english: The one on the left is where the shot ends, and the shot on the right is where it takes over, and now we switch boys, so it went from Asa Butterfield, who's the star of the show, to his stand-in. (Music) I wouldn't say his stunt double. There's a crazy rig that we built for this. (Music) And so this is, and now this is set number three we're into, and then we're going to go into, basically the very last moment of the shot is actually the steadycam shot. Everything else was shot on cranes and various things like that, and it literally was done over five different sets, two different boys, different times, and it all had to feel like it was all one shot, and what was sort of great for me was it was probably the best-reviewed shot I've ever worked on, and, you know, I was kind of proud of it when I was done, which is, you should never really be proud of stuff, I guess.
non_english: Naľavo je záber, ktorý končí a záber napravo je ten, ktorý sa prelína. Teraz vymeníme chlapcov, takže sme prešli od Asu Butterfielda, ktorý je hviezdou filmu, k jeho náhradníkovi. (Hudba) Nenazval by som ho dablérom. Tu je šialená veža, ktorú sme kvôli tomu vyrobili. (Hudba) To by sme mali a teraz je tu tretia scéna, do ktorej sa presúvame, a potom ďalej do... Celkom posledným momentom záberu je vlastne záber statickej kamery. Všetko ostatné sa natáčalo na žeriavoch a podobných zariadeniach a doslova sa to natáčalo na piatich rôznych scénach, s dvoma rôznymi chlapcami, v rôznych chvíľach a celé to muselo vytvárať pocit, že je to jeden záber. Pre mňa bolo úžasné práve to, že to bol asi najlepšie hodnotený záber, na akom som kedy pracoval a bol som na to aj trochu hrdý, keď to bolo hotové. Myslím si, že by ste nikdy nemali byť hrdí na veci.