Bimal Roy  Bimal Roy (12 July 1909 – 8 January 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as "Do Bigha Zamin", "Parineeta", "Biraj Bahu", "Madhumati", "Sujata", "Parakh" and "Bandini", making him an important director of Hindi cinema. Inspired by Italian neo-realistic cinema, he made "Do Bigha Zamin" after watching Vittorio De Sica's" Bicycle Thieves" (1948). His work is particularly known for his mise en scène which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. "Madhumati" won 9 Filmfare Awards in 1958, a record held for 37 years. Bimal Roy was born on 12 July 1909, to a Bengali Baidya zamindar family in Sutrapur, Dhaka, which was then part of the Eastern Bengal and Assam province of British India and is now part of Bangladesh. He produced many movies in Bengali and Hindi. Bimal Roy moved to Calcutta and entered the field of cinema as a camera assistant with New Theatres Pvt. Ltd.. During this time, he assisted director P.C. Barua as Publicity Photographer, on the hit 1935 film "Devdas", starring K.L. Saigal. In the 1940s and 1950s Roy was part of the parallel cinema movement in post-war India. He collaborated on "Anjangarh" (1948), one of the last major films of the New Theatres, however, the Kolkata-based film industry was now on the decline, thus Roy shifted his base to Bombay (now Mumbai), along with his team in 1950, which included Hrishikesh Mukherjee (editor), Nabendu Ghosh (screenwriter), Asit Sen (assistant director), Kamal Bose (cinematographer) and later, Salil Chaudhury (music director), and by 1952 he had restarted the second phase of his career with "Maa" (1952), for Bombay Talkies. He was famous for his romantic-realist melodramas that took on important social issues while still being entertaining. He was a filmmaker of great and in-depth understanding of human strengths and weaknesses.