Raphael
One of his most important papal commissions was the Raphael Cartoons (now in the Victoria and Albert Museum), a series of 10 cartoons, of which seven survive, for tapestries with scenes of the lives of Saint Paul and Saint Peter, for the Sistine Chapel. The cartoons were sent to Brussels to be woven in the workshop of Pier van Aelst. It is possible that Raphael saw the finished series before his death—they were probably completed in 1520. He also designed and painted the "Loggie" at the Vatican, a long thin gallery then open to a courtyard on one side, decorated with Roman-style grottesche. He produced a number of significant altarpieces, including "The Ecstasy of St. Cecilia" and the "Sistine Madonna". His last work, on which he was working up to his death, was a large "Transfiguration", which together with "Il Spasimo" shows the direction his art was taking in his final years—more proto-Baroque than Mannerist.
Raphael Coxie
Details about the life and career of the artist are sketchy. He was only rediscovered as a distinctive artist in the 19th century as it was earlier believed that Raphael Coxie was another name for Michiel Coxie, one of the leading Flemish Renaissance painters who was known in his time as the 'Flemish Raphael'. It is assumed that Raphael Coxie was born in Mechelen as the eldest son of Michiel Coxie by his first wife Ida van Hasselt. The time of birth was likely between 1539, the year of his father's return from Italy, and 1543, the year his father was registered in the Brussels Guild of Saint Luke and declared to have a son named Raphael. Raphael Coxie is said to have been given his first name because of the admiration of his father for the Italian painter known by that name. He was the older brother of Anna and Willem and half brother of Michiel the Younger. Anna was a sculptor and later became a nun while Willem and Michiel the Younger were painters.