More than 80 Shakta poets appeared in Bengal after Ramprasad [and] by 1900 the number of Shakta lyrics exceeded 4,000. And the tradition still survives." From this point onward, "Shaktism was evolving as a liberal, universal religion" that touched nearly every aspect of Indian life. The evolution "achieved a completeness" in the great Shakta saint Sri Ramakrishna Paramahamsa (1836–1886), "who held from his Shakta experience that the aim of all religions was the same and that the difference between the personal and the impersonal god was no more than that between ice and water." Another major advocate of Shaktism in this period was Sir John Woodroffe (1865–1936), a High Court judge in British India and "the father of modern Tantric studies," whose vast oeuvre "bends over backward to defend the Tantras against their many critics and to prove that they represent a noble, pure, ethical system in basic accord with the Vedas and Vedanta." His complete works are still in print and remain influential to this day. Ramakrishna's chief disciple Swami Vivekananda (1863–1902) "inherited from Ramakrishna the Shakta-oriented, synthetic outlook which insisted on the cult of Shakti in the programme of national regeneration," and in fact "regarded the country as the living image of the Divine Mother" – an image that resonated throughout India's struggle for independence. Another of India's great nationalists, Sri Aurobindo (1872–1950), later reinterpreted "the doctrine of Shakti in a new light" by drawing on "the Tantric conception of transforming the mortal and material body into [something] pure and divine," and setting a goal of "complete and unconditional surrender to the will of the Mother." In certain regards, Bhattacharyya notes, Shaktism has so infused mainstream Hinduism that it has "ceased to be a sectarian religion," and presents "no difficulty for anyone to accept its essence." Shakta-oriented temples and pilgrimage sites draw ever-growing crowds and recognition. For example, in 2004 the monumental Meenakshi Amman Temple was shortlisted in the "New Seven Wonders of the World" competition. Meanwhile, the Vaishno Devi shrine in Jammu and Kashmir attracts record numbers of pilgrims – five million in the 2007 as of September. The Indian film industry turns out scores of Shakta devotional films, perhaps none more famous than 1975's "Jai Santoshi Maa" ("Hail to the Mother of Satisfaction"), a low-budget box-office phenomenon that propelled a previously unknown deity, "Santoshi Mata", to dizzying heights of devotional fervor.