Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Pride and Prejudice (1940 film)
The film was critically well received. Bosley Crowther in his review for "The New York Times" described the film as "the most deliciously pert comedy of old manners, the most crisp and crackling satire in costume that we in this corner can remember ever having seen on the screen." Crowther also praised casting decisions and noted of the two central protagonists:
"TV Guide", commenting upon the changes made to the original novel by this adaptation, calls the film "an unusually successful adaptation of Jane Austen's most famous novel. Although the satire is slightly reduced and coarsened and the period advanced in order to use more flamboyant costumes, the spirit is entirely in keeping with Austen's sharp, witty portrait of rural 19th century social mores." The reviewer goes on to note:
The film received a 100% rating from Rotten Tomatoes.