The hall on the left is the ""Emotional"" Hall. It is Drossinis’ bedroom, where the visitor has the feeling that the poet is constantly present. Photos of Mesolonghi, Drossinis's birthplace, on the walls and others of his friends and relatives, all complete the picture of the poet amongst his close ones. Fishing and hunting equipment reveal his great love of nature – Drossinis also wrote books about fishing and hunting – while religious icons express his deep faith. Children's reading books from all around the world – as he himself was an author of school reading books – show his care for education, to which he offered a lot from his high position in the Greek Ministry of Education. These objects, together with sculptures by Tombros and Vitsaris, surround the poet's figure as portrayed by the sculptor Angeliki Vlachopoulou sitting in his armchair at old age. The third hall is the "‘Folk’" Hall. It is the largest part of the museum and the most interesting one, especially for the younger visitors. The heroes of his writings and his life are here: clay figures in real-life size – most works are by A. Vlachopoulou – represent vividly the world of his prose. Idyllic, interested in folk tradition, rich in emotions, full of sensitive female characters: Amaryllis and Ersie – the heroines of his homonymous works – Morfoula – a tenant farmer's daughter in his family farm in Evia – whom he first met very young and for whom he composed his favourite poem, "To Moiroloi tis Omorfis" (“The Beauty’s Lament”), and his cousin Drosina, who inspired his most popular poem, which was immediately set to music and is still sung today, "Anthismeni Amygdalia" (“Blooming Almond Tree”). Athanasios Diakos (the Greek Independence fighter) represents Drossinis's patriotic ideals, a grandfather sitting in the center of the hall, surrounded by his grandchildren listening to him reading fairy tales, shows his love for children – he himself also wrote fairy tales with educational content – while the small sofa on which he used to sit with Kate Manou, his last muse, signifies his passion for life until his latest years. The "‘Friends of Drossinis Museum’" society, founded on the same year as the Museum itself, caters for the continuous renewal of the exhibits and the smooth functioning of the Museum, in collaboration with the Municipality of Kifisia.