Further, her highest-visibility performance in the tour closer at Madison Square Garden in New York City got a very positive review from Jon Pareles of "The New York Times", although "The Bergen Record" gave mixed notices to the sold-out show. But overall the impression was, especially framed by the opening night, that most critics gave negative reviews to the Music Box Tour. In response, Carey said, "As soon as you have a big success, a lot of people don't like that. There's nothing I can do about it. All I can do is make music I believe in."  Carey would avoid North America on her next two tours, the 1996 Daydream World Tour and the 1998 Butterfly World Tour, and would not tour the continental United States again until seven years later during the 2000 Rainbow World Tour. The performers took the stage to the recorded music of "They Call the Wind Mariah" from the musical "Paint Your Wagon". The show featured Carey's main collaborator at the time Walter Afanasieff on keyboards along with a band. A gospel choir appeared on a few numbers, a practice that Carey would revive on some future tours. Dancers were present on stage, but Carey did not dance with them, an avoidance she would maintain until doing a little bit of dancing in her 1996 Daydream World Tour. Unlike her future tours, however, Carey kept costume changes to a minimum, with at most one before an encore. The show was about 80 minutes long. The shows' set list was focused on her hits, with occasional non-singles from her studio albums mixed in. The one new song she introduced was her rendition of The SOS Band's 1983 R&B hit "Just Be Good to Me", which she introduced as "one of my favorite 'old school' songs." Notes: