Cicero's "Aratea" is one of the oldest Latin poems to come down to us as more than isolated lines; this episode may have established the technique of including epyllia in non-epic poems. Orion is used by Horace, who tells of his death at the hands of Diana/Artemis, and by Ovid, in his Fasti for May 11, the middle day of the Lemuria, when (in Ovid's time) the constellation Orion set with the sun. Ovid's episode tells the story of Hyrieus and two gods, Jupiter and Neptune, although Ovid is bashful about the climax; Ovid makes Hyrieus a poor man, which means the sacrifice of an entire ox is more generous. There is also a single mention of Orion in his "Art of Love", as a sufferer from unrequited love: "Pale Orion wandered in the forest for Side." Statius mentions Orion four times in his "Thebaïd"; twice as the constellation, a personification of storm, but twice as the ancestor of Dryas of Tanagra, one of the defenders of Thebes. The very late Greek epic poet Nonnus mentions the oxhide story in brief, while listing the Hyrians in his Catalogue of the Boeotian army of Dionysius. References since antiquity are fairly rare. At the beginning of the 17th century, French sculptor Barthélemy Prieur cast a bronze statue "Orion et Cédalion", some time between 1600 and 1611. This featured Orion with Cedalion on his shoulder, in a depiction of the ancient legend of Orion recovering his sight; the sculpture is now displayed at the Louvre. Nicolas Poussin painted "Paysage avec Orion aveugle cherchant le soleil" (1658) ("Landscape with blind Orion seeking the sun"), after learning of the description by the 2nd-century Greek author Lucian, of a picture of Orion recovering his sight; Poussin included a storm-cloud, which both suggests the transient nature of Orion's blindness, soon to be removed like a cloud exposing the sun, and includes Natalis Comes' esoteric interpretation of Orion "as" a storm-cloud. Poussin need not have consulted Lucian directly; the passage is in the notes of the illustrated French translation of Philostratus' "Imagines" which Poussin is known to have consulted. The Austrian Daniel Seiter (active in Turin, Italy), painted "Diane auprès du cadavre d'Orion" (c.1685) ("Diana next to Orion's corpse"), pictured above.