Mashup (book)
As previously noted, the novel "Pride and Prejudice and Zombies" combines Jane Austen's classic 1813 novel "Pride and Prejudice" with elements of modern zombie fiction, crediting Austen as co-author. It was first published in April 2009 by Quirk Books and in October 2009 a Deluxe Edition was released, containing full-color images and additional zombie scenes.
Pride and Prejudice (1995 TV series)
Jane Austen's novel "Pride and Prejudice" had already been the subject of numerous television and film adaptations, including BBC television versions in 1938, 1952, 1958, 1967 and 1980. In the autumn of 1986, after watching a preview of Austen's "Northanger Abbey", Sue Birtwistle and Andrew Davies agreed to adapt "Pride and Prejudice", one of their favourite books, for television. Birtwistle in particular felt that a new adaptation on film would serve the drama better than the previous videotaped "Pride and Prejudice" television adaptations, which looked too "undernourished" and "unpoetic". The needs of TV scheduling forced Davies to change his original plan of a five-episode adaptation to six. Birtwistle and Davies then offered the first three scripts to ITV in late 1986 to build on the guaranteed BBC audience, but the recent TV adaptation led to a delay. When ITV announced its renewed interest in 1993, Michael Wearing of the BBC commissioned the final scripts with co-funding from the American A&E Network. Director Simon Langton and the art department joined pre-production in January and February 1994.
Although Birtwistle and Davies wished to remain true to the tone and spirit of the novel, they wanted to produce "a fresh, lively story about real people", not an "old studio-bound BBC drama that was shown in the Sunday teatime slot". Emphasising sex and money as the themes of the story, Davies shifted the focus from Elizabeth to Elizabeth and Darcy and foreshadowed Darcy's role in the narrative resolution. To portray the characters as real human beings, Davies added short backstage scenes such as the Bennet girls dressing up to advertise themselves in the marriage market. New scenes where men pursue their hobbies with their peers departed from Jane Austen's focus on women. The biggest technical difficulty proved to be adapting the long letters in the second half of the story. Davies employed techniques such as voice-overs, flashbacks, and having the characters read the letters to themselves and to each other. Davies added some dialogue to clarify events from the novel to a modern audience but left much of the novel's dialogue intact.