The monastery was renovated following the 1997 earthquake and was also used for conventual hospitality. The church of San Salvatore was erected or commissioned by "Bartolu de Sebastianu" around the 16th century. The interior paintings have been cleaned up with a coat of lime and only two scenes remain visible: a Christ and a Holy Family. Monsignor Severini, in 1608 said: "simplex et et ruralis ecclesia Sanctissimi Salvatoris in contrata Muretae". Unfortunately, over time, thieves violated the sacredness of the place. Privately owned, visits can be arranged by reservation. The first news relating to this church dates back to 1476, as other sources of 1421 make no mention of its factory. The church was kept as a place of the Clareni according to what can be read in an act of exchange of 1540. Inside it has two marble slabs, a confessional and an altar, moreover there was kept a canvas with stylistic references that lead back to De Magistris. The first news relating to this church dates back to 1476, as other sources of 1421 make no mention of its factory. The church was kept as a place of the Clareni according to what can be read in an act of exchange of 1540. Inside it has two marble slabs, a confessional and an altar, moreover there was kept a canvas with stylistic references that lead back to De Magistris. The town hall of Belforte is made up of two buildings arranged in an "L" shape. The two facades are characterized by as many orders of windows and by a nineteenth-century portico. The seventeenth-century Civic Tower appears from the left body. The palace houses works of great historical interest such as the bell, dating back to the sixteenth century, from the church of San Sebastiano. The elegant palace was built between the second half of the seventeenth and the first half of the eighteenth century. Originally it belonged to the Farroni family then, through the hereditary axis, it passed to the Bonfranceschi family. The entire complex is currently owned by the city and houses a period residence. Rare example of a corner building with a hanging garden, already existing in the year 1766, of which, however, there is no information on the origins. The main facade of the building and the side ones face along the two main streets and the one behind has a lush hanging garden. It retains the typical furnishings of the bourgeois home of the nineteenth century.