Xârâcùù
Xârâcùù, or Kanala, is an Oceanic language spoken in New Caledonia. It has about 5,000 speakers. Xârâcùù is most commonly spoken in the south Central area of New Caledonia in and around the city of Canala and the municipalities of Canala, Thio, and Boulouparis. Xarâcùù has a strict SVO sentence structure with few exceptions. Efforts to determine how the language evolved to the present has been met with difficulty due to Xârâcùù's lack of reflexive markers in established Proto-Oceanic forms. Xârâcùù has been taught since 1980 at the primary level in the popular Kanak school (EPK or Ecole Populaire Kanak) Canala, only establishment of its kind still existing in 2013, the students can then join public education. The language is also offered at the private Catholic college Francis Rouge-Thio and public college Canala.
Indigenous architecture
The centre comprises an interconnected series of ten stylised grandes cases (chiefs' huts), which form three villages (covering an area of 6060 square metres). These huts have an exposed stainless-steel structure and are constructed of iroko, an African rot-resistant timber which has faded over time to reveal a silver patina evocative of the coconut palms that populate the coastline of New Caledonia. The Jean-Marie Tjibaou Cultural Centre draws materially and conceptually on its geopolitical environment, so that despite being situated on the outskirts of the capital city, it draws influence from the diverse Kanak communities residing elsewhere across Kanaky. The circling pathway that leads from the car park to the centre's entrance is lined with plants from various regions of Kanaky. Together, these represent the myth of the creation of the first human: the founding hero, Téâ Kanaké. Signifying the collaborative design process, the path and centre are organically interconnected so it is difficult to discern any discrete edges existing between the building and gardens. Similarly, the soaring huts appear unfinished as they open outward to the sky, projecting the architect's image of Kanak culture as flexible, diasporic, progressive and resistant to containment by traditional museological spaces.