A Tale of a Tub
The "Tale" was originally published in 1704 by John Nutt. Swift had used Benjamin Tooke previously when publishing for Sir William Temple. He would use Tooke for both the fifth edition of the "Tale" (1710) and later works. Tooke's successor, Benjamin Motte, published Swift's "Gulliver's Travels". This difference in printer is only one of the things that led to debate over authorship of the work.
Artistic inspiration
The musical model was satirized, along with the "afflatus," and "fancy" models of inspiration, by Jonathan Swift in "A Tale of a Tub." Swift's narrator suggests that madness is contagious because it is a ringing note that strikes "chords" in the minds of followers and that the difference between an inmate of Bedlam and an emperor was what pitch the insane idea was. At the same time, he satirized "inspired" radical Protestant ministers who preached through "direct inspiration." In his prefatory materials, he describes the ideal dissenter's pulpit as a barrel with a tube running from the minister's posterior to a set of bellows at the bottom, whereby the minister could be inflated to such an extent that he could shout out his inspiration to the congregation. Furthermore, Swift saw fancy as an antirational, mad quality, where, "once a man's fancy gets astride his reason, common sense is kick't out of doors."