Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Jane Austen in popular culture
The global appeal of Austen today can be seen in that Bollywood regularly produces versions of Austen's books reset in modern India and adjusted to the style of Indian films, which forbid kissing and always include a number of musical numbers regardless of whether they have any connection to the plot. Austen's books often feature match-making parents, which gives her stories a particular resonance in India, where the majority of marriages are still arranged today. The British colony of India, which was ruled by the East India Company until 1858, and as a Crown colony from 1858 to 1947, came to include all of modern India, Pakistan, and Bangladesh. English as an academic discipline began in 19th century India as British officials of the Raj set out to teach English to their Indian subjects, and as a result, any middle-class Indian, Pakistani and Bangladeshi from the time of the Raj until the present is familiar with Austen's books, giving her books the sort of "cultural capital" appeal in modern India, Pakistan and Bangladesh similar to the United States. Austen's stories which feature "love marriages" as the heroine marries a man with whom she falls in love with, and gains the approval of her parents in the process, are very popular with women from middle-class Indian families, the vast majority of whom are in or are destined for arranged marriages set up by their parents to men that they generally don't know. In India, "Sense and Sensibility" has turned into the 2000 Tamil language film "Kandukondain Kandukondain" and the 2014 Hindi language soap opera "Kumkum Bhagya"; "Emma" has adopted as the 2010 film "Aisha"; and "Pride and Prejudice" into the 2004 film "Bride and Prejudice". In "Bride and Prejudice", Elizabeth Bennet becomes Lalita Bakshi (Aishwarya Rai), the daughter of a Sikh grandee living in a decaying mansion left over by the Raj in Amritsar; Mr. Darcy is an American billionaire visiting the Punjab to attend a wedding; Mr. Bingley becomes Mr. Balraj, a second generation Indo-British lawyer who has come to the Punjab in search of a traditional Sikh woman to marry; Lieutenant Wickham becomes Johnny Wickham, a British backpacker looking for the "real India"; and Mr. Collins becomes Mr. Kholi, a sanctimonious Sikh who has made a fortune in Silicon Valley.