Jami' al-tawarikh
The lavish illustrations and calligraphy required the efforts of hundreds of scribes and artists, with the intent that two new copies (one in Persian, and one in Arabic) would be created each year and distributed to schools and cities around the Ilkhanate, in the Middle East, Central Asia, Anatolia, and the Indian subcontinent. Approximately 20 illustrated copies were made of the work during Rashid al-Din's lifetime, but only a few portions remain, and the complete text has not survived. The oldest known copy is an Arabic version, of which half has been lost, but one set of pages is currently in the Khalili Collection, comprising 59 folios from the second volume of the work. Another set of pages, with 151 folios from the same volume, is owned by the Edinburgh University Library. Two Persian copies from the first generation of manuscripts survive in the Topkapı Palace Library in Istanbul. The early illustrated manuscripts together represent "one of the most important surviving examples of Ilkhanid art in any medium", and are the largest surviving body of early examples of the Persian miniature.
Stoichedon
The stoichedon style of epigraphy (from στοιχηδόν, a Greek adverb meaning "in a row") was the practice of engraving ancient Greek inscriptions in capitals in such a way that the letters were aligned vertically as well as horizontally. Texts of this form give the appearance of being composed in a grid with the same number of letters in each line and each space in the grid filled with a single letter; hence, there are no spaces between words, and no spaces or punctuation between sentences. The majority are Attic, but it was widely used in the Greek world, and the earliest examples are from not later than the mid-6th century BCE; the first is perhaps the Phrasikleia Kore or the Salaminian Decree. It was the dominant style of inscription in Athens during the 5th and 4th centuries BCE and was the preferred style for official state proclamations. The last stoichedon text dates from the 3rd century CE and is the genealogical inscription from the Heroon of Oenoanda in Lycia. The idiom was less common in Latin epigraphy, a rare exception is the Sator square.