Yemenite Jewish poetry
There is to be noted in Zechariah al-Ḍāhirī's ("circa" 1531 – d. 1608) poetic style a marked transition from the early Spanish-type of poetry typical of Yemen prior to his time (depicted in the prosaic writings of Daniel berav Fayyūmī and Avraham b. Ḥalfon, both, of Yemenite Jewish provenance) and the later classical Yemenite poetic writings (as depicted in the liturgical poems composed by Yosef ben Israel and Shalom Shabazi). Unlike the latter who compiled works, both, in Hebrew and in Judeo-Arabic, al-Ḍāhirī's corpus of prosaic writings are written almost exclusively in Hebrew. Much of al-Ḍāhirī's poetry was inspired by the great Spanish poets, while other works are said to have been inspired by Immanuel of Rome. Some of al-Ḍāhirī's poems are panegyrics influenced by the Arabic "madiḥ", in praise of great Jewish scholars, such as Rabbeinu Yerucham (1290-1350), a Provençal rabbi who moved to Spain in 1306, following the expulsion of the Jews from France. Other panegyrics were written about Rabbi Obadiah di Bertinoro (c. 1445-1515) and Maimonides.
Zerzura
According to the historical writings from the scribes of an emir in Benghazi, Libya in 1481, a camel driver named Hamid Keila came to Benghazi in bad shape and recounted to the emir that he had been to the city of Zerzura. Apparently Hamid Keila and a caravan had been heading out from the Nile River to the oases of Dakhla (Darkhla/Dakhilah) and Kharga (Kharijah) and were caught in a vicious sandstorm that killed everyone except Keila who apparently survived under the shelter of his dead camel. After the storm passed, the man had emerged from the camel to find himself confused by the lie of the land because the storm changed all the familiar landmarks. It was when Keila was becoming delirious from having no water that a group of strange men found him. The men were said to be tall with fair hair and blue eyes, carrying straight swords instead of Arab scimitars, who then took the camel driver back to a city called Zerzura to tend to him. Zerzura was indeed described as a white city that was approachable through a wadi (valley) that ran between two mountains, and from the wadi was a road that lead to the gates of the city which had a carving of a strange bird above them. Within the city were white houses of inner luxury, palms, springs, and pools that were used by fair-skinned women and children for washing and bathing. Hamid Keila recounted that the Zerzurans, or "El Suri", treated him with kindness and spoke a strange form of Arabic that was difficult for him to understand but was carefully explained to him by the Suri, who apparently weren't Muslim because the women wore no veils and no mosques could be found in the city, nor did Hamid Keila hear any calls to prayer by a muezzin.