The language of the Dakota people was first put into written form by missionaries who lived within and learned from the Dakota community in the Minnesota River valley. John P. Williamson (1835-1917), son of missionary Dr. Thomas S. Williamson, grew up speaking both English and Dakota, then spent most of his adult life as a missionary on the Santee Reservation in northeastern Nebraska. In 1902, he produced An English-Dakota Dictionary.A companion volume, A Dakota-English Dictionary, by Stephen R. Riggs, is also available from the Minnesota Historical Society Press. These two dictionaries preserve the older language and remian the most comprehensive and accurate lexicons available. They are essential cultural and linguistic sources for all Students of the Dakota Language as well as historians, anthropologists, linguists, and ethnologists. A foreword by Carolynn I. Schommer, a Dakota Indian and former instructor in the American Indian Studies/Dakota Language Department at the University of Minnesota, describes the historical and cultural context in which these dictionaries were created.
Over one hundred photographs from the renowned Kurt Koegler collection of Native American portraits taken between the end of the Civil War and the end of World War I are featured in this powerful compendium depicting a proud and defeated people. Native American Portraits presents a factual, anecdotal, and visual history of the evolving artistry and technology of a century of photographers, as well as of the tribes whose vanishing trappings and traditions they sought to capture with their craft. The photographers -- William Henry Jackson, Camillus Fly, Carleton Watkins, and Lee Moorhouse, among scores of others -- were intrepid adventurers, fiercely committed to their work, who hauled hundreds of pounds of photographic equipment across the mountains and faced many dangers; their subjects -- including such important warriors as Sitting Bull, Chief Joseph of the Nez Perce, Red Cloud, Geronimo, and Chief Gall (who led the Indians to victory against Custer) -- appear venerable, dignified, and beaten. Fascinating and provocative, this richly illustrated and painstakingly annotated volume documents the intersection of photography in its infancy and Native American culture in precipitous decline.
A sixth-generation North Carolinian, highly-acclaimed author John Ehle grew up on former Cherokee hunting grounds. His experience as an accomplished novelist, combined with his extensive, meticulous research, culminates in this moving tragedy rich with historical detail.The Cherokee are a proud, ancient civilization. For hundreds of years they believed themselves to be the "Principle People" residing at the center of the earth. But by the 18th century, some of their leaders believed it was necessary to adapt to European ways in order to survive. Those chiefs sealed the fate of their tribes in 1875 when they signed a treaty relinquishing their land east of the Mississippi in return for promises of wealth and better land. The U.S. government used the treaty to justify the eviction of the Cherokee nation in an exodus that the Cherokee will forever remember as the "trail where they cried." The heroism and nobility of the Cherokee shine through this intricate story of American politics, ambition, and greed. B & W photographs
During the middle decades of the nineteenth century, when vast numbers of whites poured into California, the native Indian population was decimated through disease, starvation, homicide, and a declining birth rate. In this prize-winning book, Albert L. Hurtado focuses on the Indians who survived this harrowing time. Hurtado considers the ways in which native life and culture persisted, how the survivors integrated their lives with white society, and how the now-dominant whites related to the Indians living and working with them.
"Anyone interested in California Indians should read this book."--William Bright, Los Angeles Times Book Review
"Hurtado takes a fresh look at the role Native Americans played in shaping frontier California. The Indians emerge from this study not merely as victims of white rapaciousness but as an active historical influence, serving as both a resistance force to white incursion and as prime shapers of the agricultural work force."--Booklist
"A wide-ranging and imaginative discussion of significant issues that are at the very center of scholarship on western settlement during the nineteenth century."--Roger Nichols, University of Arizona
Winner of the 1989 Ray Allen Billington Prize awarded by the Organization of American Historians for the best book in American frontier history.
Astounding eyewitness accounts of Indian captivity by people who lived to tell the tale. Fifteen true adventures recount suffering and torture, bloody massacres, relentless pursuits, miraculous escapes, and adoption into Indian tribes. Fascinating historical record and revealing picture of Indian culture and frontier life. Introduction. Notes.
While the Civil War raged in the East and South, Dakota Indians in Minnesota erupted violently into action against white settlers, igniting the tragic Dakota War of 1862. Hemmed in on a narrow reservation along the upper Minnesota River, the Dakota (Sioux) were frustrated by broken treaties, angered by dishonest agents and traders, and near starvation because of crop failures and late annuity payments.
Led by Little Crow, Dakota warriors attacked the Redwood and Yellow Medicine Indian agencies and all whites living on their former lands in southwestern Minnesota. They killed more than 450 whites and took some 250 white and mixed-blood prisoners during the 38-day conflict. White civilians and military units commanded by Henry H. Sibley defended towns and forts, pursued warriors, and eventually forced the Indians to surrender or flee westward. The penalties imposed by vengeful whites were swift and devastating. The federal government hanged 38 Dakota men in the largest mass execution in U.S. history, 300 were imprisoned, and the Dakota people were banished from the state.
With the publication of Two Old Women, Velma Wallis firmly established herself as one of the most important voices in Native American writing. A national bestseller, her empowering fable won the Western State Book Award in 1993 and the Pacific Northwest Booksellers Association Book Award in 1994. Translated into 16 languages, it went on to international success, quickly reaching bestseller status in Germany. To date, more than 350,000 copies have been sold worldwide.
Bird Girl and the Man Who Followed the Sun follows in this bestselling tradition. Rooted in the ancient legends of Alaska's Athabaskan Indians, it tells the stories of two adventurers who decide to leave the safety of their respective tribes. Bird Girl is a headstrong young woman who learned early on the skills of a hunter. When told that she must end her forays and take up the traditional role of wife and mother, she defies her family's expectations and confidently takes off to brave life on her own. Daagoo is a dreamer, curious about the world beyond. Longing to know what happens to the sun in winter, he sets out on a quest to find the legendary "Land of the Sun." Their stories interweave and intersect as they each face the many dangers and challenges of life alone in the wilderness. In the end, both learn that the search for individualism often comes at a high price, but that it is a price well worth paying, for through this quest comes the beginning of true wisdom.
Now a special 30th-anniversary edition in both hardcover and paperback, the classic bestselling history "The New York Times" called "Original, remarkable, and finally heartbreaking...Impossible to put down"
"Bury My Heart at Wounded Knee" is Dee Brown's eloquent, fully documented account of the systematic destruction of the American Indian during the second half of the nineteenth century. A national bestseller in hardcover for more than a year after its initial publication, it has sold almost four million copies and has been translated into seventeen languages. For this elegant thirtieth-anniversary edition -- published in both hardcover and paperback -- Brown has contributed an incisive new preface.
Using council records, autobiographies, and firsthand descriptions, Brown allows the great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the battles, massacres, and broken treaties that finally left them demoralized and defeated. A unique and disturbing narrative told with force and clarity, "Bury My Heart at Wounded Knee" changed forever our vision of how the West was really won.
"This volume brings together an invaluable collection of vivid eyewitness accounts of the Minnesota Indian War of 1862 and its aftermath. Of greatest interest is the fact that all the narratives assembled here come from Dakota mixed-bloods and full-bloods. Speaking from a variety of viewpoints and enmeshed in complex webs of allegiances to Indian, white, and mixed-blood kin, these witnesses testify not only to the terrible casualties they all suffered, but also to the ways in which the events of 1862 tore at the social, cultural, and psychic fabrics of their familial and community lives. This rich contribution to Minnesota and Dakota history is enhanced by careful editing and annotation."--Jennifer S. H. Brown, University of Winnipeg
Praise for Through Dakota Eyes:
"For anyone interested in Minnesota history, Native-American history, and Civil War history in this forgotten theater of operations. Through Dakota Eyes is an absolute must read. . . . an extremely well-balanced and fascinating book that will take it's place at the forefront of Indian Historiography."--Civil War News
"An important look at how the political dynamic of Minnesota's southern Dakota tribes erupted into a brief, futile blood bath. It is also a vital record of the death song of the Dakota's traditional, nomadic way of life."--Minnesota Daily
"An appreciation for the diversity and complexity of Dakota culture and politics emerges from Through Dakota Eyes. . . . captures some of the human drama, tragedy, and confusion which must have surely characterized all American frontier wars."--American Indian Quarterly