Harman Kardon
In 1959, Harman Kardon marketed the Citation II, an early ultra wideband stereophonic tube amplifier. Designed by Stewart Hegeman, it featured 60 watts/channel output with a frequency response of 18-60,000 Hz at 20 watt output. The company promoted their philosophy of designing high fidelity sound using amplifiers that provided widest possible audio bandwidth. Although the human ear highest audible range is around 20,000 Hz, the full range of sound goes beyond that with harmonics and overtones that may be beyond the hearing range of the human ear. These harmonics interact with other frequencies to produce audible secondary sounds or interference. Harman Kardon promoted the design in audio magazines and product brochures.
Equal-loudness contour
Fletcher and Munson first measured equal-loudness contours using headphones (1933). In their study, test subjects listened to pure tones at various frequencies and over 10 dB increments in stimulus intensity. For each frequency and intensity, the listener also listened to a reference tone at 1000 Hz. Fletcher and Munson adjusted the reference tone until the listener perceived that it was the same loudness as the test tone. Loudness, being a psychological quantity, is difficult to measure, so Fletcher and Munson averaged their results over many test subjects to derive reasonable averages. The lowest equal-loudness contour represents the quietest audible tone—the "absolute threshold of hearing". The highest contour is the "threshold of pain".