Mickey Mouse
Audiences at the time of "Steamboat Willie"'s release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. The first feature-length movie with dialogue sequences, "The Jazz Singer" starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both "Plane Crazy" and "The Gallopin' Gaucho" (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short, "The Barn Dance", was also put into production; however, Mickey does not actually speak until "The Karnival Kid" in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After "Steamboat Willie" was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result. Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.
The Sound of Music (film)
The first American television transmission of "The Sound of Music" was on February 29, 1976 on ABC, which paid $15 million for a one-time only broadcast that became one of the top-rated films ever shown on television to that point. The movie was not shown again until NBC acquired the broadcast rights and telecast the film on February 11, 1979. NBC continued to air the film annually for twenty years. During most of its run on NBC, the film was heavily edited to fit a three-hour time slot—approximately 140 minutes without commercials. The thirty minutes edited out of the original film included portions of the "Morning Hymn and Alleluia" sung by the nuns, part of the dialogue between Mother Abbess and Maria in the abbey, part of Liesl and Rolfe's dialogue preceding "Sixteen Going on Seventeen", Liesl's verse of "Edelweiss" sung with the Captain, the Captain and Baroness waltzing at the party, and minor dialogue cuts within existing scenes.