While "Season Nine" and "Angel & Faith" are substantially less fantastical in tone than "Season Eight", Willow's spin-off is high fantasy and focuses on her journey through magical alternate worlds. Willow appears to Buffy and Xander, who are in charge of thousands of Slayers, a year after the destruction of Sunnydale. Willow reveals a host of new abilities including being able to fly and absorbing others' magic to deconstruct it. The Big Bad of "Season Eight" is a being named Twilight who is bent on destroying magic in the world. A one-shot comic dedicated to Willow's story was released in 2009 titled "Willow: Goddesses and Monsters". It explores the time she took away to discover more about her magical powers, under the tutelage of a half-woman half-snake demon named Aluwyn. Willow is still involved with Kennedy through "Season Eight", but becomes intimate with Aluwyn while they are together. She also continues to deal with grief from Tara's death, and struggles with the dark forces of magic that put her in opposition to Buffy. At the conclusion of the season, Buffy destroys an object, a seed, that is the source of the magic in the world, leaving Willow powerless. Whedon divulged that recovering her magical abilities will become Willow's "personal obsession" in a miniseries where she will be the central character. From the inception of Willow's character in the first season, she is presented with contradictions. Bookish, rational, naive, and sometimes absent-minded, she is also shown being open to magic, aggressively boyish, and intensely focused. Willow is malleable, in continuous transition more so than any other "Buffy" character. She is, however, consistently labeled as dependable and reliable by the other characters and thus to the audience, making her appear to be stable. She is unsure of who she is; despite all the tasks she takes on and excels at, for much of the series she has no identity. This is specifically exhibited in the fourth season finale "Restless", an enigmatic pastiche of characters' dream sequences. In Willow's dream, she moves from an intimate moment painting a love poem by Sappho on Tara's bare back, to attending the first day of drama class to learn that she is to be in a play performed immediately for which she does not know the lines or understand. The dream presents poignant anxieties about how she appears to others, not belonging, and the consequences of people finding out her true self.