A year later after Frith and Sharp's separation, Henry Frith (brother) joined his business and was put in charge of the travelling for the studio. After Frith began his own studio, he did less work on paintings and focused more on photography. Later in 1858, Frith presented two panoramas both taken in Hobart. The two photos were taken at the Domain and St Paul's Church. In 1858 the Frith brothers opened a second studio located at Launceston to further his career and produce more artworks. Although his artworks were very popular, they were quite over priced which led to more court cases. He once again showcased his Death of a Stag piece in the Hobart Town Art Treasures Exhibition which earned him more profit and proved it was one of his most famous pieces. One of Frith's most well-known artworks was a double portrait which showcased his photographic skills which appeared to be ahead of their time in regards to the lack of technology available in that era (as seen in the image on the right). To accomplish this he could have used either opaque screen between two exposures or a masking plate holder. The way he pulled this technique off was by removing the lens cap of his camera to create a make-believe photograph. Frith's camera didn't have a shutter because the wet plate process that was used at the time required an exposure of several seconds. Frederick Frith will be remembered for his unique style of achieving shots that seemed very difficult to most other photographers. Although his life was short lived, he certainly left behind an amazing series of images that will be remembered for many years to come. Throughout his career Frith seemed more interested in painting, especially when he was working with his former partner John Sharp - Sharp was known as the photographer, Frith the painter. By using photography and painting, many of his portrait photographs looked like watercolour paintings. Frederick Frith died in 1871.