Barry Douglas Lamb  Barry Lamb (born 9 May 1963 in South Shields, England) is an English experimental musician. Barry Lamb is an English composer, author and musician. He was born in South Shields, but lived in Holland On Sea during his secondary school years. He attended Clacton County High School where he first met his long time musical collaborator Peter Ashby. It was during his high school years that he formed Frenzid Melon with Ashby and they began experimenting with music inspired by the immediacy and DIY ethic of punk. Lamb also began making his own experimental music using simple tape manipulation techniques and they began to release their music on cassette. This marked the beginning of what has become known as cassette culture. During this period Ashby & Lamb founded Falling A Records. as one of the early cassette labels and later an independent record label. Falling A also opened a shop in Clacton on sea and acted as a distribution service for other cassette culture artists, labels and fanzines. They became one of the most connected limbs of the diy cassette movement. Lamb's solo career coexisted with his collaborations with Ashby. Most of his solo albums are avant-garde / electronic / industrial in nature. The album "Dusk" is perhaps his best-known solo work. During his most prolific period, Lamb had regular correspondence with fellow contemporaries Bryn Jones of Muslimgauze, members of Attrition, and the Third Mind record label. Much of this appeared to shape his thinking about music. Sometime during the course of 1981/82 Frenzid Melon disbanded but Ashby and Lamb quickly re emerged having added Owen Turley to the line up and morphing into a new band the insane picnic. Whilst Frenzid Melon had been heavily influenced by punk, the insane picnic had more of a post punk feel to them. Their debut release in the autumn of 1982 was the critically acclaimed "Four Days in April" EP. This received a glowing review by Ian Pye in "Melody Maker" "A twisted cross between Echo and the Bunnymen & the Fall. The Insane Picnic succeed where most others fail by creating an atmosphere that may not be unique but is at least threateningly distanced from the obvious possibilities.." the insane picnic enjoyed further favourable reviews in the mainstream music press but were unable to capitalise on the momentum due to internal struggles and the inability to engage a permanent drummer for regular live performances. A planned album in 1984 did not advance beyond the demo stage.