Jami' al-tawarikh
The lavish illustrations and calligraphy required the efforts of hundreds of scribes and artists, with the intent that two new copies (one in Persian, and one in Arabic) would be created each year and distributed to schools and cities around the Ilkhanate, in the Middle East, Central Asia, Anatolia, and the Indian subcontinent. Approximately 20 illustrated copies were made of the work during Rashid al-Din's lifetime, but only a few portions remain, and the complete text has not survived. The oldest known copy is an Arabic version, of which half has been lost, but one set of pages is currently in the Khalili Collection, comprising 59 folios from the second volume of the work. Another set of pages, with 151 folios from the same volume, is owned by the Edinburgh University Library. Two Persian copies from the first generation of manuscripts survive in the Topkapı Palace Library in Istanbul. The early illustrated manuscripts together represent "one of the most important surviving examples of Ilkhanid art in any medium", and are the largest surviving body of early examples of the Persian miniature.
Qalam
Calligraphy holds a central position in the Islamic artistic tradition, and because of this there exist a large variety of accessories to accompany the "qalam" and its user, such as pen boxes, ink wells, and knives for cutting the reeds. These tools were often very ornamented and cherished objects and reflected countless hours of other artists and craftsmen. The ink used to write with in antiquity was most frequently black or dark brown, and was made from gum arabic, soot, gallnuts, or vitriol. Some Qurans, however, are written entirely in gold, and more contemporary calligraphers may use a wider variety of colors. Abu Ali Muhammad ibn Muqla, a Persian official of the Abbasid caliphate, developed a standardized system of writing calligraphy based on the marks made with the point of a reed pen, in combination with other geometric principles. As far as other aspects of ornamentation go, metallic inks on colored parchment passed from Byzantium to Muslim Spain, and Arabic calligraphy in turn made its way back to Europe.