Sherlock Holmes Baffled
"Sherlock Holmes Baffled" marks the first in an observable trend of early film-makers to show the character as a figure of fun; in this case the somewhat louchely dressed Holmes is left "baffled" by a burglar, in contrast with the detective prowess displayed by his literary namesake. William K. Everson in his book "The Detective in Film" noted that "Sherlock Holmes Baffled", in common with all other silent detective films "labored under the difficulty of not being able to conduct prolonged interrogations or oral deductions ... the stress was on mystery or physical action rather than on literary-derived sleuthings." It was only in 1916 that William Gillette's "Sherlock Holmes" attempted a serious adaptation of Conan Doyle's character. Michael Pointer has suggested that the appearance and costume of the anonymous actor in "Sherlock Holmes Baffled" is an imitation of Gillette's stage portrayal of Holmes. Gillette's play "Sherlock Holmes" had made its Broadway debut at the Garrick Theater on November 6, 1899.
Harry Arthur Saintsbury
In 1910, Saintsbury played Sherlock Holmes for five months in Sir Arthur Conan Doyle's own stage play "The Speckled Band". Charles Millward took over the role when the production moved to New York, but Saintsbury returned as Holmes in a West End revival of the play in 1921. Saintsbury played the role of Holmes again in a 1916 film, "The Valley of Fear", which is believed lost, opposite Booth Conway as Professor Moriarty. By the time the film was made, Saintsbury had played Holmes more than a thousand times on stage, and by 1921 he had taken this total to 1,400 performances. His interpretation of Holmes was notably restrained and made a powerful impression on the young Charlie Chaplin, who wrote of Saintsbury in 1964: