Michelangelo
Michelangelo returned to Florence in 1499. The republic was changing after the fall of its leader, anti-Renaissance priest Girolamo Savonarola, who was executed in 1498, and the rise of the "gonfaloniere" Piero Soderini. Michelangelo was asked by the consuls of the Guild of Wool to complete an unfinished project begun 40 years earlier by Agostino di Duccio: a colossal statue of Carrara marble portraying David as a symbol of Florentine freedom to be placed on the gable of Florence Cathedral. Michelangelo responded by completing his most famous work, the statue of David, in 1504. The masterwork definitively established his prominence as a sculptor of extraordinary technical skill and strength of symbolic imagination. A team of consultants, including Botticelli and Leonardo da Vinci, was called together to decide upon its placement, ultimately the Piazza della Signoria, in front of the Palazzo Vecchio. It now stands in the Academia while a replica occupies its place in the square.
David Plates
The David Plates are a set of nine silver plates, in three sizes, stamped between 613 and 630. The plates were created in Constantinople, each depicting a scene from the life of the Hebrew king David, and associated with the reign of Emperor Heraclius (610-641). Following their discovery in Karavas (northern Cyprus) in 1902, the David Plates have been considered key additions to early Byzantine secular art. It is also noted that the David Plates were found amongst the Second Cyprus Treasure. Casual laborers from the village of Karavas found the David Plates as they were quarrying the ruins for construction stones. The finders, however, failed to report what they had discovered to the Cypriot authorities. When authorities learned of their taking they confiscated three of the David Plates alongside a pair of cross-monogram plates, and other jewelry held today in the Museum of Antiquities in Nicosia. The rest of the discovery was smuggled from Cyprus and traded to a dealer located in Paris. Most of this hoard was bought by J. Pierpont Morgan and was later given to the Metropolitan Museum of Art in New York City by his heirs in 1917, where they currently remain.