Superheist
The name was soon altered to Superheist, Berger supplied the "Super" while Norton provided the "Heist". McLeod and Norton had met at Overport primary school in Frankston Victoria in 1980 and later attended Frankston High School together. Sean Pentecost was a mutual friend who worked at a local music store, Frankston Guitar Village, and had previously played with Norton, Mcleod and Sudborough in the alt rock band Big Pop Monsters. Superheist's first live performance was at the 21st Century Dance Club, Frankston supporting the Cosmic Psychos. In 1994 they issued a five-track extended play cassette, Apocalypse, which was recorded at Backbeach Studios in Rye, Victoria and later distributed by Warhead records, The band's style at this early stage was grindcore, in the Napalm Death mould and incorporated synth tones, samples and clean vocals mixed amongst the brutal blast beats and death growls. 
The band's focus was to push the boundaries of extreme metal whilst introducing pop and nu-wave inspired melodies and hook lines. The demo was met with rave reviews across the country and as the band began touring nationally they quickly gained a loyal and fanatic following. Later that year bassist Sudborough was replaced with Adam "Donut" Donath and the next year was spent touring the country with bands such as In:Extremis, Damaged and Beanflipper. Superheist were now a regular feature of the Melbourne grind scene and played at such venues as The GB and The Hell Club, the band were learning their craft and honing what would eventually become the foundation for a world class live show. In early December 1995 they appeared at the annual Metal for the Brain festival in Canberra, which raised funds for the National Brain Injury Foundation. This pivotal performance helped the band set themselves up for the next few years to come. They returned for the 1996 festival but by that time Seanheist had left the group due to his waining interest in playing extreme metal. Aaren "Suds" Suttil (1974–2006) of Dreadnaught replaced him on drums.
Superheist
With a stack of unreleased material and the demos for the third album sitting gathering dust, Norton contacted Shock records with the idea of releasing the songs as a "goodbye" record. The demos were completed and mixed by Norton on his own at Backbeach Studios. The double album was compiled using unreleased material from "8 Miles High", "The Prize Recruit" and "IRCR" eras as well as the unheard new demos. Norton also added a track called "The Road" that was written in collaboration with Cam Baines of Bodyjar and Phil Rose of Nursery Crimes. Baines recorded the vocals for this track in Norton's "Cabin in the woods" in a remote part of Victoria. "The Road" opens the album followed by four of the new demo tracks and a number of rareities including the title track of the 2000 EP 8 Miles High that was omitted from the original release. In November 2004 the posthumous compilation album, "New, Rare, Live", was released by Shock Records as a 2-CD set. Artwork was contributed by Melbourne designer Richard DeSilva who also worked with the band on "Identical Remote Controlled Reactions".
There has been three attempts of reformation since the band's breakup in 2004. In 2006 Norton and Dedman started demoing new tracks with Matt “Skitz” Sanders from Damaged on drums, Seanheist had injured his knee and ankle and was unable to commit to recording at this time. Three new songs were recorded but were never fully finished and were soon shelved. The second attempt at reformation was in 2008 with the lineup of Biro, Norton, Seanheist and Dedman rehearsing some old songs and jamming new material a handful of times. Personality clashes, old grievances and just bad timing just made the reformation impossible to go ahead. In 2012 All five members of the band from the IRCR line-up finally caught up and met at the album's 10 year Anniversary party at Norton's bar (Whole Lotta Love) in Melbourne, talks of reforming were once again on the table, but nothing eventuated.