What is the oldest surviving example of calligraphy?
Jami' al-tawarikh
The lavish illustrations and calligraphy required the efforts of hundreds of scribes and artists, with the intent that two new copies (one in Persian, and one in Arabic) would be created each year and distributed to schools and cities around the Ilkhanate, in the Middle East, Central Asia, Anatolia, and the Indian subcontinent. Approximately 20 illustrated copies were made of the work during Rashid al-Din's lifetime, but only a few portions remain, and the complete text has not survived. The oldest known copy is an Arabic version, of which half has been lost, but one set of pages is currently in the Khalili Collection, comprising 59 folios from the second volume of the work. Another set of pages, with 151 folios from the same volume, is owned by the Edinburgh University Library. Two Persian copies from the first generation of manuscripts survive in the Topkapı Palace Library in Istanbul. The early illustrated manuscripts together represent "one of the most important surviving examples of Ilkhanid art in any medium", and are the largest surviving body of early examples of the Persian miniature.
Linguistic history of India
Examples of early Sanskrit-Kannada bilingual copper plate inscriptions ("tamarashaasana") are the Tumbula inscriptions of the Western Ganga Dynasty dated 444 AD The earliest full-length Kannada "tamarashaasana" in "Old Kannada" script (early 8th century) belongs to Alupa King Aluvarasa II from Belmannu, South Kanara district and displays the double crested fish, his royal emblem. The oldest well-preserved palm leaf manuscript is in "Old Kannada" and is that of "Dhavala", dated to around the 9th century, preserved in the Jain Bhandar, Mudbidri, Dakshina Kannada district. The manuscript contains 1478 leaves written in ink.
Calligraphy
Calligraphy (from Greek: καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, or other writing instruments. A contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Threshing board
The threshing boards must have been important in the protohistory of Mesopotamia, since they already appear in some of the oldest written documents discovered: specifically, several sandstone tablets from the early town of Kish (Iraq), engraved with cuneiform pictograms, which could be the world's oldest surviving written record, dating to the middle of the 4th millennium BC (Early Uruk period). One of these tablets, preserved in the Ashmolean Museum of Oxford University, appears to have pictures of threshing boards on both faces, next to some numeric symbols and other pictograms. These presumed threshing boards (which might instead be sledges) have a shape similar to threshing carts that were used until recently in parts of the Middle East where non-industrial agriculture survived. Descriptions also appear in numerous cuneiform clay tablets as early as the third millennium BC.
Calligraffiti
The spread and evolution of calligraphy can be traced very specifically throughout Islamic history as it is inherently tied to the spread of Islam itself. Calligraphy was how scribes transcribed and created Qur'ans—allowing Mohammad's message to extend beyond the Arabian Peninsula. Calligraphy has always had a central role in Middle Eastern art because of Islamic restrictions concerning the portrayal of human beings. As a result, calligraphy became not only a mechanism for the expansion of Islam, but a way to create religious art.
History of printing
Woodblock printing ("diaoban yinshua" 雕版印刷), known as xylography today, was the first method of printing applied to a paper medium. It became widely used throughout East Asia both as a method for printing on textiles and later, under the influence of Buddhism, on paper. As a method of printing on cloth, the earliest surviving examples from China date to about 220. "Ukiyo-e" is the best known type of Japanese woodblock art print. Most European uses of the technique on paper are covered by the term woodcut (see below), except for the block-books produced mainly in the fifteenth century.
Lebor na hUidre
Lebor na hUidre or the Book of the Dun Cow (MS 23 E 25) is an Irish vellum manuscript dating to the 12th century. It is the oldest extant manuscript in Irish. It is held in the Royal Irish Academy and is badly damaged: only 67 leaves remain and many of the texts are incomplete. It is named after an anachronistic legend that it was made from the hide of a dun cow by Saint Ciarán of Clonmacnoise.
Chinese calligraphy
The Clerical script (traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: "lìshū") is an archaic style of Chinese calligraphy. The clerical script began during Han dynasty and has lasted up to the present. The clerical script is considered as a form of modern script even though it was replaced by the standard script by very early date. It was all because the graphic forms written in mature clerical script closely resemble those written in standard script.The clerical script is still used for artistic flavor in a variety of functional applications because of its high legibility of reading.
Skara Missal
The Skara Missal is a 12th-century illuminated manuscript, a missal kept in "Stifts- och landsbiblioteket i Skara", a library in Skara, Sweden. It is the oldest surviving missal of this kind in Scandinavia. It is written in Latin, and is in folio format. Only about one eighth of the original remains, or 44 pages. The book was originally bound in a single volume, but is since the 13th or 14th century split into two volumes. One of the volumes is currently part of the permanent exhibition of Västergötland Museum. It was written by two different scribes. It contains text, illuminations and musical notes. The illuminations consist of two full page illustrations, four large decorative initials and a number of smaller ones. Certain traits indicate that the illuminator may have come from Scandinavia.
Chinese calligraphy
For more than 2,000 years, China's literati—Confucian scholars and literary men who also served the government as officials—have been connoisseurs and practitioners of this art. In Imperial China, the graphs on old steles — some dating from 200 BC, and in Xiǎozhuàn style (small seal script) — are still accessible.
Palaeography
The oldest example of minuscule cursive writing that has been discovered is a letter on papyrus, found in Egypt, dating from the 4th century. This marks a highly important date in the history of Latin writing, for with only one known exception, not yet adequately explained—two fragments of imperial rescripts of the 5th century—the minuscule cursive was consequently the only "scriptura epistolaris" of the Roman world. The ensuing succession of documents show a continuous improvement in this form of writing, characterised by the boldness of the strokes and by the elimination of the last lingering majuscule forms. The Ravenna deeds of the 5th and 6th centuries exhibit this hand at its perfection.
Early Indian epigraphy
The Halmidi inscription is the oldest known inscription in the Kannada language. The inscription is carved on a pillar, that was discovered in the village of Halmidi, a few miles from the famous temple town of Belur in the Hassan district of Karnataka, and is dated 450 CE. The original inscription has now been deposited in an archaeological museum in Bangalore while a fibreglass replica has been installed at Halmidi.
Calligraphy
Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, and Roman cursive for daily use. In the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was found more suitable for copying the Bible and other religious texts. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, when the Roman Empire fell and Europe entered the Dark Ages.
Japanese calligraphy
At the same time, a style of calligraphy unique to Japan emerged. Writing had been popularized, and the "kana" syllabary was devised to deal with elements of pronunciation that could not be written with the borrowed Chinese characters. Japanese calligraphers still fitted the basic characters, called "kanji" , into the squares laid out centuries before. A fragment, "Kara-ai no hana no utagire" (, AD 749) is considered the first text to show a style unique to Japanese calligraphy; it shows a Tanka poem using Man'yōgana, thus deviated from contemporary Chinese calligraphy. Ono no Michikaze (AD 894-966), one of the so-called "sanseki" , "Three Brush Traces"), along with Fujiwara no Sukemasa and Fujiwara no Yukinari, is considered the founder of the authentically Japanese "wayō" style, or "wayō-shodō" . This development resonated with the court: Kūkai said to Emperor Saga, "China is a large country and Japan is relatively small, so I suggest writing in a different way." The , a poem written by Emperor Saga on the occasion of Saichō's death, was one of the examples of such a transformation. Ono no Michikaze served as an archetype for the "Shōren-in" school, which later became the "Oie" style of calligraphy. The "Oie" style was later used for official documents in the Edo period and was the prevailing style taught in the "terakoya" schools of that time.
History of the Lombards
The relations between these manuscripts were studied by Georg Waitz, who in 1876 identified 11 different families of the "Historia Langobardorum". The oldest manuscript is the Palimpsest of Assisi, written in the uncial script towards the end of the 8th century, almost immediately after Paul's work was completed. This palimpsest is, however, far from complete, as it contains only parts of books II and V of Paul's history. The earliest complete manuscript is the "Codex Sangallensis 635" written sometime between the 8th and the 10th centuries and designated by Waitz as F1. According to Waitz, F1's age makes it the most reliable of the "Historia"'s codices, a view which has been challenged by Antonio Zanella and Dante Bianchi, both of whom hold that the F1 does not correctly reflect Paul's original. 
Paul's account was largely accepted by subsequent writers, was often continued, and was first printed in Paris in 1514. Among the printed editions of the Latin text, the most authoritative is that edited by Ludwig Konrad Bethmann and Georg Waitz and published in the "Monumenta Germaniae Historica. Scriptores rerum langobardicarum et Italicarum" (Hanover, 1878).
Huai Su's Autobiography
"Huai Su's" "Autobiography" (懷素自叙帖) is a representative Chinese calligraphy work written by the renowned Tang Dynasty Chinese calligrapher Huai Su in 777 AD. It is often considered today to be one of the best written cursive script (草書) works in Chinese calligraphy. The work measures 28.3 cm by 755 cm and is currently kept in the National Palace Museum, Taipei. However, recent studies on this particular piece kept in the National Palace Museum revealed that it was likely a Northern Song Dynasty modelling replica (映寫) of the original; note also that there are also other replica versions of Huai Su's Autobiography.
Indian calligraphy
There was a bigger goal to this style of language than just to communicate with one another. There was no one true form of communication before this was created, and calligraphy helped to guide community members to connect in more than one aspect of life, that was not just language. A rich heritage of calligraphy was embraced as this was a time before printing technology was accessible to Indian counties. This brought people closer together as they began to communicate in the same ways. While it may be used as an art form today, it was essential for communication before the 16th century.
Religious texts are the most frequent vehicle for calligraphy in India. Monastic Buddhist communities had members trained in calligraphy and shared responsibility for duplicating sacred scriptures. Jaina traders incorporated illustrated manuscripts celebrating Jaina saints. These manuscripts were produced using inexpensive material, like palm leave and birch, with fine calligraphy.
Western calligraphy
A tradition of biblical manuscripts in "codex" form goes back to the 2nd century (Codex Vaticanus), and from about the 5th century,
two distinct styles of writing known as uncial and half-uncial (from the Latin "uncia," or "inch") developed from various Roman bookhands.
Persian calligraphy
Around one thousand years ago, Ibn Muqlah () and his brother created six genres of Iranian calligraphy, namely "Mohaqiq", "Reyhan", "Sols", "Naskh", "Toqi" and "Reqa". These genres were common for four centuries in Persia. In the 7th century (Hijri calendar), Hassan Farsi Kateb combined the "Naskh" and "Reqah" styles and invented a new genre of Persian calligraphy named "Ta'liq". In the 14th century, Mir Ali Tabrizi combined two major scripts of his time, i.e. Naskh and Taliq, and created a new Persian calligraphic style called "Nas’taliq"[http://www.persiancalligraphy.org/History-of-Calligraphy.html [2]]. In the past 500 years Nastaʿlīq (also anglicized as Nastaleeq; "") has been the predominant style for writing the Perso-Arabic script.
Calligraphy
In ancient China, the oldest Chinese characters existing are Jiǎgǔwén characters (甲骨文) carved on ox scapulae and tortoise plastrons, because the dominators in Shang Dynasty carved pits on such animals' bones and then baked them to gain auspice of military affairs, agricultural harvest, or even procreating and weather. During the divination ceremony, after the cracks were made, the characters were written with a brush on the shell or bone to be later carved. (Keightley, 1978). With the development of "Jīnwén" (Bronzeware script) and "Dàzhuàn" (Large Seal Script) "cursive" signs continued. Mao Gong Ding is one of the most famous and typical Bronzeware scripts in the Chinese calligraphy history. It has 500 characters on the bronze which is the largest number of bronze inscription we have discovered so far. . Moreover, each archaic kingdom of current China had its own set of characters.
Archimedes
The foremost document containing the work of Archimedes is the Archimedes Palimpsest. In 1906, the Danish professor Johan Ludvig Heiberg visited Constantinople and examined a 174-page goatskin parchment of prayers written in the 13th century AD. He discovered that it was a palimpsest, a document with text that had been written over an erased older work. Palimpsests were created by scraping the ink from existing works and reusing them, which was a common practice in the Middle Ages as vellum was expensive. The older works in the palimpsest were identified by scholars as 10th century AD copies of previously unknown treatises by Archimedes. The parchment spent hundreds of years in a monastery library in Constantinople before being sold to a private collector in the 1920s. On October 29, 1998 it was sold at auction to an anonymous buyer for $2 million at Christie's in New York. The palimpsest holds seven treatises, including the only surviving copy of "On Floating Bodies" in the original Greek. It is the only known source of "The Method of Mechanical Theorems", referred to by Suidas and thought to have been lost forever. "Stomachion" was also discovered in the palimpsest, with a more complete analysis of the puzzle than had been found in previous texts. The palimpsest is now stored at the Walters Art Museum in Baltimore, Maryland, where it has been subjected to a range of modern tests including the use of ultraviolet and light to read the overwritten text.
Old Kannada
The earliest full-length Kannada copper plates in Old Kannada script (early 8th century) belongs to the Alupa King Aluvarasa II from Belmannu, South Kanara district and displays the double crested fish, his royal emblem. The oldest well-preserved palm leaf manuscript is in Old Kannada and is that of Dhavala, dated to around the 9th century, preserved in the Jain Bhandar, Mudbidri, Dakshina Kannada district.[26] The manuscript contains 1478 leaves written using ink.
History of writing
Of several pre-Columbian scripts in Mesoamerica, the one that appears to have been best developed, and has been fully deciphered, is the Maya script. The earliest inscriptions which are identifiably Maya date to the 3rd century BC, and writing was in continuous use until shortly after the arrival of the Spanish conquistadores in the 16th century AD. Maya writing used logograms complemented by a set of syllabic glyphs: a combination somewhat similar to modern Japanese writing.
Epigraphy
Most of the forms of writing known to us originated in some system of picture-writing (cf. also pictography, which developed into a hieroglyphic system. Such systems appear to have originated independently in different parts of the world — in Egypt, Mesopotamia, Crete, among the Hittites and in China and America. The evidence for all of these is mainly to be found in inscriptions. The development from Ideographs (or direct representation of an object or idea) to symbols of phonetic value, and so to syllabaries or alphabets, took place in many different systems to various degrees. But the first people to invent a completely alphabetic system of writing were the Phoenicians, from whom the Greeks borrowed (some scholars believe, but with no proving) it with certain modifications and improvements. From the Greeks was derived the Latin, and from the two all the alphabets of European peoples. It is still a matter of dispute whether the Phoenician was derived from the Egyptian.
The hieroglyphic symbols naturally tended to be conventionalised and simplified for convenience of cutting, in accordance with the materials and tools employed. In many cases they developed from a pictorial to a linear form. It is possible that some of these linear forms may not be derived from hieroglyphs, but from purely conventional geometrical forms. such as widely used at all periods and places as owners' or masons' marks. The tendency of linear forms to become wedge-shaped is most conspicuous in cuneiform, but as has been noticed, the same tendency occurs in Greek inscriptions incised on bronze.
Talisman
This object, a Talismanic Scroll dating from the 11th-century was discovered in Egypt and produced in the Fatimid Islamic Caliphate (909-1171 C.E.). It resides in the collection of the Metropolitan Museum of Art (New York, NY) along with a number of other Medieval Islamic amulets and talismans that were donated to the museum by the Abemayor family in 1978. About 9 inches by 3 inches in size, the miniature paper scroll contains a combination of prayers and Quranic verses, and was created for placement in an amulet box. This block print bears Kufic, the oldest calligraphic Arabic script, as well as Solomon's Seal, a star with six points that has been identified in a large number of Islamic art pieces of the period.
Calligraffiti
The origins of the term, "calligraffiti" are unclear. The Dutch artist Niels Shoe Meulman is often incorrectly credited with coining the term in 2007, when he used it as the title of his solo exhibition. Muelman describes calligraffiti as "traditional handwriting with a metropolitan attitude" and a "way of translating the art of the street to the interior of museums, galleries and apartments." In an interview he explains the technique itself as "directness in the whole, finesse in the details. An even balance between seeing and reading word and image. … letters, writing and language itself becomes an image or abstraction. On the other hand, basic shapes and splats become language."'
Cuneiform
Cuneiform or Sumerian cuneiform, one of the earliest systems of writing, was invented by the Sumerians. It is distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. The name "cuneiform" itself simply means "wedge shaped".
Manuscript
The study of the writing, or "hand" in surviving manuscripts is termed palaeography. In the Western world, from the classical period through the early centuries of the Christian era, manuscripts were written without spaces between the words (scriptio continua), which makes them especially hard for the untrained to read. Extant copies of these early manuscripts written in Greek or Latin and usually dating from the 4th century to the 8th century, are classified according to their use of either all upper case or all lower case letters. Hebrew manuscripts, such as the Dead Sea scrolls make no such differentiation. Manuscripts using all upper case letters are called majuscule, those using all lower case are called minuscule. Usually, the majuscule scripts such as uncial are written with much more care. The scribe lifted his pen between each stroke, producing an unmistakable effect of regularity and formality. On the other hand, while minuscule scripts can be written with pen-lift, they may also be cursive, that is, use little or no pen-lift.
Korean calligraphy
Chinese calligraphy was introduced to Korea as early as the 2nd or 3rd century CE, and became popular in the 7th century. In the 8th century, Kim Saeng became known as the earliest Korean calligraphic master, producing work that was compared with that of master Chinese calligrapher Wang Xizhi. In the 9th century, poet Choe Chiwon became known for his calligraphy both in his home country Silla and in the Tang Dynasty.
Papyrus stem (hieroglyph)
The ancient Egyptian papyrus stem hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. The papyrus stalk, (or stem) was incorporated into designs of columns on buildings, also facades, and is also in the iconographic art portrayed in Ancient Egyptian decorated scenes.
Lipogram
Lasus of Hermione, who lived during the second half of the sixth century BCE, is the most ancient author of a lipogram. This makes the lipogram, according to Quintus Curtius Rufus, "the most ancient systematic artifice of Western literature". Lasus did not like the sigma, and excluded it from one of his poems, entitled "Ode to the Centaurs," of which nothing remains; as well as a "Hymn to Demeter", of which the first verse remains:
Theatrum artis scribendi
Theatrum Artis Scribendi is a book about calligraphy by Jodocus Hondius. The first edition was published in Amsterdam in 1594; a second edition was published in 1614 by his son, Johannes Janssonius. A facsimile, limited to 300 copies, was published in 1969 by Midland Publishers of the Netherlands. The facsimile was printed by N. Miedma and Co. of Leeuwarden and bound by Van Rijmenam N.V. in The Hague.
History of writing
There have recently been discoveries of tortoise-shell carvings dating back to c. 6000 BC, like Jiahu Script, Banpo Script, but whether or not the carvings are complex enough to qualify as writing is under debate. At Damaidi in the Ningxia Hui Autonomous Region, 3,172 cliff carvings dating to 6000–5000 BC have been discovered, featuring 8,453 individual characters, such as the sun, moon, stars, gods, and scenes of hunting or grazing. These pictographs are reputed to be similar to the earliest characters confirmed to be written Chinese. If it is deemed to be a written language, writing in China will predate Mesopotamian cuneiform, long acknowledged as the first appearance of writing, by some 2,000 years; however it is more likely that the inscriptions are rather a form of proto-writing, similar to the contemporary European Vinca script.
Calligraffiti
The practice of calligraffiti appears to have begun in the Middle East and North Africa in around the 1950s, when local artists, searching for a visual language that expressed their national identity and heritage, began incorporating Arabic letters, as a graphic form, into their artworks. Artists such as the Lebanese painter and poet, Etel Adnan (b. 1925); the Egyptian painter, Ramzi Moustafa (b. 1926) and the Iraqi painter-sculptor and philosopher, Shakir Hassan Al Said (b.1925) all searched for ways to use Arabic letters in abstract compositions.
List of National Treasures of Japan (writings: others)
Collections of exemplary calligraphy, or "tekagami" (lit. "mirror of the hands"), were created by cutting pages and sections of old books and scrolls of sutras, poems and letters, which were arranged in albums in a chronological order or according to social status. By the early-16th century, calligraphic connoisseurs of the Kohitsu house had practiced activities aimed at preserving ancient calligraphic works. "Tekagami" production appears to have started in the Momoyama period. These albums served as model books for calligraphy practice, the emulation of old styles, and as reference works for authentication in the growing antique market. Today, the selection of calligraphers, and the type of calligraphies in a "tekagami", show the changing tastes in classical Japanese-style calligraphy over the years. Four "tekagami" containing works from the 8th century Nara to the 15th century Muromachi period have been designated as National Treasures.
In Japanese calligraphy the term originally referred to works by ancient calligraphers, or poets, on scrolls or bound books, created from between the 8th to 15th centuries. In today's use, the term mainly describes copies of poetry anthologies from the Heian to mid-Kamakura period. Since they were made as artful daily items for the nobility, in addition to having a beautiful script, attention was given to the choice of paper (which was often decorated), the binding, mountings and even accompanying boxes. Stylistically, kohitsu were written in Japanese kana in cursive script ("sōgana"). In the Momoyama and early Edo period, surviving kohitsu were often cut (kohitsu-gire), mounted on hanging scrolls and displayed in a tea room. Five scrolls of kohitsu poetry collections from the mid-Heian period have been designated as National Treasures. They were made by two calligraphers: Fujiwara no Yukinari and Ono no Michikaze.
There are three National Treasures writings that do not fit in any of the above categories, all originating in China. Two are 7th century works: a copy of the Thousand Character Classic by Zhi Yong both in formal and cursive scripts, and a tracing copy of a letter by the famous Chinese calligrapher Wang Xizhi. The former work is said to have been imported to Japan by the legendary scholar Wani in ancient times. One is a 13th-century set of large-scale letters (2 or 3 each) to be displayed on walls or above doorways.
Grafting
In Rome, Marcus Porcius Cato wrote the oldest surviving Latin text in 160 BCE. The book is called "De Agri Cultura (On Farming Agriculture)" and outlines several grafting methods. Other authors in the region would write about grafting in the following years, however, the publications often featured fallacious scion-stock combinations.
Book of Job in Byzantine illuminated manuscripts
The earliest and most important text, especially with regard to the illustration of the Book of Job in this category, is the pseudepigraphical Testament of Job, which has survived in its oldest version in Greek, in the Slavonic translation derived from Greek and, in its latest form, from the Syrian and Arabic variants.[12] The earliest mention of the Testament of Job is in the decree of Pope Gelasius, promulgated about AD 496, in which it is condemned as apocryphal: “Liber qui appellatur Testamentum Job apocryphus”.[13]
Literally, it belongs to the “testaments”, an apocryphal body of writings which were compiled to preserve the teachings and the histories of great, usually Biblical, figures whose names they bear.[14] Within this group the Testament of Job is, in its general complexion, more related to the Testament of The Twelve Patriarchs, while, like the Testament of Moses, it is characterized by a close adherence to the Bible text. Each constitute a haggadic commentary upon a canonical book – in other words, a midrash.[15]
Sequence of Saint Eulalia
The Sequence of Saint Eulalia, also known as the Canticle of Saint Eulalia () is the earliest surviving piece of French hagiography and one of the earliest extant texts in the vernacular langues d'oïl (Old French). It dates from around 880.
Chirography
Although writing's origins may be traced back to the renowned French cave paintings in Lascaux (said to be about 20,000 years old), it appears to have been nearly 17 millennia before any formal system of writing was developed.
Calligraphy
Most of the archaeological sites in Mexico such as Chichen Itza, Labna, Uxmal, Edzna, Calakmul, etc. have glyphs in their structures. Carved stone monuments known as stele are common sources of ancient Mayan calligraphy.
Palaeography
Though less than a century intervenes between the Ravenna cursive and the oldest extant Merovingian document (AD 625), there is a great difference in appearance between the two writings. The facile flow of the former is replaced by a cramped style, in which the natural slope to the right gives way to an upright hand, and the letters, instead of being fully outlined, are compressed to such an extent that they modify the shape of other letters. Copyists of books used a cursive similar to that found in documents, except that the strokes are thicker, the forms more regular, and the heads and tails shorter. The Merovingian cursive as used in books underwent simplification in some localities, undoubtedly through the influence of the minuscule book-hand of the period. The two principal centres of this reform were Luxeuil and Corbie.In Spain, after the Visigothic conquest, the Roman cursive gradually developed special characteristics. Some documents attributed to the 7th century display a transitional hand with straggling and rather uncouth forms. The distinctive features of Visigothic writing, the most noticeable of which is certainly the q-shaped g, did not appear until later, in the book-hand. The book-hand became set at an early date. In the 8th century it appears as a sort of semi-cursive; the earliest example of certain date is ms lxxxix in the Capitular Library in Verona. From the 9th century the calligraphic forms become broader and more rounded until the 11th century, when they become slender and angular. The Visigothic minuscule appears in a cursive form in documents about the middle of the 9th century, and in the course of time grows more intricate and consequently less legible. It soon came into competition with the Carolingian minuscule, which supplanted it as a result of the presence in Spain of French elements such as Cluniac monks and warriors engaged in the campaign against the Moors.
Japanese calligraphy
The Chinese roots of Japanese calligraphy go back to the twenty-eighth century BC, to a time when pictographs were inscribed on bone for religious purposes. When this writing developed into an instrument of administration for the state, the need for a uniform script was felt and Li Si, prime minister in the Chinese dynasty of Qin, standardized a script and its way of being written. He sanctioned a form of script based on squares of uniform size into which all characters could be written from eight strokes. He also devised rules of composition where horizontal strokes are written first and characters are composed starting from top to bottom, left to right. Because the symbols were inscribed with sharp instruments, the lines were originally angular and in many ways, Li Si's achievements were made obsolete by the appearance of brush and ink (see Chinese calligraphy). The ink-wet brush creates a line quite different from a sharp stylus. It affords variation in thickness and curve of line. Calligraphy retained the block form of Li Si and his eight strokes but the writer was free to create characters that emphasized aesthetically pleasing balance and form. The way a character was written gave a message of style.
Wang Xizhi
In addition to the esteem in which he is held in China, he has been and remains influential in Japanese calligraphy.
Born in Linyi, Shandong, Wang spent most of his life in present-day Shaoxing, Zhejiang and Wenzhou. He learned the art of calligraphy from Lady Wei Shuo. He excelled in every script but particularly in semi-cursive script. His representative works include, in chronological order, "Narration on Yue Yi " (), "The Yellow Court Classic" (), "Commentaries on the Portrait of Dongfang Shuo" (), "Admonitions to the Emperor from the Imperial Mentor" (), "Preface to the Collection of Poems Composed at the Orchid Pavilion" (, also commonly known as "Lanting Xu" ), and "The Statement of Pledge "《告誓文》. Unfortunately, none of his original works remains today.
Suzuri-bako
The first "suzuri-bako" were developed in 9th century Japan. At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's brush. Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture. Inside of the square or rectangular boxes rested a number of different trays and holders, the layout of which differed from period to period. Early boxes were large enough to accommodate both the writer's implements and papers, while later boxes only housed tools. A second type of box, the "ryōshibako", were used in later periods to house completed papers.
Persian calligraphy
Persian calligraphy () or Iranian calligraphy () is the calligraphy of the Persian language. It is one of the most revered arts throughout history of Iran.
Jemdet Nasr period
Apart from the distinctive pottery, the period is known as one of the formative stages in the development of the cuneiform script. The oldest clay tablets come from Uruk and date to the late fourth millennium BC, slightly earlier than the Jemdet Nasr Period. By the time of the Jemdet Nasr Period, the script had already undergone a number of significant changes. It originally consisted of pictographs, but by the time of the Jemdet Nasr Period it was already adopting simpler and more abstract designs. It is also during this period that the script acquired its iconic wedge-shaped appearance.
Calligraphy
In Imperial China, the graphs on old steles—some dating from 200 BC, and in Xiaozhuan style—are still accessible.
Digraphia
Although the word "digraphia" is new, the practice is ancient. Darius the Great's (c. 522-486 BCE) Behistun Inscription was written in three cuneiform scripts for Old Persian, Elamite, and Babylonian.
Dramatic Ramesseum Papyrus
The Dramatic Ramesseum Papyrus (also known simply as the Ramesseum Papyrus) is the oldest known surviving illustrated papyrus roll. It contains a ceremonial play written to celebrate the accession to the throne of Senusret I of the Twelfth Dynasty and is dated to around 1980 BC. It was discovered in the Ramesseum, from which it gets its name. The text of the roll is in linear hieroglyphs written in narrow, vertical columns. The text occupies the top four-fifths of the scroll and the illustrations the bottom. The scenes are arranged in a manner similar to a modern comic strip with the Pharaoh, in the role of Horus, appearing multiple times. Scenes are divided from each other by vertical lines. The papyrus is now preserved at the British Museum.
Carolingian art
The Court School of Charlemagne (also known as the Ada School) produced the earliest manuscripts, including the Godescalc Evangelistary (781–783); the Lorsch Gospels (778–820); the Ada Gospels; the Soissons Gospels; the Harley Golden Gospels (800-820); and the Vienna Coronation Gospels; ten manuscripts in total are usually recognised. The Court School manuscripts were ornate and ostentatious, and reminiscent of 6th-century ivories and mosaics from Ravenna, Italy. They were the earliest Carolingian manuscripts and initiated a revival of Roman classicism, yet still maintained Migration Period art (Merovingian and Insular) traditions in their basically linear presentation, with no concern for volume and spatial relationships.
Qingdao Amerasia International School
· Calligraphy
Korean paper
The Goryeo period is famous for two major landmarks in Korean printmaking and paper history. One was the carving of the Tripitaka Koreana onto over 80,000 wooden blocks, which contain no errors and are still extant in their original home at Haeinsa, a Buddhist temple in Gyeongsangnam-do. It was carved twice, due to its destruction by Mongol invasions in 1232; the final version was completed in 1251. The second accomplishment was the printing in 1377 of Jikji, a guide for students of Buddhism, and the world’s oldest extant book printed using metal movable type. Printed onto hanji, it is housed today in the National Library of France, and displays proof of movable metal type well before Gutenberg’s time.
Elizabeth Lucar
In a work published in 1904, D.N. Carvalho referred to an essay on the subject of calligraphy written by Elizabeth Lucar in 1525, at the age of 15, entitled "Curious Calligraphy". This, he claimed, was the first English essay on that subject, and this claim has been repeated elsewhere. However the bibliographic or manuscript original of this supposed work "Curious Calligraphy" is not cited or apparent, and the term 'calligraphy' itself appears anachronistic for English usage of that date. Ballard, in his 1752 Memoir of Elizabeth Lucar, does not mention an essay but described her as 'a curious calligrapher'. It is possible that Carvalho, reading the line of her epitaph 'She wrought all Needle workes that women exercise', interpreted it to mean 'she wrote (of) all needle workes'. The duality of meaning of 'wrought' and 'wrote' has been recognized elsewhere, but in either sense, that line may only mean that she herself delineated the patterns which she afterwards rendered in needlework. The line 'Three manner hands could she write, them faire all' does however indicate that she could write beautifully in three different scripts.
Islamic calligraphy
Islamic calligraphy can be applied to a wide range of decorative mediums other than paper, such as tiles, vessels, carpets, and stone. Before the advent of paper, papyrus and parchment were used for writing. During the 9th century, an influx of paper from China revolutionized calligraphy. While monasteries in Europe treasured a few dozen volumes, libraries in the Muslim world regularly contained hundreds and even thousands of books.
Calligraphy
About 220 BC, the emperor Qin Shi Huang, the first to conquer the entire Chinese basin, imposed several reforms, among them Li Si's character unification, which created a set of 3300 standardized "" characters. Despite the fact that the main writing implement of the time was already the brush, few papers survive from this period, and the main examples of this style are on steles.
Japanese calligraphy
The Hōryū-ji Temple also holds bibliographic notes on the Lotus Sutra: the was written early in the 7th century and is considered the oldest Japanese text. It is written in Cursive script and illustrates that calligraphy in the Asuka period was already refined to a high degree.
Iron gall ink
The earliest recipes for oak gall ink come from Pliny the Elder, and are vague at best. Many famous and important manuscripts have been written using ferrous oak gall ink, including the Codex Sinaiticus, the oldest, most complete Bible currently known to exist, thought to be written in the middle of the fourth century. Due to the ease of making iron gall ink and its quality of permanence and water resistance this ink became the favored one for scribes in the European corridor as well as around the Mediterranean Sea. Surviving manuscripts from the Middle Ages as well as the Renaissance bear this out as the vast majority are written using iron gall ink, the balance being written using lamp black or carbon black inks. Many drawings by Leonardo da Vinci were made with iron gall ink. Laws were enacted in Great Britain and France specifying the content of iron gall ink for all royal and legal records to ensure permanence in this time period as well.
Muratorian fragment
The Muratorian fragment, also known as the Muratorian Canon or Canon Muratori, is a copy of perhaps the oldest known list of most of the books of the New Testament. The fragment, consisting of 85 lines, is a 7th-century Latin manuscript bound in a 7th or 8th century codex from the library of Columbanus's monastery at Bobbio Abbey; it contains features suggesting it is a translation from a Greek original written about 170 or as late as the 4th century. Both the degraded condition of the manuscript and the poor Latin in which it was written have made it difficult to translate. The beginning of the fragment is missing, and it ends abruptly. The fragment consists of all that remains of a section of a list of all the works that were accepted as canonical by the churches known to its original compiler. It was discovered in the Ambrosian Library in Milan by Father Ludovico Antonio Muratori (1672–1750), the most famous Italian historian of his generation, and published in 1740.
Illuminated manuscript
The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority are of a religious nature. Especially from the 13th century onward, an increasing number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls. A very few illuminated fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment (most commonly of calf, sheep, or goat skin), but most manuscripts important enough to illuminate were written on the best quality of parchment, called vellum.
Stoichedon
The stoichedon style of epigraphy (from στοιχηδόν, a Greek adverb meaning "in a row") was the practice of engraving ancient Greek inscriptions in capitals in such a way that the letters were aligned vertically as well as horizontally. Texts of this form give the appearance of being composed in a grid with the same number of letters in each line and each space in the grid filled with a single letter; hence, there are no spaces between words, and no spaces or punctuation between sentences. The majority are Attic, but it was widely used in the Greek world, and the earliest examples are from not later than the mid-6th century BCE; the first is perhaps the Phrasikleia Kore or the Salaminian Decree. It was the dominant style of inscription in Athens during the 5th and 4th centuries BCE and was the preferred style for official state proclamations. The last stoichedon text dates from the 3rd century CE and is the genealogical inscription from the Heroon of Oenoanda in Lycia. The idiom was less common in Latin epigraphy, a rare exception is the Sator square.
Western calligraphy
Charlemagne's devotion to improved scholarship resulted in the recruiting of "a crowd of scribes", according to Alcuin, the Abbot of York. Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in this hand was the Godescalc Evangelistary (finished 783) — a Gospel book written by the scribe Godescalc. Carolingian remains the one progenitor hand from which modern booktype descends.
Calligraphy
The Philippines has numerous indigenous scripts collectively called as suyat. Various ethno-linguistic groups in the Philippines prior to Spanish colonization in the 16th century up to the independence era in the 21st century have used the scripts with various mediums. By the end of colonialism, only four of the suyat scripts survived and continue to be used by certain communities in everyday life. These four scripts are Hanunó'o/Hanunoo of the Hanuno'o Mangyan people, Buhid/Buid of the Buhid Mangyan people, Apurahuano/Tagbanwa of the Tagbanwa people, and Palaw'an/Pala'wan of the Palaw'an people. All four scripts were inscribed in the UNESCO Memory of the World Programme, under the name "Philippine Paleographs (Hanunoo, Buid, Tagbanua and Pala’wan)", in 1999.
Due to dissent from colonialism, many artists and cultural experts have revived the usage of suyat scripts that went extinct due to Spanish persecution. These scripts being revived include the Kulitan script of the Kapampangan people, the badlit script of various Visayan ethnic groups, the Iniskaya script of the Eskaya people, the Baybayin script of the Tagalog people, and the Kur-itan script of the Ilocano people, among many others. Due to the diversity of suyat scripts, all calligraphy written in suyat scripts are collectively called as Filipino suyat calligraphy, although each are distinct from each other. Calligraphy using the Western alphabet and the Arabic alphabet are also prevalent in the Philippines due to its colonial past, but the Western alphabet and the Arabic alphabet are not considered as suyat, and therefore Western-alphabet and Arabic calligraphy are not considered as suyat calligraphy.
Western calligraphy
The modern revival of calligraphy began at the end of the 19th century, influenced by the aesthetics and philosophy of William Morris and the Arts and Crafts movement. Edward Johnston is regarded as being the father of modern calligraphy. 
After studying published copies of manuscripts by architect William Harrison Cowlishaw, he was introduced to William Lethaby in 1898, principal of the Central School of Arts and Crafts, who advised him to study manuscripts at the British Museum.
Palaeography
The earliest Greek papyrus yet discovered is probably that containing the "Persae" of Timotheus, which dates from the second half of the 4th century BC and its script has a curiously archaic appearance. E, Σ, and Ω have the capital form, and apart from these test letters the general effect is one of stiffness and angularity. More striking is the hand of the earliest dated papyrus, a contract of 311 BC. Written with more ease and elegance, it shows little trace of any development towards a truly cursive style; the letters are not linked, and though the uncial c is used throughout, E and Ω have the capital forms. A similar impression is made by the few other papyri, chiefly literary, dating from about 300 BC; E may be slightly rounded, Ω approach the uncial form, and the angular Σ occurs as a letter only in the Timotheus papyrus, though it survived longer as a numeral (= 200), but the hands hardly suggest that for at least a century and a half the art of writing on papyrus had been well established. Yet before the middle of the 3rd century BC, one finds both a practised book-hand and a developed and often remarkably handsome cursive.
Chinese calligraphy
Regular script (traditional Chinese: 楷書; simplified Chinese: 楷书; pinyin: "kǎishū") is the newest of the Chinese script styles. The regular script first come into existence between the Han and Wei dynasties, even though it is not popular. The regular script becomes mature stylistically around the 7th century. The first master of regular script is Zhong You. Zhong You first used regular script to write some very serious pieces such as memorials to the emperor.
Armenian alphabet
The earliest known example of the script's usage was a dedicatory inscription over the west door of the church of Saint Sarkis in Tekor. Based on the known individuals mentioned in the inscription, it has been dated to the 480s. The earliest known surviving example of usage outside of Armenia is a mid-6th century mosaic inscription in the chapel of St Polyeuctos in Jerusalem. A papyrus discovered in 1892 at Fayyum and containing Greek words written in Armenian script has been dated on historical grounds to before the Arab conquest of Egypt, i.e. before 640, and on paleographic grounds to the 6th century and perhaps even the late 5th century. It is now in the Bibliotheque Nationale de France. The earliest surviving manuscripts written in Armenian using Armenian script date from the 7th–8th century.
Chinese calligraphy
During the fourth century CE, calligraphy came to full maturity. The Kǎishū style (traditional regular script) — still in use today — and attributed to Wang Xizhi (王羲之, 303 CE-361 CE) and his followers, is even more regularized. reached its peak in the Tang Dynasty, when famous calligraphers like Yan Zhenqing and Liu Gongquan produced most of the fine works in Kaishu. Its spread was encouraged by Emperor Mingzong of Later Tang (926 CE -933 CE), who ordered the printing of the classics using new wooden blocks in Kaishu. Printing technologies here allowed shapes to stabilize. The Kaishu shape of characters 1000 years ago was mostly similar to that at the end of Imperial China. But small changes have been made, for example in the shape of 广 which is not absolutely the same in the Kangxi Dictionary of 1716 as in modern books. The Kangxi and current shapes have tiny differences, while stroke order is still the same, according to old style.
Calligraphy
Sanskrit is the primary form of Thai calligraphy. Historically Thai calligraphy has been limited to sacred texts of the Pali Canon with few wider artistic applications where graphic calligraphy representing figures and objects is produced. Calligraphy appears on the personal flag of each member of the Thai royal family bearing its owner's initials in calligraphy. The most obvious place in the country where calligraphy is present is in graffiti. A few books have been published with calligraphic compositions.
Drawing
Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication. It is believed that drawing was used as a specialised form of communication before the invention of the written language, demonstrated by the production of cave and rock paintings around 30,000 years ago (Art of the Upper Paleolithic).
These drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced by Neolithic times were eventually stylised and simplified in to symbol systems (proto-writing) and eventually into early writing systems.
Hathibada Ghosundi Inscriptions
The Hathibada Ghosundi Inscriptions, sometimes referred simply as the Ghosundi Inscription or the Hathibada Inscription, are among the oldest known Sanskrit inscrptions in the Brahmi script, and dated to the 1st-century BCE. The Hathibada inscription were found near Nagari village, about north of Chittorgarh, Rajasthan, India, while the Ghosundi inscription was found in the village of Ghosundi, about southwest of Chittorgarh. They are linked to the Vaishnavism tradition of Hinduism.
Insular art
Book of Durrow.
The earliest surviving Gospel Book with a full programme of decoration (though not all has survived): six extant carpet pages, a full-page miniature of the four evangelist's symbols, four full-page miniatures of the evangelists' symbols, four pages with very large initials, and decorated text on other pages. Many minor initial groups are decorated. Its date and place of origin remain subjects of debate, with 650–690 and Durrow in Ireland, Iona or Lindisfarne being the normal contenders. The influences on the decoration are also highly controversial, especially regarding Coptic or other Near Eastern influence.
Chinese calligraphy
Chinese characters can be retraced to 4000 B.C.E signs ().
Writing
The earliest known hieroglyphic date back to the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called "Scorpion I" (Naqada IIIA period, c. 32nd century BC) recovered at Abydos (modern Umm el-Qa'ab) in 1998 or the Narmer Palette, dating to c. 3100 BC, and several recent discoveries that may be slightly older, though these glyphs were based on a much older artistic rather than written tradition. The hieroglyphic script was logographic with phonetic adjuncts that included an effective alphabet. The world's oldest deciphered sentence was found on a seal impression found in the tomb of Seth-Peribsen at Umm el-Qa'ab, which dates from the Second Dynasty (28th or 27th century BC). There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom and New Kingdom Eras. By the Greco-Roman period, there are more than 5,000.
Murasaki Shikibu
"The Tale of Genji" was copied and illustrated in various forms as early as a century after Murasaki's death. "The Genji Monogatari Emaki", is a late Heian era 12th-century handscroll, consisting of four scrolls, 19 paintings, and 20 sheets of calligraphy. The illustrations, definitively dated to between 1110 and 1120, have been tentatively attributed to Fujiwara no Takachika and the calligraphy to various well-known contemporary calligraphers. The scroll is housed at the Gotoh Museum and the Tokugawa Art Museum.
Museum of Calligraphy
Museum's holdings include over 4000 unique calligraphy works dating back to the 20th – early 21 century, created by 460 renowned artists from 65 countries.
Calligraffiti
Jordanian artist and art historian Wijdan Ali also used the term, "calligraffiti" in her book, "Modern Islamic Art: Development and Continuity," (1997) to describe a style of art that had been flourishing across the Middle East and North Africa from the mid-20th century. She defined calligraffiti as the use of "script of ordinary writing where the work is composed of the artist's personalised handwriting within a modern composition." Ali wanted to use the term because she saw this type of art as being inspired by calligraphy yet, also close to the scribbling of graffiti artists. Pioneer artists in this style include: Hassan Massoudy, Hossein Zenderoudi and Parviz Tanavoli. Ali locates calligraffiti art as a distinct style within the School of Calligraphic Art (also known as the Hurufiyya movement).
Calligraphy
On the subject of Indian calligraphy, writes:
Aśoka's edicts (c. 265–238 BC) were committed to stone. These inscriptions are stiff and angular in form. Following the Aśoka style of Indic writing, two new calligraphic types appear: Kharoṣṭī and Brāhmī. Kharoṣṭī was used in the northwestern regions of India from the 3rd century BC to the 4th century of the Christian Era, and it was used in Central Asia until the 8th century.
In many parts of ancient India, the inscriptions were carried out in smoke-treated palm leaves. This tradition dates back to over two thousand years. Even after the Indian languages were put on paper in the 13th century, palm leaves where considered a preferred medium of writing owing to its longevity (nearly 400 years) compared to paper. Both sides of the leaves were used for writing. Long rectangular strips were gathered on top of one another, holes were drilled through all the leaves, and the book was held together by string. Books of this manufacture were common to Southeast Asia. The palm leaf was an excellent surface for penwriting, making possible the delicate lettering used in many of the scripts of southern Asia.
Li Bai
Li Bai was also a skilled calligrapher, though there is only one surviving piece of his work in his own handwriting that exists today. The piece is titled "Shangyangtai" ("Going Up To Sun Terrace"), a long scroll (with later addition of a title written by Emperor Huizong of Song and a postscript added by Qianlong Emperor himself); the calligraphy is housed in the Palace Museum in Beijing, China.
Chinese calligraphy
Oracle bone script was one of the forms of Chinese character written on animals bones. Written on oracle bones – animal bones or turtle plastrons, it is the earliest known form of Chinese writing. The first appearance of what we recognize unequivocally to refer as “oracle bone inscriptions” comes in the form of inscribed ox scapula and turtle plastrons from sites near modern Anyang (安阳) on the northern border of Henan province. The vast majority were found at the Yinxu site (in modern Anyang, Henan Province). They record pyromantic divinations of the last nine kings of the Shang dynasty, beginning with Wu Ding, whose accession is dated by different scholars at 1250 BC or 1200 BC. Even though there is no proof that the Shang dynasty were solely responsible for the origin of writing in China, but neither is there evidence of recognizable Chinese writing from any earlier time or any other place. The late Shang oracle bone writings constitute the earliest significant corpus of Chinese writing and it is also the oldest known member and ancestor of the Chinese family of scripts, preceding the Chinese bronze inscriptions.
Codex
The earliest surviving fragments from codices come from Egypt, and are variously dated (always tentatively) towards the end of the 1st century or in the first half of the 2nd. This group includes the Rylands Library Papyrus P52, containing part of St John's Gospel, and perhaps dating from between 125 and 160.
In Western culture, the codex gradually replaced the scroll. Between the 4th century, when the codex gained wide acceptance, and the Carolingian Renaissance in the 8th century, many works that were not converted from scroll to codex were lost. The codex improved on the scroll in several ways. It could be opened flat at any page for easier reading, pages could be written on both front and back (recto and verso), and the protection of durable covers made it more compact and easier to transport.
Calligraphy
Since late 1980s, a few Chinese artists have branched out traditional Chinese calligraphy to a new territory by mingling Chinese characters with English letters; notable new forms of calligraphy are Xu Bing's square calligraphy and DanNie's coolligraphy or cooligraphy.
Gothic art
Illuminated manuscripts represent the most complete record of Gothic painting, providing a record of styles in places where no monumental works have otherwise survived. The earliest full manuscripts with French Gothic illustrations date to the middle of the 13th century. Many such illuminated manuscripts were royal bibles, although psalters also included illustrations; the Parisian Psalter of Saint Louis, dating from 1253 to 1270, features 78 full-page illuminations in tempera paint and gold leaf.
During the late 13th century, scribes began to create prayer books for the laity, often known as books of hours due to their use at prescribed times of the day. The earliest known example seems to have written for an unknown laywoman living in a small village near Oxford in about 1240. Nobility frequently purchased such texts, paying handsomely for decorative illustrations; among the most well-known creators of these is Jean Pucelle, whose Hours of Jeanne d'Evreux was commissioned by King Charles IV as a gift for his queen, Jeanne d'Évreux. Elements of the French Gothic present in such works include the use of decorative page framing reminiscent of the architecture of the time with elongated and detailed figures. The use of spatial indicators such as building elements and natural features such as trees and clouds also denote the French Gothic style of illumination.
Writing
The earliest surviving examples of writing in China—inscriptions on so-called "oracle bones", tortoise plastrons and ox scapulae used for divination—date from around 1200 BC in the late Shang dynasty. A small number of bronze inscriptions from the same period have also survived.
Historians have found that the type of media used had an effect on what the writing was documenting and how it was used.
Calligraphy
He has been credited for reviving the art of modern penmanship and lettering single-handedly through his books and teachings – his handbook on the subject, "Writing & Illuminating, & Lettering" (1906) was particularly influential on a generation of British typographers and calligraphers, including Graily Hewitt, Stanley Morison, Eric Gill, Alfred Fairbank and Anna Simons. Johnston also devised the simply crafted round calligraphic handwriting style, written with a broad pen, known today as the "Foundational hand". Johnston initially taught his students an uncial hand using a flat pen angle, but later taught his hand using a slanted pen angle. He first referred to this hand as "Foundational Hand" in his 1909 publication, "Manuscript & Inscription Letters for Schools and Classes and for the Use of Craftsmen".
Commentarii de Bello Gallico
Since the work of Karl Nipperdey in 1847, the existing manuscripts have been divided into two classes. The first (α) encompasses manuscripts containing only "De Bello Gallico" and characterized by collophons with allusions to late antique "correctores". The oldest manuscript in this class is MS. Amsterdam 73, written at Fleury Abbey in the later ninth century. The second (β) encompasses manuscripts containing all of the related works—not only "De Bello Gallico", but "De Bello Civili", "De Bello Alexandrino", "De Bello Africo", and "De Bello Hispaniensi", always in that order. The oldest manuscript in this class is MS Paris lat. 3864, written at Corbie in the last quarter of the ninth century. For "De Bello Gallico", the readings of α are considered better than β.
Calligraphy
Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both.
Chinese calligraphy
In about 220 BC, the emperor Qin Shi Huang （秦始皇, 259 BCE - 210 BCE）, the first to conquer the entire Chinese basin, imposed several reforms, among them Li Si's (李斯, 246 BCE - 208 BCE) character unification, which created a set of 3300 standardized "Xiǎozhuàn" characters. Despite the fact that the main writing implement of the time was already the brush, little paper survives from this period, and the main examples of this style are on steles.
Ancient history
The span of recorded history is roughly 5,000 years, beginning with Sumerian Cuneiform script; the oldest discovered form of coherent writing from the protoliterate period around the 30th century BC. Ancient History covers all continents inhabited by humans in the 3,000 BC – 500 AD period.
Four arts
Ancient weiqi texts are prized among modern Chinese weiqi professionals, as seen below in the translation of an ancient strategy book:
Shu 書 refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and its state of flux stopped only when Chinese characters were unified across the empire. Chinese calligraphy differs from western calligraphic script in the sense that it was done with a brush instead of metal implements or a quill. Calligraphy was the art by which a scholar could compose his thoughts to be immortalized. It was the scholar's means of creating expressive poetry and sharing his or her own learnedness.
Sun Guoting
Sun Guoting () (646–691) or Sun Qianli (孫虔禮), was a Chinese calligrapher of the early Tang Dynasty, remembered for his cursive calligraphy and his "Shu Pu (書譜, "A Narrative on Calligraphy" or "Treatise on Calligraphy" " (ca. 687)). The work was the first important theoretical work on Chinese calligraphy, and has remained important ever since, though only its preface survived. The preface is the only surviving calligraphic work of Sun, therefore it is responsible for both Sun's reputation as an artist and as a theorist. The original handscroll can be seen at the National Palace Museum, in Taipei, Taiwan, and on its web site.
Chinese characters
The Shang dynasty oracle bone script and the Zhou dynasty scripts found on Chinese bronze inscriptions are no longer used; the oldest script that is still in use today is the Seal Script ((), "zhuànshū"). It evolved organically out of the Spring and Autumn period Zhou script, and was adopted in a standardized form under the first Emperor of China, Qin Shi Huang. The seal script, as the name suggests, is now used only in artistic seals. Few people are still able to read it effortlessly today, although the art of carving a traditional seal in the script remains alive; some calligraphers also work in this style.
Pictograph Cave (Billings, Montana)
Paintings known as pictographs are still visible in Pictograph Cave, which is the largest of the three caves. The pictographs are thought to be between 200 and 2,100 years old. However their interpretations are still debated over. The oldest pictograph is that of a turtle, radio-carbon dated to be approximately 2,100 years old. These pictographs are paintings of animals, warriors, and even rifles that document the story of the Native Americans of the area for thousands of years.
List of ancient dishes
This is a list of ancient dishes, foods and beverages that have been recorded as originating during ancient history. The span of recorded history is roughly 5,000 years, beginning with Sumerian Cuneiform script, the oldest discovered form of coherent writing from the protoliterate period around the 30th century BC.
Calligraphy
The history of calligraphy in Persia dates back to the pre-Islam era. In Zoroastrianism beautiful and clear writings were always praised.
Calligraphy
The modern revival of calligraphy began at the end of the 19th century, influenced by the aesthetics and philosophy of William Morris and the Arts and Crafts movement. Edward Johnston is regarded as being the father of modern calligraphy.
After studying published copies of manuscripts by architect William Harrison Cowlishaw, he was introduced to William Lethaby in 1898, principal of the Central School of Arts and Crafts, who advised him to study manuscripts at the British Museum.
Brooklyn Papyrus
The Brooklyn Papyrus ("47.218.48" and "47.218.85", also known as the Brooklyn Medical Papyrus) is a medical papyrus dating from ancient Egypt and is one of the oldest preserved writings about medicine and ophiology. The manuscript is dated to around 450 BC and is today kept at the Brooklyn Museum in New York.
Qalam
Calligraphy holds a central position in the Islamic artistic tradition, and because of this there exist a large variety of accessories to accompany the "qalam" and its user, such as pen boxes, ink wells, and knives for cutting the reeds. These tools were often very ornamented and cherished objects and reflected countless hours of other artists and craftsmen. The ink used to write with in antiquity was most frequently black or dark brown, and was made from gum arabic, soot, gallnuts, or vitriol. Some Qurans, however, are written entirely in gold, and more contemporary calligraphers may use a wider variety of colors. Abu Ali Muhammad ibn Muqla, a Persian official of the Abbasid caliphate, developed a standardized system of writing calligraphy based on the marks made with the point of a reed pen, in combination with other geometric principles. As far as other aspects of ornamentation go, metallic inks on colored parchment passed from Byzantium to Muslim Spain, and Arabic calligraphy in turn made its way back to Europe.
Quran
In 1972, in a mosque in the city of Sana'a, Yemen, manuscripts were discovered that were later proved to be the most ancient Quranic text known to exist at the time. The Sana'a manuscripts contain palimpsests, a manuscript page from which the text has been washed off to make the parchment reusable again—a practice which was common in ancient times due to scarcity of writing material. However, the faint washed-off underlying text ("scriptio inferior") is still barely visible and believed to be "pre-Uthmanic" Quranic content, while the text written on top ("scriptio superior") is believed to belong to Uthmanic time. Studies using radiocarbon dating indicate that the parchments are dated to the period before 671 CE with a 99 percent probability.
In 2015, fragments of a very early Quran, dating back to 1370 years ago, were discovered in the library of the University of Birmingham, England. According to the tests carried out by Oxford University Radiocarbon Accelerator Unit, "with a probability of more than 95%, the parchment was from between 568 and 645". The manuscript is written in Hijazi script, an early form of written Arabic. This is possibly the earliest extant exemplar of the Quran, but as the tests allow a range of possible dates, it cannot be said with certainty which of the existing versions is the oldest. Saudi scholar Saud al-Sarhan has expressed doubt over the age of the fragments as they contain dots and chapter separators that are believed to have originated later.
Hadda, Afghanistan
It is believed the oldest surviving Buddhist manuscripts-indeed the oldest surviving Indian manuscripts of any kind-were recovered around Hadda. Probably dating from around the 1st century CE, they were written on bark in Gandhari using the Kharoṣṭhī script, and were unearthed in a clay pot bearing an inscription in the same language and script. They are part of the long-lost canon of the Sarvastivadin Sect that dominated Gandhara and was instrumental in Buddhism's spread into central and east Asia via the Silk Road. The manuscripts are now in the possession of the British Library.
Chinese art
Wang Xizhi was a famous Chinese calligrapher who lived in the 4th century AD. His most famous work is the "Lanting Xu", the preface to a collection of poems. The script was often celebrated as the high point of the semi-cursive "Running Style" in the history of Chinese calligraphy.
Islamic calligraphy
Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles. Islamic calligraphy has also been incorporated into modern art beginning with the post-colonial period in the Middle East, as well as the more recent style of calligraffiti.