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Film theory is a branch of academia often aligned with Marxist critical theory. Its goal is to understand the core and spirit of the cinema and it tries to present a conceptual framework to explain the relationship of film to reality. It also tries to explore the relationship to the viewers and to the rest of society.
More contemporary theorists of Italian Neorealism characterize it less as a consistent set of stylistic characteristics and more as the relationship between film practice and the social reality of post-war Italy. Millicent Marcus delineates the lack of consistent film styles of Neorealist film.urthermore, as some critics have argued, the abandoning of the classical way of doing cinema and so the starting point of the Nouvelle Vague and the Modern Cinema can be found in the post world-war II Italian cinema and in the neorealism experiences.