Manolita Piña  Manolita Piña Torres-Garcia ("née Rubies "24 February 1883 – 11 June 1994) was the Catalan wife of Joaquín Torres García. She was known as "Doña Manolita" in Uruguay." "She was considered to be an "inseparable companion" to Torres García, accompanied him to conferences, exhibitions and supported all of his artistic endeavors. In many ways, she was "like his shadow." Founder of the museum, the Museo Torres Garcia in Montevideo. Piña Torres was born in Barcelona, Spain on 24 February 1883 and died in Montevideo on 11 June 1994. Piña Torres was classically educated by her wealthy parents and she played piano into her late years. She married Joaquín Torres García on 20 August 1908 in Barcelona. She and her husband lived in Europe, New York and in Montevideo in 1934. Piña Torres's art, along with her husband's, has been collected by Emilio Ellena. Ellena describes her art as creative and beautiful, but Piña Torres stopped painting after she was married. Piña Torres states that she stopped painting so that she would not become a better painter than her husband or disturb his work, which would have been shameful to their family during her time and in her culture. She felt that although she had stopped painting herself, that her opinion on art was always welcome. She may have continued to do some art, since there is a record of a master quality woodcut in a book, "Notes on Art" by Torres Garcia (1913). She says that politics were one of the few things she argued about with her husband. She was known to help artists who were suffering from political persecution. Two of her grandchildren were imprisoned and in exile and her home was searched for them. Piña Torres also refused to move back to Barcelona because of the crimes against art that were committed there, such as destroying frescoes. In 1951, Piña Torres created a group in Montevideo, called MAOTIMA (standing for the names of the participants, Manolita, Otilia, Iphigenia and Maria Angelica) which was dedicated to working on embroidered tapestries. Piňa Torres was a tireless collector of her husband's work and later helped promote much of his formerly unseen art. She also inventoried his work, a list of over 350 pieces of art. Piña Torres felt that after her husband's death, she should ensure his legacy and therefore created a museum dedicated to her husband's art and legacy which she accomplished at age 106.