Juno (film)
Diablo Cody was first approached to write a screenplay by film producer Mason Novick, who had previously landed her a book deal for her memoir, "", after discovering her blog about stripping. He persuaded her to adapt the book for the screen, but suggested that she first write a screenwriting sample to show studios; that sample became "Juno". After deciding on an adoption storyline, Cody collected the stories of adoptees, birth parents and adoptive parents, including that of her then-husband, an adoptee who reunited with his birth parents after she wrote the film. She also found inspiration in the story of a close friend who had become pregnant in high school and used some details from her friend's experience in the film, such as mistreatment from an ultrasound technician. Much of "Juno", however, was based on Cody's own high school experiences: She dated a tic-tac-loving boy similar to Paulie, she was best friends with a cheerleader like Leah, and she used a hamburger phone identical to the one that appears in the film. After writing the screenplay over seven weeks in the Starbucks section of a Target store in Crystal, Minnesota, Cody compared writing to breathing, seeing Juno as an extension of herself.
Domino (2005 film)
Steve Barancik wrote the first draft of the screenplay, in 1997 which Scott rejected. A second script was written by Roger Avary, but was also rejected by Scott. Scott described the two rejected screenplays as conventional biopics of Domino Harvey's life, which was not what he had in mind. Finally, Richard Kelly was asked to write the screenplay after Scott read his script for "Southland Tales". Kelly was sent transcripts of Domino Harvey's interviews with Tony Scott, but he did not read the scripts that Scott had rejected. In discussing the finished product, Kelly commented that "...Domino might be one of the most subversive films released by a major studio since "Fight Club"".