C. S. Lewis
Lewis was commissioned to write the volume "English Literature in the Sixteenth Century (Excluding Drama)" for the Oxford History of English Literature, His book "A Preface to "Paradise Lost"" is still cited as a criticism of that work. His last academic work, "The Discarded Image: An Introduction to Medieval and Renaissance Literature" (1964), is a summary of the medieval world view, a reference to the "discarded image" of the cosmos.
Lewis was a prolific writer, and his circle of literary friends became an informal discussion society known as the "Inklings", including J. R. R. Tolkien, Nevill Coghill, Lord David Cecil, Charles Williams, Owen Barfield, and his brother Warren Lewis. Glyer points to December 1929 as the Inklings' beginning date. Lewis's friendship with Coghill and Tolkien grew during their time as members of the Kolbítar, an Old Norse reading group that Tolkien founded and which ended around the time of the inception of the Inklings. At Oxford, he was the tutor of poet John Betjeman, critic Kenneth Tynan, mystic Bede Griffiths, novelist Roger Lancelyn Green and Sufi scholar Martin Lings, among many other undergraduates. Curiously, the religious and conservative Betjeman detested Lewis, whereas the anti-establishment Tynan retained a lifelong admiration for him.
Reception of J. R. R. Tolkien
Marxist criticism of Tolkien is divided. Some have vilified Tolkien for his social conservatism, and for the "veiled geopolitics" implied in readings that interpret Sauron's Mordor and Sharkey's dictatorship in the Shire as parodies of Soviet Communism (Oberhelman 2006).
E. P. Thompson in 1981 blames the cold warrior mentality on "too much early reading of The Lord of the Rings". Inglis (1983) modifies earlier accusations of fascism against Tolkien, but still maintains that the novel is a "political fantasy" for escapist middle-class readers in modern capitalist society. Griffin (1985) examines Tolkien in relation to Italian neofascism, again suggesting a proximity of Tolkien's ideals to those of the radical right. Other Marxist critics, however, have been more positive towards Tolkien. While criticizing Tolkien's politics embedded in The Lord of the Rings, China Miéville admires Tolkien's creative use of Norse mythology, tragedy, monsters, and subcreation, as well as his criticism of allegory.