Raphael
His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello.
Madonna del cardellino
Raphael is considered to be a “master” of the High Renaissance, a title he shares with Michelangelo and Leonardo da Vinci. He was born in 1483 and died in 1520, living a mere thirty-seven years. Despite his relatively short lifespan, he was highly influential throughout his time on earth. He produced a vast quantity of work in a variety of media. He was active in architecture, printmaking, painting, and drawing. During the first half of his career, he spent years traveling across Northern Italy and was influenced by the Florentine styles he saw there, causing this stage to be called his Florentine Period. After which, in 1508, he moved to Rome where he continued to work. Many of his commissions came from the Vatican, including the Apostolic Palace, which brought about one of his most famous works, School of Athens. Due to his relationship with the church, he and Michelangelo were fierce rivals throughout both of their careers, and often competed for the same commissions. 
During his Florentine period, this work, The Madonna Del Cardellino, was painted along with several other well-known Madonnas: The Madonna of the Meadow and La Belle Jardinière. All three share several characteristics: Madonna is clothed in red and blue, the same three subjects are painted, the pyramidal composition, the natural background, and the connection to the church through the representation of books, crosses, or, indeed, the goldfinch.