Uklański has also released a feature film called "Summer Love: The First Polish Western". His works have been displayed in galleries and well-known museums around the world; he has also created public works such as billboards and graffiti. Uklański uses unconventional materials by weaving them together or finding other means to adhere them to each other or to canvas. He has attempted work by "painting without a brush" using oil and canvas. "Untitled (Dance Floor)" 1996 is a functioning floor composed of sound-activated boxes which light up, reminiscent of a minimalist grid and disco dancefloor. The style of Uklański's work is as wide-ranging as his use of materials. His work has challenged societal views on death and sex, and also often explores political movements as they intersect with society and media. An example is his work, "The Nazis" (1998), in which he displays movie stills of well-known actors playing Nazis, with color and contrast changes in the style of Andy Warhol's "Marilyn Monroe (Marilyn)" 1967. In his 2015 exhibitions at the Metropolitan Museum of Art, "Fatal Attraction: Piotr Uklański Photographs", and "Fatal Attraction: Piotr Uklański Selects from the Met Collection", Uklański's styles were distinct both in his own work, and through the generally shocking choices of photographs he collected from the museum's archives. Some of his pieces, like "Untitled (Dance Floor)" 1996 and "Untitled (The Nazis") 1998 are clean and neat, whereas others like "Untitled (Story of the Eye)" 2013 are messy, overflowing, or frayed. One of his sculptures, "Untitled (Polonia)" (2005), is minimalist but monumental, made of glass, and stands as a response to a political event. Created in 1996, this installation piece is composed of glass, an aluminum-raised floor structure and computer-controlled LED and sound system. It is a fully functioning disco dance floor with synchronized music. It creates an atmosphere for social interaction where the viewers complete the piece. Uklański stated that he wanted to create a work whose goal was to give the viewer pleasure. Created in 1998, this was an exhibition of 164 color photographs of Polish and other foreign actors who played Nazis in film. The point of this collection, according to Uklański, is to question how the attractive actors seduce the viewer and blind them to the truth about the evil and ruthlessness of Nazism."The portrait of a Nazi in mass culture is the most prominent example of how the truth about history, about people is distorted.