Nonetheless, he had a very well defined style, and the majority of the attributions are generally accepted. Van der Weyden left no self-portraits. However it has been suggested that he painted a self-portrait into one of the Justice panels, which was subsequently copied into the Bern tapestry. A drawing with the inscription ""Recueil d'Arras"" is also said to depict Van der Weyden. Many of his most important works were destroyed during the late 17th century. He is first mentioned in historical records in 1427 when, relatively late in life, he studied painting under Campin during 1427–32, and soon outshone his master and, later, even influenced him. After his apprenticeship, he was made master of the Tournai Guild of St Luke. He moved to Brussels in 1435, where he quickly established his reputation for his technical skill and emotional use of line and colour. He completed his Deposition in 1435, which as he had deliberately intended, made him one of the most sought after and influential artists in northern Europe and is still considered his masterpiece. The fragment of the London National Gallery's "The Magdalen Reading" has been described by Campbell as "one of the great masterpieces of fifteenth-century art and among Rogier's most important early works". Since the 1970s, this painting has been linked to two small heads in the collection of the Calouste Gulbenkian Museum (Lisbon), of Saint Catherine and of St Joseph. It is now widely believed that these three fragments came from the same large altarpiece depicting the "Virgin and Child with Saints", partly recorded in a later drawing now in Stockholm. At some unknown date before 1811, this altarpiece was carved up into these three fragments. The lost "The Justice of Trajan and Herkinbald", which survived until the end of the 17th century, consisted of four large panels representing the "Justice of Trajan" and "Justice of Herkenbald". These were commissioned by the City of Brussels for the "Gulden Camere" (Golden Chamber) of the Brussels Town Hall. The first and third panels were signed, and the first dated 1439. All four were finished before 1450. They were destroyed in the French Bombardment of Brussels in 1695, but are known from many surviving descriptions, from a free partial copy in tapestry (Bern, Historisches Museum) and from other free and partial copies in drawing and painting.