Trafalgar Cemetery
The cemetery was formerly known as the Southport Ditch Cemetery. It was consecrated in June 1798, seven years prior to the Battle of Trafalgar, which took place on 21 October 1805. The cemetery was sometimes considered to be part of St. Jago's Cemetery, the larger burial ground just to the north, on the opposite side of Charles V Wall. St. Jago's, also known as Deadman's Cemetery, was the only cemetery within the walls of the city of Gibraltar. In addition, it may have represented Gibraltar's oldest known cemetery. It was incorporated into St. Jago's Barracks playground in 1929, and repurposed as a rifle range and "ball alley." There exists little evidence of the former cemetery.
The Battle of Trafalgar (painting)
This work depicts a scene from the Battle of Trafalgar, a naval battle fought between the British and Franco-Spanish fleet off Cape Trafalgar in southwest Spain. The British had twenty-seven ships to the thirty-three of the Franco-Spanish fleet. Despite this, the British came out as decisively victorious and captured or destroyed nineteen of the Franco-Spanish ships. Admiral Nelson, of the British Navy, took an unconventional approach to this battle and split his fleet into two lines, one led by his flagship "Victory" and the other by his subordinate Collingwood, to attack the Franco-Spanish fleet in columns perpendicular to their line. At the height of the battle Nelson was shot from a nearby French ship and mortally wounded. Despite this upsetting death, the victory at Trafalgar represented a crucial naval victory for the British. Their dominance effectively established them as the great naval power and ended Napoleon’s plans to conquer England. The significance of this battle for British history cannot be overstated. Afterwards, many citizens called for a government commissioned work of art depicting the battle. This reflected the role of the history painting and the artist by demonstrating the virtue of the hero, Lord Nelson, to the entire nation. The importance of Nelson and his tactics are referenced in "Victory"s dominating position in the scene, the execution as a history painting, and Turner's care in rendering all elements of the scene.