Diablo Cody
"Juno" was runner-up for the Toronto International Film Festival People's Choice Award, won second prize at the Rome Film Festival, and earned four Academy Award nominations, including one for Best Picture. Cody herself won an Academy Award for Best Original Screenplay for her debut script, which also picked up a Golden Globe nomination and an Independent Spirit Award for Best First Screenplay. She also won screenplay honors from BAFTA, the Writers Guild of America, the Broadcast Film Critics Association, the National Board of Review, the Satellite Awards, and the 2008 Cinema for Peace Award for Most Valuable Work of Director, Producer & Screenwriter (which she shared with Jason Reitman, John Malkovich, Mason Novick, Russel Smith and Lianne Halfon).
Little Nemo (1911 film)
Inspired by flip books his son Robert brought home, McCay said he "came to see the possibility of making moving pictures" of his cartoons. McCay, then in his early forties, asserted he was "the first man in the world to make animated films", but he was likely familiar with the earlier work of American James Stuart Blackton and the French Émile Cohl. In 1900, Blackton produced "The Enchanted Drawing", a trick film in which an artist interacts with a drawing on an easel. Blackton used chalk drawings in 1906 to animate the film "Humorous Phases of Funny Faces", and used stop motion techniques to animate a scene in the 1907 film "The Haunted Hotel". Cohl's films, such as 1908's "Fantasmagorie", were dreamlike nonnarrative pieces in which characters and scenes continually changed shape. Cohl's films were first distributed in the United States in 1909, the year McCay said he first became interested in animation. According to McCay biographer John Canemaker, McCay combined the interactive qualities of Blackton's films with the abstract, shapeshifting qualities of Cohl's into his own films. In the films of all three, the artist interacts with the animation.