Thomas Langlois Lefroy
In 1796, Lefroy began a flirtation with English novelist Jane Austen, who was a friend of an older female relative. Jane Austen wrote two letters to her sister Cassandra mentioning "Tom Lefroy", and some have suggested that it may have been he whom Austen had in mind when she invented the character of Mr. Darcy in "Pride and Prejudice", as the courtship between Tom Lefroy and Jane Austen took place over the year or so that "Pride and Prejudice" was written. In his 2003 biography, "Becoming Jane Austen", Jon Spence suggests that Jane Austen actually used her and Tom LeFroy's personalities as the models for Mr. Darcy and Elizabeth Bennet, but not in an expected way. Spence suggests that Jane Austen used Tom Lefroy's more gregarious personality as the model for the novel's heroine Elizabeth Bennet, and her own measured demeanor was used as the model for the male protagonist, Mr. Darcy. So while the exact influence of Tom Lefroy on "Pride and Prejudice" continues to be debated, it does seem certain that his presence in Austen's life is in some way reflected in the novel.
Pride and Prejudice
A 1936 stage version was created by Helen Jerome played at the St James's Theatre in London, starring Celia Johnson and Hugh Williams. "First Impressions" was a 1959 Broadway musical version starring Polly Bergen, Farley Granger, and Hermione Gingold. In 1995, a musical concept album was written by Bernard J. Taylor, with Claire Moore in the role of Elizabeth Bennet and Peter Karrie in the role of Mr. Darcy. A new stage production, "Jane Austen's Pride and Prejudice, The New Musical", was presented in concert on 21 October 2008 in Rochester, New York, with Colin Donnell as Darcy. The Swedish composer Daniel Nelson based his 2011 opera "Stolthet och fördom" on "Pride and Prejudice".