The Great God Pan
What is now the first chapter of the novella was published in 1890 in a magazine called "The Whirlwind", while what is now the third chapter of the book was published in the same magazine the following year as a standalone short story called "The City of Resurrections". Machen only viewed the two works as connected after they were finished. Once he decided the two stories were connected, Machen wrote the rest of "The Great God Pan" in a single evening save for its final chapter. Machen did not think of an ending for the tale for months, and in that time believed that the novella would remain unfinished forever. The last chapter was completed in June 1891. Machen sent the novella to the publisher Blackwood, who rejected it, deeming it a clever story that "shrink[s]...from the central idea." It was accepted by John Lane and published in 1894. When published as a book, "The Great God Pan" was accompanied by another Machen tale called "The Inmost Light" which also features a mad scientist and elements of science fiction. The book's cover was illustrated by Aubrey Beardsley.
Anton Pann
In 1843, Pann established a printing press inside the Olteni Church, which published works by several authors of his day, as well as a long series of almanacs. He later confessed that this enterprise had drained his economies, and that he had relied on support from various benefactors. Upon Neofit's request, he also began the translation of various religious texts. Pann's comprehensive and innovative textbook for music, "Bazul teoretic şi practic al muzicii bisericeşti" ("The Theoretical and Practical Basis of Church music or the Melodic Grammar"), was officially endorsed by the Metropolitan and taught at the seminary after 1845 and became a template for similar works; in addition, his printing shop sold cheap copies of popular novels, such as the "Alexander Romance", the "Book of 1001 Nights", the "Book of Til Owl-Mirror", and the "Story of Genevieve of Brabant". In March 1847, Anton Pann authored an account of the Great Fire of Bucharest. During the latter disaster, his printing shop was heavily damaged, and he was only able to salvage the presses. He resumed his activities only in 1849, when he moved the business to a house owned by Catinca Pann on Taurului Street.