Hunter × Hunter
The first "Hunter × Hunter" anime adaptation was produced by the company Nippon Animation and directed by Kazuhiro Furuhashi, who had previously directed the "Rurouni Kenshin" television series. A total of 62 episodes of "Hunter × Hunter" were broadcast on the Japanese terrestrial television network Fuji Television from October 16, 1999 to March 31, 2001 during the same Saturday evening timeslot as the anime version of Togashi's previous series "Yu Yu Hakusho". Additionally, "Hunter × Hunter" has aired on the satellite television station Animax. Although it closely follows the manga, the violence in the anime version is lessened for younger audiences. Marvelous Entertainment has released all episodes of the series in Japan on DVD in 13 separate volumes between September 20, 2000 and September 19, 2001.
Hunter × Hunter
The "Hunter × Hunter" manga has received much praise for its plot and characters. In his 2007 book "", Jason Thompson described its storyline as "an almost random collection of psych-outs, battles, puzzles, and trickery" that works on both a chapter-by-chapter basis and a larger scale. Thompson elaborated that with all the goals and subplots of each of the main characters, the story could seemingly go on forever and is unpredictable enough to hold reader interest. In a different review for Anime News Network in 2012, Thompson wrote that it was hard to summarize the story because it is every "shōnen" manga in one, with training sequences, tournament battles, a crime-mystery story arc, and a virtual-reality, RPG-style story arc. But unlike most "shōnen" manga, he called "Hunter × Hunter" "incredibly dense." Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer." Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected "tankōbon" release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone.