L. Vance Phillips  Luella J. Vance Phillips (born 1858, died before 1951) was an American china-painting artist and one of the founders of the Pi Beta Phi fraternity at Hastings College. Luella "Lou" J. Vance was born in a country home in Vernon County, Wisconsin, in 1858, the last child of Sampson Anderson Vance (1833-1864) and Jane McMahon, who later remarried to Captain William Horlocker. She was fourteen years old, when she saw clearly the path marked out for her to follow. At the age of ten years she had shown extraordinary ability in drawing and was looked upon by her teachers as a child of talent. Thrown on her own resources at the age of fourteen, she not only supported herself, but, without other aid than her own courageous and determined spirit, she succeeded in obtaining a good education in the art to which she was devoted, as well as in other branches. Phillips studied under the best teachers in Chicago, Cincinnati and New York. Limited always to her own earnings, she progressed steadily and won an enviable fame. Not only in the State of Nebraska, but in the art centers of the country, her work received high praise, and the art magazines did her honor in their reviews of the Chicago yearly exhibits. In china-decorating, her specialty, she excelled, and also in figure-painting. Nebraska probably owes as much to her as to any one person for the present high plane art attained within its borders. The Pi Beta Phi fraternity at Hastings College was founded on November 17, 1887, as Nebraska Beta by Luella Vance Phillips, Maud C. Harrison, Flora S. Bowman McCloud, Flora Blackburn Lamson, Lillie Selby Moor. The charter members were: Leta Horlocker (Phillips's sister), Luella Vance Phillips, Adeline Shedd, Freda Elizabeth Wahlquist Zacharias. Phillips was one of the initial 10 teachers. In 1890 Phillips, then living at Grand Island, won a gold medal for the best china painting at the Western Art Association meeting in Omaha. She won it again in 1891, at the time living in Kearney. In 1893 Phillips was in Chicago for the World's Columbian Exposition, where she had a studio for China painting, and she decided to remain in Chicago after the fair closed. In 1896 she published "Book of the China Painter: A complete guide for the keramic decorator".