The third section titled "5 Hours: Capitalism, Urbanism, Realism" presents works by Liu Zheng, Zhang Xiaogang, Zhao Bandi, Wang Youshen, Liu Xiaodong, Zeng Fanzhi, Yu Hong, Zhu Jia, Chen Zhen, Rem Koolhaas and Alain Fouraux, Big Tail Elephant Working Group (Chen Shaoxiaong, Liang Juhui, Lin Yilin, and Xu Tan), Ellen Pau, and Kwan Sheung Chi. The fourth section titled "Uncertain Pleasure: Acts of Sensation" includes works by Xu Bing, Wang Gongxin, Tehching Hsieh, Ai Weiwei, East Village, Feng Mengbo, Yin Xiuzhen, Song Dong, Lin Tianmiao, Xu Zhen, Sun Yuan and Peng Yu, Kan Xuan, and Yang Zhenzhong. The fifth section titled "Otherwhere: Travels Through the In-between" has works by Cai Guo-Qiang, Yang Jiechang, Wenda Gu, Song Dong, Liu Dan, Chen Zhen, Shen Yuan, Zhou Tiehai, Yan Lei, Yang Fudong, Zhang Hongtu, Xu Bing and Ai Weiwei, Lou Xiaodong, Huang Yong Ping, and Xu Bing. The sixth and the last section titled "Whose Utopia: Activism and Alternatives Circa 2008" features works by Xijing Men (Tsuyoshi Ozawa, Chen Shaoxiong, and Gimhongsok), Chen Chieh-jen, Long March Project, Shanghai Contemporary Art Archival Project, Cao Fei, and Zheng Guogu, Bishan Commune, Ai Weiwei, Cai Guo-Qiang, Sarah Morris, and Gu Dexin. The exhibition is organized by Alexandra Munroe of Solomon R. Guggenheim Museum with guest co-curators Philip Tinari of Ullens Center for Contemporary Art in Beijing and Hou Hanru of MAXXI, National Museum of 21st Century Arts in Rome. Kyung An and Xiaorui Zhu-Nowell of the Guggenheim's Asian Art team provided curatorial assistance. The archive section was developed in collaboration with Asia Art Archive in Hong Kong. Following public criticism before the exhibition opened in New York, the Guggenheim removed three artworks involving animals from the exhibition. These include Sun Yuan and Peng Yu's video “Dogs That Cannot Touch Each Other” (2003) where eight pit bulls leashed to treadmills strain towards each other; Xu Bing's documentation of performance "A Case Study of Transference" (1994) where two live breeding pigs stamped in ink with words with Latin and Chinese characters copulate in front of a gallery audience; and Huang Yong Ping's installation "Theater of the World" (1993) where thousands of insects and reptiles, including gekkos, locusts, crickets, centipedes and cockroaches, walk on top of each other a tabletop with a see-through dome.