Mastering the Art of French Cooking
Volume 1 of "Mastering the Art of French Cooking" received overwhelmingly positive reviews when it was first released in 1961. In the "New York Times", Craig Claiborne wrote that the recipes in the book "are glorious, whether they are for a simple egg in aspic or for a fish souffle," and that it "is not a book for those with a superficial interest in food...but for those who take a fundamental delight in the pleasures of cuisine." Michael Field, writing for the "New York Review of Books", praised Beck, Bertholle, and Child for "not limiting themselves to la haute cuisine," and stated that "for once, the architectural structure of the French cuisine is firmly and precisely outlined in American terms." Field's sole criticism of the book was that the authors suggested dry vermouth as a substitute for white wine, as he felt the domestic vermouth available to American home cooks, the book's target audience, was "bland and characterless." Despite being a relatively expensive cookbook, retailing for $10 in 1965, "Mastering the Art of French Cooking" Volume 1 did well commercially, selling over 100,000 copies in less than five years. According to Julia Child biographer Noel Riley Fitch, the publication of "Mastering the Art of French Cooking" instantaneously changed the entire American cookbook industry, leading more cookbook publishers to place emphasis on clarity and precision, and away from the "chatty and sometimes sketchy" style that had typified American cookbooks.
Mastering the Art of French Cooking
Volume 1 was immensely successful, and work on Volume 2 began around 1964, as a collaboration between Simone Beck and Julia Child, but not Louisette Bertholle. By the end of 1960, Beck and Child had grown frustrated with Bertholle because they felt she did not contribute enough to "Mastering the Art of French Cooking" to merit co-authorship and one third of the book's proceeds, and wanted Knopf to change the byline to read "by Simone Beck and Julia Child with Louisette Bertholle." Beck argued, "it is bad for the book for her to present herself as Author, as she really does not cook well enough, or know enough," and that Bertholle should only be entitled to 10% of the profits (to Beck and Child's 45% each). Ultimately, the contract with the publisher necessitated that Bertholle be given a co-author credit, and the final profit split was 18% to Bertholle and 41% each to Beck and Child. The dispute left Bertholle extremely upset, and effectively severed the professional partnership between herself and Beck and Child.