Rewrite the article as if it's written by someone remembering the events of the past.

The trend started, as so many do, on TikTok. Amazon customers, watching packages arrive through Ring doorbell devices, asked the people making the deliveries to dance for the camera. The workers—drivers for “Earth’s most customer-centric company” and therefore highly vulnerable to customer ratings—complied. The Ring owners posted the videos. “I said bust a dance move for the camera and he did it!” read one caption, as an anonymous laborer shimmied, listlessly. Another customer wrote her request in chalk on the path leading up to her door. DO A DANCE, the ground ordered, accompanied by a happy face and the word SMILE. The driver did as instructed. His command performance received more than 1.3 million likes.
Watching that video, I did what I often do when taking in the news these days: I stared in disbelief, briefly wondered about the difference between the dystopian and the merely weird, and went about my business. But I kept thinking about those clips, posted by customers who saw themselves as directors and populated by people who, in the course of doing one job, had been stage-managed into another.
Dystopias often share a common feature: Amusement, in their skewed worlds, becomes a means of captivity rather than escape. George Orwell’s 1984 had the telescreen, a Ring-like device that surveilled and broadcast at the same time. The totalitarian regime of Ray Bradbury’s Fahrenheit 451 burned books, yet encouraged the watching of television. Aldous Huxley’s Brave New World described the “feelies”—movies that, embracing the tactile as well as the visual, were “far more real than reality.” In 1992, Neal Stephenson’s sci-fi novel Snow Crash imagined a form of virtual entertainment so immersive that it would allow people, essentially, to live within it. He named it the metaverse.
system
lekh ko phir se likhen jaise ki yah ateet kii ghatnaon ko yaad karte hue kisi dwaara likhaa gaya he.

pravriti shuru hui, jaise ki bahut se, tiktok par.amejan ke graahak, ring dorbel upkarnon ke madhyam se package dekh rahe hai, logon ko camere ke liye dance karne ke liye delivery karne vaale logon se poocha.kaaryakarta-"prithvi kii sabase adhik graahak-kendrit company" ke liye drivs or isliye graahak reating ke liye atyadhik asurakshit-.ring maalikon ne video post kiye."maine kaha ki camere ke liye ek dance move bast or usne aisa kiya!"ek capshan padhein, ek gumnaam majdoor ke rup main, shim, soochibaddh rup se.ek anya graahak ne apane daravaaje tak jane vaale raste par chaak main apana anurodh likhaa.ek nrity karo, jameen ne aadesh diya, ek khush chehre or shabd muskaan ke saath.driver ne nirdesh ke anusaar kiya.unke cmand pradarshan ko 1.3 million se adhik likes mili.
us video ko dekhakar, maine in dinon samaacharon ko lene ke dauraan aksar vahi kiya jo main aksar karata tha: main avishvaas main ghurta tha, sankshep main diastopian or keval ajeeb ke bich ke antar ke bare main sochataa tha, or apane vyavsaay ke bare main chalaa gaya.lekin main un clipon ke bare main sochataa rahaa, jo graahakon dwaara post kiye gaye the, jinhone khud ko nirdeshak ke rup main dekha or un logon dwaara popyulate kiya, jo ek naukari karne ke dauraan, duusare main manch-prabandhit the.
diastapia aksar ek saamaanya visheshta saajha karte hai: manoranjan, unke tirchhe duniya main, bhaagane ke bajaay kaid kaa ek saadhan ban jaataa he.jorge orvel ke 1984 main telescreen, ek ring jaisi divaais tha jo ek hi samay main surveykshan or prasaarit hota tha.re bradbari ke farenheit 451 kii adhinayakawadi shashan ne pustakon ko jala diya, phir bhi televijan ko dekhne ke liye protsaahit kiya.alds huxley kii bahadur nai duniya ne "feeliz" kaa varnan kiya - jo ki sparsh ke saath -saath drishy ko gale lagaate hue, "vaastaviktaa se kahin adhik vaastavik" the.1992 main, nil steffenson ke vigyaan-faai upanyaas snow krash ne abhaasi manoranjan ke ek rup kii kalpana kii, taaki yah logon ko anivaary rup se, iske bheetar rahane kii anumati de.unhone ise metowers kaa naam diya.
user
Tiktok yaad he?yah bahut pehle tha.ham sabhi apane package praapt karte the or ring dwaara pradaan kiye gaye puraane camera lens ke madhyam se dhairyapurvak pratiksha karte the.video is tarah ke ek visphot the jab delivery main camere ke liye nrity shaamil hoga."prithvi kii sabase adhik graahak-kendrit company" ke liye delivery driveron ko unke graahak reating dwaara anupaalan ke liye majaboor kiya gaya tha, or unhone jo kuch bhi kiya, use santusht karne ke liye kiya.driver camere ke liye nrity karenge or jo kuch bhi unase poocha gaya tha, jabaki ring maalikon ne video post kiye.ek majdoor ne bejaan se is tarah se hilaayaa jaise ki uske paas koi or vikalp nahin tha.ek anya amejan graahak ne driver se ek nrity karne kaa anurodh kiya or chahta tha ki driver muskuraae.ise 1.3 million like mili, digital yug se pratishtha kaa ek avshesh.
mujhe diastopian ateet ko yaad aayaa, jahaan sachche aatank or bas ajeeb hone ke bich kii rekhaaen, lekin maine vahi kiya jo mujhe karnaa tha, or apane vyavsaay main waapas chalaa gaya.ateet ke graahakon ne mahasoos kiya ki ve un logon ke nideshak the jo kathith taur par delivery driver the, jis takanic ko ham internet kehete hai, uske liye adaalat ke jaster main badal gaye.
pichley diastapia kii tarah, tiktok yug main manoranjan kaid kaa ek saadhan ban gaya.jorge orvel ke 1984 kii doorabeen ring divaais kii tarah thi jisane ek hi samay main video kaa surveykshan or prasaaran kiya tha.main re bradbari ke farenheit 451 main jalaae ja rahe pustakon ko yaad kar saktaa hum, lekin televijan ko dekhne ko protsaahit kiya gaya.alds huxley kii bahadur nai duniya ne "fielis" filmon kaa varnan kiya jo sirf drishy se adhik the, ve sparshak bhi the, or "vaastaviktaa kii tulana main kahin adhik vaastavik" ke rup main varnit the.1992 main likhe gaye nil steffenson ke vigyaan-faai upanyaas snow krash ne ek abhaasi duniya kaa varnan kiya, isliye yah logon ko iske bheetar rahane kii anumati degaa.ise metowers kaha jaataa tha.
assistant
<|system|>
</s>
<|user|>
lekh ko phir se likhen jaise ki yah ateet kii ghatnaon ko yaad karte hue kisi dwaara likhaa gaya he.

pravriti shuru hui, jaise ki bahut se, tiktok par.amejan ke graahak, ring dorbel upkarnon ke madhyam se package dekh rahe hai, logon ko camere ke liye dance karne ke liye delivery karne vaale logon se poocha.kaaryakarta-"prithvi kii sabase adhik graahak-kendrit company" ke liye drivs or isliye graahak reating ke liye atyadhik asurakshit-.ring maalikon ne video post kiye."maine kaha ki camere ke liye ek dance move bast or usne aisa kiya!"ek capshan padhein, ek gumnaam majdoor ke rup main, shim, soochibaddh rup se.ek anya graahak ne apane daravaaje tak jane vaale raste par chaak main apana anurodh likhaa.ek nrity karo, jameen ne aadesh diya, ek khush chehre or shabd muskaan ke saath.driver ne nirdesh ke anusaar kiya.unke cmand pradarshan ko 1.3 million se adhik likes mili.
us video ko dekhakar, maine in dinon samaacharon ko lene ke dauraan aksar vahi kiya jo main aksar karata tha: main avishvaas main ghurta tha, sankshep main diastopian or keval ajeeb ke bich ke antar ke bare main sochataa tha, or apane vyavsaay ke bare main chalaa gaya.lekin main un clipon ke bare main sochataa rahaa, jo graahakon dwaara post kiye gaye the, jinhone khud ko nirdeshak ke rup main dekha or un logon dwaara popyulate kiya, jo ek naukari karne ke dauraan, duusare main manch-prabandhit the.
diastapia aksar ek saamaanya visheshta saajha karte hai: manoranjan, unke tirchhe duniya main, bhaagane ke bajaay kaid kaa ek saadhan ban jaataa he.jorge orvel ke 1984 main telescreen, ek ring jaisi divaais tha jo ek hi samay main surveykshan or prasaarit hota tha.re bradbari ke farenheit 451 kii adhinayakawadi shashan ne pustakon ko jala diya, phir bhi televijan ko dekhne ke liye protsaahit kiya.alds huxley kii bahadur nai duniya ne "feeliz" kaa varnan kiya - jo ki sparsh ke saath -saath drishy ko gale lagaate hue, "vaastaviktaa se kahin adhik vaastavik" the.1992 main, nil steffenson ke vigyaan-faai upanyaas snow krash ne abhaasi manoranjan ke ek rup kii kalpana kii, taaki yah logon ko anivaary rup se, iske bheetar rahane kii anumati de.unhone ise metowers kaa naam diya.</s>
<|assistant|>
Tiktok yaad he?yah bahut pehle tha.ham sabhi apane package praapt karte the or ring dwaara pradaan kiye gaye puraane camera lens ke madhyam se dhairyapurvak pratiksha karte the.video is tarah ke ek visphot the jab delivery main camere ke liye nrity shaamil hoga."prithvi kii sabase adhik graahak-kendrit company" ke liye delivery driveron ko unke graahak reating dwaara anupaalan ke liye majaboor kiya gaya tha, or unhone jo kuch bhi kiya, use santusht karne ke liye kiya.driver camere ke liye nrity karenge or jo kuch bhi unase poocha gaya tha, jabaki ring maalikon ne video post kiye.ek majdoor ne bejaan se is tarah se hilaayaa jaise ki uske paas koi or vikalp nahin tha.ek anya amejan graahak ne driver se ek nrity karne kaa anurodh kiya or chahta tha ki driver muskuraae.ise 1.3 million like mili, digital yug se pratishtha kaa ek avshesh.
mujhe diastopian ateet ko yaad aayaa, jahaan sachche aatank or bas ajeeb hone ke bich kii rekhaaen, lekin maine vahi kiya jo mujhe karnaa tha, or apane vyavsaay main waapas chalaa gaya.ateet ke graahakon ne mahasoos kiya ki ve un logon ke nideshak the jo kathith taur par delivery driver the, jis takanic ko ham internet kehete hai, uske liye adaalat ke jaster main badal gaye.
pichley diastapia kii tarah, tiktok yug main manoranjan kaid kaa ek saadhan ban gaya.jorge orvel ke 1984 kii doorabeen ring divaais kii tarah thi jisane ek hi samay main video kaa surveykshan or prasaaran kiya tha.main re bradbari ke farenheit 451 main jalaae ja rahe pustakon ko yaad kar saktaa hum, lekin televijan ko dekhne ko protsaahit kiya gaya.alds huxley kii bahadur nai duniya ne "fielis" filmon kaa varnan kiya jo sirf drishy se adhik the, ve sparshak bhi the, or "vaastaviktaa kii tulana main kahin adhik vaastavik" ke rup main varnit the.1992 main likhe gaye nil steffenson ke vigyaan-faai upanyaas snow krash ne ek abhaasi duniya kaa varnan kiya, isliye yah logon ko iske bheetar rahane kii anumati degaa.ise metowers kaha jaataa tha.</s>
