This is precisely what Bi has re-created in the final hour of “Long Day’s Journey Into Night,” a fluid and outrageously extended camera shot that, as with dreams, doesn’t need editing to cast its spell." Peter Bradshaw lauded the dream sequence as "a kind of slo-mo exhilaration" in his 5/5 star review for The Guardian. He proceeded to reflect on how the unbroken dream sequence allows the viewer to think about memories not as simple, disconnected flashbacks, but rather as complex, subliminal flashes which lack any significant substance until one is created for them. When viewed in this light, he states that "memory becomes a creative act, a developmental fleshing-out of a fleeting glimpse or feeling."