Marianismo
In their book "The Maria Paradox: How Latinas Can Merge Old World Traditions with New World Self-esteem" (1996, G. P. Putnam), Rosa Maria Gil and Carmen Inoa Vazquez credit Stevens with introducing the concept of marianismo, citing the "ground-breaking essay written by Evelyn P. Stevens in 1973". They also discuss use of the term by academicians such as Sally E. Romero, Julia M. Ramos-McKay, Lillian Comas-Diaz, and Luis Romero. In their book, Gil and Vazquez use it as applicable across a variety of Latino/a cultures.
Carlo Maria Maggi
Carlo Maria Maggi (Milan, 1630 – Milan, 1699) was an Italian scholar, writer and poet. Despite being an Accademia della Crusca affiliate, he gained his fame as an author of "dialectal" works (poems and plays) in Milanese language, for which he is considered the father of Milanese literature. Maggi's work was a major inspiration source for later Milanese scholars such as Carlo Porta and Giuseppe Parini.
His prominent works belong to the commedia dell'arte theatrical genre. Some of Maggi's most famous plays in Milanese are "Il manco male" (1695), "Il Barone di Birbanza" (1696), "I consigli di Meneghino" (1697), "Il falso filosofo" (1698), and "Concorso de' Meneghini" (1699). This last work may be considered as a sort of manifesto of dialectal poetry, as it explicitly celebrates the virtues of the Milanese language: "che apposta la pär fä / par dì la veritä" ("which seems as if it was specifically designed to tell the truth"). This equation between the Milanese language (and people) and sincerity is clearly embodied in the "commedia" character of Meneghino, which is supposedly Maggi's creation, and was later developed by other authors (most notably Carlo Porta) to eventually become a prominent symbol of Milan and the Milanese for antonomasia. Another recurring theme of Milanese literature first established by Maggi's works is the celebration of the "verzee" (Milan's vegetable market) as the place where the spirit of the city was most genuinely expressed.