Sherlock Holmes Baffled
"Sherlock Holmes Baffled" marks the first in an observable trend of early film-makers to show the character as a figure of fun; in this case the somewhat louchely dressed Holmes is left "baffled" by a burglar, in contrast with the detective prowess displayed by his literary namesake. William K. Everson in his book "The Detective in Film" noted that "Sherlock Holmes Baffled", in common with all other silent detective films "labored under the difficulty of not being able to conduct prolonged interrogations or oral deductions ... the stress was on mystery or physical action rather than on literary-derived sleuthings." It was only in 1916 that William Gillette's "Sherlock Holmes" attempted a serious adaptation of Conan Doyle's character. Michael Pointer has suggested that the appearance and costume of the anonymous actor in "Sherlock Holmes Baffled" is an imitation of Gillette's stage portrayal of Holmes. Gillette's play "Sherlock Holmes" had made its Broadway debut at the Garrick Theater on November 6, 1899.
Adaptations of Sherlock Holmes
Throughout the early 1940s on American Radio, Basil Rathbone and Nigel Bruce performed as Holmes and Watson, respectively, in several series of canonical and original Sherlock Holmes stories on "The New Adventures of Sherlock Holmes" radio show. These broadcasts were loosely based on Doyle's cases. When Rathbone finally departed the role before the 1947 season, Tom Conway played Sherlock Holmes opposite Nigel Bruce for one season. After a change of networks, there were two more pairings: John Stanley as Holmes and Alfred Shirley as Watson in 1947–1948 and Stanley and "George Spelvin" in 1948–1949. Both Stanley and Conway emulated Rathbone when performing Holmes to aid in continuity for the audience.