Samyukta Maharashtra Samiti
The Samyukta Maharashtra Samiti achieved its goal on 1 May 1960, when the State of Bombay was partitioned into the Marathi-speaking State of Maharashtra and the Gujarati-speaking State of Gujarat. However Goa (then a Portuguese colony), Belgaum, Karwar and adjoining areas, which were also part of the Maharashtra envisaged by the Samiti, were not included in Maharashtra state. The prominent leaders of sanyukt maharashtra samiti decided to quit samiti after 1 May 1960, but the then chairman of the samiti Bhai Uddhavrao Patil continued his fight for the 862 Marathi-speaking villages of Karnataka that were excluded in 1960.
Maharashtra
Modern Theatre in Maharashtra can trace its origins to the British colonial era in the middle of the 19th century. It is modelled mainly after the western tradition but also includes forms like Sangeet Natak (Musical drama). In recent decades, Marathi Tamasha has been also been incorporated in some experimental plays.
Today, theatre continues to have a marked presence in Mumbai and Pune with an educated loyal audience base, when most theatre in other parts of India have had a tough time facing the onslaught of cinema and television. Its repertoire ranges from humorous social plays, farces, historical plays, musical, to experimental plays and serious drama. Marathi Playwrights such as Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar have influenced theatre throughout India. Besides Marathi theatre, Maharashtra and particularly, Mumbai, has had a long tradition of theatre in other languages such as Gujarati, Hindi and English.