The anthropologist Edward Clodd wrote "[Lombroso] swallowed the lot at a gulp, from table raps to materialisation of the departed, spirit photographs and spirit voices; every story, old or new, alike from savage and civilised sources, confirming his will to believe." Lombroso's daughter Gina Ferrero wrote that during the later years of his life Lombroso suffered from arteriosclerosis and his mental and physical health was wrecked. The skeptic Joseph McCabe wrote that because of this it was not surprising that Palladino managed to fool Lombroso into believing spiritualism by her tricks. Historian Daniel Pick argues that Lombroso serves "as a curious footnote to late-nineteenth-century literary studies," due to his referencing in famous books of the time. Jacques in Émile Zola's "The Beast Within" is described as having a jaw that juts forward on the bottom. It is emphasized especially at the end of the book when he is overwhelmed by the desire to kill. The anarchist Karl Yundt in Joseph Conrad's "The Secret Agent", delivers a speech denouncing Lombroso. The assistant prosecutor in Leo Tolstoy's "Resurrection" uses Lombroso's theories to accuse Maslova of being a congenital criminal. In Bram Stoker's "Dracula", Count Dracula is described as having a physical appearance Lombroso would describe as criminal. In 1906, a collection of papers on Lombroso was published in Turin as "L'opera di Cesare Lombroso nella scienza e nelle sue applicazioni".