Does the following Opeth album review indicate the album is poor, average, or above average when compared to other releases from the band?

Review content:
In a review of the special edition reissue of Opeth's 2005 collection Ghost Reveries, I quoted band leader Mikael Åkerfeldt as saying that what his group does is "more than metal." At the time, the forward-thinking Swedish group was still very much performing within the metal tradition. On their 10th album, Heritage, they aren't. For longtime fans, the shift from progressive death metal to full-on progressive rock won't be a surprise: 2003's Damnation gave a good idea of what Åkerfeldt sounded like doing clean vocals sans death growls, and since 1995's debut, Orchid, he's never been afraid to stretch the templates of all the genres they incorporate. (Åkerfeldt's used his airier croon for ages-- here, more confident in that angle, he removed the heavier stuff and expanded upon the airier bridges.) What might surprise you, though, is the intense completeness of the transition: Heritage's 1970s-inspired prog feels more like the follow-up to fellow countrymen Dungen's 2004 opus Ta Det Lugnt than Opeth's own Watershed.

The 10-song collection is another collaboration with Porcupine Tree's Steven Wilson, who mixed the record with Åkerfeldt-- it has a warm, analog feel, something that lives up to the colors of the cover painting. The brief opening title track is a plaintive, scene-setting piano piece Åkerfeldt says was inspired by Swedish jazz pianist Jan Johansson and the folk music of his country. Elsewhere, guest spots from Swedish flautist Björn J:son Lindh and Weather Report percussionist Alex Acuña (both on eight-minute loud-quiet-loud standout "Famine"), give Heritage a mystical, pastoral feel. If you've heard only the King Crimson-nodding lead track, "The Devil's Orchard", you have a good idea what to expect: an exuberant, forward rushing blend of bell-bottomed jazziness and Deep Purple, Camel, and Jethro Tull love made more complex with quick tempo shifts, stop-on-a-dime implosions, and breezy, racing, drifting, and other sorts of atmospheric, psychedelic flourishes.

Another track, the muscular "Slither", is appropriately dedicated to Ronnie James Dio. The 37-year-old Åkerfeldt, who says Heritage is an album he's been "building up to write for and participate on" since he was 19, has also mentioned listening to Alice Cooper frequently over the past year. You won't necessarily detect the latter in any obvious way, but you'll feel it in the album's appropriation of the texture and atmosphere of an era. Åkerfeldt and co. do offer a convincing take-- it's a pretty, well-thought out collection-- but for all the ideas and layers, Heritage feels somewhat empty. It's the group's most genre-melding, but it's also the most obvious, largely because much of it sounds like things we've heard before. The lifelessness may also be the result of the singularity of the vision: Heritage lacks the usual shift and pull between heavy and soft that they've managed to weave into their music for the past two decades. It feels a bit listless and emotionally distant. When it comes down to it, Åkerfeldt's death growl is more memorable than his rock singing (and both work best when you get them together). There are dynamics here, but not the kind that create unexpected chills.

The story behind Travis Smith's colorful cover painting is instructive. We're told Åkerfeldt gave the artist a number of references including Pieter Bruegel's "The Triumph of Death", Hieronymus Bosch (in general), and the Beatles' Yellow Submarine. The final picture depicts a tree sprouting the heads of each Opeth member with the noggin of ex-keyboardist and backing vocalist Per Wiberg, who left the band after recording his parts for the new record, toppling into "a pile of ex-members' skulls." Beneath those skulls? The roots of the tree that point to the band's devilish roots in death metal. We're also told the nine stars in the sky represent Opeth's nine past albums, the sun representing Heritage. Then comes the line of people "want[ing] a piece" of the band, etc. It's fine to get conceptual, of course, but the forced, overripe symbolism of this image and its fussiness point to a problem with the record: Åkerfeldt remembered to include everything here except space for his songs to breathe. He refers to Opeth records as "observations" and, ultimately, for all its considerable beauty, Heritage too often feels like a passive, backward glance.
system
kya nimnlikhit opeth album kii samiksha se sanket miltaa he ki band se anya relies kii tulana main album kharaab, ausat yaa ausat se upar he?

saamagree kii samiksha karen:
opeth ke 2005 ke collection ghost reweries ke vishesh sanskaran kii samiksha kii samiksha main, maine band leader mikel Åkerfeldt ko yah kehete hue uddhrut kiya ki unka samooh kya karata he "dhaatu se adhik".us samay, aage kii soch vaale swedish samooh abhi bhi dhaatu parampara ke bheetar bahut adhik pradarshan kar rahaa tha.unke 10 wein album, heritage par, ve nahin hai.lambey samay tak prashansakon ke liye, progressive deth metal se phul-on progressive rock main shift ek aashcharya nahin hoga: 2003 ke laanat ne ek acha vichaar diya ki Åkerfeldt ne clin votels sans deth grols karne kii tarah lag rahaa tha, or 1995 ke debyue, orchid ke baad se, vah kabhi nahin he.un sabhi shaileyon ke template ko failaane se darate hai jo ve shaamil karte hai.(Åkerfeldt ne umr ke liye apane airior krun kaa upyog kiya-yahan, us kone main adhik aashwast, usne baari saamaan ko hataa diya or airior brij par vistaarit kiya.) haalanki, aapako kya aashcharya ho saktaa he, haalanki, sankraman kii teevr purnataa he: viraasat ke 1970 ke dashak se prerit hokar.prog ko opeth ke apane watershed kii tulana main saathi deshavaasiyon ke 2004 ke opes ta dit lugant ke anuvarthi kii tarah lagata he.

10-geet sangrah porpin tree ke steven wilson ke saath ek or sahyog he, jinhone Åkerfeldt ke saath record ko milaayaa-isamen ek garm, analog feel he, kuch aisa he jo cover painting ke rangon tak rahata he.sankshipt udghaatan sheershak trek ek vaadi, drishy-setting piano tukdaa Åkerfeldt kaa kahana he ki swedish jaiz pianovadak jaan johansan or unke desh ke lok sangeet se prerit tha.kahin or, swedish flotist Björn J se atithi dhabbe: bete lind or wedar report parcushnist elex akuna (donon aath minute kii jor se jor-jor-jor se "akaal" par), heritage ko ek rahasyamay, dehati mahasoos karte hai.yadi aapane keval king crimson-noding lead trek, "da davills orchard" ko suna he, to aapke paas ek acha vichaar he ki kya ummid kii jaae: ek shandaar, aage kii ore ghanti-neeche jaisines or gahare bangnee, oont, or jethro tulal lav kaa mishranatwarit tempo shift, stop-on-e-dim imploz, or brizi, racing, drifting, or anya prakaar ke vayumandaleey, cicedelik panpane ke saath adhik jatil banaaya gaya.

ek anya trek, muscular "slor", uchit rup se roni james dio ko samarpit he.37 varshiya ofkerfeldt, jo kehete hai ki heritage ek aisa album he, jise vah "likhane ke liye or us par bhaag lene ke liye nirmaan kar rahaa he" kyonki vah 19 varsh kii thi, ne bhi pichley ek saal main elis kupar ko sunne kaa bhi ullekh kiya he.aap aavashyak rup se kisi bhi spasht tareeke se uttararddh kaa pataa nahin lagaayenge, lekin aap ise ek yug kii banaavat or vaataavaran ke album ke viniyog main mahasoos karenge.Åkerfeldt or Co.ek aashwaasan dene kii peshkash karen-yah ek sundar, acchhee tarah se sochaa gaya sangrah he-lekin sabhi vichaaron or paraton ke liye, viraasat kuch khaali lagata he.yah samooh kii sabase style-meling he, lekin yah sabase spasht bhi he, mote taur par kyonki yah bahut kuch aisa lagata he jaise hamane pehle suna he.bejaan bhi drushti kii vilakshantaa kaa parinaam ho saktaa he: viraasat main saamaanya badlaav kaa abhaav he or baari or naram ke bich khinchate hai ki ve pichley do dashakon se apane sangeet main bunai karne main kaamyaab rahe hai.yah thodaa soochihin or bhaavnaatmak rup se dur lagata he.jab yah neeche aata he, to Åkerfeldt kii maut kii badhotaree unke rock gayan kii tulana main adhik yaadgaar hoti he (or jab aap unhen ek saath milte hai to donon sabase acha kaam karte hai).yahaan gatishiltaa hai, lekin us tarah kaa nahin jo apratyaashit thand laganaa.

travis smith kii rangeen cover painting ke peeche kii kahani shikshaprad he.hamen bataaya gaya he ki ofkerfeldt ne kalakaar ko peter brugael ke "da trymies of deth", hieronomas bosch (saamaanya rup se), or betals kii pili pandubbi sahit kai sandarbh die.antim tasviir main purv-keybordist ke nogin ke saath prayek opeth sadsy ke sir ko ankurit karne vaale ek ped ko darshaya gaya he or prati wiberg prati gayak kaa samarthan karata he, jisane nae record ke liye apane bhaagon ko record karne ke baad band chhod diya, "purv sadasyon kii khopadi ke dher main topping. "un khopadi ke neeche?ped kii jaden jo mrityu dhaatu main band kii shaitani jadon kii ore ishaara karti hai.hamen yah bhi bataaya gaya he ki da nine stars in da ski ne opeth ke nau pichley album, da san kaa pratinidhitiv karte hue heritage kaa pratinidhitiv kiya.iske baad logon kii rekha aati he, band kaa "[ienji]] ek tukdaa", aadi. yah vaicharik praapt karne ke liye thik he, nishchit rup se, lekin is chhavi ke jabaran, overrip pratikwaad or isaki updrav record ke saath ek samasya kii ore ishaara karte hai: ÅkerfeldtsAMsa lene ke liye apane geeton ke liye jagah ko chhodkar yahaan sab kuch shaamil karne ke liye yaad kiya gaya.vah opeth record ko "avlokan" ke rup main sanderbhit karata he or antat, isaki sabhi kaaphi sundarataa ke liye, viraasat bhi aksar ek niskriy, pichde nazar kii tarah mahasoos karti he.
user
aapke dwaara saajha kii gai samiksha se sanket miltaa he ki album opeth se anya prasadon kii tulana main kharaab he.

yadhyapi samiksha main sakaaratmak or nakaaratmak donon bhashaa ke upyog shaamil hai, samaapan paragraph album ke ek spasht vargeekaran kii peshkash karte hai, jaise ki vaakyon ke saath: "viraasat main saamaanya badlaav kaa abhaav he or baari or naram ke bich khinchate hai ki ve apane sangeet main bunai karne main kaamyaab rahe hampichley do dashakon se. yah thodaa soochihin or bhaavnaatmak rup se dur lagata he. "or, "Åkerfeldt ne apane geeton ko saans lene ke liye jagah ko chhodkar yahaan sab kuch shaamil karne ke liye yaad kiya. vah opeth records ko" avlokan "ke rup main sanderbhit karata he or antat, isaki sabhi kaaphi sundarataa ke liye, viraasat bhi aksar ek niskriy, pichhadi nazar kii tarah mahasoos karti he."band ke samgr katalog kii tulana main donon album ke nakaaratmak drushtikon kaa sanket he.
assistant
<|system|>
</s>
<|user|>
kya nimnlikhit opeth album kii samiksha se sanket miltaa he ki band se anya relies kii tulana main album kharaab, ausat yaa ausat se upar he?

saamagree kii samiksha karen:
opeth ke 2005 ke collection ghost reweries ke vishesh sanskaran kii samiksha kii samiksha main, maine band leader mikel Åkerfeldt ko yah kehete hue uddhrut kiya ki unka samooh kya karata he "dhaatu se adhik".us samay, aage kii soch vaale swedish samooh abhi bhi dhaatu parampara ke bheetar bahut adhik pradarshan kar rahaa tha.unke 10 wein album, heritage par, ve nahin hai.lambey samay tak prashansakon ke liye, progressive deth metal se phul-on progressive rock main shift ek aashcharya nahin hoga: 2003 ke laanat ne ek acha vichaar diya ki Åkerfeldt ne clin votels sans deth grols karne kii tarah lag rahaa tha, or 1995 ke debyue, orchid ke baad se, vah kabhi nahin he.un sabhi shaileyon ke template ko failaane se darate hai jo ve shaamil karte hai.(Åkerfeldt ne umr ke liye apane airior krun kaa upyog kiya-yahan, us kone main adhik aashwast, usne baari saamaan ko hataa diya or airior brij par vistaarit kiya.) haalanki, aapako kya aashcharya ho saktaa he, haalanki, sankraman kii teevr purnataa he: viraasat ke 1970 ke dashak se prerit hokar.prog ko opeth ke apane watershed kii tulana main saathi deshavaasiyon ke 2004 ke opes ta dit lugant ke anuvarthi kii tarah lagata he.

10-geet sangrah porpin tree ke steven wilson ke saath ek or sahyog he, jinhone Åkerfeldt ke saath record ko milaayaa-isamen ek garm, analog feel he, kuch aisa he jo cover painting ke rangon tak rahata he.sankshipt udghaatan sheershak trek ek vaadi, drishy-setting piano tukdaa Åkerfeldt kaa kahana he ki swedish jaiz pianovadak jaan johansan or unke desh ke lok sangeet se prerit tha.kahin or, swedish flotist Björn J se atithi dhabbe: bete lind or wedar report parcushnist elex akuna (donon aath minute kii jor se jor-jor-jor se "akaal" par), heritage ko ek rahasyamay, dehati mahasoos karte hai.yadi aapane keval king crimson-noding lead trek, "da davills orchard" ko suna he, to aapke paas ek acha vichaar he ki kya ummid kii jaae: ek shandaar, aage kii ore ghanti-neeche jaisines or gahare bangnee, oont, or jethro tulal lav kaa mishranatwarit tempo shift, stop-on-e-dim imploz, or brizi, racing, drifting, or anya prakaar ke vayumandaleey, cicedelik panpane ke saath adhik jatil banaaya gaya.

ek anya trek, muscular "slor", uchit rup se roni james dio ko samarpit he.37 varshiya ofkerfeldt, jo kehete hai ki heritage ek aisa album he, jise vah "likhane ke liye or us par bhaag lene ke liye nirmaan kar rahaa he" kyonki vah 19 varsh kii thi, ne bhi pichley ek saal main elis kupar ko sunne kaa bhi ullekh kiya he.aap aavashyak rup se kisi bhi spasht tareeke se uttararddh kaa pataa nahin lagaayenge, lekin aap ise ek yug kii banaavat or vaataavaran ke album ke viniyog main mahasoos karenge.Åkerfeldt or Co.ek aashwaasan dene kii peshkash karen-yah ek sundar, acchhee tarah se sochaa gaya sangrah he-lekin sabhi vichaaron or paraton ke liye, viraasat kuch khaali lagata he.yah samooh kii sabase style-meling he, lekin yah sabase spasht bhi he, mote taur par kyonki yah bahut kuch aisa lagata he jaise hamane pehle suna he.bejaan bhi drushti kii vilakshantaa kaa parinaam ho saktaa he: viraasat main saamaanya badlaav kaa abhaav he or baari or naram ke bich khinchate hai ki ve pichley do dashakon se apane sangeet main bunai karne main kaamyaab rahe hai.yah thodaa soochihin or bhaavnaatmak rup se dur lagata he.jab yah neeche aata he, to Åkerfeldt kii maut kii badhotaree unke rock gayan kii tulana main adhik yaadgaar hoti he (or jab aap unhen ek saath milte hai to donon sabase acha kaam karte hai).yahaan gatishiltaa hai, lekin us tarah kaa nahin jo apratyaashit thand laganaa.

travis smith kii rangeen cover painting ke peeche kii kahani shikshaprad he.hamen bataaya gaya he ki ofkerfeldt ne kalakaar ko peter brugael ke "da trymies of deth", hieronomas bosch (saamaanya rup se), or betals kii pili pandubbi sahit kai sandarbh die.antim tasviir main purv-keybordist ke nogin ke saath prayek opeth sadsy ke sir ko ankurit karne vaale ek ped ko darshaya gaya he or prati wiberg prati gayak kaa samarthan karata he, jisane nae record ke liye apane bhaagon ko record karne ke baad band chhod diya, "purv sadasyon kii khopadi ke dher main topping. "un khopadi ke neeche?ped kii jaden jo mrityu dhaatu main band kii shaitani jadon kii ore ishaara karti hai.hamen yah bhi bataaya gaya he ki da nine stars in da ski ne opeth ke nau pichley album, da san kaa pratinidhitiv karte hue heritage kaa pratinidhitiv kiya.iske baad logon kii rekha aati he, band kaa "[ienji]] ek tukdaa", aadi. yah vaicharik praapt karne ke liye thik he, nishchit rup se, lekin is chhavi ke jabaran, overrip pratikwaad or isaki updrav record ke saath ek samasya kii ore ishaara karte hai: ÅkerfeldtsAMsa lene ke liye apane geeton ke liye jagah ko chhodkar yahaan sab kuch shaamil karne ke liye yaad kiya gaya.vah opeth record ko "avlokan" ke rup main sanderbhit karata he or antat, isaki sabhi kaaphi sundarataa ke liye, viraasat bhi aksar ek niskriy, pichde nazar kii tarah mahasoos karti he.</s>
<|assistant|>
aapke dwaara saajha kii gai samiksha se sanket miltaa he ki album opeth se anya prasadon kii tulana main kharaab he.

yadhyapi samiksha main sakaaratmak or nakaaratmak donon bhashaa ke upyog shaamil hai, samaapan paragraph album ke ek spasht vargeekaran kii peshkash karte hai, jaise ki vaakyon ke saath: "viraasat main saamaanya badlaav kaa abhaav he or baari or naram ke bich khinchate hai ki ve apane sangeet main bunai karne main kaamyaab rahe hampichley do dashakon se. yah thodaa soochihin or bhaavnaatmak rup se dur lagata he. "or, "Åkerfeldt ne apane geeton ko saans lene ke liye jagah ko chhodkar yahaan sab kuch shaamil karne ke liye yaad kiya. vah opeth records ko" avlokan "ke rup main sanderbhit karata he or antat, isaki sabhi kaaphi sundarataa ke liye, viraasat bhi aksar ek niskriy, pichhadi nazar kii tarah mahasoos karti he."band ke samgr katalog kii tulana main donon album ke nakaaratmak drushtikon kaa sanket he.</s>
