Santa Maria del Popolo
Soon after its transfer to the prestigious Lombard Congregation Santa Maria del Popolo was reconstructed between 1472 and 1477 on the orders of Pope Sixtus IV. This was part of the ambitious urban renovation program of the pope who presented himself as "Urbis Restaurator" of Rome. The medieval church was entirely demolished and a new three-aisled, Latin cross shaped basilica was built with four identical chapels on both sides, an octagonal dome above the crossing and a tall Lombard style bell-tower at the end of the right transept. The result of this reconstruction was an early and excellent example of Italian Renaissance architecture in Rome. In spite of the many later changes the basilica essentially kept its Sistine form until today.
Santa Maria del Popolo
The main door is more monumental that the others. Its pointed pediment is filled with a sculpture of the "Madonna and the Child" set in a scallop shell. The rim of the niche is decorated with cherubs among six-pointed stars and whiffs of clouds. The frieze has a fine carved decoration of artificial foliage, pecking birds and three putti who are holding torches and oak branches in their hands and carrying bowls of fruit on their heads. The coat-of-arms of Pope Sixtus IV on the lintel is encircled by oak branches. The carvings around the door are the only significant sculptural decorations on the façade and as a whole they summarize the iconographic program of the Sistine rebuilding. The central motif is the Madonna del Popolo surrounded by the symbols of heavenly light and paradisiacal abundance, intertwined with the emblem of the Della Rovere dynasty, and set in a perfectly classical frame.