Yet another complimentary review came from the pen of Richard Williams, who described the album as "simply their most satisfying work to date" in his review for the "Melody Maker". In his review of the album for AllMusic, Bruce Eder said that although "(Untitled)" was always considered by fans to be "the one to own" among the band's post-1968 output, it has, since its initial release, risen in the estimation of some critics more than any other Byrds' album. Eder goes on to attempt to evaluate the album's significance within the context of the Byrds' back catalogue: "listening to this album nearly 40 years later, it now seems as though this is the place where the latter-day version of the group finally justified itself as something more important than just a continuation of the mid-'60s band." In his 2000 review for "The Austin Chronicle", Raoul Hernandez described it as, "beginning with a biting live set before giving way to a studio side of crackling Americana fare." "(Untitled)" was remastered at 20-bit resolution as part of the Columbia/Legacy Byrds series. It was reissued in an expanded form with the new title of "(Untitled)/(Unissued)" on February 22, 2000. The remastered reissue of the album contains an entire bonus CD of previously unreleased live and studio material from the period. The six studio based bonus tracks on the reissue include alternate versions of "All the Things", "Yesterday's Train", and "Lover of the Bayou", along with the outtake "Kathleen's Song". The remaining eight bonus tracks are live recordings taken from the Byrds' concerts on March 1, 1970 at the Felt Forum and September 23, 1970 at the Fillmore East. Mono bonus tracks  Stereo bonus tracks  Sources:  The Byrds  Additional personnel