The exhibition was re-presented at Hamish McKay Gallery in Wellington. The title is a German word meaning 'a total artwork that involves all the parts of the arts and in particular the work of the handmade'. The artists stated:  We don't understand why there needs to be such distinctions amongst art, craft and design. Arts and crafts weren't always separated. We are interested in collapsing hierarchies that operate in language and value. We feel that we are making work with similar intuition, care and intent. Upritchard continues to work collaboratively and enlist others in the making of her work, most recently with New Plymouth potter Nicholas Brandon, who was trained by Mirek Smíšek. For her 2016 exhibition "Dark Resters" at Ivan Anthony Gallery in Auckland and the Ilam Campus Gallery at Canterbury University Brandon made ceramic works and glazes that formed part of Upritchard's installations, with textiles and her signature figures. Upritchard's only piece of public art to date is installed in inner-city Auckland on Symonds Street. Titled "Loafers", the work consists of three bowl-shaped concrete plinths topped with Upritchard's idiosyncratic human figures, and several snake forms, cast from bronze. Upritchard has said of these works:  The Loafers plinths reference important ceramic artist Lucie Rie. Rie pioneered domestic-ware in Britain, and her small works were developed at the same time as huge outdoor bronzes and in my mind, share a sort of 1950’s aesthetic. In February 2016 a survey show of the first 20 years' of Upritchard's work, "Francis Upritchard: Jealous Saboteurs", opened at MUMA (the Monash University Museum of Art, Melbourne). The exhibition was co-curated by MUMA director Charlotte Day and City Gallery Wellington chief curator Robert Leonard. The exhibition opened at City Gallery Wellington in May 2016. Upritchard's own work is informed by her reading, especially in the area of speculative fiction, and the catalogues accompanying her work often feature essays by novelists, including Hari Kunzru, David Mitchell and Ali Smith. Publications on Upritchard's work include: