seventh on their list of the 10 Most Popular Songs of 2018. However, in a negative review for the website Music in Africa, music journalist Oris Aigbokhaevbolo said the lyrics of "Heya!" are not worth the singer's striptease. The accompanying music video for "Heya!" was released on 28 March. Filmed and directed by NVMB3R Production, the video features Brymo exposing his buttocks while wearing a loincloth to hide his genitals. The video received mixed reviews; those in support of it described it as a moment of brilliance, while those in opposition see it as Brymo's attempt to draw attention to himself. In an email to Pulse Nigeria, Brymo defended his decision to expose his buttocks, saying, "I decided to appear how my forebears dressed before the arrival of civilization to Nubian continent." Pulse Nigeria ranked the video fourth on their list of the top 10 Nigerian Music Videos for the year. The album's second single "Bá’núsọ" (Yoruba: "Follow Up") was released on 9 September 2018, along with its music video. The media company More Branches ranked "Bá’núsọ" first on their list of the 50 songs they rocked in the first half of 2018. The music video for the song was filmed by Victor Adewale and edited by Samuel Obadina. It features Brymo conveying weighty messages in a dark-themed room. Reviewing for Music in Africa, Aigbokhaevbo described the video as "Brymo’s self-love refracted through Adewale’s lens" and also noted the video is "fitting for a song about the value of introspection and the importance of keeping your own counsel". "Oṣó" received positive critical acclaim from music critics. Reviewing for "Ventures Africa", writer David Adeleke praised the singer's approach to songwriting and the richness of his sound; Adeleke described the instrumentation on the album as "classy" and "expansive". "Nigerian Entertainment Today"s Sandra Ezekwesili granted the album a 4.5/5 rating, describing it as "an introspective journey through love and life and the myriad of relationships in between". In a review for Music in Africa, Adams Adeosun said "Oṣó" "shows an upswing in the conversation between Brymo and music" and further stated that the listener "becomes an intruder to an exchange between one man and his god".