Harry Kempen
In the 1990s, Kempen and Hubert Hermans developed a new approach in cultural psychology around the concept of the dialogical self. In 1993, they published the seminal work "The dialogical self: Meaning as movement", and published several articles in "American Psychologist", "Journal of Personality" and "Theory & Psychology". Despite their success Kempen suffered from depression. In 2000, he died in Nijmegen four days before his retirement from the Radboud University. At the university he is remembered by as the "personification of cultural psychology."Articles, a selection:
Discursive complex
The notion of the discursive complex was developed by Ian Parker to tackle the twofold nature of psychoanalysis in Western culture. In his 1997 book Psychoanalytic Culture, Parker defines the 'discursive complex' as a 'methodological device. The term 'complex' is used quite deliberately to evoke the peculiarly Freudian and post-Freudian nature of the subjectivity people in the West live so much of the time. On the one hand the concepts that psychoanalytic texts employ are relayed through culture as components of a discourse, as objects that are circumscribed by definitions in academic and professional writing and used in advertising (Parker, 1995). In this sense, the discourse constitutes places for subjects to come to be, whether as a child with problems separating from the mother, as a teenager filled with frustration and resentment at authority, or as an older adult reflecting on an unfulfilled life and needs. The discourse thus positions the subject who is addressed by or who is employing the discourse to understand themselves or their troubling relationships. On the other hand, the discourse touches an already existing shape of subjectivity for those who write and speak about themselves and others, whether that is in the form of autobiography or in an advice column, in a television interview or on the couch with a therapist. It chimes with a theory of self that the subject has been invited to elaborate for themselves in this culture, and so it reconfigures each time some of the emotions that are available to them.