Beethoven's musical style
The compositions that Beethoven wrote in his formative period can be generally characterized by the composer's efforts to master the predominant classical language of the period. His works from this period can be subdivided into two, based on the composer's residence. First, various juvenalia, written when the adolescent Beethoven was in residence in Bonn and heavily indebted to the works of contemporaries, especially Mozart and his teacher, Christian Gottlob Neefe. These early efforts can be seen in a set of three piano sonatas and piano quartets (WoO 36) that Beethoven wrote before 1792. The Quartets, for instance, are each specifically modelled after three Violin sonatas Mozart published in 1781 – K 296, 379 and 380 – and Beethoven would later draw upon this familiarity in the composition of several of his own Violin Sonatas.
Beethoven and his contemporaries
Beethoven had already read and studied Johann Wolfgang von Goethe's works intensively during his youth in Bonn, long before their first personal encounter. His first Goethe settings were produced around 1790. Beethoven announced his music to "Egmont" in a first letter to the poet in the spring of 1811 with the following words: "I am only able to approach you with the greatest veneration [and] with an inexpressibly deep feeling for your glorious creations." He had already set 18 texts by Goethe, and two others were to follow. Goethe therefore occupies a privileged position in Beethoven's vocal works.