Ceramics of indigenous peoples of the Americas
The clay body is a necessary component of pottery. Clay must be mined and purified in an often laborious process, and certain tribes have ceremonial protocols to gathering clay. Different tribes have different processes for processing clay, which can include drying in the sun, soaking in water for days, and repeatedly running through a screen or sieve. Acoma and other Pueblo pottery traditionally pound dry clay into a powder and then remove impurities by hand, then running the dry powder through a screen, mixing it with a dry temper, and then mixing water to create a plastic paste. In preparing the clay, potters spend hours wedging it to remove air pockets and humidity that could easily cause it to explode during firing. The clay then needs to "cure" over time.
Brickworks
In a large industrial brickworks, clay is taken from the quarry, and then carried by conveyor belt or truck/lorry to the main factory, although it may be stockpiled outside before entering the machinery. When the clay enters the preparation plant (Clay Prep) it is crushed, and mixed with water and other additives which may include breeze, a very fine anthracite that aids firing. This process, which is also known as pugmilling, improves the consistency, firing qualities, texture, and colour of the brick. From here, the processed clay can be extruded into a continuous strip and cut with wires, or put into moulds or presses (also referred to as "forming") to form the clay into its final shape. 
After the forming or cutting, the bricks must be dried, either in the open air, in drying sheds, or in special drying kilns. When the bricks have been dried, they must then be fired or 'burnt' in a kiln, to give them their final hardness and appearance.
The brick manufacturing process was revolutionised in the mid nineteenth century with the development of automated brickmaking machines such as the Bradley & Craven Ltd ‘Stiff-Plastic Brickmaking Machine’.