Another commission came from a grant by the Polish Ministry of Culture for the CD recording of "Springs and Summers." In 2012 she was commissioned to compose a piece for the New York program "On Silence" marking the centennial of John Cage’s birth, with 12 other composers who were asked, "to reflect on what Cage means in their creative life." Glowicka held an Artistic Residency at the Studio for Electro Instrumental Music (STEIM) in Amsterdam, composing and performing pieces that included traditional instruments, live video and electronics. In 2009 she presented the piece "Quasi Rublev", inspired by Andrei Tarkovsky's 1966 film "Andrei Rublev", with Goska Isphording playing harpsichord and Roos Theuws performing live visuals. Together with video artist Emmanuel Flores, Glowicka presented "Turbulence" performed solely by computer and visuals, noting the influence of Austrian filmmaker Gustav Deutsch. In 2010 Glowicka and Flores collaborated again with the 15 minute performance piece "RETINa" inspired by the pioneering science of Étienne-Jules Marey that impacted cinema and the early documentary filmmaker Dziga Vertov. Glowicka's distinct style of composition has been described as having the "specific power of expression and coloring," through using the computer as both a musical instrument and compositional tool. In a 2006 interview Glowicka said that the strongest, external influences on her music are: "technology - because I cannot write a piece now without electronics as I am fascinated by it, and science in the way that I'm structuring my pieces in order to mirror or extend natural physical phenomenon." This was later emphasized by her project notes on the piece "Turbulence" while in artistic residency at STEIM: "The project "Turbulence" is inspired by physical phenomenon – its force, unpredictability and its complexity."