Opera in German
The world's first opera was "Dafne" by Jacopo Peri, which appeared in Florence in 1598. Three decades later Heinrich Schütz set the same libretto in a translation by the poet Martin Opitz, thus creating the first ever German-language opera. The music to Schütz's "Dafne" is now lost and details of the performance are sketchy, but it is known to have been written to celebrate the marriage of Landgrave Georg II of Hessen-Darmstadt to Princess Sophia Eleonora of Saxony in Torgau in 1627. As in Italy, the first patrons of opera in Germany and Austria were royalty and the nobility, and they tended to favour composers and singers from south of the Alps. Antonio Cesti was particularly successful, providing the huge operatic extravaganza "Il pomo d'oro" for the imperial court in Vienna in 1668. Opera in Italian would continue to exercise a considerable sway over German-speaking lands throughout the Baroque and Classical periods. Nevertheless, native forms were developing too. In Nuremberg in 1644, Sigmund Staden produced the "spiritual pastorale", "Seelewig", which foreshadows the "Singspiel", a genre of German-language opera in which arias alternate with spoken dialogue. "Seelewig" was a moral allegory inspired by the example of contemporary school dramas and is the first German opera whose music has survived.
Mala vita
"Mala vita" was Giordano's first full-length opera but owes its existence to his earlier "Marina", a one-act opera which he had composed while still a student at the Conservatory of San Pietro a Majella in Naples. In July 1888 the Milanese music publisher Edoardo Sonzogno had announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Giordano submitted "Marina". When the winners were announced in March 1890, the three chosen from the 72 entires were Niccola Spinelli's "Labilia", Vincenzo Ferroni's "Rudello", and Mascagni's "Cavalleria rusticana", with "Cavalleria" awarded the First Prize. However, "Marina" received one of the 13 "honourable mentions" and impressed. Amintore Galli, Sonzogno's music advisor, who convinced the publisher to offer a commission to the young Giordano for a full-length opera.