Marianismo
In their book "The Maria Paradox: How Latinas Can Merge Old World Traditions with New World Self-esteem" (1996, G. P. Putnam), Rosa Maria Gil and Carmen Inoa Vazquez credit Stevens with introducing the concept of marianismo, citing the "ground-breaking essay written by Evelyn P. Stevens in 1973". They also discuss use of the term by academicians such as Sally E. Romero, Julia M. Ramos-McKay, Lillian Comas-Diaz, and Luis Romero. In their book, Gil and Vazquez use it as applicable across a variety of Latino/a cultures.
Pandeism
In "", Moncure Daniel Conway stated that the term, "Pandeism" is "an unscholarly combination". Ottmar Hegemann described the "New Catholicism" of Franz Mach as actually a form of pandeism, in 1905, a few years before Weinstein's own extensive review was published, in 1910. A critique of Pandeism similar to Conway's, as an 'unsightly' combination of Greek and Latin, was made in a review of Weinstein's discussion of Pandeism. The reviewer further criticises Weinstein's broad assertions that Scotus Eriugena, Anselm of Canterbury, Nicholas of Cusa, Giordano Bruno, Mendelssohn, and Lessing all were Pandeists or leaned towards Pandeism. Towards the beginning of World War I, an article in the "Yale Sheffield Monthly" published by the Yale University Sheffield Scientific School commented on speculation that the war "means the death of Christianity and an era of Pandeism or perhaps even the destruction of all which we call modern civilization and culture." The following year, early 19th-century German philosopher Paul Friedrich Köhler wrote that Pantheism, Pandeism, Monism and Dualism all refer to the same God illuminated in different ways, and that whatever the label, the human soul emanates from this God.
Pandeism was noted by literary critic Martin Lüdke as a philosophy expressed by early Twentieth-Century Portuguese poet Fernando Pessoa, especially as to those writings made under the pseudonym of Alberto Caeiro. Pandeism was likewise noted by authors like Brazilian journalist and writer Otávio de Faria, and British scholar and translator of Portuguese fiction Giovanni Pontiero, among others, to be an influence on the writings of noted mid-Twentieth-Century Brazilian poet Carlos Nejar, of whom de Faria wrote that "the pandeism of Nejar is one of the strongest poetic ideas that we have reached in the world of poetry."