Santuario della Consolata  The Santuario della Consolata or, in its full name, the Church of the Virgin of the Consolation is a prominent Marian sanctuary and minor basilica in central Turin, Piedmont, Italy. Colloquially, the sanctuary is known as "La Consla". It is located on the intersection of Via Consolata and Via Carlo Ignazio Giulio. The Benedictines were the first monastic order to settle in this location. A church at the site, probably dedicated to Our Lady, stood adjacent to the ancient Roman walls of the city. It is held that in the 5th century, Bishop Maximus erected a church dedicated to St. Andrew Apostle with a small chapel to the Virgin with an icon. The icon, however, became the object of great veneration. Legend maintains that a blind pilgrim in the 12th century had his vision restored by the icon of the Virgin in the church. Inside the church, ex votos document centuries of miracles attributed to the Virgin. In 929 the Marquis Adalbert ordered the construction of a monastery and endowed it with some territories. The Romanesque bell tower dates to about this time, and was built next to the foundation of one of the corner turrets of the old Roman fort which later became Turin. The church was originally built in the style of a basilica. Over the years the church and the icon were rebuilt and restored by various orders of monks. In 1448 the prior of Sant'Andrea expanded the church building one bay to the west. With the increased popularity of devotion to Our Lady of Consolation, the church changed from a parish to a shrine. The first major reconstruction leading to the present church was commissioned in 1678 by Marie Jeanne Baptiste of Savoy-Nemours. Architect Guarino Guarini and engineer Antonio Bertola created the elliptical shape of the church nave, and added a new hexagonal chapel on the north side to accommodate the venerated icon of Mary. The architect Filippo Juvarra in 1729-1740 added the North presbytery, thus creating a church with two apparent axis: a main altar on the east, while retaining the famed icon as a chapel to the north. This period also saw the decoration of the dome by Giovanni Battista Crosato. The neoclassical facade, portico, and burial crypt on the south–north axis date from 1845-1860 with contributions by Pietro Anselmetti; further additions were made in 1899-1904 under the guidance of Carlo Ceppi.