Middle-earth
Another example is C. S. Lewis's "Space Trilogy," in which Earth is also called Middle-earth. Lewis's novels are situated at the approximate time of World War II, with the last novel, "That Hideous Strength," taking place in post-war England, and they specifically bring in references to Tolkien's legendarium (at that time largely unpublished) and treats these references as primary fact within Lewis's fiction. Merlin, of King Arthur fame, is treated as a successor to the Atlantis magic found within "Numinor" (Lewis's unintentional misspelling of Númenor), and similarities can also be found in the Quenya name for Númenor, which is "Atalantë," and Lewis specifically references the earth as Middle-earth twice, both in Chapter 13, "They Have Pulled Down Deep Heaven on Their Heads". Lewis's borrowings came directly from Tolkien himself: they were close friends and shared each other's literary creations. Lewis encouraged Tolkien to persevere with his Middle-earth writings.A small selection from the many books about Tolkien and his created world:
J. R. R. Tolkien
In a 1951 letter to Milton Waldman, Tolkien wrote about his intentions to create a "body of more or less connected legend", of which "[t]he cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama". The hands and minds of many artists have indeed been inspired by Tolkien's legends. Personally known to him were Pauline Baynes (Tolkien's favourite illustrator of "The Adventures of Tom Bombadil" and "Farmer Giles of Ham") and Donald Swann (who set the music to "The Road Goes Ever On"). Queen Margrethe II of Denmark created illustrations to "The Lord of the Rings" in the early 1970s. She sent them to Tolkien, who was struck by the similarity they bore in style to his own drawings.