The work has been exhibited in museums in Berga, Mallorca, Murcia, Madrid and Lleida. The latest exhibition in Lleida was presented in Tatxo Benet's collection, which included works by Azcona, Ai Weiwei, Francisco de Goya, Robert Mapplethorpe and Andres Serrano. "Spain Asks for Forgiveness" is a conceptual and performative work of critical and anti-colonial content by artist Abel Azcona. Created and started in Bogotá in November 2018 through a conference and a live performance by Azcona at the museum of contemporary art of Bogotá. In November 2018, through a conference and live performance by artist Abel Azcona in the "Bogotá Contemporary Art Museum" the work "Spain Asks for Forgiveness" ("España os Pide Perdón" in Spanish) began, a piece of critical and anticolonialist content. In the first action Azcona read a text of ninety two hours for morre than four hours. In the reading the cite "Spain Asks for Forgiveness" was repeated continuously. Two months later, azcona was invited to present his work in Mexico City in the Mexico City Museum, where he installed a sailcloth with the same sentence on it. Just a few days later the president of Mexico Andrés Manuel López Obrador during a press conference demanded publicly an apology from Spain. Since then until mid 2020, the work has been shown in diverse ways and has achieved to become a collective movement. In May 2020 the "Bogotá Contemporary Art Museum" painted its facade with the installation's motto "España os pide perdón" for two months in the centre of the city of Bogotá. Other cities such as La Habana, Cuba; Lima, Perú; Caracas, Venezuela; Ciudad de Panamá, Panamá; Tegucigalpa, Honduras or Quito, Ecuador have been protagonists of the piece through paintings, sailcloths, posters or demonstrationa and collective acts continuing the work as a collective protest. "The Shadow" is a conceptual work consisting of performance art, an installation, and photography, as a denunciation of dozens of child abuse cases. In the piece Azcona denounces child abuse by presenting the survivors as the protagonists. In the work, Azcona presented more than two hundred actual cases of pedophilia in museums and galleries in various cities in Spain.