Socrates (film)
His enemies, led by a young man named Meletus, accuse him in court, arguing that the philosopher preaches crazy doctrines to the youth, and does not believe in the gods, but demons. Socrates makes his "apology" (i.e., legal defense), but the citizens are against him; so Socrates is sentenced to death, and held in prison, awaiting execution. His disciples are desperate, and one of them, Crito, tries to help him by encouraging him to flee. Socrates rejects this idea, saying he must obey the rulers of the city. Socrates then resolves to die, and dies as soon as he is forced to drink hemlock.
Empire and Communications
Innis begins by examining Greek civilization at its height in the 5th century BC. He points out that the philosopher Socrates (c. 470 BC–399 BC) "was the last great product and exponent of the oral tradition." Socrates taught using a question and answer technique that produced discussion and debate. His student, Plato (428/427 BC – 348/347 BC), elaborated on these Socratic conversations by writing dialogues in which Socrates was the central character. This dramatic device engaged readers in the debate while allowing Plato to search for truth using a dialectical method or one based on discussion. "The dialogues were developed," Innis writes "as a most effective instrument for preserving [the] power of the spoken word on the written page." He adds that Plato's pupil, Aristotle (384 BC – 322 BC), regarded the Platonic dialogues as "half-way between poetry and prose." Innis argues that Plato's use of the flexible oral tradition in his writing enabled him to escape the confines of a rigid philosophical system. "Continuous philosophical discussion aimed at truth. The life and movement of dialectic opposed the establishment of a finished system of dogma." This balance between speech and prose also contributed to the immortality of Plato's work.