The new year of 1902, the group opened in Magdeburg for a two-week engagement before moving on to France, where the women intended to perform at Paris' famous Folie-Bergere cabaret. Unfortunately, it doesn't seem as if that ever came into fruition and the troupe returned to Germany to appear in Braunswich's Bruning Theater and Halle's Walhalla Theater. The month of March was spent in Breslau's Liebich Etablissement, followed by performances at Danzig's Wilhelm Theater and Poznan's Kaisergarten in April. In May, the group disappears briefly from the limelight as Fannie Wise and S.T. Jubrey suddenly quit the group and returned home to the United States. During this time their replacements, standby performers, Corette Hardy and Fannie Smith (20-year-old from Philadelphia) were promptly brought over to Europe. Throughout June, the troupe toured across Switzerland, performing in Zurich and St. Gallen before returning north to Germany. The month of July was spent at Munich's Deutsches Theater, followed by a month at Leipzig's Central Theater (September) and Dresden (October). After twenty-one months of touring across Europe, during their Dresden engagement, the entire troupe walked out on their German impresario. Kohn-Wöllner was taken to court and accused of exploiting them financially. Lead performer Ollie Burgoyne was elected as their new manager and, now as the "Five Louisianas", the women left for Berlin, where they entertained at the Orpheum Theater and Harmonie Circus. After a brief engagement in Trier and Aachen, the group suddenly disappeared. In March 1903, Ollie Burgoyne and Florence Collins renewed their American passports and departed for London to join the cast of Hurtig & Seamon's "In Dahomey", which opened on March 16 at the Shaftesbury Theatre. The four remaining women, now managed by American variety artist, William Crado, performed around Germany (and possibly other countries) for eight more months before departing for the Russian Empire. Arriving in Russia around January 1904, the troupe appeared in Moscow at Aumont's French Theater. The focal point of Moscow's lively nightlife, located just west of Triumphal Square, the Aumont Theater was an entertainment garden occupying several park-like acres that was a relief from the more genteel and prosperous classes of society, who weren't put off by the frivolous nature of the establishment's entertainment.