(The Best Part of) Breakin' Up
However, according to Ronnie Spector, the group's lead singer, producer Phil Spector had already begun to somewhat lose enthusiasm for the Ronettes in early 1964. The group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song "Chapel of Love" in early 1964, but Spector refused to release it. "It doesn't sound like a hit," he told the group, so The Dixie Cups recorded their version of the song, which peaked at number one on the Billboard top 100, a position never held by the Ronettes.
The Ronettes
Ronnie and the Relatives soon became “The Ronettes”. Colpix issued the first two singles credited to the Ronettes, "Silhouettes" and a re-issue of "I'm Gonna Quit While I'm Ahead", on its May label in April and June 1962, respectively. Both singles disappointingly failed to chart. Later that year, they were flown to Miami to open a Florida branch of The Peppermint Lounge. After their performance at the Miami gala, radio host Murray the K came backstage and introduced himself to them. He asked the women to begin appearing at his shows at The Brooklyn Fox in New York. They agreed, taking the Fox stage in 1962 and completing a transition from Murray the K's "Dancing Girls", to back-up singing for other acts, to performing as the Ronettes before year's end. It was during this time that the women evolved their iconic look, wearing ever more exaggerated eye make-up while teasing their hair to impossible proportions. "We'd look pretty wild by the time we got out onstage," Ronnie later recalled, "and the kids loved it." Colpix's May label issued a final single by the Ronettes in March 1963. When "Good Girls" failed to chart, the women decided to look elsewhere for studio work.