Xiongnu
Sinologist Edwin Pulleyblank argued that the Xiongnu were part of a Xirong group called Yiqu, who had lived in Shaanbei and had been influenced by China for centuries, before they were driven out by the Qin dynasty. Qin's campaign against the Xiongnu expanded Qin's territory at the expense of the Xiongnu. In 215 BC, Qin Shi Huang sent General Meng Tian to conquer the Xiongnu and drive them from the Ordos Loop, which he did later that year. After the catastrophic defeat at the hands of Meng Tian, the Xiongnu leader Touman was forced to flee far into the Mongolian Plateau. The Qin empire became a threat to the Xiongnu, which ultimately led to the reorganization of the many tribes into a confederacy.In 209 BC, three years before the founding of Han China, the Xiongnu were brought together in a powerful confederation under a new chanyu, Modu Chanyu. This new political unity transformed them into a more formidable state by enabling formation of larger armies and the ability to exercise better strategic coordination. The Xiongnu adopted many of the Chinese agriculture techniques such as slave labor for heavy labor, wore silk like the Chinese, and lived in Chinese-style homes. The reason for creating the confederation remains unclear. Suggestions include the need for a stronger state to deal with the Qin unification of China that resulted in a loss of the Ordos region at the hands of Meng Tian or the political crisis that overtook the Xiongnu in 215 BC when Qin armies evicted them from their pastures on the Yellow River.
Xiongnu
Within the Xiongnu culture more variety is visible from site to site than from "era" to "era," in terms of the Chinese chronology, yet all form a whole that is distinct from that of the Han and other peoples of the non-Chinese north. In some instances iconography can not be used as the main cultural identifier because art depicting animal predation is common among the steppe peoples. An example of animal predation associated with Xiongnu culture is a tiger carrying dead prey. We see a similar image in work from Maoqinggou, a site which is presumed to have been under Xiongnu political control but is still clearly non-Xiongnu. From Maoqinggou, we see the prey replaced by an extension of the tiger's foot. The work also depicts a lower level of execution; Maoqinggou work was executed in a rounder, less detailed style. In its broadest sense, Xiongnu iconography of animal predation include examples such as the gold headdress from Aluchaideng and gold earrings with a turquoise and jade inlay discovered in Xigouban, Inner Mongolia. The gold headdress can be viewed, along with some other examples of Xiongnu art, from the external links at the bottom of this article.