Susanna Ounei
Susanna Ounei was born in 1945 in Ouvéa in the Loyalty Islands Province of New Caledonia.
Her official birthdate was 15 August 1945, although later in life she found that this date may have been incorrect.
She grew up in Poindimié on the east coast of New Caledonia.
Under French colonial rule the Kanak population fell from about 70,000 in the pre-colonial era to about 26,000 in the 1980s.
The Kanaks were segregated from whites and were subject to many restrictions and impositions.
Ounei wrote that "We grew up seeing how our parents were humiliated."
Serious Kanak resistance began to develop in the 1960s and 1970s.
In response, the French government encouraged massive migration to New Caledonia to reduce the Kanaks to a powerless minority.
Indigenous architecture
The centre comprises an interconnected series of ten stylised grandes cases (chiefs' huts), which form three villages (covering an area of 6060 square metres). These huts have an exposed stainless-steel structure and are constructed of iroko, an African rot-resistant timber which has faded over time to reveal a silver patina evocative of the coconut palms that populate the coastline of New Caledonia. The Jean-Marie Tjibaou Cultural Centre draws materially and conceptually on its geopolitical environment, so that despite being situated on the outskirts of the capital city, it draws influence from the diverse Kanak communities residing elsewhere across Kanaky. The circling pathway that leads from the car park to the centre's entrance is lined with plants from various regions of Kanaky. Together, these represent the myth of the creation of the first human: the founding hero, Téâ Kanaké. Signifying the collaborative design process, the path and centre are organically interconnected so it is difficult to discern any discrete edges existing between the building and gardens. Similarly, the soaring huts appear unfinished as they open outward to the sky, projecting the architect's image of Kanak culture as flexible, diasporic, progressive and resistant to containment by traditional museological spaces.