He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, "Portlandia", White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. White has enjoyed both critical and commercial success, and is widely credited as one of the key artists in the garage rock revival of the 2000s. "Rolling Stone" ranked him number 70 on its 2010 list of "The 100 Greatest Guitarists of All Time". David Fricke's 2011 list ranked him at number 17. He has won twelve Grammy Awards, with 33 nominations, and all three of his solo albums have reached number one on the Billboard charts. Interviewers note the wide breadth of the music styles and eras he draws from for inspiration. In May 2015, the Music City Walk of Fame announced that it would be honoring White (along with Loretta Lynn) with a medallion at its re-opening in Nashville. On February 8, 2017, White was the honoree of the Producers and Engineers Wing of the Recording Academy during the annual Grammy Week celebration for his commitment "to working diligently to ensure that the quality and integrity of recorded music are captured and preserved". Much has been made of White's "showmanship" and affectations. Since the beginning, critics have debated the "riddle" of White's self-awareness against his claims of authenticity, with people falling on both sides of the issue. Joe Hagan of "The New York Times" asked in 2001, "Is Mr. White, a 25-year-old former upholsterer from southwest Detroit, concocting this stuff with a wink? Or are the White Stripes simply naïve?" Alexis Petridis, of "The Guardian", said that White "makes for an enigmatic figure. Not because he's particularly difficult or guarded, but simply because what he tells you suggests a lifelong penchant for inscrutable behavior." White himself confesses, "Sometimes I think I'm a simple guy, but I think the reality is I'm really complicated, as simple as I wish I was". White is protective of his privacy and gives few details of his family life, even going as far as to disseminate false information. He states that he does not consider his personal life relevant to his art, saying "It's the same thing as asking Michelangelo, 'What kind of shoes do you wear?' ... In the end, it doesn't really matter ... the only thing that's going to be left is our records and photos."