Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Bernard J. Taylor
By the time "Success!" made its debut at the Civic Theatre, Rotherham, in September 1995, Taylor had returned to the classics, in the form of Jane Austen's "Pride And Prejudice". With Claire Moore as Elizabeth Bennett and Peter Karrie in the role of Darcy, the concept album also featured Gay Soper, Janet Mooney, James Staddon and Christopher Biggins as Mr. Collins. Stand-out tracks, according to the Virgin Encyclopedia of "Film and Stage Music" "(VEFSM)", were considered to be "Through The Eyes Of A Child" "Good Breeding" and "Thank God They're Married". Pride And Prejudice was introduced to US audiences, complete with five new songs, by the Public Theatre Company of Peoria, Illinois, in January 1995. Taylor's musical interpretation of the Austen novel was considered to be closer to its source than the 1959 Broadway version (see "VEFSM"), First Impressions (Austen's original title for the book), which starred Hermione Gingold. By 2012 there had been more than 30 productions of the show worldwide in the USA, UK, Germany, Australia, Ireland, New Zealand, Brazil and the USA.