Spooks (series 3)
The third series of "Spooks" was produced by Kudos Film and Television for the BBC. Much of the production crew from the first two series returned. New crew members were brought in with the requirement that they were fans of the series and have ambition, so that they can understand "Spooks". Andrew Woodhead was the series producer, with Jane Featherstone, Simon Crawford Collins and Gareth Neame as executive producers. Collins, who was the producer for the first two series, had to step back to executive producer, as he was overcommitted producing Kudos crime series "Hustle". Woodhead replaced him as he was accustomed to the show, but also added more vitality to the show. Christopher Aird was the assistant producer. The third series included five writers. Howard Brenton wrote the first, second and eighth episodes. Rupert Walters wrote the third and ninth episodes. Ben Richards wrote the fourth, sixth and tenth episodes. Richards previously wrote the ninth episode of series two, and accepted the offer to return. His script in the second series was his first script for television; he found writing easier as time went by. Raymond Khoury wrote the seventh episode. Series creator David Wolstencroft wrote the fifth episode. Wolstencroft was poised to write the next episode, but found himself committed to other projects.
Smoke and Mirrors (Spooks)
"Smoke and Mirrors", known as "Pit of Secrets" in the United States, is the tenth and final episode of the second series, and the 16th episode overall of the British television series "Spooks". It first aired on BBC One on 11 August 2003. The episode was written by Howard Brenton, and directed by Sam Miller. In the episode, Tom Quinn (Matthew Macfadyen) is being framed by thought-to-be-dead CIA agent Herman Joyce (Tomas Arana), as revenge for what happened to his daughter. After its original broadcast, the finale was seen by seven million people, a third of the television audience during its time slot. The episode, particularly due to its cliffhanger, received critical acclaim.