How much did The Last House on the Left gross?
The Last House on the Left (2009 film)
On its opening day, "The Last House on the Left" grossed $5,630,345, on 2,800 screens across 2,402 theaters, putting it slightly ahead of "Watchmen", the previous weekend's top film, with approximately $5,304,344. From March 13 - 15, "The Last House on the Left" took in an additional $5,318,215 and $3,170,125, respectively, to round out its opening weekend with $14,118,685. By comparison, the 1972 original earned an estimated $3.1 million, in unadjusted dollars, during its entire box office run. Adjusting for inflation, that would be approximately $16,468,225 in 2009. As of August 18, 2009 the film has grossed $45,286,226 worldwide.
Home Alone
By the time it had run its course in theaters, "Home Alone" was the third-highest-grossing film of all time worldwide, as well as in the United States and Canada behind only "Star Wars" ($322 million at the time) and "E.T. the Extra-Terrestrial" ($399 million at that time), according to the home video box. In total, its cinema run grossed $477,561,243 worldwide. Box Office Mojo estimates that the film sold over 67.7 million tickets in the US.
The Last Song (film)
In its opening weekend, the film grossed $16,007,426, finishing fourth at the box office behind "Clash of the Titans" ($61,235,105), "Why Did I Get Married Too?" ($29,289,537) and "How to Train Your Dragon" ($29,010,044).
Getting Straight
The film grossed $13.3 million at the domestic box office, earning $5.1 million in US theatrical rentals. It was the 21st highest-grossing film of 1970.
Hollywood cinema in 21st century
It is " standing in the second, the same genre. The movie is the highest-grossing movie in the saga, created by George Lucas and directed by J. J. Abrams. The Force Awakens is the 7th episode out of 9 since 1977 and the first of the last trilogy since 2015. The film series is currently owned by "LucasFilm, Ltd." and "The Walt Disney Company". The movie won 62 awards (5 Academy Awards). The cost of making it 253 million dollars. The gross was about 2 billion dollars worldwide: 45.3% was domestic and 53.7% was international.
Friday the 13th (franchise)
The original "Friday the 13th" was produced and directed by Sean S. Cunningham, who had previously worked with filmmaker Wes Craven on "The Last House on the Left" (1972). Cunningham, inspired by the success of John Carpenter's "Halloween" (1978), wanted "Friday the 13th" to be shocking, visually stunning, and "[make] you jump out of your seat". Distancing himself from "The Last House on the Left", Cunningham wanted "Friday the 13th" to be more of a "roller coaster ride". The first film was meant to be "a real scary movie", and at the same time make audiences laugh. The concept for "Friday the 13th" began as nothing more than a title. "A Long Night at Camp Blood" was the working title Victor Miller used while he drafted a script, but Cunningham believed in his "Friday the 13th" moniker and rushed to place an advertisement in "International Variety". Worrying that someone else owned the rights to the title and wanting to avoid potential lawsuits, Cunningham thought it would be best to find out immediately. Cunningham commissioned a New York advertising agency to develop his visual concept of the "Friday the 13th" logo, which consisted of big block letters bursting through a pane of glass. In the end, Cunningham believed there were "no problems" with the title, but distributor George Mansour contends that there was an issue: "There was a movie before ours called "Friday the 13th: The Orphan". Moderately successful. But someone still threatened to sue. It is unknown whether Phil [Scuderi] paid them off, but the issue was eventually resolved."
The Game Plan (film)
The film received negative reviews by critics and holds a 29% 'Rotten' rating from critics on Rotten Tomatoes. Produced at an estimated cost of US$22 million, the film grossed $90,648,202 in the U.S market and $55,942,785 in foreign ticket sales and $50,643,312 brought from DVD sales, in its stay on the Top 50 chart, sales producing a grand total gross of $197,234,299, clearly makes this film a profitable venture for Disney. It opened at #1 at the box office grossing $22,950,971 in its first weekend in 3,103 theaters and averaging $7,396 per venue. It closed on February 18, 2008 with a final domestic gross of $90,648,202.
A Nightmare on Elm Street (2010 film)
As of July 6, 2010, "A Nightmare on Elm Street" has earned $63,071,122 at the domestic box office. With its $63 million in domestic box office, "A Nightmare On Elm Street" was the second-highest-grossing film among slasher remakes of the time—"When a Stranger Calls" (2006), "Black Christmas" (2006), "Halloween" (2007), "Prom Night" (2008), and "My Bloody Valentine 3D" (2009); "Friday the 13th" (2009) was first with $65 million. The film was officially released overseas on May 8, 2010. In its opening weekend, it took in approximately $6.5 million throughout ten foreign territories. It also secured first place for the weekend at the Russian box office with $3 million. Since its opening, the film has taken in approximately $52,332,285 in the overseas box office giving it a worldwide total gross of $115,407,296.
Last Night (2010 film)
Grossing $29,505 on its opening weekend, "Last Night" went on to earn $7,743,923 worldwide; $98,986 in the US and $7,644,937 from foreign markets. The film was removed from US theaters on June 2, 2011; it was later released in other countries between 2011 and 2017 through different distributors. It grossed the most ($2,386,504) in France and the least ($3,026) in New Zealand, following its premiere there on October 12, 2017. "Last Night" was released on home video and streaming services on August 1, 2011; it was made available on iTunes and Netflix. The film was later packaged as part of the Echo Bridge Home Entertainment release "Epic Romances" with "Anna Karenina" (1948), "As You Like It" (1936), "The Magic Sword" (1962), and "The Strange Love of Martha Ivers" (1946).
The Last Stand (2013 film)
The film ranked at number 9 on its debut weekend, taking in $6.3 million. Its theatrical run ended having grossed $12.1 million in America and $36.2 million in other territories for a total gross of $48.3 million. Lionsgate released it on home video in the US on May 21, 2013.
Star Wars: The Last Jedi
After dropping by 76% on its second Friday, the worst Friday-to-Friday drop in the series, the film fell by a total of 67.5% in its second weekend, grossing $71.6million. It was the largest second-weekend drop of the franchise, although it remained atop the box office. The three day total was the 14th biggest second weekend of all time. It grossed an additional $27.5million on Christmas Day, the second biggest Christmas Day gross of all time behind "The Force Awakens" ($49.3million), for a four-day weekend total of $99million. It made $52.4 million in its third weekend, again topping the box office. It also brought its domestic total to $517.1 million, overtaking fellow Disney vehicle "Beauty and the Beast" as the highest of 2017. It was the sixth biggest third weekend of all time. It had the seventh biggest New Year's Day gross of all time with $14.3 million, bringing the four day total to $66.8 million. It grossed $23.7 million and was surpassed the following weekend by "" (which was in its third week) and "".
The Last House on the Left (1972 film)
In June 2002 the BBFC prevailed against an appeal made to the Video Appeals Committee by video distributor Blue Underground Limited. The BBFC had required 16 seconds of cuts to scenes of sexual violence before it would grant the video an "18" certificate. Blue Underground Limited refused to make the cuts, and the BBFC therefore rejected the video. The distributor then appealed to the VAC, who upheld the BBFC's decision. During the appeal, film critic Kermode was called in as a horror expert to make a case for the film's historical importance. However, after his report, the committee not only upheld the cuts, but demanded additional ones. The film was eventually given an "18" certificate, on July 17, 2002, with 31 seconds of cuts, and was released in the UK on DVD in May 2003. The cut scenes were viewable as a slideshow extra on the disc, and there was a link to a website where the cut scenes could be viewed. The BBFC finally classified the uncut film for video release on March 17, 2008.
Last Action Hero
The film opened at number two at the weekend box-office behind "Jurassic Park" and grossed US$15,338,241 on its opening weekend, for an average of $6,651 from 2,306 theaters, and ended its run with $50,016,394 in the United States, and an additional $87,202,095 overseas, for a total of $137,298,489 worldwide. In an A&E biography of Schwarzenegger, the actor (who was also the film's executive producer) says that the film could have done better if not for bad timing, since it came out a week after "Jurassic Park" which went on to break box-office records as one of the top-grossing films of all time.
The Last House on the Left (1972 film)
Cunningham served as producer and Craven served as writer and director on the project. Written by Craven in 1971, the original script was intended to be a graphic "hardcore" film, with all actors and crew being committed to filming it as such. However, after shooting began, the decision was made to edit the script into a much softer film. This script, written under the title "Night of Vengeance", has never been released; only a brief glimpse is visible in the featurette "Celluloid Crime of the Century" (a 2003 documentary on the making of the film). The crux of the plot is based on the Swedish ballad "Töres döttrar i Wänge," which itself was the basis of Ingmar Bergman's "The Virgin Spring" (1960), of which Craven was an admirer. Craven envisioned a film in which the violence would be shown in detail onscreen; he felt that many popular films of the era, such as Westerns, glamorized violence and the "vigilante hero," and gave the public a misleading representation of death in the wake of Vietnam War.
My Big Fat Greek Wedding
"My Big Fat Greek Wedding" became a sleeper hit and grew steadily from its limited release. Despite never hitting the number one spot and being an independent film with a $5 million budget, it ultimately grossed over $368.7 million worldwide, becoming one of the top romantic films of the 21st century. It was the fifth highest-grossing film of 2002 in the United States and Canada, with USD$241,438,208, and the highest-grossing romantic comedy in history. Domestically, it also held the record for the highest-grossing film never having been number one on the weekly North American box office charts until the 2016 release of the animated film "Sing". However, adjusted for inflation, the gross of "My Big Fat Greek Wedding" was still higher, equivalent to $ million in 2016. The film is among the most profitable of all time, with a 6150% return on a (inflation adjusted) cost of $6 million to produce.
Naomi Watts
Her next film, the Woody Allen dramedy "You Will Meet a Tall Dark Stranger", opened at the 2010 Cannes Film Festival, and saw her portray Sally, a woman who has a troubled marriage with author Roy (played by Josh Brolin). It made over US$26 million (equivalent to $ million in ). Her portrayal of Valerie Plame in the biographical thriller "Fair Game", followed, and marked the third pairing of Watts with Sean Penn after "21 Grams" and "The Assassination of Richard Nixon". The film earned Watts a Satellite Award nomination for Best Actress. In 2011, she appeared opposite Daniel Craig and Rachel Weisz in Jim Sheridan's psychological thriller "Dream House", and alongside Leonardo DiCaprio in Clint Eastwood's biopic "J. Edgar", playing secretary Helen Gandy. While "Dream House" flopped, "J. Edgar" had a more favorable reception.
The Last House on the Left (1972 film)
In August 2006, Rogue Pictures finalized a deal to remake "The Last House on the Left" with original writer and director Wes Craven as a producer. The company intended to preserve the storyline of the original film. Craven described his involvement with the remake: "I'm far enough removed from these films that the remakes are a little like having grandchildren. The story, about the painful side effects of revenge, is an evergreen. The headlines are full of people and nations taking revenge and getting caught up in endless cycles of violence." Craven formed Midnight Pictures, a shingle of Rogue, to remake "The Last House on the Left" as its first project. Production was slated for early 2007. Screenwriter Adam Alleca was hired to write the script for the remake.
The Right Stuff (film)
The film was a box-office failure, grossing approximately $21 million against a $27 million budget. Despite this, it received widespread critical acclaim and eight Oscar nominations at the 56th Academy Awards, four of which it won. In 2013 the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The Wild
As of November 5, 2006, the movie grossed a total of $37,384,046 in the United States box office and $139,722,455 worldwide including DVD sales. Its production budget, in contrast, was $80 million. "The Wild" was ranked #1 of the top DVD sales twice in Entertainment Weekly; the first time for October 6–12, 2006, the second time for October 13–19, 2006.
Lucy Grantham
Grantham began her career with a supporting role as a sister in the drama film "Southern Hospitality" (1971), which was filmed in Greensboro, North Carolina. She also served as the costumer for the film. The following year, she was cast as the ill-fated Phyllis Stone in Wes Craven's controversial 1972 horror film "The Last House on the Left". Grantham starred alongside Sandra Peabody, David Hess, and Jeramie Rain. She was initially reluctant to join the production due to how brutal the subject matter in the screenplay was. However, she felt more comfortable about starring in the project after meeting Wes and Sean S. Cunningham. In a retrospective interview in 2012, Grantham discussed meeting Craven and Cunningham and the impact of "The Last House on the Left", stating:
The FP
Drafthouse Films acquired distribution rights to "The FP" on , 2011, one day after its premiere at the Fantasia Festival. Tim League, the founder of Drafthouse Films, attended the film's screening at South by Southwest and "fell in love with it". It was the second film distributed by Drafthouse Films, following "Four Lions". "The FP" grossed $22,571 in 28 North American theaters during its opening week, averaging $806 per theater. The following week, it was shown in nine theaters and grossed $9,314. In the remaining five weeks of its run, the film grossed $7,979, for a total gross of $40,557.
Stealth (film)
The film cost $135 million to produce (excluding advertising costs) and was released in 3,495 theaters, but had an opening weekend of only $13,251,545 for an average of only $3,792 per theater, peaking at 4th place behind "Wedding Crashers", "Charlie and the Chocolate Factory" and "Sky High". It then lost 55 percent of its audience in its second weekend dropping to 7th place to $5,923,794, while remaining at 3,495 theaters and averaging just $1,695 per theater. In its third weekend, it lost 1,455 theaters, and a further 64 percent of its audience, dropping to 11th, with just $2,151,768, for an average of just $1,055 from 2,040 theaters.
The Master (2012 film)
"The Master" grossed $242,127 at five theaters during its opening day on September 14, 2012, setting a single day record for an art house film. Overall the film made $736,311 from five theaters for a per-theater average of $147,262, setting a record for the highest average for a live-action film. Despite these achievements, the film was not a box office success, and did not make back its $30 million budget. During its first week nationwide, the film grossed $4.4 million in 788 theaters.
Last Vegas
"Last Vegas" grossed $16,334,566 in its opening weekend in the US from 3,065 theaters, averaging $5,329 per theater and ranking #3 for the weekend. The film closed on February 20, 2014, with a worldwide final gross of $134,402,450, making it CBS Films' highest-grossing movie to date.
Lucky Number Slevin
"Lucky Number Slevin" opened in 1,984 theaters in North America and grossed $7,031,921, with an average of $3,544 per theater and ranking #5 at the box office. The film ultimately earned $22,495,466 domestically and $33,813,415 internationally for a total of $56,308,881, above its $27 million budget.
Madagascar (2005 film)
Despite the mixed response from critics, the film was a commercial success. On its opening weekend, the film grossed $47,224,594 with a $11,431 average from 4,131 theaters making it the number 3 movie of that weekend behind "" and "The Longest Yard". However, the film managed to claim the top position in the U.S. box office the following week with a gross of $28,110,235. In the United States, the film eventually grossed $193,595,521, and in foreign areas grossed $339,085,150 with a summative worldwide gross of $532,680,671. As of December 2013, the film is the ninth highest-grossing DreamWorks animated feature in the U.S. behind "Shrek 2", "Shrek the Third", "Shrek", "Shrek Forever After", "How to Train Your Dragon", "", "Kung Fu Panda", and "Monsters vs. Aliens".
The Big Sick
In the film's limited opening weekend, it made $421,577 from five theaters (a per-theater gross of $84,315, the best of 2017 until "Lady Bird" in November), finishing 17th at the box office. The film expanded to 2,597 theaters on July 14, 2017, and was projected to gross $9–11 million over the weekend. It grossed $7.6 million over the weekend, finishing fifth at the box office. On July 25, the film crossed $26 million, becoming the second highest-grossing independent film of 2017.
The Commitments (film)
"The Commitments" grossed $271,333 on its first week of limited release in North America—an average of $33,916 per theater. The film grossed an additional $268,653 in its second weekend, with an overall domestic gross of $775,824. More theaters were added in its third week; the film grossed an additional $1,366,223 from 104 theatres, which was a +409% increase from its second weekend. The following week, the film was released to a total of 555 theaters in the United States and Canada. It grossed $2,511,091, securing the number three position at the domestic box office. The film saw a significant drop in attendance during the following week, the film grossed $1,752,234, a 30.2% overall decrease from the previous weekend. After eight weeks of release, "The Commitments" ended its theatrical run with an overall gross of $14,919,570. In North America, it was the 80th highest-grossing film of 1991 and the 42nd highest-grossing R-rated film of that year.
A Nightmare on Elm Street 5: The Dream Child
"A Nightmare on Elm Street 5: The Dream Child" was released on August 11, 1989, in 1,902 theaters in North America. On the first weekend, the film grossed $8,115,176, falling behind "Parenthood" ($9,672,350) and James Cameron’s" The Abyss" ($9,319,797). The film ranked eighth at the second-weekend box office, with a revenue of $3,584,320, and it dropped out of the Top 10 list ranked at eleventh and fourteenth on the third and the fourth weekends, respectively. Overall, the film grossed $22,168,359 at U.S. box office; it is the second-lowest-grossing "Nightmare on Elm Street" film. The film ranked number forty-three of the Top fifty highest-grossing films released in the U.S. in 1989 and is thirty-seventh of all slasher films cataloged by Box Office Mojo.
Silent Hill (film)
"Silent Hill" opened in 2,932 theaters and earned $20 million domestically on its opening weekend and opened at number one at the U.S. box office. As of January 3, 2007 the film has grossed $46 million domestically and $97 million total worldwide. At the DVD domestic sales, the film sold 1,316,169 units in 4 weeks, bringing a profit of $22,149,584, and making the total gross of the film jump to $119,757,037 worldwide. "Silent Hill" has landed in the top 10 highest-grossing film adaptations of video game properties listed on Box Office Mojo (from 1980 to present) at #9, grossing $46,982,632 domestic, just behind "", which grossed $50,648,679 in domestic box office receipts.
The Transformers: The Movie
The film was released on 990 screens in the United States and grossed $1,778,559 on its opening weekend. It opened in 14th place behind "About Last Night", which had been in theaters for six weeks at the time. The film's final box office gross was $5,849,647, which made it the 99th highest-grossing movie of 1986. Hasbro lost US$10 million on the combined poor performance of this, and their previous collaboration with De Laurentiis Entertainment Group (DEG), "". It also forced the producers of these films to make "" a direct-to-video release instead of theatrical, as well as scrap a "Jem" film then in development. However, "Transformers" has become a cult classic.
The Last House on the Left (1972 film)
Newspaper advertisements featured lengthy statements issued by the film's producers defending it against claims that it sensationalized violence, one of which noted: "You will hate the people who perpetrate these outragesand you should! But if a movieand it is only a moviecan arouse you to such extreme emotion then the film director has succeeded ... The movie makes a plea for an end to all the senseless violence and inhuman cruelty that has become so much a part of the times in which we live." Promotional artwork for the film accompanying such producer's statements included a warning that the film was "not recommended for persons under 30." The film continued to screen throughout the United States into 1973.
The Last Airbender
"The Last Airbender" had grossed $131,772,187 in the United States, and $187,941,694 in other countries, making for a total of $319,713,881 worldwide.
The Last Witch Hunter
"The Last Witch Hunter" grossed $27.4 million in North America and $113 million in other territories for a worldwide total of $140.4 million, against a budget of $90 million.
The Bourne Legacy (film)
In its opening weekend, "The Bourne Legacy" grossed about $38.7 million in the United States and Canada and debuted at #1 of the box office charts, surpassing Universal's expectation of $35 million. It grossed $46.6 million worldwide in its first weekend. The film sold roughly 400,000 more tickets on its opening weekend than the first film in the series, "The Bourne Identity". Studio research reported that audiences were evenly mixed among the sexes. The film grossed $113,203,870 in North America and $162,940,880 in foreign countries, bringing the film's worldwide total to $276,144,750.
Daddy's Home 2
In the United States and Canada, "Daddy's Home 2" opened alongside "Murder on the Orient Express", and was projected to gross around $20 million from 3,575 theaters in its opening weekend. The film made $10.7 million on its first day, including $1.5 million from Thursday night previews at 2,500 theaters, up from the $1.2 million made by the first film. It went on to debut to $29.7 million, finishing second at the box office, behind holdover "" ($57 million). In its second weekend, the film made $14.4 million (a drop of 51.3%), finishing 4th behind "Justice League", "Wonder" and "Thor: Ragnarok".
The Best Little Whorehouse in Texas (film)
"The Best Little Whorehouse in Texas" opened in 1,400 theaters on July 23, 1982 and earned $11,874,268 in its opening weekend, ranking number one in the United States box office, dethroning "E.T. The Extra Terrestrial"s six-week run at the top of the box office. The film closed on October 21, having grossed $69,701,637 domestically.
Big Momma's House 2
"Big Momma's House 2" grossed $27,736,056 in its opening weekend ranking number one. As of March 3, 2011, the film has grossed a total of $70,165,972 at the United States box office with a worldwide gross of $138,259,062.
A Nightmare on Elm Street (2010 film)
The 2010 remake's opening weekend put it ahead of the box office grosses for "" ($29,999,213), "A Nightmare on Elm Street" ($25,504,513), "" ($22,168,359), and "Wes Craven's New Nightmare" ($18,090,181). When breaking the inflation-adjusted grosses down by per theater capita, the 1984 film averaged $16,585 per cinema compared to the remake's $9,874. Comparing the film to other Platinum Dunes remakes, "A Nightmare on Elm Street" is second in opening-weekend gross behind "Friday the 13th" with $40,570,365. The film sits ahead of the other Platinum Dunes remakes, which includes "The Texas Chainsaw Massacre" ($28,094,014), "The Amityville Horror" ($23,507,007), and "The Hitcher" ($7,818,239). As of 2018, "A Nightmare on Elm Street" is number nineteen on the list of top opening weekends for the month of April.
21 (2008 film)
In its opening weekend, the film grossed $24,105,943 in 2,648 theaters in the United States and Canada, averaging $9,103 per venue and ranking first at the box office. The film was also the number one film in its second weekend of release, losing 36% of its audience, grossing $15,337,418, expanding to 2,653 theaters, and averaging $5,781 per venue. The film dropped to third place in its third weekend, losing 32% of its audience, grossing $10,470,173, expanding to 2,736 theaters, and averaging $3,827 per venue. By the fourth weekend it fell to sixth place, losing 47% of its audience, grossing $5,520,362 expanding to 2,903 theaters, and averaging $1,902 per venue.
The Last House on the Left (2009 film)
In August 2006, Rogue Pictures finalized a deal to remake "The Last House on the Left" with original writer and director Wes Craven as a producer. The company intended to preserve the storyline of the original film. In September 2006, it was announced that Craven had formed a production company, Midnight Pictures, under the umbrella of Rogue Pictures, and the remake for "The Last House on the Left" was selected as the company's first project. One of the reasons Craven agreed to remake "The Last House on the Left" was because of the money involved. In 1972, he did not have the budget to film every piece of the story he wanted to tell. With the 2009 remake, a larger budget allowed the filmmakers to pace themselves more during filming, taking more care while shooting, and expand the scope of the story more. One of the ways to accomplish this was for the producers to find a "rising young director to bring a new perspective for the story". According to the producers, who were impressed with "Hardcore"—which explored the world of teenage prostitution—director Dennis Iliadis was the person they were looking for. Co-producer Cody Zwieg stated, ""Hardcore" wasn't a genre or a horror film but showed completely believable characters in horrific, realistic situations. Many directors could handle the surface elements, the blood and shock moments of "Last House", but Dennis proved that he could do it all without exploiting his characters and their situations." According to Iliadis, the director was quick to accept the responsibility of remaking "The Last House on the Left", having already been a fan of Craven's and seen all of his films.
The Original Kings of Comedy
"The Original Kings of Comedy" was produced on an estimated $3,000,000 budget. On its opening weekend, it grossed a total of $11,053,832 on only 847 screens, averaging to about $13,051 per venue and ranking as the second highest-grossing film that weekend behind only "The Cell". It eventually grossed a total of $38,168,022 at the box offices.
Misery (film)
"Misery" grossed $10,076,834 on its opening weekend, finishing second at the box office behind "Home Alone". It eventually finished with $61 million domestically.
Safe House (2012 film)
"Safe House" earned $13.6 million on opening day, and $40.1 million over the weekend including $10.5 million overseas, ranking in second place to "The Vow". The film was Denzel Washington's second-biggest opener, behind "American Gangster" ($43,565,115) and Ryan Reynolds' fourth-biggest opener, behind "Deadpool (film)" ($132.4 million),"" ($85,058,003) and "Green Lantern" ($53,174,303). In its second weekend, it became #1 at the box office with $23,641,575, beating "The Vow". It was the second film in 2012 to cross the $100 million mark domestically behind "The Vow" and the fourth film to cross the $100 million mark worldwide behind "", "", and "The Vow".
Life as a House
The film opened in twenty-nine theaters in the US and grossed $294,056 on its opening weekend. It eventually earned $15,667,270 in the US and $8,236,521 in foreign markets for a total worldwide box office of $23,903,791.
The House of Magic
The film grossed $64,193,114 overseas outside of North America as well as $4,091 within it for a combined gross of $64,197,205.
What's the Worst That Could Happen?
The film had $13,049,114 during its opening weekend, and ranked #5 at the box office. It was released in 2,675 theaters, and grossed $4,878 average. At the end of its theatrical run, "What's the Worst That Could Happen?" has grossed $32,269,834 in the domestic market along with $6,194,297 in the foreign market for a worldwide total of $38,464,131. Therefore, the film was a box office flop, failing to recover its $60 million budget.
Poltergeist III
"Poltergeist III" was the lowest grossing and least attended film in the "Poltergeist" trilogy. It opened at No. 5, making $4,344,308 on its opening weekend, averaging about $2,953 from 1,471 theaters. The film then fell out of the top 10 in its second weekend, dropping 52 percent to $2,093,783 (1,467 theaters, $1,427 average) ranking at No. 11, and bringing the 10-day cume to $8,165,286. "Poltergeist III" ended up with a domestic box office total of $14,114,488. The film sold 3.434 million tickets at 1988's ticket price of $4.11, compared with 25.410 million tickets for the first film, and 11.050 million tickets for the second film.
Left Behind (2014 film)
As of March 4, 2016, the film closed and had grossed $14,019,924 domestically and $13,385,972 overseas for a worldwide total of $27,405,896.
Left Behind (2014 film)
"Left Behind" played on 1,825 screens on its opening weekend, taking the number six position at the US box office with $6,300,147. The film gained 62 screens the following weekend, but posted a decline of 55% to end with $2,834,919. The third weekend saw the film dip to 923 screens and posted a 67.5% drop to $922,618. Its fourth weekend was the biggest drop yet for the movie at 71%, but rebounded in the later weeks. The final two weekends of the film's US theatrical release, however, posted a robust 265% increase before ending its run on December 11, 2014.
The Right Stuff (film)
"The Right Stuff" had its world premiere on October 16, 1983, at the Kennedy Center in Washington, D.C., to benefit the American Film Institute. It was given a limited release on October 21, 1983, in 229 theaters, grossing $1.6 million on its opening weekend. It went into wide release on February 17, 1984, in 627 theaters where it grossed an additional $1.6 million on that weekend. But despite this, the movie bombed at the box office with $21.1 million. The failure of this and "Twice Upon a Time" caused The Ladd Company to shut down.
The Last House on the Left (1972 film)
Edward Blank of the "Pittsburgh Press" called the film a "cheap-jack movie of no discernible merit" and "riddled with awkward, self-conscious performances." Roger Ebert, however, gave the film three and a half stars out of four, and described it as "about four times as good as you'd expect." "The Christian Science Monitor" News Service referred to the film as a "desperately sordid melodrama" and a "vulgarized" version of "The Virgin Spring" and drew comparisons to Sam Peckinpah's "Straw Dogs" (1971). Brian Nelson of "The Daily Dispatch" deemed it the worst film of the year, writing: "Producer Sean S. Cunningham has somehow managed to make what is possibly 1972's most worthless general release film and, with a sensational and overblown advertising campaign, parlay it into a major moneymaker. In doing so, he may be in line for the Cy Dung Award for the movie most offensive to the intelligence of an audience." The "Lubbock Avalanche-Journal"s Bill Towery suggested the film should have received an X rating, adding in his review: "Films such as these give the movie ratings system a bad name. But if your cup of tea is assault, murder, maiming, revenge, and violence, the movie is going to be perfect." An editor for "The News-Press" similarly deemed the film "pornographic" and wrote that it was "without a doubt the most disgusting movie I have ever seen."
Fred J. Lincoln
His credits in mainstream cinema are limited, although he did play the role of Weasel Podowski in Wes Craven's 1972 horror film, "The Last House on the Left". He starred alongside David Hess, Sandra Peabody, Jeramie Rain, Marc Sheffler and Lucy Grantham He contributed to its DVD commentary track with costars Hess and Sheffler. In 1973, he starred in Sean S. Cunningham's horror film, "Case of the Full Moon Murders" alongside his "Last House" costar Sandra Peabody.
Lincoln is a member of the AVN Hall of Fame, and the XRCO Hall of Fame.
The Ugly Truth
The film opened to third place at the box office—behind "Harry Potter and the Half-Blood Prince" (in its second weekend) and the newly released "G-Force"—with $27,605,576 and the highest per-screen average in the top 10. As of July 2, 2018, the film has grossed $88.9 million at the North American domestic box office and $116.3 million internationally for a worldwide total of $205.2 million, becoming Katherine Heigl's second best grossing film behind "Knocked Up".
The Last House on the Left (1972 film)
The majority of the cast of "The Last House on the Left" were inexperienced or first-time actors. Cunningham and Craven held casting calls for the film at Cunningham's office in Midtown Manhattan in late 1971.
The Switch (2010 film)
Even though it gained mixed reviews from critics, "The Switch" proved to be a moderate financial success. Budgeted at $19 million, it grossed $49.8 million worldwide, 55.7% of which came from its domestic run. 91 days in US theatres, it opened in 2,012 theaters and was ranked seventh after its opening weekend, averaging $4,193 per venue. On January 18, 2011, Maple Pictures released the film on DVD and Blu-ray in Canada, while Lionsgate released it in the United States on March 15, 2011. It grossed $7.7 million in US DVD sales.
The Hangover
"Right Round" by Flo Rida is played over the ending credits. The film uses the Kanye West song "Can't Tell Me Nothing" for which Zach Galifianakis made an alternative music video."The Hangover" was a financial success. , it had grossed $467,416,722, of which $277,322,503 was in Canada and the United States. It was tenth-highest-grossing film of 2009 in the world, the ninth-highest-grossing film of 2009 in the U.S. and the highest-grossing R-rated comedy ever in the United States, surpassing a record previously held by "Beverly Hills Cop" for almost 25 years.
Out of all R-rated films, it is the sixth-highest-grossing ever in the U.S., behind "The Passion of the Christ", "Deadpool", "American Sniper", "It" and "The Matrix Reloaded". However, adjusted for inflation "The Hangover" earned less than half the total earned by "Beverly Hills Cop" and is out grossed by several comedies including "Porky's".
Sara Paxton
Paxton starred in the remake of "The Last House on the Left", playing the lead female character, Mari. The film opened March 13, 2009.
The Last House on the Left (1972 film)
In May 2007, Rogue entered negotiations with director Dennis Iliadis to direct the film. The film was released to theaters in the U.S. and Canada on March 13, 2009.
Star Wars: The Last Jedi
Pre-sale tickets went on sale in the United States on October 9, 2017, and as with "The Force Awakens" and "Rogue One", ticket service sites such as Fandango had their servers crash due to heavy traffic and demand. In the United States and Canada, industry tracking had "The Last Jedi" grossing around $200million from 4,232 theaters in its opening weekend. The film made $45million from Thursday night previews, the second-highest amount ever (behind "The Force Awakens" $57million). It went on to make $104.8million on its first day (including previews) and $220million over the weekend, both the second-highest amounts of all time. The opening weekend figure included an IMAX opening-weekend of $25million, the biggest IMAX opening of the year and the second biggest ever behind "The Force Awakens".
Home Alone
In its opening weekend, "Home Alone" grossed $17 million from 1,202 theaters, averaging $14,211 per site and just 6% of the final total and added screens over the next six weeks, with a peak screen count of 2,174 during its eighth weekend at the start of January 1991. "Home Alone" proved so popular that it stayed in theaters well past the Christmas season. It was the 1 film at the box office for 12 straight weeks, from its release weekend of November 16–18, 1990 through the weekend of February 1–3, 1991. It was finally dethroned from the top spot when "Sleeping with the Enemy" opened with $13 million. It nevertheless remained a top ten draw at the box office until the weekend of April 26 that year, which was well past Easter weekend. It made two more appearances in the top ten (the weekend of May 31–June 2 and the weekend of June 14–16) before finally falling out of the top ten. After over nine months into its run, the film had earned 16x its debut weekend and ended up making a final gross of $285,761,243, the top-grossing film of its year in North America. The film is listed in the "Guinness World Records" as the highest-grossing live-action comedy ever.
Straight Outta Compton (film)
In the United States and Canada, the opening weekend projections were continuously revised upwards, starting from $25 million and going as high as $45 million. The film made $5 million from Thursday night shows, which began at 7 p.m. in 2,264 theaters. After its strong Thursday night showing, Universal was able to add nearly 500 theaters for the film's opening weekend. "Straight Outta Compton" made $24.1 million on its opening day, which was the fourth biggest August opening in history. It finished first at the box office in its opening weekend, earning $60.2 million from 2,757 theaters, ahead of the week's other new release "The Man from U.N.C.L.E."; 46% of its opening weekend audience was African American while 23% was Caucasian and 21% Hispanic. Its opening weekend total was the fifth-best August opening weekend of all-time, the highest in August for an R-rated film and the highest for a musical biopic. It also set the record for best opening by a film with an African American director, until it was passed by Gray's own "The Fate of the Furious" in April 2017. After a strong first full week showing ($84.7 million), Universal added the film to over 200 additional theaters. The film grossed $26.4 million in its second weekend and again finished first at the box office, ahead of the week's new releases "Sinister 2", "" and "American Ultra".
The Kids Are All Right (film)
Opening in limited release at seven theaters, "The Kids Are All Right" grossed $491,971 in its first weekend. At $70,282 per theater, the film scored the highest average gross in 2010 as of mid-July 2010. It expanded to 38 theaters on July 16, then 201 on July 23, and finally 847 on July 30. , the film grossed a total of $34,705,850 worldwide.
Last Stop on the Night Train
Last Stop on the Night Train (, released in the English-speaking countries as "Night Train Murders", "The New House on The Left", "Second House on The Left", "Don't Ride on Late Night Trains","Late Night Trains", "Last House Part II" and "Xmas Massacre") is a 1975 Italian revenge horror film directed Aldo Lado and starring Flavio Bucci, Macha Meril and Irene Miracle.
Ray Ellin
Ellin produced and directed the film "The Latin Legends Of Comedy", which he financed on his own six credit cards. Its opening weekend, the film finished third in per-screen average behind Oscar winners "The Last King Of Scotland" and "The Queen". The movie was acquired by 20th Century Fox for US DVD rights. Ellin co-starred in the film "Killing Cinderella" opposite Jessica Capshaw. In 2011, Ellin became the host of the "Gong Show Live", a resurrection of the iconic television show. In 2012, he became the host of the new television show "Worth The Wait".
The Last Exorcism
"The Last Exorcism" opened at #2 at the U.S. box office the weekend of August 27, 2010, behind "Takers". It grossed $20,366,613 from 2,874 theaters in its first three days. "The Last Exorcism" had a budget of $1.8 million. The film remained in the top five, falling to number four in its second weekend. The film went on to gross $41 million domestically and $26.7 million foreign to total $67.7 million worldwide.
Last Summer in the Hamptons
In the US, it grossed $801,894 for an all time ranking of 7,018.
Man on Fire (2004 film)
"Man On Fire" opened in the U.S. on April 23, 2004 in 2,980 theaters and grossed $22,751,490 with an average of $7,634 and ranking #1 at the box office. The film's widest release was 2,986 theaters and it ended up earning $77,911,774 in North America and $52,381,940 internationally for a total of $130,293,714 worldwide, above its $70 million production budget. The film was successful in the U.S. home video market, grossing more than $123 million in DVD and VHS rentals and sales in U.S.
The Last House on the Left (1972 film)
Sandra Peabody and Lucy Grantham were cast in the roles of the doomed Mari and Phyllis. The role of the lead villain, Krug Stillo, was given to David Hess, also a musician and songwriter. Jeramie Rain, who was twenty-one at the time, was playing Susan Atkins in an Off-Broadway production based on the Manson family murders; despite the fact that the original script called for an actress in her forties, Rain was awarded the part of Sadie. Fred Lincoln, who had appeared in pornographic films, was cast as Krug's criminal partner, while Mark Sheffler was given the role of Krug's heroin-addicted son. According to Lincoln, he and Peabody were acquaintances prior to filming and had the same agent at the time.
Hugh Laurie
Laurie portrayed the title character in the U.S. medical drama series "House" (2004–12) on Fox, for which he won two Golden Globe Awards. He was listed in the 2011 "Guinness World Records" as the most watched leading man on television and was one of the highest-paid actors in a television drama, earning £250,000 ($409,000) per episode of "House". Laurie portrayed the antagonist Richard Onslow Roper in the miniseries "The Night Manager", for which he won his third Golden Globe Award, and Senator Tom James in the HBO sitcom "Veep", for which he received his 10th Emmy Award nomination. He also played the lead role of forensic psychiatrist Dr. Eldon Chance in the Hulu series "Chance" (2016–17).
Saw (franchise)
The "Saw" series, when compared to the other high-grossing American horror franchises—"A Nightmare on Elm Street", "Child's Play", "Friday the 13th", "Halloween", the Hannibal Lecter series, "Hellraiser", "Psycho", "Scream", "The Exorcist", and "The Texas Chainsaw Massacre"—with figures adjusted for 2011 inflation, is the fifth-highest-grossing horror franchise in the United States and Canada at $457.4 million. This list is topped by "Friday the 13th" at $687.1 million, followed by the "Nightmare on Elm Street" series with $592.8 million, with the Hannibal Lecter film series closely behind with $588.7 million. Then comes "Halloween" with $557.5 million, the "Scream" series with $442.9 million and "The Texas Chainsaw Massacre" with $304.6 million, and lastly comes the "Child's Play" film series with approximately $203 million.
Sister Act
The film was a box office success, grossing $139,605,150 domestically and $92,000,000 in foreign countries, effectively grossing $231,605,150 worldwide, becoming the eighth-highest-grossing film worldwide in 1992. It sat at the #2 spot for four weeks, behind "Lethal Weapon 3", "Patriot Games" and "Batman Returns" in succession.
The Last House on the Left (1972 film)
Critical response to "The Last House on the Left" upon its original release was largely centered on its depictions of violence. Gene Siskel of the "Chicago Tribune" derided the film, writing: "My objection to "The Last House on the Left" is not an objection to the graphic representations of violence per se, but to the fact that the movie celebrates violent acts, particularly adult male abuse of young women ... I felt a professional obligation to stick around to see if there was any socially redeeming value in the remainder of the movie and found none." Howard Thompson of "The New York Times" wrote that he walked out of the theater during a screening: "When I walked out, after 50 minutes (with 35 to go), one girl had just been dismembered with a machete. They had started in on the other with a slow switch blade. The party who wrote this sickening tripe and also directed the inept actors is Wes Craven. It's at the Penthouse Theater, for anyone interested in paying to see repulsive people and human agony."
The Last House on the Left (2009 film)
The Last House on the Left is a 2009 American horror-thriller film directed by Dennis Iliadis and written by Carl Ellsworth and Adam Alleca. It is a remake of the 1972 film of the same name, and stars Tony Goldwyn, Monica Potter, Garret Dillahunt, Spencer Treat Clark, Martha MacIsaac, and Sara Paxton. The film follows the parents (Goldwyn and Potter) of Mari Collingwood (Paxton), who attempt to get revenge on a group of strangers, led by a man named Krug (Dillahunt), that have taken shelter at their home during a thunderstorm.
Ride Along (film)
The film's 3-day opening weekend gross was $41,516,170, at 2,663 US and Canadian theaters (an average $15,590 per theater gross), giving "Ride Along" the then-record for highest domestic opening weekend gross in the month of January, ahead of 2008's "Cloverfield". For the 4-day record-breaking MLK weekend, the film grossed $48,626,380. The film held the number one spot at the US box office for three weeks, grossing $21 million and $12 million in its second and third weekends. The North American domestic gross was $134,202,565, with the international gross being $19,059,619, bringing the worldwide total to $153,262,184.
North by Northwest
During its two-week run at Radio City Music Hall, the film grossed $404,056, setting a record in that theater's non-holiday gross. According to MGM records the film earned $5,740,000 in the US and Canada and $4.1 million elsewhere, resulting in a profit of $837,000.
Murder on the Orient Express (2017 film)
In the United States and Canada, "Murder on the Orient Express" was released alongside "Daddy's Home 2", and was projected to gross around $20 million from 3,341 theaters in its opening weekend. The film made $10.9 million on its first day, including $1.6 million from Thursday night previews at 2,775 theaters. It ended up grossing $28.7 million, finishing third at the box office, behind holdover "", and "Daddy's Home 2". 51% of the film's opening weekend audience was over the age of 35. In its second weekend, the film took in $13.8 million (a drop of 51.9%), finishing fifth, behind "Justice League", "Wonder", "Thor: Ragnarok" and "Daddy's Home 2".
House at the End of the Street
The film debuted at number one at the US box office on its opening Friday and Saturday nights. In what was one of the tightest races in years for first place at the box-office weekend, the film finished the weekend at number two with $12.3 million, just less than a million behind "End of Watch", which included takings from Thursday night through Monday morning, where that movie finished at number one, with $13.1 million. The film went on to gross over $44 million worldwide, from a budget of $6.9 million.
The Last Castle
The film was released on October 19, 2001, in 2,262 North American theaters, grossing $7,088,213 on its opening weekend with an average of $3,133 per theater. The release spanned 63 days (9 weeks), closing on December 20, 2001, with a total domestic gross of $18,244,060. The film grossed $9,398,647 overseas, with the lowest earning in Egypt ($5,954) and the highest ($1,410,528) in Germany.
The Family Man
"The Family Man" opened at #3 at the North American box office making $15.1 million in its opening weekend, behind "What Women Want" and "Cast Away", which opened at the top spot. After 15 weeks in release, the film grossed $75,793,305 in the US and Canada and $48,951,778 elsewhere, bringing the film's worldwide total to $124,745,083.
House (1986 film)
"House" opened in 1,440 theaters on February 28, 1986 and grossed $5,923,972 in its opening weekend, missing first place to "Pretty in Pink". By the end of its run, "House" grossed $19,444,631 at the North American box office and $22.1 million worldwide.
Allan Loeb
"Things We Lost in the Fire" was met with mixed reviews and was a box office failure grossing only around $8 million worldwide. In 2008, Loeb shared 'screenplay' credit with Peter Steinfeld on the film 21 (2008 film), produced by and starring Kevin Spacey. In 2010, Loeb wrote "The Switch", which premiered in August 2010. The film received relatively poor reviews and grossed nearly $50 million worldwide. He also co-wrote "" directed by Oliver Stone. The film got generally good reviews and earned a respectable $135 million worldwide at the box office. In addition, he wrote a pair of 2011 films, "The Dilemma", which was a box office flop, grossing only $67 million worldwide. And then "Just Go With It", which was a hit grossing over $215 million worldwide.
The Last House on the Left (1972 film)
The film remained banned throughout the remainder of the 1980s and into the 1990s. However, it had built a cult reputation in the UK, and critics such as Mark Kermode began to laud the film as an important piece of work. In 2000, the film was again presented to the BBFC for theatrical certification and it was again refused. The independent film label Blue Underground toured an uncut print around Britain without a BBFC certificate; Southampton City Council granted it its own "18" certificate. The film was granted a license for a one-off showing in Leicester in June 2000, after which the BBFC again declared that it would not receive any form of certification.
The Last House on the Left (1972 film)
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the "Last House"... title, the film proved to be a hit. Anecdotes as to where the advertising campaign originated vary somewhat. Cunningham claims that marketing specialist who devised the "Last House..." title was watching a cut of the film with his wife, who continually covered her eyes, prompting him to tell her that it was "only a movie". Other origins have been suggested, however, as it had been used twice before: first for H.G. Lewis's 1964 splatter film "Color Me Blood Red" and then for William Castle's "Strait-Jacket" the following year. The tagline was so successful that many other exploitation films later used it, sometimes with their own spin. The film's title was also imitated, as in the case of "Last House on Dead End Street".
The House (2017 film)
"The House" grossed $25.6 million in the United States and Canada, and $8.6 million in other territories, for a worldwide total of $34.2 million, against a production budget of $40 million.
Dennis Iliadis
Dennis Iliadis (born December 31, 1969) is a Greek film director. He is best known for his work on "The Last House on the Left".
The Blues Brothers (film)
"The Blues Brothers" opened on June 20, 1980, with a release in 594 theaters. It took in $4,858,152, ranking second for that week (after "The Empire Strikes Back") and 10th for the entire year. Over the years, it has retained a following through television and home video. The film in total grossed $57,229,890 domestically and $58,000,000 in foreign box offices for a total of $115,229,890. By genre, it is the ninth-highest grossing musical and the 10th-highest earner among comedy road movies. It ranks second, between "Wayne's World" and "Wayne's World 2", among films adapted from "Saturday Night Live" sketches. Director John Landis claimed "The Blues Brothers" was also the first American film to gross more money overseas than it did in the United States.
Animal House
The soundtrack was released as a vinyl album in 1978, and then as a CD in 1998.
In its opening weekend, "Animal House" grossed $276,538 in 12 theaters. It grossed $120.1 million in North America and went on to achieve a domestic lifetime gross of $141.6 million. It was the highest grossing comedy of all time until the release of "Ghostbusters" (which was also written by Ramis) and the seventh highest grossing film of the 1970s.
The Lake House (film)
In its opening weekend, the film grossed a total of $13.6 million, ranking fourth in the United States box office. As of October 1, 2006, the movie has grossed $52,330,111 domestically, and $114,830,111 worldwide.
Silent House (film)
The film opened at number 5 at the United States box office, earning $6,661,234 during its opening weekend, showing on 2,124 screens. It would go on to show in theaters until late April 2012, grossing a total of $12,754,783 domestically. In foreign markets, it grossed a total of USD$346,889.
Internet review aggregator Rotten Tomatoes shows the film has a score of 41% based on reviews from 125 critics, with the site's consensus: ""Silent House" is more technically proficient and ambitious than most fright-fests, but it also suffers from a disappointing payoff." The film received a harsh reception from audiences, earning an "F" grade from CinemaScore surveys (only the second movie of the year to receive the failing grade along with "The Devil Inside".)
Resident Evil: Retribution
"Resident Evil: Retribution" opened at #1 in 3,012 theaters, beating out the 3-D re-release of "Finding Nemo". During its opening weekend, the film grossed $21,052,227 domestically (an average of $6,989 for each theater), which makes the film the second lowest domestic opening weekend in the series, with the lowest being the original "Resident Evil" ($17.7 million), though it sold the least tickets. The audience in the opening weekend was 64% male, and 55% were 25 years of age or older. Regular 3D showings accounted for 48% of ticket sales, while IMAX 3D contributed 14% and other large format showings contributed 4%. In its second weekend, the film dropped to fifth place behind newcomers "End of Watch", Jennifer Lawrence's "House at the End of the Street", and "Trouble with the Curve" with $6.7 million on the domestic charts. With a 68% decline from its previous weekend, this makes the worst domestic drop so far for a "Resident Evil" film. Its third weekend grossed $2.9 million, making a lighter 55% decrease and putting it into the number eight spot.
David Hess
Hess originally worked as a songwriter in the 1950s, co-writing songs recorded by Elvis Presley and Pat Boone, but garnered international attention for his feature film debut portraying Krug Stillo in Wes Craven's exploitation horror film "The Last House on the Left" (1972). He would go on to play several hard-edged roles as criminals in the Italian films "Hitch-Hike" (1977) and "The House on the Edge of the Park" (1980) before having a supporting role in Craven's "Swamp Thing" (1982). He made his directorial debut with the slasher film "To All a Goodnight" (1980).
Nacho Libre
During its opening weekend, "Nacho Libre" grossed $28,309,599, opening at #2 behind "Cars" second weekend. The total domestic box office stands at $80,197,993 and a worldwide total of $99,255,460.
Mari Collingwood
Mari Collingwood is a fictional character and the primary protagonist of the "The Last House on the Left" series of films. Created by the writer and director Wes Craven, she is portrayed by Sandra Peabody in the 1972 original film and by Sara Paxton in the 2009 remake of the same name. Making her debut appearance in "The Last House on the Left" (1972), Mari serves as the heroine; predating the characters of Nancy Thompson and Sidney Prescott who served as the protagonists of Craven's landmark series "A Nightmare on Elm Street" (1984-1987) and "Scream" (1996-2011), respectively. The 2009 incarnation of the character has been observed by some scholars to follow the "final girl" archetype, contrasting with her original depiction. Outside of film, Mari has appeared in merchandise based on the original film.
House (2008 film)
The film was given a limited release to theaters on November 7, 2008, where it opened in 25th place with a weekend earning of $327,445. In total it earned $575,048 during its U.S. theatrical run. The film was released to DVD on April 7, 2009 via Lions Gate Entertainment.
About Last Night (2014 film)
Over the second weekend (February 21–23), "About Last Night" grossed and ranked sixth at the box office. "Variety" said the second-weekend performance was "a steep 71% drop" from the previous weekend. Overall, "About Last Night" grossed in the United States and Canada and in other territories for a worldwide total of . In March 2014, Box Office Mojo had forecast that the film would pass but fall short of the similar film "Think Like a Man" (2012), which grossed .
A Nightmare on Elm Street 4: The Dream Master
The film was released on August 19, 1988, on 1,765 theaters in North America. The film ranked number one on its opening weekend and grossed $12,883,403; this was the highest opening gross of the franchise until the release of" Freddy vs. Jason". On the second weekend, the film still ranked number one and grossed $6,989,358. It was in first place on the third weekend, then at second, fourth, and sixth in the next three weeks until it dropped out from the top ten list on the seventh weekend at number eleven. The film grossed $49,369,899 at the US box office and was the 19th-highest-grossing film of 1988. It was the highest-grossing "Nightmare on Elm Street" film until "Freddy vs. Jason" was released in 2003. It is currently the third-highest-grossing film in the "Nightmare on Elm Street" franchise.
The House on 92nd Street
Wins
The People Under the Stairs
Craven at one point said he would like to remake the film along with "The Last House on the Left" and "Shocker". However, after the release of the 2009 remake of "The Last House on the Left", news of a remake fell dormant until 2015, when it was announced (shortly before Craven's death) that the director was developing a "People Under the Stairs" TV series for the SyFy Channel.
The Last House on the Left (1972 film)
Sean S. Cunningham made his directorial debut with the white coater film "The Art of Marriage". His film grossed $100,000 and attracted the company Hallmark Releasing (unaffiliated with Hallmark Cards Inc.). Cunningham made the film "Together" as a "better version" of film. Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham and they became good friends. Hallmark Releasing bought the film for $10,000 and it was considered a "hit." Hallmark Releasing wanted them to do another film with a bigger budget and gave them $90,000 to shoot a horror film.
The Last House on the Beach
"The Last House on the Beach" was distributed in Italy by Magirus and released on April 20, 1978. Roberto Curti, author of "Italian Crime Filmography 1968-1980" described the film as "performing very poorly in the Italian box office". It grossed a total of 25.4 million Italian lira on its theatrical release.