List the unique characteristics of Motown music in bullet points according to this passage:

Motown specialized in a type of soul music it referred to with the trademark "The Motown sound". Crafted with an ear towards pop appeal, the Motown sound typically used tambourines to accent the back beat, prominent and often melodic electric bass-guitar lines, distinctive melodic and chord structures, and a call-and-response singing style that originated in gospel music. In 1971, Jon Landau wrote in Rolling Stone that the sound consisted of songs with simple structures but sophisticated melodies, along with a four-beat drum pattern, regular use of horns and strings, and "a trebly style of mixing that relied heavily on electronic limiting and equalizing (boosting the high range frequencies) to give the overall product a distinctive sound, particularly effective for broadcast over AM radio".[49] Pop production techniques such as the use of orchestral string sections, charted horn sections, and carefully arranged background vocals were also used. Complex arrangements and elaborate, melismatic vocal riffs were avoided.[50] Motown producers believed steadfastly in the "KISS principle" (keep it simple, stupid).[51]

The Motown production process has been described as factory-like. The Hitsville studios remained open and active 22 hours a day, and artists would often go on tour for weeks, come back to Detroit to record as many songs as possible, and then promptly go on tour again. Berry Gordy held quality control meetings every Friday morning, and used veto power to ensure that only the very best material and performances would be released. The test was that every new release needed to fit into a sequence of the top five selling pop singles of the week. Several tracks that later became critical and commercial favorites were initially rejected by Gordy, the two most notable being the Marvin Gaye songs "I Heard It Through the Grapevine" and "What's Going On". In several cases, producers would rework tracks in hopes of eventually getting them approved at a later Friday morning meeting, as producer Norman Whitfield did with "I Heard It Through the Grapevine" and the Temptations' "Ain't Too Proud to Beg".

Many of Motown's best-known songs, including all the early hits for the Supremes, were written by the songwriting trio of Holland–Dozier–Holland (Lamont Dozier and brothers Brian and Eddie Holland). Other important Motown producers and songwriters included Norman Whitfield, William "Mickey" Stevenson, Smokey Robinson, Barrett Strong, Nickolas Ashford & Valerie Simpson, Frank Wilson, Pamela Sawyer & Gloria Jones, James Dean & William Weatherspoon, Johnny Bristol, Harvey Fuqua, Gil Askey,[52] Stevie Wonder, and Gordy himself. 
system
is maarg ke anusaar bullate points main motown mujeec kii anuthi visheshtaon ko soochibaddh karen:

Motown ek prakaar ke aatma sangeet main vishesh rup se ise trademark "da motown sound" ke saath sanderbhit karata he.pop apil kii ore ek kaan ke saath taiyaar kiye gaye, motown sound ne aamtaur par back beet, pramukh or aksar melodic electric baas-guitar linon, vishisht melodic or cord sanrachanaon, or ek kol-and-rispons singing style kaa uccharan karne ke liye temborin kaa upyog kiya, jo susamachar sangeet main utpann hua..1971 main, jon landu ne rolling stone main likhaa tha ki dhwani main saral sanrachanaon ke saath geet shaamil the, lekin parishkrut dhunon ke saath-saath chaar-beet drum pattern, sing or taar kaa niyamit upyog, or "mixing kii ek traili style jo electronic par bahut adhik nirbhar thi.samgr utpaada ko ek vishisht dhwani dene ke liye (ucch shrenee kii aavritiyon ko badhaane) ko simit karnaa or barabari karnaa (eem radio par prasaaran ke liye vishesh rup se prabhavi ". [4 9]pop utpaadan takanic jaise ki orcestral string section, charted horn section, or saavdhaneepurvak vyavasthit prishthbhumi votels kaa upyog bhi kiya gaya tha.jatil vyavastha or vistrut, melismetic vocal rifs se bachaa gaya. [50]motown utpaadakon ne "chumban siddhant" main dridhtaa se vishwaas kiya (ise saral, bevakoof rakhen). [51]

motown utpaadan prakriya ko kaarkaane kii tarah varnit kiya gaya he.hitsville studio din main 22 ghante khule or sakriy rahe, or kalakaar aksar hafton ke liye daure par jate the, datrit par waapas aate hai ki ve adhik se adhik gane record karen, or phir turant phir se daure par jaaen.beri gordi ne har shuukravaar subah gunvattta niyantran baithken kin, or yah sunishchit karne ke liye vito power kaa upyog kiya ki keval bahut acchhee saamagree or pradarshan jari kiye jaaenge.pareekshan yah tha ki har nai release ko sheersh paanch bechney vaale pop singles of da wyk ke anukram main feet hone kii aavashyaktaa thi.kai trek jo baad main aalochanatmak ho gaye or vanijyik pasandida shuru main gordi dwaara khaarij kar die gaye, do sabase ullekhneey marvin ge gane "ai hard it thru da greshwine" or "whatsap going on".kai maamalon main, nirmaataa antat shuukravaar kii subah kii baithak main unhen anumodith hone kii ummid main patariyon ko phir se kaam karenge, jaisaa ki nirmaataa norman whitfield ne "maine ise greshwine ke madhyam se suna" or pralobhanon ke saath '' 'anet tu garv tu beg "ke saath kiya tha.

motown ke kai sabase prasiddh gane, jinamein ol da arli hits for da supremes shaamil hai, holland-dogier-holand (lamont dogier or bros bryan or edi holland) ke geet lekhan tikdi dwaara likhe gaye the.anya mahatvapurn motown nirmaataa or geetkaaron main norman whitfield, wiliam "miki" stivension, smoki robinsan, barat strong, nicholas eshford and vaileri simpasan, frank wilson, pamela soir or gloria jones, james dean and wiliam vedaraspun, johny bristol, harvey phukva, harvey phukva, harvey phukva,aske, [52] steewi vander, or gordi khud.
user
*temborin back beet kaa uccharan karte hue
*pramukh, melodic electric baas-guitar line
*vishisht madhur sanrachanaayen
*vishisht cord sanrachanaayen
*kol-and-rispons singing style
*parishkrut dhunon ke saath saral sanrachanaayen
*chaar-beet drum pattern
*trable-kendrit (yaa ucch aavriti praathamikta) mishran takanic
*sing or taar kaa niyamit upyog
*dhyaan se vyavasthit prishthbhumi swar
assistant
<|system|>
</s>
<|user|>
is maarg ke anusaar bullate points main motown mujeec kii anuthi visheshtaon ko soochibaddh karen:

Motown ek prakaar ke aatma sangeet main vishesh rup se ise trademark "da motown sound" ke saath sanderbhit karata he.pop apil kii ore ek kaan ke saath taiyaar kiye gaye, motown sound ne aamtaur par back beet, pramukh or aksar melodic electric baas-guitar linon, vishisht melodic or cord sanrachanaon, or ek kol-and-rispons singing style kaa uccharan karne ke liye temborin kaa upyog kiya, jo susamachar sangeet main utpann hua..1971 main, jon landu ne rolling stone main likhaa tha ki dhwani main saral sanrachanaon ke saath geet shaamil the, lekin parishkrut dhunon ke saath-saath chaar-beet drum pattern, sing or taar kaa niyamit upyog, or "mixing kii ek traili style jo electronic par bahut adhik nirbhar thi.samgr utpaada ko ek vishisht dhwani dene ke liye (ucch shrenee kii aavritiyon ko badhaane) ko simit karnaa or barabari karnaa (eem radio par prasaaran ke liye vishesh rup se prabhavi ". [4 9]pop utpaadan takanic jaise ki orcestral string section, charted horn section, or saavdhaneepurvak vyavasthit prishthbhumi votels kaa upyog bhi kiya gaya tha.jatil vyavastha or vistrut, melismetic vocal rifs se bachaa gaya. [50]motown utpaadakon ne "chumban siddhant" main dridhtaa se vishwaas kiya (ise saral, bevakoof rakhen). [51]

motown utpaadan prakriya ko kaarkaane kii tarah varnit kiya gaya he.hitsville studio din main 22 ghante khule or sakriy rahe, or kalakaar aksar hafton ke liye daure par jate the, datrit par waapas aate hai ki ve adhik se adhik gane record karen, or phir turant phir se daure par jaaen.beri gordi ne har shuukravaar subah gunvattta niyantran baithken kin, or yah sunishchit karne ke liye vito power kaa upyog kiya ki keval bahut acchhee saamagree or pradarshan jari kiye jaaenge.pareekshan yah tha ki har nai release ko sheersh paanch bechney vaale pop singles of da wyk ke anukram main feet hone kii aavashyaktaa thi.kai trek jo baad main aalochanatmak ho gaye or vanijyik pasandida shuru main gordi dwaara khaarij kar die gaye, do sabase ullekhneey marvin ge gane "ai hard it thru da greshwine" or "whatsap going on".kai maamalon main, nirmaataa antat shuukravaar kii subah kii baithak main unhen anumodith hone kii ummid main patariyon ko phir se kaam karenge, jaisaa ki nirmaataa norman whitfield ne "maine ise greshwine ke madhyam se suna" or pralobhanon ke saath '' 'anet tu garv tu beg "ke saath kiya tha.

motown ke kai sabase prasiddh gane, jinamein ol da arli hits for da supremes shaamil hai, holland-dogier-holand (lamont dogier or bros bryan or edi holland) ke geet lekhan tikdi dwaara likhe gaye the.anya mahatvapurn motown nirmaataa or geetkaaron main norman whitfield, wiliam "miki" stivension, smoki robinsan, barat strong, nicholas eshford and vaileri simpasan, frank wilson, pamela soir or gloria jones, james dean and wiliam vedaraspun, johny bristol, harvey phukva, harvey phukva, harvey phukva,aske, [52] steewi vander, or gordi khud.</s>
<|assistant|>
*temborin back beet kaa uccharan karte hue
*pramukh, melodic electric baas-guitar line
*vishisht madhur sanrachanaayen
*vishisht cord sanrachanaayen
*kol-and-rispons singing style
*parishkrut dhunon ke saath saral sanrachanaayen
*chaar-beet drum pattern
*trable-kendrit (yaa ucch aavriti praathamikta) mishran takanic
*sing or taar kaa niyamit upyog
*dhyaan se vyavasthit prishthbhumi swar</s>
