Epic of Gilgamesh
The "Epic of Gilgamesh" was discovered by Austen Henry Layard, Hormuzd Rassam, and W. K. Loftus in 1853. The central character of Gilgamesh was initially reintroduced to the world as ""Izdubar"", before the cuneiform logographs in his name could be pronounced accurately. The first modern translation was published in the early 1870s by George Smith. Smith then made further discoveries of texts on his later expeditions, which culminated in his final translation which is given in his book "The Chaldaean Account of Genesis" (1880).
Poetry
Poetry has a very long history, dating back to prehistorical times with the creation of hunting poetry in Africa, and panegyric and elegiac court poetry was developed extensively throughout the history of the empires of the Nile, Niger and Volta river valleys . Some of the earliest written poetry in Africa can be found among the Pyramid Texts written during the 25th century BCE, while the Epic of Sundiata is one of the most well-known examples of griot court poetry. The earliest Western Asian epic poetry, the "Epic of Gilgamesh", was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese "Shijing", or from a need to retell oral epics, as with the Sanskrit "Vedas", Zoroastrian "Gathas", and the Homeric epics, the "Iliad" and the "Odyssey". Ancient Greek attempts to define poetry, such as Aristotle's "Poetics", focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from more objectively informative, prosaic forms of writing.