Walters Prize
The Walters Prize is New Zealand's largest contemporary art prize. Held biennially since 2002, the prize aims to 'make contemporary art a more widely recognised and debated feature of cultural life'. The prize is named in honour of New Zealand abstract painter Gordon Walters and the founding benefactors and principal donors are Erika and Robin Congreve and Dame Jenny Gibbs. The prize is organised by and held at Auckland Art Gallery. Four artists are nominated each year by a panel of four New Zealand-based jurors for a work or body of work exhibited in the previous two years. The four artists are invited to install the nominated works (or version of their nominated show) at the Auckland Art Gallery in a public exhibition. The prize is awarded by a visiting international judge. The winner receives $50,000. The prize attracts significant media coverage every year. The 2016 nominees were considered notable, as three of the four nominees are of Māori descent. Recipients and finalists

2024

Jurors: Robert Leonard, Tendai Mutambu, Melanie Oliver and Hanahiva Rose

Finalists: (winner to be announced later in the year)

 Juliet Carpenter EGOLANE 
 Owen Connors your cart and plow over the bones of the dead  and Incubations 
 Brett Graham Tai Moana Tai Tangata 
 Ana Iti The woman whose back was a whetstone, Roharoha and I must shroud myself in stinging nettle 

2021

Judge: Kate Fowle, Director of New York’s MoMA PS1. Jurors: Allan Smith, Nathan Pohio, Melanie Oliver, Charlotte Huddleston. Finalists:

Mata Aho Collective and Maureen Lander for Atapō (winner) 
Fiona Amundsen for A Body That Lives
Sriwhana Spong for The painter-tailor
Sonya Lacey for Weekend

There was some controversy over conflict of interest with this iteration of the Walters Prize, as two of the selected works had been in exhibitions curated by jurors. 2018

Judge: Adriano Pedrosa

Jurors: Stephen Cleland, Allan Smith, Lara Strongman, Megan Tamati-Quennell

Finalists:

Ruth Buchanan for Bad Visual Systems (winner)
Jacqueline Fraser for The Making of Mississippi Grind 2017 
Jess Johnson & Simon Ward for Whol Why Wurld
Pati Solomona Tyrell for Fāgogo

2016

Judge: Doryun Chong, inaugural Chief Curator at M+, Hong Kong. Jurors: Emma Bugden, Peter Robinson, Lara Strongman, Nina Tonga

Finalists:
Shannon Te Ao for Two shoots that stretch far out (2013–2014) (winner)
Joyce Campbell for Flightdream (2015)
Nathan Pohio for Raise the anchor, unfurl the sails, set course to the centre of an ever setting sun! (2015)
Lisa Reihana for in Pursuit of Venus [infected] (2015)

2014

Judge: Charles Esche

Jurors: Tina Barton, Anna-Marie White, Peter Robinson, Caterina Riva. Finalists:
Luke Willis Thompson for  (winner)
Maddie Leach for If you find the good oil let us know
Simon Denny for All You Need is Data
Kalisolaite 'Uhila for Mo'ui tukuhausia

2012

Judge: Mami Kataoka

Jurors: David Cross, Aaron Kreisler, Kate Montgomery, Gwynneth Porter. Kate Newby for Crawl out your window (winner)
Simon Denny for Introductory logic video tutorial
Alicia Frankovich for Floor Resistance
Sriwhana Spong for Fanta Silver and Song

2010

Judge: Vicente Todolí, 

Jurors: Jon Bywater, Rhana Devenport, Leonhard Emmerling and Kate Montgomery. Dan Arps for Explaining Things (winner)
Alex Monteith for Passing Manoeuvre with Two Motorcycles and 584 Vehicles for Two-Channel Video 
Fiona Connor for Something Transparent (please go round the back) 
Saskia Leek for Yellow is the Putty of the World

German-based New Zealand artist Michael Stevenson was also nominated for his 2008 exhibition Persepolis 2530 shown in Bristol, but the Auckland Art Gallery stated that 'due to accommodation and budgetary constraints it was not possible to exhibit' the work and therefore while the nomination stood it was not eligible for judging. 2008

Judge: Catherine David

Jurors: Jon Bywater, Elizabeth Caldwell, Andrew Clifford and Rhana Devenport

Peter Robinson for ACK (winner)
Edith Amituanai for Déjeuner
Lisa Reihana for Digital Marae
John Reynolds for Cloud

2006

Judge: Carolyn Christov-Bakargiev

Jurors: Tina Barton, Andrew Clifford, Wystan Curnow and Heather Galbraith

Francis Upritchard for Doomed, Doomed, All Doomed (winner)
Stella Brennan for Wet Social Sculpture
Phil Dadson for Polar Projects
Peter Robinson for The Humours

2004

Judge: Robert Storr

Jurors: Tina Barton, Dr Deidre Brown, Greg Burke and Justin Paton

et al. for restricted access (winner)
Jacqueline Fraser for <<Invisible>>
Ronnie van Hout for No Exit Parts 1 and 2
Daniel von Sturmer for The Truth Effect

2002

Judge: Harald Szeemann

Jurors: Robert Leonard, Justin Paton, Anna Miles and William McAloon

Yvonne Todd for Asthma and Eczema (winner)
 Gavin Hipkins for The Homely (1997-2000)
John Reynolds for Harry Human Heights (2001)
Michael Stevenson for Call Me Immendorff (2000)

References

New Zealand art awards
Art exhibitions in New Zealand
Awards established in 2002
2002 establishments in New Zealand
Events in Auckland