Guido of Arezzo
In the 12th century, a development in teaching and learning music in a more efficient manner had arisen. Guido of Arezzo's alleged development of the Guidonian hand, more than a hundred years after his death, allowed for musicians to label a specific joint or fingertip with the gamut (also referred to as the hexachord in the modern era). Using specific joints of the hand and fingertips transformed the way one would learn and memorize solmization syllables. Not only did the Guidonian hand become a standard use in preparing music in the 12th century, its popularity grew more widespread well into the 17th and 18th century. The knowledge and use of the Guidonian hand would allow a musician to simply transpose, identify intervals, and aid in use of notation and the creation of new music. Musicians were able to sing and memorize longer sections of music and counterpoint during performances and the amount of time spent diminished dramatically.
Pugio
Like other items of legionary equipment, the dagger underwent some changes during the 1st century AD. At some time in the first half of the 1st century AD a rod tang was introduced, and the hilt was no longer riveted through the tang and was instead secured only at the shoulders of the blade. This in itself caused no great change to the pugio's appearance, although the archaeological evidence strongly suggests that the rod tang was less secure and that handles attached in this way could become detached, a possibility that may be proved by the existence of two surviving pugios from different sites which both retain replacement handles, one of which is a recycled sword grip. Some of the blades associated with rod tangs were narrower (under 4.5 cm (1.75 in) wide), with little or no waisting, or reduced or virtually non-existent midribs (type 'C' blades).