Mastering the Art of French Cooking
Volume 1 of "Mastering the Art of French Cooking" received overwhelmingly positive reviews when it was first released in 1961. In the "New York Times", Craig Claiborne wrote that the recipes in the book "are glorious, whether they are for a simple egg in aspic or for a fish souffle," and that it "is not a book for those with a superficial interest in food...but for those who take a fundamental delight in the pleasures of cuisine." Michael Field, writing for the "New York Review of Books", praised Beck, Bertholle, and Child for "not limiting themselves to la haute cuisine," and stated that "for once, the architectural structure of the French cuisine is firmly and precisely outlined in American terms." Field's sole criticism of the book was that the authors suggested dry vermouth as a substitute for white wine, as he felt the domestic vermouth available to American home cooks, the book's target audience, was "bland and characterless." Despite being a relatively expensive cookbook, retailing for $10 in 1965, "Mastering the Art of French Cooking" Volume 1 did well commercially, selling over 100,000 copies in less than five years. According to Julia Child biographer Noel Riley Fitch, the publication of "Mastering the Art of French Cooking" instantaneously changed the entire American cookbook industry, leading more cookbook publishers to place emphasis on clarity and precision, and away from the "chatty and sometimes sketchy" style that had typified American cookbooks.
Kathleen Flinn
After losing her job, 36-year-old Flinn decided to cash in her savings to attend the famed culinary school, graduating with a diplome de cuisine in 2005. Throughout the book, Flinn intersperses dozens of recipes, accounts of her "wretchedly inadequate" French, stories of competitive classmates and the love story of her emerging relationship with her husband. Early in the book, she shares that she began dreaming of attending the famous cooking school while writing obituaries at The Sarasota Herald-Tribune. "The Seattle Times" referred to the book "a very personal memoir of transformation, as well as an insider's look at Le Cordon Bleu, the first of its kind." The book earned generally positive reviews on its debut and earned a spot on "The New York Times" bestseller list as well as being included on numerous "best of" lists for 2007 before being named a finalist for the Washington State Book Award in General Non-fiction in 2008. The film rights to the work were purchased by a division of 20th Century Fox.