Pikes Peak
"Tava" or "sun", is the Ute word that was given by these first people to the mountain that we now call Pikes Peak. The band of Ute people who called the Pikes Peak region their home were the "Tabeguache", meaning the "People of Sun Mountain". The Ute people first arrived in Colorado about 500 A.D., although their traditions state they were created on Pikes Peak. In the 1800s, when the Arapaho people arrived in Colorado, they knew the mountain as ""Heey-otoyoo' "" meaning "Long Mountain". Early Spanish explorers named the mountain ""El Capitán"" meaning "The Leader". American explorer Zebulon Pike named the mountain "Highest Peak" in 1806, and the mountain was later commonly known as "Pike's Highest Peak". American explorer Stephen Harriman Long named the mountain "James Peak" in honor of Edwin James who climbed to the summit in 1820. The mountain was later renamed "Pike's Peak" in honor of Pike. The name was simplified to "Pikes Peak" by the United States Board on Geographic Names in 1890.
Albert Pike Lucas
Albert Pike Lucas (1862–1945) was an American landscape, figure, and portrait painter; also a sculptor. He was born in Jersey City, and studied at the École des Beaux-Arts (1882–1888) in Paris under Hébert and Boulanger and later under Courtois and Dagman-Bouveret. At the Salon of 1896 he won a medal. After a sojourn in Italy he settled in New York in 1902. His painting is distinctly personal, with the lyric note predominant, and shows sympathetic intimacy with nature, especially in her larger and more mysterious aspects. His handling is broad yet conscientious, his color scheme rich and glowing, and he excels in the management of diffused light, as seen most strikingly in his well-known "Golden Madonna." He painted by preference nocturnes and twilight scenes, such as "October Breezes" (National Gallery, Washington), "The Little Church on the Hill," and "Walking against the Wind." He also painted portraits of many prominent persons. A good specimen of his work as a sculptor is the statuette "Ecstasy," in the Metropolitan Museum, New York.