Helen C. Frederick
Helen C. Frederick (born 1945) is an American artist, curator, and the founder of Pyramid Atlantic Art Center, an arts organization in Maryland. She is known mainly for printed media and large-scale works created by hand papermaking as a medium of expression that often incorporate the use of language. She has curated exhibitions such as Ten Years After 9/11, which respond to issues about the human condition. Early life and education 
Helen C. Frederick was born in 1945 in Pottstown, Pennsylvania. Frederick received her BFA degree in Illustration (1967) and her Master of Fine Arts degree in painting (1969) from the Rhode Island School of Design, where she met German artist Dieter Roth, who introduced her to innovative printed media techniques. Frederick's interest in paper as a medium began in 1976, when she visited Ahmedebad, India, where Robert Rauschenberg had completed a papermaking project. She continued her study of paper-making during travels to the Netherlands, Japan and China. Work 
In 1981, she founded Pyramid Atlantic Art Center, a center for contemporary printmaking, hand papermaking and the art of the book, which she directed for twenty-eight years. Since 1996, Frederick has taught printmaking and graduate studies at George Mason University's School of Art, where she serves as director of the department's imprint, Navigation Press. Frederick specializes in hand-driven media such as custom-formed paper, artist's books, paintings, drawings, and prints, and she is recognized as the D.C. area's “most knowledgeable paper artist." Her work has also incorporated electronic media, video, digital prints, photography, “video books,” and sculpture. Her video work “Dislocations” (2011) has been compared to Andy Warhol by curator Jeffry Cudlin; Critic Paul Ryan described her work in “Hungry Ghosts” (2011) as "drawing us closer to victims as they linger within the beyond – a liminal space conceptually akin to that described by post-colonial theorist Homi K. Bhabha as a physical space and occurrences where …there is a sense of disorientation, a disturbance of direction..an exploratory, restless movement….”  Ryan also noted that "Hungry Ghosts" was influenced by Frederick's interest in Buddhist teachings and meditation practices. In her 2010 solo exhibition, Dissonance at Hollins University’s Eleanor D. Wilson Art Museum, Frederick referenced the atomic bomb and the Cold War, themes that have often surfaced in her work. Her 1996 installation Caution: Appearance (Dis)appearance explored the significance of the atomic bomb fifty years after its first detonation. In this installation, Frederick, who was born shortly before the first testing of the atomic bomb, examined her own personal connection with the bomb and how it has impacted her life, as well as its implications for the natural world. She explored similar themes in her 1995 collaborative book with Bridget Lambert, Abracadabra, which used fifty images to “represent the 50 years of Frederick's life from 1945 to 1995.” 

Frederick's Masse Ici, exhibited at Texann Ivy Fine Arts in 1998, “delve[d] deeply into issues of our technological age and the landscape of memory." Exhibitions
Major exhibitions of Frederick's work have been held at the Eleanor D. Wilson Museum at Hollins University (2011), Dieu Donne’ Gallery, New York (1996), Henie Onstad Museum, Norway (1979), Harvard's Fogg Museum (Davidson), and traveling museum exhibitions in Japan, Scandinavia, Europe, the United States and South America. Collections
Frederick's work is included in the Whitney Museum of Art in New York; the National Gallery of Art, Library of Congress, and the Smithsonian American Art Museum in Washington, D.C.; and many other national and international collections. Awards
Frederick has received numerous awards for her work, including a Fulbright (1973) and Mid-Atlantic Arts Award (1988), the Maryland Governor's Award for leadership in the Arts (2000) and the Southern Graphic Council Printmaker Emeritus Award, (2008). She was 2011 Frances Niederer Artist-in-Residence at Hollins University. She received the 2018 Distinguished Teaching Award of Distinction from the College Art Association (CAA). References

Bibliography 
 The Arts of the Book, Clive Phillpot, The University of the Arts, Philadelphia, PA, 1988
 
 Paper Art 4, Internationale der Papierkunst, Leopold Hoesch Museum, Duren, Germany, 1992
 Graphic Legacy, Susan Fisher Sterling, The National Museum for Woman in the Arts, 1995
 Evolving Forms/Emerging Faces, Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, New Jersey, 1997
 
 Printmaking: A Contemporary Perspective, Paul Coldwell, Black Dog Publishing, London, UK, 2010
 Helen Frederick, Eleanor D. Wilson Museum, Hollins University, Roanoke, VA, 2011. External links 
 Helen Frederick website
   Artist Page at Smithsonian American Art Museum
   Exhibition info at Chazin Art Museum
 ARTTABLE Oral History Project, Smithsonian American Art Museum
 Brooklyn Museum Feminist Art Base Profile

1945 births
Living people
20th-century American women artists
American art curators
Artists from Pennsylvania
Feminist artists
George Mason University faculty
Rhode Island School of Design alumni
American women printmakers
Book artists
American women academics
21st-century American women
American women curators