Sorley MacLean
Sorley MacLean was born at Òsgaig on the island of Raasay on 26 October 1911; Scottish Gaelic was his first language. Before he went to school at the age of six, he spoke very little English. He was the second of five sons born to Malcolm (1880–1951) and Christina MacLean (1886–1974). The family owend a small croft and ran a tailoring business, but they later gave up the croft to move to a better house, which proved detrimental to their finances when the Great Depression took a high toll on the tailoring business. His brothers were John Maclean (1910–1970), a schoolteacher and later rector of Oban High School, who was also a piper; Calum Maclean (1915–1960), a noted folklorist and ethnographer; and Alasdair (1918–1999) and Norman (c.1917–c.1980), who became general practitioners. Sorley's two younger sisters, Isobel and Mary, were also schoolteachers. His patronymic was Somhairle mac Chaluim 'ic Chaluim 'ic Iain 'ic Tharmaid 'ic Iain 'ic Tharmaid; he could not trace his genealogy with certainty to the eighth generation.
Priscilla McLean
Priscilla Taylor was born in Fitchburg, Massachusetts, the daughter of business manager Conrad Taylor and school teacher Grace Taylor. She graduated from Fitchburg State College, Massachusetts (BEd 1963) and the University of Massachusetts, Lowell (BME 1965). At Indiana University, Bloomington (MM 1969), she was greatly influenced by the music of Xenakis, who was teaching there. She has taught at Indiana University, Kokomo (1971-3), St. Mary's College, Notre Dame (1973-6), and the University of Hawaii (1985) and the University of Malaysia (1996). From 1976 to 1980 she produced the American Society of Composers' Radiofest series. In 1974 she and her husband, Barton McLean, began to perform together as The McLean Mix, and in 1983 to present concerts of their own music full-time. She sings with extended vocal techniques and plays the piano, synthesizer, violin, percussion, and Amerindian wooden flutes, as well as newly created instruments.
As The McLean Mix, the couple has performed throughout the United States and Europe, Southeast Asia, the United Kingdom, Canada, Australia, and New Zealand. "The New Grove Dictionary of Music" describes McLean's work as "[ranging] from abstract orchestral and chamber music to dramatic electro-acoustic works. Since 1978 most of her music has focused on the concept of the wilderness and has incorporated sounds from animals and nature along with synthesized music."