Sorley MacLean
Sorley MacLean (; 26 October 1911 – 24 November 1996) was a Scottish Gaelic poet, described by the Scottish Poetry Library as "one of the major Scottish poets of the modern era" because of his "mastery of his chosen medium and his engagement with the European poetic tradition and European politics". Nobel Prize Laureate Seamus Heaney credited MacLean with saving Scottish Gaelic poetry.
Sorley MacLean
MacLean's poetry generally followed an older style of meter, based on the more dynamic patterns of the oral tradition rather than the strict, static metres of the written Gaelic poetry of the nineteenth century. He frequently combined metrical patters and shifted in the middle of a poem, achieving "sensuous effects" that cannot be translated. He typically used the traditional vowel rhymes, both internal and end-rhymes, that are ubiquitous in the oral tradition, but a few of his poems have less traditional rhyme schemes. However, he was flexible in his use of metre, "[combining] old and new in such a way that neither neutralizes each other," extending rather than repudiating tradition, in a way that is unique in Gaelic poetry. In MacInnes' analysis, "rhythmic patterns become a vital part of the meaning" of MacLean's poetry. Over time, his poems became less strict in their application of rhyme and metre. According to MacInnes, labels such as "classical" and "romantic", which have been applied respectively to the form and content of MacLean's poetry, are misleading because MacLean did not limit himself by those styles. Despite MacLean's reliance on the oral tradition, his poetry was not intended to be sung. Although he abandoned the "verbal codes" and intricate symbolism of the Gaelic tradition, MacLean occasionally used outmoded devices, such as the repeating of adjectives.