A small chapel lies to the north of the central hall. Originally rather austere, it was lavishly decorated by Barry in the High Victorian style. There is much elaborate wood carving, with the altar rail featuring angels and the benches poppyheads. The marble apse has alabaster carved heads of the prophets and evangelists by J. Birnie Philip, and the wall panelling features bronze medallions depicting biblical characters by the same artist. The ornate choir gallery, reached from the central hall's mezzanine gallery, contains the family pew. The stained glass and wall murals are by Clayton and Bell, and the painting and stencilling are by J. G. Crace. The suite of state rooms on the first floor of the east wing contains the long gallery, library, drawing room (great chamber), small drawing room and two bedrooms. All date originally from the Jacobean mansion, but are likely to have been significantly altered by John Crewe and then extensively reworked by Blore in neo-Jacobean style. They were restored to Barry's designs, usually with little attempt to reproduce the Jacobean appearance, probably because records of most of the original designs were lacking. Crace performed much of the decoration work in these rooms. All the state rooms contain elaborate plasterwork and stone chimneypieces, often flanked with Corinthian columns or pilasters. The long gallery, along the north side, has a chimneypiece in coloured marbles with busts by Henry Weekes depicting Sir Randolph Crewe and Nathaniel Crew, 3rd Baron Crew, Bishop of Durham. The library, above the carved parlour, contains statuettes of book lovers by Philip and a frieze of scenes from literature by J. Mabey. The drawing room has a facsimile of the Jacobean ceiling, which had been recorded by architect William Burn. Identical in pattern to one at the Reindeer Inn in Banbury, of which the Victoria and Albert Museum has a plaster cast, it was presumably originally the work of the same craftsman. One of the state bedrooms has another survivor of the fire, a Jacobean stone fireplace with a plaster overmantel relief depicting Cain and Abel. The former stables, in red brick with a tiled roof, were completed around 1636 and are contemporary with the Jacobean mansion; they are listed at grade II*. They form a quadrangle immediately to the west of the hall, enclosing a rectangular courtyard. The main east face of the quadrangle stands at right angles to the front of the house; it has nine bays of two storeys and an attic.