Slight Rebellion off Madison
“Slight Rebellion off Madison” is an uncollected work of short fiction by J. D. Salinger which appeared in the 21 December, 1946 issue of  The New Yorker. The story is the first of nine stories to feature Salinger’s iconic protagonist  Holden Morrisey Caulfield and the Caulfield family. Plot

The story is a told by an omniscient narrator from a third-person point-of-view. Holden Caulfield is a college student who has arrived home during the Christmas break. He is disaffected and disgusted with campus life and with conventional life in general. He loathes the prospect of performing as a dutiful son to his father and working for the family business. Young Holden first meets up with Sally to go ice skating. After a bit of small talk with her, Holden reveals his true thoughts about his perceived pointlessness of preparatory school, telling her he's "in bad shape." Holden’s rebellious behavior is limited to formulating a scenario by which he and Sally will escape to the country and live a simple life. Sally dismisses this as an absurd fantasy. She counsels Holden to first complete his college degree after which he can enjoy “oodles” of far-flung adventures. Holden calls her a “royal pain” and she departs. Later, Holden and Carl Luce appear at the Wadsworth bar, where they drink scotch and sodas. Holden addresses Carl as an "intellectual guy" and asks him hypothetically what he would do if he hated school and wanted to "get the hell out of New York." Holden receives a response similar to Sally's, and is dismissed. Alone, Holden drunkenly calls Sally twice on a payphone. Then, after chatting with the piano player at the bar in the bathroom, Holden waits for a bus on the corner of Madison Avenue, with tears in his eyes. Publication history

“Slight Rebellion off Madison” was completed during a two-week sojourn at Beekman Tower hotel during August of 1941. Originally titled “The Lovely Dead Girl at Table Number Six,” Salinger had been working on the story for the past year. The story is notable for being the first work presenting Salinger’s iconic character   Holden Morrisey Caulfield, the protagonist of his 1951 novel The Catcher in the Rye. The first of Salinger’s many stories to be published by The New Yorker, the piece was withheld from  the journal’s December 1941 issue. Due to the gravity of Japan’s   attack at Pearl Harbor on December 7, 1941 and the immediate entry of the United States into World War II, Salinger’s story of “dissatisfied upper-class youths” was deemed contrary to the country’s wartime mood. In the summer of 1943, The New Yorker indicated that “Slight Rebellion” would appear in its Christmas edition, but insisted that the story be shortened due to space considerations, to which Salinger consented. Despite the alteration, the story was ultimately cut from the issue. This experience contributed to Salinger’s sense of betrayal, and served to deepen his “suspicion of editorial methods and motives for the rest of his career.” “Slight Rebellion off Madison” would not appear in the journal until after the end of the war, on December 21, 1946. Critical Assessment

Biographer Kenneth Slawenki notes that Holden’s denunciations of social conventions take the form of “a scotch-drenched litany” whose “vehemence and self-derision” exceeds the expressions of disaffection that appear in The Catcher in the Rye (1951). Literary critic John Wenke questions the scale off Holden’s rhetoric with respect to the objects of his scorn:

“His repugnance is all-encompassing: it lacks antecedents and seems too excessive for the actual circumstances of this story.”

Slawenski draws a distinction between two Holdens:

Significantly, Holden’s experiences are delivered in the third-person, rather than the first-person narration in Catcher, leaving the protagonist “far removed from the reader.”

Theme

The Holden Caulfield of “Slight Rebellion” exposes the pathetic disorientation of “an individual trapped by the limitations of his own experience.”  The story, with its autobiographical elements, reveals the dichotomy that characterized Salinger outlook before 1942. Indeed, “Salinger aligns himself so closely to Holden Caulfield as to cast his own spirit within the main character.” Kenneth Slawenski writes:

Holden’s desperate and absurd scheme is a “confession” of the professional and personal contradictions that plagued Salinger in his early 20s. Literary critic John Wenke writes:

The “playacting” in which Holden indulges, including a mock electric-chair execution, prefigures similar enactments of death that appear in The Catcher in the Rye (1951). Footnotes

Sources 
Hamiton, Ian. 1988. In Search of J. D. Salinger. Random House, 1988. Slawenski, Kenneth. 2010. J. D. Salinger: A Life. Random House, New York. Wenke, John. 1991. J. D. Salinger: A Study of the Short Fiction. Twaynes Studies in Short Fiction, Gordon Weaver, General Editor. Twayne Publishers, New York. 1946 short stories
Short stories by J. D. Salinger
Works originally published in The New Yorker