
    Must render up myself.
  Ham. Alas, poor ghost!
  Ghost. Pity me not, but lend thy serious hearing
    To what I shall unfold.
  Ham. Speak. I am bound to hear.
  Ghost. So art thou to revenge, when thou shalt hear.
  Ham. What?
  Ghost. I am thy father's spirit,
    Doom'd for a certain term to walk the night,
    And for the day confin'd to fast in fires,
    Till the foul crimes done in my days of nature
    Are burnt and purg'd away. But that I am forbid
    To tell the secrets of my prison house,
    I could a tale unfold whose lightest word
    Would harrow up thy soul, freeze thy young blood,
    Make thy two eyes, like stars, start from their spheres,
    Thy knotted and combined locks to part,
    And each particular hair to stand on end
    Like quills upon the fretful porcupine.
    But this eternal blazon must not be
    To ears of flesh and blood. List, list, O, list!
    If thou didst ever thy dear father love-
  Ham. O God!
  Ghost. Revenge his foul and most unnatural murther.
  Ham. Murther?
  Ghost. Murther most foul, as in the best it is;
    But this most foul, strange, and unnatural.
  Ham. Haste me to know't, that I, with wings as swift
    As meditation or the thoughts of love,
    May sweep to my revenge.
  Ghost. I find thee apt;
    And duller shouldst thou be than the fat weed
    That rots itself in ease on Lethe wharf,
    Wouldst thou not stir in this. Now, Hamlet, hear.
    'Tis given out that, sleeping in my orchard,
    A serpent stung me. So the whole ear of Denmark
    Is by a forged process of my death
    Rankly abus'd. But know, thou noble youth,
    The serpent that did sting thy father's life
    Now wears his crown.
  Ham. O my prophetic soul!
    My uncle?
  Ghost. Ay, that incestuous, that adulterate beast,
    With witchcraft of his wit, with traitorous gifts-
    O wicked wit and gifts, that have the power
    So to seduce!- won to his shameful lust
    The will of my most seeming-virtuous queen.
    O Hamlet, what a falling-off was there,
    From me, whose love was of that dignity
    That it went hand in hand even with the vow
    I made to her in marriage, and to decline
    Upon a wretch whose natural gifts were poor
    To those of mine!
    But virtue, as it never will be mov'd,
    Though lewdness court it in a shape of heaven,
    So lust, though to a radiant angel link'd,
    Will sate itself in a celestial bed
    And prey on garbage.
    But soft! methinks I scent the morning air.
    Brief let me be. Sleeping within my orchard,
    My custom always of the afternoon,
    Upon my secure hour thy uncle stole,
    With juice of cursed hebona in a vial,
    And in the porches of my ears did pour
    The leperous distilment; whose effect
    Holds such an enmity with blood of man
    That swift as quicksilver it courses through
    The natural gates and alleys of the body,
    And with a sudden vigour it doth posset
    And curd, like eager droppings into milk,
    The thin and wholesome blood. So did it mine;
    And a most instant tetter bark'd about,
    Most lazar-like, with vile and loathsome crust
    All my smooth body.
    Thus was I, sleeping, by a brother's hand
    Of life, of crown, of queen, at once dispatch'd;
    Cut off even in the blossoms of my sin,
    Unhous'led, disappointed, unanel'd,
    No reckoning made, but sent to my account
    With all my imperfections on my head.
  Ham. O, horrible! O, horrible! most horrible!
  Ghost. If thou hast nature in thee, bear it not.
    Let not the royal bed of Denmark be
    A couch for luxury and damned incest.
    But, howsoever thou pursuest this act,
    Taint not thy mind, nor let thy soul contrive
    Against thy mother aught. Leave her to heaven,
    And to those thorns that in her bosom lodge
    To prick and sting her. Fare thee well at once.
    The glowworm shows the matin to be near
    And gins to pale his uneffectual fire.
    Adieu, adieu, adieu! Remember me.                      Exit.

  Ham. O all you host of heaven! O earth! What else?
    And shall I couple hell? Hold, hold, my heart!
    And you, my sinews, grow not instant old,
    But bear me stiffly up. Remember thee?
    Ay, thou poor ghost, while memory holds a seat
    In this distracted globe. Remember thee?
    Yea, from the table of my memory
    I'll wipe away all trivial fond records,
    All saws of books, all forms, all pressures past
    That youth and observation copied there,
    And thy commandment all alone shall live
    Within the book and volume of my brain,
    Unmix'd with baser matter. Yes, by heaven!
    O most pernicious woman!
    O villain, villain, smiling, damned villain!
    My tables! Meet it is I set it down
    That one may smile, and smile, and be a villain;
    At least I am sure it may be so in Denmark.        [Writes.]
    So, uncle, there you are. Now to my word:
    It is 'Adieu, adieu! Remember me.'
    I have sworn't.
  Hor. (within) My lord, my lord!

                   Enter Horatio and Marcellus.

  Mar. Lord Hamlet!
  Hor. Heaven secure him!
  Ham. So be it!
  Mar. Illo, ho, ho, my lord!
  Ham. Hillo, ho, ho, boy! Come, bird, come.
  Mar. How is't, my noble lord?
  Hor. What news, my lord?
  Mar. O, wonderful!
  Hor. Good my lord, tell it.
  Ham. No, you will reveal it.
  Hor. Not I, my lord, by heaven!
  Mar. Nor I, my lord.
  Ham. How say you then? Would heart of man once think it?
    But you'll be secret?
  Both. Ay, by heaven, my lord.
  Ham. There's neer a villain dwelling in all Denmark
    But he's an arrant knave.
  Hor. There needs no ghost, my lord, come from the grave
    To tell us this.
  Ham. Why, right! You are in the right!
    And so, without more circumstance at all,
    I hold it fit that we shake hands and part;
    You, as your business and desires shall point you,
    For every man hath business and desire,
    Such as it is; and for my own poor part,
    Look you, I'll go pray.
  Hor. These are but wild and whirling words, my lord.
  Ham. I am sorry they offend you, heartily;
    Yes, faith, heartily.
  Hor. There's no offence, my lord.
  Ham. Yes, by Saint Patrick, but there is, Horatio,
    And much offence too. Touching this vision here,
    It is an honest ghost, that let me tell you.
    For your desire to know what is between us,
    O'ermaster't as you may. And now, good friends,
    As you are friends, scholars, and soldiers,
    Give me one poor request.
  Hor. What is't, my lord? We will.
  Ham. Never make known what you have seen to-night.
  Both. My lord, we will not.
  Ham. Nay, but swear't.
  Hor. In faith,
    My lord, not I.
  Mar. Nor I, my lord- in faith.
  Ham. Upon my sword.
  Mar. We have sworn, my lord, already.
  Ham. Indeed, upon my sword, indeed.

                 Ghost cries under the stage.

  Ghost. Swear.
  Ham. Aha boy, say'st thou so? Art thou there, truepenny?
    Come on! You hear this fellow in the cellarage.
    Consent to swear.
  Hor. Propose the oath, my lord.
  Ham. Never to speak of this that you have seen.
    Swear by my sword.
  Ghost. [beneath] Swear.
  Ham. Hic et ubique? Then we'll shift our ground.
    Come hither, gentlemen,
    And lay your hands again upon my sword.
    Never to speak of this that you have heard:
    Swear by my sword.
  Ghost. [beneath] Swear by his sword.
  Ham. Well said, old mole! Canst work i' th' earth so fast?
    A worthy pioner! Once more remove, good friends."
  Hor. O day and night, but this is wondrous strange!
  Ham. And therefore as a stranger give it welcome.
    There are more things in heaven and earth, Horatio,
    Than are dreamt of in your philosophy.
    But come!
    Here, as before, never, so help you mercy,
    How strange or odd soe'er I bear myself
    (As I perchance hereafter shall think meet
    To put an antic disposition on),
    That you, at such times seeing me, never shall,
    With arms encumb'red thus, or this head-shake,
    Or by pronouncing of some doubtful phrase,
    As 'Well, well, we know,' or 'We could, an if we would,'
    Or 'If we list to speak,' or 'There be, an if they might,'
    Or such ambiguous giving out, to note
    That you know aught of me- this is not to do,
    So grace and mercy at your most need help you,
    Swear.
  Ghost. [beneath] Swear.
                                                   [They swear.]
  Ham. Rest, rest, perturbed spirit! So, gentlemen,
    With all my love I do commend me to you;
    And what so poor a man as Hamlet is
    May do t' express his love and friending to you,
    God willing, shall not lack. Let us go in together;
    And still your fingers on your lips, I pray.
    The time is out of joint. O cursed spite
    That ever I was born to set it right!
    Nay, come, let's go together.
                                                         Exeunt.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The ghost and Hamlet are alone on a platform. As dawn is fast approaching, the ghost remarks that there is little time left before he will have to return to "sulphurous and tormenting flames. " The apparition tells Hamlet that he is indeed the Ghost of King Hamlet. He tells the prince he is doomed to spend his days within the purgatorial fires of his prison and roam at nights until the "foul crimes" committed during his reign are avenged. The ghost then calls upon Hamlet to avenge his "most foul, strange and unnatural murder." Hamlet swears that he will, begging the ghost to tell him the name of his murderer. The ghost then tells Hamlet that the treacherous Claudius poured poison in his ear and killed him, depriving him of a last opportunity to confess his sins. The news that his father had lost his life, his crown, and his wife to Claudius is shocking to Hamlet. The ghost exhorts Hamlet to take revenge and prevent the royal bed of Denmark from becoming "a couch for luxury and damned incest." Before leaving, the ghost warns Hamlet not to take any action against his mother. Instead, he implores the prince to leave her punishment in the hands of God and her conscience. The ghost then leaves with the words, "Adieu, adieu! Remember me!" When Hamlet meets up with Horatio and Marcellus, he answers their questions evasively. He fears the disclosure of the ghost will get in the way of his quest to avenge his father, so he asks his friends to never reveal what has happened in any form. The voice of the ghost is heard from below the platform commanding the men to swear. Horatio and Marcellus take an oath upon Hamlet's sword. Hamlet then conceives his scheme of feigning madness while waiting for an opportune moment to confront Claudius. He asks his friends to swear that they will make no comment about his strange behavior should he choose to "put an antic disposition on" or act deranged. The ghost's voice is again heard, and the men swear not to reveal the reason for Hamlet's "madness". The troubled Hamlet thanks his friends, but he is very uncomfortable with the role of the avenger that has been thrust upon him. He laments, "The time is out of joint; O cursed spite / That ever I was born to set it right!"