Jun Maeda
After forming Key, Maeda worked on the music and scenario for their first title "Kanon" released in 1999, which proved to be very popular in the adult game market in Japan. Beside Maeda, the majority of "Kanon" scenario was written by Naoki Hisaya, but he quit Key shortly after "Kanon" was produced. Following this, Maeda wrote most of the scenario for Key's next title "Air", along with again working as the lyricist and one of the composers for the music featured in the game. After a period of four years in 2004, Key released their third and longest game "Clannad" where Maeda did a vast amount of the writing for the game; in all, Maeda put in around 75% of the work that went into the creation of "Clannad". Also in 2004, Maeda began writing his first manga entitled "Hibiki's Magic", which was first conceived as a short story he wrote as a student. In 2005, Maeda worked on the scenario and music for Key's fifth game "", followed by Key's sixth title "Little Busters!" released in July 2007 which he also worked on in regards to the scenario and music.
Immanuel Kant
In 1792, Kant's attempt to publish the Second of the four Pieces of "Religion within the Bounds of Bare Reason", in the journal "Berlinische Monatsschrift", met with opposition from the King's censorship commission, which had been established that same year in the context of the French Revolution. Kant then arranged to have all four pieces published as a book, routing it through the philosophy department at the University of Jena to avoid the need for theological censorship. This insubordination earned him a now famous reprimand from the King. When he nevertheless published a second edition in 1794, the censor was so irate that he arranged for a royal order that required Kant never to publish or even speak publicly about religion. Kant then published his response to the King's reprimand and explained himself, in the preface of "The Conflict of the Faculties".
He also wrote a number of semi-popular essays on history, religion, politics and other topics. These works were well received by Kant's contemporaries and confirmed his preeminent status in 18th-century philosophy. There were several journals devoted solely to defending and criticizing Kantian philosophy. Despite his success, philosophical trends were moving in another direction. Many of Kant's most important disciples and followers (including Reinhold, Beck and Fichte) transformed the Kantian position into increasingly radical forms of idealism. The progressive stages of revision of Kant's teachings marked the emergence of German Idealism. Kant opposed these developments and publicly denounced Fichte in an open letter in 1799. It was one of his final acts expounding a stance on philosophical questions. In 1800, a student of Kant named Gottlob Benjamin Jäsche (1762–1842) published a manual of logic for teachers called "Logik", which he had prepared at Kant's request. Jäsche prepared the "Logik" using a copy of a textbook in logic by Georg Friedrich Meier entitled "Auszug aus der Vernunftlehre", in which Kant had written copious notes and annotations. The "Logik" has been considered of fundamental importance to Kant's philosophy, and the understanding of it. The great 19th-century logician Charles Sanders Peirce remarked, in an incomplete review of Thomas Kingsmill Abbott's English translation of the introduction to "Logik", that "Kant's whole philosophy turns upon his logic." Also, Robert Schirokauer Hartman and Wolfgang Schwarz, wrote in the translators' introduction to their English translation of the "Logik", "Its importance lies not only in its significance for the "Critique of Pure Reason", the second part of which is a restatement of fundamental tenets of the "Logic", but in its position within the whole of Kant's work."