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Film theory is a branch of academia often aligned with Marxist critical theory. Its goal is to understand the core and spirit of the cinema and it tries to present a conceptual framework to explain the relationship of film to reality. It also tries to explore the relationship to the viewers and to the rest of society.
The principle contribution of Soviet film theorists to global cinema was Montage Theory, which brought formalism to bear on filmmaking. Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for assembly or editing).n this sense, the montage will in fact form thoughts in the minds of the viewer, and is therefore a powerful tool for propaganda. Intellectual montage follows in the tradition of the ideological Russian Proletcult Theatre which was a tool of political agitation.