Thomas Langlois Lefroy
In 1796, Lefroy began a flirtation with English novelist Jane Austen, who was a friend of an older female relative. Jane Austen wrote two letters to her sister Cassandra mentioning "Tom Lefroy", and some have suggested that it may have been he whom Austen had in mind when she invented the character of Mr. Darcy in "Pride and Prejudice", as the courtship between Tom Lefroy and Jane Austen took place over the year or so that "Pride and Prejudice" was written. In his 2003 biography, "Becoming Jane Austen", Jon Spence suggests that Jane Austen actually used her and Tom LeFroy's personalities as the models for Mr. Darcy and Elizabeth Bennet, but not in an expected way. Spence suggests that Jane Austen used Tom Lefroy's more gregarious personality as the model for the novel's heroine Elizabeth Bennet, and her own measured demeanor was used as the model for the male protagonist, Mr. Darcy. So while the exact influence of Tom Lefroy on "Pride and Prejudice" continues to be debated, it does seem certain that his presence in Austen's life is in some way reflected in the novel.
Sense and Sensibility (film)
In the United Kingdom, "Sense and Sensibility" was released on 23 February 1996 in order to "take advantage of the hype from "Pride and Prejudice"", another popular Austen adaptation recently broadcast. Columbia Tristar's head of UK marketing noted that "if there was any territory this film was going to work, it was in the UK." After receiving positive responses at previews, marketing strategies focused on selling it as both a costume drama and as a film attractive to mainstream audiences. Attention was also paid to marketing "Sense and Sensibility" internationally. Because the entire production cycle had consistently emphasised it as being "bigger" than a normal British period drama literary film, distributors avoided labelling it as "just another English period film." Instead, marketing materials featured quotations from populist newspapers such as the "Daily Mail", which compared the film to "Four Weddings and a Funeral" (1994). It was watched by more than ten million viewers in Europe. Worldwide, the film ultimately grossed $134,582,776, a sum that reflected its commercial success. It had the largest box office gross out of the Austen adaptations of the 1990s.