The fifth song on the album, "Rylo Ken", is an acoustic track which, lyrically, incorporates references to the character of "Kylo Ren", an antagonist from the 2015 film "", into the angst-ridden, rebellious lyrics of many pop punk songs. Alonge has expressed on multiple occasions that he is an avid fan of the "Star Wars" series. The sixth track on the album, "Trigger Warning", satirizes the social justice warrior subculture frequently ridiculed on the Internet. While the song is primarily pop punk, the song's upbeat tone drastically changes as a metalcore and deathcore-influenced section makes up the second half of the song. On the seventh track "Exposure Bank", Alonge stated that it is an "ultra-sarcastic song about making money in music, [and it is] also an ode to 90s punk rock bands like MxPx and NOFX". The song is purposefully poorly produced to reflect the 90's era of pop punk in which many bands would produce their albums with low-quality equipment in venues that are not optimised for effective recording. The eighth track on the album, "Rain on My Parade", is a parody of Mayday Parade's song "Miserable at Best". The second and ninth tracks on the album, "The Catchy One" and "Nothing Special", satirize the generic lyrical themes and song structures commonly found in local, unsigned pop punk bands. "Nothing Special" in particular makes references to the diminished creative efforts that usually tend to occur in "filler" songs towards the end of albums, with less time and resources being allocated to said songs. The final track on the album, "Mother's Milk", is lyrically described as addressing the issue of growing up, a common theme in pop-punk music. An early review of the album from Revivalmedia.co.uk awarded the album a score of 9/10, stating that "with the whole album being a solid investment of your money and [featuring] the 5 older tracks to come with [it] as well, Jarrod Alonge has hit the final nail on the proverbial pop punk head and created a fun album full of fun little surprises and will be a cult classic amongst his following. Some people might not be able to take it seriously, and in fairness it's not supposed to [be taken seriously], but as an album it does quite a lot of great things." Kill Your Stereo's review of the album was also positive, awarding the album a score of 85/100.