Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Old Friends and New Fancies
"Old Friends and New Fancies" is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of "Pride and Prejudice"), Elinor (Dashwood) Ferrars (of "Sense and Sensibility"), and Anne (Elliot) Wentworth (of "Persuasion") are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing. Most of the characters are recognizably the same, though several have improved—among them Kitty Bennet and Tom Bertram—while George Knightley is somewhat sourer and Mary Crawford much less lively than in Austen's depictions. The largest single change from Austen's own books is that Marianne Dashwood's husband, Colonel Brandon, has died before the book opens. Although the book jacket proclaims that Brinton mixes in "new characters of the author's devising," none of the new characters are of any great importance. Because many of the key characters hail from "Pride and Prejudice", some critics treat "Old Friends and New Fancies" primarily as a sequel to that particular book. "Mansfield Park" is the next best represented novel in terms of major characters.