Beatnik
In 1948, Kerouac introduced the phrase "Beat Generation", generalizing from his social circle to characterize the underground, anticonformist youth gathering in New York at that time. The name came up in conversation with John Clellon Holmes, who published an early Beat Generation novel titled "Go" (1952), along with the manifesto "This Is the Beat Generation" in "The New York Times Magazine". In 1954, Nolan Miller published his third novel "Why I Am So Beat" (Putnam), detailing the weekend parties of four students.
Beat Generation
Norman Podhoretz, a student at Columbia with Kerouac and Ginsberg, later became a critic of the Beats. His 1958 "Partisan Review" article "The Know-Nothing Bohemians" was a vehement critique primarily of Kerouac's "On the Road" and "The Subterraneans," as well as Ginsberg's "Howl". His central criticism is that the Beat embrace of spontaneity is bound up in an anti-intellectual worship of the "primitive" that can easily turn toward mindlessness and violence. Podhoretz asserted that there was a link between the Beats and criminal delinquents.