National Wrestling Alliance
The NWA’s presence in Japan was established in 1953, when Japanese wrestler/promoter Rikidozan founded the Japan Pro Wrestling Alliance, (JWA) which quickly became the main promotion in Japan. In 1972, the JWA’s two top draws Giant Baba and Antonio Inoki left to form their own promotions, All Japan Pro Wrestling (AJPW) and New Japan Pro-Wrestling (NJPW) respectively. As a result, the JWA soon folded. AJPW became an NWA member upon its inception in 1973 and stayed until the late 1980s. NJPW was also a member of the NWA at various points between 1975 and 1985, mainly in order to gain control of the NWA Junior Heavyweight Championship. In 1992 and 1993, NJPW joined with the NWA once more to re-establish and promote the NWA World Heavyweight Championship, but left the NWA when WCW withdrew. NJPW returned to the NWA in 2004, again mainly for the NWA Junior Heavyweight Championship, and it is not a connection that is strongly emphasized. Between NJPW's departure in 1993 and its return in 2004 NWA representation in Japan was scattered among a few independent promotions: the International Wrestling Association of Japan (1994–1996); the Wrestle Yume Factory (1995–1997), the Universal Fighting Arts Organization (1999–2000); and Pro Wrestling Zero-One (2001–2004). In June 2007, the Inoki Genome Federation replaced NJPW as the Japanese affiliate of the National Wrestling Alliance. In February 2008, however, New Japan returned to the NWA. At the annual meeting in 2010, New Japan did not renew its membership and left the NWA yet again. In 2011, Pro Wrestling Zero1 returned to the NWA as their Japanese territory.
History of professional wrestling
The dominant styles of Japanese professional wrestling were set in place by the two dominant promotions in Japan. New Japan Pro Wrestling, headed by Antonio Inoki, used Inoki's "strong style" approach of wrestling as a simulated combat sport. Wrestlers incorporated kicks and strikes from martial arts disciplines, and a strong emphasis was placed on submission wrestling. All Japan Pro Wrestling, under the direction of Shohei Baba, used a style referred to as "King's Road". The "King's Road" style was in large part derived from American wrestling, particularly the style of top wrestlers in the National Wrestling Alliance, such as Dory Funk, Jr., Terry Funk, and Harley Race, all of whom wrestled for Baba in Japan. As such, "King's Road" placed a heavy emphasis on working of holds, brawling, and the storytelling elements of professional wrestling. Throughout the 1990s, three individual styles — shoot style, lucha libre, and "garbage" — were the main divisions of independent promotions, but as a result of the "borderless" trend of the first decade of the 21st century to have interpromotional matches, the line between rules among major-league promotions and independents has for the most part been blurred to standardization.
Puroresu done by female wrestlers is called "joshi puroresu". Female wrestling in Japan is usually handled by promotions that specialize in "joshi puroresu", rather than divisions of otherwise male-dominated promotions as is the case in the United States (the only exception was FMW, a men's promotion which had a small women's division, but even then depended on talent from women's federations to provide competition). However, "joshi puroresu" promotions usually have agreements with male puroresu promotions such that they recognize each other's' titles as legitimate, and may share cards. All Japan Women's Pro-Wrestling was the dominant "joshi" organization from the 1970s to the 1990s. AJW's first major star was Mach Fumiake in 1974, followed in 1975 by Jackie Sato and Maki Ueda, known as The Beauty Pair. The early 1980s saw the fame of Jaguar Yokota and Devil Masami. That decade would later see the rise of Chigusa Nagayo and Lioness Asuka, known as The Crush Gals, who as a tag team achieved a level of unprecedented mainstream success in Japan, unheard of by any female wrestler in the history of professional wrestling all over the world. Their long running feud with Dump Matsumoto and her Gokuaku Domei (loose translation: "Atrocious Alliance") stable would become extremely popular in Japan during the 1980s, with their televised matches resulting in some of the highest rated in Japanese television as well as the promotion regularly selling out arenas.