The full image could only be seen from the balustrades, overlooking the atrium of Palazzo Grassi. Due to the floods that hit Venice in February 2020, the site-specific mosaic was dismantled. Tuymans experimented with printmaking from the late 1980s on, producing a graphic oeuvre of about 90 works, which focus – like his paintings – on the mediation and translation of images in the mass media. He has explored various printing methods such as photocopy, inkjet, offset, monotype, screen-printing, lithography, etching, and silver gelatine prints, using unusual supports such as wallpaper, security glass and PVC. In a similar way to his paintings, his printed images often appear blurred or reduced. They are frequently based on photographs or film stills, which the artist photographs and re-photographs until much of the original detail is lost. The four-colour etching "Isabel, Diorama, Scramble, Twenty Seventeen" (2017) for example, is based on iPhone photographs Tuymans took while painting. These images reveal an early, unfinished stage of the work. The paint strokes Tuymans placed in the margin of the painting and at the edges of the canvas are also incorporated in the etched image. Most of Tuymans' prints are made in collaboration with Antwerp based master printer Roger Vandaele and Edition Copenhagen. Tuymans is also a curator. The first exhibition he curated was "Trouble Spot: Painting" in 1999 at the Museum van Hedendaagse Kunst Antwerpen and the NICC – New International Centre in Antwerp. This show included works by about 50 artists, including Gerhard Richter, Ellsworth Kelly, Raoul De Keyser, Marlene Dumas, and Andy Warhol. In an interview with "Artzip", he explained that the idea behind the exhibition was 'to explore the boundaries of painting' and that his curatorial approach was to 'prioritize the visual in order to create a dialogue between different works.' In 2002, he curated "Kamers. een keuze van Luc Tuymans" ("Rooms. A choice by Luc Tuymans") at Ruimte Morguen in Antwerp. The following curated event took place on 5 October 2006, Tuymans organized "Sirene/Alarm," an event that spanned numerous museums and cultural institutions in Belgium. All participating museums were asked to set their alarms to go off at 3 pm. Staff, artists, students, and other supporters evacuated the buildings involved for fifteen minutes.