The Great God Pan
"The Great God Pan" implied sexuality caused a scandal upon its original release and hurt Machen's reputation as an author. Reviewing the novella for the magazine "Literary News", Richard Henry Stoddard criticised the story as "too morbid to be the production of a healthy mind". The art critic Harry Quilter's review of the book, titled "The Gospel of Intensity", and published in "The Contemporary Review" in June 1895, was even more harsh. Quilter declared: "The Great God Pan' is, I have no hesitation in saying, a perfectly abominable story, in which the author has spared no endeavor to suggest loathsomeness and horror which he describes as beyond the reach of words." Quilter warned that Machen's books were a dangerous threat to the entire British public and that they would destroy readers' sanities and senses of morality. Quilter went on to attack the story's publisher, John Lane, as well as Machen himself: "Why should he be allowed, for the sake of a few miserable pounds, to cast into our midst these monstrous creations of his diseased brain?" Quilter added that works of fiction like Machen's should be unanimously condemned by literary critics and newspapers: "If the Press was so disposed it could stamp out such art and fiction in a few months: And that disposition must be acquired, must even be enforced." He was particularly harsh in his denunciation of sexual ambiguity and polymorphous androgyny in the book. He expressed revulsion at Machen's description of Helen's sex changing immediately before her death and concluded his review with a comment of distaste regarding the "nasty little naked figure of dubious sex and humanity with which Mr. Aubrey Beardsley has prefaced the story". A positive appraisal of the novella came from Oscar Wilde, who called it "un succès fou."
Pan Book of Horror Stories
The series was initially collected and edited by Herbert Van Thal. On Van Thal's death Clarence Paget edited the series, from volume twenty-six until its demise with volume thirty in 1989.
The early editions of the "Pan Book of Horror Stories" were notable for their lurid cover art and Van Thal's introduction of stories by new authors alongside classics of the genre. The first edition included works by Peter Fleming, Muriel Spark, Bram Stoker and C. S. Forester. Later volumes featured Ray Bradbury and Lord Dunsany among others. Basil Copper made his debut in fifth volume, with the story "The Spider". The series also published work by Charles Birkin, R. Chetwynd-Hayes and Alex Hamilton. After volume nine, Van Thal placed a heavier reliance on new authors. The series grew in popularity and was the stepping stone for much new talent. In the 1970s, the increasingly violent content of the "Pan Books" provoked some controversy. In the early 1980s a slow decline in standards was observed. Popularity rose again in the late decade, but a multitude of reprint stories from Stephen King and a severe slide in quality ended the iconic series in 1989. The last book is now a rare collectors item, due to the small print run it received.