Charles Dickens
Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.
Charles Dickens
On 2 April 1836, after a one-year engagement, and between episodes two and three of "The Pickwick Papers", Dickens married Catherine Thomson Hogarth (1816–1879), the daughter of George Hogarth, editor of the "Evening Chronicle". They were married in St. Luke's Church, Chelsea, London. After a brief honeymoon in Chalk in Kent, the couple returned to lodgings at Furnival's Inn. The first of their ten children, Charley, was born in January 1837, and a few months later the family set up home in Bloomsbury at 48 Doughty Street, London, (on which Charles had a three-year lease at £80 a year) from 25 March 1837 until December 1839. Dickens's younger brother Frederick and Catherine's 17-year-old sister Mary, moved in with them. Dickens became very attached to Mary, and she died in his arms after a brief illness in 1837. Unusually for Dickens, as a consequence of his shock, he stopped working, and he and Kate stayed at a little farm on Hampstead Heath for a fortnight. Dickens idealised Mary—the character he fashioned after her, Rose Maylie, he found he could not now kill, as he had planned, in his fiction, and, according to Ackroyd, he drew on memories of her for his later descriptions of Little Nell and Florence Dombey. His grief was so great that he was unable to meet the deadline for the June instalment of "Pickwick Papers" and had to cancel the "Oliver Twist" instalment that month as well. The time in Hampstead was the occasion for a growing bond between Dickens and John Forster to develop and Forster soon became his unofficial business manager, and the first to read his work.