Witch hat
A witch hat (), in popular culture, is the style of hat characterized by a conical crown and a wide brim (like akubras and gats).
The origins of the witch hat as displayed today is disputed. A common theory is that it is an exaggeration of the edgeless hats associated with the Welsh and later the Puritans, or an exaggeration of the conical hats believed to stimulate the brain of the wearer. These "thinking caps" are the precursors to the modern dunce cap. Church despised pointy hats given that the points were often related to those of the devil's horns. The witch hat is a more brimmed version of the cone-shaped hats commonly worn by male-gendered wizards and magicians, as the hat was more brimmed for it to be female-appropriate. As of the Victorian era, fairy tales began depicting black-colored conical hats and crones as symbols of wickedness in their illustrations. Another possibility is that in Luna, a town of the Etruscan civilization, there were coins on one side depicting a goddess commonly associated with witches, named Diana, wearing a brimless, cone-shaped hat.
Horned God
The popular image of the Greek god Pan was removed from its classical context in the writings of the Romantics of the 18th century and connected with their ideals of a pastoral England. This, along with the general public's increasing lack of familiarity of Greek mythology at the time led to the figure of Pan becoming generalised as a 'horned god', and applying connotations to the character, such as benevolence that were not evident in the original Greek myths which in turn gave rise to the popular acceptance of Murray's hypothetical horned god of the witches.
The reception of "Aradia" amongst Neopagans has not been entirely positive. Clifton suggests that modern claims of revealing an Italian pagan witchcraft tradition, for example those of Leo Martello and Raven Grimassi, must be "match[ed] against", and compared with the claims in "Aradia". He further suggests that a lack of comfort with "Aradia" may be due to an "insecurity" within Neopaganism about the movement's claim to authenticity as a religious revival.
Valiente offers another explanation for the negative reaction of some neopagans; that the identification of Lucifer as the god of the witches in "Aradia" was "too strong meat" for Wiccans who were used to the gentler, romantic paganism of Gerald Gardner and were especially quick to reject any relationship between witchcraft and Satanism.
In 1985 Classical historian Georg Luck, in his "Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds", theorised that the origins of the Witch-cult may have appeared in late antiquity as a faith primarily designed to worship the Horned God, stemming from the merging of Cernunnos, a horned god of the Celts, with the Greco-Roman Pan/Faunus, a combination of gods which he posits created a new deity, around which the remaining pagans, those refusing to convert to Christianity, rallied and that this deity provided the prototype for later Christian conceptions of the Devil, and his worshippers were cast by the Church as witches.