Broadly correct. Differing Muslim cultures had different approaches to the problem, we generally consider Persian miniatures to be well-painted (though without perspective), and they typically just make a token line through the throat of human subjects to suggest they couldn&#x27;t really be like the drawing (the prophet Muhammad is generally shown with only a glowing face without features to avoid even coming close to the problem of poorly representing him). Of course, it&#x27;s no coincidence that visual arts in the Islamic world took patterns (which we still call arabesques) to very high level, and also calligraphy, as they don&#x27;t have any representational worries.