Mickey Mouse (film series)
The name "Mickey Mouse" was first used in the films' title sequences to refer specifically to the character, but was used from 1935 to 1953 to refer to the series itself as in "Walt Disney presents a Mickey Mouse." In this sense "a Mickey Mouse" was a shortened form of "a Mickey Mouse sound cartoon" which was used in the earliest films. Films from 1929 to 1935 which were re-released during this time also used this naming convention, but it was not used for the three shorts released between 1983 and 1995 ("Mickey's Christmas Carol", "The Prince and the Pauper", and "Runaway Brain"). Mickey's name was also used occasionally to market other films which were formally part of other series. Examples of this include several "Silly Symphonies", "Don Donald" (1937), and "Goofy and Wilbur" (1939).
"Mickey Mouse" began production in April 1928 after the Disney studio lost the license to Oswald the Lucky Rabbit. The first two films, "Plane Crazy" and "The Gallopin' Gaucho", were previewed in theaters but failed to pick up a distributor. For the third film, Disney added synchronized sound, a technology that was still in its early stages at the time. "Steamboat Willie" debuted in New York in November 1928 and was an instant success. The revenues from the film provided the studio with much needed resources, and the studio quickly began to produce new cartoons as well as releasing sound versions of the first two.
Mickey Mouse
Mickey first appeared animated in color in "Parade of the Award Nominees" in 1932, however, the film strip was created for the 5th Academy Awards ceremony and was not released to the public. Mickey's official first color film came in 1935 with "The Band Concert". The Technicolor film process was used in the film production. Here Mickey conducted the "William Tell Overture", but the band is swept up by a tornado. It is said that conductor Arturo Toscanini so loved this short that, upon first seeing it, he asked the projectionist to run it again. In 1994, "The Band Concert" was voted the third-greatest cartoon of all time in a poll of animation professionals. By colorizing and partially redesigning Mickey, Walt would put Mickey back on top once again, and Mickey would reach popularity he never reached before as audiences now gave him more appeal. Also in 1935, Walt would receive a special award from the League of Nations for creating Mickey.