Raphael
One of his most important papal commissions was the Raphael Cartoons (now in the Victoria and Albert Museum), a series of 10 cartoons, of which seven survive, for tapestries with scenes of the lives of Saint Paul and Saint Peter, for the Sistine Chapel. The cartoons were sent to Brussels to be woven in the workshop of Pier van Aelst. It is possible that Raphael saw the finished series before his death—they were probably completed in 1520. He also designed and painted the "Loggie" at the Vatican, a long thin gallery then open to a courtyard on one side, decorated with Roman-style grottesche. He produced a number of significant altarpieces, including "The Ecstasy of St. Cecilia" and the "Sistine Madonna". His last work, on which he was working up to his death, was a large "Transfiguration", which together with "Il Spasimo" shows the direction his art was taking in his final years—more proto-Baroque than Mannerist.
Bertram Raphael
Raphael started at SRI International in 1964 as a consultant. After completing his Ph.D. at MIT, he was at the University of California, Berkeley for an academic year, and subsequently joined SRI full-time in April 1965. He was a long-time member of SRI's Artificial Intelligence Center, and was its director from 1970 to 1973. While at SRI, he helped invent the A* search algorithm and develop Shakey the robot, which was one of the first projects sponsored by DARPA; Raphael directed work on Shakey from 1970 to 1971. He also co-founded the Journal of Artificial Intelligence.