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Film theory is a branch of academia often aligned with Marxist critical theory. Its goal is to understand the core and spirit of the cinema and it tries to present a conceptual framework to explain the relationship of film to reality. It also tries to explore the relationship to the viewers and to the rest of society.
Rather, they 'con-struct a theory of looking relations where cinematic visual delight is the pleasure of interrogation' (hooks, 1992, p. 126). For hooks, this is a radical departure from the 'totalizing agenda' of feminist film criticism, and the beginning of an oppositional spectatorship for black women.A search for an oppositional subjectivity can also be found in the practice of film-making.he FEMINIST FILM THEORY 495 notion of masquerade was inspired by the role of the female character who cross-dressed as a male pirate. For Johnston, the female masquerade signified not only a masking but also an 'unmasking' in the deconstructionist sense of exposing and criticising.