Jane Austen in popular culture
Austen went out of favour in Japan during the militarist period in the early Showa era (1931-1945) when a xenophobic, ultra-nationalist mood prevailed, and the government discouraged people from reading foreign books. But during the period of the American occupation (1945–52), almost every Austen book was translated into Japanese except "Mansfield Park" (which was not translated until 1978), and Austen started to be widely taught in Japanese high schools. The translation of "Sense and Sensibility" in 1947, followed by a translation of "Pride and Prejudice" in 1950 were published by the prestigious publishing house Iwanami Shoten, and both books sold very well. The success of the Iwanami versions of "Sense and Sensibility" and "Pride and Prejudice" was the moment that Austen became respectable in Japan. In 1963, the critic Yamamoto Kenkichi, in his essay “The Smile of "Pride and Prejudice"” that proved to be influential, criticized Japanese literature for being overtly solemn and praised Austen for her “natural ease”, which led him to conclude: “Collins, Wickham, Mrs. Bennet, Lady Catherine, how she turns her laughter on these minor characters. They are observed with some malice, certainly, but in a pleasant, mischievous, irreverent manner which ultimately accords salvation to even these fools”. Austen has been regarded as a major writer in Japan since the 1950s, and in 2007, the Jane Austen Society of Japan was founded to provide a space for Japanese Janeites. In 2015-2016, "manga" versions of "Pride and Prejudice", "Emma", and "Sense and Sensibility" were published in Japan.
Styles and themes of Jane Austen
Jane Austen famously wrote to her nephew James Edward Austen that his "strong, manly, spirited Sketches, full of Variety and Glow" would not fit on "the little bit (two Inches wide) of Ivory on which I work with so fine a Brush, as produces little effect after much labour." Austen novels have often been characterized as "country house novels" or as "comedies of manners". Comedies of manners are concerned "with the relations and intrigues of gentlemen and ladies living in a polished and sophisticated society" and the comedy is the result of "violations of social conventions and decorum, and relies for its effect in great part on the wit and sparkle of the dialogue." However, Austen's novels also have important fairy tale elements to them. "Pride and Prejudice" follows the traditional Cinderella plot while ""Persuasion" rewrites the Cinderella narrative, as it shifts the fairy tale's emphasis from the heroine's transformation into a beauty to the prince's second look at her face." However, Fanny, in "Mansfield Park", rejects the Prince Charming character and at least one scholar has suggested that in this Austen is signalling "a general attack on the dangers of 'fiction'".
Austen's novels can easily be situated within the 18th-century novel tradition. Austen, like the rest of her family, was a great novel reader. Her letters contain many allusions to contemporary fiction, often to such small details as to show that she was thoroughly familiar with what she read. Austen read and reread novels, even minor ones. She read widely within the genre, including many works considered mediocre both then and now, but tended to emphasize domestic fiction by women writers, and her own novels contain many references to these works. For example, the phrase "pride and prejudice" comes from Burney's "Cecilia", and the Wickham subplot in "Pride and Prejudice" is a parody of Henry Fielding's "Tom Jones".