The second 3D printer in space, the European Space Agency's Portable On-Board 3D Printer (POP3D) was planned to be delivered to the International Space Station before June 2015. By 2019, a commercial-built recycling facility was scheduled to be sent to the International Space Station to take in plastic waste and unneeded plastic parts and convert them into spools of feedstock for the space station additive manufacturing facility to be used to build manufactured-in-space parts. In 2016, Digital Trends reported that BeeHex was building a 3D food printer for manned missions to Mars. Most construction planned on asteroids or planets will be bootstrapped somehow using the materials available on those objects. 3D printing is often one of the steps in this bootstrapping. The Sinterhab project is researching a lunar base constructed by 3D printing using lunar regolith as a base material. Instead of adding a binding agent to the regolith, researchers are experimenting with microwave sintering to create solid blocks from the raw material. Projects like these have been investigated for construction of off-Earth habitats. In 2005, a rapidly expanding hobbyist and home-use market was established with the inauguration of the open-source RepRap and Fab@Home projects. Virtually all home-use 3D printers released to-date have their technical roots in the ongoing RepRap Project and associated open-source software initiatives. In distributed manufacturing, one study has found that 3D printing could become a mass market product enabling consumers to save money associated with purchasing common household objects. For example, instead of going to a store to buy an object made in a factory by injection molding (such as a measuring cup or a funnel), a person might instead print it at home from a downloaded 3D model. In 2005, academic journals began to report on the possible artistic applications of 3D printing technology, being used by artists such as Martin John Callanan at The Bartlett school of architecture. By 2007 the mass media followed with an article in the Wall Street Journal and Time Magazine, listing a printed design among their 100 most influential designs of the year. During the 2011 London Design Festival, an installation, curated by Murray Moss and focused on 3D Printing, was held in the Victoria and Albert Museum (the V&A). The installation was called "Industrial Revolution 2.0: How the Material World will Newly Materialize". At the 3DPrintshow in London, which took place in November 2013 and 2014, the art sections had works made with 3D printed plastic and metal.