Bleyl described one such model, Isabella, a fifteen-year-old girl from the neighbourhood, as "a very lively, beautifully built, joyous individual, without any deformation caused by the silly fashion of the corset and completely suitable to our artistic demands, especially in the blossoming condition of her girlish buds." The group composed a manifesto (mostly Kirchner's work), which was carved on wood and asserted a new generation, "who want freedom in our work and in our lives, independence from older, established forces." As part of the affirmation of their national heritage, they revived older media, particularly woodcut prints. Bleyl specialised in graphic design and created several significant posters and tickets presenting the group to the general public. In September and October 1906, the first group exhibition was held, focused on the female nude, in the showroom of K.F.M. Seifert and Co. in Dresden. Deriving from the life studies, Bleyl created a lithographic poster for the show printed in orange ink on white paper. It has a narrow, portrait format, more akin to Japanese woodcuts than conventional contemporary prints, and was a distinct contrast to the poster designed by Otto Gussmann for the Third German Exhibition of Applied Arts, which had opened four months previously in Dresden. Bleyl omits iconography such as a crown, a lamp and a flowing gown, to show a bold nude of the model Isabella full-length above the lettering. Police censors barred the display of the poster under Paragraph 184, the National Penal Code pornography clause, after perceiving pubic hair in the shadow underneath the stomach. In 1905, Bleyl completed his university studies and, the following year, began to teach at the Bauschule (school of architecture) in Freiberg, Saxony. He chose a bourgeois lifestyle, marrying in 1907 and, with a concern to support his family, left the group. He was replaced by Max Pechstein and Otto Mueller. In 1916, he completed his dissertation, and travelled in Italy and through the Alps. For the rest of his life, he continued to teach and to practise as an architect. He also continued with graphic work, but kept out of public gaze and did not have exhibitions. He resided in Rostock, Neukölln in Berlin, and Brandenburg. He died in Bad Iburg, aged 85. Fritz Bleyl exhibited in the following Die Brücke shows.