The image was moved to Constantinople in the 10th century. The cloth disappeared from Constantinople during the Fourth Crusade [Sack of Constantinople] in 1204, reappearing as a relic in King Louis IX of France's Sainte-Chapelle in Paris. It finally disappeared in the French Revolution. The Ancha icon in Georgia is reputed to be the "Keramidion", another "acheiropoietos" recorded from an early period, miraculously imprinted with the face of Christ by contact with the "Mandylion". To art historians, it is a Georgian icon of the 6th-7th century. Though it is now little known, having probably been destroyed in the period of Byzantine Iconoclasm,) the icon of Christ from Camuliana in Cappadocia was the most famous Greek example, certainly from the time it reached Constantinople in 574, after which it was used as a palladium in battles by Philippikos, Priscus and Heraclius, and in the Pannonian Avar Siege of Constantinople in 626, and praised by George Pisida. This image, also called the Uronica, is kept in what was once the pope's private chapel, in a room now known as the Sancta Sanctorum at the top of the Scala Sancta in a surviving part of the old Lateran Palace in Rome. The legend is that this image was begun by Luke the Evangelist and finished by angels. It is thought that the icon was painted in Rome between the 5th and 6th century. Today only slight traces under overpainting remain of the original image of a Christ in Majesty with a crossed halo, in the classic pose of the Teacher holding the Scroll of the Law in His left hand while His right is raised in benediction. Many times restored, the face completely changed when Pope Alexander III (1159–1181) had the present one, painted on silk, placed over the original. Innocent III (1189–1216) covered the rest of the holy icon with an embossed silver riza, but other later embellishments completely covered its surface. It has also been cleaned during the recent restoration. The doors protecting the icon, also in embossed silver, are of the 15th century. It has a baldachin in metal and gilded wood over it, replacing the one by Caradaossi (1452–1527) lost during the sack of Rome in 1527.