They need to stop hiring scientists just to make technobabble plausible - the creative writers need to start treating them seriously instead, and consulting them on the story flow. Like in Interstellar, when Nolan would tell Kip Thorne that he needs something for his plot, Thorne would outline the necessary physical conditions and developments, and then the two would argue over it until they could figure out a path for the story that reaches the creative goal while staying within the constraints of science.