Che Guevara
In Guevara's private writings from this time (since released), he displays his growing criticism of the Soviet political economy, believing that the Soviets had "forgotten Marx". This led Guevara to denounce a range of Soviet practices including what he saw as their attempt to "air-brush the inherent violence of class struggle integral to the transition from capitalism to socialism", their "dangerous" policy of peaceful co-existence with the United States, their failure to push for a "change in consciousness" towards the idea of work, and their attempt to "liberalize" the socialist economy. Guevara wanted the complete elimination of money, interest, commodity production, the market economy, and "mercantile relationships": all conditions that the Soviets argued would only disappear when world communism was achieved. Disagreeing with this incrementalist approach, Guevara criticized the "Soviet Manual of Political Economy", correctly predicting that if USSR did not abolish the law of value (as Guevara desired), it would eventually return to capitalism.
Che Guevara in popular culture
Appearances of Argentine Marxist revolutionary Che Guevara (1928–1967) in popular culture are common throughout the world. Although during his lifetime he was a highly politicized and controversial figure, in death his stylized image has been transformed into a worldwide emblem for an array of causes, representing a complex mesh of sometimes conflicting narratives. Che Guevara's image is viewed as everything from an inspirational icon of revolution, to a retro and vintage logo. Most commonly he is represented by a facial caricature originally by Irish artist Jim Fitzpatrick and based on Alberto Korda's famous 1960 photograph titled "Guerrillero Heroico". The evocative simulacra abbreviation of the photographic portrait allowed for easy reproduction and instant recognizability across various uses. For many around the world, Che has become a generic symbol of the underdog, the idealist, the iconoclast, or the martyr. He has become, as author Michael Casey notes in "Che's Afterlife: The Legacy of an Image", "the quintessential postmodern icon signifying anything to anyone and everything to everyone."