Jane Austen in popular culture
Austen went out of favour in Japan during the militarist period in the early Showa era (1931-1945) when a xenophobic, ultra-nationalist mood prevailed, and the government discouraged people from reading foreign books. But during the period of the American occupation (1945–52), almost every Austen book was translated into Japanese except "Mansfield Park" (which was not translated until 1978), and Austen started to be widely taught in Japanese high schools. The translation of "Sense and Sensibility" in 1947, followed by a translation of "Pride and Prejudice" in 1950 were published by the prestigious publishing house Iwanami Shoten, and both books sold very well. The success of the Iwanami versions of "Sense and Sensibility" and "Pride and Prejudice" was the moment that Austen became respectable in Japan. In 1963, the critic Yamamoto Kenkichi, in his essay “The Smile of "Pride and Prejudice"” that proved to be influential, criticized Japanese literature for being overtly solemn and praised Austen for her “natural ease”, which led him to conclude: “Collins, Wickham, Mrs. Bennet, Lady Catherine, how she turns her laughter on these minor characters. They are observed with some malice, certainly, but in a pleasant, mischievous, irreverent manner which ultimately accords salvation to even these fools”. Austen has been regarded as a major writer in Japan since the 1950s, and in 2007, the Jane Austen Society of Japan was founded to provide a space for Japanese Janeites. In 2015-2016, "manga" versions of "Pride and Prejudice", "Emma", and "Sense and Sensibility" were published in Japan.
Pride and Prejudice and Zombies (film)
The film is based on the 2009 novel of the same name, which was billed as having been co-written by Jane Austen and Seth Grahame-Smith. The project was first announced on December 10, 2009, in "Variety", when it was revealed that Natalie Portman would both star in the role of Elizabeth Bennet and produce, and that Lionsgate would finance and distribute. On December 14, David O. Russell was announced as the writer and director of the film. On October 5, 2010, it was revealed that Russell had left the production due to scheduling conflicts. Russell later revealed that he had disputes with Lionsgate over the budget. The next day, it was announced that Portman had quit the role of Elizabeth Bennet, though she would still produce the film. Following Russell's departure, Lionsgate offered Mike Newell and Matt Reeves the chance to take over from him, but both declined. On November 3, 2010, the "Los Angeles Times" reported that Lionsgate had held meetings with Mike White, Neil Marshall and Jeffrey Blitz as potential directors. White was hired on November 5. On January 19, 2011, it was announced that White had had to leave the film due to scheduling conflicts with a pre-existing commitment at HBO.