Che Guevara
In early 1965, Guevara went to Africa to offer his knowledge and experience as a guerrilla to the ongoing conflict in the Congo. According to Algerian President Ahmed Ben Bella, Guevara thought that Africa was imperialism's weak link and so had enormous revolutionary potential. Egyptian President Gamal Abdel Nasser, who had fraternal relations with Che since his 1959 visit, saw Guevara's plan to fight in Congo as "unwise" and warned that he would become a "Tarzan" figure, doomed to failure. Despite the warning, Guevara traveled to Congo using the alias Ramón Benítez. He led the Cuban operation in support of the Marxist Simba movement, which had emerged from the ongoing Congo crisis. Guevara, his second-in-command Víctor Dreke, and 12 other Cuban expeditionaries arrived in Congo on April 24, 1965, and a contingent of approximately 100 Afro-Cubans joined them soon afterward. For a time, they collaborated with guerrilla leader Laurent-Désiré Kabila, who had helped supporters of the overthrown president Patrice Lumumba to lead an unsuccessful revolt months earlier. As an admirer of the late Lumumba, Guevara declared that his "murder should be a lesson for all of us". Guevara, with limited knowledge of Swahili and the local languages, was assigned a teenage interpreter, Freddy Ilanga. Over the course of seven months, Ilanga grew to "admire the hard-working Guevara", who "showed the same respect to black people as he did to whites". However, Guevara soon became disillusioned with the poor discipline of Kabila's troops and later dismissed him, stating "nothing leads me to believe he is the man of the hour".
The Motorcycle Diaries (film)
The Motorcycle Diaries () is a 2004 biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would several years later become internationally known as the iconic Marxist guerrilla commander and revolutionary Che Guevara. The film recounts the 1952 expedition, initially by motorcycle, across South America by Guevara and his friend Alberto Granado. As well as being a road movie, the film is a coming-of-age film; as the adventure, initially centered on youthful hedonism, unfolds, Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry. Through the characters they encounter on their continental trek, Guevara and Granado witness first hand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise. To their surprise, the road presents to them both a genuine and captivating picture of Latin American identity. As a result, the trip also plants the initial seed of cognitive dissonance and radicalization within Guevara, who ostensibly would later view armed revolution as a way to challenge the continent's endemic economic inequalities and political repression.