prompt:
Chapter: When Carrie renewed her search, as she did the next day, going to
the Casino, she found that in the opera chorus, as in other fields,
employment is difficult to secure. Girls who can stand in a line and
look pretty are as numerous as labourers who can swing a pick. She found
there was no discrimination between one and the other of applicants,
save as regards a conventional standard of prettiness and form. Their
own opinion or knowledge of their ability went for nothing.

"Where shall I find Mr. Gray?" she asked of a sulky doorman at the stage
entrance of the Casino.

"You can't see him now; he's busy."

"Do you know when I can see him?"

"Got an appointment with him?"

"No."

"Well, you'll have to call at his office."

"Oh, dear!" exclaimed Carrie. "Where is his office?"

He gave her the number.

She knew there was no need of calling there now. He would not be in.
Nothing remained but to employ the intermediate hours in search.

The dismal story of ventures in other places is quickly told. Mr. Daly
saw no one save by appointment. Carrie waited an hour in a dingy
office, quite in spite of obstacles, to learn this fact of the placid,
indifferent Mr. Dorney.

"You will have to write and ask him to see you."

So she went away.

At the Empire Theatre she found a hive of peculiarly listless and
indifferent individuals. Everything ornately upholstered, everything
carefully finished, everything remarkably reserved.

At the Lyceum she entered one of those secluded, under-stairway closets,
berugged and bepaneled, which causes one to feel the greatness of all
positions of authority. Here was reserve itself done into a box-office
clerk, a doorman, and an assistant, glorying in their fine positions.

"Ah, be very humble now--very humble indeed. Tell us what it is
you require. Tell it quickly, nervously, and without a vestige of
self-respect. If no trouble to us in any way, we may see what we can
do."

This was the atmosphere of the Lyceum--the attitude, for that matter,
of every managerial office in the city. These little proprietors of
businesses are lords indeed on their own ground.

Carrie came away wearily, somewhat more abashed for her pains.

Hurstwood heard the details of the weary and unavailing search that
evening.

"I didn't get to see any one," said Carrie. "I just walked, and walked,
and waited around."

Hurstwood only looked at her.

"I suppose you have to have some friends before you can get in," she
added, disconsolately.

Hurstwood saw the difficulty of this thing, and yet it did not seem
so terrible. Carrie was tired and dispirited, but now she could rest.
Viewing the world from his rocking-chair, its bitterness did not seem to
approach so rapidly. To-morrow was another day.

To-morrow came, and the next, and the next.

Carrie saw the manager at the Casino once.

"Come around," he said, "the first of next week. I may make some changes
then."

He was a large and corpulent individual, surfeited with good clothes and
good eating, who judged women as another would horseflesh. Carrie was
pretty and graceful. She might be put in even if she did not have any
experience. One of the proprietors had suggested that the chorus was a
little weak on looks.

The first of next week was some days off yet. The first of the month was
drawing near. Carrie began to worry as she had never worried before.

"Do you really look for anything when you go out?" she asked Hurstwood
one morning as a climax to some painful thoughts of her own.

"Of course I do," he said pettishly, troubling only a little over the
disgrace of the insinuation.

"I'd take anything," she said, "for the present. It will soon be the
first of the month again."

She looked the picture of despair.

Hurstwood quit reading his paper and changed his clothes.

"He would look for something," he thought. "He would go and see if some
brewery couldn't get him in somewhere. Yes, he would take a position as
bartender, if he could get it."

It was the same sort of pilgrimage he had made before. One or two slight
rebuffs, and the bravado disappeared.

"No use," he thought. "I might as well go on back home."

Now that his money was so low, he began to observe his clothes and feel
that even his best ones were beginning to look commonplace. This was a
bitter thought.

Carrie came in after he did.

"I went to see some of the variety managers," she said, aimlessly. "You
have to have an act. They don't want anybody that hasn't."

"I saw some of the brewery people to-day," said Hurstwood. "One man told
me he'd try to make a place for me in two or three weeks."

In the face of so much distress on Carrie's part, he had to make some
showing, and it was thus he did so. It was lassitude's apology to
energy.

Monday Carrie went again to the Casino.

"Did I tell you to come around to day?" said the manager, looking her
over as she stood before him.

"You said the first of the week," said Carrie, greatly abashed.

"Ever had any experience?" he asked again, almost severely.

Carrie owned to ignorance.

He looked her over again as he stirred among some papers. He was
secretly pleased with this pretty, disturbed-looking young woman. "Come
around to the theatre to-morrow morning."

Carrie's heart bounded to her throat.

"I will," she said with difficulty. She could see he wanted her, and
turned to go.

"Would he really put her to work? Oh, blessed fortune, could it be?"

Already the hard rumble of the city through the open windows became
pleasant.

A sharp voice answered her mental interrogation, driving away all
immediate fears on that score.

"Be sure you're there promptly," the manager said roughly. "You'll be
dropped if you're not."

Carrie hastened away. She did not quarrel now with Hurstwood's idleness.
She had a place--she had a place! This sang in her ears.

In her delight she was almost anxious to tell Hurstwood. But, as she
walked homeward, and her survey of the facts of the case became larger,
she began to think of the anomaly of her finding work in several weeks
and his lounging in idleness for a number of months.

"Why don't he get something?" she openly said to herself. "If I can he
surely ought to. It wasn't very hard for me."

She forgot her youth and her beauty. The handicap of age she did not, in
her enthusiasm, perceive.

Thus, ever, the voice of success. Still, she could not keep her secret.
She tried to be calm and indifferent, but it was a palpable sham.

"Well?" he said, seeing her relieved face.

"I have a place."

"You have?" he said, breathing a better breath.

"Yes."

"What sort of a place is it?" he asked, feeling in his veins as if now
he might get something good also.

"In the chorus," she answered.

"Is it the Casino show you told me about?"

"Yes," she answered. "I begin rehearsing to-morrow."

There was more explanation volunteered by Carrie, because she was happy.
At last Hurstwood said:

"Do you know how much you'll get?"

"No, I didn't want to ask," said Carrie. "I guess they pay twelve or
fourteen dollars a week."

"About that, I guess," said Hurstwood.

There was a good dinner in the flat that evening, owing to the mere
lifting of the terrible strain. Hurstwood went out for a shave, and
returned with a fair-sized sirloin steak.

"Now, to-morrow," he thought, "I'll look around myself," and with
renewed hope he lifted his eyes from the ground.

On the morrow Carrie reported promptly and was given a place in the
line. She saw a large, empty, shadowy play-house, still redolent of the
perfumes and blazonry of the night, and notable for its rich, oriental
appearance. The wonder of it awed and delighted her. Blessed be its
wondrous reality. How hard she would try to be worthy of it. It was
above the common mass, above idleness, above want, above insignificance.
People came to it in finery and carriages to see. It was ever a centre
of light and mirth. And here she was of it. Oh, if she could only
remain, how happy would be her days!

"What is your name?" said the manager, who was conducting the drill.

"Madenda," she replied, instantly mindful of the name Drouet had
selected in Chicago. "Carrie Madenda."

"Well, now, Miss Madenda," he said, very affably, as Carrie thought,
"you go over there."

Then he called to a young woman who was already of the company:

"Miss Clark, you pair with Miss Madenda."

This young lady stepped forward, so that Carrie saw where to go, and the
rehearsal began.

Carrie soon found that while this drilling had some slight resemblance
to the rehearsals as conducted at Avery Hall, the attitude of the
manager was much more pronounced. She had marvelled at the insistence
and superior airs of Mr. Millice, but the individual conducting here
had the same insistence, coupled with almost brutal roughness. As the
drilling proceeded, he seemed to wax exceedingly wroth over trifles, and
to increase his lung power in proportion. It was very evident that he
had a great contempt for any assumption of dignity or innocence on the
part of these young women.

"Clark," he would call--meaning, of course, Miss Clark--"why don't you
catch step there?"

"By fours, right! Right, I said, right! For heaven's sake, get on to
yourself! Right!" and in saying this he would lift the last sounds into
a vehement roar.

"Maitland! Maitland!" he called once.

A nervous, comely-dressed little girl stepped out. Carrie trembled for
her out of the fulness of her own sympathies and fear.

"Yes, sir," said Miss Maitland.

"Is there anything the matter with your ears?"

"No, sir."

"Do you know what 'column left' means?"

"Yes, sir."

"Well, what are you stumbling around the right for? Want to break up the
line?"

"I was just"

"Never mind what you were just. Keep your ears open."

Carrie pitied, and trembled for her turn.

Yet another suffered the pain of personal rebuke.

"Hold on a minute," cried the manager, throwing up his hands, as if in
despair. His demeanour was fierce.

"Elvers," he shouted, "what have you got in your mouth?"

"Nothing," said Miss Elvers, while some smiled and stood nervously by.

"Well, are you talking?"

"No, sir."

"Well, keep your mouth still then. Now, all together again."

At last Carrie's turn came. It was because of her extreme anxiety to do
all that was required that brought on the trouble.

She heard some one called.

"Mason," said the voice. "Miss Mason."

She looked around to see who it could be. A girl behind shoved her a
little, but she did not understand.

"You, you!" said the manager. "Can't you hear?"

"Oh," said Carrie, collapsing, and blushing fiercely.

"Isn't your name Mason?" asked the manager.

"No, sir," said Carrie, "it's Madenda."

"Well, what's the matter with your feet? Can't you dance?"

"Yes, sir," said Carrie, who had long since learned this art.

"Why don't you do it then? Don't go shuffling along as if you were dead.
I've got to have people with life in them."

Carrie's cheek burned with a crimson heat. Her lips trembled a little.

"Yes, sir," she said.

It was this constant urging, coupled with irascibility and energy, for
three long hours. Carrie came away worn enough in body, but too excited
in mind to notice it. She meant to go home and practise her evolutions
as prescribed. She would not err in any way, if she could help it.

When she reached the flat Hurstwood was not there. For a wonder he was
out looking for work, as she supposed. She took only a mouthful to eat
and then practised on, sustained by visions of freedom from financial
distress--"The sound of glory ringing in her ears."

When Hurstwood returned he was not so elated as when he went away, and
now she was obliged to drop practice and get dinner. Here was an early
irritation. She would have her work and this. Was she going to act and
keep house?

"I'll not do it," she said, "after I get started. He can take his meals
out."

Each day thereafter brought its cares. She found it was not such a
wonderful thing to be in the chorus, and she also learned that her
salary would be twelve dollars a week. After a few days she had
her first sight of those high and mighties--the leading ladies and
gentlemen. She saw that they were privileged and deferred to. She was
nothing--absolutely nothing at all.

At home was Hurstwood, daily giving her cause for thought. He seemed to
get nothing to do, and yet he made bold to inquire how she was getting
along. The regularity with which he did this smacked of some one who
was waiting to live upon her labour. Now that she had a visible means of
support, this irritated her. He seemed to be depending upon her little
twelve dollars.

"How are you getting along?" he would blandly inquire.

"Oh, all right," she would reply.

"Find it easy?"

"It will be all right when I get used to it."

His paper would then engross his thoughts.

"I got some lard," he would add, as an afterthought. "I thought maybe
you might want to make some biscuit."

The calm suggestion of the man astonished her a little, especially in
the light of recent developments. Her dawning independence gave her more
courage to observe, and she felt as if she wanted to say things. Still
she could not talk to him as she had to Drouet. There was something in
the man's manner of which she had always stood in awe. He seemed to have
some invisible strength in reserve.

One day, after her first week's rehearsal, what she expected came openly
to the surface.

"We'll have to be rather saving," he said, laying down some meat he had
purchased. "You won't get any money for a week or so yet."

"No," said Carrie, who was stirring a pan at the stove.

"I've only got the rent and thirteen dollars more," he added.

"That's it," she said to herself. "I'm to use my money now."

Instantly she remembered that she had hoped to buy a few things for
herself. She needed clothes. Her hat was not nice.

"What will twelve dollars do towards keeping up this flat?" she thought.
"I can't do it. Why doesn't he get something to do?"

The important night of the first real performance came. She did not
suggest to Hurstwood that he come and see. He did not think of going. It
would only be money wasted. She had such a small part.

The advertisements were already in the papers; the posters upon the
bill-boards. The leading lady and many members were cited. Carrie was
nothing.

As in Chicago, she was seized with stage fright as the very first
entrance of the ballet approached, but later she recovered. The apparent
and painful insignificance of the part took fear away from her. She felt
that she was so obscure it did not matter. Fortunately, she did not
have to wear tights. A group of twelve were assigned pretty golden-hued
skirts which came only to a line about an inch above the knee. Carrie
happened to be one of the twelve.

In standing about the stage, marching, and occasionally lifting up her
voice in the general chorus, she had a chance to observe the audience
and to see the inauguration of a great hit. There was plenty of
applause, but she could not help noting how poorly some of the women of
alleged ability did.

"I could do better than that," Carrie ventured to herself, in several
instances. To do her justice, she was right.

After it was over she dressed quickly, and as the manager had
scolded some others and passed her, she imagined she must have proved
satisfactory. She wanted to get out quickly, because she knew but few,
and the stars were gossiping. Outside were carriages and some correct
youths in attractive clothing, waiting. Carrie saw that she was scanned
closely. The flutter of an eyelash would have brought her a companion.
That she did not give.

One experienced youth volunteered, anyhow.

"Not going home alone, are you?" he said.

Carrie merely hastened her steps and took the Sixth Avenue car. Her head
was so full of the wonder of it that she had time for nothing else.

"Did you hear any more from the brewery?" she asked at the end of the
week, hoping by the question to stir him on to action.

"No," he answered, "they're not quite ready yet. I think something will
come of that, though."

She said nothing more then, objecting to giving up her own money, and
yet feeling that such would have to be the case. Hurstwood felt the
crisis, and artfully decided to appeal to Carrie. He had long since
realised how good-natured she was, how much she would stand. There was
some little shame in him at the thought of doing so, but he justified
himself with the thought that he really would get something. Rent day
gave him his opportunity.

"Well," he said, as he counted it out, "that's about the last of my
money. I'll have to get something pretty soon."

Carrie looked at him askance, half-suspicious of an appeal.

"If I could only hold out a little longer I think I could get something.
Drake is sure to open a hotel here in September."

"Is he?" said Carrie, thinking of the short month that still remained
until that time.

"Would you mind helping me out until then?" he said appealingly. "I
think I'll be all right after that time."

"No," said Carrie, feeling sadly handicapped by fate.

"We can get along if we economise. I'll pay you back all right."

"Oh, I'll help you," said Carrie, feeling quite hardhearted at thus
forcing him to humbly appeal, and yet her desire for the benefit of her
earnings wrung a faint protest from her.

"Why don't you take anything, George, temporarily?" she said. "What
difference does it make? Maybe, after a while, you'll get something
better."

"I will take anything," he said, relieved, and wincing under reproof.
"I'd just as leave dig on the streets. Nobody knows me here."

"Oh, you needn't do that," said Carrie, hurt by the pity of it. "But
there must be other things."

"I'll get something!" he said, assuming determination.

Then he went back to his paper.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Carrie has no luck in meeting with either Mr. Gray or Mr. Daly, two managers who will meet only by appointment. She tries a few more theaters, but gets discouraged and goes home. A few days later, she manages to meet with the manager of the Casino, a theater on Broadway, who tells her to come back the following week when he might have something for her. That seems a long time away and rent will be due soon so she badgers Hurstwood about looking for a job. Hurstwood sets off to try to get a job as a bartender , but gives up the search pretty quickly and goes back home. The next week, Carrie goes back to see the manager of the Casino. He checks her out and tells her to come the next morning. Something in his voice sounds promising to her and she's thrilled at the thought that she's finally gotten somewhere. Carrie tells Hurstwood she's gotten a place in the chorus . They're both excited that she'll be bringing in twelve or fourteen bucks a week, by Carrie's estimates, so they have a nice steak dinner to celebrate. Hurstwood even shaves. Carrie goes to the theater the next morning and "was given a place in the line." Okay, so the counting chickens thing actually worked out this time. The manager asks her name and she tells him Carrie Madenda, the name Drouet gave her way back when. The manager pairs Carrie with another chorus girl and the rehearsal begins. It's much different, Carrie finds, than the rehearsals of her previous experience back in Chicago. The manager is tougher than an army sergeant and he insults Carrie's dancing, though she doesn't seem to mind since she's so excited to be there. Carrie goes home and Hurstwood isn't there. She practices her dance moves until he gets back. She's a little irked that she has to stop practicing to make dinner, and she decides that she's not going to do that for long--he can order take-out from now on. As rehearsals go on, Carrie realizes that being a chorus girl isn't all it's cracked up to be, and she feels like a total nobody in comparison to the stars of the show. Things aren't great on the home front either, as Carrie is really beginning to resent the way that Hurstwood is sponging off her. Hurstwood tells her that they need to save the money she's earning because his savings is really dwindling. But she has other plans... like a shopping spree. Carrie's NYC debut rolls around, but it's not incredibly exciting for her since none of the advertisements seem to highlight her role in the chorus. Hurstwood doesn't even go to see her because they figure it'd be a waste of money since her part is so tiny. During the show, Carrie observes that she could probably perform just as well as some of the big stars. At home, Carrie asks Hurstwood about that job he has lined up. He says that he thinks it will still work out, but not for another month; he asks if she'd mind supporting them until then. She's annoyed, but agrees to help him out, and he promises he'll try to get some work. And then he goes back to reading the paper.


prompt:
Chapter: What Hurstwood got as the result of this determination was more
self-assurance that each particular day was not the day. At the same
time, Carrie passed through thirty days of mental distress.

Her need of clothes--to say nothing of her desire for ornaments--grew
rapidly as the fact developed that for all her work she was not to have
them. The sympathy she felt for Hurstwood, at the time he asked her to
tide him over, vanished with these newer urgings of decency. He was not
always renewing his request, but this love of good appearance was. It
insisted, and Carrie wished to satisfy it, wished more and more that
Hurstwood was not in the way.

Hurstwood reasoned, when he neared the last ten dollars, that he had
better keep a little pocket change and not become wholly dependent for
car-fare, shaves, and the like; so when this sum was still in his hand
he announced himself as penniless.

"I'm clear out," he said to Carrie one afternoon. "I paid for some coal
this morning, and that took all but ten or fifteen cents."

"I've got some money there in my purse."

Hurstwood went to get it, starting for a can of tomatoes. Carrie
scarcely noticed that this was the beginning of the new order. He took
out fifteen cents and bought the can with it. Thereafter it was dribs
and drabs of this sort, until one morning Carrie suddenly remembered
that she would not be back until close to dinner time.

"We're all out of flour," she said; "you'd better get some this
afternoon. We haven't any meat, either. How would it do if we had liver
and bacon?"

"Suits me," said Hurstwood.

"Better get a half or three-quarters of a pound of that."

"Half 'll be enough," volunteered Hurstwood.

She opened her purse and laid down a half dollar. He pretended not to
notice it.

Hurstwood bought the flour--which all grocers sold in 3 1/2-pound
packages--for thirteen cents and paid fifteen cents for a half-pound
of liver and bacon. He left the packages, together with the balance of
twenty-two cents, upon the kitchen table, where Carrie found it. It did
not escape her that the change was accurate. There was something sad in
realising that, after all, all that he wanted of her was something
to eat. She felt as if hard thoughts were unjust. Maybe he would get
something yet. He had no vices.

That very evening, however, on going into the theatre, one of the chorus
girls passed her all newly arrayed in a pretty mottled tweed suit, which
took Carrie's eye. The young woman wore a fine bunch of violets and
seemed in high spirits. She smiled at Carrie good-naturedly as she
passed, showing pretty, even teeth, and Carrie smiled back.

"She can afford to dress well," thought Carrie, "and so could I, if I
could only keep my money. I haven't a decent tie of any kind to wear."

She put out her foot and looked at her shoe reflectively. "I'll get a
pair of shoes Saturday, anyhow; I don't care what happens."

One of the sweetest and most sympathetic little chorus girls in the
company made friends with her because in Carrie she found nothing to
frighten her away. She was a gay little Manon, unwitting of society's
fierce conception of morality, but, nevertheless, good to her neighbour
and charitable. Little license was allowed the chorus in the matter of
conversation, but, nevertheless, some was indulged in.

"It's warm to-night, isn't it?" said this girl, arrayed in pink
fleshings and an imitation golden helmet. She also carried a shining
shield.

"Yes; it is," said Carrie, pleased that some one should talk to her.

"I'm almost roasting," said the girl.

Carrie looked into her pretty face, with its large blue eyes, and saw
little beads of moisture.

"There's more marching in this opera than ever I did before," added the
girl.

"Have you been in others?" asked Carrie, surprised at her experience.

"Lots of them," said the girl; "haven't you?"

"This is my first experience."

"Oh, is it? I thought I saw you the time they ran 'The Queen's Mate'
here."

"No," said Carrie, shaking her head; "not me."

This conversation was interrupted by the blare of the orchestra and the
sputtering of the calcium lights in the wings as the line was called
to form for a new entrance. No further opportunity for conversation
occurred, but the next evening, when they were getting ready for the
stage, this girl appeared anew at her side.

"They say this show is going on the road next month."

"Is it?" said Carrie.

"Yes; do you think you'll go?"

"I don't know; I guess so, if they'll take me."

"Oh, they'll take you. I wouldn't go. They won't give you any more, and
it will cost you everything you make to live. I never leave New York.
There are too many shows going on here."

"Can you always get in another show?"

"I always have. There's one going on up at the Broadway this month. I'm
going to try and get in that if this one really goes."

Carrie heard this with aroused intelligence. Evidently it wasn't so very
difficult to get on. Maybe she also could get a place if this show went
away. "Do they all pay about the same?" she asked.

"Yes. Sometimes you get a little more. This show doesn't pay very much."

"I get twelve," said Carrie.

"Do you?" said the girl. "They pay me fifteen, and you do more work than
I do. I wouldn't stand it if I were you. They're just giving you less
because they think you don't know. You ought to be making fifteen."

"Well, I'm not," said Carrie.

"Well, you'll get more at the next place if you want it," went on the
girl, who admired Carrie very much. "You do fine, and the manager knows
it."

To say the truth, Carrie did unconsciously move about with an air
pleasing and somewhat distinctive. It was due wholly to her natural
manner and total lack of self-consciousness.

"Do you suppose I could get more up at the Broadway?"

"Of course you can," answered the girl. "You come with me when I go.
I'll do the talking."

Carrie heard this, flushing with thankfulness. She liked this little
gaslight soldier. She seemed so experienced and self-reliant in her
tinsel helmet and military accoutrements.

"My future must be assured if I can always get work this way," thought
Carrie.

Still, in the morning, when her household duties would infringe upon her
and Hurstwood sat there, a perfect load to contemplate, her fate seemed
dismal and unrelieved. It did not take so very much to feed them under
Hurstwood's close-measured buying, and there would possibly be enough
for rent, but it left nothing else. Carrie bought the shoes and some
other things, which complicated the rent problem very seriously.
Suddenly, a week from the fatal day, Carrie realised that they were
going to run short.

"I don't believe," she exclaimed, looking into her purse at breakfast,
"that I'll have enough to pay the rent."

"How much have you?" inquired Hurstwood.

"Well, I've got twenty-two dollars, but there's everything to be paid
for this week yet, and if I use all I get Saturday to pay this, there
won't be any left for next week. Do you think your hotel man will open
his hotel this month?"

"I think so," returned Hurstwood. "He said he would."

After a while, Hurstwood said:

"Don't worry about it. Maybe the grocer will wait. He can do that. We've
traded there long enough to make him trust us for a week or two."

"Do you think he will?" she asked.

"I think so." On this account, Hurstwood, this very day, looked grocer
Oeslogge clearly in the eye as he ordered a pound of coffee, and said:

"Do you mind carrying my account until the end of every week?"

"No, no, Mr. Wheeler," said Mr. Oeslogge. "Dat iss all right."

Hurstwood, still tactful in distress, added nothing to this. It seemed
an easy thing. He looked out of the door, and then gathered up his
coffee when ready and came away. The game of a desperate man had begun.

Rent was paid, and now came the grocer. Hurstwood managed by paying out
of his own ten and collecting from Carrie at the end of the week. Then
he delayed a day next time settling with the grocer, and so soon had his
ten back, with Oeslogge getting his pay on this Thursday or Friday for
last Saturday's bill.

This entanglement made Carrie anxious for a change of some sort.
Hurstwood did not seem to realise that she had a right to anything. He
schemed to make what she earned cover all expenses, but seemed not to
trouble over adding anything himself.

"He talks about worrying," thought Carrie. "If he worried enough he
couldn't sit there and wait for me. He'd get something to do. No man
could go seven months without finding something if he tried."

The sight of him always around in his untidy clothes and gloomy
appearance drove Carrie to seek relief in other places. Twice a week
there were matinees, and then Hurstwood ate a cold snack, which he
prepared himself. Two other days there were rehearsals beginning at ten
in the morning and lasting usually until one. Now, to this Carrie added
a few visits to one or two chorus girls, including the blue-eyed soldier
of the golden helmet. She did it because it was pleasant and a relief
from dulness of the home over which her husband brooded.

The blue-eyed soldier's name was Osborne--Lola Osborne. Her room was
in Nineteenth Street near Fourth Avenue, a block now given up wholly to
office buildings. Here she had a comfortable back room, looking over a
collection of back yards in which grew a number of shade trees pleasant
to see.

"Isn't your home in New York?" she asked of Lola one day.

"Yes; but I can't get along with my people. They always want me to do
what they want. Do you live here?"

"Yes," said Carrie.

"With your family?"

Carrie was ashamed to say that she was married. She had talked so much
about getting more salary and confessed to so much anxiety about her
future, that now, when the direct question of fact was waiting, she
could not tell this girl.

"With some relatives," she answered.

Miss Osborne took it for granted that, like herself, Carrie's time was
her own. She invariably asked her to stay, proposing little outings
and other things of that sort until Carrie began neglecting her dinner
hours. Hurstwood noticed it, but felt in no position to quarrel with
her. Several times she came so late as scarcely to have an hour in which
to patch up a meal and start for the theatre.

"Do you rehearse in the afternoons?" Hurstwood once asked, concealing
almost completely the cynical protest and regret which prompted it.

"No; I was looking around for another place," said Carrie.

As a matter of fact she was, but only in such a way as furnished the
least straw of an excuse. Miss Osborne and she had gone to the office
of the manager who was to produce the new opera at the Broadway and
returned straight to the former's room, where they had been since three
o'clock.

Carrie felt this question to be an infringement on her liberty. She did
not take into account how much liberty she was securing. Only the latest
step, the newest freedom, must not be questioned.

Hurstwood saw it all clearly enough. He was shrewd after his kind, and
yet there was enough decency in the man to stop him from making any
effectual protest. In his almost inexplicable apathy he was content
to droop supinely while Carrie drifted out of his life, just as he was
willing supinely to see opportunity pass beyond his control. He could
not help clinging and protesting in a mild, irritating, and ineffectual
way, however--a way that simply widened the breach by slow degrees.

A further enlargement of this chasm between them came when the manager,
looking between the wings upon the brightly lighted stage where the
chorus was going through some of its glittering evolutions, said to the
master of the ballet:

"Who is that fourth girl there on the right--the one coming round at the
end now?"

"Oh," said the ballet-master, "that's Miss Madenda."

"She's good looking. Why don't you let her head that line?"

"I will," said the man.

"Just do that. She'll look better there than the woman you've got."

"All right. I will do that," said the master.

The next evening Carrie was called out, much as if for an error.

"You lead your company to night," said the master.

"Yes, sir," said Carrie.

"Put snap into it," he added. "We must have snap."

"Yes, sir," replied Carrie.

Astonished at this change, she thought that the heretofore leader must
be ill; but when she saw her in the line, with a distinct expression of
something unfavourable in her eye, she began to think that perhaps it
was merit.

She had a chic way of tossing her head to one side, and holding her arms
as if for action--not listlessly. In front of the line this showed up
even more effectually.

"That girl knows how to carry herself," said the manager, another
evening. He began to think that he should like to talk with her. If
he hadn't made it a rule to have nothing to do with the members of the
chorus, he would have approached her most unbendingly.

"Put that girl at the head of the white column," he suggested to the man
in charge of the ballet.

This white column consisted of some twenty girls, all in snow-white
flannel trimmed with silver and blue. Its leader was most stunningly
arrayed in the same colours, elaborated, however, with epaulets and
a belt of silver, with a short sword dangling at one side. Carrie was
fitted for this costume, and a few days later appeared, proud of her new
laurels. She was especially gratified to find that her salary was now
eighteen instead of twelve.

Hurstwood heard nothing about this.

"I'll not give him the rest of my money," said Carrie. "I do enough. I
am going to get me something to wear."

As a matter of fact, during this second month she had been buying for
herself as recklessly as she dared, regardless of the consequences.
There were impending more complications rent day, and more extension of
the credit system in the neighbourhood. Now, however, she proposed to do
better by herself.

Her first move was to buy a shirt waist, and in studying these she found
how little her money would buy--how much, if she could only use all.
She forgot that if she were alone she would have to pay for a room and
board, and imagined that every cent of her eighteen could be spent for
clothes and things that she liked.

At last she picked upon something, which not only used up all her
surplus above twelve, but invaded that sum. She knew she was going too
far, but her feminine love of finery prevailed. The next day Hurstwood
said:

"We owe the grocer five dollars and forty cents this week."

"Do we?" said Carrie, frowning a little.

She looked in her purse to leave it.

"I've only got eight dollars and twenty cents altogether."

"We owe the milkman sixty cents," added Hurstwood.

"Yes, and there's the coal man," said Carrie.

Hurstwood said nothing. He had seen the new things she was buying; the
way she was neglecting household duties; the readiness with which she
was slipping out afternoons and staying. He felt that something was
going to happen. All at once she spoke:

"I don't know," she said; "I can't do it all. I don't earn enough."

This was a direct challenge. Hurstwood had to take it up. He tried to be
calm.

"I don't want you to do it all," he said. "I only want a little help
until I can get something to do."

"Oh, yes," answered Carrie. "That's always the way. It takes more than I
can earn to pay for things. I don't see what I'm going to do.

"Well, I've tried to get something," he exclaimed. What do you want me
to do?"

"You couldn't have tried so very hard," said Carrie. "I got something."

"Well, I did," he said, angered almost to harsh words. "You needn't
throw up your success to me. All I asked was a little help until I could
get something. I'm not down yet. I'll come up all right."

He tried to speak steadily, but his voice trembled a little.

Carrie's anger melted on the instant. She felt ashamed.

"Well," she said, "here's the money," and emptied it out on the table.
"I haven't got quite enough to pay it all. If they can wait until
Saturday, though, I'll have some more."

"You keep it," said Hurstwood sadly. "I only want enough to pay the
grocer."

She put it back, and proceeded to get dinner early and in good time. Her
little bravado made her feel as if she ought to make amends.

In a little while their old thoughts returned to both.

"She's making more than she says," thought Hurstwood. "She says she's
making twelve, but that wouldn't buy all those things. I don't care. Let
her keep her money. I'll get something again one of these days. Then she
can go to the deuce."

He only said this in his anger, but it prefigured a possible course of
action and attitude well enough.

"I don't care," thought Carrie. "He ought to be told to get out and do
something. It isn't right that I should support him."

In these days Carrie was introduced to several youths, friends of Miss
Osborne, who were of the kind most aptly described as gay and festive.
They called once to get Miss Osborne for an afternoon drive. Carrie was
with her at the time.

"Come and go along," said Lola.

"No, I can't," said Carrie.

"Oh, yes, come and go. What have you got to do?"

"I have to be home by five," said Carrie.

"What for?"

"Oh, dinner."

"They'll take us to dinner," said Lola.

"Oh, no," said Carrie. "I won't go. I can't."

"Oh, do come. They're awful nice boys. We'll get you back in time. We're
only going for a drive in Central Park." Carrie thought a while, and at
last yielded.

"Now, I must be back by half-past four," she said.

The information went in one ear of Lola and out the other.

After Drouet and Hurstwood, there was the least touch of cynicism in her
attitude toward young men--especially of the gay and frivolous sort. She
felt a little older than they. Some of their pretty compliments seemed
silly. Still, she was young in heart and body and youth appealed to her.

"Oh, we'll be right back, Miss Madenda," said one of the chaps, bowing.
"You wouldn't think we'd keep you over time, now, would you?"

"Well, I don't know," said Carrie, smiling.

They were off for a drive--she, looking about and noticing fine
clothing, the young men voicing those silly pleasantries and weak quips
which pass for humour in coy circles. Carrie saw the great park parade
of carriages, beginning at the Fifty-ninth Street entrance and winding
past the Museum of Art to the exit at One Hundred and Tenth Street and
Seventh Avenue. Her eye was once more taken by the show of wealth--the
elaborate costumes, elegant harnesses, spirited horses, and, above all,
the beauty. Once more the plague of poverty galled her, but now she
forgot in a measure her own troubles so far as to forget Hurstwood. He
waited until four, five, and even six. It was getting dark when he got
up out of his chair.

"I guess she isn't coming home," he said, grimly.

"That's the way," he thought. "She's getting a start now. I'm out of
it."

Carrie had really discovered her neglect, but only at a quarter after
five, and the open carriage was now far up Seventh Avenue, near the
Harlem River.

"What time is it?" she inquired. "I must be getting back."

"A quarter after five," said her companion, consulting an elegant,
open-faced watch.

"Oh, dear me!" exclaimed Carrie. Then she settled back with a sigh.
"There's no use crying over spilt milk," she said. "It's too late."

"Of course it is," said the youth, who saw visions of a fine dinner now,
and such invigorating talk as would result in a reunion after the show.
He was greatly taken with Carrie. "We'll drive down to Delmonico's now
and have something there, won't we, Orrin?"

"To be sure," replied Orrin, gaily.

Carrie thought of Hurstwood. Never before had she neglected dinner
without an excuse.

They drove back, and at 6.15 sat down to dine. It was the Sherry
incident over again, the remembrance of which came painfully back to
Carrie. She remembered Mrs. Vance, who had never called again after
Hurstwood's reception, and Ames.

At this figure her mind halted. It was a strong, clean vision. He liked
better books than she read, better people than she associated with. His
ideals burned in her heart.

"It's fine to be a good actress," came distinctly back.

What sort of an actress was she?

"What are you thinking about, Miss Madenda?" inquired her merry
companion. "Come, now, let's see if I can guess."

"Oh, no," said Carrie. "Don't try."

She shook it off and ate. She forgot, in part, and was merry. When it
came to the after-theatre proposition, however, she shook her head.

"No," she said, "I can't. I have a previous engagement."

"Oh, now, Miss Madenda," pleaded the youth.

"No," said Carrie, "I can't. You've been so kind, but you'll have to
excuse me."

The youth looked exceedingly crestfallen.

"Cheer up, old man," whispered his companion. "We'll go around, anyhow.
She may change her mind."

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Carrie really wants to go shopping, and she begins thinking that if only she and Hurstwood didn't have to eat, she'd be the best-dressed woman in all of New York City. Hurstwood informs Carrie that he's officially broke , and she tells him to take money from her purse for groceries. On her way into the theater, Carrie sees another chorus girl decked out in an awesome tweed suit and decides that she will for sure have to go shopping over the weekend. We learn that Carrie's made a new friend in the chorus, Lola Osbourne, first referred to as "the blue-eyed soldier" because that's the part she has in the play. Lola tells her that they should try out for parts in another show because they're being underpaid. Carrie buys shoes, which leaves her without enough for rent; she tells Hurstwood they're short. Hurstwood tells her not to worry--they can wait to pay the grocer. Carrie gets frustrated again that Hurstwood doesn't seem to be in any hurry to get a job, and she starts hanging out more often with Lola to avoid seeing him. One night, Hurstwood asks her what she's been up to. Carrie resents his butting into her life, and things between them get even tenser. One night at the theater, the manager decides to put Carrie at the head of the chorus line. The new position comes with a raise; she's now making eighteen bucks a week. She decides she's not to spend this money feeding Hurstwood--nope, she's off to the department store instead. Carrie spends more than she anticipated during her shopping trip, so it's time to yet again face her money troubles with Hurstwood. She tells him that she just doesn't earn enough to pay all their expenses. Hurstwood's no dummy though, and has seen the clothes she's been buying lately. They argue and Carrie tells Hurstwood--yet again--that he needs to step up the job search. She feels a little bad afterward, so she cooks dinner for him. But the good will doesn't last long, and she's quickly back to thinking that he shouldn't be freeloading. Carrie begins hanging out even more with Lola and some of her guy friends, and one day they invite her to go on a drive. One of the guys takes a liking to Carrie. She stays out so late that she ends up missing dinner with Hurstwood. They end up going to a fancy restaurant and this reminds Carrie of Ames, whom she misses. They try to convince her to hang out with them some more, but she turns them down.


prompt:
Chapter: There was no after-theatre lark, however, so far as Carrie was
concerned. She made her way homeward, thinking about her absence.
Hurstwood was asleep, but roused up to look as she passed through to her
own bed.

"Is that you?" he said.

"Yes," she answered.

The next morning at breakfast she felt like apologising.

"I couldn't get home last evening," she said.

"Ah, Carrie," he answered, "what's the use saying that? I don't care.
You needn't tell me that, though."

"I couldn't," said Carrie, her colour rising. Then, seeing that he
looked as if he said "I know," she exclaimed: "Oh, all right. I don't
care."

From now on, her indifference to the flat was even greater. There
seemed no common ground on which they could talk to one another. She let
herself be asked for expenses. It became so with him that he hated to do
it. He preferred standing off the butcher and baker. He ran up a grocery
bill of sixteen dollars with Oeslogge, laying in a supply of staple
articles, so that they would not have to buy any of those things for
some time to come. Then he changed his grocery. It was the same with the
butcher and several others. Carrie never heard anything of this directly
from him. He asked for such as he could expect, drifting farther and
farther into a situation which could have but one ending.

In this fashion, September went by.

"Isn't Mr. Drake going to open his hotel?" Carrie asked several times.

"Yes. He won't do it before October, though, now."

Carrie became disgusted. "Such a man," she said to herself frequently.
More and more she visited. She put most of her spare money in clothes,
which, after all, was not an astonishing amount. At last the opera she
was with announced its departure within four weeks. "Last two weeks of
the Great Comic Opera success ---- The --------," etc., was upon all
billboards and in the newspapers, before she acted.

"I'm not going out on the road," said Miss Osborne.

Carrie went with her to apply to another manager.

"Ever had any experience?" was one of his questions.

"I'm with the company at the Casino now."

"Oh, you are?" he said.

The end of this was another engagement at twenty per week.

Carrie was delighted. She began to feel that she had a place in the
world. People recognised ability.

So changed was her state that the home atmosphere became intolerable.
It was all poverty and trouble there, or seemed to be, because it was
a load to bear. It became a place to keep away from. Still she slept
there, and did a fair amount of work, keeping it in order. It was
a sitting place for Hurstwood. He sat and rocked, rocked and read,
enveloped in the gloom of his own fate. October went by, and November.
It was the dead of winter almost before he knew it, and there he sat.

Carrie was doing better, that he knew. Her clothes were improved now,
even fine. He saw her coming and going, sometimes picturing to himself
her rise. Little eating had thinned him somewhat. He had no appetite.
His clothes, too, were a poor man's clothes. Talk about getting
something had become even too threadbare and ridiculous for him. So he
folded his hands and waited--for what, he could not anticipate.

At last, however, troubles became too thick. The hounding of creditors,
the indifference of Carrie, the silence of the flat, and presence of
winter, all joined to produce a climax. It was effected by the arrival
of Oeslogge, personally, when Carrie was there.

"I call about my bill," said Mr. Oeslogge.

Carrie was only faintly surprised.

"How much is it?" she asked.

"Sixteen dollars," he replied.

"Oh, that much?" said Carrie. "Is this right?" she asked, turning to
Hurstwood.

"Yes," he said.

"Well, I never heard anything about it."

She looked as if she thought he had been contracting some needless
expense.

"Well, we had it all right," he answered. Then he went to the door. "I
can't pay you anything on that to-day," he said, mildly.

"Well, when can you?" said the grocer.

"Not before Saturday, anyhow," said Hurstwood.

"Huh!" returned the grocer. "This is fine. I must have that. I need the
money."

Carrie was standing farther back in the room, hearing it all. She was
greatly distressed. It was so bad and commonplace. Hurstwood was annoyed
also.

"Well," he said, "there's no use talking about it now. If you'll come in
Saturday, I'll pay you something on it."

The grocery man went away.

"How are we going to pay it?" asked Carrie, astonished by the bill. "I
can't do it."

"Well, you don't have to," he said. "He can't get what he can't get.
He'll have to wait."

"I don't see how we ran up such a bill as that," said Carrie.

"Well, we ate it," said Hurstwood.

"It's funny," she replied, still doubting.

"What's the use of your standing there and talking like that, now?"
he asked. "Do you think I've had it alone? You talk as if I'd taken
something."

"Well, it's too much, anyhow," said Carrie. "I oughtn't to be made to
pay for it. I've got more than I can pay for now."

"All right," replied Hurstwood, sitting down in silence. He was sick of
the grind of this thing.

Carrie went out and there he sat, determining to do something.

There had been appearing in the papers about this time rumours and
notices of an approaching strike on the trolley lines in Brooklyn. There
was general dissatisfaction as to the hours of labour required and the
wages paid. As usual--and for some inexplicable reason--the men chose
the winter for the forcing of the hand of their employers and the
settlement of their difficulties.

Hurstwood had been reading of this thing, and wondering concerning the
huge tie-up which would follow. A day or two before this trouble with
Carrie, it came. On a cold afternoon, when everything was grey and it
threatened to snow, the papers announced that the men had been called
out on all the lines. Being so utterly idle, and his mind filled with
the numerous predictions which had been made concerning the scarcity
of labour this winter and the panicky state of the financial market,
Hurstwood read this with interest. He noted the claims of the striking
motormen and conductors, who said that they had been wont to receive two
dollars a day in times past, but that for a year or more "trippers" had
been introduced, which cut down their chance of livelihood one-half,
and increased their hours of servitude from ten to twelve, and even
fourteen. These "trippers" were men put on during the busy and rush
hours, to take a car out for one trip. The compensation paid for such a
trip was only twenty-five cents. When the rush or busy hours were over,
they were laid off. Worst of all, no man might know when he was going to
get a car. He must come to the barns in the morning and wait around in
fair and foul weather until such time as he was needed. Two trips were
an average reward for so much waiting--a little over three hours' work
for fifty cents. The work of waiting was not counted.

The men complained that this system was extending, and that the time
was not far off when but a few out of 7,000 employees would have
regular two-dollar-a-day work at all. They demanded that the system
be abolished, and that ten hours be considered a day's work, barring
unavoidable delays, with $2.25 pay. They demanded immediate acceptance
of these terms, which the various trolley companies refused.

Hurstwood at first sympathised with the demands of these men--indeed, it
is a question whether he did not always sympathise with them to the
end, belie him as his actions might. Reading nearly all the news, he was
attracted first by the scare-heads with which the trouble was noted
in the "World." He read it fully--the names of the seven companies
involved, the number of men.

"They're foolish to strike in this sort of weather," he thought to
himself. "Let 'em win if they can, though."

The next day there was even a larger notice of it. "Brooklynites Walk,"
said the "World." "Knights of Labour Tie up the Trolley Lines Across the
Bridge." "About Seven Thousand Men Out."

Hurstwood read this, formulating to himself his own idea of what would
be the outcome. He was a great believer in the strength of corporations.

"They can't win," he said, concerning the men. "They haven't any money.
The police will protect the companies. They've got to. The public has to
have its cars."

He didn't sympathise with the corporations, but strength was with them.
So was property and public utility.

"Those fellows can't win," he thought.

Among other things, he noticed a circular issued by one of the
companies, which read:

                   ATLANTIC AVENUE RAILROAD

                      SPECIAL NOTICE

   The motormen and conductors and other employees of this company
   having abruptly left its service, an opportunity is now given to
   all loyal men who have struck against their will to be
   reinstated, providing they will make their applications by twelve
   o'clock noon on Wednesday, January 16th.  Such men will be given
   employment (with guaranteed protection) in the order in which
   such applications are received, and runs and positions assigned
   them accordingly.  Otherwise, they will be considered discharged,
   and every vacancy will be filled by a new man as soon as his
   services can be secured.
                         (Signed)
                         Benjamin Norton,
                                        President

He also noted among the want ads. one which read:

WANTED.--50 skilled motormen, accustomed to Westinghouse system, to run
U.S. mail cars only, in the City of Brooklyn; protection guaranteed.

He noted particularly in each the "protection guaranteed." It signified
to him the unassailable power of the companies.

"They've got the militia on their side," he thought. "There isn't
anything those men can do."

While this was still in his mind, the incident with Oeslogge and Carrie
occurred. There had been a good deal to irritate him, but this seemed
much the worst. Never before had she accused him of stealing--or very
near that. She doubted the naturalness of so large a bill. And he had
worked so hard to make expenses seem light. He had been "doing" butcher
and baker in order not to call on her. He had eaten very little--almost
nothing.

"Damn it all!" he said. "I can get something. I'm not down yet."

He thought that he really must do something now. It was too cheap to sit
around after such an insinuation as this. Why, after a little, he would
be standing anything.

He got up and looked out the window into the chilly street. It came
gradually into his mind, as he stood there, to go to Brooklyn.

"Why not?" his mind said. "Any one can get work over there. You'll get
two a day."

"How about accidents?" said a voice. "You might get hurt."

"Oh, there won't be much of that," he answered. "They've called out the
police. Any one who wants to run a car will be protected all right."

"You don't know how to run a car," rejoined the voice.

"I won't apply as a motorman," he answered. "I can ring up fares all
right."

"They'll want motormen, mostly."

"They'll take anybody; that I know."

For several hours he argued pro and con with this mental counsellor,
feeling no need to act at once in a matter so sure of profit.

In the morning he put on his best clothes, which were poor enough,
and began stirring about, putting some bread and meat into a page of a
newspaper. Carrie watched him, interested in this new move.

"Where are you going?" she asked.

"Over to Brooklyn," he answered. Then, seeing her still inquisitive, he
added: "I think I can get on over there."

"On the trolley lines?" said Carrie, astonished.

"Yes," he rejoined.

"Aren't you afraid?" she asked.

"What of?" he answered. "The police are protecting them."

"The paper said four men were hurt yesterday."

"Yes," he returned; "but you can't go by what the papers say. They'll
run the cars all right."

He looked rather determined now, in a desolate sort of way, and Carrie
felt very sorry. Something of the old Hurstwood was here--the least
shadow of what was once shrewd and pleasant strength. Outside, it was
cloudy and blowing a few flakes of snow.

"What a day to go over there," thought Carrie.

Now he left before she did, which was a remarkable thing, and tramped
eastward to Fourteenth Street and Sixth Avenue, where he took the car.
He had read that scores of applicants were applying at the office of the
Brooklyn City Railroad building and were being received. He made his
way there by horse-car and ferry--a dark, silent man--to the offices in
question. It was a long way, for no cars were running, and the day was
cold; but he trudged along grimly. Once in Brooklyn, he could clearly
see and feel that a strike was on. People showed it in their manner.
Along the routes of certain tracks not a car was running. About certain
corners and nearby saloons small groups of men were lounging. Several
spring wagons passed him, equipped with plain wooden chairs, and
labelled "Flatbush" or "Prospect Park. Fare, Ten Cents." He noticed cold
and even gloomy faces. Labour was having its little war.

When he came near the office in question, he saw a few men standing
about, and some policemen. On the far corners were other men--whom he
took to be strikers--watching. All the houses were small and wooden, the
streets poorly paved. After New York, Brooklyn looked actually poor and
hard-up.

He made his way into the heart of the small group, eyed by policemen and
the men already there. One of the officers addressed him.

"What are you looking for?"

"I want to see if I can get a place."

"The offices are up those steps," said the bluecoat. His face was a very
neutral thing to contemplate. In his heart of hearts, he sympathised
with the strikers and hated this "scab." In his heart of hearts, also,
he felt the dignity and use of the police force, which commanded order.
Of its true social significance, he never once dreamed. His was not the
mind for that. The two feelings blended in him--neutralised one another
and him. He would have fought for this man as determinedly as for
himself, and yet only so far as commanded. Strip him of his uniform, and
he would have soon picked his side.

Hurstwood ascended a dusty flight of steps and entered a small,
dust-coloured office, in which were a railing, a long desk, and several
clerks.

"Well, sir?" said a middle-aged man, looking up at him from the long
desk.

"Do you want to hire any men?" inquired Hurstwood.

"What are you--a motorman?"

"No; I'm not anything," said Hurstwood.

He was not at all abashed by his position. He knew these people needed
men. If one didn't take him, another would. This man could take him or
leave him, just as he chose.

"Well, we prefer experienced men, of course," said the man. He paused,
while Hurstwood smiled indifferently. Then he added: "Still, I guess you
can learn. What is your name?"

"Wheeler," said Hurstwood.

The man wrote an order on a small card. "Take that to our barns," he
said, "and give it to the foreman. He'll show you what to do."

Hurstwood went down and out. He walked straight away in the direction
indicated, while the policemen looked after.

"There's another wants to try it," said Officer Kiely to Officer Macey.

"I have my mind he'll get his fill," returned the latter, quietly. They
had been in strikes before.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: The next morning, Carrie apologizes to Hurstwood for missing dinner. When he doesn't seem to care, she stops caring, too: "From now on, her indifference to the flat was even greater" . We learn that Hurstwood hates having to ask for money from Carrie so much that he built up a huge debt with the grocer, and instead of paying it off he just switched grocers . Carrie and Lola try out for parts with another theater company and they're successful. Carrie's new paycheck is pretty sweet at twenty bucks a week. As Carrie's life seems to be improving though, Hurstwood's is going downhill. He spends his days sitting around rocking, reading the paper, and generally being depressed. One day, the grocer shows up at the door wanting his money. Hurstwood tells the grocer he'll pay something toward the debt on Saturday. Carrie is mad that Hurstwood ran up such a big bill and tells him she's not about to pay for it; then she leaves. We take a quick hop back in time and learn that Hurstwood had been reading in the papers about a strike that's about to take place among trolley workers in Brooklyn. The strike soon occurs and the trolley company puts an ad in the paper looking for workers to fill the places of the strikers. The ad notes that these workers will be protected by police . Hurstwood came across the ad during one of his newspaper-reading marathons. Now we jump back to the current scene in which Carrie has just stormed out after the grocer came by. Hurstwood is so ashamed that he considers going down to the trolley station to see if he can find work as a scab. He weighs the pros and the cons , and the next day he decides to go for it. When he tells Carrie what he's doing, she asks if he's afraid , but he brushes it off, telling her that there will be police protection. Hurstwood goes to the railroad building and sees the strikers. A policeman asks him what he's doing--he tells him he's looking for work and the cop points him toward the offices. The strikers shoot him dirty looks. When he gets to the office, Hurstwood asks one of the men if they're hiring. Hurstwood has no experience as a motorman, but they're so desperate for workers that they're willing to train him.


prompt:
Chapter: The barn at which Hurstwood applied was exceedingly short-handed, and
was being operated practically by three men as directors. There were a
lot of green hands around--queer, hungry-looking men, who looked as if
want had driven them to desperate means. They tried to be lively and
willing, but there was an air of hang-dog diffidence about the place.

Hurstwood went back through the barns and out into a large, enclosed
lot, where were a series of tracks and loops. A half-dozen cars were
there, manned by instructors, each with a pupil at the lever. More
pupils were waiting at one of the rear doors of the barn.

In silence Hurstwood viewed this scene, and waited. His companions took
his eye for a while, though they did not interest him much more than the
cars. They were an uncomfortable-looking gang, however. One or two
were very thin and lean. Several were quite stout. Several others were
rawboned and sallow, as if they had been beaten upon by all sorts of
rough weather.

"Did you see by the paper they are going to call out the militia?"
Hurstwood heard one of them remark.

"Oh, they'll do that," returned the other. "They always do."

"Think we're liable to have much trouble?" said another, whom Hurstwood
did not see.

"Not very."

"That Scotchman that went out on the last car," put in a voice, "told me
that they hit him in the ear with a cinder."

A small, nervous laugh accompanied this.

"One of those fellows on the Fifth Avenue line must have had a hell of
a time, according to the papers," drawled another. "They broke his car
windows and pulled him off into the street 'fore the police could stop
'em."

"Yes; but there are more police around to-day," was added by another.

Hurstwood hearkened without much mental comment. These talkers seemed
scared to him. Their gabbling was feverish--things said to quiet their
own minds. He looked out into the yard and waited.

Two of the men got around quite near him, but behind his back. They were
rather social, and he listened to what they said.

"Are you a railroad man?" said one.

"Me? No. I've always worked in a paper factory."

"I had a job in Newark until last October," returned the other, with
reciprocal feeling.

There were some words which passed too low to hear. Then the
conversation became strong again.

"I don't blame these fellers for striking," said one. "They've got the
right of it, all right, but I had to get something to do."

"Same here," said the other. "If I had any job in Newark I wouldn't be
over here takin' chances like these."

"It's hell these days, ain't it?" said the man. "A poor man ain't
nowhere. You could starve, by God, right in the streets, and there ain't
most no one would help you."

"Right you are," said the other. "The job I had I lost 'cause they shut
down. They run all summer and lay up a big stock, and then shut down."

Hurstwood paid some little attention to this. Somehow, he felt a little
superior to these two--a little better off. To him these were ignorant
and commonplace, poor sheep in a driver's hand.

"Poor devils," he thought, speaking out of the thoughts and feelings of
a bygone period of success. "Next," said one of the instructors.

"You're next," said a neighbour, touching him.

He went out and climbed on the platform. The instructor took it for
granted that no preliminaries were needed.

"You see this handle," he said, reaching up to an electric cut-off,
which was fastened to the roof. "This throws the current off or on. If
you want to reverse the car you turn it over here. If you want to send
it forward, you put it over here. If you want to cut off the power, you
keep it in the middle."

Hurstwood smiled at the simple information.

"Now, this handle here regulates your speed. To here," he said, pointing
with his finger, "gives you about four miles an hour. This is eight.
When it's full on, you make about fourteen miles an hour."

Hurstwood watched him calmly. He had seen motormen work before. He knew
just about how they did it, and was sure he could do as well, with a
very little practice.

The instructor explained a few more details, and then said:

"Now, we'll back her up."

Hurstwood stood placidly by, while the car rolled back into the yard.

"One thing you want to be careful about, and that is to start easy. Give
one degree time to act before you start another. The one fault of most
men is that they always want to throw her wide open. That's bad. It's
dangerous, too. Wears out the motor. You don't want to do that."

"I see," said Hurstwood.

He waited and waited, while the man talked on.

"Now you take it," he said, finally.

The ex-manager laid hand to the lever and pushed it gently, as he
thought. It worked much easier than he imagined, however, with the
result that the car jerked quickly forward, throwing him back against
the door. He straightened up sheepishly, while the instructor stopped
the car with the brake.

"You want to be careful about that," was all he said.

Hurstwood found, however, that handling a brake and regulating speed
were not so instantly mastered as he had imagined. Once or twice he
would have ploughed through the rear fence if it had not been for the
hand and word of his companion. The latter was rather patient with him,
but he never smiled.

"You've got to get the knack of working both arms at once," he said. "It
takes a little practice."

One o'clock came while he was still on the car practising, and he began
to feel hungry. The day set in snowing, and he was cold. He grew weary
of running to and fro on the short track.

They ran the car to the end and both got off. Hurstwood went into the
barn and sought a car step, pulling out his paper-wrapped lunch from
his pocket. There was no water and the bread was dry, but he enjoyed
it. There was no ceremony about dining. He swallowed and looked
about, contemplating the dull, homely labour of the thing. It was
disagreeable--miserably disagreeable--in all its phases. Not because
it was bitter, but because it was hard. It would be hard to any one, he
thought.

After eating, he stood about as before, waiting until his turn came.

The intention was to give him an afternoon of practice, but the greater
part of the time was spent in waiting about.

At last evening came, and with it hunger and a debate with himself as to
how he should spend the night. It was half-past five. He must soon eat.
If he tried to go home, it would take him two hours and a half of cold
walking and riding. Besides he had orders to report at seven the next
morning, and going home would necessitate his rising at an unholy and
disagreeable hour. He had only something like a dollar and fifteen cents
of Carrie's money, with which he had intended to pay the two weeks' coal
bill before the present idea struck him.

"They must have some place around here," he thought. "Where does that
fellow from Newark stay?"

Finally he decided to ask. There was a young fellow standing near one
of the doors in the cold, waiting a last turn. He was a mere boy in
years--twenty-one about--but with a body lank and long, because of
privation. A little good living would have made this youth plump and
swaggering.

"How do they arrange this, if a man hasn't any money?" inquired
Hurstwood, discreetly.

The fellow turned a keen, watchful face on the inquirer.

"You mean eat?" he replied.

"Yes, and sleep. I can't go back to New York to-night."

"The foreman 'll fix that if you ask him, I guess. He did me."

"That so?"

"Yes. I just told him I didn't have anything. Gee, I couldn't go home. I
live way over in Hoboken."

Hurstwood only cleared his throat by way of acknowledgment.

"They've got a place upstairs here, I understand. I don't know what sort
of a thing it is. Purty tough, I guess. He gave me a meal ticket this
noon. I know that wasn't much."

Hurstwood smiled grimly, and the boy laughed.

"It ain't no fun, is it?" he inquired, wishing vainly for a cheery
reply.

"Not much," answered Hurstwood.

"I'd tackle him now," volunteered the youth. "He may go 'way."

Hurstwood did so.

"Isn't there some place I can stay around here to-night?" he inquired.
"If I have to go back to New York, I'm afraid I won't."

"There're some cots upstairs," interrupted the man, "if you want one of
them."

"That'll do," he assented.

He meant to ask for a meal ticket, but the seemingly proper moment never
came, and he decided to pay himself that night.

"I'll ask him in the morning."

He ate in a cheap restaurant in the vicinity, and, being cold and
lonely, went straight off to seek the loft in question. The company was
not attempting to run cars after nightfall. It was so advised by the
police.

The room seemed to have been a lounging place for night workers. There
were some nine cots in the place, two or three wooden chairs, a soap
box, and a small, round-bellied stove, in which a fire was blazing.
Early as he was, another man was there before him. The latter was
sitting beside the stove warming his hands.

Hurstwood approached and held out his own toward the fire. He was sick
of the bareness and privation of all things connected with his venture,
but was steeling himself to hold out. He fancied he could for a while.

"Cold, isn't it?" said the early guest.

"Rather."

A long silence.

"Not much of a place to sleep in, is it?" said the man.

"Better than nothing," replied Hurstwood.

Another silence.

"I believe I'll turn in," said the man.

Rising, he went to one of the cots and stretched himself, removing only
his shoes, and pulling the one blanket and dirty old comforter over him
in a sort of bundle. The sight disgusted Hurstwood, but he did not dwell
on it, choosing to gaze into the stove and think of something else.
Presently he decided to retire, and picked a cot, also removing his
shoes.

While he was doing so, the youth who had advised him to come here
entered, and, seeing Hurstwood, tried to be genial.

"Better'n nothin'," he observed, looking around.

Hurstwood did not take this to himself. He thought it to be an
expression of individual satisfaction, and so did not answer. The
youth imagined he was out of sorts, and set to whistling softly. Seeing
another man asleep, he quit that and lapsed into silence.

Hurstwood made the best of a bad lot by keeping on his clothes and
pushing away the dirty covering from his head, but at last he dozed
in sheer weariness. The covering became more and more comfortable, its
character was forgotten, and he pulled it about his neck and slept.
In the morning he was aroused out of a pleasant dream by several men
stirring about in the cold, cheerless room. He had been back in Chicago
in fancy, in his own comfortable home. Jessica had been arranging to go
somewhere, and he had been talking with her about it. This was so clear
in his mind, that he was startled now by the contrast of this room.
He raised his head, and the cold, bitter reality jarred him into
wakefulness.

"Guess I'd better get up," he said.

There was no water on this floor. He put on his shoes in the cold
and stood up, shaking himself in his stiffness. His clothes felt
disagreeable, his hair bad.

"Hell!" he muttered, as he put on his hat.

Downstairs things were stirring again.

He found a hydrant, with a trough which had once been used for horses,
but there was no towel here, and his handkerchief was soiled from
yesterday. He contented himself with wetting his eyes with the ice-cold
water. Then he sought the foreman, who was already on the ground.

"Had your breakfast yet?" inquired that worthy.

"No," said Hurstwood.

"Better get it, then; your car won't be ready for a little while."

Hurstwood hesitated.

"Could you let me have a meal ticket?" he asked with an effort.

"Here you are," said the man, handing him one.

He breakfasted as poorly as the night before on some fried steak and bad
coffee. Then he went back.

"Here," said the foreman, motioning him, when he came in. "You take this
car out in a few minutes."

Hurstwood climbed up on the platform in the gloomy barn and waited for
a signal. He was nervous, and yet the thing was a relief. Anything was
better than the barn.

On this the fourth day of the strike, the situation had taken a turn for
the worse. The strikers, following the counsel of their leaders and
the newspapers, had struggled peaceably enough. There had been no great
violence done. Cars had been stopped, it is true, and the men argued
with. Some crews had been won over and led away, some windows broken,
some jeering and yelling done; but in no more than five or six instances
had men been seriously injured. These by crowds whose acts the leaders
disclaimed.

Idleness, however, and the sight of the company, backed by the police,
triumphing, angered the men. They saw that each day more cars were going
on, each day more declarations were being made by the company officials
that the effective opposition of the strikers was broken. This put
desperate thoughts in the minds of the men. Peaceful methods meant, they
saw, that the companies would soon run all their cars and those who
had complained would be forgotten. There was nothing so helpful to the
companies as peaceful methods. All at once they blazed forth, and for
a week there was storm and stress. Cars were assailed, men attacked,
policemen struggled with, tracks torn up, and shots fired, until at
last street fights and mob movements became frequent, and the city was
invested with militia.

Hurstwood knew nothing of the change of temper.

"Run your car out," called the foreman, waving a vigorous hand at him. A
green conductor jumped up behind and rang the bell twice as a signal to
start. Hurstwood turned the lever and ran the car out through the door
into the street in front of the barn. Here two brawny policemen got up
beside him on the platform--one on either hand.

At the sound of a gong near the barn door, two bells were given by the
conductor and Hurstwood opened his lever.

The two policemen looked about them calmly.

"'Tis cold, all right, this morning," said the one on the left, who
possessed a rich brogue.

"I had enough of it yesterday," said the other. "I wouldn't want a
steady job of this."

"Nor I."

Neither paid the slightest attention to Hurstwood, who stood facing
the cold wind, which was chilling him completely, and thinking of his
orders.

"Keep a steady gait," the foreman had said. "Don't stop for any one who
doesn't look like a real passenger. Whatever you do, don't stop for a
crowd."

The two officers kept silent for a few moments.

"The last man must have gone through all right," said the officer on the
left. "I don't see his car anywhere."

"Who's on there?" asked the second officer, referring, of course, to its
complement of policemen.

"Schaeffer and Ryan."

There was another silence, in which the car ran smoothly along. There
were not so many houses along this part of the way. Hurstwood did not
see many people either. The situation was not wholly disagreeable to
him. If he were not so cold, he thought he would do well enough.

He was brought out of this feeling by the sudden appearance of a curve
ahead, which he had not expected. He shut off the current and did an
energetic turn at the brake, but not in time to avoid an unnaturally
quick turn. It shook him up and made him feel like making some
apologetic remarks, but he refrained.

"You want to look out for them things," said the officer on the left,
condescendingly.

"That's right," agreed Hurstwood, shamefacedly.

"There's lots of them on this line," said the officer on the right.
Around the corner a more populated way appeared. One or two pedestrians
were in view ahead. A boy coming out of a gate with a tin milk bucket
gave Hurstwood his first objectionable greeting.

"Scab!" he yelled. "Scab!"

Hurstwood heard it, but tried to make no comment, even to himself. He
knew he would get that, and much more of the same sort, probably.

At a corner farther up a man stood by the track and signalled the car to
stop.

"Never mind him," said one of the officers. "He's up to some game."

Hurstwood obeyed. At the corner he saw the wisdom of it. No sooner did
the man perceive the intention to ignore him, than he shook his fist.

"Ah, you bloody coward!" he yelled.

Some half dozen men, standing on the corner, flung taunts and jeers
after the speeding car.

Hurstwood winced the least bit. The real thing was slightly worse than
the thoughts of it had been.

Now came in sight, three or four blocks farther on, a heap of something
on the track.

"They've been at work, here, all right," said one of the policemen.

"We'll have an argument, maybe," said the other.

Hurstwood ran the car close and stopped. He had not done so wholly,
however, before a crowd gathered about. It was composed of ex-motormen
and conductors in part, with a sprinkling of friends and sympathisers.

"Come off the car, pardner," said one of the men in a voice meant to
be conciliatory. "You don't want to take the bread out of another man's
mouth, do you?"

Hurstwood held to his brake and lever, pale and very uncertain what to
do.

"Stand back," yelled one of the officers, leaning over the platform
railing. "Clear out of this, now. Give the man a chance to do his work."

"Listen, pardner," said the leader, ignoring the policeman and
addressing Hurstwood. "We're all working men, like yourself. If you were
a regular motorman, and had been treated as we've been, you wouldn't
want any one to come in and take your place, would you? You wouldn't
want any one to do you out of your chance to get your rights, would
you?"

"Shut her off! shut her off!" urged the other of the policemen, roughly.
"Get out of this, now," and he jumped the railing and landed before the
crowd and began shoving. Instantly the other officer was down beside
him.

"Stand back, now," they yelled. "Get out of this. What the hell do you
mean? Out, now."

It was like a small swarm of bees.

"Don't shove me," said one of the strikers, determinedly. "I'm not doing
anything."

"Get out of this!" cried the officer, swinging his club. "I'll give ye a
bat on the sconce. Back, now."

"What the hell!" cried another of the strikers, pushing the other way,
adding at the same time some lusty oaths.

Crack came an officer's club on his forehead. He blinked his eyes
blindly a few times, wabbled on his legs, threw up his hands, and
staggered back. In return, a swift fist landed on the officer's neck.

Infuriated by this, the latter plunged left and right, laying about
madly with his club. He was ably assisted by his brother of the blue,
who poured ponderous oaths upon the troubled waters. No severe damage
was done, owing to the agility of the strikers in keeping out of reach.
They stood about the sidewalk now and jeered.

"Where is the conductor?" yelled one of the officers, getting his eye on
that individual, who had come nervously forward to stand by Hurstwood.
The latter had stood gazing upon the scene with more astonishment than
fear.

"Why don't you come down here and get these stones off the track?"
inquired the officer. "What you standing there for? Do you want to stay
here all day? Get down."

Hurstwood breathed heavily in excitement and jumped down with the
nervous conductor as if he had been called.

"Hurry up, now," said the other policeman.

Cold as it was, these officers were hot and mad. Hurstwood worked with
the conductor, lifting stone after stone and warming himself by the
work.

"Ah, you scab, you!" yelled the crowd. "You coward! Steal a man's job,
will you? Rob the poor, will you, you thief? We'll get you yet, now.
Wait."

Not all of this was delivered by one man. It came from here and there,
incorporated with much more of the same sort and curses.

"Work, you blackguards," yelled a voice. "Do the dirty work. You're the
suckers that keep the poor people down!"

"May God starve ye yet," yelled an old Irish woman, who now threw open a
nearby window and stuck out her head.

"Yes, and you," she added, catching the eye of one of the policemen.
"You bloody, murtherin' thafe! Crack my son over the head, will you, you
hardhearted, murtherin' divil? Ah, ye----"

But the officer turned a deaf ear.

"Go to the devil, you old hag," he half muttered as he stared round upon
the scattered company.

Now the stones were off, and Hurstwood took his place again amid a
continued chorus of epithets. Both officers got up beside him and the
conductor rang the bell, when, bang! bang! through window and door
came rocks and stones. One narrowly grazed Hurstwood's head. Another
shattered the window behind.

"Throw open your lever," yelled one of the officers, grabbing at the
handle himself.

Hurstwood complied and the car shot away, followed by a rattle of stones
and a rain of curses.

"That --- --- --- ---- hit me in the neck," said one of the officers. "I
gave him a good crack for it, though."

"I think I must have left spots on some of them," said the other.

"I know that big guy that called us a --- --- --- ----" said the first.
"I'll get him yet for that."

"I thought we were in for it sure, once there," said the second.

Hurstwood, warmed and excited, gazed steadily ahead. It was an
astonishing experience for him. He had read of these things, but the
reality seemed something altogether new. He was no coward in spirit.
The fact that he had suffered this much now rather operated to arouse a
stolid determination to stick it out. He did not recur in thought to New
York or the flat. This one trip seemed a consuming thing.

They now ran into the business heart of Brooklyn uninterrupted. People
gazed at the broken windows of the car and at Hurstwood in his plain
clothes. Voices called "scab" now and then, as well as other epithets,
but no crowd attacked the car. At the downtown end of the line, one of
the officers went to call up his station and report the trouble.

"There's a gang out there," he said, "laying for us yet. Better send
some one over there and clean them out."

The car ran back more quietly--hooted, watched, flung at, but not
attacked. Hurstwood breathed freely when he saw the barns.

"Well," he observed to himself, "I came out of that all right."

The car was turned in and he was allowed to loaf a while, but later he
was again called. This time a new team of officers was aboard. Slightly
more confident, he sped the car along the commonplace streets and felt
somewhat less fearful. On one side, however, he suffered intensely. The
day was raw, with a sprinkling of snow and a gusty wind, made all the
more intolerable by the speed of the car. His clothing was not intended
for this sort of work. He shivered, stamped his feet, and beat his arms
as he had seen other motormen do in the past, but said nothing. The
novelty and danger of the situation modified in a way his disgust and
distress at being compelled to be here, but not enough to prevent him
from feeling grim and sour. This was a dog's life, he thought. It was a
tough thing to have to come to.

The one thought that strengthened him was the insult offered by Carrie.
He was not down so low as to take all that, he thought. He could do
something--this, even--for a while. It would get better. He would save a
little.

A boy threw a clod of mud while he was thus reflecting and hit him upon
the arm. It hurt sharply and angered him more than he had been any time
since morning.

"The little cur!" he muttered.

"Hurt you?" asked one of the policemen.

"No," he answered.

At one of the corners, where the car slowed up because of a turn, an
ex-motorman, standing on the sidewalk, called to him:

"Won't you come out, pardner, and be a man? Remember we're fighting for
decent day's wages, that's all. We've got families to support." The man
seemed most peaceably inclined.

Hurstwood pretended not to see him. He kept his eyes straight on before
and opened the lever wide. The voice had something appealing in it.

All morning this went on and long into the afternoon. He made three
such trips. The dinner he had was no stay for such work and the cold was
telling on him. At each end of the line he stopped to thaw out, but
he could have groaned at the anguish of it. One of the barnmen, out of
pity, loaned him a heavy cap and a pair of sheepskin gloves, and for
once he was extremely thankful.

On the second trip of the afternoon he ran into a crowd about half
way along the line, that had blocked the car's progress with an old
telegraph pole.

"Get that thing off the track," shouted the two policemen.

"Yah, yah, yah!" yelled the crowd. "Get it off yourself."

The two policemen got down and Hurstwood started to follow.

"You stay there," one called. "Some one will run away with your car."

Amid the babel of voices, Hurstwood heard one close beside him.

"Come down, pardner, and be a man. Don't fight the poor. Leave that to
the corporations."

He saw the same fellow who had called to him from the corner. Now, as
before, he pretended not to hear him.

"Come down," the man repeated gently. "You don't want to fight poor men.
Don't fight at all." It was a most philosophic and jesuitical motorman.

A third policeman joined the other two from somewhere and some one ran
to telephone for more officers. Hurstwood gazed about, determined but
fearful.

A man grabbed him by the coat.

"Come off of that," he exclaimed, jerking at him and trying to pull him
over the railing.

"Let go," said Hurstwood, savagely.

"I'll show you--you scab!" cried a young Irishman, jumping up on the car
and aiming a blow at Hurstwood. The latter ducked and caught it on the
shoulder instead of the jaw.

"Away from here," shouted an officer, hastening to the rescue, and
adding, of course, the usual oaths.

Hurstwood recovered himself, pale and trembling. It was becoming serious
with him now. People were looking up and jeering at him. One girl was
making faces.

He began to waver in his resolution, when a patrol wagon rolled up and
more officers dismounted. Now the track was quickly cleared and the
release effected.

"Let her go now, quick," said the officer, and again he was off.

The end came with a real mob, which met the car on its return trip
a mile or two from the barns. It was an exceedingly poor-looking
neighbourhood. He wanted to run fast through it, but again the track
was blocked. He saw men carrying something out to it when he was yet a
half-dozen blocks away.

"There they are again!" exclaimed one policeman.

"I'll give them something this time," said the second officer, whose
patience was becoming worn. Hurstwood suffered a qualm of body as the
car rolled up. As before, the crowd began hooting, but now, rather
than come near, they threw things. One or two windows were smashed and
Hurstwood dodged a stone.

Both policemen ran out toward the crowd, but the latter replied by
running toward the car. A woman--a mere girl in appearance--was among
these, bearing a rough stick. She was exceedingly wrathful and struck
at Hurstwood, who dodged. Thereupon, her companions, duly encouraged,
jumped on the car and pulled Hurstwood over. He had hardly time to speak
or shout before he fell.

"Let go of me," he said, falling on his side.

"Ah, you sucker," he heard some one say. Kicks and blows rained on him.
He seemed to be suffocating. Then two men seemed to be dragging him off
and he wrestled for freedom.

"Let up," said a voice, "you're all right. Stand up."

He was let loose and recovered himself. Now he recognised two officers.
He felt as if he would faint from exhaustion. Something was wet on his
chin. He put up his hand and felt, then looked. It was red.

"They cut me," he said, foolishly, fishing for his handkerchief.

"Now, now," said one of the officers. "It's only a scratch."

His senses became cleared now and he looked around. He was standing in a
little store, where they left him for the moment. Outside, he could see,
as he stood wiping his chin, the car and the excited crowd. A patrol
wagon was there, and another.

He walked over and looked out. It was an ambulance, backing in.

He saw some energetic charging by the police and arrests being made.

"Come on, now, if you want to take your car," said an officer, opening
the door and looking in. He walked out, feeling rather uncertain of
himself. He was very cold and frightened.

"Where's the conductor?" he asked.

"Oh, he's not here now," said the policeman.

Hurstwood went toward the car and stepped nervously on. As he did so
there was a pistol shot. Something stung his shoulder.

"Who fired that?" he heard an officer exclaim. "By God! who did that?"
Both left him, running toward a certain building. He paused a moment and
then got down.

"George!" exclaimed Hurstwood, weakly, "this is too much for me."

He walked nervously to the corner and hurried down a side street.

"Whew!" he said, drawing in his breath.

A half block away, a small girl gazed at him.

"You'd better sneak," she called.

He walked homeward in a blinding snowstorm, reaching the ferry by
dusk. The cabins were filled with comfortable souls, who studied him
curiously. His head was still in such a whirl that he felt confused. All
the wonder of the twinkling lights of the river in a white storm passed
for nothing. He trudged doggedly on until he reached the flat. There he
entered and found the room warm. Carrie was gone. A couple of evening
papers were lying on the table where she left them. He lit the gas and
sat down. Then he got up and stripped to examine his shoulder. It was
a mere scratch. He washed his hands and face, still in a brown study,
apparently, and combed his hair. Then he looked for something to eat,
and finally, his hunger gone, sat down in his comfortable rocking-chair.
It was a wonderful relief.

He put his hand to his chin, forgetting, for the moment, the papers.

"Well," he said, after a time, his nature recovering itself, "that's a
pretty tough game over there."

Then he turned and saw the papers. With half a sigh he picked up the
"World."

"Strike Spreading in Brooklyn," he read. "Rioting Breaks Out in all
Parts of the City."

He adjusted his paper very comfortably and continued. It was the one
thing he read with absorbing interest.

Q: Can you write an appropriate summary of the above paragraphs?
A:

completion: Hurstwood is sent into a barn with a group of other men to be trained to drive the motorcars. The barn is not a happy place, and the men there look even sadder and more desperate than Hurstwood. Hurstwood listens to them talk about the violence of the strike, despite the police presence. Most of the men sympathize with the striking workers, but they've been so beaten down by the economy that they feel they have no choice but to take the scabby work. It's Hurstwood's turn to learn to drive the car, and with no experience, he's pretty much like a sixteen-year old taking his first driving lesson . Driving turns out to be a lot tougher than he'd thought it was going to be . After a quick and dreary lunch, it's back to training, and then at the end of the day, Hurstwood decides it would be easier to try to spend the night nearby instead of going home. He finds out from another guy that the company has set up some cots for the scabs to sleep on, so Hurstwood grabs a quick bite to eat in a cheap restaurant nearby and heads for his cot. The place is freezing and pretty dismal. He goes to sleep and dreams that he's back in Chicago in his old fancy house . He gets up feeling pretty awful, and splashes water from a horse trough on his face. He scores a meal ticket for breakfast from the foreman and then starts training again. It's the fourth day of the strike and the strikers are getting angrier and more violent, especially because of all the scabs who are allowing the company to still function. Hurstwood doesn't know things have gotten worse though, since he's been busy training in the barn. But now it's time for him to hit the road. He takes his trolley car out on the street, accompanied by two policemen as promised. Not only does Hurstwood have to worry about operating the car, he has to deal with strikers yelling at him and crowding around the car . It gets so bad that the police officer orders Hurstwood to stop the car. The officers confront the strikers, shoving them and threatening to hit them with their clubs. The strikers don't back off so a police officer clubs one of them, and then someone else slugs that policeman and he and his partner start whacking everyone in sight with their clubs. Fortunately, no one is seriously injured. The strikers have put stones on the trolley track to block it from moving, and the police officer orders Hurstwood and the conductor to remove them. As they do, the strikers taunt Hurstwood for being a scab. They successfully clear the track and Hurstwood and the officers get back into the trolley car, but now the crowd is throwing rocks and stones through the window. He manages to drive away and escape. Whew--that was close. Hurstwood gives himself props for getting through the hairy situation, and returns to the station to recoup before going out again. This time, he's a little more confident and doesn't run into as much trouble, but it's pretty cold. He concludes that, "This was a dog's life" ; to top it off, some kid throws a clod of mud at his arm. Ouch. On another trip later that day, a crowd blocks the tracks with a telegraph pole. The policemen get out to confront the crowd, telling Hurstwood to stay in the car. While he's sitting there, some men force their way into the car and attack him. The policemen get back in the car and Hurstwood takes off. But the trouble's not over yet--they run into another crowd and a bunch of women drag Hurstwood out of the crowd and beat him up. Two men rescue him and take him into a store, where he realizes he's bleeding. He watches what's going on outside: a patrol wagon and ambulance have just pulled up; the police arrest people. A police officer comes into the store and tells him to go out and take the car back, so Hurstwood heads to the car. Bang--a shot is fired and a bullet grazes Hurstwood's shoulder. He's totally freaked out. Okay, this is it--he's finally hit his limit and flees down a side street. Ah, when it rains it... snows. A terrible snowstorm hits as Hurstwood is walking to catch the ferry. When he finally returns to the apartment, he's never been so happy to climb into his rocking chair.