Neo-Kantianism
In late modern Continental philosophy, Neo-Kantianism () was a revival of the 18th-century philosophy of Immanuel Kant. More specifically, it was influenced by Arthur Schopenhauer's critique of the Kantian philosophy in his work "The World as Will and Representation" (1818), as well as by other post-Kantian philosophers such as Jakob Friedrich Fries and Johann Friedrich Herbart.
Immanuel Kant
Kant's notion of "Critique" has been quite influential. The Early German Romantics, especially Friedrich Schlegel in his "Athenaeum Fragments", used Kant's self-reflexive conception of criticism in their Romantic theory of poetry. Also in Aesthetics, Clement Greenberg, in his classic essay "Modernist Painting", uses Kantian criticism, what Greenberg refers to as "immanent criticism", to justify the aims of Abstract painting, a movement Greenberg saw as aware of the key limitiaton—flatness—that makes up the medium of painting. French philosopher Michel Foucault was also greatly influenced by Kant's notion of "Critique" and wrote several pieces on Kant for a re-thinking of the Enlightenment as a form of "critical thought". He went so far as to classify his own philosophy as a "critical history of modernity, rooted in Kant".