Edgar Degas
Degas's work was controversial, but was generally admired for its draftsmanship. His "La Petite Danseuse de Quatorze Ans", or "Little Dancer of Fourteen Years", which he displayed at the sixth Impressionist exhibition in 1881, was probably his most controversial piece; some critics decried what they thought its "appalling ugliness" while others saw in it a "blossoming". In part Degas' originality consisted in disregarding the smooth, full surfaces and contours of classical sculpture ... [and] in garnishing his little statue with real hair and clothing made to scale like the accoutrements for a doll. These relatively "real" additions heightened the illusion, but they also posed searching questions, such as what can be referred to as "real" when art is concerned. The suite of pastels depicting nudes that Degas exhibited in the eighth Impressionist Exhibition in 1886 produced "the most concentrated body of critical writing on the artist during his lifetime ... The overall reaction was positive and laudatory".
Metamorphosis of Narcissus
Metamorphosis of Narcissus (1937) is an oil-on-canvas painting by the Spanish surrealist Salvador Dalí. This painting is from Dalí's paranoiac-critical period. According to Greek mythology, Narcissus fell in love with his own reflection in a pool. Unable to embrace the watery image, he pined away, and the gods immortalized him as a flower. Dalí completed this painting in 1937 on his long-awaited return to Paris after having had great success in the United States.