Since then, Vitín openly despises women. He takes his misogyny to the extreme, to the point of telling almost all his guests and friends that women carry sexually transmitted diseases that they transmit to men, and that because of this, they cannot be trusted. Occasionally, when a woman arrived where Vitín was at, he would say in a loud voice "¡Infección a la vista!" ("Infection in sight!"), implying that any woman approaching him or other men was carrying an STD. He usually advised King Cabra to not get close to women, but at the end of each sketch, King Cabra never paid any attention and would leave with the lady. Vitín's attacks on women were harsher on the early days of the character, but Logroño has since toned down the character's criticism towards females. In early airings of the character, since Logroño was considerably thinner than he currently is, Vitín constantly wore a muscle shirt bearing one of Leonardo da Vinci's anatomic sketches that displayed a man's muscles. Logroño has since physically outgrown the shirt, and now wears other clothes, but tends to gravitate towards a skeleton shirt. He also wears a beret. Logroño over-modulates his voice when representing Vitín to make him sound like a radio announcer at times: Vitín speaks with a baritone voice, has perfect Spanish language diction (using Castilian phonemes at times, particularly a strong j sound that almost sounds like a "kh"), and constantly utters a ""Hmm?"" to punctuate most sentences, which he sometimes enunciates as questions. He calls those males that he likes ""Papa"", a term that has become a comical verbal jab in Puerto Rico against any male who shows his masculinity in public in a blatant way. (""Papa"" is actually a term used by natives of the United States Virgin Islands to refer to Puerto Ricans)  Sometimes Vitín recites a long exchange of questions and answers that has become an audience favorite. He may either expect the responses from either his guest (which may or may not be familiar with the exchange) or his studio audience (who usually do know it by heart; as the audience is not supposed to participate in programs Vitín claims the next-door neighbors are the ones who respond) The exchange goes like this:  ""Mi manguera es tu manguera / ¿Con la fría o la caliente? / ¿Y cómo hay que estar?