History of ballet
Ballet originated in the Renaissance court as an outgrowth of court pageantry in Italy, where aristocratic weddings were lavish celebrations. Tutus, ballet slippers and pointe work were not yet used. The choreography was adapted from court dance steps. Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. Early ballet was participatory, with the audience joining the dance towards the end.
Romantic ballet
The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her Majesty's Theatre in London. It is typically considered to have begun with the 1827 début in Paris of the ballerina Marie Taglioni in the ballet "La Sylphide", and to have reached its zenith with the premiere of the divertissement "Pas de Quatre" staged by the Ballet Master Jules Perrot in London in 1845. The Romantic ballet had no immediate end, but rather a slow decline. Arthur Saint-Léon's 1870 ballet "Coppélia" is considered to be the last work of the Romantic Ballet.