Zanni  Zanni (), Zani or Zane is a character type of Commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker". Through time, the Zanni grew to be a popular figure who was first seen in "commedia" as early as the 14th century. The English word "zany" derives from this persona. The name "Zanni" (as well as "Zuan") is a variant of the name "Gianni" and was common in the Lombard-Venetian countryside which provided most of the servants to the wealthy nobles and merchants of Venice. In Italian it is specifically a name of someone whose identity is not of any importance. It is one of the oldest characters in "commedia dell'arte" but over the course of time became subdivided into a number of similar characters with more specific traits. These included Arlecchino, Pulcinella, Mezzettino and Truffaldino, as well as Beltrame and Brighella. Arlecchino, for example, was more representative of a jester than an ordinary servant and was frequently depicted as very acrobatic. Zanni was shortened to Zan when used to provide further identification of an individual. For example, Zan Ganassa was the stage name of Alberto Naseli, who was one of the first actors specializing in Zanni roles to perform outside of Italy. Overall, the Zanni in early "commedia dell'arte" is the name for the 'carter' which is the servant. The name Zanni became a "technical term to define all of the servants." Some characters in Commedia that are derived from Zanni are Arlecchino (Harlequin), Brighella, Scapino- Mescolino and Mezzettino, Scaramuccia (aka Scaramouche), Pulcinella, Pedrolino, Giangurgolo, Tartaglia, Trappolino, and Burratino. The earliest literary evidence portrays Zanni as a servant of Pantalone. Of all of the 'commedia' archetypes, Zanni's survival instinct is the strongest. Zanni is also always hungry which leads to a vision of Utopia where "everything is comestible, reminiscent of the followers of gluttony in carnival processions". A Zanni also has an animistic view of the world in that he senses a spirit in everything, so it could be eaten.