Classical Hollywood cinema
The beginning of the sound era itself is ambiguously defined. To some, it began with "The Jazz Singer", which was released in 1927 and increased box-office profits for films, as sound was introduced to feature films. To others, the era began in 1929, when the silent age had definitively ended. Most Hollywood pictures from the late 1920s to 1960s adhered closely to a genre—Western, slapstick comedy, musical, animated cartoon, and biopic (biographical picture)—and the same creative teams often worked on films made by the same studio. For instance, Cedric Gibbons and Herbert Stothart always worked on MGM films; Alfred Newman worked at Twentieth Century Fox for twenty years; Cecil B. DeMille's films were almost all made at Paramount Pictures; and director Henry King's films were mostly made for Twentieth Century Fox. Similarly, actors were mostly contract players. Film historians and critics note that it took about a decade for films to adapt to sound and return to the level of artistic quality of the silents, which it did in the late 1930s.
Ladislas Starevich
Often mentioned as being among his best work, "The Tale of the Fox" (, ) was also his first animated feature. It was entirely made by him and his daughter, Irene. Production took place in Fontenay-sous-Bois from 1929–1930. When the film was ready, the producer, Louis Nalpas, decided to add sound by disc support but this system failed and the film was not released. German film studio UFA got interest to show the film in two parts. Sound was added in German and it premiered in Berlin in 1937. Later, in 1941, Roger Richebé (Paris Cinéma Location) produced a French sound version, which premiered on April 1941. It was the third animated feature film to have sound, after Quirino Cristiani's "Peludópolis" (1931) and "The New Gulliver" (1935) from the Soviet Union.