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Hilary Hahn plays an 1864 Vuillaume violin that was formerly owned by the Russian violinist Samuel Lande who was a friend of Klara Berkovich, Hahnâs first teacher. Hahn uses Dominant strings and bows by French bow makers Paul Jombar and Emil Miquel (Zaustinsky 1999).
This is of violin shape, with a flat back, and makes interestingcomparison with the viol shaped violone by Ventura Linarol (Padua, 1585) in theKunsthistorisches Museum, Vienna. During the early 17th century the five-string bass was most commonly used in Austriaand Germany. Leopold Mozart referred in the 1787 edition of his Violinschule tohaving heard concertos, trios and solos played with great beauty on instruments of thiskind.