As part of the restoration from 1983–84, the wooden shingle roof and the ocher-yellow coloring of the building were restored. Two outdoor staircases, one from the south and one from the north, lead into the building. The northern one opens the spacious hall to the lake. Further rooms on the ground floor are: the bathroom to the south-west, the bedroom with adjoining writing cabinet and warderobe to the south-east and a central gambling room with access to the hall. The hall features festive decorations by Charles Dubut. The ceiling fresco of Jacopo Amigoni, destroyed in 1944, was replaced in 1984 by a copy of Karl Manninger. Three rooms are decorated with Chinese wallpaper. While two of them show scenes from far-eastern everyday life, the third shows plants, birds and butterflies in pink and green colors. In the large hall there are two fountains with statuettes of Tritons children riding on water-spouting dolphins, the gold-plated, hollow lead castings are works of Guillielmus de Grof (1722). The bathroom extends over two floors - basement and ground floor. It is almost completely occupied by the swimming pool, which has been called luxurious with a lavish area of and a depth of . It is covered with Dutch tiles. The gallery, covered with stucco marble, is enclosed by a wrought-iron railing by Antoine Motté. Nymphs and naiads adorn the ceiling of the bathing room. The technical systems required for water heating are located in the basement. The southern staircase is flanked by two lion figures, which were probably erected on the front sides around 1769. They were made by Charles de Groff and consist of "Regensburg Green Sandstone". The stairs link the castle with a wide meadow valley, the Löwental (lions valley). The Pagodenburg (pagoda castle) was built as a maison de plaisance under the direction of Joseph Effner from 1716 to 1719, by allegedly using a floor plan of Max Emanuel. In 1767 François Cuvilliés (the Older) undertook a reconstruction in the Rococo style. The term Pagodenburg (pagoda castle) has already been used in contemporary reports and refers to the interior fashion of the Chinoiserie. At that time, the term pagoda meant both, the pagan temples in Asia and the gods depicted in them. The latter can also be found in the wall paintings on the parterre of the Pagodenburg.