Akin to the British Army's initial officer training centre at Sandhurst and West Point in the United States, the RMC provides not only a thorough curriculum but also stresses leadership qualities for the next generation of military leaders. Another major contribution to the Allied war effort was in setting up the British Commonwealth Air Training Plan (BCATP) where training of the "boys down under", Australian and New Zealand airmen is taking place in Canada. The massive military aircrew training program created by the United Kingdom, Canada, Australia and New Zealand, was one of the single largest aviation training programs in history, responsible for training nearly half the pilots, navigators, bomb aimers, air gunners, wireless operators and flight engineers in Commonwealth service. "Soldiers All" was the part of the "Canada Carries On" series, produced with financial backing from the Wartime Information Board, in partnership with Audio Pictures Limited, which acted as a co-producer. The documentary was created as a morale boosting propaganda film during the Second World War. Typical of the NFB's "Canada Carries On" series of morale-boosting propaganda short films, "Soldiers All" was made in cooperation with the Director of Public Information, Herbert Lash. Using the format of John Grierson's "creative treatment of actuality" as well as that of a compilation documentary, the film relied heavily on the work of the Associated Screen Studios, based in Montreal. The deep baritone voice of stage actor Lorne Greene was featured in the narration of "Soldiers All". Greene, known for his work on both radio broadcasts as a news announcer at "CBC" as well as narrating many of the "Canada Carries On" series. His sonorous recitation led to his nickname, "The Voice of Canada", and to some observers, the "voice-of-God". When reading grim battle statistics or narrating a particularly serious topic, he was known as "The Voice of Doom". As part of the "Canada Carries On" series, "Soldiers All" was produced in 35 mm for the theatrical market. Each film was shown over a six-month period as part of the shorts or newsreel segments in approximately 800 theatres across Canada. The NFB had an arrangement with Famous Players theatres to ensure that Canadians from coast-to-coast could see them, with further distribution by Columbia Pictures. After the six-month theatrical tour ended, individual films were made available on 16 mm to schools, libraries, churches and factories, extending the life of these films for another year or two.