Algorithm
The word 'algorithm' has its roots in Latinizing the name of Muhammad ibn Musa al-Khwarizmi in a first step to "algorismus". Al-Khwārizmī (, , c. 780–850) was a Persian mathematician, astronomer, geographer, and scholar in the House of Wisdom in Baghdad, whose name means 'the native of Khwarezm', a region that was part of Greater Iran and is now in Uzbekistan.
Algorithmic art
From one point of view, for a work of art to be considered algorithmic art, its creation must include a process based on an algorithm devised by the artist. Here, an algorithm is simply a detailed recipe for the design and possibly execution of an artwork, which may include computer code, functions, expressions, or other input which ultimately determines the form the art will take. This input may be mathematical, computational, or generative in nature. Inasmuch as algorithms tend to be deterministic, meaning that their repeated execution would always result in the production of identical artworks, some external factor is usually introduced. This can either be a random number generator of some sort, or an external body of data (which can range from recorded heartbeats to frames of a movie.) Some artists also work with organically based gestural input which is then modified by an algorithm. By this definition, fractals made by a fractal program are not art, as humans are not involved. However, defined differently, algorithmic art can be seen to include fractal art, as well as other varieties such as those using genetic algorithms. The artist Kerry Mitchell stated in his 1999 "Fractal Art Manifesto":