prompt:
Chapter: CHAPTER XXVI

CAROL'S liveliest interest was in her walks with the baby. Hugh wanted
to know what the box-elder tree said, and what the Ford garage said, and
what the big cloud said, and she told him, with a feeling that she was
not in the least making up stories, but discovering the souls of things.
They had an especial fondness for the hitching-post in front of the
mill. It was a brown post, stout and agreeable; the smooth leg of it
held the sunlight, while its neck, grooved by hitching-straps, tickled
one's fingers. Carol had never been awake to the earth except as a show
of changing color and great satisfying masses; she had lived in people
and in ideas about having ideas; but Hugh's questions made her attentive
to the comedies of sparrows, robins, blue jays, yellowhammers; she
regained her pleasure in the arching flight of swallows, and added to it
a solicitude about their nests and family squabbles.

She forgot her seasons of boredom. She said to Hugh, "We're two fat
disreputable old minstrels roaming round the world," and he echoed her,
"Roamin' round--roamin' round."

The high adventure, the secret place to which they both fled joyously,
was the house of Miles and Bea and Olaf Bjornstam.

Kennicott steadily disapproved of the Bjornstams. He protested, "What
do you want to talk to that crank for?" He hinted that a former "Swede
hired girl" was low company for the son of Dr. Will Kennicott. She did
not explain. She did not quite understand it herself; did not know that
in the Bjornstams she found her friends, her club, her sympathy and her
ration of blessed cynicism. For a time the gossip of Juanita Haydock and
the Jolly Seventeen had been a refuge from the droning of Aunt Bessie,
but the relief had not continued. The young matrons made her nervous.
They talked so loud, always so loud. They filled a room with
clashing cackle; their jests and gags they repeated nine times over.
Unconsciously, she had discarded the Jolly Seventeen, Guy Pollock, Vida,
and every one save Mrs. Dr. Westlake and the friends whom she did not
clearly know as friends--the Bjornstams.

To Hugh, the Red Swede was the most heroic and powerful person in the
world. With unrestrained adoration he trotted after while Miles fed the
cows, chased his one pig--an animal of lax and migratory instincts--or
dramatically slaughtered a chicken. And to Hugh, Olaf was lord among
mortal men, less stalwart than the old monarch, King Miles, but more
understanding of the relations and values of things, of small sticks,
lone playing-cards, and irretrievably injured hoops.

Carol saw, though she did not admit, that Olaf was not only more
beautiful than her own dark child, but more gracious. Olaf was a Norse
chieftain: straight, sunny-haired, large-limbed, resplendently amiable
to his subjects. Hugh was a vulgarian; a bustling business man. It was
Hugh that bounced and said "Let's play"; Olaf that opened luminous blue
eyes and agreed "All right," in condescending gentleness. If Hugh batted
him--and Hugh did bat him--Olaf was unafraid but shocked. In magnificent
solitude he marched toward the house, while Hugh bewailed his sin and
the overclouding of august favor.

The two friends played with an imperial chariot which Miles had made out
of a starch-box and four red spools; together they stuck switches into
a mouse-hole, with vast satisfaction though entirely without known
results.

Bea, the chubby and humming Bea, impartially gave cookies and scoldings
to both children, and if Carol refused a cup of coffee and a wafer of
buttered knackebrod, she was desolated.

Miles had done well with his dairy. He had six cows, two hundred
chickens, a cream separator, a Ford truck. In the spring he had built a
two-room addition to his shack. That illustrious building was to Hugh a
carnival. Uncle Miles did the most spectacular, unexpected things: ran
up the ladder; stood on the ridge-pole, waving a hammer and singing
something about "To arms, my citizens"; nailed shingles faster than
Aunt Bessie could iron handkerchiefs; and lifted a two-by-six with Hugh
riding on one end and Olaf on the other. Uncle Miles's most ecstatic
trick was to make figures not on paper but right on a new pine board,
with the broadest softest pencil in the world. There was a thing worth
seeing!

The tools! In his office Father had tools fascinating in their shininess
and curious shapes, but they were sharp, they were something called
sterized, and they distinctly were not for boys to touch. In fact it
was a good dodge to volunteer "I must not touch," when you looked at the
tools on the glass shelves in Father's office. But Uncle Miles, who
was a person altogether superior to Father, let you handle all his kit
except the saws. There was a hammer with a silver head; there was a
metal thing like a big L; there was a magic instrument, very precious,
made out of costly red wood and gold, with a tube which contained a
drop--no, it wasn't a drop, it was a nothing, which lived in the water,
but the nothing LOOKED like a drop, and it ran in a frightened way
up and down the tube, no matter how cautiously you tilted the magic
instrument. And there were nails, very different and clever--big
valiant spikes, middle-sized ones which were not very interesting, and
shingle-nails much jollier than the fussed-up fairies in the yellow
book.

II

While he had worked on the addition Miles had talked frankly to Carol.
He admitted now that so long as he stayed in Gopher Prairie he would
remain a pariah. Bea's Lutheran friends were as much offended by his
agnostic gibes as the merchants by his radicalism. "And I can't seem to
keep my mouth shut. I think I'm being a baa-lamb, and not springing any
theories wilder than 'c-a-t spells cat,' but when folks have gone, I
re'lize I've been stepping on their pet religious corns. Oh, the mill
foreman keeps dropping in, and that Danish shoemaker, and one fellow
from Elder's factory, and a few Svenskas, but you know Bea: big
good-hearted wench like her wants a lot of folks around--likes to fuss
over 'em--never satisfied unless she tiring herself out making coffee
for somebody.

"Once she kidnapped me and drug me to the Methodist Church. I goes in,
pious as Widow Bogart, and sits still and never cracks a smile while
the preacher is favoring us with his misinformation on evolution. But
afterwards, when the old stalwarts were pumphandling everybody at the
door and calling 'em 'Brother' and 'Sister,' they let me sail right by
with nary a clinch. They figure I'm the town badman. Always will be, I
guess. It'll have to be Olaf who goes on. 'And sometimes----Blamed if I
don't feel like coming out and saying, 'I've been conservative. Nothing
to it. Now I'm going to start something in these rotten one-horse
lumber-camps west of town.' But Bea's got me hypnotized. Lord, Mrs.
Kennicott, do you re'lize what a jolly, square, faithful woman she is?
And I love Olaf----Oh well, I won't go and get sentimental on you.

"Course I've had thoughts of pulling up stakes and going West. Maybe
if they didn't know it beforehand, they wouldn't find out I'd ever been
guilty of trying to think for myself. But--oh, I've worked hard, and
built up this dairy business, and I hate to start all over again, and
move Bea and the kid into another one-room shack. That's how they get
us! Encourage us to be thrifty and own our own houses, and then, by
golly, they've got us; they know we won't dare risk everything by
committing lez--what is it? lez majesty?--I mean they know we won't be
hinting around that if we had a co-operative bank, we could get along
without Stowbody. Well----As long as I can sit and play pinochle with
Bea, and tell whoppers to Olaf about his daddy's adventures in the
woods, and how he snared a wapaloosie and knew Paul Bunyan, why, I
don't mind being a bum. It's just for them that I mind. Say! Say! Don't
whisper a word to Bea, but when I get this addition done, I'm going to
buy her a phonograph!"

He did.

While she was busy with the activities her work-hungry muscles
found--washing, ironing, mending, baking, dusting, preserving, plucking
a chicken, painting the sink; tasks which, because she was Miles's full
partner, were exciting and creative--Bea listened to the phonograph
records with rapture like that of cattle in a warm stable. The addition
gave her a kitchen with a bedroom above. The original one-room shack was
now a living-room, with the phonograph, a genuine leather-upholstered
golden-oak rocker, and a picture of Governor John Johnson.

In late July Carol went to the Bjornstams' desirous of a chance to
express her opinion of Beavers and Calibrees and Joralemons. She found
Olaf abed, restless from a slight fever, and Bea flushed and dizzy but
trying to keep up her work. She lured Miles aside and worried:

"They don't look at all well. What's the matter?"

"Their stomachs are out of whack. I wanted to call in Doc Kennicott, but
Bea thinks the doc doesn't like us--she thinks maybe he's sore because
you come down here. But I'm getting worried."

"I'm going to call the doctor at once."

She yearned over Olaf. His lambent eyes were stupid, he moaned, he
rubbed his forehead.

"Have they been eating something that's been bad for them?" she
fluttered to Miles.

"Might be bum water. I'll tell you: We used to get our water at Oscar
Eklund's place, over across the street, but Oscar kept dinging at me,
and hinting I was a tightwad not to dig a well of my own. One time
he said, 'Sure, you socialists are great on divvying up other folks'
money--and water!' I knew if he kept it up there'd be a fuss, and I
ain't safe to have around, once a fuss starts; I'm likely to forget
myself and let loose with a punch in the snoot. I offered to pay Oscar
but he refused--he'd rather have the chance to kid me. So I starts
getting water down at Mrs. Fageros's, in the hollow there, and I don't
believe it's real good. Figuring to dig my own well this fall."

One scarlet word was before Carol's eyes while she listened. She fled to
Kennicott's office. He gravely heard her out; nodded, said, "Be right
over."

He examined Bea and Olaf. He shook his head. "Yes. Looks to me like
typhoid."

"Golly, I've seen typhoid in lumber-camps," groaned Miles, all the
strength dripping out of him. "Have they got it very bad?"

"Oh, we'll take good care of them," said Kennicott, and for the first
time in their acquaintance he smiled on Miles and clapped his shoulder.

"Won't you need a nurse?" demanded Carol.

"Why----" To Miles, Kennicott hinted, "Couldn't you get Bea's cousin,
Tina?"

"She's down at the old folks', in the country."

"Then let me do it!" Carol insisted. "They need some one to cook for
them, and isn't it good to give them sponge baths, in typhoid?"

"Yes. All right." Kennicott was automatic; he was the official, the
physician. "I guess probably it would be hard to get a nurse here in
town just now. Mrs. Stiver is busy with an obstetrical case, and that
town nurse of yours is off on vacation, ain't she? All right, Bjornstam
can spell you at night."

All week, from eight each morning till midnight, Carol fed them, bathed
them, smoothed sheets, took temperatures. Miles refused to let her cook.
Terrified, pallid, noiseless in stocking feet, he did the kitchen work
and the sweeping, his big red hands awkwardly careful. Kennicott came
in three times a day, unchangingly tender and hopeful in the sick-room,
evenly polite to Miles.

Carol understood how great was her love for her friends. It bore
her through; it made her arm steady and tireless to bathe them.
What exhausted her was the sight of Bea and Olaf turned into flaccid
invalids, uncomfortably flushed after taking food, begging for the
healing of sleep at night.

During the second week Olaf's powerful legs were flabby. Spots of a
viciously delicate pink came out on his chest and back. His cheeks sank.
He looked frightened. His tongue was brown and revolting. His confident
voice dwindled to a bewildered murmur, ceaseless and racking.

Bea had stayed on her feet too long at the beginning. The moment
Kennicott had ordered her to bed she had begun to collapse. One early
evening she startled them by screaming, in an intense abdominal pain,
and within half an hour she was in a delirium. Till dawn Carol was
with her, and not all of Bea's groping through the blackness of
half-delirious pain was so pitiful to Carol as the way in which Miles
silently peered into the room from the top of the narrow stairs.
Carol slept three hours next morning, and ran back. Bea was altogether
delirious but she muttered nothing save, "Olaf--ve have such a good
time----"

At ten, while Carol was preparing an ice-bag in the kitchen, Miles
answered a knock. At the front door she saw Vida Sherwin, Maud Dyer, and
Mrs. Zitterel, wife of the Baptist pastor. They were carrying grapes,
and women's-magazines, magazines with high-colored pictures and
optimistic fiction.

"We just heard your wife was sick. We've come to see if there isn't
something we can do," chirruped Vida.

Miles looked steadily at the three women. "You're too late. You can't
do nothing now. Bea's always kind of hoped that you folks would come see
her. She wanted to have a chance and be friends. She used to sit waiting
for somebody to knock. I've seen her sitting here, waiting. Now----Oh,
you ain't worth God-damning." He shut the door.

All day Carol watched Olaf's strength oozing. He was emaciated. His ribs
were grim clear lines, his skin was clammy, his pulse was feeble but
terrifyingly rapid. It beat--beat--beat in a drum-roll of death. Late
that afternoon he sobbed, and died.

Bea did not know it. She was delirious. Next morning, when she went,
she did not know that Olaf would no longer swing his lath sword on the
door-step, no longer rule his subjects of the cattle-yard; that Miles's
son would not go East to college.

Miles, Carol, Kennicott were silent. They washed the bodies together,
their eyes veiled.

"Go home now and sleep. You're pretty tired. I can't ever pay you back
for what you done," Miles whispered to Carol.

"Yes. But I'll be back here tomorrow. Go with you to the funeral," she
said laboriously.

When the time for the funeral came, Carol was in bed, collapsed. She
assumed that neighbors would go. They had not told her that word of
Miles's rebuff to Vida had spread through town, a cyclonic fury.

It was only by chance that, leaning on her elbow in bed, she glanced
through the window and saw the funeral of Bea and Olaf. There was
no music, no carriages. There was only Miles Bjornstam, in his black
wedding-suit, walking quite alone, head down, behind the shabby hearse
that bore the bodies of his wife and baby.

An hour after, Hugh came into her room crying, and when she said as
cheerily as she could, "What is it, dear?" he besought, "Mummy, I want
to go play with Olaf."

That afternoon Juanita Haydock dropped in to brighten Carol. She said,
"Too bad about this Bea that was your hired girl. But I don't waste
any sympathy on that man of hers. Everybody says he drank too much, and
treated his family awful, and that's how they got sick."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Carol's favorite thing to do in Gopher Prairie is to take her son Hugh and visit Miles and Bea Bjornstam. Will doesn't like it one bit, because he thinks the Bjornstams are beneath them socially. Plus, Miles is a labor agitator. But Carol goes to the Bjornstams' anyway. She loves the way Miles lets the children hold his tools. She thinks that Miles's farm life is more authentic than her world of upper-class boredom. She's sad when Miles starts talking about moving his family West. One day, Carol drops by to find Miles's son Olaf and wife Bea looking pretty sick. Miles didn't want to call Will, because he thinks Will doesn't like him. But Carol calls Will right away. When Will has a chance to inspect Bea and Olaf, the news isn't good: he's figured out that both of them have typhoid fever. Carol volunteers to be the nurse while Will tries to treat them. When it becomes clear that neither Bea or Olaf will survive, some of the town's women come with food and offers for help, but Miles throws them off his front step, saying that his wife Bea had always hoped for visitors but had never had any, because everyone in the town was too stuck up. After Bea and Olaf have died, Carol goes home. Her son Hugh runs up to her crying and says he wants to play with Olaf. Meanwhile, the people around town hate Miles more than ever after he dared to insult the town's women. They also blame him for making his wife and child sick by being a terrible person. It's clear that this kind of talk totally shreds Carol's soul.


prompt:
Chapter: CHAPTER XXVII

I

A LETTER from Raymie Wutherspoon, in France, said that he had been sent
to the front, been slightly wounded, been made a captain. From Vida's
pride Carol sought to draw a stimulant to rouse her from depression.

Miles had sold his dairy. He had several thousand dollars. To Carol he
said good-by with a mumbled word, a harsh hand-shake, "Going to buy a
farm in northern Alberta--far off from folks as I can get." He turned
sharply away, but he did not walk with his former spring. His shoulders
seemed old.

It was said that before he went he cursed the town. There was talk
of arresting him, of riding him on a rail. It was rumored that at the
station old Champ Perry rebuked him, "You better not come back here.
We've got respect for your dead, but we haven't got any for a blasphemer
and a traitor that won't do anything for his country and only bought one
Liberty Bond."

Some of the people who had been at the station declared that Miles made
some dreadful seditious retort: something about loving German workmen
more than American bankers; but others asserted that he couldn't find
one word with which to answer the veteran; that he merely sneaked up on
the platform of the train. He must have felt guilty, everybody agreed,
for as the train left town, a farmer saw him standing in the vestibule
and looking out.

His house--with the addition which he had built four months ago--was
very near the track on which his train passed.

When Carol went there, for the last time, she found Olaf's chariot with
its red spool wheels standing in the sunny corner beside the stable. She
wondered if a quick eye could have noticed it from a train.

That day and that week she went reluctantly to Red Cross work; she
stitched and packed silently, while Vida read the war bulletins. And she
said nothing at all when Kennicott commented, "From what Champ says,
I guess Bjornstam was a bad egg, after all. In spite of Bea, don't
know but what the citizens' committee ought to have forced him to
be patriotic--let on like they could send him to jail if he didn't
volunteer and come through for bonds and the Y. M. C. A. They've worked
that stunt fine with all these German farmers."

II

She found no inspiration but she did find a dependable kindness in Mrs.
Westlake, and at last she yielded to the old woman's receptivity and had
relief in sobbing the story of Bea.

Guy Pollock she often met on the street, but he was merely a pleasant
voice which said things about Charles Lamb and sunsets.

Her most positive experience was the revelation of Mrs. Flickerbaugh,
the tall, thin, twitchy wife of the attorney. Carol encountered her at
the drug store.

"Walking?" snapped Mrs. Flickerbaugh.

"Why, yes."

"Humph. Guess you're the only female in this town that retains the use
of her legs. Come home and have a cup o' tea with me."

Because she had nothing else to do, Carol went. But she was
uncomfortable in the presence of the amused stares which Mrs.
Flickerbaugh's raiment drew. Today, in reeking early August, she wore a
man's cap, a skinny fur like a dead cat, a necklace of imitation pearls,
a scabrous satin blouse, and a thick cloth skirt hiked up in front.

"Come in. Sit down. Stick the baby in that rocker. Hope you don't mind
the house looking like a rat's nest. You don't like this town. Neither
do I," said Mrs. Flickerbaugh.

"Why----"

"Course you don't!"

"Well then, I don't! But I'm sure that some day I'll find some solution.
Probably I'm a hexagonal peg. Solution: find the hexagonal hole." Carol
was very brisk.

"How do you know you ever will find it?"

"There's Mrs. Westlake. She's naturally a big-city woman--she ought to
have a lovely old house in Philadelphia or Boston--but she escapes by
being absorbed in reading."

"You be satisfied to never do anything but read?"

"No, but Heavens, one can't go on hating a town always!"

"Why not? I can! I've hated it for thirty-two years. I'll die here--and
I'll hate it till I die. I ought to have been a business woman. I had
a good deal of talent for tending to figures. All gone now. Some folks
think I'm crazy. Guess I am. Sit and grouch. Go to church and sing
hymns. Folks think I'm religious. Tut! Trying to forget washing and
ironing and mending socks. Want an office of my own, and sell things.
Julius never hear of it. Too late."

Carol sat on the gritty couch, and sank into fear. Could this drabness
of life keep up forever, then? Would she some day so despise herself
and her neighbors that she too would walk Main Street an old skinny
eccentric woman in a mangy cat's-fur? As she crept home she felt that
the trap had finally closed. She went into the house, a frail small
woman, still winsome but hopeless of eye as she staggered with the
weight of the drowsy boy in her arms.

She sat alone on the porch, that evening. It seemed that Kennicott had
to make a professional call on Mrs. Dave Dyer.

Under the stilly boughs and the black gauze of dusk the street was
meshed in silence. There was but the hum of motor tires crunching the
road, the creak of a rocker on the Howlands' porch, the slap of a hand
attacking a mosquito, a heat-weary conversation starting and dying, the
precise rhythm of crickets, the thud of moths against the screen--sounds
that were a distilled silence. It was a street beyond the end of
the world, beyond the boundaries of hope. Though she should sit here
forever, no brave procession, no one who was interesting, would be
coming by. It was tediousness made tangible, a street builded of
lassitude and of futility.

Myrtle Cass appeared, with Cy Bogart. She giggled and bounced when Cy
tickled her ear in village love. They strolled with the half-dancing
gait of lovers, kicking their feet out sideways or shuffling a dragging
jig, and the concrete walk sounded to the broken two-four rhythm. Their
voices had a dusky turbulence. Suddenly, to the woman rocking on the
porch of the doctor's house, the night came alive, and she felt that
everywhere in the darkness panted an ardent quest which she was missing
as she sank back to wait for----There must be something.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: We learn that Vida Sherwin's husband, Raymie Wutherspoon, has been wounded in the war and made into a fancy military captain for his trouble. Meanwhile, Miles Bjornstam sells his dairy and gets out of Gopher Prairie once and for all. His departure is crushing to Carol. A woman named Mrs. Flickerbaugh invites Carol over for tea. Carol is hesitant because the woman is eccentric, but she eventually agrees. Once they talk for a while, Carol is horrified to learn that Mrs. Flickerbaugh has hated Gopher Prairie her whole life and that she will probably end up like her.


prompt:
Chapter: CHAPTER XXVIII

IT WAS at a supper of the Jolly Seventeen in August that Carol heard of
"Elizabeth," from Mrs. Dave Dyer.

Carol was fond of Maud Dyer, because she had been particularly agreeable
lately; had obviously repented of the nervous distaste which she had
once shown. Maud patted her hand when they met, and asked about Hugh.

Kennicott said that he was "kind of sorry for the girl, some ways; she's
too darn emotional, but still, Dave is sort of mean to her." He was
polite to poor Maud when they all went down to the cottages for a swim.
Carol was proud of that sympathy in him, and now she took pains to sit
with their new friend.

Mrs. Dyer was bubbling, "Oh, have you folks heard about this young
fellow that's just come to town that the boys call 'Elizabeth'? He's
working in Nat Hicks's tailor shop. I bet he doesn't make eighteen a
week, but my! isn't he the perfect lady though! He talks so refined, and
oh, the lugs he puts on--belted coat, and pique collar with a gold pin,
and socks to match his necktie, and honest--you won't believe this, but
I got it straight--this fellow, you know he's staying at Mrs. Gurrey's
punk old boarding-house, and they say he asked Mrs. Gurrey if he ought
to put on a dress-suit for supper! Imagine! Can you beat that? And him
nothing but a Swede tailor--Erik Valborg his name is. But he used to be
in a tailor shop in Minneapolis (they do say he's a smart needle-pusher,
at that) and he tries to let on that he's a regular city fellow. They
say he tries to make people think he's a poet--carries books around and
pretends to read 'em. Myrtle Cass says she met him at a dance, and he
was mooning around all over the place, and he asked her did she like
flowers and poetry and music and everything; he spieled like he was a
regular United States Senator; and Myrtle--she's a devil, that girl,
ha! ha!--she kidded him along, and got him going, and honest, what d'you
think he said? He said he didn't find any intellectual companionship
in this town. Can you BEAT it? Imagine! And him a Swede tailor! My! And
they say he's the most awful mollycoddle--looks just like a girl. The
boys call him 'Elizabeth,' and they stop him and ask about the books he
lets on to have read, and he goes and tells them, and they take it
all in and jolly him terribly, and he never gets onto the fact they're
kidding him. Oh, I think it's just TOO funny!"

The Jolly Seventeen laughed, and Carol laughed with them. Mrs. Jack
Elder added that this Erik Valborg had confided to Mrs. Gurrey that he
would "love to design clothes for women." Imagine! Mrs. Harvey Dillon
had had a glimpse of him, but honestly, she'd thought he was awfully
handsome. This was instantly controverted by Mrs. B. J. Gougerling, wife
of the banker. Mrs. Gougerling had had, she reported, a good look
at this Valborg fellow. She and B. J. had been motoring, and passed
"Elizabeth" out by McGruder's Bridge. He was wearing the awfullest
clothes, with the waist pinched in like a girl's. He was sitting on
a rock doing nothing, but when he heard the Gougerling car coming he
snatched a book out of his pocket, and as they went by he pretended to
be reading it, to show off. And he wasn't really good-looking--just kind
of soft, as B. J. had pointed out.

When the husbands came they joined in the expose. "My name is Elizabeth.
I'm the celebrated musical tailor. The skirts fall for me by the thou.
Do I get some more veal loaf?" merrily shrieked Dave Dyer. He had some
admirable stories about the tricks the town youngsters had played on
Valborg. They had dropped a decaying perch into his pocket. They had
pinned on his back a sign, "I'm the prize boob, kick me."

Glad of any laughter, Carol joined the frolic, and surprised them by
crying, "Dave, I do think you're the dearest thing since you got your
hair cut!" That was an excellent sally. Everybody applauded. Kennicott
looked proud.

She decided that sometime she really must go out of her way to pass
Hicks's shop and see this freak.

II

She was at Sunday morning service at the Baptist Church, in a solemn row
with her husband, Hugh, Uncle Whittier, Aunt Bessie.

Despite Aunt Bessie's nagging the Kennicotts rarely attended church. The
doctor asserted, "Sure, religion is a fine influence--got to have it to
keep the lower classes in order--fact, it's the only thing that appeals
to a lot of those fellows and makes 'em respect the rights of property.
And I guess this theology is O.K.; lot of wise old coots figured it
all out, and they knew more about it than we do." He believed in the
Christian religion, and never thought about it, he believed in the
church, and seldom went near it; he was shocked by Carol's lack of
faith, and wasn't quite sure what was the nature of the faith that she
lacked.

Carol herself was an uneasy and dodging agnostic.

When she ventured to Sunday School and heard the teachers droning that
the genealogy of Shamsherai was a valuable ethical problem for children
to think about; when she experimented with Wednesday prayer-meeting and
listened to store-keeping elders giving their unvarying weekly testimony
in primitive erotic symbols and such gory Chaldean phrases as "washed
in the blood of the lamb" and "a vengeful God"; when Mrs. Bogart boasted
that through his boyhood she had made Cy confess nightly upon the basis
of the Ten Commandments; then Carol was dismayed to find the Christian
religion, in America, in the twentieth century, as abnormal as
Zoroastrianism--without the splendor. But when she went to church
suppers and felt the friendliness, saw the gaiety with which the sisters
served cold ham and scalloped potatoes; when Mrs. Champ Perry cried to
her, on an afternoon call, "My dear, if you just knew how happy it makes
you to come into abiding grace," then Carol found the humanness behind
the sanguinary and alien theology. Always she perceived that the
churches--Methodist, Baptist, Congregational, Catholic, all of
them--which had seemed so unimportant to the judge's home in her
childhood, so isolated from the city struggle in St. Paul, were
still, in Gopher Prairie, the strongest of the forces compelling
respectability.

This August Sunday she had been tempted by the announcement that the
Reverend Edmund Zitterel would preach on the topic "America, Face Your
Problems!" With the great war, workmen in every nation showing a desire
to control industries, Russia hinting a leftward revolution against
Kerensky, woman suffrage coming, there seemed to be plenty of problems
for the Reverend Mr. Zitterel to call on America to face. Carol gathered
her family and trotted off behind Uncle Whittier.

The congregation faced the heat with informality. Men with highly
plastered hair, so painfully shaved that their faces looked sore,
removed their coats, sighed, and unbuttoned two buttons of their
uncreased Sunday vests. Large-bosomed, white-bloused, hot-necked,
spectacled matrons--the Mothers in Israel, pioneers and friends of Mrs.
Champ Perry--waved their palm-leaf fans in a steady rhythm. Abashed boys
slunk into the rear pews and giggled, while milky little girls, up front
with their mothers, self-consciously kept from turning around.

The church was half barn and half Gopher Prairie parlor. The streaky
brown wallpaper was broken in its dismal sweep only by framed texts,
"Come unto Me" and "The Lord is My Shepherd," by a list of hymns, and by
a crimson and green diagram, staggeringly drawn upon hemp-colored paper,
indicating the alarming ease with which a young man may descend from
Palaces of Pleasure and the House of Pride to Eternal Damnation. But the
varnished oak pews and the new red carpet and the three large chairs on
the platform, behind the bare reading-stand, were all of a rocking-chair
comfort.

Carol was civic and neighborly and commendable today. She beamed and
bowed. She trolled out with the others the hymn:

     How pleasant 'tis on Sabbath morn
     To gather in the church
     And there I'll have no carnal thoughts,
     Nor sin shall me besmirch.

With a rustle of starched linen skirts and stiff shirt-fronts, the
congregation sat down, and gave heed to the Reverend Mr. Zitterel. The
priest was a thin, swart, intense young man with a bang. He wore a
black sack suit and a lilac tie. He smote the enormous Bible on the
reading-stand, vociferated, "Come, let us reason together," delivered a
prayer informing Almighty God of the news of the past week, and began to
reason.

It proved that the only problems which America had to face were
Mormonism and Prohibition:

"Don't let any of these self-conceited fellows that are always trying to
stir up trouble deceive you with the belief that there's anything to
all these smart-aleck movements to let the unions and the Farmers'
Nonpartisan League kill all our initiative and enterprise by fixing
wages and prices. There isn't any movement that amounts to a whoop
without it's got a moral background. And let me tell you that while
folks are fussing about what they call 'economics' and 'socialism'
and 'science' and a lot of things that are nothing in the world but a
disguise for atheism, the Old Satan is busy spreading his secret net
and tentacles out there in Utah, under his guise of Joe Smith or Brigham
Young or whoever their leaders happen to be today, it doesn't make any
difference, and they're making game of the Old Bible that has led this
American people through its manifold trials and tribulations to its firm
position as the fulfilment of the prophecies and the recognized leader
of all nations. 'Sit thou on my right hand till I make thine enemies
the footstool of my feet,' said the Lord of Hosts, Acts II, the
thirty-fourth verse--and let me tell you right now, you got to get up a
good deal earlier in the morning than you get up even when you're going
fishing, if you want to be smarter than the Lord, who has shown us the
straight and narrow way, and he that passeth therefrom is in
eternal peril and, to return to this vital and terrible subject of
Mormonism--and as I say, it is terrible to realize how little attention
is given to this evil right here in our midst and on our very doorstep,
as it were--it's a shame and a disgrace that the Congress of these
United States spends all its time talking about inconsequential
financial matters that ought to be left to the Treasury Department, as I
understand it, instead of arising in their might and passing a law that
any one admitting he is a Mormon shall simply be deported and as it were
kicked out of this free country in which we haven't got any room for
polygamy and the tyrannies of Satan.

"And, to digress for a moment, especially as there are more of them in
this state than there are Mormons, though you never can tell what will
happen with this vain generation of young girls, that think more about
wearing silk stockings than about minding their mothers and learning to
bake a good loaf of bread, and many of them listening to these sneaking
Mormon missionaries--and I actually heard one of them talking right out
on a street-corner in Duluth, a few years ago, and the officers of the
law not protesting--but still, as they are a smaller but more immediate
problem, let me stop for just a moment to pay my respects to these
Seventh-Day Adventists. Not that they are immoral, I don't mean, but
when a body of men go on insisting that Saturday is the Sabbath, after
Christ himself has clearly indicated the new dispensation, then I think
the legislature ought to step in----"

At this point Carol awoke.

She got through three more minutes by studying the face of a girl in
the pew across: a sensitive unhappy girl whose longing poured out
with intimidating self-revelation as she worshiped Mr. Zitterel. Carol
wondered who the girl was. She had seen her at church suppers. She
considered how many of the three thousand people in the town she did not
know; to how many of them the Thanatopsis and the Jolly Seventeen were
icy social peaks; how many of them might be toiling through boredom
thicker than her own--with greater courage.

She examined her nails. She read two hymns. She got some satisfaction
out of rubbing an itching knuckle. She pillowed on her shoulder the head
of the baby who, after killing time in the same manner as his mother,
was so fortunate as to fall asleep. She read the introduction,
title-page, and acknowledgment of copyrights, in the hymnal. She tried
to evolve a philosophy which would explain why Kennicott could never
tie his scarf so that it would reach the top of the gap in his turn-down
collar.

There were no other diversions to be found in the pew. She glanced back
at the congregation. She thought that it would be amiable to bow to Mrs.
Champ Perry.

Her slow turning head stopped, galvanized.

Across the aisle, two rows back, was a strange young man who shone among
the cud-chewing citizens like a visitant from the sun-amber curls, low
forehead, fine nose, chin smooth but not raw from Sabbath shaving. His
lips startled her. The lips of men in Gopher Prairie are flat in the
face, straight and grudging. The stranger's mouth was arched, the upper
lip short. He wore a brown jersey coat, a delft-blue bow, a white silk
shirt, white flannel trousers. He suggested the ocean beach, a tennis
court, anything but the sun-blistered utility of Main Street.

A visitor from Minneapolis, here for business? No. He wasn't a business
man. He was a poet. Keats was in his face, and Shelley, and Arthur
Upson, whom she had once seen in Minneapolis. He was at once too
sensitive and too sophisticated to touch business as she knew it in
Gopher Prairie.

With restrained amusement he was analyzing the noisy Mr. Zitterel. Carol
was ashamed to have this spy from the Great World hear the pastor's
maundering. She felt responsible for the town. She resented his gaping
at their private rites. She flushed, turned away. But she continued to
feel his presence.

How could she meet him? She must! For an hour of talk. He was all that
she was hungry for. She could not let him get away without a word--and
she would have to. She pictured, and ridiculed, herself as walking up
to him and remarking, "I am sick with the Village Virus. Will you please
tell me what people are saying and playing in New York?" She pictured,
and groaned over, the expression of Kennicott if she should say,
"Why wouldn't it be reasonable for you, my soul, to ask that complete
stranger in the brown jersey coat to come to supper tonight?"

She brooded, not looking back. She warned herself that she was probably
exaggerating; that no young man could have all these exalted qualities.
Wasn't he too obviously smart, too glossy-new? Like a movie actor.
Probably he was a traveling salesman who sang tenor and fancied himself
in imitations of Newport clothes and spoke of "the swellest business
proposition that ever came down the pike." In a panic she peered at him.
No! This was no hustling salesman, this boy with the curving Grecian
lips and the serious eyes.

She rose after the service, carefully taking Kennicott's arm and smiling
at him in a mute assertion that she was devoted to him no matter what
happened. She followed the Mystery's soft brown jersey shoulders out of
the church.

Fatty Hicks, the shrill and puffy son of Nat, flapped his hand at the
beautiful stranger and jeered, "How's the kid? All dolled up like a
plush horse today, ain't we!"

Carol was exceeding sick. Her herald from the outside was Erik Valborg,
"Elizabeth." Apprentice tailor! Gasoline and hot goose! Mending dirty
jackets! Respectfully holding a tape-measure about a paunch!

And yet, she insisted, this boy was also himself.

III

They had Sunday dinner with the Smails, in a dining-room which centered
about a fruit and flower piece and a crayon-enlargement of Uncle
Whittier. Carol did not heed Aunt Bessie's fussing in regard to Mrs.
Robert B. Schminke's bead necklace and Whittier's error in putting on
the striped pants, day like this. She did not taste the shreds of roast
pork. She said vacuously:

"Uh--Will, I wonder if that young man in the white flannel trousers, at
church this morning, was this Valborg person that they're all talking
about?"

"Yump. That's him. Wasn't that the darndest get-up he had on!" Kennicott
scratched at a white smear on his hard gray sleeve.

"It wasn't so bad. I wonder where he comes from? He seems to have lived
in cities a good deal. Is he from the East?"

"The East? Him? Why, he comes from a farm right up north here, just this
side of Jefferson. I know his father slightly--Adolph Valborg--typical
cranky old Swede farmer."

"Oh, really?" blandly.

"Believe he has lived in Minneapolis for quite some time, though.
Learned his trade there. And I will say he's bright, some ways. Reads
a lot. Pollock says he takes more books out of the library than anybody
else in town. Huh! He's kind of like you in that!"

The Smails and Kennicott laughed very much at this sly jest. Uncle
Whittier seized the conversation. "That fellow that's working for Hicks?
Milksop, that's what he is. Makes me tired to see a young fellow that
ought to be in the war, or anyway out in the fields earning his living
honest, like I done when I was young, doing a woman's work and then come
out and dress up like a show-actor! Why, when I was his age----"

Carol reflected that the carving-knife would make an excellent dagger
with which to kill Uncle Whittier. It would slide in easily. The
headlines would be terrible.

Kennicott said judiciously, "Oh, I don't want to be unjust to him.
I believe he took his physical examination for military service. Got
varicose veins--not bad, but enough to disqualify him. Though I will say
he doesn't look like a fellow that would be so awful darn crazy to poke
his bayonet into a Hun's guts."

"Will! PLEASE!"

"Well, he don't. Looks soft to me. And they say he told Del Snafflin,
when he was getting a hair-cut on Saturday, that he wished he could play
the piano."

"Isn't it wonderful how much we all know about one another in a town
like this," said Carol innocently.

Kennicott was suspicious, but Aunt Bessie, serving the floating island
pudding, agreed, "Yes, it is wonderful. Folks can get away with all
sorts of meannesses and sins in these terrible cities, but they can't
here. I was noticing this tailor fellow this morning, and when Mrs.
Riggs offered to share her hymn-book with him, he shook his head, and
all the while we was singing he just stood there like a bump on a log
and never opened his mouth. Everybody says he's got an idea that he's
got so much better manners and all than what the rest of us have, but if
that's what he calls good manners, I want to know!"

Carol again studied the carving-knife. Blood on the whiteness of a
tablecloth might be gorgeous.

Then:

"Fool! Neurotic impossibilist! Telling yourself orchard fairy-tales--at
thirty. . . . Dear Lord, am I really THIRTY? That boy can't be more than
twenty-five."

IV

She went calling.

Boarding with the Widow Bogart was Fern Mullins, a girl of twenty-two
who was to be teacher of English, French, and gymnastics in the high
school this coming session. Fern Mullins had come to town early, for the
six-weeks normal course for country teachers. Carol had noticed her on
the street, had heard almost as much about her as about Erik Valborg.
She was tall, weedy, pretty, and incurably rakish. Whether she wore a
low middy collar or dressed reticently for school in a black suit with a
high-necked blouse, she was airy, flippant. "She looks like an absolute
totty," said all the Mrs. Sam Clarks, disapprovingly, and all the
Juanita Haydocks, enviously.

That Sunday evening, sitting in baggy canvas lawn-chairs beside the
house, the Kennicotts saw Fern laughing with Cy Bogart who, though still
a junior in high school, was now a lump of a man, only two or three
years younger than Fern. Cy had to go downtown for weighty matters
connected with the pool-parlor. Fern drooped on the Bogart porch, her
chin in her hands.

"She looks lonely," said Kennicott.

"She does, poor soul. I believe I'll go over and speak to her. I was
introduced to her at Dave's but I haven't called." Carol was slipping
across the lawn, a white figure in the dimness, faintly brushing the
dewy grass. She was thinking of Erik and of the fact that her feet
were wet, and she was casual in her greeting: "Hello! The doctor and I
wondered if you were lonely."

Resentfully, "I am!"

Carol concentrated on her. "My dear, you sound so! I know how it is. I
used to be tired when I was on the job--I was a librarian. What was your
college? I was Blodgett."

More interestedly, "I went to the U." Fern meant the University of
Minnesota.

"You must have had a splendid time. Blodgett was a bit dull."

"Where were you a librarian?" challengingly.

"St. Paul--the main library."

"Honest? Oh dear, I wish I was back in the Cities! This is my first year
of teaching, and I'm scared stiff. I did have the best time in college:
dramatics and basket-ball and fussing and dancing--I'm simply crazy
about dancing. And here, except when I have the kids in gymnasium class,
or when I'm chaperoning the basket-ball team on a trip out-of-town, I
won't dare to move above a whisper. I guess they don't care much if
you put any pep into teaching or not, as long as you look like a Good
Influence out of school-hours--and that means never doing anything you
want to. This normal course is bad enough, but the regular school will
be FIERCE! If it wasn't too late to get a job in the Cities, I swear I'd
resign here. I bet I won't dare to go to a single dance all winter. If
I cut loose and danced the way I like to, they'd think I was a perfect
hellion--poor harmless me! Oh, I oughtn't to be talking like this. Fern,
you never could be cagey!"

"Don't be frightened, my dear! . . . Doesn't that sound atrociously old
and kind! I'm talking to you the way Mrs. Westlake talks to me! That's
having a husband and a kitchen range, I suppose. But I feel young, and I
want to dance like a--like a hellion?--too. So I sympathize."

Fern made a sound of gratitude. Carol inquired, "What experience did you
have with college dramatics? I tried to start a kind of Little Theater
here. It was dreadful. I must tell you about it----"

Two hours later, when Kennicott came over to greet Fern and to yawn,
"Look here, Carrie, don't you suppose you better be thinking about
turning in? I've got a hard day tomorrow," the two were talking so
intimately that they constantly interrupted each other.

As she went respectably home, convoyed by a husband, and decorously
holding up her skirts, Carol rejoiced, "Everything has changed! I have
two friends, Fern and----But who's the other? That's queer; I thought
there was----Oh, how absurd!"

V

She often passed Erik Valborg on the street; the brown jersey coat
became unremarkable. When she was driving with Kennicott, in early
evening, she saw him on the lake shore, reading a thin book which might
easily have been poetry. She noted that he was the only person in the
motorized town who still took long walks.

She told herself that she was the daughter of a judge, the wife of a
doctor, and that she did not care to know a capering tailor. She told
herself that she was not responsive to men . . . not even to Percy
Bresnahan. She told herself that a woman of thirty who heeded a boy
of twenty-five was ridiculous. And on Friday, when she had convinced
herself that the errand was necessary, she went to Nat Hicks's shop,
bearing the not very romantic burden of a pair of her husband's
trousers. Hicks was in the back room. She faced the Greek god who, in a
somewhat ungodlike way, was stitching a coat on a scaley sewing-machine,
in a room of smutted plaster walls.

She saw that his hands were not in keeping with a Hellenic face. They
were thick, roughened with needle and hot iron and plow-handle. Even
in the shop he persisted in his finery. He wore a silk shirt, a topaz
scarf, thin tan shoes.

This she absorbed while she was saying curtly, "Can I get these pressed,
please?"

Not rising from the sewing-machine he stuck out his hand, mumbled, "When
do you want them?"

"Oh, Monday."

The adventure was over. She was marching out.

"What name?" he called after her.

He had risen and, despite the farcicality of Dr. Will Kennicott's bulgy
trousers draped over his arm, he had the grace of a cat.

"Kennicott."

"Kennicott. Oh! Oh say, you're Mrs. Dr. Kennicott then, aren't you?"

"Yes." She stood at the door. Now that she had carried out her
preposterous impulse to see what he was like, she was cold, she was as
ready to detect familiarities as the virtuous Miss Ella Stowbody.

"I've heard about you. Myrtle Cass was saying you got up a dramatic club
and gave a dandy play. I've always wished I had a chance to belong to a
Little Theater, and give some European plays, or whimsical like Barrie,
or a pageant."

He pronounced it "pagent"; he rhymed "pag" with "rag."

Carol nodded in the manner of a lady being kind to a tradesman, and one
of her selves sneered, "Our Erik is indeed a lost John Keats."

He was appealing, "Do you suppose it would be possible to get up another
dramatic club this coming fall?"

"Well, it might be worth thinking of." She came out of her several
conflicting poses, and said sincerely, "There's a new teacher, Miss
Mullins, who might have some talent. That would make three of us for a
nucleus. If we could scrape up half a dozen we might give a real play
with a small cast. Have you had any experience?"

"Just a bum club that some of us got up in Minneapolis when I was
working there. We had one good man, an interior decorator--maybe he was
kind of sis and effeminate, but he really was an artist, and we gave one
dandy play. But I----Of course I've always had to work hard, and study
by myself, and I'm probably sloppy, and I'd love it if I had training in
rehearsing--I mean, the crankier the director was, the better I'd like
it. If you didn't want to use me as an actor, I'd love to design the
costumes. I'm crazy about fabrics--textures and colors and designs."

She knew that he was trying to keep her from going, trying to indicate
that he was something more than a person to whom one brought trousers
for pressing. He besought:

"Some day I hope I can get away from this fool repairing, when I have
the money saved up. I want to go East and work for some big dressmaker,
and study art drawing, and become a high-class designer. Or do you think
that's a kind of fiddlin' ambition for a fellow? I was brought up on
a farm. And then monkeyin' round with silks! I don't know. What do you
think? Myrtle Cass says you're awfully educated."

"I am. Awfully. Tell me: Have the boys made fun of your ambition?"

She was seventy years old, and sexless, and more advisory than Vida
Sherwin.

"Well, they have, at that. They've jollied me a good deal, here and
Minneapolis both. They say dressmaking is ladies' work. (But I was
willing to get drafted for the war! I tried to get in. But they
rejected me. But I did try! ) I thought some of working up in a gents'
furnishings store, and I had a chance to travel on the road for a
clothing house, but somehow--I hate this tailoring, but I can't seem
to get enthusiastic about salesmanship. I keep thinking about a room in
gray oatmeal paper with prints in very narrow gold frames--or would it
be better in white enamel paneling?--but anyway, it looks out on
Fifth Avenue, and I'm designing a sumptuous----" He made it
"sump-too-ous"--"robe of linden green chiffon over cloth of gold! You
know--tileul. It's elegant. . . . What do you think?"

"Why not? What do you care for the opinion of city rowdies, or a lot
of farm boys? But you mustn't, you really mustn't, let casual strangers
like me have a chance to judge you."

"Well----You aren't a stranger, one way. Myrtle Cass--Miss Cass, should
say--she's spoken about you so often. I wanted to call on you--and the
doctor--but I didn't quite have the nerve. One evening I walked past
your house, but you and your husband were talking on the porch, and you
looked so chummy and happy I didn't dare butt in."

Maternally, "I think it's extremely nice of you to want to be trained
in--in enunciation by a stage-director. Perhaps I could help you. I'm
a thoroughly sound and uninspired schoolma'am by instinct; quite
hopelessly mature."

"Oh, you aren't EITHER!"

She was not very successful at accepting his fervor with the air of
amused woman of the world, but she sounded reasonably impersonal: "Thank
you. Shall we see if we really can get up a new dramatic club? I'll tell
you: Come to the house this evening, about eight. I'll ask Miss Mullins
to come over, and we'll talk about it."

VI

"He has absolutely no sense of humor. Less than Will. But hasn't
he-----What is a 'sense of humor'? Isn't the thing he lacks the
back-slapping jocosity that passes for humor here? Anyway----Poor lamb,
coaxing me to stay and play with him! Poor lonely lamb! If he could be
free from Nat Hickses, from people who say 'dandy' and 'bum,' would he
develop?

"I wonder if Whitman didn't use Brooklyn back-street slang, as a boy?

"No. Not Whitman. He's Keats--sensitive to silken things. 'Innumerable
of stains and splendid dyes as are the tiger-moth's deep-damask'd
wings.' Keats, here! A bewildered spirit fallen on Main Street. And Main
Street laughs till it aches, giggles till the spirit doubts his own self
and tries to give up the use of wings for the correct uses of a 'gents'
furnishings store.' Gopher Prairie with its celebrated eleven miles of
cement walk. . . . I wonder how much of the cement is made out of the
tombstones of John Keatses?"

VII

Kennicott was cordial to Fern Mullins, teased her, told her he was a
"great hand for running off with pretty school-teachers," and promised
that if the school-board should object to her dancing, he would "bat 'em
one over the head and tell 'em how lucky they were to get a girl with
some go to her, for once."

But to Erik Valborg he was not cordial. He shook hands loosely, and
said, "H' are yuh."

Nat Hicks was socially acceptable; he had been here for years, and
owned his shop; but this person was merely Nat's workman, and the
town's principle of perfect democracy was not meant to be applied
indiscriminately.

The conference on a dramatic club theoretically included Kennicott, but
he sat back, patting yawns, conscious of Fern's ankles, smiling amiably
on the children at their sport.

Fern wanted to tell her grievances; Carol was sulky every time she
thought of "The Girl from Kankakee"; it was Erik who made suggestions.
He had read with astounding breadth, and astounding lack of judgment.
His voice was sensitive to liquids, but he overused the word "glorious."
He mispronounced a tenth of the words he had from books, but he knew it.
He was insistent, but he was shy.

When he demanded, "I'd like to stage 'Suppressed Desires,' by Cook and
Miss Glaspell," Carol ceased to be patronizing. He was not the yearner:
he was the artist, sure of his vision. "I'd make it simple. Use a big
window at the back, with a cyclorama of a blue that would simply hit you
in the eye, and just one tree-branch, to suggest a park below. Put
the breakfast table on a dais. Let the colors be kind of arty and
tea-roomy--orange chairs, and orange and blue table, and blue Japanese
breakfast set, and some place, one big flat smear of black--bang! Oh.
Another play I wish we could do is Tennyson Jesse's 'The Black Mask.'
I've never seen it but----Glorious ending, where this woman looks at
the man with his face all blown away, and she just gives one horrible
scream."

"Good God, is that your idea of a glorious ending?" bayed Kennicott.

"That sounds fierce! I do love artistic things, but not the horrible
ones," moaned Fern Mullins.

Erik was bewildered; glanced at Carol. She nodded loyally.

At the end of the conference they had decided nothing.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Carol goes to a meeting of the Jolly Seventeen and speaks to Maud Dyer, who for some reason has been really nice to Carol lately. Let's not forget that the last time we saw her, she was getting a private visit from Carol's husband Will... Maud Dyer tells all about a new young tailor named Erik who has moved into Gopher Prairie. He's so fancy in his manner and dress that people have nicknamed him Elizabeth. Apparently, this dude whines and moans about how he can't find any intellectual companionship in the town. Everyone laughs, including Carol. They even find out that it's Erik's dream to design clothing for women. When the meeting is over, Carol decides that she'll walk by the tailor shop to have a look at the new "freak" in town. Next, Carol attends a sermon by the local Baptist reverend that's all about loving America and crushing communism... and apparently Mormonism. During the sermon, Carol looks around and sees a young man who shines out from among the boring people of Gopher Prairie. After the sermon, she asks who the young man was and finds out that he's none other than Erik Valbourg, the effeminate tailor no one seems to like. She decides that she must meet him. Later, Carol brings Valbourg up when talking to Will and her in-laws. They make fun of Erik, and Carol thinks about murdering her in-laws with a knife. When Erik Valbourg first came to Gopher Prairie, there was a young woman named Fern Mullins who came on the same train. The folks around the town are suspicious of her because she's so pretty and not shy about showing it off. Carol goes to introduce herself to Fern and learns that Fern wishes she were back in a big city. Carol can relate and feels an instant connection with Fern. One day, Carol takes a pair of Will's pants to get pressed at the tailor's. She runs into Erik Valbourg and he gets excited when he finds out who she is. He's heard all about her knowledge of culture and her efforts to start a dramatic club. He feels like he's found someone he can finally talk to. He thinks Carol should get a club together again and volunteers to make the costumes. Carol goes away thinking that Erik has no sense of humor and only a superficial bit of knowledge. But she's still attracted by the way he seems to reach for the stars with everything he does. Will, meanwhile, always greets Erik rudely, because he thinks Erik is beneath him. Sure enough, Carol holds another meeting of the Gopher Prairie Dramatic Club, and Erik is one of the first to arrive. He has a grand vision for the play they should put on, although the ending is a little gruesome for the conservative folks of Gopher Prairie.


prompt:
Chapter: CHAPTER XXIX

SHE had walked up the railroad track with Hugh, this Sunday afternoon.

She saw Erik Valborg coming, in an ancient highwater suit, tramping
sullenly and alone, striking at the rails with a stick. For a second
she unreasoningly wanted to avoid him, but she kept on, and she serenely
talked about God, whose voice, Hugh asserted, made the humming in the
telegraph wires. Erik stared, straightened. They greeted each other with
"Hello."

"Hugh, say how-do-you-do to Mr. Valborg."

"Oh, dear me, he's got a button unbuttoned," worried Erik, kneeling.
Carol frowned, then noted the strength with which he swung the baby in
the air.

"May I walk along a piece with you?"

"I'm tired. Let's rest on those ties. Then I must be trotting back."

They sat on a heap of discarded railroad ties, oak logs spotted with
cinnamon-colored dry-rot and marked with metallic brown streaks where
iron plates had rested. Hugh learned that the pile was the hiding-place
of Injuns; he went gunning for them while the elders talked of
uninteresting things.

The telegraph wires thrummed, thrummed, thrummed above them; the rails
were glaring hard lines; the goldenrod smelled dusty. Across the track
was a pasture of dwarf clover and sparse lawn cut by earthy cow-paths;
beyond its placid narrow green, the rough immensity of new stubble,
jagged with wheat-stacks like huge pineapples.

Erik talked of books; flamed like a recent convert to any faith. He
exhibited as many titles and authors as possible, halting only to
appeal, "Have you read his last book? Don't you think he's a terribly
strong writer?"

She was dizzy. But when he insisted, "You've been a librarian; tell
me; do I read too much fiction?" she advised him loftily, rather
discursively. He had, she indicated, never studied. He had skipped from
one emotion to another. Especially--she hesitated, then flung it at
him--he must not guess at pronunciations; he must endure the nuisance of
stopping to reach for the dictionary.

"I'm talking like a cranky teacher," she sighed.

"No! And I will study! Read the damned dictionary right through." He
crossed his legs and bent over, clutching his ankle with both hands. "I
know what you mean. I've been rushing from picture to picture, like a
kid let loose in an art gallery for the first time. You see, it's so
awful recent that I've found there was a world--well, a world where
beautiful things counted. I was on the farm till I was nineteen. Dad is
a good farmer, but nothing else. Do you know why he first sent me off to
learn tailoring? I wanted to study drawing, and he had a cousin that'd
made a lot of money tailoring out in Dakota, and he said tailoring was
a lot like drawing, so he sent me down to a punk hole called Curlew,
to work in a tailor shop. Up to that time I'd only had three months'
schooling a year--walked to school two miles, through snow up to my
knees--and Dad never would stand for my having a single book except
schoolbooks.

"I never read a novel till I got 'Dorothy Vernon of Haddon Hall' out
of the library at Curlew. I thought it was the loveliest thing in the
world! Next I read 'Barriers Burned Away' and then Pope's translation of
Homer. Some combination, all right! When I went to Minneapolis, just
two years ago, I guess I'd read pretty much everything in that Curlew
library, but I'd never heard of Rossetti or John Sargent or Balzac or
Brahms. But----Yump, I'll study. Look here! Shall I get out of this
tailoring, this pressing and repairing?"

"I don't see why a surgeon should spend very much time cobbling shoes."

"But what if I find I can't really draw and design? After fussing around
in New York or Chicago, I'd feel like a fool if I had to go back to work
in a gents' furnishings store!"

"Please say 'haberdashery.'"

"Haberdashery? All right. I'll remember." He shrugged and spread his
fingers wide.

She was humbled by his humility; she put away in her mind, to take out
and worry over later, a speculation as to whether it was not she who
was naive. She urged, "What if you do have to go back? Most of us do! We
can't all be artists--myself, for instance. We have to darn socks, and
yet we're not content to think of nothing but socks and darning-cotton.
I'd demand all I could get--whether I finally settled down to designing
frocks or building temples or pressing pants. What if you do drop back?
You'll have had the adventure. Don't be too meek toward life! Go! You're
young, you're unmarried. Try everything! Don't listen to Nat Hicks and
Sam Clark and be a 'steady young man'--in order to help them make
money. You're still a blessed innocent. Go and play till the Good People
capture you!"

"But I don't just want to play. I want to make something beautiful. God!
And I don't know enough. Do you get it? Do you understand? Nobody else
ever has! Do you understand?"

"Yes."

"And so----But here's what bothers me: I like fabrics; dinky things like
that; little drawings and elegant words. But look over there at those
fields. Big! New! Don't it seem kind of a shame to leave this and go
back to the East and Europe, and do what all those people have been
doing so long? Being careful about words, when there's millions of
bushels off wheat here! Reading this fellow Pater, when I've helped Dad
to clear fields!"

"It's good to clear fields. But it's not for you. It's one of our
favorite American myths that broad plains necessarily make broad minds,
and high mountains make high purpose. I thought that myself, when I
first came to the prairie. 'Big--new.' Oh, I don't want to deny the
prairie future. It will be magnificent. But equally I'm hanged if I want
to be bullied by it, go to war on behalf of Main Street, be bullied and
BULLIED by the faith that the future is already here in the present, and
that all of us must stay and worship wheat-stacks and insist that
this is 'God's Country'--and never, of course, do anything original
or gay-colored that would help to make that future! Anyway, you don't
belong here. Sam Clark and Nat Hicks, that's what our big newness has
produced. Go! Before it's too late, as it has been for--for some of us.
Young man, go East and grow up with the revolution! Then perhaps you
may come back and tell Sam and Nat and me what to do with the land we've
been clearing--if we'll listen--if we don't lynch you first!"

He looked at her reverently. She could hear him saying,

"I've always wanted to know a woman who would talk to me like that."

Her hearing was faulty. He was saying nothing of the sort. He was
saying:

"Why aren't you happy with your husband?"

"I--you----"

"He doesn't care for the 'blessed innocent' part of you, does he!"

"Erik, you mustn't----"

"First you tell me to go and be free, and then you say that I
'mustn't'!"

"I know. But you mustn't----You must be more impersonal!"

He glowered at her like a downy young owl. She wasn't sure but she
thought that he muttered, "I'm damned if I will." She considered with
wholesome fear the perils of meddling with other people's destinies, and
she said timidly, "Hadn't we better start back now?"

He mused, "You're younger than I am. Your lips are for songs about
rivers in the morning and lakes at twilight. I don't see how anybody
could ever hurt you. . . . Yes. We better go."

He trudged beside her, his eyes averted. Hugh experimentally took his
thumb. He looked down at the baby seriously. He burst out, "All right.
I'll do it. I'll stay here one year. Save. Not spend so much money on
clothes. And then I'll go East, to art-school. Work on the side-tailor
shop, dressmaker's. I'll learn what I'm good for: designing clothes,
stage-settings, illustrating, or selling collars to fat men. All
settled." He peered at her, unsmiling.

"Can you stand it here in town for a year?"

"With you to look at?"

"Please! I mean: Don't the people here think you're an odd bird? (They
do me, I assure you!)"

"I don't know. I never notice much. Oh, they do kid me about not being
in the army--especially the old warhorses, the old men that aren't going
themselves. And this Bogart boy. And Mr. Hicks's son--he's a horrible
brat. But probably he's licensed to say what he thinks about his
father's hired man!"

"He's beastly!"

They were in town. They passed Aunt Bessie's house. Aunt Bessie and
Mrs. Bogart were at the window, and Carol saw that they were staring so
intently that they answered her wave only with the stiffly raised hands
of automatons. In the next block Mrs. Dr. Westlake was gaping from her
porch. Carol said with an embarrassed quaver:

"I want to run in and see Mrs. Westlake. I'll say good-by here."

She avoided his eyes.

Mrs. Westlake was affable. Carol felt that she was expected to explain;
and while she was mentally asserting that she'd be hanged if she'd
explain, she was explaining:

"Hugh captured that Valborg boy up the track. They became such good
friends. And I talked to him for a while. I'd heard he was eccentric,
but really, I found him quite intelligent. Crude, but he reads--reads
almost the way Dr. Westlake does."

"That's fine. Why does he stick here in town? What's this I hear about
his being interested in Myrtle Cass?"

"I don't know. Is he? I'm sure he isn't! He said he was quite lonely!
Besides, Myrtle is a babe in arms!"

"Twenty-one if she's a day!"

"Well----Is the doctor going to do any hunting this fall?"

II

The need of explaining Erik dragged her back into doubting. For all his
ardent reading, and his ardent life, was he anything but a small-town
youth bred on an illiberal farm and in cheap tailor shops? He had rough
hands. She had been attracted only by hands that were fine and suave,
like those of her father. Delicate hands and resolute purpose. But this
boy--powerful seamed hands and flabby will.

"It's not appealing weakness like his, but sane strength that will
animate the Gopher Prairies. Only----Does that mean anything? Or am
I echoing Vida? The world has always let 'strong' statesmen and
soldiers--the men with strong voices--take control, and what have the
thundering boobies done? What is 'strength'?

"This classifying of people! I suppose tailors differ as much as
burglars or kings.

"Erik frightened me when he turned on me. Of course he didn't mean
anything, but I mustn't let him be so personal.

"Amazing impertinence!

"But he didn't mean to be.

"His hands are FIRM. I wonder if sculptors don't have thick hands, too?

"Of course if there really is anything I can do to HELP the boy----

"Though I despise these people who interfere. He must be independent."

III

She wasn't altogether pleased, the week after, when Erik was independent
and, without asking for her inspiration, planned the tennis tournament.
It proved that he had learned to play in Minneapolis; that, next to
Juanita Haydock, he had the best serve in town. Tennis was well spoken
of in Gopher Prairie and almost never played. There were three courts:
one belonging to Harry Haydock, one to the cottages at the lake, and
one, a rough field on the outskirts, laid out by a defunct tennis
association.

Erik had been seen in flannels and an imitation panama hat, playing on
the abandoned court with Willis Woodford, the clerk in Stowbody's bank.
Suddenly he was going about proposing the reorganization of the tennis
association, and writing names in a fifteen-cent note-book bought for
the purpose at Dyer's. When he came to Carol he was so excited over
being an organizer that he did not stop to talk of himself and Aubrey
Beardsley for more than ten minutes. He begged, "Will you get some of
the folks to come in?" and she nodded agreeably.

He proposed an informal exhibition match to advertise the association;
he suggested that Carol and himself, the Haydocks, the Woodfords, and
the Dillons play doubles, and that the association be formed from
the gathered enthusiasts. He had asked Harry Haydock to be tentative
president. Harry, he reported, had promised, "All right. You bet. But
you go ahead and arrange things, and I'll O.K. 'em." Erik planned that
the match should be held Saturday afternoon, on the old public court
at the edge of town. He was happy in being, for the first time, part of
Gopher Prairie.

Through the week Carol heard how select an attendance there was to be.

Kennicott growled that he didn't care to go.

Had he any objections to her playing with Erik?

No; sure not; she needed the exercise. Carol went to the match early.
The court was in a meadow out on the New Antonia road. Only Erik was
there. He was dashing about with a rake, trying to make the court
somewhat less like a plowed field. He admitted that he had stage fright
at the thought of the coming horde. Willis and Mrs. Woodford arrived,
Willis in home-made knickers and black sneakers through at the toe;
then Dr. and Mrs. Harvey Dillon, people as harmless and grateful as the
Woodfords.

Carol was embarrassed and excessively agreeable, like the bishop's lady
trying not to feel out of place at a Baptist bazaar.

They waited.

The match was scheduled for three. As spectators there assembled one
youthful grocery clerk, stopping his Ford delivery wagon to stare from
the seat, and one solemn small boy, tugging a smaller sister who had a
careless nose.

"I wonder where the Haydocks are? They ought to show up, at least," said
Erik.

Carol smiled confidently at him, and peered down the empty road toward
town. Only heat-waves and dust and dusty weeds.

At half-past three no one had come, and the grocery boy reluctantly got
out, cranked his Ford, glared at them in a disillusioned manner, and
rattled away. The small boy and his sister ate grass and sighed.

The players pretended to be exhilarated by practising service, but they
startled at each dust-cloud from a motor car. None of the cars turned
into the meadow-none till a quarter to four, when Kennicott drove in.

Carol's heart swelled. "How loyal he is! Depend on him! He'd come,
if nobody else did. Even though he doesn't care for the game. The old
darling!"

Kennicott did not alight. He called out, "Carrie! Harry Haydock 'phoned
me that they've decided to hold the tennis matches, or whatever you call
'em, down at the cottages at the lake, instead of here. The bunch are
down there now: Haydocks and Dyers and Clarks and everybody. Harry
wanted to know if I'd bring you down. I guess I can take the time--come
right back after supper."

Before Carol could sum it all up, Erik stammered, "Why, Haydock didn't
say anything to me about the change. Of course he's the president,
but----"

Kennicott looked at him heavily, and grunted, "I don't know a thing
about it. . . . Coming, Carrie?"

"I am not! The match was to be here, and it will be here! You can tell
Harry Haydock that he's beastly rude!" She rallied the five who had
been left out, who would always be left out. "Come on! We'll toss to
see which four of us play the Only and Original First Annual Tennis
Tournament of Forest Hills, Del Monte, and Gopher Prairie!"

"Don't know as I blame you," said Kennicott. "Well have supper at home
then?" He drove off.

She hated him for his composure. He had ruined her defiance. She felt
much less like Susan B. Anthony as she turned to her huddled followers.

Mrs. Dillon and Willis Woodford lost the toss. The others played out
the game, slowly, painfully, stumbling on the rough earth, muffing the
easiest shots, watched only by the small boy and his sniveling sister.
Beyond the court stretched the eternal stubble-fields. The four
marionettes, awkwardly going through exercises, insignificant in the hot
sweep of contemptuous land, were not heroic; their voices did not ring
out in the score, but sounded apologetic; and when the game was over
they glanced about as though they were waiting to be laughed at.

They walked home. Carol took Erik's arm. Through her thin linen sleeve
she could feel the crumply warmth of his familiar brown jersey coat. She
observed that there were purple and red gold threads interwoven with the
brown. She remembered the first time she had seen it.

Their talk was nothing but improvisations on the theme: "I never did
like this Haydock. He just considers his own convenience." Ahead
of them, the Dillons and Woodfords spoke of the weather and B. J.
Gougerling's new bungalow. No one referred to their tennis tournament.
At her gate Carol shook hands firmly with Erik and smiled at him.

Next morning, Sunday morning, when Carol was on the porch, the Haydocks
drove up.

"We didn't mean to be rude to you, dearie!" implored Juanita. "I
wouldn't have you think that for anything. We planned that Will and you
should come down and have supper at our cottage."

"No. I'm sure you didn't mean to be." Carol was super-neighborly. "But
I do think you ought to apologize to poor Erik Valborg. He was terribly
hurt."

"Oh. Valborg. I don't care so much what he thinks," objected Harry.
"He's nothing but a conceited buttinsky. Juanita and I kind of figured
he was trying to run this tennis thing too darn much anyway."

"But you asked him to make arrangements."

"I know, but I don't like him. Good Lord, you couldn't hurt his
feelings! He dresses up like a chorus man--and, by golly, he looks like
one!--but he's nothing but a Swede farm boy, and these foreigners, they
all got hides like a covey of rhinoceroses ."

"But he IS hurt!"

"Well----I don't suppose I ought to have gone off half-cocked, and not
jollied him along. I'll give him a cigar. He'll----"

Juanita had been licking her lips and staring at Carol. She interrupted
her husband, "Yes, I do think Harry ought to fix it up with him. You
LIKE him, DON'T you, Carol??"

Over and through Carol ran a frightened cautiousness. "Like him? I
haven't an i-dea. He seems to be a very decent young man. I just felt
that when he'd worked so hard on the plans for the match, it was a shame
not to be nice to him."

"Maybe there's something to that," mumbled Harry; then, at sight of
Kennicott coming round the corner tugging the red garden hose by its
brass nozzle, he roared in relief, "What d' you think you're trying to
do, doc?"

While Kennicott explained in detail all that he thought he was trying
to do, while he rubbed his chin and gravely stated, "Struck me the grass
was looking kind of brown in patches--didn't know but what I'd give it
a sprinkling," and while Harry agreed that this was an excellent
idea, Juanita made friendly noises and, behind the gilt screen of an
affectionate smile, watched Carol's face.

IV

She wanted to see Erik. She wanted some one to play with! There wasn't
even so dignified and sound an excuse as having Kennicott's trousers
pressed; when she inspected them, all three pairs looked discouragingly
neat. She probably would not have ventured on it had she not spied Nat
Hicks in the pool-parlor, being witty over bottle-pool. Erik was alone!
She fluttered toward the tailor shop, dashed into its slovenly heat
with the comic fastidiousness of a humming bird dipping into a dry
tiger-lily. It was after she had entered that she found an excuse.

Erik was in the back room, cross-legged on a long table, sewing a vest.
But he looked as though he were doing this eccentric thing to amuse
himself.

"Hello. I wonder if you couldn't plan a sports-suit for me?" she said
breathlessly.

He stared at her; he protested, "No, I won't! God! I'm not going to be a
tailor with you!"

"Why, Erik!" she said, like a mildly shocked mother.

It occurred to her that she did not need a suit, and that the order
might have been hard to explain to Kennicott.

He swung down from the table. "I want to show you something." He
rummaged in the roll-top desk on which Nat Hicks kept bills, buttons,
calendars, buckles, thread-channeled wax, shotgun shells, samples of
brocade for "fancy vests," fishing-reels, pornographic post-cards,
shreds of buckram lining. He pulled out a blurred sheet of Bristol board
and anxiously gave it to her. It was a sketch for a frock. It was not
well drawn; it was too finicking; the pillars in the background were
grotesquely squat. But the frock had an original back, very low, with
a central triangular section from the waist to a string of jet beads at
the neck.

"It's stunning. But how it would shock Mrs. Clark!"

"Yes, wouldn't it!"

"You must let yourself go more when you're drawing."

"Don't know if I can. I've started kind of late. But listen! What do you
think I've done this two weeks? I've read almost clear through a Latin
grammar, and about twenty pages of Caesar."

"Splendid! You are lucky. You haven't a teacher to make you artificial."

"You're my teacher!"

There was a dangerous edge of personality to his voice. She was offended
and agitated. She turned her shoulder on him, stared through the back
window, studying this typical center of a typical Main Street block,
a vista hidden from casual strollers. The backs of the chief
establishments in town surrounded a quadrangle neglected, dirty, and
incomparably dismal. From the front, Howland & Gould's grocery was smug
enough, but attached to the rear was a lean-to of storm streaked pine
lumber with a sanded tar roof--a staggering doubtful shed behind which
was a heap of ashes, splintered packing-boxes, shreds of excelsior,
crumpled straw-board, broken olive-bottles, rotten fruit, and utterly
disintegrated vegetables: orange carrots turning black, and potatoes
with ulcers. The rear of the Bon Ton Store was grim with blistered
black-painted iron shutters, under them a pile of once glossy red
shirt-boxes, now a pulp from recent rain.

As seen from Main Street, Oleson & McGuire's Meat Market had a sanitary
and virtuous expression with its new tile counter, fresh sawdust on the
floor, and a hanging veal cut in rosettes. But she now viewed a back
room with a homemade refrigerator of yellow smeared with black grease.
A man in an apron spotted with dry blood was hoisting out a hard slab of
meat.

Behind Billy's Lunch, the cook, in an apron which must long ago have
been white, smoked a pipe and spat at the pest of sticky flies. In the
center of the block, by itself, was the stable for the three horses of
the drayman, and beside it a pile of manure.

The rear of Ezra Stowbody's bank was whitewashed, and back of it was
a concrete walk and a three-foot square of grass, but the window was
barred, and behind the bars she saw Willis Woodford cramped over figures
in pompous books. He raised his head, jerkily rubbed his eyes, and went
back to the eternity of figures.

The backs of the other shops were an impressionistic picture of dirty
grays, drained browns, writhing heaps of refuse.

"Mine is a back-yard romance--with a journeyman tailor!"

She was saved from self-pity as she began to think through Erik's mind.
She turned to him with an indignant, "It's disgusting that this is all
you have to look at."

He considered it. "Outside there? I don't notice much. I'm learning to
look inside. Not awful easy!"

"Yes. . . . I must be hurrying."

As she walked home--without hurrying--she remembered her father saying
to a serious ten-year-old Carol, "Lady, only a fool thinks he's superior
to beautiful bindings, but only a double-distilled fool reads nothing
but bindings."

She was startled by the return of her father, startled by a sudden
conviction that in this flaxen boy she had found the gray reticent judge
who was divine love, perfect under-standing. She debated it, furiously
denied it, reaffirmed it, ridiculed it. Of one thing she was unhappily
certain: there was nothing of the beloved father image in Will
Kennicott.

V

She wondered why she sang so often, and why she found so many pleasant
things--lamplight seen though trees on a cool evening, sunshine on brown
wood, morning sparrows, black sloping roofs turned to plates of silver
by moonlight. Pleasant things, small friendly things, and pleasant
places--a field of goldenrod, a pasture by the creek--and suddenly
a wealth of pleasant people. Vida was lenient to Carol at the
surgical-dressing class; Mrs. Dave Dyer flattered her with questions
about her health, baby, cook, and opinions on the war.

Mrs. Dyer seemed not to share the town's prejudice against Erik. "He's
a nice-looking fellow; we must have him go on one of our picnics some
time." Unexpectedly, Dave Dyer also liked him. The tight-fisted little
farceur had a confused reverence for anything that seemed to him refined
or clever. He answered Harry Haydock's sneers, "That's all right now!
Elizabeth may doll himself up too much, but he's smart, and don't you
forget it! I was asking round trying to find out where this Ukraine is,
and darn if he didn't tell me. What's the matter with his talking so
polite? Hell's bells, Harry, no harm in being polite. There's some
regular he-men that are just as polite as women, prett' near."

Carol found herself going about rejoicing, "How neighborly the town is!"
She drew up with a dismayed "Am I falling in love with this boy? That's
ridiculous! I'm merely interested in him. I like to think of helping him
to succeed."

But as she dusted the living-room, mended a collar-band, bathed Hugh,
she was picturing herself and a young artistan Apollo nameless and
evasive--building a house in the Berkshires or in Virginia; exuberantly
buying a chair with his first check; reading poetry together, and
frequently being earnest over valuable statistics about labor; tumbling
out of bed early for a Sunday walk, and chattering (where Kennicott
would have yawned) over bread and butter by a lake. Hugh was in her
pictures, and he adored the young artist, who made castles of chairs and
rugs for him. Beyond these playtimes she saw the "things I could do for
Erik"--and she admitted that Erik did partly make up the image of her
altogether perfect artist.

In panic she insisted on being attentive to Kennicott, when he wanted to
be left alone to read the newspaper.

VI

She needed new clothes. Kennicott had promised, "We'll have a good trip
down to the Cities in the fall, and take plenty of time for it, and you
can get your new glad-rags then." But as she examined her wardrobe she
flung her ancient black velvet frock on the floor and raged, "They're
disgraceful. Everything I have is falling to pieces."

There was a new dressmaker and milliner, a Mrs. Swiftwaite. It was
said that she was not altogether an elevating influence in the way she
glanced at men; that she would as soon take away a legally appropriated
husband as not; that if there WAS any Mr. Swiftwaite, "it certainly was
strange that nobody seemed to know anything about him!" But she had made
for Rita Gould an organdy frock and hat to match universally admitted
to be "too cunning for words," and the matrons went cautiously,
with darting eyes and excessive politeness, to the rooms which Mrs.
Swiftwaite had taken in the old Luke Dawson house, on Floral Avenue.

With none of the spiritual preparation which normally precedes the
buying of new clothes in Gopher Prairie, Carol marched into Mrs.
Swiftwaite's, and demanded, "I want to see a hat, and possibly a
blouse."

In the dingy old front parlor which she had tried to make smart with a
pier glass, covers from fashion magazines, anemic French prints, Mrs.
Swiftwaite moved smoothly among the dress-dummies and hat-rests, spoke
smoothly as she took up a small black and red turban. "I am sure the
lady will find this extremely attractive."

"It's dreadfully tabby and small-towny," thought Carol, while she
soothed, "I don't believe it quite goes with me."

"It's the choicest thing I have, and I'm sure you'll find it suits you
beautifully. It has a great deal of chic. Please try it on," said Mrs.
Swiftwaite, more smoothly than ever.

Carol studied the woman. She was as imitative as a glass diamond. She
was the more rustic in her effort to appear urban. She wore a severe
high-collared blouse with a row of small black buttons, which
was becoming to her low-breasted slim neatness, but her skirt was
hysterically checkered, her cheeks were too highly rouged, her lips too
sharply penciled. She was magnificently a specimen of the illiterate
divorcee of forty made up to look thirty, clever, and alluring.

While she was trying on the hat Carol felt very condescending. She took
it off, shook her head, explained with the kind smile for inferiors,
"I'm afraid it won't do, though it's unusually nice for so small a town
as this."

"But it's really absolutely New-Yorkish."

"Well, it----"

"You see, I know my New York styles. I lived in New York for years,
besides almost a year in Akron!"

"You did?" Carol was polite, and edged away, and went home unhappily.
She was wondering whether her own airs were as laughable as Mrs.
Swiftwaite's. She put on the eye-glasses which Kennicott had recently
given to her for reading, and looked over a grocery bill. She
went hastily up to her room, to her mirror. She was in a mood of
self-depreciation. Accurately or not, this was the picture she saw in
the mirror:

Neat rimless eye-glasses. Black hair clumsily tucked under a mauve straw
hat which would have suited a spinster. Cheeks clear, bloodless. Thin
nose. Gentle mouth and chin. A modest voile blouse with an edging of
lace at the neck. A virginal sweetness and timorousness--no flare of
gaiety, no suggestion of cities, music, quick laughter.

"I have become a small-town woman. Absolute. Typical. Modest and moral
and safe. Protected from life. GENTEEL! The Village Virus--the village
virtuousness. My hair--just scrambled together. What can Erik see in
that wedded spinster there? He does like me! Because I'm the only woman
who's decent to him! How long before he'll wake up to me? . . . I've
waked up to myself. . . . Am I as old as--as old as I am?

"Not really old. Become careless. Let myself look tabby.

"I want to chuck every stitch I own. Black hair and pale cheeks--they'd
go with a Spanish dancer's costume--rose behind my ear, scarlet mantilla
over one shoulder, the other bare."

She seized the rouge sponge, daubed her cheeks, scratched at her lips
with the vermilion pencil until they stung, tore open her collar. She
posed with her thin arms in the attitude of the fandango. She dropped
them sharply. She shook her head. "My heart doesn't dance," she said.
She flushed as she fastened her blouse.

"At least I'm much more graceful than Fern Mullins. Heavens! When I came
here from the Cities, girls imitated me. Now I'm trying to imitate a
city girl."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: One day, Carol goes walking with her son Hugh along the Gopher Prairie railroad tracks and runs into Erik Valbourg. Erik takes immediate notice of Hugh and straightens his outfit. Erik and Carol chat for a while about books, and Carol calls him out for not really knowing what he's talking about. Erik apologizes and asks if Carol can recommend things for him to read. He knows he's a poser, but he has big dreams. At this point, Erik decides to throw away decorum and ask Carol if she's happy in her marriage. Carol thinks this is a bit forward, but part of her is happy that Erik has asked. When Carol and Erik get back into town, Carol sees some old women staring at her through a window. From that point on, she feels like she needs to explain to everyone why she was walking with someone like Erik. The more she thinks about him, the more she wants to support his dreams and help him escape from Gopher Prairie. Erik won't be daunted by his social status, though. For starters, he organizes a tennis tournament for the town. Unfortunately, some higher-ups decide to change the location of the tennis tournament at the last second without informing Erik. They're making it pretty clear that he doesn't belong among them. When Carol scolds the folks for changing the tennis plans, Juanita Haydock, a neighbor, notices that Carol is defending Erik a little too much and implies that Carol likes Erik. This comment immediately makes Carol back down. Carol starts making up reasons to visit the tailor shop, ordering suits that her husband Will doesn't want or need. Over time, Carol finds herself singing more often and feeling cheerful. She suddenly realizes that she might have a crush on Erik. She becomes more critical of the clothes she wears and tries to look good around Erik whenever she can.