He had the columns and the vaults repainted with "Romano-byzantine" motifs, departing from a principle current among the restorers of the 19th century, that of the influence of the Crusades on Romanesque art. Fantastical and rather heavy, these paintings have been criticised since then. The writer Joris-Karl Huysmans called them "tattoos". The carvings of the capitals are sober, using stylised foliage called "feuilles grasses" (thick leaves). Only one capital is historiated: situated in the deambulatory on the south side, it shows the Ascension with Christ standing in a mandorla. The capitals in the choir are inspired by the Corinthian capitals of antiquity. The name "Robertus" appears but the reason for this is unknown. Crosses formy are carved here and there on the columns, in the #combles# and on the bell tower. In the chapel of St Anne, called the Madman's Chapel, are found a Deposition in the Tomb carved in stone and coloured. Dating from the beginning of the 16th century it comes from the former abbey of the Trinity. The church was refurnished after the Revolution. Thus, one finds there a Baroque pulpit carved from wood in the 17th century, coming from the convent, two bronze lecterns of the 16th century. The statue of Our Lady of the Keys dated from the end of the 16th or beginning of the 17th century. The tradition says that it is a copy of the miraculous statue, destroyed by the Huguenots in 1562. Its hieratic, foreign style in the taste of the end of the 16th century, recalls the Romanesque period. The whole of the stained glass dates from the 19th and 20th centuries. The choir organ is end of the 19th century, whereas the large organ is from 1996. Adam, Eve and Nebuchadnezzar II: above the door, a panel of high reliefs can be seen: this illustrates passages from the Bible. The selected scenes, taken from both Testaments, tell the Annunciation and the Incarnation of God on earth in the person of Jesus Christ to save humanity. From left to right may be seen the original sin, Nabuchodonosor King of Babylon, the prophets Daniel, Moses, Isaiah and Jeremiah. They are followed by the Annunciation, the Tree of Jesse and King David. This first half of the panel, portraying those who foresee the arrival of a Saviour in the Old Testament, the Annunciation and the ancestors of the Virgin, evokes the relationship which exists between the Old Testament and the New in the Christian Church.