He also demanded top billing on promotional materials. Sean Young was originally cast as Vicki Vale, but was injured in a horse-riding accident prior to commencement of filming. Young's departure necessitated an urgent search for an actress who, besides being right for the part, could commit to the film at very short notice. Peters suggested Kim Basinger: she was able to join the production immediately and was cast. As a fan of Michael Gough's work in various Hammer Film Productions, Burton cast Gough as Bruce Wayne's mysterious butler, Alfred. Robert Wuhl was cast as reporter Alexander Knox. His character was originally supposed to die by the Joker's poison gas in the climax, but the filmmakers "liked [my] character so much," Wuhl said, "that they decided to let me live." Burton chose Billy Dee Williams as Harvey Dent because he wanted to include the villain Two-Face in a future film using the concept of an African-American Two-Face for the black and white concept, but Tommy Lee Jones was later cast in the role for "Batman Forever", which disappointed Williams. Nicholson convinced the filmmakers to cast his close friend Tracey Walter as the Joker's henchman, Bob. Irish child actor Ricky Addison Reed was cast as Dick Grayson before the character was removed by Warren Skarren for the revised shooting script. The rest of the cast included Pat Hingle as Commissioner Gordon, Jerry Hall as Alicia, Lee Wallace as Mayor Borg, William Hootkins as Lt. Eckhardt, and Jack Palance as crime boss Carl Grissom. Burton had been impressed with the design of Neil Jordan's "The Company of Wolves" (1984), but was unable to hire its production designer Anton Furst for "Beetlejuice" as Furst had instead committed to Jordan's London-filmed ghost comedy "High Spirits" (1988), a choice he later regretted. A year later Burton successfully hired Furst for "Batman", and they enjoyed working with each other. "I don't think I've ever felt so naturally in tune with a director," Furst said. "Conceptually, spiritually, visually, or artistically. There was never any problem because we never fought over anything. Texture, attitude and feelings are what Burton is a master at." Furst and the art department deliberately mixed clashing architectural styles to "make Gotham City the ugliest and bleakest metropolis imaginable". Furst continued, "[W]e imagined what New York City might have become without a planning commission.