Raphael
By the end of 1508, Raphael had moved to Rome, where he lived for the rest of his life. He was invited by the new Pope Julius II, perhaps at the suggestion of his architect Donato Bramante, then engaged on St. Peter's Basilica, who came from just outside Urbino and was distantly related to Raphael. Unlike Michelangelo, who had been kept lingering in Rome for several months after his first summons, Raphael was immediately commissioned by Julius to fresco what was intended to become the Pope's private library at the Vatican Palace. This was a much larger and more important commission than any he had received before; he had only painted one altarpiece in Florence itself. Several other artists and their teams of assistants were already at work on different rooms, many painting over recently completed paintings commissioned by Julius's loathed predecessor, Alexander VI, whose contributions, and arms, Julius was determined to efface from the palace. Michelangelo, meanwhile, had been commissioned to paint the Sistine Chapel ceiling.
Tommaso Vincidor
He was the pupil of Raphael, whom he helped in the execution of the famous Raphael Cartoons. Vincidor is further said to have been one of those pupils of Raphael who carried out the frescoes in the Vatican Loggia under his direction. On Raphael's death in 1520 he traveled to Flanders. At Antwerp he formed a friendship with Albrecht Dürer (1521); the German master painted his portrait, and refers to him in his Journal under the name of "Thomas Polonais". Later details of the life of Tommaso are vague and scanty. He entered the service of Henry of Nassau at Breda, and was employed in reconstructive and decorative work at the Castle there, and died in the Netherlands in 1536.