Little Dancer of Fourteen Years
The "Little Dancer" wax sculpture we see today is a reworked version of the original sculpture that was shown in 1881. After seeing the wax sculpture in Degas’ living quarters in April 1903, the New York collector Louisine Havemeyer expressed interest in buying the wax. After proposing a bronze or cast wax of the sculpture, which Mrs. Havemeyer refused, Degas took his wax figure upstairs to his working studio and told Vollard he was reworking the sculpture for Havemeyer for 40,000 francs. Degas never sold the sculpture to Mrs. Havemeyer. After Degas died, it was found in a corner of his studio. Paul Lefond, Degas’ biographer, described the "Little Dancer" wax after Degas’ death as "nothing but a ruin;" and Mary Cassatt telegraphed Mrs. Havemeyer "Statue Bad Condition." However, the wax sculpture we know today is not a ruin. It is Degas' reworked second version of his wax figure. At some point before Degas extensively reworked his sculpture, he allowed a plaster to be cast from the wax figure. This recently re-discovered plaster records the "Little Dancer"’s original pose, bodice, and hairdo. The plaster is now in a private collection in the United States.
Huguette Clark
In March 2012, it was reported that shortly after Clark moved to a hospital in the early 1990s, a valuable pastel, "Danseuse Faisant des Pointes" ("Dancer Making Pointes"), by Edgar Degas, was stolen from her Fifth Avenue apartment. The painting was sold to Peter Findlay Gallery and later acquired in 1993 by H&R Block co-founder and art collector Henry W. Bloch. The Peter Findlay Gallery indicated that it acquired the piece from a "European gentleman, seemingly from a good family, who visited New York from time to time" and who claimed to have inherited the work. It was not until 2005 that the Federal Bureau of Investigation made Bloch aware that it was investigating the painting, and in 2007, they told Bloch that the painting had in fact been reported stolen from Clark.