List of EastEnders characters (1985)
Michelle Fowler (also Holloway), played by Susan Tully from 1985 to 1995 and Jenna Russell since 2016, is the daughter of Arthur Fowler (Bill Treacher) and Pauline Fowler (Wendy Richard). Although she is one of the brighter people in Walford, that does not stop Michelle making some huge mistakes during her time in Albert Square. Michelle has a habit of choosing the wrong men and her stubborn nature means that she rarely accepts anyone's help or listens to good advice. She is tough, feisty, determined, outspoken and never afraid to defend herself or her beliefs. Early on in the series, the character of Michelle becomes central to the programme and is the focus of a controversial storyline involving her teenage pregnancy. Press interest in the show escalated to "record levels" as journalists continuously tried to predict who had fathered Michelle's baby. In whodunnit fashion, the audience had been kept in the dark as to the real identity of the father and were given teasers implicating several residents on The Square. The audience finally discovered the culprit in episode 66 of the programme, October 1985. The episode was written by series co-creator/script editor Tony Holland and directed by co-creator/producer Julia Smith, and was considered to be a landmark episode in the show's history. Four possible suspects are seen leaving the Square in the early half of the episode: Tony Carpenter (Oscar James), Ali Osman (Nejdet Salih), Andy O'Brien (Ross Davidson) and Den Watts (Leslie Grantham). As Michelle waits by their rendezvous point a car pulls up and finally the fluffy white legs of Roly the poodle bound out of the car, and give it all away: Den Watts is the man meeting Michelle and it was he who had fathered her baby. The rest of the episode consists of just one long scene, where Den and Michelle discuss whether or not to keep the baby. Up to that time it was the longest scene ever done in a soap-opera, lasting fifteen minutes.
Den Watts
In 1985, Den was the first person to speak on the first episode of "EastEnders": "Stinks in here dunnit?" just before he found out that Reg Cox (Johnnie Clayton) had been murdered. Early on in the series, the character of Den became central to the programme and was the focus of a controversial storyline involving the teenage pregnancy of Michelle Fowler (Susan Tully). Press interest in the show escalated as journalists continuously tried to predict who had fathered Michelle's baby. In true whodunnit fashion, the audience had been kept in the dark as to the real identity of the father and were given teasers implicating several residents on the Square. The audience finally discovered the culprit in episode 66 of the programme, October 1985. The episode was written by series co-creator/script editor Tony Holland and directed by co-creator/producer Julia Smith, and was considered to be a landmark episode in the show's history. Four possible suspects were seen leaving the Square in the early half of the episode: Tony Carpenter (Oscar James), Ali Osman (Nejdet Salih), Andy O'Brien (Ross Davidson) and Den Watts. As Michelle waited by their rendezvous point a car pulled up and finally the fluffy white legs of Roly the poodle bounded out of the car, and gave it all away: Den Watts was the man meeting Michelle and it was he who had fathered her baby. It was when Den was revealed as the father that his famous nickname "Dirty Den" was created by the British press. The rest of the episode consisted of just one long scene, where Den and Michelle discussed whether or not to keep the baby. Up to that time it was the longest scene ever done in a soap-opera, lasting fifteen minutes. For a series that in its first eight months of existence had established a reputation for being fast-moving and rapidly cut, this was a bold experiment. It relied on just the one story and two actors to hold the audience for over half an episode. Tony Holland's handling of the awkward scene between a teenage girl and the father of her best friend is deemed as one of the highlights of "EastEnders" first year. The finishing touch was the use of an alternative end title music, a variation of the normal one which replaced the dramatic drum beats with a longer, gentler piano solo introduction.