Jane Austen in popular culture
Austen went out of favour in Japan during the militarist period in the early Showa era (1931-1945) when a xenophobic, ultra-nationalist mood prevailed, and the government discouraged people from reading foreign books. But during the period of the American occupation (1945–52), almost every Austen book was translated into Japanese except "Mansfield Park" (which was not translated until 1978), and Austen started to be widely taught in Japanese high schools. The translation of "Sense and Sensibility" in 1947, followed by a translation of "Pride and Prejudice" in 1950 were published by the prestigious publishing house Iwanami Shoten, and both books sold very well. The success of the Iwanami versions of "Sense and Sensibility" and "Pride and Prejudice" was the moment that Austen became respectable in Japan. In 1963, the critic Yamamoto Kenkichi, in his essay “The Smile of "Pride and Prejudice"” that proved to be influential, criticized Japanese literature for being overtly solemn and praised Austen for her “natural ease”, which led him to conclude: “Collins, Wickham, Mrs. Bennet, Lady Catherine, how she turns her laughter on these minor characters. They are observed with some malice, certainly, but in a pleasant, mischievous, irreverent manner which ultimately accords salvation to even these fools”. Austen has been regarded as a major writer in Japan since the 1950s, and in 2007, the Jane Austen Society of Japan was founded to provide a space for Japanese Janeites. In 2015-2016, "manga" versions of "Pride and Prejudice", "Emma", and "Sense and Sensibility" were published in Japan.
John Willoughby
Jane Austen created Willoughby as a protagonist driven by the need for his own pleasure, whether that be through amusing himself with whatever woman crossed his path, or via marrying in order to obtain wealth to fuel his profligate ways. He does not value emotional connection and is willing to give up his true love for more worldly objects. This characterization is similar to that of George Wickham in Jane Austen's subsequent novel, "Pride and Prejudice". They both have the charm to ingratiate themselves with people and to deceive them, as John Willoughby did to Marianne when apprising her of his journey to London, and George Wickham to Elizabeth by fabricating a story to demonstrate how much anguish he had experienced in his life. And they both show themselves willing to seduce and ruin women—Beth in Willoughby's case and Lydia Bennet and Georgiana Darcy in Wickham's case. However, it appears that Willoughby is not completely without a conscience because he did express remorse and guilt concerning his actions toward Marianne, and showed himself to be capable of falling in love. In contrast, Wickham was very calculating in his behaviour and never demonstrated any regret regarding his treatment of Georgiana or Lydia, or embarrassment about his lies to Elizabeth.