Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Brenda Blethyn
A major hit for Blethyn came with Joe Wright's "Pride & Prejudice", a 2005 adaptation of the same-titled novel by Jane Austen. Starring alongside Keira Knightley and Donald Sutherland, Blethyn played Mrs. Bennet, a fluttery mother of five sisters who desperately schemes to marry her daughters off to men of means. During promotion of the film, she noted of her portrayal of the character: "I've always thought she had a real problem and shouldn't be made fun of. She's pushy with a reason. As soon as Mr. Bennet dies, all the money goes down the male line; she has to save her daughters from penury." With both a worldwide gross of over US$121 million and several Academy Award and Golden Globe nominations, the film became a critical and commercial success, spawning Blethyn another BAFTA Award nomination for Best Actress in a Supporting Role.