This section repeats and is followed by a descending harmonic sequence starting with a -75 (half diminished seventh chord or Ø) built on the augmented fourth of the key, and descending by semitones—with changes in the chord quality—to the supertonic minor seventh, which forms the beginning of a more standard II-V-I progression. In B, this sequence begins with an EØ, followed by an E-7, D-7 and D dim, before resolving onto C-7 (the supertonic minor seventh) and cadencing onto B. The bridge is also unusual, with an immediate, fleeting and often (depending on the version) unprepared key change up a minor third, before an equally transient and unexpected return to the key centre. In B, the bridge begins with a D major seventh, then moves back to B with a B major seventh chord. This repeats, and is followed by a recapitulation of the second section outlined above. The vocal verse is also unusual in that most of the melody consists entirely of a single note repeated 35 times —the same dominant pedal, that begins the body of the song—with rather inconclusive and unusual harmonies underneath.