Suleiman the Magnificent
At the time of Suleiman's death, the Ottoman Empire was one of the world's foremost powers. Suleiman's conquests had brought under the control of the Empire major Muslim cities (such as Baghdad), many Balkan provinces (reaching present day Croatia and Hungary), and most of North Africa. His expansion into Europe had given the Ottoman Turks a powerful presence in the European balance of power. Indeed, such was the perceived threat of the Ottoman Empire under the reign of Suleiman that Austria's ambassador Busbecq warned of Europe's imminent conquest: "On [the Turks'] side are the resources of a mighty empire, strength unimpaired, habituation to victory, endurance of toil, unity, discipline, frugality and watchfulness ... Can we doubt what the result will be? ... When the Turks have settled with Persia, they will fly at our throats supported by the might of the whole East; how unprepared we are I dare not say." Suleiman's legacy was not, however, merely in the military field. The French traveler Jean de Thévenot bears witness a century later to the "strong agricultural base of the country, the well being of the peasantry, the abundance of staple foods and the pre-eminence of organization in Suleiman's government".
Suleiman the Magnificent
Under Suleiman's patronage, the Ottoman Empire entered the golden age of its cultural development. Hundreds of imperial artistic societies (called the "Ehl-i Hiref", "Community of the Craftsmen") were administered at the Imperial seat, the Topkapı Palace. After an apprenticeship, artists and craftsmen could advance in rank within their field and were paid commensurate wages in quarterly annual installments. Payroll registers that survive testify to the breadth of Suleiman's patronage of the arts, the earliest of documents dating from 1526 list 40 societies with over 600 members. The "Ehl-i Hiref" attracted the empire's most talented artisans to the Sultan's court, both from the Islamic world and from the recently conquered territories in Europe, resulting in a blend of Arabic, Turkish and European cultures. Artisans in service of the court included painters, book binders, furriers, jewellers and goldsmiths. Whereas previous rulers had been influenced by Persian culture (Suleiman's father, Selim I, wrote poetry in Persian), Suleiman's patronage of the arts saw the Ottoman Empire assert its own artistic legacy.