The record that kick-started the phenomenon was the 14-year-old Louisa Mark's plaintive reading of Robert Parker's soul hit, "Caught You In A Lie", with Matumbi as backing group and production by sound-system man Lloyd Coxsone (b. Lloyd Blackwood, Jamaica); this appeared on Coxsone's Safari imprint in 1975 and was impressive enough to see release in Jamaica by Gussie Clake. Several of Louisa Mark's subsequent titles, including "All My Loving" (Safari) and "Six Sixth Street" (Bushays), repeated the success and have remained favourites at revive sessions ever since. Mark's hit was followed by Ginger Williams' "Tenderness" (Third World), and a genre was born-essentially Philly/Chicago soul ballads played over fat reggae basslines. The style was consolidated by the husband-and-wife team of Dennis and Eve Harris who had a big hit with the white singer T.T. Ross's massively popular "Last Date" (Lucky), another key record, and set up a new imprint, Lover's Rock, giving the genre its name. Later labels such as Fashion Records and Ariwa would go on to take lovers rock to more sophisticated plains and beyond the music's original market of working-class teenagers. and while the music media largely ignored their performers-singers like Peter Hunnigale, Sylvia Tella, Michael Gordon and Keith Douglas they have deservedly scored hit after hit with audiences who trust what they hear rather than read. The influence of reggae was felt in rock almost immediately, but usually surfaced as a tangential reference in some stars' isolated songs. The Beatles song 1964 "I Call Your Name," for instance, has a ska break; a few years later, they would appropriate the reggae rhythm for 1968 "Ob-La-Di, Ob-La-Da". Chris Andrews (born 1942) was a songwriter for Sandie Shaw. The song "Yesterday Man" was inappropriate for her, so he sang it himself and it went to number 3 in the UK Singles Chart in 1965. At the time, the musical style was called bluebeat, a music genre that is now recognized by most as ska or reggae. He followed this with "To Whom It Concerns" (number 13 in 1965) and "Something on My Mind" (number 41 in 1966). Paul McCartney bought Jamaican-imported singles, but this was not obvious in The Beatles' repertoire until "Ob-La-Di, Ob-La-Da" on the "White Album".