Sherlock Holmes Baffled
"Sherlock Holmes Baffled" marks the first in an observable trend of early film-makers to show the character as a figure of fun; in this case the somewhat louchely dressed Holmes is left "baffled" by a burglar, in contrast with the detective prowess displayed by his literary namesake. William K. Everson in his book "The Detective in Film" noted that "Sherlock Holmes Baffled", in common with all other silent detective films "labored under the difficulty of not being able to conduct prolonged interrogations or oral deductions ... the stress was on mystery or physical action rather than on literary-derived sleuthings." It was only in 1916 that William Gillette's "Sherlock Holmes" attempted a serious adaptation of Conan Doyle's character. Michael Pointer has suggested that the appearance and costume of the anonymous actor in "Sherlock Holmes Baffled" is an imitation of Gillette's stage portrayal of Holmes. Gillette's play "Sherlock Holmes" had made its Broadway debut at the Garrick Theater on November 6, 1899.
Sherlock Holmes
The popularity of Sherlock Holmes has meant that many writers other than Arthur Conan Doyle have created tales of the detective in a wide variety of different media, with varying degrees of fidelity to the original characters, stories, and setting. According to "The Alternative Sherlock Holmes: Pastiches, Parodies, and Copies" by Peter Ridgway Watt and Joseph Green, the first known period pastiche dates from 1893. Titled "The Late Sherlock Holmes", it came from the pen of Conan Doyle's close friend, J. M. Barrie. A common pastiche approach is to create a new story fully detailing an otherwise-passing canonical reference (such as an aside by Conan Doyle mentioning the "giant rat of Sumatra, a story for which the world is not yet prepared" in "The Adventure of the Sussex Vampire"). Other adaptations have seen the character taken in radically different directions or placed in different times or even universes. For example, Holmes falls in love and marries in Laurie R. King's Mary Russell series, is re-animated after his death to fight future crime in the animated series "Sherlock Holmes in the 22nd Century", and is meshed with the setting of H. P. Lovecraft's Cthulhu Mythos in Neil Gaiman's "A Study in Emerald" (which won the 2004 Hugo Award for Best Short Story). An especially influential pastiche was Nicholas Meyer's "The Seven-Per-Cent Solution", a 1974 "New York Times" bestselling novel in which Holmes's cocaine addiction has progressed to the point of endangering his career. It was made into a film of the same name in 1976 and popularised the pastiche-writing trend of incorporating clearly identified and contemporaneous historical figures (such as Oscar Wilde, Aleister Crowley, or Jack the Ripper) into tales featuring Holmes, something Conan Doyle himself never did.