Nothing Records
Shortly after the release of "Feed Me Weird Things", Squarepusher released his first music for Warp Records in the form of the "Port Rhombus EP" in 1996. Jenkinson signed a multi-album deal with Warp and the label would become his long-time and primary home. The "Vic Acid" EP was released in 1997, followed by his sophomore full-length, "Hard Normal Daddy". Later that year, Warp and Sypmania would co-release "Burningn'n Tree", which compiled the "Conumber E:P" and "Alroy Road Tracks", alongsing three previously unreleased tracks.
Tom Waits
It was at the Troubadour that Waits came to the attention of Herb Cohen, who signed him to a publishing contract; that Cohen did not give him a recording contract suggests that he was interested in Waits only as a songwriter rather than a performer. Quitting his job at Napoleone's to concentrate on his songwriting career, in early 1972 Waits moved to an apartment in Silver Lake, Los Angeles, a poor neighbourhood known for its Hispanic and bohemian communities.
He continued performing at the Troubadour and there met David Geffen, who gave Waits a recording contract with his Asylum Records. Jerry Yester was chosen to produce his first album, with the recording sessions taking place in Hollywood's Sunset Sound studios. The resulting album, "Closing Time", was released in March 1973, although attracted little attention and did not sell well. Biographer Barney Hoskyns noted that "Closing Time" was "broadly in step with the singer-songwriter school of the early 1970s"; Waits had wanted to create a piano-led jazz album although Yester had pushed its sound in a more folk-oriented direction. An Eagles cover of its opening track, "Ol' 55", on their album "On the Border", brought Waits further money and recognition, although he regarded their version as "a little antiseptic".