Patrick Courrielche
In 2015, Courrielche wrote a long form story "St. Nicholas: The Birth Of A Social Weapon" on the origin of Santa Claus and introduced the concept of a "social weapon" - a packaged idea, message, or product that is used by an individual or group to advance their cause. Courrielche argued that New York City elites crafted Santa Claus from St. Nicholas, a widely known patron saint, to stabilize a city plagued by annual misbehavior every December. Santa Claus was then used as a "social weapon" by merchants, craftsman, city rulers, parents, newspapers, and others to benefit their endeavors. The essay was added to the St. Nicholas Center's resource on the Origin of Santa Claus.
Santa Claus (1898 film)
Santa Claus is a 1898 British short silent drama film, directed by George Albert Smith, which features Santa Claus visiting a house on Christmas Eve. The film, according to Michael Brooke of BFI Screenonline, "is believed to be the cinema's earliest known example of parallel action and, when coupled with double-exposure techniques that Smith had already demonstrated in the same year's "The Mesmerist" (1898) and "Photographing a Ghost" (1898), the result is one of the most visually and conceptually sophisticated British films made up to then."