Edgar Degas
Degas's only showing of sculpture during his life took place in 1881 when he exhibited "The Little Dancer of Fourteen Years". A nearly life-size wax figure with real hair and dressed in a cloth tutu, it provoked a strong reaction from critics, most of whom found its realism extraordinary but denounced the dancer as ugly. In a review, J.-K. Huysmans wrote: "The terrible reality of this statuette evidently produces uneasiness in the spectators; all their notions about sculpture, about those cold inanimate whitenesses ... are here overturned. The fact is that with his first attempt Monsieur Degas has revolutionized the traditions of sculpture as he has long since shaken the conventions of painting."
Lorenzo Domínguez
In 1939 Lorenzo Domínguez returned to Santiago de Chile and continued teaching sculpture at the Escuela de Bellas Artes. From June to September, 1939, three of his sculptures were exhibited at the New York Riverside Museum, in the Latin American Exhibition of Fine and Applied Art ("Lilión", "Saint Olalla" and "Cajal"). Between 1939 and 1941 Lorenzo Domínguez completed the monument "To Dr. Luis Calvo Mackenna", a Chilean pediatrician. This maternity scene in black basalt is located in the Parque Balmaceda of Santiago. He also completed an important black basalt sculpture, "Portrait of the Moon", the first of his "Planetarium series"; and a stone portrait of the "Painter Augusto Eguiluz". Domínguez's masterpiece from this period is "Victor Delhez", a portrait of the Belgian engraver, carved in Carrara marble.