Warsaw
Gothic architecture is represented in the majestic churches but also at the burgher houses and fortifications. The most significant buildings are St. John's Cathedral (14th century), a typical example of the so-called Masovian Gothic style; St. Mary's Church (1411), a town house of Burbach family (14th century); Gunpowder Tower (after 1379); and the Royal Castle "Curia Maior" (1407–1410). The most notable examples of Renaissance architecture in the city are the house of the Baryczko merchant family (1562), a building called "The Negro" (early 17th century), and Salwator tenement (1632). The most interesting examples of Mannerist architecture are the Royal Castle (1596–1619) and the Jesuit Church (1609–1626) at Old Town. Among the first structures of the early Baroque, the most important are St. Hyacinth's Church (1603–1639) and Sigismund's Column (1644).
Grade I listed buildings in Bath and North East Somerset
Most of Bath's Grade I listed buildings are made from the local golden-coloured Bath Stone, and date from the 18th and 19th centuries. Their dominant architectural style is Georgian, which evolved from the Palladian revival style that became popular during the early 18th century. This led to the entire city's designation as a World Heritage Site. Much of the development, and many of the buildings, were the vision of John Wood, the Elder. The Circus is seen as the pinnacle of Wood's work: it consists of three long, curved terraces that form a circular space or theatre intended for civic functions and games. The games give a clue to the design, the inspiration for which was the Colosseum in Rome. The best known of Bath's terraces is the Royal Crescent, built between 1767 and 1774 and designed by Wood's son, John Wood, the Younger. Around 1770 the neoclassical architect Robert Adam designed Pulteney Bridge, a three-arched bridge spanning the Avon. He used as his prototype an original, but unused, design by Palladio for the Rialto Bridge in Venice. The heart of the Georgian city was the Pump Room, which together with its associated Lower Assembly Rooms was designed by Thomas Baldwin, a local builder responsible for many other buildings in the city, including the terraces in Argyle Street. Great Pulteney Street, where Baldwin eventually lived, is another of his works: this wide boulevard, constructed and over long and wide, is lined on both sides by Georgian terraces.