Bhoothathazhwar also sang 100 songs imagining to light the lamp constantly through ardent love for Him. Peyazhwar sang another 100 songs where he described the enchanting charm of the divine face and the association of Narayana equipped with chakra and sankha, and his divine consort goddess Lakshmi. Poigai composed hundred verses that are classified as "Muthal Tiruvandadhi". Poigai’s composition was set in the "Andhadhi" style. The word "Andha" means end and "Adi" means beginning. "Andhadhi" style has ending word or the syllable of each verse as the beginning word of the succeeding verse and the last word of the hundredth verse becomes the beginning of the first verse, making the hundred verses a true garland of verses. The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism. The verses of the trio speak of Narayana (another name for Vishnu) as the supreme deity and they refer frequently to Trivikrama and Krishna, the avatars of Vishnu. There is a shrine dedicated to Poigai in the Yathothkari Perumal Temple tank called "Deva Sarovaram" where his image is depicted in reclining posture. Poigai has revered Sri Ranganathaswamy Temple in one, Thirupaarkadal in one, Tirumala Venkateswara Temple in ten, Thiruvikrama Perumal Temple in two, Vaikuntha in two and Tiruvekkaa in four verses. Azhwar Utsavam is a festival celebrated annually during the birth date of the saint based on Tamil calendar in the Yathothkariswami temple at Tiruvekka. There are 20 of his paasurams in the 4000 Divya Prabhandham. He has sung in praise of six temples.