C. S. Lewis
Lewis was commissioned to write the volume "English Literature in the Sixteenth Century (Excluding Drama)" for the Oxford History of English Literature, His book "A Preface to "Paradise Lost"" is still cited as a criticism of that work. His last academic work, "The Discarded Image: An Introduction to Medieval and Renaissance Literature" (1964), is a summary of the medieval world view, a reference to the "discarded image" of the cosmos.
Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren Lewis. Glyer points to December 1929 as the Inklings' beginning date. Lewis's friendship with Coghill and Tolkien grew during their time as members of the Kolbítar, an Old Norse reading group that Tolkien founded and which ended around the time of the inception of the Inklings. At Oxford, he was the tutor of poet John Betjeman, critic Kenneth Tynan, mystic Bede Griffiths, novelist Roger Lancelyn Green and Sufi scholar Martin Lings, among many other undergraduates. Curiously, the religious and conservative Betjeman detested Lewis, whereas the anti-establishment Tynan retained a lifelong admiration for him.
The Well at the World's End
Although the novel is relatively obscure by today's standards, it has had a significant influence on many notable fantasy authors. C. S. Lewis and J. R. R. Tolkien both seem to have found inspiration in "The Well at the World's End": ancient tables of stone, "King Gandolf," a "King Peter," and a quick, white horse named "Silverfax," an obvious inspiration for "Shadowfax," are only a few. Lewis was sufficiently enamored with Morris that he wrote an essay on that author, first read to an undergraduate society at Oxford University called the Martlets and later published in the collection of essays called "Rehabilitations".