C. S. Lewis
Lewis was commissioned to write the volume "English Literature in the Sixteenth Century (Excluding Drama)" for the Oxford History of English Literature, His book "A Preface to "Paradise Lost"" is still cited as a criticism of that work. His last academic work, "The Discarded Image: An Introduction to Medieval and Renaissance Literature" (1964), is a summary of the medieval world view, a reference to the "discarded image" of the cosmos.
Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren Lewis. Glyer points to December 1929 as the Inklings' beginning date. Lewis's friendship with Coghill and Tolkien grew during their time as members of the Kolbítar, an Old Norse reading group that Tolkien founded and which ended around the time of the inception of the Inklings. At Oxford, he was the tutor of poet John Betjeman, critic Kenneth Tynan, mystic Bede Griffiths, novelist Roger Lancelyn Green and Sufi scholar Martin Lings, among many other undergraduates. Curiously, the religious and conservative Betjeman detested Lewis, whereas the anti-establishment Tynan retained a lifelong admiration for him.
J. R. R. Tolkien
In a 1951 letter to Milton Waldman, Tolkien wrote about his intentions to create a "body of more or less connected legend", of which "[t]he cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama". The hands and minds of many artists have indeed been inspired by Tolkien's legends. Personally known to him were Pauline Baynes (Tolkien's favourite illustrator of "The Adventures of Tom Bombadil" and "Farmer Giles of Ham") and Donald Swann (who set the music to "The Road Goes Ever On"). Queen Margrethe II of Denmark created illustrations to "The Lord of the Rings" in the early 1970s. She sent them to Tolkien, who was struck by the similarity they bore in style to his own drawings.