Chobits
"Chobits" began as a manga written and illustrated by Clamp, a collective of four Japanese manga artists. It appeared as a serial in "Weekly Young Magazine" from the 43rd issue for 2000 to the 48th issue for 2002. Kodansha compiled the eighty-eight chapters into eight bound volumes and published them from February 14, 2001, to November 29, 2002.
In 2002, Tokyopop licensed "Chobits" for an English-language translation in North America and marketed it as part of its new unflipped manga line, which reads from right-to-left. Previously, translated manga was typically flipped from its original reading order to a left-to-right one to better suit Western readers. Tokyopop published the series from April 23, 2002, to October 7, 2003, and its translation was distributed in Australia and New Zealand by Madman Entertainment. Tokyopop's license concluded in 2009. At San Diego Comic-Con International 2009, Dark Horse Manga announced an omnibus edition of the series in celebration of Clamp's 20th anniversary. In 2010, it published the two volumes on March 24, and September 29, respectively.
"Chobits" is also published in Hong Kong in Traditional Chinese by Jonesky, in Singapore in Simplified Chinese by Chuang Yi, in South Korea by Daiwon C.I., in France by Pika Édition, in Spain by Norma Editorial, in Mexico by Grupo Editorial Vid, in Italy by Star Comics (which serialized it in "Express"), in Germany by Egmont Manga & Anime (which serialized it in "Manga Power"), in Poland by Japonica Polonica Fantastica, in Brazil by JBC, and in Sweden by Carlsen Verlag.
The One I Love (manga)
A reviewer for Anime News Network, Mikhail Koulikov wrote that readers would have various reactions to "The One I Love": he felt that some would regard it as "charming" and others would find it upsetting that the female protagonists were primarily defined by their worry over their relationships. While considering it one of Clamp's minor works, he stated that it was "unusual" for including some colored pages when the majority of manga is printed in black and white; being a slice-of-life manga; and featuring Tsubaki Nekoi's art, as prior to the time of his review, most of their works translated into English had been drawn by another member of Clamp. Koulikov wrote that "insecurity and self-doubt" served as the theme of the anthology. Johanna Draper Carlson, a reviewer for "Publishers Weekly", wrote that some of the stories were worrisome, particularly one that she felt "justifies having an interest in whatever your boyfriend likes," and contained stereotypes as a result of limited space. She also stated that the essays included generalizations about women and "quickly become redundant." In "", Mason Templar suggested a possible theme of being one's self in relationships, but felt that it appeared "almost anti-feminist in execution," as only the female characters underwent a change in behavior. Templar rated the series one-and-a-half out of four stars, and criticized it as a naïve take on romance; Templar suggested "Cardcaptor Sakura", "Chobits", or "Man of Many Faces" as better examples of Clamp's romantic manga. A reviewer of the French edition wrote that repetitive nature of the stories detracted from the manga's appeal, and made for a "laborious" reading experience, although the reviewer felt that a "romantic" reader would not mind this. Conversely, another reviewer for Anime News Network, Liann Cooper, wrote that the stories were "incredibly sweet and touching" and were best read a few stories at a time. According to Cooper, "The One I Love" would appeal to fans of Clamp or "shōjo", manga targeted towards girls.