History of Mumbai
After the Partition of India on 15 August 1947, over 100,000 Sindhi refugees from the newly created Pakistan were relocated in the military camps five kilometres from Kalyan in the Maharashta Region. It was converted into a township in 1949, and named Ulhasnagar by the then Governor-General of India, C. Rajagopalachari. In April 1950, Greater Bombay District came into existence with the merger of Bombay Suburbs and Bombay City. It spanned an area of and inhabited 2,339,000 of people in 1951. The Municipal Corporation limits were extended up to Jogeshwari along the Western Railway and Bhandup along the Central Railway. This limit was further extended in February 1957 up to Dahisar along the Western Railway and Mulund on the Central Railway. In the 1955 "Lok Sabha" discussions, when Bombay State was being re-organised along linguistic lines into the states of Maharashtra and Gujarat. But the States Reorganisation Committee recommended a bi-lingual state for Maharashtra-Gujarat, with Bombay as its capital. However, the Samyukta Maharashtra movement opposed this, and insisted that Bombay native of Marathi be declared the capital of Maharashtra. The Indian Institute of Technology Bombay was established in 1958 at Powai, a northern suburb of Bombay. Following protests by the Samyukta Maharashtra movement in which 105 people were killed by police firing, Maharashtra State was formed with Bombay as its capital on 1 May 1960. Flora Fountain was renamed Hutatma Chowk ("Martyr's Square") as a memorial to the Samyukta Maharashtra movement.
Maharashtra
Modern Theatre in Maharashtra can trace its origins to the British colonial era in the middle of the 19th century. It is modelled mainly after the western tradition but also includes forms like Sangeet Natak (Musical drama). In recent decades, Marathi Tamasha has been also been incorporated in some experimental plays.
Today, theatre continues to have a marked presence in Mumbai and Pune with an educated loyal audience base, when most theatre in other parts of India have had a tough time facing the onslaught of cinema and television. Its repertoire ranges from humorous social plays, farces, historical plays, musical, to experimental plays and serious drama. Marathi Playwrights such as Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar have influenced theatre throughout India. Besides Marathi theatre, Maharashtra and particularly, Mumbai, has had a long tradition of theatre in other languages such as Gujarati, Hindi and English.