When was the first microphone invented?
Microphone
German inventor Johann Philipp Reis designed an early sound transmitter that used a metallic strip attached to a vibrating membrane that would produce intermittent current. Better results were achieved with the "liquid transmitter" design in Scottish-American Alexander Graham Bell's telephone of 1876 – the diaphragm was attached to a conductive rod in an acid solution. These systems, however, gave a very poor sound quality.
The first microphone that enabled proper voice telephony was the (loose-contact) carbon microphone. This was independently developed by David Edward Hughes in England and Emile Berliner and Thomas Edison in the US. Although Edison was awarded the first patent (after a long legal dispute) in mid-1877, Hughes had demonstrated his working device in front of many witnesses some years earlier, and most historians credit him with its invention. The carbon microphone is the direct prototype of today's microphones and was critical in the development of telephony, broadcasting and the recording industries. Thomas Edison refined the carbon microphone into his carbon-button transmitter of 1886. This microphone was employed at the first ever radio broadcast, a performance at the New York Metropolitan Opera House in 1910.
In 1916, E.C. Wente of Western Electric developed the next breakthrough with the first condenser microphone. In 1923, the first practical moving coil microphone was built. The Marconi-Sykes magnetophone, developed by Captain H. J. Round, became the standard for BBC studios in London. This was improved in 1930 by Alan Blumlein and Herbert Holman who released the HB1A and was the best standard of the day.
History of science and technology in Japan
The first full-frame DSLR cameras were developed in Japan from around 2000 to 2002: the MZ-D by Pentax, the N Digital by Contax's Japanese R6D team, and the EOS-1Ds by Canon.In 1982, JVC and Sony announced the first camcorders, as CAMera/reCORDER combinations. That year, Sony released the first camcorder, the Betacam system, for professional use. In 1983, Sony released the first consumer camcorder, the Betamovie BMC-100P, and JVC released the first VHS-C camcorder.In 2000, Sharp Corporation introduced the world's first camera phone, the J-SH04 J-Phone, in Japan.In 1876, two Japanese students, Shuji Izawa and Kentaro Kaneko, participated in Alexander Graham Bell's experiments with early telephony, immediately after Bell invented the telephone. According to Bell, this made Japanese the second language spoken through a telephone, after English.While working at Tohoku University, Jun-ichi Nishizawa proposed fiber-optic communication, the use of optical fibers for optical communication, in 1963. Nishizawa invented other technologies that contributed to the development of optical fiber communications, such as the graded-index optical fiber as a channel for transmitting light from semiconductor lasers. He patented the graded-index optical fiber in 1964. The solid-state optical fiber was invented by Nishizawa in 1964.
Stereophonic sound
In the United States, Harvey Fletcher of Bell Laboratories was also investigating techniques for stereophonic recording and reproduction. One of the techniques investigated was the "wall of sound", which used an enormous array of microphones hung in a line across the front of an orchestra. Up to 80 microphones were used, and each fed a corresponding loudspeaker, placed in an identical position, in a separate listening room. Several stereophonic test recordings, using two microphones connected to two styli cutting two separate grooves on the same wax disc, were made with Leopold Stokowski and the Philadelphia Orchestra at Philadelphia's Academy of Music in March 1932. The first (made on March 12, 1932), of Scriabin's "", is the earliest known surviving intentional stereo recording.
Raymond A. Litke
Raymond A. Litke (1920-1986) was an American electronic engineer, the inventor of a practical wireless microphone, and the first to patent the wireless microphone. He was born and raised on a farm near Alma, Kansas, but spent most of his adult life in San Jose, California.
Beyerdynamic
In the 1920s in Berlin Eugen Beyer believed that the cinema presented a new opportunity in communication media. The first products he produced were loudspeakers for film palaces in 1924. At the end of the 1930s Beyer developed the first pair of dynamic headphones. World War II temporarily froze production, however, in 1948, Beyerdynamic sought new beginnings in Heilbronn. The "Stielhörer" DT 49 became a popular item of "Plattenbars” (record-bars) in the 50’s. The "transistophone", the company's first wireless microphone, went into production in 1962. The Beatles 1966 German tour used the E-1000 microphone. Elton John, ABBA, and Stevie Wonder all sang into sound transformers produced by Beyerdynamic. In 1985, Beyerdynamic acquired its then-North American distributor, Burns Audiotronics, which became its North American subsidiary. Today beyerdynamic, Inc. have their own office headquartered in Farmingdale, New York.
Mass communication
Recordings, developed in the 1870s, became the first non-print form of mass communication.  The invention of the phonograph by Thomas Edison in the late 19th century, the graphophone by Alexander Graham Bell and Charles Tainter, and the gramophone by The Victor Talking Machine Company were the first competing mass media forms that brought recorded music to the masses. Recording changed again in the 1950’s with the invention of the LP (long play) vinyl record, then eight track-tapes, followed by vinyl, and cassettes in 1965. Compact discs (CDs) followed and were seen as the biggest invention in recorded arts since Edison.
Dictation machine
Alexander Graham Bell and his two associates took Edison's tinfoil phonograph and modified it considerably to make it reproduce sound from wax instead of tinfoil. They began their work at Bell's Volta Laboratory in Washington, D.C., in 1879, and continued until they were granted basic patents in 1886 for recording in wax.
Thomas A. Edison had invented the phonograph in 1877, but the fame bestowed on him for this invention — sometimes called his most original — was not due to its efficiency. Recording with his tinfoil phonograph was too difficult to be practical, as the tinfoil tore easily, and even when the stylus was properly adjusted, its reproduction of sound was distorted and squeaky, and good for only a few playbacks. Although Edison had hit upon the secret of sound recording, immediately after his discovery he did not improve it, allegedly because of an agreement to spend the next five years developing the New York City electric light and power system.
RCA Type 77-DX microphone
The RCA Type 77-DX microphone is a poly-directional ribbon microphone, or pressure-gradient microphone, introduced by the RCA Corporation in 1954. Both it and its predecessor, the Type 77-D, are listed in RCA's 1955 catalog, and the 77-DX appears as late as 1967. Its design has inspired a stereotypical microphone icon. Throughout the 1950s and 1960s, phonograph record album cover photos show artists singing into the side of a 77-DX.
Invention of the telephone
This primitive telephone was rapidly improved. The double electromagnet was replaced by a single permanently magnetized bar magnet having a small coil or bobbin of fine wire surrounding one pole, in front of which a thin disc of iron was fixed in a circular mouthpiece. The disc served as a combined diaphragm and armature. On speaking into the mouthpiece, the iron diaphragm vibrated with the voice in the magnetic field of the bar-magnet pole, and thereby caused undulatory currents in the coil. These currents, after traveling through the wire to the distant receiver, were received in an identical apparatus. This design was patented by Bell on January 30, 1877. The sounds were weak and could only be heard when the ear was close to the earphone/mouthpiece, but they were distinct.
Voicemail
The first public records describing voice recording were reported in a New York newspaper and the Scientific American in November 1877. Thomas A. Edison had announced the invention of his "phonograph" saying "the object was to record telephone messages and transmit them again by telephone." Edison applied for a U.S. patent in December 1877 and shortly thereafter demonstrated the machine to publishers, the U.S. congress and President Hayes, recording and playing "Mary had a little lamb... " and "there was a little girl who had a little curl... " and other ditties popular at the time. In an article outlining his own ideas of the future usefulness of his machine Edison's list began with "Letter writing, and all kinds of dictation without the aid of a stenographer." In other words, "voice messages" or "Voice-mail". By 1914, Edison's phonograph business included a dictating machine (the Ediphone) and the "Telescribe", a machine combining the phonograph and the telephone, which recorded both sides of telephone conversations.
Raymond A. Litke
Litke's wireless microphone was first tested at the Olympic trials held at Stanford University in 1959. Next, the American Broadcasting Company (ABC television) tested the microphone at the Democratic and Republican Conventions in 1960. Candidates John F. Kennedy and Richard Nixon were among the first celebrities to use the Vega-Mike. TV anchor John Daly praised Litke's invention on the ABC television news broadcast in July 1960. Daly introduced it to Americans with the words: "This is a Vega-Mike" and went on to explain it "is a wireless microphone, six inches long... without any wires of any kind..." Daly pointed out it could be used to broadcast "within the (convention) hall or outside... without the inconvenience of interconnecting microphone cables..." Even the Federal Communication Commission was impressed with it. The FCC gave him 12 frequencies instead of the one he was seeking.
Georg Neumann
The company's original product was the CMV 3, the world's first commercially available condenser microphone. It was a rather large (40 cm tall, 9 cm diameter) microphone with several interchangeable capsule heads which gave it different directional patterns. Because of its shape and size, this microphone was often known as the "Neumann bottle". It is often seen in historical photographs of public events in Germany through the period of World War II.
Wireless microphone
Herbert "Mac" McClelland, founder of McClelland Sound in Wichita, Kansas, fabricated a wireless microphone to be worn by baseball umpires at major league games broadcast by NBC from Lawrence–Dumont Stadium in 1951. The transmitter was strapped to the umpire's back. Mac's brother was Harold M. McClelland, the chief communications architect of the U.S. Air Force.
Georg Neumann
In 1965 Neumann began to introduce solid-state microphones. The first model was the KTM small cardioid, later followed by the "fet 70" series—transistorized versions of small omnidirectional, cardioid and speech cardioid microphones as well as a "U 77" transistorized version of the U 67. This series used the 12-volt A-B powering system (parallel powering, T-power or "Tonaderspeisung") as found in Nagra tape recorders, and was therefore incompatible with existing studio power supplies. However, standard two-conductor shielded cables (as were commonly used for dynamic microphones) could now be used for connecting condenser microphones as well, obviating the need for special multi-conductor cables.
Hearing aid
The first electrical hearing aid used the carbon microphone of the telephone and was introduced in 1896. The vacuum tube made electronic amplification possible, but early versions of amplified hearing aids were too heavy to carry around. Miniaturization of vacuum tubes lead to portable models, and after World War II, wearable models using miniature tubes. The transistor invented in 1948 was well suited to the hearing aid application due to low power and small size; hearing aids were an early adopter of transistors. The development of integrated circuits allowed further improvement of the capabilities of wearable aids, including implementation of digital signal processing techniques and programmability for the individual user's needs.
Gábor Kornél Tolnai
In 1857 the first device that could record sound waves as they passed through the air was invented. It was the phonautograph. The phonograph expanded on the principles of the phonautograph. Perfected by Thomas Edison in 1878, the phonograph was a device with a cylinder covered with an impressionable material such as tin foil, lead, or wax on which a stylus etched grooves. The advent of electrical recording made it possible to use microphones to capture the sound of the performance. The leading record labels switched to the electric microphone process in 1925, and most other record companies followed their lead by the end of the decade.
Photophone
The photophone is a telecommunications device that allows transmission of speech on a beam of light. It was invented jointly by Alexander Graham Bell and his assistant Charles Sumner Tainter on February 19, 1880, at Bell's laboratory at 1325 L Street in Washington, D.C. Both were later to become full associates in the Volta Laboratory Association, created and financed by Bell.
Wireless microphone
In 1957, the German audio equipment manufacturer Sennheiser, at that time called Lab W, working with the German broadcaster Norddeutscher Rundfunk (NDR), exhibited a wireless microphone system. From 1958 the system was marketed through Telefunken under the name of Mikroport. The pocket-sized Mikroport incorporated a dynamic moving-coil cartridge microphone with a cardioid pickup pattern. It transmitted at 37 MHz with a specified range of .
Peter L. Jensen
He built with Edwin S. Pridham the first moving coil loudspeaker in 1915. Called the moving coil principle, the electro-dynamic principle from which the term dynamic speaker later evolved. In 1916 he built and patented the first contained and complete electric reproducing phonograph. Made the first public address system and used on Christmas Eve in 1915 in San Francisco at a gathering where 75,000 people were present and who heard distinctly all the speeches and announcements. The public address systems under the name of Magnavox were used all over the United States. It was used by U.S. President Woodrow Wilson in 1919. World-wide there were no other companies manufacturing public address systems until 1920. He designed the Magnavox dynamic loudspeaker for reception of radio broadcasting in 1919.
Magnetophon
Magnetophon recorders were widely used in German radio broadcasts during World War II, although they were a closely guarded secret at the time. The Allies were aware of the existence of the pre-war Magnetophon recorders, but not of the introduction of high-frequency bias and PVC-backed tape.) their intelligence experts knew that the Germans had some new form of recording system but they did not know the full details of its construction and operation until working models of the Magnetophon were discovered during the Allied invasion of Germany during 1944-45.
American audio engineer Jack Mullin acquired two Magnetophon recorders and fifty reels of magnetic tape from a German radio station at Bad Nauheim near Frankfurt in 1945. The allied forces were traveling through Germany during WWII when they first discovered the device. The Allies then handed the Magnetophon over to Mullin. Over the next two years Mullin modified and developed these machines, hoping to create a commercial recording system that could be used by movie studios. American popular vocalist Bing Crosby, dissatisfied with the quality of existing radio network recordings was prevailed upon to invest in this development and would use the technology, as modified by Mullin and the fledgling Ampex company, to record his radio broadcasts in the more relaxed atmosphere of the recording studio, which was a significant break from the then-norm of live studio audience broadcasts. In 2008, at the 50th Annual Grammy Awards Ceremony, Ampex received the company's first Grammy Award for Technical Achievement, to honor their contribution sixty years earlier of the Ampex 200, which "revolutionized the radio and recording industries". Ampex 200 co-designer Myron Stolaroff was among the company's employees representing Ampex who accepted the award.
Ribbon microphone
In the early 1920s, Drs. Walter H. Schottky and Erwin Gerlach co-invented the first ribbon microphone. By turning the ribbon circuit in the opposite direction, they also invented the first ribbon loudspeaker. A few years later, Dr. Harry F. Olson of RCA started developing ribbon microphones using field coils and permanent magnets. The RCA Photophone Type PB-31 was commercially manufactured in 1931, greatly impacting the audio recording and broadcasting industries. Condenser microphones at the time could not compare to its frequency response. Radio City Music Hall employed PB-31s in 1932. The following year, the 44A came on the scene. Its tone and pattern control helped reduce reverberation. Many RCA ribbon models are still in use and valued by audio engineers.
Valve microphone
In the late 1920s, Dr. Harry F. Olson of RCA began development of the ribbon microphone, eventually using permanent magnets. In 1931, nine months after the introduction of Western's 618 dynamic, R.C.A. marketed a bi-directional ribbon microphone, the 44-A. The smooth, less sibilant sound of the ribbon and its elegant styling made it the standard for broadcasters into the 1940s. The design was updated with improved magnetic material in the mid thirties with the 44-B/-BX, which maintained its production until the mid 1950s. Ribbon microphones are still in demand today and come in many styles.
History of mobile phones
Prior to 1973, mobile telephony was limited to phones installed in cars and other vehicles. Motorola was the first company to produce a handheld mobile phone. On April 3, 1973, Martin Cooper, a Motorola researcher and executive, made the first mobile telephone call from handheld subscriber equipment, placing a call to Dr. Joel S. Engel of Bell Labs, his rival. The prototype handheld phone used by Dr. Cooper weighed and measured . The prototype offered a talk time of just 30 minutes and took 10 hours to re-charge.
Science and invention in Birmingham
1975: Birmingham inventor Michael Gerzon co-invents the Soundfield microphone. Gerzon studies at the University of Oxford, and is inspired by Alan Blumlein's landmark 1933 development of stereophonic recording and reproduction. The Soundfield range of microphones are now considered the ultimate microphones for recording both stereophonic and multichannel surround formats. Gerzon later plays a large role in the invention of Ambisonics, which is a series of recording and replay techniques using multichannel mixing technology that can be used live or in the studio.
Phonograph cylinder
On July 18, 1877, Thomas Edison and his team invented the phonograph. His first successful recording and reproduction of intelligible sounds, achieved early in the following December, used a thin sheet of tin foil wrapped around a hand-cranked grooved metal cylinder. Tin foil was not a practical recording medium for either commercial or artistic purposes and the crude hand-cranked phonograph was only marketed as a novelty, to little or no profit. Edison moved on to developing a practical incandescent electric light and the next improvements to sound recording technology were made by others.
Timeline of United States inventions (before 1890)
The phonograph, record player or gramophone is an instrument for recording, reproducing and playing back sounds. The earliest phonographs used cylinders containing an audio recording engraved on the outside surface which could be reproduced when the cylinder was played. Later, the gramophone record with modulated spiral grooves set atop a rotating turntable. The phonograph was invented in 1877 by Thomas Alva Edison at his laboratory in Menlo Park, New Jersey. On February 8, 1878, Edison was issued the first patent (U.S. patent #200,521) for the phonograph.
Benjamin Bauer
Introduced in 1939, the Shure Unidyne is arguably the most recognized microphone in the world. The Unidyne's instant and lasting success has been attributed by its manufacturer as stemming from the fact that, "It was the first high-quality unidirectional microphone that was affordable and reduced audio issues such as background noise, feedback and excessive reverberation." On Jan 31, 2014, the Unidyne microphone was granted the IEEE award.
Automixer
In 1971, Gregory Maston of Bell Labs filed for a patent involving a circuit that could switch between several audio sources based on their levels. The loudest one was latched into the mix. This system did not ramp switched signals smoothly in and out and did not maintain a constant ambience. It was intended for speakerphone conferencing applications. In 1972, Keith A. T. Knox with the British Post Office Corporation developed an adaptive threshold gate circuit intended for speakerphone usage. The system used a second microphone somewhat near the first to sense ambient noise level.
Dan Dugan showed his first "Adaptive Threshold Automatic Microphone Mixing System" in 1974 at the 49th Audio Engineering Society (AES) meeting in New York, and was granted a patent for a control apparatus for sound reinforcement systems which sensed ambient sound level in the environment of a theater to control each microphone's individual level. In 1976, Dugan was granted a patent for an automatic microphone mixing process whereby the total gain of the system remains constant. He began manufacturing his first automixer system, the Model A, based on his two patents. Dugan built 60 units, with the first, hand-assembled one taken to Bell Labs to be installed in their conference room for Harvey Fletcher. The algorithm was simple and effective: "Each individual input channel is attenuated by an amount, in dB, equal to the difference, in dB, between that channel’s level and the sum of all channel levels." Dugan licensed the system to Altec who released several automixer models including the 1674A, -B and -C series and the 1684A, all focusing on speech applications. (The 1684A became an Electrovoice product and is currently administered by their Commercial division.) The earliest Altec product implementation was regarded as inferior within the commercial audio contractor industry, and other manufacturers began to design their own automixer products.
Pyrophone
Pyrophones originated in the 19th century. Byron Higgins, using hydrogen burning within the bottom of an open glass tube, first pointed out that if flame is placed in a glass tube sound may be produced in 1777 and in 1818 Michael Faraday attributed the tones to very rapid explosions. Physicist John Tyndall demonstrated that flame(s) in a tube may be made to sound if they are placed close to one third the length of the tube, the explosion occurs at a rate which matches the fundamental or one of the harmonics of the tube, and the volume of the flame is not too great. Brewer, Moigno, and de Parville describe Kastner as having invented the instrument about twenty years before 1890, and he filed a patent on Christmas Eve of 1874. Charles Gounod attempted to include the organ in his opera "Jeanne d'Arc" (1873) and the instrument was shown in the Paris Exhibition (1878). Henry Dunant was a proponent, and Wendelin Weißheimer composed "Five Sacred Sonnets for Voice, Flute, Oboe, Clarinet, Pyrophone and Piano" (1880).
David Edward Hughes
In 1878 Hughes published his work on the effects of sound on the powered electronic sound pickups, called "transmitters", being developed for telephones. He showed that the change in resistance in carbon telephone transmitters was a result of the interaction between carbon parts instead of the commonly held theory that it was from the compression of the carbon itself. Based on its ability to pick up extremely weak sounds, Hughes referred to it as a ""microphone" effect" (using a word coined by Charles Wheatstone in 1827 for a mechanical sound amplifier). He conducted a simple demonstration of this principle of loose contact by laying an iron nail across two other nails connected to a battery and galvanometer. His paper was read before the Royal Society of London by Thomas Henry Huxley on May 8, 1878 and his new "microphone" was covered in the July 1 edition of "Telegraph Journal and Electrical Review". Hughes published his work during the time that Thomas Edison was working on a carbon telephone transmitter and Emile Berliner was working on a loose-contact transmitter. Both Hughes and Edison may have based their work on Philipp Reis' telephone work. Hughes would refine his microphone design using a series of "carbon pencils" stuck into blocks of carbon to better pick up sound but never patented his work, thinking it should be publicly available for development by others.
Wireless microphone
Another German equipment manufacturer, Beyerdynamic, claims that the first wireless microphone was invented by Hung C. Lin. Called the "transistophone," it went into production in 1962. The first time that a wireless microphone was used to record sound during filming of a motion picture was allegedly on Rex Harrison in the 1964 film "My Fair Lady", through the efforts of Academy Award-winning Hollywood sound engineer George Groves.
Music technology (electric)
The first device that could record actual sounds as they passed through the air (but could not play them back—the purpose was only visual study) was the phonautograph, patented in 1857 by Parisian inventor Édouard-Léon Scott de Martinville. The earliest known recordings of the human voice are phonautograph recordings, called "phonautograms", made in 1857. They consist of sheets of paper with sound-wave-modulated white lines created by a vibrating stylus that cut through a coating of soot as the paper was passed under it.
Dictation machine
Besides being far easier to handle, the wax recording medium also allowed for lengthier recordings and created superior playback quality. Additionally the Graphophones initially deployed foot treadles to rotate the recordings, then wind-up clockwork drive mechanisms, and finally migrated to electric motors, instead of the manual crank that was used on Edison's phonograph. The numerous improvements allowed for a sound quality that was significantly better than Edison's machine.
Shortly after Thomas Edison invented the phonograph, the first device for recording sound, in 1877, he thought that the main use for the new device would be for recording speech in business settings. (Given the low audio fidelity of earliest versions of the phonograph, recording music may not have seemed to be a major application.) Some early phonographs were indeed used this way, but this did not become common until the mass production of reusable wax cylinders in the late 1880s. The differentiation of office dictation devices from other early phonographs, which commonly had attachments for making one's own recordings, was gradual. The machine marketed by the Edison Records company was trademarked as the "Ediphone".
Phonograph
Through experimentation, in 1892 Berliner began commercial production of his disc records, and "gramophones" or "talking-machines". His "gramophone record" was the first disc record to be offered to the public. They were five inches (12.7 cm) in diameter and recorded on one side only. Seven-inch (17.5 cm) records followed in 1895. Also in 1895 Berliner replaced the hard rubber used to make the discs with a shellac compound. Berliner's early records had very poor sound quality, however. Work by Eldridge R. Johnson eventually improved the sound fidelity to a point where it was as good as the cylinder. By late 1901, ten-inch (25 cm) records were marketed by Johnson and Berliner's Victor Talking Machine Company, and Berliner had sold his interests. By 1908, a majority of the public demanded double-sided disc recordings, and cylinders fell into disfavor. Edison felt the increasing commercial pressure for disc records, and by 1912, though reluctant at first, his movement to disc records was in full swing. This was the Edison Disc Record.
Telephone
In 1876, shortly after the telephone was invented, Hungarian engineer Tivadar Puskás invented the telephone switch, which allowed for the formation of telephone exchanges, and eventually networks.Early telephones were technically diverse. Some used a water microphone, some had a metal diaphragm that induced current in an electromagnet wound around a permanent magnet, and some were dynamic – their diaphragm vibrated a coil of wire in the field of a permanent magnet or the coil vibrated the diaphragm. The sound-powered dynamic variants survived in small numbers through the 20th century in military and maritime applications, where its ability to create its own electrical power was crucial. Most, however, used the Edison/Berliner carbon transmitter, which was much louder than the other kinds, even though it required an induction coil which was an impedance matching transformer to make it compatible with the impedance of the line. The Edison patents kept the Bell monopoly viable into the 20th century, by which time the network was more important than the instrument.
Microphone
Early microphones did not produce intelligible speech, until Alexander Graham Bell made improvements including a variable-resistance microphone/transmitter. Bell's liquid transmitter consisted of a metal cup filled with water with a small amount of sulfuric acid added. A sound wave caused the diaphragm to move, forcing a needle to move up and down in the water. The electrical resistance between the wire and the cup was then inversely proportional to the size of the water meniscus around the submerged needle. Elisha Gray filed a caveat for a version using a brass rod instead of the needle. Other minor variations and improvements were made to the liquid microphone by Majoranna, Chambers, Vanni, Sykes, and Elisha Gray, and one version was patented by Reginald Fessenden in 1903. These were the first working microphones, but they were not practical for commercial application. The famous first phone conversation between Bell and Watson took place using a liquid microphone.
Crown International
A line of Pressure zone microphones (PZM) was introduced by Crown in 1980, culminating in the PZM-30 series in 1990. Other microphones introduced by Crown included the PCC-160 directional boundary microphone in 1986, the tiny GLM series and the patented Differoid CM310 in 1987. The SASS stereo microphone was patented in 1989. Garth Brooks was the first performer to wear the Crown CM311A headset microphone in 1993. The CM700 studio condenser was introduced in 1995.
Wireless microphone
Figure skater and Royal Air Force flight engineer Reg Moores developed a radio microphone in 1947 that he first used in the Tom Arnold production "Aladdin on Ice" at Brighton's sports stadium from September 1949 through the Christmas season. Moores affixed the wireless transmitter to the costume of the character Abanazar, and it worked perfectly. Moores did not patent his idea, as he was illegally using the radio frequency 76 MHz. The producers of the ice show decided that they would not continue using the device; they would rather hire actors and singers to perform into hidden microphones to "dub" the voices of the other ice skaters, who would thus be free to concentrate on their skating. In 1972 Moores donated his 1947 prototype to the Science Museum in London.
Real ear measurement
The first commercially produced real ear measurement available was made by Rastronics.
Help soon arrived. In the early 1980s, the first computerized probe-tube microphone
system, the Rastronics CCI-10 (developed in Denmark by Steen Rasmussen), entered the
U.S. market (Nielsen and Rasmussen, 1984). This system had a silicone tube attached to the
microphone (the transmission of sound through this tube was part of the calibration process),
which eliminated the need to place the microphone itself in the ear canal. By early 1985,
three or four different manufactures had introduced this new type of computerized probemicrophone
equipment, and this hearing aid verification procedure became part of the
standard protocol for many audiology clinics.
Microphone
An electret microphone is a type of capacitor microphone invented by Gerhard Sessler and Jim West at Bell laboratories in 1962.
The externally applied charge described above under condenser microphones is replaced by a permanent charge in an electret material. An electret is a ferroelectric material that has been permanently electrically charged or "polarized". The name comes from "electr"ostatic and magn"et"; a static charge is embedded in an electret by alignment of the static charges in the material, much the way a magnet is made by aligning the magnetic domains in a piece of iron.
Wireless microphone
The first recorded patent for a wireless microphone was filed by Raymond A. Litke, an American electrical engineer with Educational Media Resources and San Jose State College, who invented a wireless microphone in 1957 to meet the multimedia needs for television, radio, and classroom instruction. His U.S. patent number 3134074 was granted in May 1964. Two microphone types were made available for purchase in 1959: hand-held and lavalier. The main transmitter module was a cigar-sized device which weighed . Vega Electronics Corporation manufactured the design in 1959, producing it as a product called the Vega-Mike. The device was first used by the broadcast media at the 1960 Democratic and Republican National Conventions. It allowed television reporters to roam the floor of the convention to interview participants, including presidential candidates John F. Kennedy and Richard Nixon.
Free-space optical communication
In 1880, Alexander Graham Bell and his assistant Charles Sumner Tainter created the photophone, at Bell's newly established Volta Laboratory in Washington, DC. Bell considered it his most important invention. The device allowed for the transmission of sound on a beam of light. On June 3, 1880, Bell conducted the world's first wireless telephone transmission between two buildings, some 213 meters (700 feet) apart.
Its first practical use came in military communication systems many decades later, first for optical telegraphy. German colonial troops used heliograph telegraphy transmitters during the Herero and Namaqua genocide starting in 1904, in German South-West Africa (today's Namibia) as did British, French, US or Ottoman signals. During the trench warfare of World War I when wire communications were often cut, German signals used three types of optical Morse transmitters called "", the intermediate type for distances of up to 4 km (2.5 miles) at daylight and of up to 8 km (5 miles) at night, using red filters for undetected communications. Optical telephone communications were tested at the end of the war, but not introduced at troop level. In addition, special blinkgeräts were used for communication with airplanes, balloons, and tanks, with varying success.
Wireless microphone
Introduced in 1958, the Sony CR-4 wireless microphone was being recommended as early as 1960 for theatre performances and nightclub acts. Animal trainers at Marineland of the Pacific in California were wearing the $250 device for performances in 1961. The 27.12 MHz solid-state FM transmitter was capable of fitting into a shirt pocket. Said to be effective out to , it mounted a flexible dangling antenna and a detachable dynamic microphone. The tube-based receiver incorporated a carrying drawer for the transmitter and a small monitor loudspeaker with volume control.
Microscope
Although objects resembling lenses date back 4000 years and there are Greek accounts of the optical properties of water-filled spheres (5th century BC) followed by many centuries of writings on optics, the earliest known use of simple microscopes (magnifying glasses) dates back to the widespread use of lenses in eyeglasses in the 13th century. The earliest known examples of compound microscopes, which combine an objective lens near the specimen with an eyepiece to view a real image, appeared in Europe around 1620. The inventor is unknown although many claims have been made over the years. Several revolve around the spectacle-making centers in the Netherlands including claims it was invented in 1590 by Zacharias Janssen (claim made by his son) and/or Zacharias' father, Hans Martens, claims it was invented by their neighbor and rival spectacle maker, Hans Lippershey (who applied for the first telescope patent in 1608), and claims it was invented by expatriate Cornelis Drebbel who was noted to have a version in London in 1619. Galileo Galilei (also sometimes cited as compound microscope inventor) seems to have found after 1610 that he could close focus his telescope to view small objects and, after seeing a compound microscope built by Drebbel exhibited in Rome in 1624, built his own improved version. Giovanni Faber coined the name "microscope" for the compound microscope Galileo submitted to the Accademia dei Lincei in 1625 (Galileo had called it the ""occhiolino"" or ""little eye"").
Coles 4038
The microphone was designed by the BBC in 1953 and the prototype was assigned the model number BBC PGS/1. It was designed as a result of the BBC's request for a strong and affordable microphone that was smaller than previous models (such as the Type A). The 4038 was an improvement on the Type A's frequency response, and was described as "less obtrusive".
Horn loudspeaker
The physics (and mathematics) of horn operation were developed for many years, reaching considerable sophistication before WWII. The most well known early horn loudspeakers were those on mechanical phonographs, where the record moved a heavy metal needle that excited vibrations in a small metal diaphragm that acted as the driver for a horn. A famous example was the horn through which Nipper the RCA dog heard "His Master's Voice". The horn improves the loading and thus gets a better "coupling" of energy from the diaphragm into the air, and the pressure variations therefore get smaller as the volume expands and the sound travels up the horn. This kind of mechanical impedance matching was absolutely necessary in the days of pre-electrical sound reproduction in order to achieve a usable sound level.
The megaphone, a simple cone made of paper or other flexible material, is the oldest and simplest acoustic horn, used prior to loudspeakers as a passive acoustic amplifier for mechanical phonographs and for the human voice; it is still used by cheerleaders and lifeguards. Because the conic section shape describes a portion of a perfect sphere of radiated sound, cones have no phase or amplitude distortion of the wavefront. The small megaphones used in phonographs and as loudhailers were not long enough to reproduce the low frequencies in music; they had a high cutoff frequency which attenuated the bottom two octaves of the sound spectrum, giving the megaphone a characteristic tinny sound.
AKG (company)
With the creation of the D12 microphone in 1953, AKG achieved international fame, setting the standard for voice transmissions. Being the world's first dynamic cardioid microphone, it possessed excellent sonic qualities for that time, making its way into radio stations and recording studios from across the world. The product was improved through subsequent upgrades, spanning the famous C414 and C12 microphones.
Reis telephone
In 1862, Reis demonstrated his telephone to Wilhelm von Legat, Inspector of the Royal Prussian Telegraph Corps who produced an account of it (Legat, 1862), a translation of which was obtained by Thomas Edison in 1875 and which was used in Edison's successful development of the carbon microphone. The Legat account included drawings that are different from that below, suggesting that it is of a later version. Edison acknowledged his debt to Reis thus:
The first inventor of a telephone was Phillip Reis of Germany only musical not articulating. The first person to publicly exhibit a telephone for transmission of articulate speech was A. G. Bell. The first practical commercial telephone for transmission of articulate speech was invented by myself. Telephones used throughout the world are mine and Bell's. Mine is used for transmitting. Bell's is used for receiving. (Edison 2006, [LB020312 TAEM 83:170])
Invention of the telephone
The carbon microphone was further improved by Emile Berliner, Francis Blake, David E. Hughes, Henry Hunnings, and Anthony White. The carbon microphone remained standard in telephony until the 1980s, and is still being produced.
Recording studio
The use of different kinds of microphones and their placement around the studio was a crucial part of the recording process, and particular brands of microphone were used by engineers for their specific audio characteristics. The smooth-toned ribbon microphones developed by the RCA company in the 1930s were crucial to the "crooning" style perfected by Bing Crosby, and the famous Neumann U47 condenser microphone was one of the most widely used from the 1950s. This model is still widely regarded by audio professionals as one of the best microphones of its type ever made. Learning the correct placement of microphones was a major part of the training of young engineers, and many became extremely skilled in this craft. Well into the 1960s, in the classical field it was not uncommon for engineers to make high-quality orchestral recordings using only one or two microphones suspended above the orchestra. In the 1960s, engineers began experimenting with placing microphones much closer to instruments than had previously been the norm. The distinctive rasping tone of the horn sections on the Beatles recordings "Good Morning Good Morning" and "Lady Madonna" were achieved by having the saxophone players position their instruments so that microphones were virtually inside the mouth of the horn.
Micrometer
The first ever micrometric screw was invented by William Gascoigne in the 17th century, as an enhancement of the vernier; it was used in a telescope to measure angular distances between stars and the relative sizes of celestial objects.
Visible light communication
The history of visible light communications (VLC) dates back to the 1880s in Washington, D.C. when the Scottish-born scientist Alexander Graham Bell invented the photophone, which transmitted speech on modulated sunlight over several hundred meters. This pre-dates the transmission of speech by radio.
Mārtiņš Saulespurēns
After receiving an early copy of GarageBand recording software from Apple Computers, Saulespurēns and Wise developed a microphone that connected directly to a computer through the USB port. Although there were other USB microphones in production, the BLUE company's Snowball microphone was the first directed at professional sound recording. In 2005, Apple decided to stock the Snowball with its store products which dramatically boosted the popularity of Blue Microphones. Saulespurēns and Wise sold their company to Transom Capital Group in 2008.
Shure
Shure's first headset microphone for stage use was created in 1991. One of the earliest uses of a Shure headset mic onstage was for the television special "." Among the headset microphones Shure has manufactured over the years are the WH20, WH30, WCM16 (introduced in 1993), Beta53 and Beta54. The newest of Shure's headset microphones, the MX153, part of the Microflex series, was introduced in 2012.
Royer Labs
David Royer designed his first ribbon microphone in 1997 and started the company that bears his name one year later. When that first microphone, the R-121, was released, it received positive reviews from all the major recording magazines.
Raymond A. Litke
Although Litke prototyped the wireless microphone in 1957, he did not file for a patent until May 8, 1961. U.S. Patent No. 3,134,074 was officially granted on May 19, 1964. His microphone is sometimes also called the “Vega-Mike” after the Vega Electronics Corporation which first manufactured it as a product. Vega sold other electronics items and tapes developed by Litke.
Megaphone
Both Samuel Morland and Athanasius Kircher have been credited with inventing megaphones around the same time in the 17th century. Morland, in a work published in 1655, wrote about his experimentation with different horns. His largest megaphone consisted of over 20 feet of copper tube and could reportedly project a person's voice a mile and a half.
Microphone
Also in 1923, the ribbon microphone was introduced, another electromagnetic type, believed to have been developed by Harry F. Olson, who essentially reverse-engineered a ribbon speaker. Over the years these microphones were developed by several companies, most notably RCA that made large advancements in pattern control, to give the microphone directionality. With television and film technology booming there was demand for high fidelity microphones and greater directionality. Electro-Voice responded with their Academy Award-winning shotgun microphone in 1963.
During the second half of 20th century development advanced quickly with the Shure Brothers bringing out the SM58 and SM57. The latest research developments include the use of fibre optics, lasers and interferometers.
History of hearing aids
The first hearing aid was created in the 17th century. The movement toward modern hearing aids began with the creation of the telephone, and the first electric hearing aid was created in 1898. By the late 20th century, the digital hearing aid was distributed to the public commercially. Some of the first hearing aids were external hearing aids. External hearing aids directed sounds in front of the ear and blocked all other noises. The apparatus would fit behind or in the ear.
Soundfield microphone
The soundfield mic was invented by Michael Gerzon and Peter Craven. Their theoretical design was developed into a practical microphone system by Calrec Audio Limited, who launched the first soundfield mic in 1978.
Moving iron speaker
The first moving iron transducer, the telephone receiver or earphone, evolved with the first telephone systems in the 1870s. Moving iron horn loudspeakers developed from earphones after the first amplifying device which could drive a speaker, the triode vacuum tube, was perfected around 1913. They were used in radio receivers and the first public address systems. Moving iron cone loudspeakers appeared around 1920. Around 1930 they were replaced by the moving coil cone loudspeaker developed in 1925 by Edward Kellogg and Chester Rice. Today the moving iron driver mechanism is still used in some earphones.
Public address system
Their first experiment used a carbon microphone. When the 12 V battery was connected to the system, they experienced one of the first examples of acoustic feedback, a typically unwanted effect often characterized by high-pitched sounds. They then placed the loudspeaker on the laboratory's roof, and claims say that the amplified human voice could be heard away. Jensen and Pridham refined the system and connected a phonograph to the loudspeaker so it could broadcast recorded music. They did this on a number of occasions, including once at the Napa laboratory, at the Panama–Pacific International Exposition, and on December 24, 1915 at San Francisco City Hall alongside Mayor James Rolph. This demonstration was official presentation of the working system, and approximately 100,000 people gathered to hear Christmas music and speeches "with absolute distinctness".
Electro-Voice
In 1978, Electro-Voice patented its Constant Directivity Horn, which produced an even balance of frequencies across the listening field. It overcame the uneven dispersion of high frequencies that affected the typical high frequency horns used in many professional sound speakers until the late seventies. 
In the late 1980s, EV became the first microphone manufacturer to use neodymium magnets in its microphones. The N/DYM microphones were introduced in the mid 1980s to combine the high output and high frequency response characteristics of condenser microphones with the rugged shock resistance of dynamic microphones. Around the same time EV's first wireless microphones were being produced.
Music technology (electric)
Between the invention of the phonograph in 1877 and the advent of digital media, arguably the most important milestone in the history of sound recording was the introduction of what was then called "electrical recording", in which a microphone was used to convert the sound into an electrical signal that was amplified and used to actuate the recording stylus. This innovation eliminated the "horn sound" resonances characteristic of the acoustical process, produced clearer and more full-bodied recordings by greatly extending the useful range of audio frequencies, and allowed previously unrecordable distant and feeble sounds to be captured.
Mārtiņš Saulespurēns
Saulespurēns and Wise also built microphones to handle digital processing (extended frequency response, dynamic range, etc.). They used a movable round brass plate instead of a permanent membrane in the rear part of the capsule. This allowed Blue to move the plate to change the volume of the air inside, changing the frequency response. The first microphone they created was the Blueberry. The replacement of rear Mylar film membranes with solid tuned brass pieces became standard industry practice.
Shure
The Shure SM series of microphones began with the introduction of the SM57 in 1965 and the SM58 in 1966. The SM (Studio Microphone) series microphones were originally developed with a non-reflective finish and no on-off switch for the TV studio market. The SM57 is well known for its durability and the versatile sound characteristics, much attributable to the Ernie Seeler-designed Unidyne III capsule. Produced since 1965 and still in production today, it has been widely used in many applications, including micing vocals, drums, and guitar amplifiers both in live sound and recording applications, including being used by every United States President from Lyndon Baines Johnson on. It was used by Michael Jackson when recording the lead vocals for the song "Billie Jean." The SM57 was inducted into the TECnology Hall Of Fame in 2004. Together, the Shure SM57 and SM58 have been the two bestselling microphones in the world since the late 1960s. Their feature set is nearly identical, with the main difference between the two being their different grilles. Shure later expanded the SM series, which now include such models as the now hard to find SM53 & SM54 (which were low proximity effect microphones), SM58, SM48, SM86, SM87A, SM57, SM94, and the SM81 which is a longtime recording studio standard.
History of hearing aids
The first electric hearing aid, called the Akouphone, was created by Miller Reese Hutchison in 1898. It used a carbon transmitter, so that the hearing aid could be portable. The carbon transmitter was used to amplify sound by taking a weak signal and using electric current to make it a strong signal. These electronic hearing aids could eventually be shrunk into purses and other accessories.
Shure SM57
The origin of SM57 may be traced to 1937, when Shure engineer Benjamin Bauer developed the first single-element directional microphone, the Unidyne, which had a cardioid pickup pattern. In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III. Seeler torture-tested the Unidyne III during three years of research and development and thereby, produced the SM series of rugged and reliable Shure microphone capsules. The "SM" stands for Studio Microphone; Seeler was an aficionado of classical music and expected the SM57 to be used for orchestras. Because he "despised" rock music, the TEC Foundation said that it was "ironic" that the microphone has become "a mainstay of rock music."
Raymond A. Litke
Litke invented a wireless microphone in 1957 while employed as an electronics expert at San Jose State College. His supervisor challenged him to invent a microphone to use in educational presentations which would be free of wires.
Archie Frederick Collins
Collins was granted U.S. patent 814,942 on March 13, 1906 for an arc-transmitter improvement which separated the telephone microphone circuit from the arc circuit, to avoid the problem of the arc current burning out the microphone. Although this was merely an incremental improvement on existing arc-transmitter technology, the company's stock promotion advertisements claimed this patent was "a broad one, covering the fundamental principles for transmitting and receiving articulate speech without connecting wires" that was supposedly "considered by the highest authorities on patent law to be one of the strongest to be issued since the one granted to Bell in 1876". (Early purchasers of Bell telephone stock had reaped fortunes, so it was a common tactic for early radio company stock promotions, aimed at impressionable "get-rich-quick" buyers, to suggest that similar increases would occur).
Magnetophon
Magnetophon was the brand or model name of the pioneering reel-to-reel tape recorder developed by engineers of the German electronics company AEG in the 1930s, based on the magnetic tape invention by Fritz Pfleumer. AEG created the world's first practical tape recorder, the K1, first demonstrated in Germany in 1935 at the Berlin Radio Show.
Later models introduced the concept of AC tape bias, which improved the sound quality by largely eliminating background hiss. The resulting reproduction was so great an advance on any existing recording method that even those well acquainted with the industry could not tell the recordings from live play. Adolf Hitler used these machines to perform what appeared to be live broadcasts from one city while he was in another. A cache of 350 of these tapes was released years later when they were found in Koblenz.
Telemeter
The first rangefinder telemeter was invented by James Watt in 1769 and put to use in 1771 in surveying canals. Watt called his instrument a "micrometer", a term now used with a different meaning in engineering. It consisted of two parallel hairs in the focal plane of a telescope eyepiece crossing an upright hair. At the point to be measured, two sliding targets on a surveyor's rod were adjusted to align with the hairs in the telescope. The distance to the rod could then be determined from the distance between the targets on the rod by trigonometry.
Invention of the telephone
After Bell and Watson discovered on June 2, 1875, that movements of the reed alone in a magnetic field could reproduce the frequencies and timbre of spoken sound waves, Bell reasoned by analogy with the mechanical phonautograph that a skin diaphragm would reproduce sounds like the human ear when connected to a steel or iron reed or hinged armature. On July 1, 1875, he instructed Watson to build a receiver consisting of a stretched diaphragm or drum of goldbeater's skin with an armature of magnetized iron attached to its middle, and free to vibrate in front of the pole of an electromagnet in circuit with the line. A second membrane-device was built for use as a transmitter. This was the "gallows" phone. A few days later they were tried together, one at each end of the line, which ran from a room in the inventor's house, located at 5 Exeter Place in Boston, to the cellar underneath. Bell, in the work room, held one instrument in his hands, while Watson in the cellar listened at the other. Bell spoke into his instrument, "Do you understand what I say?" and Watson answered "Yes". However, the voice sounds were not distinct and the armature tended to stick to the electromagnet pole and tear the membrane.
Loudspeaker
Johann Philipp Reis installed an electric loudspeaker in his "telephone" in 1861; it was capable of reproducing clear tones, but also could reproduce muffled speech after a few revisions. Alexander Graham Bell patented his first electric loudspeaker (capable of reproducing intelligible speech) as part of his telephone in 1876, which was followed in 1877 by an improved version from Ernst Siemens. During this time, Thomas Edison was issued a British patent for a system using compressed air as an amplifying mechanism for his early cylinder phonographs, but he ultimately settled for the familiar metal horn driven by a membrane attached to the stylus. In 1898, Horace Short patented a design for a loudspeaker driven by compressed air; he then sold the rights to Charles Parsons, who was issued several additional British patents before 1910. A few companies, including the Victor Talking Machine Company and Pathé, produced record players using compressed-air loudspeakers. However, these designs were significantly limited by their poor sound quality and their inability to reproduce sound at low volume. Variants of the system were used for public address applications, and more recently, other variations have been used to test space-equipment resistance to the very loud sound and vibration levels that the launching of rockets produces.
Georg Neumann
During the period from 1953 to 1956 Neumann introduced a series of small condenser microphones (KM 53, 54 and 56) especially for use in television broadcast studios. In 1957 they introduced the SM 2 microphone, which was essentially a pair of KM 56 microphones in a single body, arranged so that their directional patterns could be controlled remotely. The SM 2 was the world's first stereo microphone.
Théâtrophone
The origin of the théâtrophone can be traced to a telephonic transmission system demonstrated by Clément Ader at the 1881 World Expo in Paris. The system was inaugurated by the French President Jules Grévy, and allowed broadcasting of concerts or plays. Ader had arranged 80 telephone transmitters across the front of a stage to create a form of binaural stereophonic sound. It was the first two-channel audio system, and consisted of a series of telephone transmitters connected from the stage of the Paris Opera to a suite of rooms at the Paris Electrical Exhibition, where the visitors could hear Comédie-Française and opera performances in stereo using two headphones; the Opera was located more than two kilometers away from the venue. In a note dated 11 November 1881, Victor Hugo describes his first experience of théâtrophone as pleasant.
Early classical guitar recordings
One of the earliest guitar sound recordings was from 1861, before Edison invented the phonograph. It is believed that it was recorded in the western saloon "Two Bulls" in Kansas. The phonograph type invented by Thomas Edison was on 18 July 1877. It used phonograph cylinders as a recording medium. In 1888, Emile Berliner patented his gramophone which used a flat disk – a gramophone record. At first, both mediums were used, but by 1910 the disk replaced the cylinder as the most popular recording medium. (Today the words "phonograph" and "gramophone" are sometimes used interchangeably.) Other types of recordings were instrument-specific, such as the pianola (or reproducing piano), which used a piano roll as the recording medium. Edwin Scott Votey produced the first true pianola in 1895.
History of hearing aids
The development of transistors in 1948 by Bell Laboratories led to major improvements to the hearing aid. The transistor was invented by John Bardeen, Walter Brattain, and William Shockley. Transistors were created to replace vacuum tubes; they were small, required less battery power and had less distortion and heat than their predecessor. These vacuum tubes were typically hot and fragile, so the transistor was the ideal replacement.The 1952 Sonotone 1010 used a transistor stage along with vacuum tubes, to extend battery life. The size of these transistors led to developments in miniature, carbon microphones. These microphones could be mounted on various items, even eyeglasses. In 1951, Raytheon manufactured the transistor and was one of the first companies to mass-produce transistors to throughout America. Raytheon realized that their hearing aid only lasted short-term and began to sell the vacuum-tube hearing aids again along with transistor hearing aids.
History of hearing aids
The first firm to begin commercial production of the ear trumpet was established by Frederick C. Rein in London in 1800. As well as producing ear trumpets, Rein also sold hearing fans, and speaking tubes. These instruments helped amplify sounds, while still being portable. However, these devices were generally bulky and had to be physically supported from below. Later, smaller, hand-held ear trumpets and cones were used as hearing aids.
Rein was commissioned to design a special acoustic chair for the ailing King of Portugal, John VI of Portugal in 1819. The throne was designed with ornately carved arms that looked like the open mouths of lions. These holes acted as the receiving area for the acoustics, which were transmitted to the back of the throne via a speaking tube, and into the king's ear.
Finally in the late 1800s, the acoustic horn, which was a tube that had two ends, a cone that captured sound, and was eventually made to fit in the ear.
Throat microphone
In 1934, aviator Wiley Post incorporated earphones and a throat mic into the design of the world's first pressure suit to explore the limits of high-altitude, long-distance flight. During World War II, German Luftwaffe pilots and panzer crews used the first throat microphones. Soon after, they were adopted by the Allied air forces—the USAAF with the T-20 and T-30 and the RAF with the Mark II. Later, Soviet pilots relied on LA-3 and LA-5 models.
Phonograph
Direct tracings of the vibrations of sound-producing objects such as tuning forks had been made by English physician Thomas Young in 1807, but the first known device for recording airborne speech, music and other sounds is the phonautograph, patented in 1857 by French typesetter and inventor Édouard-Léon Scott de Martinville. In this device, sound waves travelling through the air vibrated a parchment diaphragm which was linked to a bristle, and the bristle traced a line through a thin coating of soot on a sheet of paper wrapped around a rotating cylinder. The sound vibrations were recorded as undulations or other irregularities in the traced line. Scott's phonautograph was intended purely for the visual study and analysis of the tracings. Reproduction of the recorded sound was not possible with the original phonautograph.
Georg Neumann
Other important microphones introduced by Neumann during the immediate postwar period included the M 49 and M 50, both based on designs researched and engineered at the NWDR in Germany. The M 49 used the M 7 capsule in a configuration whose directional pattern was remotely controlled, the first microphone to offer such a feature. The M 50 featured a small, diffuse-field equalized pressure transducer embedded in the surface of a 40 mm hard plastic sphere, which gave it increasing directionality above the mid-range frequencies. The company also produced equipment for electroacoustic measurement, including calibrated measurement microphones and chart recorders.
Headphones
Smaller earbud type earpieces, which plugged into the user's ear canal, were first developed for hearing aids. They became widely used with transistor radios, which commercially appeared in 1954 with the introduction of the Regency TR-1. The most popular audio device in history, the transistor radio changed listening habits, allowing people to listen to radio anywhere. The earbud uses either a moving iron driver or a piezoelectric crystal to produce sound. The 3.5 mm radio and phone connector, which is the most commonly used in portable application today, has been used at least since the Sony EFM-117J transistor radio, which was released in 1964. Its popularity was reinforced with its use on the Walkman portable tape player in 1979.
Volta Laboratory and Bureau
The Photophone, also known as a radiophone, was invented jointly by Bell and his then-assistant Sumner Tainter on February 19, 1880, at Bell's 1325 'L' Street laboratory in Washington, D.C.
Walter H. Schottky
In 1924, Schottky co-invented the ribbon microphone along with Erwin Gerlach. The idea was that a very fine ribbon suspended in a magnetic field could generate electric signals. This led to the invention of the ribbon loudspeaker by using it in the reverse order, but it was not practical until high flux permanent magnets became available in the late 1930s.
Carbon microphone
Hughes' device used loosely packed carbon granules - the varying pressure exerted on the granules by the diaphragm from the acoustic waves caused the resistance of the carbon to vary proportionally, allowing a relatively accurate electrical reproduction of the sound signal. Hughes also coined the word microphone. He demonstrated his apparatus to the Royal Society by magnifying the sound of insects scratching through a sound box. Contrary to Edison, Hughes decided not to take out a patent; instead, he made his invention a gift to the world.
Gauge Precision Instruments
In 2007 Chandler Bridges and Rob Chiarelli begin experimentation in loudspeaker and microphone design. In 2008 Gauge Precision Instruments introduces the ECM-87, their first cardioid condenser microphone. Gauge introduced the ECM-47 in 2009, their first multi-pattern Tube microphone. That year Gauge also introduced the USB-87, a Universal Serial Bus powered microphone designed specifically for use with the personal computer, and the ECM-84 and ECM-84SE, their first small diaphragm electret condenser microphone. In 2010, the company introduced the ECM-58, their first hand-held dynamic microphone. The ECM58 was discontinued in April, 2012 and the company introduced the ECM87 Stealth Microphone, an alternate version of the ECM87 Classic. In 2013, the company introduced the MP-1073, their first microphone preamplifier.
Phonograph
Thomas Alva Edison conceived the principle of recording and reproducing sound between May and July 1877 as a byproduct of his efforts to "play back" recorded telegraph messages and to automate speech sounds for transmission by telephone.
He announced his invention of the first "phonograph", a device for recording and replaying sound, on November 21, 1877 (early reports appear in Scientific American and several newspapers in the beginning of November, and an even earlier announcement of Edison working on a 'talking-machine' can be found in the Chicago Daily Tribune on May 9), and he demonstrated the device for the first time on November 29 (it was patented on February 19, 1878 as US Patent 200,521). "In December, 1877, a young man came into the office of the SCIENTIFIC AMERICAN, and placed before the editors a small, simple machine about which very few preliminary remarks were offered. The visitor without any ceremony whatever turned the crank, and to the astonishment of all present the machine said: "Good morning. How do you do? How do you like the phonograph?" The machine thus spoke for itself, and made known the fact that it was the phonograph..."
Audiometry
Following development of the induction coil in 1849 and audio transducers (telephone) in 1876, a variety of audiometers were invented in United States and overseas. These early audiometers were known as induction-coil audiometers due to...
In 1885, Arthur Hartmann designed an “Auditory Chart” which included left and right ear tuning fork representation on the abscissa and percent of hearing along the ordinate.
Invention of radio
Forms of Wireless telephony is recorded in four patents for the photophone, invented jointly by Alexander Graham Bell and Charles Sumner Tainter in 1880. The photophone allowed for the transmission of sound on a beam of light, and on June 3, 1880 Bell and Tainter transmitted the world's first wireless telephone message on their newly invented form of light telecommunication.
Probe tip
The discovery of a sharp probe tip has always been of significant interest among the researchers considering its importance in the material, life and biological sciences for mapping the surface structure and material properties at molecular or atomic dimension. The history of tip can be tracked long back in nineteenth century during the invention of Phonautograph in 1859. Phonautograph is the predecessor of modern gramophone. It was invented by Scott and Koenig. It consisted of a parchment diaphragm with an attached stylus (sort of a pen-holder), along with a Hog’s hair, which was used to trace a wavy line on a lamp-blacked surface [Musical mirror by Bryceson, Richard, Jan. 1929-Dec.1930]. In the later development gramophone came out where along with other replacements, the Hog’s hair was replaced by a needle to reproduce sound [Musical mirror by Bryceson, Richard, Jan. 1929-Dec.1930]. In 1940, a pantograph was built utilizing a shielded probe and adjustable tip. A stylus was free to slide vertically to be in contact with the paper. In 1948, a tip was employed in probe circuit to measure peak voltage. The fabrication of electrochemically etched sharp tungsten, copper, nickel and molybdenum tip was reported by Muller in 1937. The revolution for sharp tips occurred in producing a good and various kind of tip with different shape, size, aspect ratio composed of tungsten wire, silicon, diamond, Carbon nanotube etc. occurred with Si-based circuit technologies. This allowed tips for numerous applications in the broad spectrum of nanotechnological fields. Following STM invention came Atomic force microscopy (AFM) by Gerd Binnig, Calvin F. Quate, and Christoph Gerber in 1986. In their instrument they used diamond broken piece as tip sticking it to a hand-cut gold foil cantilever. Focused ion and electron beam technique for the fabrication of strong, stable, reproducible SiN pyramidal tip with 1.0 μm length and 0.1 μm diameter was reported by Russell in 1992. Ground breaking advancement came through the introduction of microfabrication methods for the fabrication of precised conical or pyramidal silicon and silicon nitride tip. Later, numerous research experiments were explored to fabricate comparatively less expensive and robust tungsten tip production and characterization technique to attain less than 50 nm radius of curvature.
Emile Berliner
After some time working in a livery stable, he became interested in the new audio technology of the telephone and phonograph, and invented an improved telephone transmitter (one of the first type of microphones). The patent was acquired by the Bell Telephone Company (see "The Telephone Cases"). In America, Thomas Edison and Berliner fought a long legal battle over the patent rights. But on February 27, 1901 the United States Court of Appeal declared the patent void and awarded Edison full rights to the invention, stating "Edison preceded Berliner in the transmission of speech...The use of carbon in a transmitter is, beyond controversy, the invention of Edison" and the Berliner patent was ruled invalid. Berliner subsequently moved to Boston in 1877 and worked for Bell Telephone until 1883, when he returned to Washington and established himself as a private researcher. Emile Berliner became a United States citizen in 1881. Berliner also invented what was probably the first radial aircraft engine (1908), a helicopter (1919), and acoustical tiles (1920s).
In 1886 Berliner began experimenting with methods of sound recording. He was granted his first patent for what he called the "Gramophone" in 1887. The patent described recording sound using horizontal modulation of a stylus as it traced a line on a rotating cylindrical surface coated with an unresisting opaque material such as lampblack, subsequently fixed with varnish and used to photoengrave a corresponding groove into the surface of a metal playback cylinder. In practice, Berliner opted for the disc format, which made the photoengraving step much less difficult and offered the prospect of making multiple copies of the result by some simpler process such as electrotyping, molding or stamping. In 1888 Berliner was using a more direct recording method, in which the stylus traced a line through a very thin coating of wax on a zinc disc, which was then etched in acid to convert the line of bared metal into a playable groove.
Microphone
In order to speak to larger groups of people, a need arose to increase the volume of the human voice. The earliest devices used to achieve this were acoustic megaphones. Some of the first examples, from fifth century BC Greece, were theater masks with horn-shaped mouth openings that acoustically amplified the voice of actors in amphitheatres. In 1665, the English physicist Robert Hooke was the first to experiment with a medium other than air with the invention of the "lovers' telephone" made of stretched wire with a cup attached at each end.
American Microphone
Fern A. Yarbrough founded the American Microphone Company in Los Angeles in the 1930s. The company supplied microphones for broadcast, recording, and live sound. The broadcast and film industries used the American D-22 and D-33 Microphones extensively, in part because of their modern sleek looks and tapered design.
Micrometer
The first documented development of handheld micrometer-screw calipers was by Jean Laurent Palmer of Paris in 1848; the device is therefore often called "palmer" in French, "tornillo de Palmer" ("Palmer screw") in Spanish, and "calibro Palmer" ("Palmer caliper") in Italian. (Those languages also use the "micrometer" cognates: "micromètre, micrómetro, micrometro".) The micrometer caliper was introduced to the mass market in anglophone countries by Brown & Sharpe in 1867, allowing the penetration of the instrument's use into the average machine shop. Brown & Sharpe were inspired by several earlier devices, one of them being Palmer's design. In 1888 Edward W. Morley added to the precision of micrometric measurements and proved their accuracy in a complex series of experiments.
Hydrophone
The first hydrophones consisted of a tube with a thin membrane covering the submerged end and the observer's ear on the other end. The design of effective hydrophones must take into account the acoustic resistance of water, which is 3750 times that of air; hence the pressure exerted by a wave of the same intensity in air is increased by a factor of 3750 in water. The American Submarine Signaling Company developed a hydrophone to detect underwater bells rung from lighthouses and lightships. The case was a thick, hollow brass disc in diameter. On one face was a thick brass diaphragm which was coupled by a short brass rod to a carbon microphone.
Noise-canceling microphone
The development is a special case of the differential microphone topology most commonly used to achieve directionality. All such microphones have at least two ports through which sound enters; a front port normally oriented toward the desired sound and another port that's more distant. The microphone's diaphragm is placed between the two ports; sound arriving from an ambient sound field reaches both ports more or less equally. Sound that's much closer to the front port than to the rear will make more of a pressure gradient between the front and back of the diaphragm, causing it to move more. The microphone's proximity effect is adjusted so that flat frequency response is achieved for sound sources very close to the front of the mic – typically 1 to 3 cm. Sounds arriving from other angles are subject to steep midrange and bass rolloff. Commercially and militarily useful noise-canceling microphones have been made since at least 1935, Amelia Earhart used one on her 1935 flight from Hawaii to California and have been made since the 1940s by Roanwell, Electro-Voice and others.
Giorgio by Moroder
When Moroder arrived in the studio to record his monologue, he was initially perplexed that the booth contained multiple microphones; he wondered if the extra equipment was a precaution in case one of the microphones broke. The recording engineer explained that the microphones varied with origin dates that ranged from the 1960s to the 21st century, and that each microphone would be used to represent the different decades in Moroder's life. The engineer added that although most listeners would not be able to distinguish between each microphone, Bangalter would know the difference. Nile Rodgers was also present during the voice recording sessions, which took place over the course of two days.
Electret microphone
Electret materials have been known since the 1920s and were proposed as condenser microphone elements several times, but they were considered impractical until the foil electret type was invented at Bell Laboratories in 1961 by James West and Gerhard Sessler, using a thin metallized Teflon foil.
This became the most common type, used in many applications from high-quality recording and lavalier use to built-in microphones in small sound recording devices and telephones.
Stethoscope
The stethoscope was invented in France in 1816 by René Laennec at the Necker-Enfants Malades Hospital in Paris. It consisted of a wooden tube and was monaural. Laennec invented the stethoscope because he was uncomfortable placing his ear on women's chests to hear heart sounds. He observed that a rolled piece of paper, placed between the patient's chest and his ear, could amplify heart sounds without requiring physical contact. Laennec's device was similar to the common ear trumpet, a historical form of hearing aid; indeed, his invention was almost indistinguishable in structure and function from the trumpet, which was commonly called a "microphone". Laennec called his device the "stethoscope" ("stetho-" + "-scope", "chest scope"), and he called its use "mediate auscultation", because it was auscultation with a tool intermediate between the patient's body and the physician's ear. (Today the word "auscultation" denotes all such listening, mediate or not.) The first flexible stethoscope of any sort may have been a binaural instrument with articulated joints not very clearly described in 1829. In 1840, Golding Bird described a stethoscope he had been using with a flexible tube. Bird was the first to publish a description of such a stethoscope but he noted in his paper the prior existence of an earlier design (which he thought was of little utility) which he described as the snake ear trumpet. Bird's stethoscope had a single earpiece.
Charles Cros
Cros is perhaps most famous as the man who almost, but not quite, invented the phonograph. As far as is known, no one before him had thought of a practical way to reproduce sound from a recording of airborne sound waves. He gave the Greek name 'Paleophone' ('voix du passé', tr. 'voice of the past') to his invention. On April 30, 1877 he submitted a sealed envelope containing a letter to the Academy of Sciences in Paris explaining his proposed method. The letter stated in French, "Un index léger est solidaire du centre de figure d'une membrane vibrante ; il se termine par une pointe [...] qui repose sur une surface noircie à la flamme." The English translation is one close to this: "A lightweight armature is fixed to the center of the face of a vibrating membrane; it ends with a sharp point [...] which rests on a lamp-blacked surface." This surface is integral with a disc driven by a double movement of rotation and linear progression. The system is reversible: when the tip follows the furrow the membrane restores the original acoustic signal. The letter was read in public on December 3 following. In his letter, after having shown that his method consisted of detecting an oscillation of a membrane and using the tracing to reproduce the oscillation with respect to its duration and intensity, Cros added that a cylindrical form for the receiving apparatus seemed to him to be the most practical, as it allowed for the graphic inscription of the vibrations by means of a very fine-threaded screw. An article on the Paleophone was published in "la semaine du Clergé" on October 10, 1877, written by l'Abbé Leblanc. Cros proposed metal for both engraving tool attached to the diaphragm and receiving material for durability.