The Divine Comedy. Heaven, Purgatory and Hell Revisited by Contemporary African Artists -Museum für Moderne Kunst (MMK), Frankfurt/Main, 2014. Kendell Geers created a solo exhibition at the Goodman Cape Gallery and offered a smaller intervention at YOUNGBLACKMAN, an intimate shopfront area in Roeland Street, opposite the Kimberley Hotel, frequently holding many artists, creative and other bohemian characters. YOUNGBLACKMAN mostly plays host to experimental, edgy art activities. Geers decided to in a way repeat his 1993 action of throwing a brick through a gallery window, the results of which, including shattered glass, being the artwork exhibited. For this incarnation he threw several bricks through the front windows, instead of just one brick, including one brick left outside the gallery with a threatening note to the artist. Kendell Geers more notable solo exhibitions include, IN GZI WE TRUST'," Goodman Gallery, Johannesburg, South Africa (2019–2020); The Second Coming (Do What Thou Wilt)'," Rua Red"," Dublin, Ireland (2019"); ‘#iPROtesttHEReforeIam'," ADN Galeria, Barcelona, Spain (2019)"; 'Voetstoots'", Galerie Ron Mandos"," Amsterdam, Netherlands (2018); AfroPunk'," Rodolphe Janssen and Galerie Didier Claes, Brussels, Belgium (2017); The Marriage of Heaven and Hell'", Chateau Blandy-les-Tours, Melun, Paris, France (2012); National Gallery, Cape Town, South Africa (2010); GUEST + A HOST = A GHOST'," Stephen Friedman Gallery, London, England (2010–2009); Irrespektiv'", Musée d'Art Contemporain de Lyon, France (2009"); 'REAM'", Saint Louis Art Museum, Saint Louis, Missouri, USA (2009"); 'Not Something Else'," Tomio Koyama Gallery, Kyoto, Japan (2009); Monsters and Stuff'," Gagosian Gallery, London, England (2008) "and 'Hung, Drawn and Quartered, Contemporary Arts Center, Cincinnati, USA; toured to Aspen Art Museum, Aspen, USA (2005).