Max Frisch
Frisch's dramas up until the early 1960s are divided by the literary commentator into three groups: (1) the early wartime pieces, (2) the poetic plays such as "" ("Don Juan oder Die Liebe zur Geometrie") and (3) the dialectical pieces. It is above all with this third group, notably the parable "The Fire Raisers" (1953), identified by Frisch as a "lesson without teaching", and with "Andorra" (1961) that Frisch enjoyed the most success. Indeed, these two are among the most successful German language plays. The writer nevertheless remained dissatisfied because he believed they had been widely misunderstood. In an interview with Heinz Ludwig Arnold Frisch vigorously rejected their allegorical approach: "I have established only that when I apply the parable format, I am obliged to deliver a message that I actually do not have". After the 1960s Frisch moved away from the theatre. His late biographical plays "" ("Biografie: Ein Spiel") and "" were apolitical but they failed to match the public success of his earlier dramas. It was only shortly before his death that Frisch returned to the stage with a more political message, with "Jonas and his Veteran", a stage version of his arresting dialogue "Switzerland without an army? A Palaver".
Max Marcin
Max Marcin (5 May 1879 – 30 March 1948) was a Polish screenwriter and film director. He wrote for 47 films between 1916 and 1949. He also directed six films between 1931 and 1936. His stage work includes "See My Lawyer" (1915), directed by Frank M. Stammers; he wrote and/or produced almost 20 plays for Broadway from 1916-38. Marcin wrote for and produced "The FBI in Peace and War" and created, produced and wrote for the "Crime Doctor" radio program, which became the basis for a series of 10 "Crime Doctor" films.