Che Guevara
In early 1965, Guevara went to Africa to offer his knowledge and experience as a guerrilla to the ongoing conflict in the Congo. According to Algerian President Ahmed Ben Bella, Guevara thought that Africa was imperialism's weak link and so had enormous revolutionary potential. Egyptian President Gamal Abdel Nasser, who had fraternal relations with Che since his 1959 visit, saw Guevara's plan to fight in Congo as "unwise" and warned that he would become a "Tarzan" figure, doomed to failure. Despite the warning, Guevara traveled to Congo using the alias Ramón Benítez. He led the Cuban operation in support of the Marxist Simba movement, which had emerged from the ongoing Congo crisis. Guevara, his second-in-command Víctor Dreke, and 12 other Cuban expeditionaries arrived in Congo on April 24, 1965, and a contingent of approximately 100 Afro-Cubans joined them soon afterward. For a time, they collaborated with guerrilla leader Laurent-Désiré Kabila, who had helped supporters of the overthrown president Patrice Lumumba to lead an unsuccessful revolt months earlier. As an admirer of the late Lumumba, Guevara declared that his "murder should be a lesson for all of us". Guevara, with limited knowledge of Swahili and the local languages, was assigned a teenage interpreter, Freddy Ilanga. Over the course of seven months, Ilanga grew to "admire the hard-working Guevara", who "showed the same respect to black people as he did to whites". However, Guevara soon became disillusioned with the poor discipline of Kabila's troops and later dismissed him, stating "nothing leads me to believe he is the man of the hour".
Che Guevara in popular culture
Enter Che: the 1960s symbol of student revolution, the all-pervasive ascetic gaze used to add allure and mystique to a product, because either a sophisticated audience is savvy enough to distinguish between revolution and commerce while enjoying the irony, or oblivious of who he is or what he represents. This began the metamorphosis from Che the martyred resistance fighter beloved by many, and Che the violent Marxist revolutionary despised by others, to his dual paradoxical position in the global corporate capitalist culture. The commodification of the image has been ongoing since his death, and since the late 1990s has seen a resurgence. UCLA art historian David Kunzle, has described the phenomenon by noting "if you go to Havana today, you will not see Che with a gun, you will see him with a rose or a dove. He's become the Gandhi of Cuba."