Classify this movie review as positive or negative. 

"There's something very, very off about all those chipper household objects in Disney's expensive, soulless new live-action retelling of Beauty and the Beast. But we don't realize quite what it is until "Be Our Guest," the intended showstopper at the film's midway point, in which all these transmogrified servants band together to make Belle, their lovely young prisoner, feel like royalty.

You of course remember what this was like in the 1991 animated film, with that cabaret of plates and forks in high-stepping kick-lines that crossed every inch of the screen, as Lumiere the talking candelabra carried us along with his big eyes and the expressiveness of his elastic, wax-and-metal body. It was one of those perfect, much-vaunted "Disney moments": Lumiere and his friends, after all, were wholly Mouse House creations, meant to help justify the film's existence distinct from Jean Cocteau's magisterial 1946 version, and their daffy, colorful presence in the brooding French fairy tale injected just enough comic energy to let keep things ticking along as sharp as Cogsworth's clockwork.

But under director Bill Condon, the new Lumiere's body is a single shade of murky CGI bronze featuring a molded candle-socket that — amid the darkness of the Beast's castle — is barely recognizable as a face, out of which streams Ewan McGregor's atrocious French accent. He's still eager to please, prostrating his flames in gleeful servitude — but his joints creak noisily as he moves, and his eyes seem to lack pupils: He has been drained of his humanity in the name of "realism.""
system
is film kii samiksha ko sakaaratmak yaa nakaaratmak ke rup main vargeekrut karen.

digni kii mahangi, saundarya or da bist kii mahangi, solales new live-ection ritiling main un sabhi choper gharelu vastuon ke bare main bahut kuch he.film kaa midway point, jisamen ye sabhi transmogriphid naukar ek saath bele, unke pyaare yuva kaidi ko banane ke liye ek saath band karte hai, roylty kii tarah mahasoos karte hai.

aapako nishchit rup se yaad he ki 1991 kii anemated film main yah kaisaa tha, jisamen hai-staping kik-linon main platon or kaante ke cabre ke saath, jo screen ke har inch ko paar kar gaye the, lumiyar ke rup main baat karne vaale candelabara ne hamen apni badi aankhon or da ledelabara ko apni badi aankhon or da let ne apni badi aankhon or da letelabra ko le jaaya.unke lochadar, mom or dhaatu ke sharir kii abhivyakti.yah un sampurna, bahut-ghabaraae hue "digni moments" main se ek tha: lumiyar or unke dost, aakhirkaar, puri tarah se mouse house criation the, jiskaa matlab tha ki jin cocto ke magysterial 1946 sanskaran se alag film ke astitv ko sahi tehraane main madad karne ke liye, or unki daiphy, rangeen upasthitibrooding francisi feiri tail main sirf paryaapt comic energy ko inject kiya gaya tha taaki chizon ko cogsworth kii clockwork ke rup main tej rakhaa ja sake.

lekin nirdeshak bill kondon ke tahat, da new lumiyar kaa sharir ek dhaale hue mombatti-socket kii visheshta vaale marki sijiai kaansya kii ek ekal chaaya he, jo-jaanavar ke mahal ke andhere ke bich-bamushkil ek chehre ke rup main pahachaane jane yogya he, jisamen se evan mcgrager ke atyaachaari francisi uccharan kii dharaaen hai.vah abhi bhi khush karne ke liye utsuk he, apni aag kii lapaton ko ullaspurn seva main badal rahaa he - lekin uske jodon ke saath jaise hi vah aage badhata he, or uski aankhon main vidhyaarthiyon kii kami lagati he: vah "yatharthwaad" ke naam par apni maanavtaa se bah gaya he.
user
yah samiksha nakaaratmak he.sameekshak samiksha ke dauraan ek nakaaratmak swar rakhata he, film ko "solales" ke rup main varnit karata he or yah likhata he ki lumiyar "atyaachaari francisi uccharan" ke saath "marki" he.
assistant
<|system|>
</s>
<|user|>
is film kii samiksha ko sakaaratmak yaa nakaaratmak ke rup main vargeekrut karen.

digni kii mahangi, saundarya or da bist kii mahangi, solales new live-ection ritiling main un sabhi choper gharelu vastuon ke bare main bahut kuch he.film kaa midway point, jisamen ye sabhi transmogriphid naukar ek saath bele, unke pyaare yuva kaidi ko banane ke liye ek saath band karte hai, roylty kii tarah mahasoos karte hai.

aapako nishchit rup se yaad he ki 1991 kii anemated film main yah kaisaa tha, jisamen hai-staping kik-linon main platon or kaante ke cabre ke saath, jo screen ke har inch ko paar kar gaye the, lumiyar ke rup main baat karne vaale candelabara ne hamen apni badi aankhon or da ledelabara ko apni badi aankhon or da let ne apni badi aankhon or da letelabra ko le jaaya.unke lochadar, mom or dhaatu ke sharir kii abhivyakti.yah un sampurna, bahut-ghabaraae hue "digni moments" main se ek tha: lumiyar or unke dost, aakhirkaar, puri tarah se mouse house criation the, jiskaa matlab tha ki jin cocto ke magysterial 1946 sanskaran se alag film ke astitv ko sahi tehraane main madad karne ke liye, or unki daiphy, rangeen upasthitibrooding francisi feiri tail main sirf paryaapt comic energy ko inject kiya gaya tha taaki chizon ko cogsworth kii clockwork ke rup main tej rakhaa ja sake.

lekin nirdeshak bill kondon ke tahat, da new lumiyar kaa sharir ek dhaale hue mombatti-socket kii visheshta vaale marki sijiai kaansya kii ek ekal chaaya he, jo-jaanavar ke mahal ke andhere ke bich-bamushkil ek chehre ke rup main pahachaane jane yogya he, jisamen se evan mcgrager ke atyaachaari francisi uccharan kii dharaaen hai.vah abhi bhi khush karne ke liye utsuk he, apni aag kii lapaton ko ullaspurn seva main badal rahaa he - lekin uske jodon ke saath jaise hi vah aage badhata he, or uski aankhon main vidhyaarthiyon kii kami lagati he: vah "yatharthwaad" ke naam par apni maanavtaa se bah gaya he.</s>
<|assistant|>
yah samiksha nakaaratmak he.sameekshak samiksha ke dauraan ek nakaaratmak swar rakhata he, film ko "solales" ke rup main varnit karata he or yah likhata he ki lumiyar "atyaachaari francisi uccharan" ke saath "marki" he.</s>
