Raphael
This first of the famous "Stanze" or "Raphael Rooms" to be painted, now known as the "Stanza della Segnatura" after its use in Vasari's time, was to make a stunning impact on Roman art, and remains generally regarded as his greatest masterpiece, containing "The School of Athens", "The Parnassus" and the "Disputa". Raphael was then given further rooms to paint, displacing other artists including Perugino and Signorelli. He completed a sequence of three rooms, each with paintings on each wall and often the ceilings too, increasingly leaving the work of painting from his detailed drawings to the large and skilled workshop team he had acquired, who added a fourth room, probably only including some elements designed by Raphael, after his early death in 1520. The death of Julius in 1513 did not interrupt the work at all, as he was succeeded by Raphael's last Pope, the Medici Pope Leo X, with whom Raphael formed an even closer relationship, and who continued to commission him. Raphael's friend Cardinal Bibbiena was also one of Leo's old tutors, and a close friend and advisor.
Sgraffito
Sgraffito played a significant role during the years of the Renaissance in Italy, with two of Raphael's workshop, Polidoro da Caravaggio and his partner Maturino da Firenze, among the leading specialists, painting palace facades in Rome and other cities. Most of their work has now weathered away. During the 16th century, the technique was brought to Germany by the master builders of the Renaissance and taken up with enthusiasm. As a simple native art, old examples of sgraffito can be found in the wide surroundings of Wetterau and Marburg. In Germany, the technique is most predominant in Bavaria. The use of sgraffito was common in the creation of housing façades for the purposes of advertising. The technique was also used in Thuringia, the Engadin, Austria and Transylvania.