Abanindranath Tagore - wikipedia Abanindranath Tagore Jump to : navigation , search This article needs additional citations for verification . Please help improve this article by adding citations to reliable sources . Unsourced material may be challenged and removed . ( May 2015 ) ( Learn how and when to remove this template message ) Abanindranath Tagore Abanindranath Tagore ( 1871 - 08 - 07 ) 7 August 1871 Joransanko , Calcutta , Bengal , British India 5 December 1951 ( 1951 - 12 - 05 ) ( aged 80 ) Calcutta Nationality Indian Known for Painting , writing Movement Bengal school of art , Contextual Modernism Abanindranath Tagore CIE ( অবনীন্দ্রনাথ ঠাকুর ) ( 7 August 1871 -- 5 December 1951 ) was the principal artist and creator of the `` Indian Society of Oriental Art '' . He was also the first major exponent of Swadeshi values in Indian art , thereby founding the influential Bengal school of art , which led to the development of modern Indian painting He was also a noted writer , particularly for children . Popularly known as ' Aban Thakur ' , his books Rajkahini , Budo Angla , Nalak , and Khirer Putul are landmarks in Bengali language children 's literature . Tagore sought to modernise Mughal and Rajput styles to counter the influence of Western models of art , as taught in art schools under the British Raj and developed the Indian style of painting , later known as Bengal school of art . Such was the success of Tagore 's work that it was eventually accepted and promoted as a national Indian style within British art institutions under the epithet of Indian Society of Oriental Art . Contents ( hide ) 1 Personal life and background 2 Painting career 2.1 Early days 2.2 Later career 2.3 Rediscovery 3 List of paintings 4 References 5 External links Personal life and background ( edit ) Abanindranath Tagore was born in Jorasanko , Calcutta , British India , to Gunendranath Tagore . His grandfather was Girindranath Tagore , the second son of `` Prince '' Dwarkanath Tagore . He was a member of the distinguished Tagore family , and a nephew of the poet Rabindranath Tagore . His grandfather and his elder brother , Gaganendranath Tagore , were also artists . Tagore learned art when studying at Sanskrit College , Kolkata in the 1880s . In 1890 , around the age of twenty years , Abanindranath attended the Calcutta School of Art where he learnt to use pastels from O. Ghilardi , and oil painting from Charles Palmer , European painters who taught in that institution . In 1889 , he married Suhasini Devi , daughter of Bhujagendra Bhusan Chatterjee , a descendant of Prasanna Coomar Tagore . At this time he left the Sanskrit College after nine years of study and studied English as a special student at St. Xavier 's College , which he attended for about a year and a half . He had a sister , Sunayani Devi . Painting career ( edit ) `` Ganesh - janani '' by Abanindranath Tagore Early days ( edit ) In the early 1890s several illustrations were published in Sadhana magazine , and in Chitrangada , and other works by Rabindranath Tagore . He also illustrated his own books. About the year 1897 he took lessons from the vice-principal of the Government School of Art , studying in the traditional European academic manner , learning the full range of techniques , but with a particular interest in watercolour . At this time he began to come under the influence of Mughal art , making a number of works based on the life of Krishna in a Mughal - influenced style . After meeting E.B. Havell , Tagore worked with him to revitalise and redefine art teaching at the Calcutta School of art , a project also supported by his brother Gaganendranath , who set up the Indian Society of Oriental Art . Tagore believed in the traditional Indian techniques of painting . His philosophy rejected the `` materialistic '' art of the west and came back to Indian traditional art forms . He was influenced by the Mughal school of painting as well as Whistler 's Aestheticism . In his later works , Tagore started integrating Chinese and Japanese calligraphic traditions into his style . Later career ( edit ) Tagore believed that Western art was `` materialistic '' in character , and that India needed to return to its own traditions to recover spiritual values . Despite its Indocentric nationalism , this view was already commonplace within British art of the time , stemming from the ideas of the Pre-Raphaelites . Tagore 's work also shows the influence of Whistler 's Aestheticism . Partly for this reason many British arts administrators were sympathetic to such ideas , especially as Hindu philosophy was becoming increasingly influential in the West following the spread of the Theosophy movement . Tagore believed that Indian traditions could be adapted to express these new values , and to promote a progressive Indian national culture . His finest achievement however was the Arabian Night 's series which was painted in 1930 . In these paintings he uses the Arabian Nights stories as a trope for looking at colonial Calcutta and picturing its emergent cosmopolitanism . With the success of Tagore 's ideas , he came into contact with other Asian cultural figures , such as the Japanese art historian Okakura Kakuzō and the Japanese painter Yokoyama Taikan , whose work was comparable to his own . In his later work , he began to incorporate elements of Chinese and Japanese calligraphic traditions into his art , seeking to construct a model for a modern pan-Asian artistic tradition which would merge the common aspects of Eastern spiritual and artistic culture . His close students included Nandalal Bose , Samarendranath Gupta , Kshitindranath Majumdar , Surendranath Ganguly , Asit Kumar Haldar , Sarada Ukil , Kalipada Ghoshal , Manishi Dey , Mukul Dey , K. Venkatappa and Ranada Ukil . For Abanindranath , the house he grew up in ( 5 Dwarakanath Tagore Lane ) and its companion house ( 6 Dwarakanath Tagore Lane ) connected two cultural worlds -- ' white town ' ( where the British colonizers lived ) and ' black town ' ( where the natives lived ) . According to architectural historian Swati Chattopadhay , Abanindranath `` used the Bengali meaning of the word , Jorasanko -- ' double bridge ' to develop this idea in the form of a mythical map of the city . The map is , indeed , not of Calcutta , but an imaginary city , Halisahar , and is the central guide in a children 's story Putur Boi ( Putu 's Book ) . The nineteenth - century place names of Calcutta , however , appear on this map , thus suggesting we read this imaginary city with the colonial city as a frame of reference . The map uses the structure of a board game -- golokdham -- and shows a city divided along a main artery ; on one side a lion-gate leads to the Lal - Dighi in the middle of which is the ' white island . ' Abanindranath maintained throughout his life a long friendship with the London - based artist , author , and eventual president of London 's Royal College of Art William Rothenstein . Arriving in the autumn of 1910 , Rothenstein spent almost a year surveying India 's cultural and religious sites , including the ancient Buddhist caves of Ajanta ; the Jain carvings of Gwalior ; and the Hindu panoply of Benares . He ended up in Calcutta , where he drew and painted with Abanindranath and his students , attempting to absorb elements of Bengal School style into his own practice . However limited Rothenstein 's experiments with the styles of early Modernist Indian painting were , the friendship between him and Abanindranath ushered in a crucial cultural event . This was Rabindranath Tagore 's soujourn at Rothenstein 's London home , which led to the publication of the English - language version of Gitanjali and the subsequent award to Rabindranath in 1913 of the Nobel Prize for Literature . The publication of Rabindranath Tagore 's Gitanjali in English brought the Tagore family international renown , which helped to make Abanindranath 's artistic projects better known in the west . Rediscovery ( edit ) Within a few years of the artist 's death in 1951 , his eldest son , Alokendranath , bequeathed almost the entire family collection of Abanindranath Tagore 's paintings to the newly founded Rabindra Bharati Society Trust that took up residence on the site of their famous house on No. 5 , Dwarakanath Tagore lane . In a situation where only a small number of the artist 's paintings had been collected or given away in his lifetime , the Rabindra Bharati Society became the main repository of Abanindranath 's works of all periods . Banished into trunks inside the dark offices of the society , these paintings have remained in permanent storage ever since . Caught in these many binds the full range and brilliance of Abanindranath 's works could never be effectively projected into a public domain . They remained intimately known only to a tiny circle of Art connoisseurs and scholars in Bengal -- some of whom like K.G. Subramanyan and R. Siva Kumar have long argued that the true measure of Abanindranath 's talent is to be found in his works of the 1920s , 30s and 40s but could do little to offer up a comprehensive profile of the master for the contemporary art world . R. Siva Kumar 's Paintings of Abanindranath Tagore ( 2008 ) is a path - breaking discovery in re-defining Abanindranath 's art . List of paintings ( edit ) A list of paintings by Abanindranath Tagore : Ashoka 's Queen ( 1910 ) Bharat Mata ( 1905 ) fairyland illustration ( 1913 ) Ganesh Janani ( 1908 ) Aurangzeb examining the head of Dara Shikoh ( 1911 ) Avisarika ( 1892 ) Baba Ganesh ( 1937 ) Banished Yaksha ( 1904 ) Yay and Yay ( 1915 ) Buddha and Sujata ( 1901 ) Chaitanya with his followers on the sea beach of Puri ( 1915 ) End of Dalliance ( 1939 ) Illustrations of Omar Khayyam ( 1909 ) Kacha and Devajani ( 1908 ) Krishna Lal series ( 1901 to 1903 ) Moonlight Music Party ( 1906 ) Moonrise at Mussouri Hills ( 1916 ) Passing of Shah Jahan ( 1900 ) Poet 's Baul - dance in Falgurni ( 1916 ) Pushpa - Radha ( 1912 ) Radhika gazing at the portrait of Sri Krishna ( 1913 ) Shah Jahan Dreaming of Taj ( 1909 ) Sri Radha by the River Jamuna ( 1913 ) Summer , from Ritu Sanghar of Kalidasa ( 1905 ) Tales of Arabian Nights ( 1928 ) Temple Dancer ( 1912 ) The Call of the Flute ( 1910 ) The Feast of Lamps ( 1907 ) The Last Journey ( 1914 ) Veena Player ( 1911 ) Bharat Mata ( c. 1905 ) The Passing of Shah Jahan ( 1900 ) My Mother ( 1912 -- 13 ) Fairyland illustration ( 1913 ) Journey 's End ( c. 1913 ) References ( edit ) Jump up ^ John Onians ( 2004 ) . `` Bengal School '' . Atlas of World Art . Laurence King Publishing . p. 304 . ISBN 1856693775 . Jump up ^ Abanindranath Tagore , A Survey of the Master 's Life and Work by Mukul Dey , reprinted from `` Abanindra Number , '' The Visva - Bharati Quarterly , May -- Oct. 1942 . Jump up ^ Chaitanya , Krishna ( 1 January 1994 ) . A history of Indian painting : the modern period . Abhinav Publications . p. 145 . ISBN 978 - 81 - 7017 - 310 - 6 . Retrieved 12 December 2011 . Jump up ^ http://cities.expressindia.com/fullstory.php?newsid=40949 Jump up ^ Siva Kumar , R. ( 2008 ) . Paintings of Abanindranath Tagore . Pratikshan Books . p. 384 . ISBN 81 - 89323 - 09 - 1 . Archived from the original on 2 March 2014 . Jump up ^ Video of a London University Lecture detailing Abanindranath 's Importance to Global Modernism , London University School of Advanced Study , March 2012 . Jump up ^ Swati Chattopadhyay , Representing Calcutta : Modernity , Nationalism , and the Colonial Uncanny . Routledge 2006 . Jump up ^ Rupert Richard Arrowsmith , `` An Indian Renascence and the rise of global modernism : William Rothenstein in India , 1910 -- 11 '' , The Burlington Magazine , vol. 152 no. 1285 ( April 2010 ) , pp. 228 -- 235 . Jump up ^ Unattributed . `` Abanindranath Tagore Biography '' . iloveindia.net . Retrieved 11 December 2011 . External links ( edit ) Wikimedia Commons has media related to Abanindranath Tagore . Works by or about Abanindranath Tagore at Internet Archive Biography ( Calcuttaweb.com ) Hindu School , Kolkata Mukul Dey Archives , Santiniketan , India Abanindranath Tagore -- A Survey of the Master 's Life and Work Dolls by Abanindranath Tagore Abanindranath Tagore 's Profile Abanindranath 's complete literary works in Bengali . VIAF : 7401708 LCCN : n81082069 ISNI : 0000 0001 2119 2935 GND : 119405024 SELIBR : 254380 SUDOC : 085983314 BNF : cb120148166 ( data ) BIBSYS : 5017732 ULAN : 500121704 NLA : 36515795 BNE : XX906426 CiNii : DA13585960 SNAC : w66n5z6d ( hide ) Tagore family 1st generation Darpanarayan Tagore Nilmoni Tagore Dwarkanath Tagore Gopi Mohan Tagore Hara Kumar Tagore Prasanna Kumar Tagore Ramanath Tagore 2nd generation Debendranath Tagore Gnanendramohan Tagore Jatindramohan Tagore Sourindra Mohun Tagore 3rd generation Dwijendranath Tagore Satyendranath Tagore Hemendranath Tagore Jyotirindranath Tagore Rabindranath Tagore Swarnakumari Devi Prodyot Coomar Tagore Ganendranath Tagore Jnanadanandini Devi Kadambari Devi 4th generation Abanindranath Tagore Gaganendranath Tagore Indira Devi Chaudhurani Lakshminath Bezbaroa Pragyasundari Devi Pramatha Chaudhuri Purnima Devi Sarala Devi Chaudhurani Surendranath Tagore 5th generation Dinendranath Tagore Saumyendranath Tagore Amiya Tagore Asit Kumar Haldar 6th generation Devika Rani Himanshu Rai Jitendra Prasada Krishna Roy 7th generation Sharmila Tagore Jitin Prasada Saranindranath Tagore 8th generation Saif Ali Khan Soha Ali Khan Retrieved from `` https://en.wikipedia.org/w/index.php?title=Abanindranath_Tagore&oldid=835503432 '' Categories : Indian male painters 1951 deaths Artists from Kolkata Sanskrit College alumni Government College of Art & Craft alumni University of Calcutta alumni University of Calcutta faculty Tagore family Companions of the Order of the Indian Empire People associated with the Bengal Renaissance Indian male writers Bengali - language writers Indian children 's writers Indian arts administrators Indian portrait painters 20th - century Indian painters 20th - century Indian novelists 1871 births 20th - century male writers Painters from West Bengal Novelists from West Bengal Writers from Kolkata Hidden categories : Articles needing additional references from May 2015 All articles needing additional references EngvarB from May 2014 Use dmy dates from May 2014 Articles with hCards Articles with Internet Archive links Wikipedia articles with VIAF identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with GND identifiers Wikipedia articles with SELIBR identifiers Wikipedia articles with BNF identifiers Wikipedia articles with BIBSYS identifiers Wikipedia articles with ULAN identifiers Wikipedia articles with NLA identifiers Wikipedia articles with SNAC - ID identifiers Talk Contents About Wikipedia Wikisource অসমীয়া বাংলা Eesti Français हिन्दी Italiano മലയാളം ਪੰਜਾਬੀ Polski Русский संस्कृतम् Українська 5 more Edit links This page was last edited on 9 April 2018 , at 02 : 22 . 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( May 2015 ) ( Learn how and when to remove this template message ) Abanindranath Tagore Abanindranath Tagore ( 1871 - 08 - 07 ) 7 August 1871 Joransanko , Calcutta , Bengal , British India 5 December 1951 ( 1951 - 12 - 05 ) ( aged 80 ) Calcutta Nationality Indian Known for Painting , writing Movement Bengal school of art , Contextual Modernism Abanindranath Tagore Abanindranath Tagore ( 1871 - 08 - 07 ) 7 August 1871 Joransanko , Calcutta , Bengal , British India 5 December 1951 ( 1951 - 12 - 05 ) ( aged 80 ) Calcutta Nationality Indian Known for Painting , writing Movement Bengal school of art , Contextual Modernism Abanindranath Tagore CIE ( অবনীন্দ্রনাথ ঠাকুর ) ( 7 August 1871 -- 5 December 1951 ) was the principal artist and creator of the `` Indian Society of Oriental Art '' . He was also the first major exponent of Swadeshi values in Indian art , thereby founding the influential Bengal school of art , which led to the development of modern Indian painting He was also a noted writer , particularly for children . Popularly known as ' Aban Thakur ' , his books Rajkahini , Budo Angla , Nalak , and Khirer Putul are landmarks in Bengali language children 's literature . Tagore sought to modernise Mughal and Rajput styles to counter the influence of Western models of art , as taught in art schools under the British Raj and developed the Indian style of painting , later known as Bengal school of art . Such was the success of Tagore 's work that it was eventually accepted and promoted as a national Indian style within British art institutions under the epithet of Indian Society of Oriental Art . Abanindranath Tagore was born in Jorasanko , Calcutta , British India , to Gunendranath Tagore . His grandfather was Girindranath Tagore , the second son of `` Prince '' Dwarkanath Tagore . He was a member of the distinguished Tagore family , and a nephew of the poet Rabindranath Tagore . His grandfather and his elder brother , Gaganendranath Tagore , were also artists . Tagore learned art when studying at Sanskrit College , Kolkata in the 1880s . In 1890 , around the age of twenty years , Abanindranath attended the Calcutta School of Art where he learnt to use pastels from O. Ghilardi , and oil painting from Charles Palmer , European painters who taught in that institution . In 1889 , he married Suhasini Devi , daughter of Bhujagendra Bhusan Chatterjee , a descendant of Prasanna Coomar Tagore . At this time he left the Sanskrit College after nine years of study and studied English as a special student at St. Xavier 's College , which he attended for about a year and a half . He had a sister , Sunayani Devi . In the early 1890s several illustrations were published in Sadhana magazine , and in Chitrangada , and other works by Rabindranath Tagore . He also illustrated his own books. About the year 1897 he took lessons from the vice-principal of the Government School of Art , studying in the traditional European academic manner , learning the full range of techniques , but with a particular interest in watercolour . At this time he began to come under the influence of Mughal art , making a number of works based on the life of Krishna in a Mughal - influenced style . After meeting E.B. Havell , Tagore worked with him to revitalise and redefine art teaching at the Calcutta School of art , a project also supported by his brother Gaganendranath , who set up the Indian Society of Oriental Art . Tagore believed in the traditional Indian techniques of painting . His philosophy rejected the `` materialistic '' art of the west and came back to Indian traditional art forms . He was influenced by the Mughal school of painting as well as Whistler 's Aestheticism . In his later works , Tagore started integrating Chinese and Japanese calligraphic traditions into his style . Tagore believed that Western art was `` materialistic '' in character , and that India needed to return to its own traditions to recover spiritual values . Despite its Indocentric nationalism , this view was already commonplace within British art of the time , stemming from the ideas of the Pre-Raphaelites . Tagore 's work also shows the influence of Whistler 's Aestheticism . Partly for this reason many British arts administrators were sympathetic to such ideas , especially as Hindu philosophy was becoming increasingly influential in the West following the spread of the Theosophy movement . Tagore believed that Indian traditions could be adapted to express these new values , and to promote a progressive Indian national culture . His finest achievement however was the Arabian Night 's series which was painted in 1930 . In these paintings he uses the Arabian Nights stories as a trope for looking at colonial Calcutta and picturing its emergent cosmopolitanism . With the success of Tagore 's ideas , he came into contact with other Asian cultural figures , such as the Japanese art historian Okakura Kakuzō and the Japanese painter Yokoyama Taikan , whose work was comparable to his own . In his later work , he began to incorporate elements of Chinese and Japanese calligraphic traditions into his art , seeking to construct a model for a modern pan-Asian artistic tradition which would merge the common aspects of Eastern spiritual and artistic culture . His close students included Nandalal Bose , Samarendranath Gupta , Kshitindranath Majumdar , Surendranath Ganguly , Asit Kumar Haldar , Sarada Ukil , Kalipada Ghoshal , Manishi Dey , Mukul Dey , K. Venkatappa and Ranada Ukil . For Abanindranath , the house he grew up in ( 5 Dwarakanath Tagore Lane ) and its companion house ( 6 Dwarakanath Tagore Lane ) connected two cultural worlds -- ' white town ' ( where the British colonizers lived ) and ' black town ' ( where the natives lived ) . According to architectural historian Swati Chattopadhay , Abanindranath `` used the Bengali meaning of the word , Jorasanko -- ' double bridge ' to develop this idea in the form of a mythical map of the city . The map is , indeed , not of Calcutta , but an imaginary city , Halisahar , and is the central guide in a children 's story Putur Boi ( Putu 's Book ) . The nineteenth - century place names of Calcutta , however , appear on this map , thus suggesting we read this imaginary city with the colonial city as a frame of reference . The map uses the structure of a board game -- golokdham -- and shows a city divided along a main artery ; on one side a lion-gate leads to the Lal - Dighi in the middle of which is the ' white island . ' Abanindranath maintained throughout his life a long friendship with the London - based artist , author , and eventual president of London 's Royal College of Art William Rothenstein . Arriving in the autumn of 1910 , Rothenstein spent almost a year surveying India 's cultural and religious sites , including the ancient Buddhist caves of Ajanta ; the Jain carvings of Gwalior ; and the Hindu panoply of Benares . He ended up in Calcutta , where he drew and painted with Abanindranath and his students , attempting to absorb elements of Bengal School style into his own practice . However limited Rothenstein 's experiments with the styles of early Modernist Indian painting were , the friendship between him and Abanindranath ushered in a crucial cultural event . This was Rabindranath Tagore 's soujourn at Rothenstein 's London home , which led to the publication of the English - language version of Gitanjali and the subsequent award to Rabindranath in 1913 of the Nobel Prize for Literature . The publication of Rabindranath Tagore 's Gitanjali in English brought the Tagore family international renown , which helped to make Abanindranath 's artistic projects better known in the west . Within a few years of the artist 's death in 1951 , his eldest son , Alokendranath , bequeathed almost the entire family collection of Abanindranath Tagore 's paintings to the newly founded Rabindra Bharati Society Trust that took up residence on the site of their famous house on No. 5 , Dwarakanath Tagore lane . In a situation where only a small number of the artist 's paintings had been collected or given away in his lifetime , the Rabindra Bharati Society became the main repository of Abanindranath 's works of all periods . Banished into trunks inside the dark offices of the society , these paintings have remained in permanent storage ever since . Caught in these many binds the full range and brilliance of Abanindranath 's works could never be effectively projected into a public domain . They remained intimately known only to a tiny circle of Art connoisseurs and scholars in Bengal -- some of whom like K.G. Subramanyan and R. Siva Kumar have long argued that the true measure of Abanindranath 's talent is to be found in his works of the 1920s , 30s and 40s but could do little to offer up a comprehensive profile of the master for the contemporary art world . R. Siva Kumar 's Paintings of Abanindranath Tagore ( 2008 ) is a path - breaking discovery in re-defining Abanindranath 's art . A list of paintings by Abanindranath Tagore : Ashoka 's Queen ( 1910 ) Bharat Mata ( 1905 ) fairyland illustration ( 1913 ) Ganesh Janani ( 1908 ) Aurangzeb examining the head of Dara Shikoh ( 1911 ) Avisarika ( 1892 ) Baba Ganesh ( 1937 ) Banished Yaksha ( 1904 ) Yay and Yay ( 1915 ) Buddha and Sujata ( 1901 ) Chaitanya with his followers on the sea beach of Puri ( 1915 ) End of Dalliance ( 1939 ) Illustrations of Omar Khayyam ( 1909 ) Kacha and Devajani ( 1908 ) Krishna Lal series ( 1901 to 1903 ) Moonlight Music Party ( 1906 ) Moonrise at Mussouri Hills ( 1916 ) Passing of Shah Jahan ( 1900 ) Poet 's Baul - dance in Falgurni ( 1916 ) Pushpa - Radha ( 1912 ) Radhika gazing at the portrait of Sri Krishna ( 1913 ) Shah Jahan Dreaming of Taj ( 1909 ) Sri Radha by the River Jamuna ( 1913 ) Summer , from Ritu Sanghar of Kalidasa ( 1905 ) Tales of Arabian Nights ( 1928 ) Temple Dancer ( 1912 ) The Call of the Flute ( 1910 ) The Feast of Lamps ( 1907 ) The Last Journey ( 1914 ) Veena Player ( 1911 ) Ashoka 's Queen ( 1910 ) Bharat Mata ( 1905 ) fairyland illustration ( 1913 ) Ganesh Janani ( 1908 ) Aurangzeb examining the head of Dara Shikoh ( 1911 ) Avisarika ( 1892 ) Baba Ganesh ( 1937 ) Banished Yaksha ( 1904 ) Yay and Yay ( 1915 ) Buddha and Sujata ( 1901 ) Chaitanya with his followers on the sea beach of Puri ( 1915 ) End of Dalliance ( 1939 ) Illustrations of Omar Khayyam ( 1909 ) Kacha and Devajani ( 1908 ) Krishna Lal series ( 1901 to 1903 ) Moonlight Music Party ( 1906 ) Moonrise at Mussouri Hills ( 1916 ) Passing of Shah Jahan ( 1900 ) Poet 's Baul - dance in Falgurni ( 1916 ) Pushpa - Radha ( 1912 ) Radhika gazing at the portrait of Sri Krishna ( 1913 ) Shah Jahan Dreaming of Taj ( 1909 ) Sri Radha by the River Jamuna ( 1913 ) Summer , from Ritu Sanghar of Kalidasa ( 1905 ) Tales of Arabian Nights ( 1928 ) Temple Dancer ( 1912 ) The Call of the Flute ( 1910 ) The Feast of Lamps ( 1907 ) The Last Journey ( 1914 ) Veena Player ( 1911 ) Ashoka 's Queen ( 1910 ) Bharat Mata ( 1905 ) fairyland illustration ( 1913 ) Ganesh Janani ( 1908 ) Aurangzeb examining the head of Dara Shikoh ( 1911 ) Avisarika ( 1892 ) Baba Ganesh ( 1937 ) Banished Yaksha ( 1904 ) Yay and Yay ( 1915 ) Buddha and Sujata ( 1901 ) Chaitanya with his followers on the sea beach of Puri ( 1915 ) End of Dalliance ( 1939 ) Illustrations of Omar Khayyam ( 1909 ) Kacha and Devajani ( 1908 ) Krishna Lal series ( 1901 to 1903 ) Moonlight Music Party ( 1906 ) Moonrise at Mussouri Hills ( 1916 ) Ashoka 's Queen ( 1910 ) Bharat Mata ( 1905 ) fairyland illustration ( 1913 ) Ganesh Janani ( 1908 ) Aurangzeb examining the head of Dara Shikoh ( 1911 ) Avisarika ( 1892 ) Baba Ganesh ( 1937 ) Banished Yaksha ( 1904 ) Yay and Yay ( 1915 ) Buddha and Sujata ( 1901 ) Chaitanya with his followers on the sea beach of Puri ( 1915 ) End of Dalliance ( 1939 ) Illustrations of Omar Khayyam ( 1909 ) Kacha and Devajani ( 1908 ) Krishna Lal series ( 1901 to 1903 ) Moonlight Music Party ( 1906 ) Moonrise at Mussouri Hills ( 1916 ) Passing of Shah Jahan ( 1900 ) Poet 's Baul - dance in Falgurni ( 1916 ) Pushpa - Radha ( 1912 ) Radhika gazing at the portrait of Sri Krishna ( 1913 ) Shah Jahan Dreaming of Taj ( 1909 ) Sri Radha by the River Jamuna ( 1913 ) Summer , from Ritu Sanghar of Kalidasa ( 1905 ) Tales of Arabian Nights ( 1928 ) Temple Dancer ( 1912 ) The Call of the Flute ( 1910 ) The Feast of Lamps ( 1907 ) The Last Journey ( 1914 ) Veena Player ( 1911 ) Passing of Shah Jahan ( 1900 ) Poet 's Baul - dance in Falgurni ( 1916 ) Pushpa - Radha ( 1912 ) Radhika gazing at the portrait of Sri Krishna ( 1913 ) Shah Jahan Dreaming of Taj ( 1909 ) Sri Radha by the River Jamuna ( 1913 ) Summer , from Ritu Sanghar of Kalidasa ( 1905 ) Tales of Arabian Nights ( 1928 ) Temple Dancer ( 1912 ) The Call of the Flute ( 1910 ) The Feast of Lamps ( 1907 ) The Last Journey ( 1914 ) Veena Player ( 1911 ) Bharat Mata ( c. 1905 ) The Passing of Shah Jahan ( 1900 ) My Mother ( 1912 -- 13 ) Fairyland illustration ( 1913 ) Journey 's End ( c. 1913 ) Bharat Mata ( c. 1905 ) Bharat Mata ( c. 1905 ) The Passing of Shah Jahan ( 1900 ) The Passing of Shah Jahan ( 1900 ) My Mother ( 1912 -- 13 ) My Mother ( 1912 -- 13 ) Fairyland illustration ( 1913 ) Fairyland illustration ( 1913 ) Journey 's End ( c. 1913 ) Journey 's End ( c. 1913 )
Abanindranath Tagore Abanindranath Tagore Abanindranath Tagore Abanindranath Tagore Abanindranath Tagore CIE