Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director and cinematographer have become comfortable with each other. The director will typically convey to the cinematographer what is wanted from a scene visually and allow the cinematographer latitude in achieving that effect. The scenes recorded by the cinematographer are passed to the film editor for editing. History

In the infancy of motion pictures, the cinematographer was usually also the director and the person physically handling the camera. As the art form and technology evolved, a separation between director and camera operator emerged. With the advent of artificial lighting and faster (more light-sensitive) film stocks, in addition to technological advancements in optics, the technical aspects of cinematography necessitated a specialist in that area. Cinematography was key during the silent movie era; with no sound apart from background music and no dialogue, the films depended on lighting, acting, and set. The American Society of Cinematographers (ASC) was formed in 1919 in Hollywood, and was the first trade society for cinematographers. Similar societies were formed in other countries. For example, the British Society of Cinematographers (BSC). Their aims include the recognition of the cinematographer's contribution to the art and science of motion picture making. Societies and trade organizations
There are a number of national associations of cinematographers that represent members (irrespective of their official titles) and are dedicated to the advancement of cinematography, including:

the American Society of Cinematographers (A.S.C.) the Brazilian Cinematographers Society (A.B.C.) the International Collective of Women Cinematographers (ICFC)
the Canadian Society of Cinematographers (C.S.C.) the Cinévore Madagascar
the Finnish Society of Cinematographers (F.S.C.) the Guild of British Camera Technicians (G.B.C.T.) the British Society of Cinematographers (B.S.C.) the Australian Cinematographers Society (A.C.S.) the Cinematographers Guild of Korea (C.G.K.) the Filipino Society of Cinematographers (F.S.C.) the French Society of Cinematographers (A.F.C.) the Italian Society of Cinematographers (A.I.C.) the Western India Cinematographers Association (W.I.C.A.) the Indian Society of Cinematographers (I.S.C.) the German Society of Cinematographers (BVK)
the Malaysian Society of Cinematographers (MySC)
the Netherlands Society of Cinematographers (NSC) 
the South African Society of Cinematographers (S.A.S.C.) the Spanish Society of Cinematography Works (A.E.C)
the International Federation of Cinematographers (IMAGO)
the Uruguayan Society of Cinematographers (S.C.U)
the Lithuanian Association of Cinematographers (LAC)
Cinematographers XX
Illuminatrix

The A.S.C. defines cinematography as:

Noted cinematographers

The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. A number of American cinematographers have become directors, including Reed Morano who lensed Frozen River and Beyoncé's Lemonade before winning an Emmy for directing The Handmaid's Tale. Barry Sonnenfeld, originally the Coen brothers' DP; Jan de Bont, cinematographer on films such as Die Hard and Basic Instinct, directed Speed and Twister. Nicolas Roeg, cinematographer on films such as The Caretaker (1963) and The Masque of the Red Death (1964), directed Don't Look Now (1973) and The Man Who Fell to Earth (1976). Ellen Kuras, ASC photographed Eternal Sunshine of The Spotless Mind as well as a number of Spike Lee films such as Summer of Sam and He Got Game before directing episodes of Legion and Ozark. In 2014, Wally Pfister, cinematographer on Christopher Nolan's three Batman films, made his directorial debut with Transcendence, whilst British cinematographers Jack Cardiff and Freddie Francis regularly moved between the two positions. See also
3D film
Camerimage
Cinematography
Cinematography Mailing List, a communication forum for cinematographers
Filmmaking
Glossary of motion picture terms
Indian cinematographers
List of film director and cinematographer collaborations
List of film formats
List of motion picture-related topics

References

External links 
Cinematography.com
Cinematography Mailing List (CML)
International Cinematographers Guild
The History of the Discovery of Cinematography 
American Society of Cinematographers
The Guild of British Camera Technicians
British Society of Cinematographers
Indian Society of Cinematographers (ISC) 
European Federation of Cinematographers/IMAGO
Australian Cinematographers Society (ACS)
German Society of Cinematography, BVK
Italian Society of Cinematography, AIC (Autori Italiani della Cinematografia)
Netherlands Society of Cinematography, NSC
Lithuanian Association of Cinematographers, LAC 
Association Française des directrices et directeurs de la photographie Cinématographique (AFC)

Mass media occupations
 
Cinematography
Filmmaking occupations
Filmmaking