Francis Criss
Francis Hyman Criss (1901 - 1973) was an American painter. Criss's style is associated with the American Precisionists like Charles Demuth and his friend Charles Sheeler. </ref>

The work from his best-known years, the 1930s and 1940s, is characterized by imagery of the urban environment, such as elevated subway tracks, skyscrapers, streets, and bridges. Criss rendered these subjects with a streamlined, abstracted style, devoid of human figures, that led him to be associated with the Precisionism movement. With distorted perspectives and dream-like juxtapositions, as in Jefferson Market Courthouse (1935), these empty cityscapes also suggest the influence of Surrealism. A turn towards more commercial work later in his career—including a November 1942 cover for Fortune Magazine—led to a decline in his reputation. Criss died in 1973 in New York City. His work is in the collections of the Brooklyn Museum, the Detroit Institute of Arts, the Philadelphia Museum of Art, the Smithsonian American Art Museum, and the Whitney Museum of American Art. In 2021 Criss' painting Alma Sewing was featured in an essay by the art critic Sebastian Smee in the Washington Post. Smee considers Alma Sewing to be Criss' finest work. The painting in the collection of the High Museum of Art in Atlanta, Georgia. References

External links 

 images of Criss' work from the Whitney Museum of American Art
 images of Criss' work on ArtNet
 Online Monograph

1901 births
1973 deaths
20th-century American painters
American male painters
Art Students League of New York alumni
Precisionism
Federal Art Project artists
English emigrants to the United States
20th-century American male artists