In Perry's single channel video installation, "Black Girl as a Landscape", the camera slowly pans over the silhouette of a horizontally framed girl, abstracting her body. This is said to reflect Perry's interest in how abstraction might create a dimensionality that connects an individual body with larger ecologies, both visual and environmental. This photo series depicts Perry's grandparents in their backyard obscured by smoke bombs. The photographs reflect the physical destruction seen in cities such as Washington and Chicago during the race riots of 1919, referred to as Red Summer. Exhibited at the Studio Museum in Harlem, "Double Quadruple Etcetera Etcetera I" showcases a 30-second loop of a man dancing in a white room looped over 9 minutes. The video was also featured in the Seattle Art Museum's show "Disguise: Masks and Global African Art", which toured at the Fowler Museum at UCLA and the Brooklyn Museum in New York, after its Seattle debut.  42 Black Panther Balloons on 125th Street (2014)  With an eye for both the humorous and the political, Perry created "42 Black Panther Balloons on 125th Street," in which she carried a bunch of mylar black panther balloons around town. One still shows the balloons held on a street corner in such a way that it both obscures the person holding them and merges with them to become what is described as on awkward and politically charged body . Some of the same kind of balloons are used in her single channel Youtube video, "Black Panther Cam", of a smaller cluster of black panther mylar balloons floating in the artist's studio. This 26 minute two channel video depicts identity as a construction that can be explored through ritual. Perry developed this piece as a narrative about her family, and includes family memories that are edited between song clips and computer effects. Exhibited at The Kitchen in New York, NY. The show featured the video "" which juxtaposes images of the "blue screen of death" (which signifies a Windows operating system fatal error), law enforcement's "blue wall of silence", police raids, photos of black women who have died in the custody of police, Bill Gates dancing, and an avatar of Perry. The exhibit also featured "Graft and Ash for a Three Monitor Workstation." The piece is an exercise bike with a triptych of screens attached. From the screens, Perry's avatar tells the viewer of a scientific study in which those black people who believe the world is fair are more prone to chronic illnesses. "Resident Evil" is the titular video from the exhibit which examines the media's take on blackness.