Awaking, she finds herself being comforted by an unknown woman, her husband and the party guests and realizes she is in Brett's house. Jenny is lead to the bathroom after saying that she feels sick, and Brett's father Jon notices the van on his lawn before one of the parents receives a call informing him of the dead gang members, who are the children of the adults at the house. A commotion begins in the house and the bathroom door is kicked open as Jenny is confronted by Brett, Jon, and the other party guests. Brett has convinced the adults that Jenny and Steve sadistically murdered Bonnie and the gang members. Jenny begs Jon to call the police and attacks him with a razor she found in the bathroom. Jon quickly subdues her. Jon tells Brett to go upstairs, slaps him when he tries to say something, and takes Jenny back into the bathroom with two other men. Brett shuts the door of his room, blocking out her screams. He deletes the videos of the gang's crimes from Paige's phone, puts on Steve's sunglasses, and stares blankly into a mirror. Eden Lake received mostly positive reviews. According to review aggregator Rotten Tomatoes, the film is rated as "fresh", with a score of 79% based on 28 reviews, summing up opinion as: "A brutal and effective British hoodie-horror that, despite the clichés, stays on the right side of scary." Dennis Harvey reviewed the film for "Variety" and said that it was "an effectively harrowing Brit thriller-cum-horror pic," comparing it to "Last House on the Left" and "Lord of the Flies". "The Guardian"s Peter Bradshaw drew parallels with "Deliverance", "Straw Dogs" and "Blue Remembered Hills", and stated that "this looks to me like the best British horror film in years: nasty, scary and tight as a drum," concluding that the film was "exceptionally well made, ruthlessly extreme, relentlessly upsetting." Other critics, however, have savaged the film, denouncing it as an incitement to class prejudice against working class people in Britain. "The Sun" condemned the film's "nasty suggestion that all working-class people are thugs" while the "Daily Telegraph" concluded that "this ugly witless film expresses fear and loathing of ordinary English people". Left wing writer Owen Jones, in his book "" cites the film at length as an example of media demonisation of proletarian youth via the "Chav" stereotype.