Napoleon III style
The Napoleon III style was a highly eclectic style of architecture and decorative arts, which used elements of many different historical styles,and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1871) and had an important influence on architecture and decoration in the rest of Europe and the United States. Major examples of the style include the Opéra Garnier in Paris by Charles Garnier (1862–71), the Bibliothèque nationale de France. and the Church of Saint Augustine (1860–1871). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the opera, were intended as the focal points of the new boulevards.
Napoleon III
The historical reputation of Napoleon III is far below that of his uncle. Victor Hugo portrayed him as "Napoleon the Small" ("Napoléon le Petit"), a mere mediocrity, in contrast with Napoleon I "The Great", presented as a military and administrative genius. In France, such arch-opposition from the age's central literary figure, whose attacks on Napoleon III were obsessive and powerful, made it impossible for a very long time to assess his reign objectively. Karl Marx, in "The Eighteenth Brumaire of Louis Napoleon", famously mocked Napoleon III by saying "Hegel remarks somewhere that all great world-historical facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce." Napoleon III has often been seen as an authoritarian but ineffectual leader who brought France into dubious, and ultimately disastrous, foreign military adventures.