Sherlock Holmes Baffled
"Sherlock Holmes Baffled" marks the first in an observable trend of early film-makers to show the character as a figure of fun; in this case the somewhat louchely dressed Holmes is left "baffled" by a burglar, in contrast with the detective prowess displayed by his literary namesake. William K. Everson in his book "The Detective in Film" noted that "Sherlock Holmes Baffled", in common with all other silent detective films "labored under the difficulty of not being able to conduct prolonged interrogations or oral deductions ... the stress was on mystery or physical action rather than on literary-derived sleuthings." It was only in 1916 that William Gillette's "Sherlock Holmes" attempted a serious adaptation of Conan Doyle's character. Michael Pointer has suggested that the appearance and costume of the anonymous actor in "Sherlock Holmes Baffled" is an imitation of Gillette's stage portrayal of Holmes. Gillette's play "Sherlock Holmes" had made its Broadway debut at the Garrick Theater on November 6, 1899.
Sherlock Holmes
The exact phrase, as well as close variants, can be seen in newspaper and journal articles as early as 1909; there is some indication that it was clichéd even then. The phrase "Elementary, my dear fellow, quite elementary" appears in P. G. Wodehouse's novel, "Psmith in the City" (1909–10), and "Elementary, my dear Watson, elementary" in his 1915 novel "Psmith, Journalist" (neither spoken by Holmes). The exact phrase "Elementary, my dear Watson" is used by protagonist Tom Beresford in Agatha Christie's 1922 novel "The Secret Adversary". It also appears at the end of the 1929 film "The Return of Sherlock Holmes", the first Holmes sound film. The phrase became familiar with the American public in part due to its use in The Rathbone-Bruce series of films from 1939 to 1946.