text: All Quiet on the Western Front by Edward Berger was his first adaptation of a book written in its native language. The adaptations have a long history, in addition to the previously screened versions, both in English. Lewis Milestone directed a 1930 adaptation. He received Oscars for Best Director and Best Picture. The Nazi party, on the other hand, was against German manufacturing.
  It reads the humanist theme of the film as being anti-German. Universal distributors re-released the film years later. It tries to declare WWII balloons to be pacifists. Despite being a response to the Vietnam War, Delbert Mann directed an adaptation that was produced for television in 1979. The global ideas of the book were acted out in both versions by performers who spoke English.
  The concept contrasts nationalism with individualism. It expresses how war’s insanity continues to be the most inhumane act. Berger’s anti-war film from 2022 commits a “mistake” by depicting the conflict as a dreadful event. He also explained how such exciting content might mislead both the audience and its intended audience. The film softly explored the vast debt of the opening glimpse.
  It finally found a mother fox sleeping in the den with its tools. The fox may be viewed by viewers as the deadliest animal and the most challenging to keep as a pet.
  A hunter leading a band of riders fell prey to it. When the allegory of the fox was used to represent the human image during WWI, individual troops were neither heroes nor villains. They take on the roles of young people who are entrapped there. In its originality, All Quiet on the Western Front laments the loss of humanity in the conflict. It’s also not the first time a film director has adapted the novel for the cinema, as was already mentioned.
  Berger’s work is well aligned with the characteristics of a specific concern with which society has grown to identify. The story will follow an intelligent young man named Paul Bäumer. In defiance of his father’s desires, he and his three buddies enlisted to participate in the war effort. Their eagerness to defend the nation swiftly gave way to terror over a two-and-a-half-hour period. One of them lost his life during their first combat encounter at the time, in 1917.
  Paul has been told to compile the names of the troops who have died. He split their circular metal dog tag in half after surviving the termite assault. While the other side wandered inside the leather bag, the left side remained on the soldier’s neck. It gradually causes the naive protagonist to go through many traumas. The film’s mood structure is similar to Elem Klimov’s Come and See, in which he is reduced to nothing more than a frail shell.
  Especially in the part where he attempts to kill a French soldier to save him, Felix Kammerer’s look is one of the most admirable. He transforms into a psychopathic robot at the end of the film and charges headlong into a fight with his skills. Berger’s unassuming aesthetic style doesn’t make it any less purposeful or self-aware. The cinematography uses images from WWI films like Sam Mendes’ 1917.
  Being an immersive experience, the film succeeds in drawing the audience’s attention away from the other things going on. The graphic depicts muddy trench warfare with a transition from blue to gray tones. In all its nightmares, it also captures an inert reality. In addition to the vivid crimson blood pools on the battlefield, the fires also produced an orange glow that rendered the soldiers’ outlines in the darkness.
  Berger intercuts scenes of warfare with shots of the forest, evoking Terrence Malick’s The Thin Red Line canopies. Such a dazzling shine makes its audience incredulous. Of course, the German-language production differs significantly from the original in several key areas. Scenes that aren’t in the book are included in this version. Matthias Erzberger, a real-life official, is involved.
  He participated in the armistice negotiations that spared German lives.
  General Friedrichs was a career soldier whose leadership of the French courts throughout the war allowed him to spend his evenings sipping wine and dining on delectable fare. He finally made an effort to add one more victory to his resume. Paul behaves like a puppy toward power after sending his warriors into battle with only a few seconds to spare. In the expert segment, a young soldier named Heinrich who was killed in combat is featured.
  Paul’s uniforms were returned, fixed, cleaned, and retrieved later before he arrived. On the other side, a commander conceals the fact that a deceased soldier’s outfit once belonged to him. All Quiet on the Western Front is concerned with the value of human life by questioning the routine of endless conflict and its encircling human security. A sharp, interjecting three-note electric guitar riff in the soundtrack captures such a motif in addition to its significance.
  Most of the scenes are juxtaposed to serve as a reminder that the rhythm of battle is brutal. It continues to be emotionless. At the end of the run, the film uses traditional piano notes as long as it returns tragically and predictably. The sound of the drums interrupts the action up to the climax. Instead of adding to the film’s immersive experience, it booms to the point where it becomes intrusive.
  The film was entered as a German contender for Best International Feature at the Oscars.
  All Quiet on the Western Front, a Netflix production, depicts the horrors of war. Overall, it shows Paul’s subjectivity as well as all of his friends’ subjectivity. He draws the viewer into his perspective as they see the unfolding of horrible events from his point of view. He makes his character more of a meaningless cipher despite having no depth as a person. The anti-war film genre is not unfamiliar with the film’s technique.
  Nevertheless, it’s easy to adore Berger’s aesthetically appealing compositions. In this genre, nationalist sentiments would spread if he did not present fresh perspectives. The film serves as a reminder that humanity is more than just a collection of individuals. It fully establishes a social-political label. The consequences will be extremely expensive, as history has repeatedly shown. In essence, Germany is more aware of these issues than most individuals.
  Nevertheless, there is a drawback. If the audience compares the scene to another, it is less intense but also feels less thrilling. It might be disorienting to constantly changing atmospheric conditions. However, the film’s timely editing was able to keep these issues under check. Apart from maintaining all the crucial aspects the same while adding subtle tweaks, it makes for a fantastic adaptation of the book.
  - Pond, S. (2022). ‘All Quiet on the Western Front’ Review: A Beautiful, Horrifying New Take on Classic Anti-War Story. The Wrap.
  - Walters, J. (2022). All Quiet on the Western Front (2022) Review: Death Begets Death. Loud And Clear Reviews.