Zero-waste fashion
Zero-waste fashion refers to items of clothing that generate little or no textile waste in their production. It can be considered to be a part of the broader sustainable fashion movement. Zero-waste fashion can be divided into two general approaches: pre-consumer zero-waste fashion, which eliminates waste during manufacture, and post-consumer zero-waste fashion, which generates clothing from garments such as second-hand clothing. Historically, zero-waste models have been utilised in folk clothing, including the kimono, sari, and chiton, among others. Pre-consumer zero-waste design 
There are two general approaches to pre-consumer design. In zero-waste pattern design, the designer creates a garment through the pattern-cutting process, working only within the space allotted by the fabric width. This approach directly influences the design of the final garment, as the pattern-cutting process is a primary design step. Alternatively, zero-waste manufacturing is a holistic approach that aims to eliminate textile waste without modifying garment patterns. This approach allows garments and fabric to be fully used with no fabric wasted. Gradable zero-waste apparel design 
Mass-producing garments using a zero-waste approach poses many obstacles, as many patterns created to be zero-waste are not designed to be mass-produced. The Carrico Zero-waste Banded Grading technique is one proposed solution that utilizes bands to cut patterns without wasting textiles. In this technique, carefully planned seam placements grow or shrink allowing sizing of the clothing item up or down to create three different sizes of a garment. After conducting the study, they found that the technique was successful at creating one- or two-piece items. Some issues with this practice include the proportion of the differently sized garments and inconsistencies in seam allowances. Differences from standard fashion production 
A standard garment production process may begin with a drawing of the desired garment, a pattern is then generated to achieve this design, a marker is made to most efficiently use the fabric, and the pattern pieces are then cut from the cloth, sewn, packed, and distributed to retailers. Standard garment production generates an average of 15% textile waste. Waste elimination hierarchy 
The waste hierarchy consists of the three 'R's' - Reduce, Reuse, Recycle - in order of impact. Zero-waste fashion design reduces or even eliminates pre-consumer textile waste. However, it does not necessarily address waste created during the use life and disposal phase of the garment's life cycle. During textile production, many pollutants are emitted into the environment. The textile and apparel industry are some of the most polluting, and both have a low recycling rate of about 15%. Zero-waste fashion design could significantly reduce gaseous emissions during the production process and help to reuse material waste. Notable contributions 
Dorothy Burnham: Cut My Cote from 1973 was a seminal text that summarized decades of Burnham's research into cuts of traditional dress. Madeleine Vionnet's design approach aligns well with zero-waste fashion design; many of her garments had minimal waste. References

External links 

NYTimes Article on Zero Waste

Clothing and the environment
Waste minimisation