Jane Austen
Austen's novels have resulted in sequels, prequels and adaptations of almost every type, from soft-core pornography to fantasy. From the 19th century, her family members published conclusions to her incomplete novels, and by 2000 there were over 100 printed adaptations. The first dramatic adaptation of Austen was published in 1895, Rosina Filippi's "Duologues and Scenes from the Novels of Jane Austen: Arranged and Adapted for Drawing-Room Performance", and Filippi was also responsible for the first professional stage adaptation, "The Bennets" (1901). The first film adaptation was the 1940 MGM production of "Pride and Prejudice" starring Laurence Olivier and Greer Garson. BBC television dramatisations since the 1970s have attempted to adhere meticulously to Austen's plots, characterisations and settings. The British critic Robert Irvine noted that in American film adaptations of Austen's novels, starting with the 1940 version of "Pride and Prejudice" and continuing on to today, class is subtly downplayed as the United States is officially an egalitarian nation where all people are equal and the society of Regency England depicted by Austen that is grounded in a hierarchy based upon the ownership of land and the antiquity of the family name is one that Americans cannot embrace in its entirety.
Pride and Prejudice and Zombies (film)
The film is based on the 2009 novel of the same name, which was billed as having been co-written by Jane Austen and Seth Grahame-Smith. The project was first announced on December 10, 2009, in "Variety", when it was revealed that Natalie Portman would both star in the role of Elizabeth Bennet and produce, and that Lionsgate would finance and distribute. On December 14, David O. Russell was announced as the writer and director of the film. On October 5, 2010, it was revealed that Russell had left the production due to scheduling conflicts. Russell later revealed that he had disputes with Lionsgate over the budget. The next day, it was announced that Portman had quit the role of Elizabeth Bennet, though she would still produce the film. Following Russell's departure, Lionsgate offered Mike Newell and Matt Reeves the chance to take over from him, but both declined. On November 3, 2010, the "Los Angeles Times" reported that Lionsgate had held meetings with Mike White, Neil Marshall and Jeffrey Blitz as potential directors. White was hired on November 5. On January 19, 2011, it was announced that White had had to leave the film due to scheduling conflicts with a pre-existing commitment at HBO.