On his deathbed and shortly before lapsing into a coma Wolfe wrote a letter to Perkins: He acknowledged that Perkins had helped to realize his work and had made his labors possible. In closing he wrote:  I shall always think of you and feel about you the way it was that Fourth of July day three years ago when you met me at the boat, and we went out on the cafe on the river and had a drink and later went on top of the tall building, and all the strangeness and the glory and the power of life and of the city was below. Wolfe was buried in Riverside Cemetery in Asheville, North Carolina, beside his parents and siblings. After Wolfe's death, "The New York Times" wrote: "His was one of the most confident young voices in contemporary American literature, a vibrant, full-toned voice which it is hard to believe could be so suddenly stilled. The stamp of genius was upon him, though it was an undisciplined and unpredictable genius... There was within him an unspent energy, an untiring force, an unappeasable hunger for life and for expression which might have carried him to the heights and might equally have torn him down." "Time" wrote: "The death last week of Thomas Clayton Wolfe shocked critics with the realization that, of all American novelists of his generation, he was the one from whom most had been expected." Wolfe saw less than half of his work published in his lifetime, there being much unpublished material remaining after his death. He was the first American writer to leave two complete, unpublished novels in the hands of his publisher at death. Two Wolfe novels, "The Web and the Rock" and "You Can't Go Home Again", were edited posthumously by Edward Aswell of Harper & Brothers. The novels were "two of the longest one-volume novels ever written" (nearly 700 pages each). In these novels, Wolfe changed the name of his autobiographical character from Eugene Gant to George Webber. "O Lost", the original "author's cut" of "Look Homeward, Angel," was reconstructed by F. Scott Fitzgerald scholar Matthew Bruccoli and published in 2000 on the centennial of Wolfe's birth. Bruccoli said that while Perkins was a talented editor, "Look Homeward, Angel" is inferior to the complete work of "O Lost" and that the publication of the complete novel "marks nothing less than the restoration of a masterpiece to the literary canon". Upon publication of "Look Homeward, Angel", most reviewers responded favorably, including John Chamberlain, Carl Van Doren, and Stringfellow Barr.