Squarepusher
At this time, Tom was becoming obsessed with bringing a "dark psychedelia" to Drum and Bass (which would eventually reach its zenith with "Go Plastic" from 2001).
During this period Tom also made a remix for Ninja Tune's DJ Food, which featured on the e.p. "Refried Food". The remix led Ninja Tune to offer Jenkinson a record contract, which along with an offer from Belgium's R&S records he declined in favour of a contract offered by Warp Records, which was partially instigated by Richard D. James.
Correspondence between Richard D. James and Tom Jenkinson sprung up after meeting at The George Robey. The resulting meeting led to Tom's first hearing of the "Hangable Auto Bulb" e.p. which Richard had brought with him. But the meeting also facilitated Richard's initial selection of Tom's tracks that went on to form the "Feed Me Weird Things" album released on Rephlex Records in 1996.
Tommy Stinson
In 1997 the group entered the studio with producer Jim Dickinson to produce their debut album, tentatively titled "Seven Days a Week". Stinson had now switched back to bass for the departed Cooper, and added Dave Philips on guitar. Despite completing the album, it was shelved by Regency Pictures, who had acquired Medium Cool distributors Restless Records, which led to the group's eventual breakup in 1998. The album itself was leaked onto the internet through advance copies were sent out to record labels, however a remixed and resequenced version of "Seven Days a Week", retitled "Once, Twice, Three Times a Maybe", was released by Rykodisc in 2004. which was, much like the EP, well received.