Sherlock Holmes Baffled
"Sherlock Holmes Baffled" marks the first in an observable trend of early film-makers to show the character as a figure of fun; in this case the somewhat louchely dressed Holmes is left "baffled" by a burglar, in contrast with the detective prowess displayed by his literary namesake. William K. Everson in his book "The Detective in Film" noted that "Sherlock Holmes Baffled", in common with all other silent detective films "labored under the difficulty of not being able to conduct prolonged interrogations or oral deductions ... the stress was on mystery or physical action rather than on literary-derived sleuthings." It was only in 1916 that William Gillette's "Sherlock Holmes" attempted a serious adaptation of Conan Doyle's character. Michael Pointer has suggested that the appearance and costume of the anonymous actor in "Sherlock Holmes Baffled" is an imitation of Gillette's stage portrayal of Holmes. Gillette's play "Sherlock Holmes" had made its Broadway debut at the Garrick Theater on November 6, 1899.
Adaptations of Sherlock Holmes
The actor most associated with Holmes on stage was William Gillette, who wrote, directed, and starred in a popular play entitled "Sherlock Holmes" in seven different productions on Broadway from 1899 (filmed in 1916), while the stories were still being published, to 1930. His version of Holmes, dressed in deerstalker hat and Inverness cape and smoking a large curved calabash pipe, contributed much to the popular image of the character. The deerstalker hat appears occasionally in Paget's original illustrations for "The Strand", but it is by no means a part of Holmes' regular clothing. Doyle's text is even vaguer, referring only to a travelling cap with earflaps in the passages with the relevant illustrations. He is also described as smoking several different types of pipes, varying them with his mood.