Italian Renaissance painting
In 1508 Pope Julius II succeeded in getting the Florentine sculptor Michelangelo (1475-1564) to agree to continue the decorative scheme of the Sistine Chapel. The Sistine Chapel ceiling was constructed in such a way that there were twelve sloping pendentives supporting the vault that formed ideal surfaces on which to paint the Twelve Apostles. Michelangelo soon devised an entirely different scheme, far more complex both in design and in iconography. The scale of the work, which he executed single handed except for manual assistance, was titanic and took nearly five years to complete.
Sistine Chapel ceiling
The colours, which now appear so fresh and spring-like with pale pink, apple green, vivid yellow and sky blue against a background of warm pearly grey, were so discoloured by candle smoke as to make the pictures seem almost monochrome. The restoration has removed the filter of grime to reveal the colours again. However, the restoration was met with both praise and criticism. Critics assert that much original work by Michelangelo – in particular pentimenti, highlights and shadows, and other detailing painted "a secco" – was lost in the removal of various accretions.