How many characters are in written Chinese?
Character amnesia
It is difficult to establish exactly how many different Chinese characters are in use today; the new HSK, a widely used proficiency test for Standard Chinese as a second language, tests over 2,600 different characters, whilst in 1988 the People's Republic of China published the "List of Commonly Used Characters in Modern Chinese" which contains 7,000 different characters. In Japan, where a smaller set of characters are in general usage, the Japanese Ministry of Education prescribes the teaching of 2,136 kanji in primary and secondary school in a list called the jōyō kanji, meaning "regular-use Chinese characters".
Multiplication table
The Chinese multiplication table consists of eighty-one sentences with four or five Chinese characters per sentence, making it easy for children to learn by heart. A shorter version of the table consists of only forty-five sentences, as terms such as "nine eights beget seventy-two" are identical to "eight nines beget seventy-two" so there is no need to learn them twice.
Pangram
In Chinese, the Thousand Character Classic is a 1000-character poem in which each character is used exactly once; however, it does not include all Chinese characters. The single character (permanence) incorporates every basic stroke used to write Chinese characters exactly once, as described in the Eight Principles of Yong.
Mandarin Chinese
Until the early 20th century, formal writing and even much poetry and fiction was done in Literary Chinese, which was modeled on the classics of the Warring States period and the Han dynasty. Over time, the various spoken varieties diverged greatly from Literary Chinese, which was learned and composed as a special language. Preserved from the sound changes that affected the various spoken varieties, its economy of expression was greatly valued. For example, ("yì," "wing") is unambiguous in written Chinese, but has over 75 homophones in Standard Chinese.
Chinese language
The 7th (2016) edition of "Xiandai Hanyu Cidian", an authoritative one-volume dictionary on modern standard Chinese language as used in mainland China, has 13,000 head characters and defines 70,000 words.
Chinese characters
When the script was first used in the late 2nd millennium BC, words of Old Chinese were generally monosyllabic, and each character denoted a single word.
Increasing numbers of polysyllabic words have entered the language from the Western Zhou period to the present day.
It is estimated that about 25–30% of the vocabulary of classic texts from the Warring States period was polysyllabic, though these words were used far less commonly than monosyllables, which accounted for 80–90% of occurrences in these texts.
The process has accelerated over the centuries as phonetic change has increased the number of homophones.
It has been estimated that over two thirds of the 3,000 most common words in modern Standard Chinese are polysyllables, the vast majority of those being disyllables.
Lu Zhuangzhang
Lu's 1892 preface to the "Yimu liaoran chujie" explains the New Phonetic Alphabet's pragmatic advantages. 
Chinese characters are perhaps the most difficult of all characters in the whole world today…. Normally, when one writes poems and essays, one uses only a little over 5,000 of these characters. But if he wants to recognize these several thousand characters, even the most intelligent person will have to spend more than ten years of hard work. Herein lies the suitability of spelling. In my humble opinion, the wealth and strength of a nation are based on science; the advancement of science is based on the desire for learning and understanding principle of all men and women, young and old. Their being able to desire learning and understand principle is based on the spelling of words. Once they have become familiar with the letters and the methods of spelling, they can read any word by themselves without a teacher. Because the written and spoken word are the same, when they read with their mouths they comprehend in their hearts. Furthermore, because the strokes of the letters are simple, they are easy to recognize and easy to write, saving more than ten years of a person's life. This time may be dedicated to mathematics, physics, chemistry, and all kinds of practical learning. What worry would there then be for the wealth and strength of the nation? In the whole world today, except for China, all the other nations mostly use 20 or 30 letters for spelling... Therefore, in the civilized nations of Europe and America, all men and women over the age of ten, even in remote villages and isolated areas, are able to read... What is the reason for this? It is because they spell their words, because the written and the spoken word are the same, and because the strokes of the letters are simple... That men and women of foreign nations all can read is due to spelling. (tr. Mair 2002)
The publication of Lu's work opened the floodgates for new systems of Chinese transliteration, and inspired others to develop 29 phonetic schemes between 1892 and 1910 (Kaske 2008: 152-158, Theobald 2011). When Lu later supervised a language school in colonial Taiwan, he realized the flaws with his "Qieyin Xinzi" and attempted to redesign the system on the basis of the Japanese "kana" syllabary, but there were already too many competing schemes (Tsu and Elman 2014: 134).
Chinese name
Because the small number of Chinese surnames leads to confusion in social environments, and because some Chinese parents have a desire to give individuality, some Chinese have received unusual given names. As of April 2009, about 60 million Chinese people have unusual characters in their names. A 2006 report by the Chinese public security bureau stated that of about 55,000 Chinese characters used in the People's Republic of China, only 32,232 of those are supported by the ministry's computers. The PRC government has asked individuals with unusual names to change them so they can get new computer-readable public identity cards, and the diversity prevents them from receiving new identity cards if they do not change their names.
Written Chinese
Chinese characters conform to a roughly square frame and are not usually linked to one another, so do not have a preferred direction of writing. Traditionally Chinese text was written in vertical columns which were read from top to bottom, right-to-left; the first column being on the right side of the page, and the last column on the left. Text written in Classical Chinese also uses little or no punctuation, with sentence and phrase breaks being determined by context and rhythm. Vertical Chinese is still used for effect or where space requires it, such as signs or on spines of books.
Chinese numerals
For numbers larger than 10,000, similarly to the long and short scales in the West, there have been four systems in ancient and modern usage. The original one, with unique names for all powers of ten up to the 14th, is ascribed to the Yellow Emperor in the 6th century book by Zhen Luan, "Wujing suanshu" (Arithmetic in Five Classics). In modern Chinese only the second system is used, in which the same ancient names are used, but each represents a number 10,000 (myriad, 萬 wàn) times the previous:
Chinese characters
One area where character usage is officially restricted is in names, which may contain only government-approved characters. Since the "jōyō kanji" list excludes many characters that have been used in personal and place names for generations, an additional list, referred to as the "jinmeiyō kanji" (, lit. "kanji for use in personal names"), is published. It currently contains 983 characters.
Holy Emperor Guan's True Scripture to Awaken the World
"The True Scripture to Awaken the World" is written in simple Classical Chinese, and on the whole it doesn't contain more than 700 Chinese characters. In the first twelve lines, its writing style follows the three-character rule that is popular among other educational Chinese classics, such as "Three Character Classic" and "Standards for being a Good Pupil and Child", then it expands to the four-character rule of Chinese idioms, also known as Chengyu. Usually accompanying the scripture are examples of those who have benefited from the scripture.
Chinese typewriter
Lin had a prototype machine custom built by the Carl E. Krum Company, a small engineering-design consulting firm with an office in New York City. That multilingual typewriter was the size of a conventional office typewriter of the 1940s. It measured 36 × 46 × 23 cm (14" x 18" x 9"). The typefaces fit on a drum. A "magic eye" was mounted in the center of the keyboard which magnifies and allows the typist to review a selected character. Characters are selected by first pressing two keys to choose a desired character which is arranged according to a system Lin devised for his dictionary of the Chinese language. The selected Chinese character appeared in the magic eye for preview, the typist then pressed a "master" key, similar to today's computer function key. The typewriter could create 90,000 distinct characters using either one or two of six character-containing rollers, which in combination has 7000 full characters and 1,400 character radicals or partial characters.
Chinese characters
The most complex Chinese character still in use may be "biáng" (pictured right, bottom), with 58 strokes, which refers to Biang biang noodles, a type of noodle from China's Shaanxi province. This character along with the syllable "biáng" cannot be found in dictionaries. The fact that it represents a syllable that does not exist in any Standard Chinese word means that it could be classified as a dialectal character.
Written Chinese
Written Chinese is not based on an alphabet or syllabary, so Chinese dictionaries, as well as dictionaries that define Chinese characters in other languages, cannot easily be alphabetized or otherwise lexically ordered, as English dictionaries are. The need to arrange Chinese characters in order to permit efficient lookup has given rise to a considerable variety of ways to organize and index the characters.
Simplified Chinese characters
There had been simplification initiatives aimed at eradicating characters entirely and establishing the Hanyu Pinyin romanization as the official written system of the PRC, but the reform never gained quite as much popularity as the leftists had hoped. After the retraction of the second round of simplification, the PRC stated that it wished to keep Chinese orthography stable. Years later in 2009, the Chinese government released a major revision list which included 8,300 characters. No new simplifications were introduced. However, six characters previously listed as "traditional" characters that have been simplified, as well as 51 other "variant" characters, were restored to the standard list. In addition, orthographies (e.g., stroke shape) for 44 characters were proposed to be modified slightly to fit traditional calligraphic rules. Also, the practice of unrestricted simplification of rare and archaic characters by analogy using simplified radicals or components is now discouraged. A State Language Commission official cited "oversimplification" as the reason for restoring some characters. The language authority declared an open comment period until August 31, 2009 for feedback from the public. The proposed orthographic changes to 44 characters were not implemented due to overwhelmingly negative public opinion.
Chinese family of scripts
Each character of the early script represents a word of Old Chinese, which at that time was uniformly monosyllabic. The strategies used are traditionally classified into six categories (六書 "liùshū" "six writings") first recorded in the second century dictionary "Shuowen Jiezi". Three of these categories involved a representation of the meaning of the word:
Evolved forms of these characters are still in among the most commonly used today.
Chinese dictionary
The second system of dictionary organization is by recurring graphic components or radicals. The famous 100–121 CE "Shuowen Jiezi" (說文解字 "Explaining Simple and Analyzing Compound Characters") arranged characters through a system of 540 "bushou" (部首 "section header") radicals. The 543 CE "Yupian" (玉篇 "Jade Chapters"), from the Liang Dynasty, rearranged them into 542. The 1615 CE "Zihui" (字彙 "Character Glossary"), edited by Mei Yingzuo (梅膺祚) during the Ming Dynasty, simplified the 540 "Shuowen Jiezi" radicals to 214. It also originated the "radical-stroke" scheme of ordering characters on the number of residual graphic strokes besides the radical. The 1627 "Zhengzitong" (正字通 "Correct Character Mastery") also used 214. The 1716 CE "Kangxi Zidian" (康熙字典 "Kangxi Dictionary"), compiled under the Kangxi Emperor of the Qing Dynasty, became the standard dictionary for Chinese characters, and popularized the system of 214 radicals. As most Chinese characters are semantic-phonetic ones (形聲字), the radical method is usually effective, thus it continues to be widely used in the present day. However, sometimes the radical of a character is not obvious. To compensate this, a "Chart of Characters that Are Difficult to Look up" (難檢字表), arranged by the number of strokes of the characters, is usually provided.
Chinese language
The most comprehensive pure linguistic Chinese-language dictionary, the 12-volume "Hanyu Da Cidian", records more than 23,000 head Chinese characters and gives over 370,000 definitions. The 1999 revised "Cihai", a multi-volume encyclopedic dictionary reference work, gives 122,836 vocabulary entry definitions under 19,485 Chinese characters, including proper names, phrases and common zoological, geographical, sociological, scientific and technical terms.
Written Chinese
Chinese is one of the oldest continually used writing systems still in use. The earliest generally accepted examples of Chinese writing date back to the reign of the Shang Dynasty king Wu Ding (1250–1192 BC). These were divinatory inscriptions on oracle bones, primarily ox scapulae and turtle shells. Characters were carved on the bones in order to frame a question; the bones were then heated over a fire and the resulting cracks were interpreted to determine the answer. Such characters are called 甲骨文 "jiǎgǔwén" "shell-bone script" or oracle bone script.
Yi script
The original script is said to have comprised 1,840 characters, but over the centuries widely divergent glyph forms have developed in different Yi-speaking areas, an extreme example being the character for "stomach" which exists in some forty glyph variants. Due to this regional variation as many as 90,000 different Yi glyphs are known from manuscripts and inscriptions. Although similar to Chinese in function, the glyphs are independent in form, with little to suggest that they are directly related. However, there are some borrowings from Chinese, such as the characters for numbers used in some Yi script traditions.
Chinese language
Estimates of the total number of Chinese words and lexicalized phrases vary greatly. The "Hanyu Da Zidian", a compendium of Chinese characters, includes 54,678 head entries for characters, including bone oracle versions. The "Zhonghua Zihai" (1994) contains 85,568 head entries for character definitions, and is the largest reference work based purely on character and its literary variants. The CC-CEDICT project (2010) contains 97,404 contemporary entries including idioms, technology terms and names of political figures, businesses and products. The 2009 version of the Webster's Digital Chinese Dictionary (WDCD), based on CC-CEDICT, contains over 84,000 entries.
Education in China
A second language reform required the simplification of ideographs because ideographs with fewer strokes are easier to learn. In 1964 the Committee for Reforming the Chinese Written Language released an official list of 2,238 simplified characters most basic to the language. Simplification made literacy easier, although some people (especially in Hong Kong which is still using traditional Chinese) taught only in simplified characters were cut off from the wealth of Chinese literature written in traditional characters. Any idea of replacing ideographic script with romanized script was soon abandoned, however by government and education leaders.
A Dictionary of the Chinese Language
Part I, A Dictionary of the Chinese Language, is supertitled in Chinese—but not English—as a "character dictionary" (). It was a Chinese-to-English dictionary, organized by the 214 radical system employed by the 1716 "Kangxi Dictionary". These radicals are the initial or major graphic components of Chinese characters, ranging from 1 to 17 strokes. In Morrison's dictionary, Volume I starts with Radical 1 (, "one") and ends at Radical 41 ( ("thumb; Chinese inch") ; Volume II starts with Radical 42 (, "small") and stops at Radical 119 (, "rice") ; and Volume III begins with Radical 120 (, "silk") and ends the dictionary with Radical 214 (, "flute") . Vols. II & III were published simultaneously in London by Kingsbury, Parbury, & Allen.
Chinese language
Each Chinese character represents a monosyllabic Chinese word or morpheme. In 100 CE, the famed Han dynasty scholar Xu Shen classified characters into six categories, namely pictographs, simple ideographs, compound ideographs, phonetic loans, phonetic compounds and derivative characters. Of these, only 4% were categorized as pictographs, including many of the simplest characters, such as "rén" (human), "rì" (sun), "shān" (mountain; hill), "shuǐ" (water). Between 80% and 90% were classified as phonetic compounds such as "chōng" (pour), combining a phonetic component "zhōng" (middle) with a semantic radical (water). Almost all characters created since have been made using this format. The 18th-century Kangxi Dictionary recognized 214 radicals.
Simplified Chinese characters
Simplified Chinese characters may be referred to by their official name above or colloquially (). The latter refers to simplifications of character "structure" or "body", character forms that have existed for thousands of years alongside regular, more complicated forms. On the other hand, the official name refers to the modern systematically simplified character set, which (as stated by then-Chairman Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.
History of printing in East Asia
Given that the Chinese language does not use an alphabet it was usually necessary for a set of type to contain 100,000 or more blocks, which was a substantial investment. Common characters need 20 or more copies, and rarer characters only a single copy. In the case of wood, the characters were either produced in a large block and cut up, or the blocks were cut first and the characters cut afterwards. In either case the size and height of the type had to be carefully controlled to produce pleasing results. To handle the typesetting, Wang Zhen used revolving tables about 2m in diameter in which the characters were divided according to the five tones and the rhyme sections according to the official book of rhymes. The characters were all numbered and one man holding the list called out the number to another who would fetch the type.
Lin Yutang's Chinese-English Dictionary of Modern Usage
First, Lin breaks down all Chinese characters into 33 basic stroke formations, called the "letters of the Chinese Alphabet", arranged into ten groups suggested by the characters for numerals. For instance, the character for "liu" 六 "6" is the mnemonic basic for "letters" 亠 (60), 广 (61), 宀 (62), and 丶 (63). Second, Lin lists the "fifty radicals" (common among the traditional 214 Kangxi radicals) designated with letters A through D, as in 氵 (63A), 礻 (63B), 衤 (63C), and 戸 (63D). Third, characters that can be divided vertically into left and right components are called "split" (S), and those characters that cannot are called "non-split" (NS), thus 羊 and 義 are (NS) while 祥 and 佯 are (S).
Romance of the Three Kingdoms
"Romance of the Three Kingdoms" is acclaimed as one of the Four Great Classical Novels of Chinese literature; it has a total of 800,000 words and nearly a thousand dramatic characters (mostly historical) in 120 chapters. The novel is among the most beloved works of literature in East Asia, and its literary influence in the region has been compared to that of the works of Shakespeare on English literature. It is arguably the most widely read historical novel in late imperial and modern China.
Chinese given name
Chinese given names are almost always made up of one or two characters and are written "after" the surname. Therefore, Wei () of the Zhang () family is called "Zhang Wei" and not "Wei Zhang". Despite the relative paucity of Chinese surnames, given names can theoretically include any of the Chinese language's 100,000 characters and contain almost any meaning.
Chinese characters
The traditional six-fold classification ("" / "six writings") was first described by the scholar Xu Shen in the postface of his dictionary "Shuowen Jiezi" in 100 AD.
While this analysis is sometimes problematic and arguably fails to reflect the complete nature of the Chinese writing system, it has been perpetuated by its long history and pervasive use.
Chinese language
The varieties of Chinese are usually described by native speakers as dialects of a single Chinese language, but linguists note that they are as diverse as a language family. The internal diversity of Chinese has been likened to that of the Romance languages, but may be even more varied. There are between 7 and 13 main regional groups of Chinese (depending on classification scheme), of which the most spoken by far is Mandarin (about 960 million, e.g. Southwestern Mandarin), followed by Wu (80 million, e.g. Shanghainese), Min (70 million, e.g. Southern Min), Yue (60 million, e.g. Cantonese), etc. Most of these groups are mutually unintelligible, and even dialect groups within Min Chinese may not be mutually intelligible. Some, however, like Xiang and certain Southwest Mandarin dialects, may share common terms and a certain degree of intelligibility. All varieties of Chinese are tonal and analytic.
Chinaknowledge
With 1.5 billion speakers, the Chinese language is the most spoken language of the world. It is nevertheless one single language that is spoken in the same form in all parts of China, nor has it been unchanged over time. The script by which the Chinese language is written is an ideographic script embedded into clouds of mystery. It is an obstacle for education and literacy and has nevertheless been used for a vast treasury of literature. And it has provided an example for the scripts of neighbouring states. This part of the encyclopedia provides an introduction into important aspects of both the Chinese language and the Chinese script.
Thousand Character Classic
The Thousand Character Classic (), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four characters apiece and grouped into four line rhyming stanzas to make it easy to memorize. It is sung in a way similar to children learning the Latin alphabet sing an "alphabet song." Along with the "Three Character Classic" and the "Hundred Family Surnames", it formed the basis of literacy training in traditional China.
Simplified Chinese characters
Not all new character forms result in simpler characters (i.e. fewer strokes). For instance, the old form , with 11 strokes, now appears as , with 12 strokes, in the new form. However, technically, these new character forms do not constitute simplified characters.
Luo Xian Xiang
When the communists continued to march on to win territory after territory, Luo Xian Xiang left for Hong Kong, where he lived a spartan, quiet life. He died of illness in 1968 at the age of 78.Chinese characters are complicated and depending on how the string of characters is put together, the meaning can be quite different. Post 1950, to speed up the education of the masses, People's Republic of China has implemented a Simplified Chinese characters set of over 2,300 characters. This is a version with less stokes per character, taken from the entire pool of the more complex tradition Chinese characters. The easier to learn simplified version covered the needs for written communication in the daily life of the general public.
Chinese characters
Modern Chinese has many homophones; thus the same spoken syllable may be represented by many characters, depending on meaning. A single character may also have a range of meanings, or sometimes quite distinct meanings; occasionally these correspond to different pronunciations. Cognates in the several varieties of Chinese are generally written with the same character. They typically have similar meanings, but often quite different pronunciations. In other languages, most significantly today in Japanese and sometimes in Korean, characters are used to represent Chinese loanwords, to represent native words independently of the Chinese pronunciation (e.g., kunyomi in Japanese), and as purely phonetic elements based on their pronunciation in the historical variety of Chinese from which they were acquired. These foreign adaptations of Chinese pronunciation are known as Sino-Xenic pronunciations and have been useful in the reconstruction of Middle Chinese.
Chinese Character Code for Information Interchange
CCCII is a superset of ASCII designed to conform to ISO 2022. Each Chinese character is represented by a 3-byte code in which each byte is 7-bit. Thus, the maximum number of Chinese characters representable in CCCII is 94×94×94 = 830584. In practice the number of characters encodable by CCCII would be less than this number, because variant characters are encoded in related ISO 2022 planes under CCCII, so most of the code points would have to be reserved for variants.
CKC Chinese Input System
The encoding uses a maximum of 4 digits ("0" - "9") to represent a Chinese character. All possible shapes of strokes that forms any given Chinese character are classified into 10 groups, each represented by one of the ten possible digits 0-9. Chinese characters can then be input by following the order in which the strokes are identified at the 4 corners of the character. As a result of this simplicity in coding using the ten numeric digits, users typically need to use only a numeric keypad to input Chinese.
General Chinese
Taking a telegraphic code-book of about 10,000 characters as a representative list of characters in modern use, Chao notes that General Chinese results in a reduction of 80% in the number of characters needing to be learned.
Chinese script styles
In Chinese calligraphy, Chinese characters can be written according to five major styles. These styles are intrinsically linked to the history of Chinese script.
Naming law
The Chinese language has over 70,000 characters, but only a fraction of these are represented by computers. Children's names are limited to characters which are machine readable.
A Syllabic Dictionary of the Chinese Language
Williams' preface to "A Syllabic Dictionary of the Chinese Language " explains, "The number of characters in this work is 12,527, contained in 10,940 articles, and placed under 522 syllables, which follow each other alphabetically, aspirated syllables coming after the unaspirated. Those syllables which begin with "ts", on account of their number, are placed by themselves after "tw'an"" (1874: ix). The additional 1,587 characters are differently written variant characters. For instance, the standard character 醫 for "yī" "medical doctor" has 酉 "wine vessel" indicating medicinal wine, but the earlier variant character 毉 has 巫 "Chinese shaman" indicating shamanic healing.
Biangbiang noodles
Made up of 58 strokes in its traditional form (42 in simplified Chinese), the Chinese character for "biáng" is one of the most complex Chinese characters in contemporary usage, although the character is not found in modern dictionaries or even in the Kangxi dictionary.
Zhongwen Da Cidian
This encyclopedic dictionary includes 49,905 Chinese characters arranged under the traditional 214 Kangxi radicals. Each character entry shows the evolution of graphic forms (such as small seal script), gives pronunciations, and chronological meanings with sources. Words, phrases, and four-character idioms are given under the head character entry, arranged according to the number of strokes in their components. "There are many phrases under some characters," note Teng and Biggerstaff (1971:133), for example, 3,417 under "yi" (一 "one") and 1,398 under "huang" (黄 "yellow").
A Book from the Sky
The book is composed using a set of 4,000 characters, as this is roughly the number of characters in common usage in modern written Chinese. These characters were designed on the basis of the Kangxi radicals, so that “in terms of density of strokes and frequency of occurrence, they… appear, on the page, to be real characters“. In addition to these, page and fascicle numbers were indicated using tally marks based on the Chinese character 正.
Chinese Character Simplification Scheme
The "Chinese Character Simplification Scheme" is divided into three parts. The first part consists of 230 simplified characters; the second part consists of 285 simplified characters; the third part consists of 54 simplified radicals. The first and second parts differ in their time of implementation; the first part was to be implemented the day after the announcement, while the second part was mostly implemented in three batches later between 1956 and 1959 after further trials and slight changes, leaving out 28 simplified characters which were implemented in 1964 when the "List of Simplified Chinese Characters" was published.
The Five Thousand Dictionary
Each dictionary page has six columns (Fenn 1942: iv-v). The 1st column of each entry gives the head character, with any variant Chinese characters underneath linked by a line at the left, and the Standard Chinese tone indicated by a superscript on the character for the 4 tonal categories and a dot before it for the unstressed neutral tone (for example, s.v. "nü", "|⋅兒 a girl" for "nǚ'ér" (女兒 "daughter; girl") (1942: 369)). Most Chinese characters are classified as radical-phonetic characters that combine a semantically indicative "radical" with a phonologically indicative "phonetic". The 2nd column gives the head character's radical with its number in the 214 Kangxi radicals, and the 3rd gives the phonetic with its number in Soothill's dictionary (1900). The 4th column gives English translation equivalents for the character, common words written with it (abbreviated as "|" vertical bar), and indicates whether the character pronunciation is colloquial (俗) or literary (文), and whether it is used as a Classifier (C) or as a Surname (S). The 5th column gives alternate readings of the character, under which the user may find further information. The 6th column roughly indicates how frequently the character is used in Chinese, using the North China Union Language School's arrangement of the 5,000 character flashcards in ten groups of 500 each, lettered from A to K, with A for the 500 most commonly used characters and K for the 500 least commonly used.
Written Chinese
For over two thousand years, the prevailing written standard was a vocabulary and syntax rooted in Chinese as spoken around the time of Confucius (about 500 BC), called Classical Chinese, or 文言文 "wényánwén". Over the centuries, Classical Chinese gradually acquired some of its grammar and character senses from the various dialects. This accretion was generally slow and minor; however, by the 20th century, Classical Chinese was distinctly different from any contemporary dialect, and had to be learned separately. Once learned, it was a common medium for communication between people speaking different dialects, many of which were mutually unintelligible by the end of the first millennium AD. A Mandarin speaker might say "yī", a Cantonese "yāt", a Shanghainese "iq", and a Hokkien "chit", but all four will understand the character <> to mean "one".
Chinese telegraph code
The Chinese telegraph code, Chinese telegraphic code, or Chinese commercial code ( or ) is a four-digit decimal code (character encoding) for electrically telegraphing messages written with Chinese characters.
ABC Chinese–English Dictionary
The "ABC Dictionary" includes 5,425 different Chinese characters and a total 71,486 lexical entries. The dictionary's most notable feature is being entirely arranged by pinyin in the alphabetical order of complete compound words. For example, "kuàngquán" 矿泉 "mineral spring" immediately precedes "kuángquǎnbìng" 狂犬病 "rabies", which in turn immediately precedes "kuàngquánshuǐ" 矿泉水 "mineral water", even though the first and last words begin with the same character and the middle word with another (Sawer 2001: 224).
Lin Yutang's Chinese-English Dictionary of Modern Usage
A team of scholars at the Chinese University of Hong Kong Research Centre for Humanities Computing developed a free web edition of "Lin Yutang's Chinese-English Dictionary of Modern Usage" and published it online in 1999. The web edition comprises a total of 8,169 head characters, 40,379 entries of Chinese words or phrases, and 44,407 explanatory entries of grammatical usage. Chinese character encoding is in the Big5 system (which includes 13,053 traditional Chinese characters), which does not encode simplified Chinese characters or uncommon characters (represented as "□" in the dictionary) included in Unicode's 80,388 CJK Unified Ideographs. The web edition dictionary replaces Lin Yutang's obsolete Gwoyeu Romatzyh system with modern standard pinyin romanization, which users can hear pronounced through speech synthesis. It also abandons Lin's obsolete Instant Index System, which "has not been widely used since its inception", and provides three machine-generated indexes by radical, pinyin, and English.
Shigin
Kanshi and classical Chinese poems are usually composed of four or more lines of Chinese characters, or kanji (漢字), each line having the same number of characters. "Gin" with four phrases, each seven characters long (the most common), are classified as . There is strictly only one standard melody, although many poems will be distinguished by minor variations from this theme.
Chinese characters
In Old Chinese including Classical Chinese, most words were monosyllabic and there was a close correspondence between characters and words. In modern Chinese, the majority of Chinese words today consist of two or more characters. Rather, a character almost always corresponds to a single syllable that is also a morpheme.
However, there are a few exceptions to this general correspondence, including bisyllabic morphemes (written with two characters), bimorphemic syllables (written with two characters) and cases where a single character represents a polysyllabic word or phrase.
Written Chinese
There are eight basic rules of stroke order in writing a Chinese character:These rules do not strictly apply to every situation and are occasionally violated.
Radical 1
In the Kangxi Dictionary there are 42 characters (out of 49,030) to be found under this radical.
Radical 1, in this case known as 橫 "héng" "horizontal", is one of the eight principles of the character 永 (永字八法 Yǒngzì Bāfǎ) which are the basis of Chinese calligraphy.
Homophonic puns in Mandarin Chinese
Mandarin Chinese, like many Sinitic varieties, has a significant number of homophonous syllables and words due to its limited phonetic inventory. All languages have homophones, but in Chinese they are especially abundant. The Cihai dictionary lists 149 characters representing the syllable "yì". (However, modern Chinese words average about two syllables, so the high rate of "syllable" homophony does not cause a problem for communication.) Many Chinese take great delight in using the large amount of homophones in the language to form puns, and they have become an important component of Chinese culture. In Chinese, homophones are used for a variety of purposes from rhetoric and poetry to advertisement and humor, and are also common in Chinese loans, for example phono-semantic matching of brand names, computer jargon, technological terms and toponyms.
Chinese characters
Dozens of indexing schemes have been created for arranging Chinese characters in Chinese dictionaries. The great majority of these schemes have appeared in only a single dictionary; only one such system has achieved truly widespread use. This is the system of radicals (see for example, the 214 so-called Kangxi radicals).
Xu Shen
In the postface, Xu gives a brief account of the history of writing. According to legend, Chinese characters were first invented by Cang Jie, who was inspired by footprints to create a system of signs that refer to the natural world. These original graphs could then be combined to make meaningful characters with referents distinct from their component graphs. This was important for Xu Shen, who emphasized the productivity, even fertility, of Chinese writing. Despite the novel meanings of compound characters, Xu Shen believed that true understanding of composite characters was contingent on an understanding of their components. Providing clear explanation of these relationships lay at the heart of his motivation.
Central to Xu Shen's thought is the contrast between "wen" (文 patterns) and "zi" (字 characters), indeed these contrasting categories of graphs receive separate mention in the work's title. Even today, there is disagreement over the exact definitions of the two terms. The Song dynasty scholar Zheng Qiao (郑樵) first presented the interpretation that "wen" and "zi" are the difference between non-compound and compound characters. More recently, other scholars, such as Françoise Bottéro (2002), have argued that the addition of a specifically phonetic element (and thus not simply compounding) marks the principal difference between "wen" and "zi". From this original binary contrast, Xu Shen formally delineated for the first time the six categories (六书) of Chinese characters.
To organize the thousands of headwords, Xu Shen established 540 radicals, and ordered them from least to greatest complexity. Each radical then headed its own group, which in turn subsumed all composite characters which incorporated the specific radical. The total number of 540 has a cosmological weight, as it can be derived from the product of 6, 9, and 10. 6 and 9 are the numbers of Yin and Yang, and 10 a number signifying completion. This number symbolizes the exhaustive scope of the dictionary.
Chinese characters
Modified radicals and new variants are two common reasons for the ever-increasing number of characters. There are about 300 radicals and 100 are in common use. Creating a new character by modifying the radical is an easy way to disambiguate homographs among "xíngshēngzì" pictophonetic compounds. This practice began long before the standardization of Chinese script by Qin Shi Huang and continues to the present day. The traditional 3rd-person pronoun "tā" ( "he, she, it"), which is written with the "person radical", illustrates modifying significs to form new characters. In modern usage, there is a graphic distinction between "tā" ( "she") with the "woman radical", "tā" ( "it") with the "animal radical", "tā" ( "it") with the "roof radical", and "tā" ( "He") with the "deity radical", One consequence of modifying radicals is the fossilization of rare and obscure variant logographs, some of which are not even used in Classical Chinese. For instance, "he" "harmony, peace", which combines the "grain radical" with the "mouth radical", has infrequent variants with the radicals reversed and with the "flute radical".
Concise Dictionary of Spoken Chinese
The "Concise Dictionary of Spoken Chinese" comprises approximately 5,000 single-character head entries, collated by radical-and-stroke and numbered according to the 214 Kangxi radicals. The twelve most frequent radicals are given at the bottom of the pages for the dictionary user to memorize. "To insure further the finding of the characters, the authors have entered each character under all its apparently possible radicals and made a cross reference to the main entry" (1947: xxvi). For instance, 魯 "luu" is entered under radical 72 曰 "sun", with the note "See Rad. 195 魚 ["fish"]." The "Concise Dictionary" includes the popular and cursive forms of many characters, as well as the Suzhou numerals (e.g., "〢 "ell" Soochow numeral for '2', used in trade"), and the Bopomofo symbols ("ㄎ "ke" National Phonetic letter for the aspirated initial "k""), which had never been included in a Chinese dictionary, thus removing "one source of bewilderment for the foreign student of Chinese" (Luo 1947: 434).
Ellipsis
In Chinese, the ellipsis is six dots (in two groups of three dots, occupying the same horizontal or vertical space as two characters) (i.e. ……).
Character amnesia
Chinese characters are a logographic form of writing, where the form of the character is not always directly related to its pronunciation. The characters are composed of a combination of 8–11 standard strokes, over a hundred common radicals, and hundreds of phonetic components. The characters can be very complex and learning them is a highly neuro-muscular task, meaning that it is difficult to remember how to write the characters without repetitive practice in writing them by hand. Scientific studies have also shown that while reading utilizes diverse areas of the brain, reading Chinese makes unique usage of distinct parts of the frontal and temporal areas of the brain associated with motor memory, areas associated with handwriting.
Written Chinese
In contrast to the popular conception of Chinese as a primarily pictographic or ideographic language, the vast majority of Chinese characters (about 95% of the characters in the "Shuowen Jiezi") are constructed as either logical aggregates or, more often, phonetic complexes. In fact, some phonetic complexes were originally simple pictographs that were later augmented by the addition of a semantic root. An example is 炷 "zhù" "candle" (now archaic, meaning "lampwick"), which was originally a pictograph 主, a character that is now pronounced "zhǔ" and means "host", or The character 火 "huǒ" "fire" was added to indicate that the meaning is fire-related.
Chinese alphabet
There are and have been several Chinese alphabets, that is pre-existing alphabets adapted to write down the Chinese language. However, the standard Chinese writing system uses a non-alphabetic script with an alphabet for supplementary use. There is no original alphabet native to China. China has its Pinyin system though sometimes the term is used anyway to refer to logographic Chinese characters ("sinograms"). It is more appropriately used, though, for phonemic transcriptions such as pinyin.
Naming laws in the People's Republic of China
Latin characters, numerals and other non-Chinese symbols are prohibited, as they do not constitute part of a Chinese name under government law. Only Chinese characters are permitted; however, characters which are unable to be input on computers are also disallowed. There are no limits on the number of characters used, as this may vary depending on the name (typical Chinese names on average constitute 2 to 3 characters, with 4 or more characters being rare; however, non-Han ethnic groups such as Mongols, Tibetans and Uighurs have many syllables after transliteration into Standard Chinese).
Chengyu
Chengyu () are a type of traditional Chinese idiomatic expression, most of which consist of four characters. Chengyu were widely used in Classical Chinese and are still common in vernacular Chinese writing and in the spoken language today. According to the most stringent definition, there are about 5,000 chéngyǔ in the Chinese language, though some dictionaries list over 20,000. Chéngyǔ are considered the collected wisdom of the Chinese culture. Through the insights learned from chéngyǔ, you'll discover the experiences, moral concepts, or admonishments from the older generations of Chinese. Nowadays, chéngyǔ still plays an important role in Chinese conversations and education. It is therefore important to know some common chéngyǔ as you learn the language.
Chinese characters
The total number of Chinese characters from past to present remains unknowable because new ones are being developed all the time – for instance, brands may create new characters when none of the existing ones allow for the intended meaning – or they have been invented by whoever wrote them and have never been adopted as official characters. Chinese characters are theoretically an open set and anyone can create new characters, though such inventions are rarely included in official character sets. The number of entries in major Chinese dictionaries is the best means of estimating the historical growth of character inventory.
Table of General Standard Chinese Characters
The Table of General Standard Chinese Characters () is a standard list of 8,105 Chinese characters. Of these, 6,500 are designated as common, a reduction from the 7,000 in the earlier "List of Commonly Used Characters in Modern Chinese".
Written Chinese
The role of Chinese characters in Korean and Vietnamese is much more limited. At one time, many Chinese characters (called hanja) were introduced into Korean for their meaning, just as in Japanese. Today, Korean is written almost exclusively using the Hangul alphabet with a small number of Chinese characters. Each square block character contains Hangul symbols, or letters, that together represent a syllable. Similarly, the use of Chinese and Chinese-styled characters in the Vietnamese chữ nôm script has been almost entirely superseded by the Latin-based Vietnamese alphabet. Chinese characters are still actively used in South Korea today, mostly for signs, newspapers, books, and government documents.
Jijiupian
The original "Jijiupian" consisted of 32 sections ("zhang" 章), each with 63 Chinese characters, totaling 2,016. Some later editions of the text add two more sections, each with 64 characters, thus totaling 2,144. The text was designed to include as many different characters as possible, with little repetition, in order to maximize the student's exposure to and learning of new words. The text is described as a sort of abecedarium (Goodrich 1975: 220, Yates 2011: 358).
Written Chinese
Various current Chinese characters have been traced back to the late Shang Dynasty about 1200–1050 BC, but the process of creating characters is thought to have begun some centuries earlier. After a period of variation and evolution, Chinese characters were standardized under the Qin Dynasty (221–206 BC). Over the millennia, these characters have evolved into well-developed styles of Chinese calligraphy. As the varieties of Chinese diverged, a situation of diglossia developed, with speakers of mutually unintelligible varieties able to communicate through writing using Classical Chinese. In the early 20th century, Classical Chinese was replaced in this role by written vernacular Chinese, corresponding to the standard spoken language ("Mandarin"). Although most other varieties of Chinese are not written, there are traditions of written Cantonese, written Shanghainese and written Hokkien, among others.
Written Chinese
From the late Shang Dynasty, Chinese writing evolved into the form found in cast inscriptions on Chinese ritual bronzes made during the Western Zhou Dynasty (c 1066–770 BC) and the Spring and Autumn period (770–476 BC), a kind of writing called 金文 "jīnwén" "metal script". Jinwen characters are less angular and angularized than the oracle bone script. Later, in the Warring States period (475–221 BC), the script became still more regular, and settled on a form, called 六國文字/六国文字 "liùguó wénzì" "script of the six states", that Xu Shen used as source material in the "Shuowen Jiezi". These characters were later embellished and stylized to yield the seal script, which represents the oldest form of Chinese characters still in modern use. They are used principally for signature seals, or chops, which are often used in place of a signature for Chinese documents and artwork. Li Si promulgated the seal script as the standard throughout the empire during the Qin dynasty, then newly unified.
Kangxi Dictionary
The supplemented dictionary contains 47,035 character entries, plus 1,995 graphic variants, giving a total of 49,030 different characters. They are grouped under the 214 radicals and arranged by the number of additional strokes in the character. Although these 214 radicals were first used in the "Zihui", due to the popularity of the "Kangxi Dictionary" they are known as Kangxi radicals and remain in modern usage as a method to categorize traditional Chinese characters.
Manchu alphabet
The Manchu alphabet was also used to write Chinese. "Manchu: a textbook for reading documents", by Gertraude Roth Li, contains a list comparing a romanization of Chinese syllables written in Manchu compared to Hànyǔ Pīnyīn and Wade–Giles. Using the Manchu script to transliterate Chinese words is a source of loanwords for the Xibe language. Several Chinese-Manchu dictionaries contain Chinese characters transliterated with Manchu script and the Manchu version of the Thousand Character Classic is actually the Manchu transcription of all the Chinese characters. Also existing as a transliteration was the Manchu version of the Hong Loumeng (紅樓夢).
Naming laws in the People's Republic of China
There are over 70,000 known Chinese characters, yet approximately only 32,232 are supported for computer input, including both Traditional and Simplified characters (see GBK (character encoding) etc.). As the government database of personal names is maintained digitally on government networks, input of rarer characters becomes virtually impossible, thus creating an irremovable restriction on permitted names. All citizens within the People's Republic of China must have their details registered on the government computer network, while those over the age of 16 must carry an identification card, known in China as a Resident Identity Card at all times. As these processes are all done electronically, having a name which is not supported by electronic input makes government registration and the management of ID cards much more difficult.
Chu Bong-Foo
Existing methods of looking up a Chinese character such as looking for its radicals or its Pinyin (or romanization) give only ambiguous results. On the other hand, while Chinese script has no alphabet, most characters are compounds of a common set of components. Chu assumed that it was possible to encode Chinese characters with a group of 'Chinese alphabets' which can be mapped on a common keyboard. After studying dictionary cut-outs and many tests, the team released a table of 8,000 encoded characters in 1976. This result was unsatisfactory for general use but did however prove the possibility of encoding Chinese in this way.
Simplified Chinese characters
Simplified Chinese characters () are standardized Chinese characters prescribed in the "Table of General Standard Chinese Characters" for use in mainland China. Along with traditional Chinese characters, they are one of the two standard character sets of the contemporary Chinese written language. The government of the People's Republic of China in mainland China has promoted them for use in printing since the 1950s and 1960s to encourage literacy. They are officially used in the People's Republic of China and Singapore.
Chinese characters
Despite standardization, some nonstandard forms are commonly used, especially in handwriting. In older sources, even authoritative ones, variant characters are commonplace. For example, in the preface to the "Imperial Dictionary", there are 30 variant characters which are not found in the dictionary itself. A few of these are reproduced at right.
Wenlin Software for learning Chinese
Unlike most electronic Chinese dictionaries, characters in Wenlin are defined in terms of the Character Description Language (CDL), an XML specification for describing complex glyphs in East Asian language, developed by the Wenlin Institute. This allows the program to define characters and character variants that are not defined in existing character sets such as Unicode. Version 4.3.2 of Wenlin covers more than 80,000 Chinese characters, including many rare characters.
Classical Chinese grammar
Compared to the written vernacular Chinese of today, the most notable difference is that Classical Chinese rarely uses words composed of two Chinese characters; nearly all words are written with one character only. This stands directly in contrast with vernacular Chinese, in which two-character words are extremely common. This phenomenon exists, in part, because as sound changes created homophones among words, compounding was used to resolve ambiguities.
Second round of simplified Chinese characters
Also released in 1964 was a directive for further simplification in order to improve literacy, with the goal of eventually reducing the number of strokes in commonly used characters to ten or fewer. This was to take place gradually, with consideration for both "ease of production [writing] and ease of recognition [reading]." In 1975, a second round of simplifications, the Second Scheme, was submitted by the Script Reform Committee of China to the State Council for approval. Like the First Scheme, it contained two lists, one (comprising 248 characters) for immediate use and another (comprising 605 characters) for evaluation and discussion. Of these, 21 from the first list and 40 from the second also served as components of other characters, which caused the Second Scheme to modify some 4,500 characters. On 20 December 1977, major newspapers such as the "People's Daily" and the "Guangming Daily" published the second-round simplifications along with editorials and articles strongly endorsing the changes. Both newspapers began to use the characters from the first list on the following day.
Chinese dictionary
The Chinese language has two words for dictionary: "zidian" (character/logograph dictionary) for written forms, that is, Chinese characters, and "cidian" (word/phrase dictionary), for spoken forms.
Oxis Chinese Character Finder
A set of twenty-four abstract graphics is used to describe the printed form of Chinese characters. Each graphic is represented by a single ascii digit or letter, and the graphics themselves can be approximated with Chinese characters. The characters and their text equivalents are:
Chinese characters
In addition to strictness in character size and shape, Chinese characters are written with very precise rules. The most important rules regard the strokes employed, stroke placement, and stroke order. Just as each region that uses Chinese characters has standardized character forms, each also has standardized stroke orders, with each standard being different. Most characters can be written with just one correct stroke order, though some words also have many valid stroke orders, which may occasionally result in different stroke counts. Some characters are also written with different stroke orders due to character simplification.
Chinese name
Although there are currently over 4,000 Chinese surnames (, "xìng") in use in China, the colloquial expression for the "Chinese people" is Bǎixìng (百姓) "Hundred Surnames", and a mere hundred surnames still make up over 85% of China's 1.3 billion citizens. In fact, just the top three—Wang (王), Li (), and Zhang (張)—cover more than 20% of the population. This homogeneity results from the great majority of Han family names having only one character, while the small number of compound surnames is mostly restricted to minority groups. This has not always been true in Chinese history: between the first and fifth centuries AD, a law against multiple-character personal names briefly popularized two-character surnames and a number of important figures like Zhuge Liang and Sima Qian possessed them.
Chinese classifier
Chinese has a large number of nominal classifiers; estimates of the number in Mandarin range from "several dozen" or "about 50", to over 900. The range is so large because some of these estimates include all types of classifiers while others include only count-classifiers, and because the idea of what constitutes a "classifier" has changed over time. Today, regular dictionaries include 120 to 150 classifiers; the 8822-word "Syllabus of Graded Words and Characters for Chinese Proficiency" () lists 81; and a 2009 list compiled by Gao Ming and Barbara Malt includes 126. The number of classifiers that are in everyday, informal use, however, may be lower: linguist Mary Erbaugh has claimed that about two dozen "core classifiers" account for most classifier use. As a whole, though, the classifier system is so complex that specialized classifier dictionaries have been published.
List of Graphemes of Commonly-Used Chinese Characters
The List of Graphemes of Commonly-used Chinese Characters () is a list of 4762 commonly used Chinese characters and their standardized forms prescribed by the Hong Kong Education Bureau to be taught in primary and Middle schools in Hong Kong. The list was last updated in 2007, included as an appendix to the "Hong Kong Chinese Lexical Lists for Primary Learning" (). In 2012, the list was published as a hardcover book, with Cantonese and Putonghua pronunciations and simple English explanations for every character.
General Chinese
The result is a syllabary of 2082 syllables, about 80% of which are single morphemes—that is, in 80% of cases there is no difference between GC and standard written Chinese, and in running text, that figure rises to 90–95%, as the most common morphemes tend to be uniquely identified. For example, "kai" can only mean 開 "kāi" 'open', and "sam" can only mean 三 "sān" 'three'. Chao notes, "These syllables then are morphemes, or words with definite meanings, or clusters of meanings related by extensions. About 20 percent of the syllables are homophones under each of which there will be more than one morpheme, [which are traditionally] usually written with different characters [...] The degree of homophony is so low that it will be possible to write text either in literary or colloquial Chinese with the same character for each syllable [...] as has been tested in texts of various styles." Chao compares General Chinese to how Chinese was written when the writing system was still productive: "This amounts to a 100 percent use of writing Chinese by 'phonetic loan' [...] The situation is that when the ancients wrote a character by sound regardless of meaning, it was a 'loan character', whereas if a modern schoolboy writes one, he is punished for writing the wrong character!"
Bernardino de Escalante
Chapter XI of the "Discurso" discusses Chinese writing system, as well as education in China. While Escalante's description of the Chinese writing is generally similar to that given by da Cruz (absence of a phonetic alphabet; around 5000 different characters, each representing not just a syllable, but a particular meaning; usefulness of the written languages for communication between people who speak mutually incomprehensible languages of China, or even languages of other nearby countries such as Japan, Ryukyu, and Vietnam; writing in vertical columns), there are also significant differences. While da Cruz gives a first-hand account of the "purser" of a Chinese boat explaining to him the essentials of the writing system (after he had finished writing a note to the Vietnamese port authorities), Escalante gives an abstract textbook-type description. da Cruz gives the correct pronunciation ("tiem") of one character (the one with the meaning "heaven" - i.e., obviously, 天, whose modern Pinyin transcription is "tian"), but does not actually show the characters. Escalante's book shows 3 sample characters, even if quite deformed and hardly recognizable, while his phonetic values are harder to interpret.
Chinese characters
Chinese characters should not be confused with Chinese words, as the majority of modern Chinese words, unlike their Old Chinese and Middle Chinese counterparts, are written with two or more characters, each character representing one syllable and/or morpheme. Knowing the meanings of the individual characters of a word will often allow the general meaning of the word to be inferred, but this is not always the case.
Chinese as a foreign language
While English uses an alphabet, Chinese uses "hanzi", or Chinese characters, as its writing system. The "Kangxi dictionary" contains 47,035 characters (). However, most of the characters contained there are archaic and obscure. The Chart of Common Characters of Modern Chinese (), promulgated in People's Republic of China, lists 2,500 common characters and 1,000 less-than-common characters, while the Chart of Generally Utilized Characters of Modern Chinese () lists 7,000 characters, including the 3,500 characters already listed above.
List of longest novels
A particular difficulty is created when comparing word counts across different writing systems. The logographic Chinese characters used to write East Asian languages each represent one "morpheme" and are not separated by spaces. The same character may at times stand for one word, and other times form part of a larger word. For instance the characters "zhong" 中 and "guo" 囯 can be used independently to mean "middle" and "kingdom", respectively, but can also be combined into "Zhongguo" 中囯, "China" (i.e. "The Middle Kingdom"). One could theoretically construct a noun phrase "Zhongguo zhong guo" 中囯中囯 meaning "kingdoms in the middle of China". The absence of any formal marking of word boundaries means that it would be difficult to mechanically determine if such a phrase consists of two, three, or four words without knowing Chinese. East Asian bibliographies therefore generally give only the "character count" without attempting any "word count".
Written Chinese
Character components can be further subdivided into "strokes". The strokes of Chinese characters fall into eight main categories: horizontal (一), vertical (丨), left-falling (丿), right-falling (丶), rising (lower element of 冫), dot (、), hook (亅), and turning (乛, 乚, 乙, etc.).
Chinese characters
Although Chinese characters in Vietnam are now limited to ceremonial uses, they were once in widespread use. Until the early 20th century, Literary Chinese was used in Vietnam for all official and scholarly writing. Around the 13th century the "Nôm" script was developed to record folk literature in the Vietnamese language. The script used Chinese characters to represent both borrowed Sino-Vietnamese vocabulary and native words with similar pronunciation or meaning. In addition thousands of new compound characters were created to write Vietnamese words. This process resulted in a highly complex system that was never mastered by more than 5% of the population. Both Literary Chinese and "Nôm" were replaced in the early 20th century by Vietnamese written with the Latin-based Vietnamese alphabet.
Chinese language
There are currently two systems for Chinese characters. The traditional system, used in Hong Kong, Taiwan, Macau and Chinese speaking communities (except Singapore and Malaysia) outside mainland China, takes its form from standardized character forms dating back to the late Han dynasty. The Simplified Chinese character system, introduced by the People's Republic of China in 1954 to promote mass literacy, simplifies most complex traditional glyphs to fewer strokes, many to common cursive shorthand variants.
Written Chinese
The remaining four principles produce complex characters historically called 字 "zì" (although this term is now generally used to refer to all characters, whether simple or complex). Of these four, two construct characters from simpler parts:
Writing system
However, syllabaries with much larger inventories do exist. The Yi script, for example, contains 756 different symbols (or 1,164, if symbols with a particular tone diacritic are counted as separate syllables, as in Unicode). The Chinese script, when used to write Middle Chinese and the modern varieties of Chinese, also represents syllables, and includes separate glyphs for nearly all of the many thousands of syllables in Middle Chinese; however, because it primarily represents morphemes and includes different characters to represent homophonous morphemes with different meanings, it is normally considered a logographic script rather than a syllabary.
Chinese characters
The art of writing Chinese characters is called Chinese calligraphy. It is usually done with ink brushes. In ancient China, Chinese calligraphy is one of the Four Arts of the Chinese Scholars. There is a minimalist set of rules of Chinese calligraphy. Every character from the Chinese scripts is built into a uniform shape by means of assigning it a geometric area in which the character must occur. Each character has a set number of brushstrokes; none must be added or taken away from the character to enhance it visually, lest the meaning be lost. Finally, strict regularity is not required, meaning the strokes may be accentuated for dramatic effect of individual style. Calligraphy was the means by which scholars could mark their thoughts and teachings for immortality, and as such, represent some of the most precious treasures that can be found from ancient China.
Yuen Ren Chao
He also wrote "The Lion-Eating Poet in the Stone Den". This Chinese text consists of 92 characters, all with the sounds "shī", "shí", "shǐ" and "shì" (the diacritics indicate the four tones of Mandarin). When written out using Chinese characters the text can be understood, but it is incomprehensible when read out aloud in Standard Chinese, and therefore also incomprehensible on paper when written in romanized form. This example is often used as an argument against the romanization of Chinese. In fact, the text was an argument against the romanization of Classical Chinese and Chao was actually for the romanization of modern vernacular written Chinese; he was one of the designers of Gwoyeu Romatzyh.
Written Hokkien
Writing Hokkien using Chinese characters is a common method of writing in Taiwanese literature. However, there are various problems relating to the use of Chinese characters to write vernacular Hokkien, and in many cases Chinese characters are used alongside other scripts, such as bopomofo or POJ. The problem with using only Chinese characters to write Min Nan is that there are many morphemes (estimated to be around 15 percent of running text) which are not definitively associated with a particular character. Various strategies have been developed to deal with the issue, including researching and reviving the etymologically correct Chinese character from ancient Chinese texts, and classical Chinese, creating new characters, allocating Chinese characters used in written Mandarin with similar meanings, but dissimilar etymology, to represent the missing characters, or using romanization for the "missing 15%".