Jane Austen in popular culture
Austen went out of favour in Japan during the militarist period in the early Showa era (1931-1945) when a xenophobic, ultra-nationalist mood prevailed, and the government discouraged people from reading foreign books. But during the period of the American occupation (1945–52), almost every Austen book was translated into Japanese except "Mansfield Park" (which was not translated until 1978), and Austen started to be widely taught in Japanese high schools. The translation of "Sense and Sensibility" in 1947, followed by a translation of "Pride and Prejudice" in 1950 were published by the prestigious publishing house Iwanami Shoten, and both books sold very well. The success of the Iwanami versions of "Sense and Sensibility" and "Pride and Prejudice" was the moment that Austen became respectable in Japan. In 1963, the critic Yamamoto Kenkichi, in his essay “The Smile of "Pride and Prejudice"” that proved to be influential, criticized Japanese literature for being overtly solemn and praised Austen for her “natural ease”, which led him to conclude: “Collins, Wickham, Mrs. Bennet, Lady Catherine, how she turns her laughter on these minor characters. They are observed with some malice, certainly, but in a pleasant, mischievous, irreverent manner which ultimately accords salvation to even these fools”. Austen has been regarded as a major writer in Japan since the 1950s, and in 2007, the Jane Austen Society of Japan was founded to provide a space for Japanese Janeites. In 2015-2016, "manga" versions of "Pride and Prejudice", "Emma", and "Sense and Sensibility" were published in Japan.
Brenda Blethyn
A major hit for Blethyn came with Joe Wright's "Pride & Prejudice", a 2005 adaptation of the same-titled novel by Jane Austen. Starring alongside Keira Knightley and Donald Sutherland, Blethyn played Mrs. Bennet, a fluttery mother of five sisters who desperately schemes to marry her daughters off to men of means. During promotion of the film, she noted of her portrayal of the character: "I've always thought she had a real problem and shouldn't be made fun of. She's pushy with a reason. As soon as Mr. Bennet dies, all the money goes down the male line; she has to save her daughters from penury." With both a worldwide gross of over US$121 million and several Academy Award and Golden Globe nominations, the film became a critical and commercial success, spawning Blethyn another BAFTA Award nomination for Best Actress in a Supporting Role.