The film shows a man who lost his girlfriend in a tragic accident. Later in the film, the main character begins noticing his lost girlfriend's soul reincarnated in one of his male students. The homosexuality is only pursued because of the pre-existing heterosexual love that the main character treasures and longs for. This film raised a lot of voices both in favor and against the message of the film. Putting this sexuality politic aside, this film is the embodiment of the Camouflage Age in its masking of the queerness under elements that justifies and/or tolerates the themes. The conversation of the Camouflage Age becomes more complex with the voices of Korean gay activists in Korea under organizations such as Chingusai or Handonghyop. During this era, some activists have called out against the masking and promoted the message that a gay man is no different than a straight man. These activists have stated that these masking perpetuates a message that deems heterosexuality as the “normal” while any deviance would be seen evil. These activists partnered with smaller film companies to produce films that portrayed LGBT relationships just like any other relationships that are portrayed in genres of romance comedy. Others voiced more in favor of the masking strategy under the Camouflage Age stating that this act of “masking” allowed queerness to become depoliticized and therefore allowed in the public sphere. Just like this, the Camouflage Age was a time when films were at the center of these crucial conversations among the LGBT movement in South Korea. Some other films during this time period included Bonja (2000), Flower Island (2001), Desire (2002), Wanee and Junah (2002) and Road Movie (2002). It is also worthwhile to note the coming-out of a Korean celebrity, Hong Suk Chon, on September 9, 2000 under this Camouflage Era. Harisu also appeared on March, 2001 with her famous commercial where she openly shared her experience as a trans woman. These two figures symbolized and sparked conversations of LGBT themes within the media industry and are now seen as trail blazers in this movement. The later section on Celebrity Figures will go more in depth into these two crucial people. Considering the passage of a historic anti-discrimination bill that includes sexual orientation, the general atmosphere and the media was shifting. This age can also easily be described by the sheer amount of opposition against the LGBT community in the public space. The Blockbuster Age was the era were LGBT representation as well as sexuality in general was more explicitly adopted and this remains salient to this day.