Genji Monogatari Emaki
The word "emaki" stems from the word "emakimono" meaning "picture scrolls". The emakimono picture scrolls consisted of two designs: Pictures that were painted on a scroll with text added to the same scroll or a number of paintings that accompanied passages of text and were joined together in a scroll. The first known picture scroll was produced in Japan during the late ninth or tenth century. The "Genji Monogatari" picture scroll, however, was produced in the early twelfth century. Not only is the "Genji Monogatari Emaki" the oldest surviving monogatari scroll but it is also the oldest surviving non-Buddhist scroll in Japan. There is no exact date to the scroll, but it is estimated to being sometime between 1120 and 1140, in which case it was created just a little over a century after Murasaki Shikibu wrote "The Tale of Genji".
Gothic art
Illuminated manuscripts represent the most complete record of Gothic painting, providing a record of styles in places where no monumental works have otherwise survived. The earliest full manuscripts with French Gothic illustrations date to the middle of the 13th century. Many such illuminated manuscripts were royal bibles, although psalters also included illustrations; the Parisian Psalter of Saint Louis, dating from 1253 to 1270, features 78 full-page illuminations in tempera paint and gold leaf.
During the late 13th century, scribes began to create prayer books for the laity, often known as books of hours due to their use at prescribed times of the day. The earliest known example seems to have written for an unknown laywoman living in a small village near Oxford in about 1240. Nobility frequently purchased such texts, paying handsomely for decorative illustrations; among the most well-known creators of these is Jean Pucelle, whose Hours of Jeanne d'Evreux was commissioned by King Charles IV as a gift for his queen, Jeanne d'Évreux. Elements of the French Gothic present in such works include the use of decorative page framing reminiscent of the architecture of the time with elongated and detailed figures. The use of spatial indicators such as building elements and natural features such as trees and clouds also denote the French Gothic style of illumination.