The Great God Pan
The Great God Pan is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write "The Great God Pan" by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the magazine "The Whirlwind" in 1890. Machen later extended "The Great God Pan" and it was published as a book alongside another story, "The Inmost Light", in 1894. The novella begins with an experiment to allow a woman named Mary to see the supernatural world. This is followed by an account of a series of mysterious happenings and deaths over many years surrounding a woman named Helen Vaughan. At the end, the heroes confront Helen and force her to kill herself. She undergoes a series of supernatural transformations before dying and she is revealed to be the child of Mary and the god Pan.
The Great God Pan
"The Great God Pan" implied sexuality caused a scandal upon its original release and hurt Machen's reputation as an author. Reviewing the novella for the magazine "Literary News", Richard Henry Stoddard criticised the story as "too morbid to be the production of a healthy mind". The art critic Harry Quilter's review of the book, titled "The Gospel of Intensity", and published in "The Contemporary Review" in June 1895, was even more harsh. Quilter declared: "The Great God Pan' is, I have no hesitation in saying, a perfectly abominable story, in which the author has spared no endeavor to suggest loathsomeness and horror which he describes as beyond the reach of words." Quilter warned that Machen's books were a dangerous threat to the entire British public and that they would destroy readers' sanities and senses of morality. Quilter went on to attack the story's publisher, John Lane, as well as Machen himself: "Why should he be allowed, for the sake of a few miserable pounds, to cast into our midst these monstrous creations of his diseased brain?" Quilter added that works of fiction like Machen's should be unanimously condemned by literary critics and newspapers: "If the Press was so disposed it could stamp out such art and fiction in a few months: And that disposition must be acquired, must even be enforced." He was particularly harsh in his denunciation of sexual ambiguity and polymorphous androgyny in the book. He expressed revulsion at Machen's description of Helen's sex changing immediately before her death and concluded his review with a comment of distaste regarding the "nasty little naked figure of dubious sex and humanity with which Mr. Aubrey Beardsley has prefaced the story". A positive appraisal of the novella came from Oscar Wilde, who called it "un succès fou."