Ateneo Law School
The Ateneo de Manila University School of Law (often referred to as Ateneo Law School) is the law school of the Ateneo de Manila University, a private Jesuit university in the Philippines. It was founded in 1936, in the Padre Faura St., Ermita, Manila campus of the Ateneo, where it remained even after the college, graduate school, and basic education units moved to Loyola Heights, Quezon City in the 1950s. In 1977, it moved to Salcedo Village in Makati, and in 1998, transferred to its present location in Makati's Rockwell Center. Its current dean is alumnus Jose G. Hofileña who succeeded Sedfrey Candelaria who, in turn, succeeded Cesar L. Villanueva. Its patron saint is Thomas More.
Tanghalang Ateneo
Tanghalang Ateneo, the longest-running theater company of the Loyola Schools, Ateneo de Manila University, weaves into its work the theatrical traditions of the University’s sesquicentennial past: the devotion of the "salon de actos" at the "Escuela Municipal", the eloquence of the Ateneo Dramatics Guild, the "joie de vivre" of the Ateneo Players Theater, and the innovative spirit of the Ateneo Experimental Theater. Like these companies, Tanghalang Ateneo uses theater to foster "eloquentia", "sapientia", and "humanitas" – the pillars of Jesuit pedagogy. It sees itself as a theater company in the service of student formation, and by extension – given the Jesuit ideal of "magis" – a theater in service of the nation.
Since its founding in 1972 (and formally recognized five years later), Tanghalang Ateneo has grown from a fledgling band of student players to one of the country’s leading school-based theater companies. Its repertoire of plays is daunting: world classics, Filipino originals, and documentary texts turned into theater pieces. Its productions are noted for thought, generosity, and energy, while its "lingua franca" on stage are Filipino and English. Its members come from diverse academic fields. In fact, many have pursued careers in theater, television, and film; many more use their theater experience to excel in management, law, teaching, media, and cultural work.
Acclaimed professional actors have graced its shows, and several outstanding designers and choreographers have served as members of its artistic staff. To name a few, Naty Crame-Rogers, Irma Adlawan, Nonie Buencamino, Teroy Guzman, Bodjie Pascua, Frances Makil-Ignacio, Floy Quintos, Myra Beltran, Leeroy New, and Gino Gonzales have worked with the company in previous seasons. 
In addition, Tanghalang Ateneo has won two Aliw Awards for Best Production and another two for Best Direction for its 2008 and 2011 productions of Glenn Sevilla Mas's "The Death of Memory" (Direction: Ricardo G. Abad) and "Sintang Dalisay" (Direction: Ricardo G. Abad). Last year, the company received several citations, including two for the year's 10 Best Productions, in the Philippine Daily Inquirer's Best of Theater 2014 for its productions of Han Ong's "Middle Finger" (Direction: Ed Lacson, Jr.) and Glenn Sevilla Mas's "Rite of Passage: Sa Pagtubu kang Tahud" (Direction: Ron Capinding).
The company has also received production grants from the Cultural Center of the Philippines, the Loyola Schools, the National Commission for Culture and the Arts, the Spanish Program for Cultural Cooperation, and the Japan Foundation.
Furthermore, Tanghalang Ateneo continues to make itself known from the microenvironment of the Ateneo de Manila University, garnering nominations such as Project of the Year and Best Organization in the Council of the Organizations of the Ateneo de Manila University (COA) Awards. Its shows have also been shown in campuses and venues across the country and abroad, notably in Shanghai and Taiwan as part of the Festival of the Asian Pacific Bureau of Theatre Schools, and in Belarus, Minsk for the International University Theatre Association Student Theatre Festival. The company’s past achievements have also facilitated the creation, in SY 2000-2001, of a degree program in Theater Arts within the Fine Arts Program of the Ateneo de Manila University.
Tanghalang Ateneo products educate and delight; they stimulate the imagination and provoke thought. Jesuit pedagogy fuses with theater arts to interrogate the Filipino social world so that students can invent themselves as critical Filipinos: sharp in thought, expressive in action, deep in faith and attuned to others – fellow players and audiences whose lives intersect with their own.
National Artist for Theater Design Salvador Bernal, Doreen Fernandez, and Nenita Escasa were among the company’s advisers in the early years. Ricardo Saludo became the first Artistic Director and Moderator when Tanghalang Ateneo gained university recognition in 1979. Dr. Ricardo G. Abad succeeded him and became the company's longest-serving Artistic Director and Moderator (1984-2013). In 2014, Glenn Sevilla Mas came aboard and became the company's new Artistic Director and Moderator.