Chobits
"Chobits" began as a manga written and illustrated by Clamp, a collective of four Japanese manga artists. It appeared as a serial in "Weekly Young Magazine" from the 43rd issue for 2000 to the 48th issue for 2002. Kodansha compiled the eighty-eight chapters into eight bound volumes and published them from February 14, 2001, to November 29, 2002.
In 2002, Tokyopop licensed "Chobits" for an English-language translation in North America and marketed it as part of its new unflipped manga line, which reads from right-to-left. Previously, translated manga was typically flipped from its original reading order to a left-to-right one to better suit Western readers. Tokyopop published the series from April 23, 2002, to October 7, 2003, and its translation was distributed in Australia and New Zealand by Madman Entertainment. Tokyopop's license concluded in 2009. At San Diego Comic-Con International 2009, Dark Horse Manga announced an omnibus edition of the series in celebration of Clamp's 20th anniversary. In 2010, it published the two volumes on March 24, and September 29, respectively.
"Chobits" is also published in Hong Kong in Traditional Chinese by Jonesky, in Singapore in Simplified Chinese by Chuang Yi, in South Korea by Daiwon C.I., in France by Pika Édition, in Spain by Norma Editorial, in Mexico by Grupo Editorial Vid, in Italy by Star Comics (which serialized it in "Express"), in Germany by Egmont Manga & Anime (which serialized it in "Manga Power"), in Poland by Japonica Polonica Fantastica, in Brazil by JBC, and in Sweden by Carlsen Verlag.
City Lights
Filming for "City Lights" officially began on December 27, 1928, after Chaplin and Carr had worked on the script for almost an entire year. As a filmmaker, Chaplin was known for being a perfectionist; he was noted for doing many more "takes" than other directors at the time. Production began with the first scene at the flower stand where the Little Tramp first meets the Blind Flower Girl. The scene took weeks to shoot, and Chaplin first began to have second thoughts about casting Cherrill. Years later, Cherrill said, "I never liked Charlie and he never liked me." In his autobiography, Chaplin took responsibility for his on-set tensions with Cherrill, blaming the stress of making the film for the conflict. Filming the scene continued until February 1929 and again for ten days in early April before Chaplin put the scene aside to be filmed later. He then shot the opening scene of the Little Tramp waking up in a newly unveiled public statue. This scene involved up to 380 extras and was especially stressful for Chaplin to shoot. During this part of shooting, construction was being done at Chaplin Studios because the city of Los Angeles had decided to widen La Brea Avenue and Chaplin was forced to move several buildings away from the road.