I agree with that. 16-bit color helps a lot (but doesn&#x27;t completely eliminate the risk of throwing away data), and the approach you mentioned (correction vs grading) is a valid exception to my point - though if you&#x27;re doing that, you likely understand what you&#x27;re doing and the potential gotchas.<p>My point was more targeted toward the numerous tutorials I see where people use many such adjustment layers without real purpose other than to &quot;play around&quot; with the color, turning the image into a posterized mess (especially by stretching things too far one way, then essentially negating that adjustment with something else).