Photography in the United States
In spring 1839, the daguerreotype was introduced into the United States by an Englishman named D.W. Seager, who took the first photograph of a view of St. Paul’s Church and a corner of the Astor House in Lower Manhattan in New York City. Painter and inventor Samuel Finley Breese Morse had met Louis Daguerre in Paris in the spring of 1839, becoming the first American to see his photographic process and becoming enamored with it as a result. When he returned to the United States later that year, he enthusiastically promoted the daguerreotype while hailing Seager's prototypical image. Morse had painted "The Gallery of the Louvre" in 1833, and the appeal of the medium of the daguerreotype was an obvious one to him: it was a means of making faithful copies of artworks, in addition to anything else that would be still in front of the slow eye of the camera.
Robert Cornelius
With his own knowledge of chemistry and metallurgy, as well as the help of chemist Paul Beck Goddard, Cornelius attempted to perfect the daguerreotype. Around October 1839, at age thirty, Cornelius took a self-portrait outside of the family store. The daguerreotype produced is an off-center portrait of a man with crossed arms and tousled hair. While Daguerre's photograph of the Boulevard du Temple, taken one year earlier, has since been discovered to incidentally include two human figures on the sidewalk (they just happened to stay motionless long enough to imprint on the exposure), Cornelius' image – which required him to sit motionless for 10 to 15 minutes – is the oldest known intentional photographic portrait/self-portrait of a human.