Islamic art
Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages, religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some script, as do many buildings. Use of Islamic calligraphy in architecture extended significantly outside of Islamic territories; one notable example is the use of Chinese calligraphy of Arabic verses from the Qur'an in the Great Mosque of Xi'an. Other inscriptions include verses of poetry, and inscriptions recording ownership or donation. Two of the main scripts involved are the symbolic "kufic" and "naskh" scripts, which can be found adorning and enhancing the visual appeal of the walls and domes of buildings, the sides of minbars, and metalwork. Islamic calligraphy in the form of painting or sculptures are sometimes referred to as "quranic art".
Palaeography
The earliest Greek papyrus yet discovered is probably that containing the "Persae" of Timotheus, which dates from the second half of the 4th century BC and its script has a curiously archaic appearance. E, Σ, and Ω have the capital form, and apart from these test letters the general effect is one of stiffness and angularity. More striking is the hand of the earliest dated papyrus, a contract of 311 BC. Written with more ease and elegance, it shows little trace of any development towards a truly cursive style; the letters are not linked, and though the uncial c is used throughout, E and Ω have the capital forms. A similar impression is made by the few other papyri, chiefly literary, dating from about 300 BC; E may be slightly rounded, Ω approach the uncial form, and the angular Σ occurs as a letter only in the Timotheus papyrus, though it survived longer as a numeral (= 200), but the hands hardly suggest that for at least a century and a half the art of writing on papyrus had been well established. Yet before the middle of the 3rd century BC, one finds both a practised book-hand and a developed and often remarkably handsome cursive.