Dorcas societies, which provide clothing to the poor, are named after her. On October 25 the Eastern Orthodox Church celebrates Saint Tabitha the Widow, raised from the dead by the Apostle Peter. Depictions of Dorcas in art can be found as early as the fourth century, and her raising is often included in Medieval and Renaissance illustrations of the life of Saint Peter. Dorcas' acts of charity are a common subject of stained glass church windows. She is represented in a window in the apse of Christ Church, Bath, on the south side of St Peter's Church, Caversham, in St. Andrew's Church, Cheddar, in the sacristy of Calvary Episcopal Church (Pittsburgh), in Llandaff Cathedral in Cardiff, in St Leonard's Church, Bridgnorth, in Castleton Parish Church in Derbyshire, on the north side of St. Nicholas' church in Castle Hedingham in Essex, in the Ladychapel of St Michael's Church in Mytholmroyd, West Yorkshire, in an oriel window at the Head Office of the Retail Trust in north London and in a window in St Andrew's Church in Moretonhampstead. The Lady chapel of St Patrick's Cathedral, Dublin has a window of Dorcas with the legend: "Dorcas this woman was full of good works and almsdeeds". Christ Church, St. Joseph, Missouri, depicts her holding a blue cloth in a prominent nave window (1885) on the south side. Grace and Holy Trinity Episcopal Church in Richmond, Virginia has her in a window made in Germany around 1890. Dorcas and Cornelius are represented on the stained glass windows above the altar in the Emmanuel Anglican Church in Lawson, New South Wales. In the church of St. Lawrence, Weston under Penyard, Herefordshire, she is depicted with St. Paul in a pair of stained glass windows dedicated to the memory of Edward Burdett Hawkshaw, the Rector from 1854-1912, and his wife, Catherine (a photograph nearby in the church shows that his likeness is the face given to St. Paul, while Dorcas has the face of Mrs. Hawkshaw).