Pkharmat
Greek version- Prometheus and Zeus
In the Greek version, the god Prometheus confronts is in fact the main head of the patriarchal pantheon, Zeus, who is almost always viewed in a positive light, as the loving All-Father, as the wise ruler of all, etc. The tale of Prometheus is one of the few instances where he is viewed negatively. Zeus guards the fire to keep humanity down, because he knows that once humanity has fire, it can make weapons, and progress, leading eventually to an ability to overthrow his rule. In some versions he also reasons that humanity is better off in ignorance and backwardness, without fire, often symbolized by its destructive nature contrasting its use for industry.
Kratos (mythology)
Kratos or Cratos is the divine personification of strength in Greek mythology. He is the son of Pallas and Styx; he and his siblings Nike ("Victory"), Bia ("Force"), and Zelus ("Zeal") are all essentially personifications. Kratos is first mentioned alongside his siblings in Hesiod's "Theogony". According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus's "Prometheus Bound". Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire. Kratos is characterized as brutal and merciless, repeatedly mocking both Hephaestus and Prometheus and advocating for the use of unnecessary violence. He defends Zeus's oppressive rule and predicts that Prometheus will never escape his bonds. In Aeschylus's "Libation Bearers", Electra calls upon Kratos, Dike ("Justice"), and Zeus to aid her brother Orestes in avenging the murder of their father Agamemnon. Kratos and Bia appear in a late fifth-century BC red-figure Attic "skyphos" of the punishment of Ixion, possibly based on a scene from a lost tragedy by Euripides. They also appear in late eighteenth and nineteenth-century Romantic depictions and adaptations of the binding of Prometheus.