The Deep's "Psychedelic Moods" did not sell well, and the group did not tour to support it. They existed as a studio-only band, and, aside from sessions for their album, produced no other recordings under that name. Evans left Cameo-Parkway to record a new album for the Columbia Records label in 1967. Abandoning the "Deep" name, this second album was credited to the band The Freak Scene and entitled "Psychedelic Psoul". Despite the name change, the band still contained the original lineup from the first album, and the sound of this album is very similar to that of "Psychedelic Moods". It is typically considered a follow-up in all but name. As its title suggests, "Psychedelic Psoul" is composed of psychedelic-influenced tracks as the band continued to develop past concepts from their debut album. However, The Freak Scene's album met the same results as "Psychedelic Moods". They did not tour, and their album did not chart. The album has been rereleased by Sony BMG through Columbia Records on vinyl. The group disbanded in late 1967. After this venture, Evans returned to performing as a solo musician. He recorded under his birthname, "Marcus", for a self-titled album in 1969, which produced compositions conceived as psychedelic folk in nature. He did not record another album until 1979, when he released "Life's Railway Heaven", another folk effort. Evans recorded sporadically until his death, usually in the style of folk or rockabilly music, and in the 1990s released two new age CDs, "Slice of Light" and "Gypsy Dreams", credited as Uzca. He also led a Johnny Cash tribute band. Under his real name of Marcus Uzilevsky, he was a respected visual artist best known for his landscape paintings, and was exhibited widely in California.