Slow-scan television  Slow Scan television (SSTV) is a picture transmission method used mainly by amateur radio operators, to transmit and receive static pictures via radio in monochrome or color. A literal term for SSTV is narrowband television. Analog broadcast television requires at least 6 MHz wide channels, because it transmits 25 or 30 picture frames per second (in the NTSC, PAL or SECAM color systems), but SSTV usually only takes up to a maximum of 3 kHz of bandwidth. It is a much slower method of still picture transmission, usually taking from about eight seconds to a couple of minutes, depending on the mode used, to transmit one image frame. Since SSTV systems operate on voice frequencies, amateurs use it on shortwave (also known as HF by amateur radio operators), VHF and UHF radio. The concept of SSTV was introduced by Copthorne Macdonald in 1957–58. He developed the first SSTV system using an electrostatic monitor and a vidicon tube. It was deemed sufficient to use 120 lines and about 120 pixels per line to transmit a black-and-white still picture within a 3 kHz phone channel. First live tests were performed on the 11 Meter ham band which was later given to the CB service in the US. In the 1970s, two forms of paper printout receivers were invented by hams. SSTV was used to transmit images of the far side of the Moon from Luna 3. The first space television system was called Seliger-Tral-D and was used aboard Vostok. Vostok was based on an earlier videophone project which used two cameras, with persistent LI-23 iconoscope tubes. Its output was 10 frames per second at 100 lines per frame video signal. A similar concept, also named "SSTV", was used on Faith 7 as well as on the early years of the NASA Apollo program. The Apollo TV cameras used SSTV to transmit images from inside Apollo 7, Apollo 8, and Apollo 9, as well as the Apollo 11 Lunar Module television from the Moon. NASA had taken all the original tapes and erased them for use on subsequent missions; however, the Apollo 11 Tape Search and Restoration Team formed in 2003 tracked down the highest quality footage among the converted recordings of the first broadcast, pieced together the best footage, then contracted a specialist film restoration company to enhance the degraded black-and-white film and convert it into digital format for archival records.