French Gothic architecture
The most famous examples of Gothic architecture are found in the Île-de-France and Champagne, but other French regions created their own original versions of the style. The Angevin Gothic style in the province of Anjou features a vaults with elegant decorative ribs, as well as very ornate columns. The style is found in the interior of Angers Cathedral (1032–1523), though many of the Gothic elements of the facade were replaced with Renaissance elements and towers. A very fine example of Angevin Gothic is found in the medieval Saint Jean Hospital in Angers, which now contains the Musée Jean-Lurçat, a museum of contemporary tapestries.
Boston College
Designed by Charles Donagh Maginnis and his firm Maginnis & Walsh in 1908, the Boston College campus is a seminal example of Collegiate Gothic architecture. Combining Gothic Revival architecture with principles of Beaux-Arts planning, Maginnis proposed a vast complex of academic buildings set in a cruciform plan. Maginnis's design broke from the traditional Oxbridge models that had inspired it—and that had until then characterized Gothic architecture on American campuses. In its unprecedented scale, Gasson Tower was conceived not as the belfry of a singular building, but as the crowning campanile of Maginnis' new "city upon a hill". Although Maginnis' ambitious Gothic project never saw full completion, its central portion was built according to plan and forms the core of what is now BC's iconic middle campus. Among these, the Bapst Library has been called the "finest example of Collegiate Gothic architecture in America" and Devlin Hall won the Harleston Parker Medal for "most beautiful building in Boston". The 1895 Louis K. Liggett Estate was acquired in 1941 and developed into a Tudor-style upper campus, while an architecturally eclectic lower campus took shape on land acquired by filling in part of the Chestnut Hill Reservoir. Modernism had an enormous impact on development after the 1940s, though some of the modernist buildings at BC maintained non-modern rough stone facades in keeping with Maginnis's original designs.