Cloning
Dolly, a Finn-Dorset ewe, was the first mammal to have been successfully cloned from an adult somatic cell. Dolly was formed by taking a cell from the udder of her 6-year old biological mother. Dolly's embryo was created by taking the cell and inserting it into a sheep ovum. It took 434 attempts before an embryo was successful. The embryo was then placed inside a female sheep that went through a normal pregnancy. She was cloned at the Roslin Institute in Scotland by British scientists Sir Ian Wilmut and Keith Campbell and lived there from her birth in 1996 until her death in 2003 when she was six. She was born on 5 July 1996 but not announced to the world until 22 February 1997. Her stuffed remains were placed at Edinburgh's Royal Museum, part of the National Museums of Scotland.
Danny Lockin
He replaced Jerry Dodge in the role of Barnaby Tucker in "Hello, Dolly!" in the winter of 1965, and went across the United States on six traveling productions with several actresses playing Dolly Levi, including Betty Grable, Ginger Rogers, Eve Arden, Dorothy Lamour and Anne Russell. He remained in the role for the movie version of "Hello, Dolly!", and when filming for that ended, continued the role in the Broadway version of "Hello, Dolly!", where he worked with both Ethel Merman and Phyllis Diller until it closed on December 27, 1970. He had mixed feelings about Carol Channing as Dolly, about whom he once said: "Carol Channing is rather disconcerting. You'll notice her looking at you with those big baby-stare eyes. Then eventually it dawns on you that the person behind those eyes is, in show business terms, about 200 years old." He also later expressed unhappiness with the way audiences reacted to Merman in the role of Dolly Levi, and how this changed the show. "She wasn't Dolly up there, she was Ethel Merman in Dolly clothes. ... The audiences came, of course; they came to see the Ethel Merman version. But it wasn't "Hello, Dolly!" any more, it was "her" show. ... Channing or Streisand, they were part of a cast, trying to act out a character. But with Ethel Merman—and not just her fault, with the "audience", she was such an institution—the rest of us felt like just her chorus boys or her chorus line."