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Film theory is a branch of academia often aligned with Marxist critical theory. Its goal is to understand the core and spirit of the cinema and it tries to present a conceptual framework to explain the relationship of film to reality. It also tries to explore the relationship to the viewers and to the rest of society.
This placed him in opposition to film theory of the 1920s and 1930s, which emphasized how the cinema could manipulate reality. The concentration on objective reality, deep focus, and lack of montage are linked to Bazin's belief that the interpretation of a film or scene should be left to the spectator.