Raphael
By the end of 1508, Raphael had moved to Rome, where he lived for the rest of his life. He was invited by the new Pope Julius II, perhaps at the suggestion of his architect Donato Bramante, then engaged on St. Peter's Basilica, who came from just outside Urbino and was distantly related to Raphael. Unlike Michelangelo, who had been kept lingering in Rome for several months after his first summons, Raphael was immediately commissioned by Julius to fresco what was intended to become the Pope's private library at the Vatican Palace. This was a much larger and more important commission than any he had received before; he had only painted one altarpiece in Florence itself. Several other artists and their teams of assistants were already at work on different rooms, many painting over recently completed paintings commissioned by Julius's loathed predecessor, Alexander VI, whose contributions, and arms, Julius was determined to efface from the palace. Michelangelo, meanwhile, had been commissioned to paint the Sistine Chapel ceiling.
Madonna del cardellino
Raphael is considered to be a “master” of the High Renaissance, a title he shares with Michelangelo and Leonardo da Vinci. He was born in 1483 and died in 1520, living a mere thirty-seven years. Despite his relatively short lifespan, he was highly influential throughout his time on earth. He produced a vast quantity of work in a variety of media. He was active in architecture, printmaking, painting, and drawing. During the first half of his career, he spent years traveling across Northern Italy and was influenced by the Florentine styles he saw there, causing this stage to be called his Florentine Period. After which, in 1508, he moved to Rome where he continued to work. Many of his commissions came from the Vatican, including the Apostolic Palace, which brought about one of his most famous works, School of Athens. Due to his relationship with the church, he and Michelangelo were fierce rivals throughout both of their careers, and often competed for the same commissions. 
During his Florentine period, this work, The Madonna Del Cardellino, was painted along with several other well-known Madonnas: The Madonna of the Meadow and La Belle Jardinière. All three share several characteristics: Madonna is clothed in red and blue, the same three subjects are painted, the pyramidal composition, the natural background, and the connection to the church through the representation of books, crosses, or, indeed, the goldfinch.