Raphael
This first of the famous "Stanze" or "Raphael Rooms" to be painted, now known as the "Stanza della Segnatura" after its use in Vasari's time, was to make a stunning impact on Roman art, and remains generally regarded as his greatest masterpiece, containing "The School of Athens", "The Parnassus" and the "Disputa". Raphael was then given further rooms to paint, displacing other artists including Perugino and Signorelli. He completed a sequence of three rooms, each with paintings on each wall and often the ceilings too, increasingly leaving the work of painting from his detailed drawings to the large and skilled workshop team he had acquired, who added a fourth room, probably only including some elements designed by Raphael, after his early death in 1520. The death of Julius in 1513 did not interrupt the work at all, as he was succeeded by Raphael's last Pope, the Medici Pope Leo X, with whom Raphael formed an even closer relationship, and who continued to commission him. Raphael's friend Cardinal Bibbiena was also one of Leo's old tutors, and a close friend and advisor.
Raffaellino del Colle
He is also called "Raffaellino della Colle". Raffaellino was a pupil of Raphael, whom he is held to have assisted in the decoration of the Farnesina and of the stanze in the Vatican Palace. After Raphael's death, Raffaellino continued working in the Vatican, helping complete the "Sala di Constantino" though now under the direction of Giulio Romano. After the 1527 Sack of Rome, like most of Romano's studio and most of the foreign art community, Raffaellino and other artists dispersed through Italy, most returning to their home cities. Rafaellino went to Città di Castello, near his birthplace, where he painted altar-pieces for the principal churches, which are now mostly to be found in that town's Municipal Art Gallery. He also worked in Borgo San Sepolcro. He worked for the service Duke Della Rovere in Urbino from 1539 to 1543. He also worked with Girolamo Genga, decorating the "Camera dei Semibusti", "Sala della Calunni", and "Cabinet of Hercules" of the Villa Imperiale of Pesaro for Francesco Maria I della Rovere, Duke of Urbino. In Perugia, he worked at the "Rocca Paolina" (1540). In 1536, Vasari commissioned from Raffaellino some ephemeral street decorations to celebrate the entry of Charles V into Florence.