On the following day, Montallegri reported a slight improvement, and on 22nd, the doctor stated that he "hopes to declare him out of danger tomorrow". However, the fourth note—on 22 September—is far more pessimistic; it reported that it was the thirteenth day of the illness and that Bellini had "passed a very restless night". And then, during the daytime of the 23rd, Montallegri indicated that there had been what Weinstock describes as "a terrifying convulsion" and that death was close. It appears that Bellini died at around 5 pm on 23 September 1835. Immediately taking charge of arrangements, Rossini began to plan Bellini's funeral and entombment, as well as caring for his estate. He ordered that a post-mortem be performed, following an order which came directly from the King. The distinguished Court-appointed Doctor Dalmas performed the autopsy and reported his findings on the cause of death:  Rossini then created a committee of Parisian musicians in order to find support for a subscription to build a monument to the dead composer, as well as supporting a funeral mass to be given on 2 October in the chapel of the Hôtel des Invalides. On 27 September and 3 October, Rossini wrote to Santocanale in Palermo providing very detailed accounts of all that he had done immediately following Bellini's death as well as what had taken place on 2 October. Initially, Rossini regarded burial in Père Lachaise cemetery as a short-term arrangement, not knowing where the final resting place would turn out to be. Despite attempts over many years to have Bellini's remains transferred to Catania, that did not take place until 1876, when the casket containing his remains was taken to the cathedral in Catania and reburied. Of the many tributes which poured forth following Bellini's death, one stands out. It was written by Felice Romani and published in Turin on 1 October 1835. In it, he stated:  Today, the Museo Belliniano, housed in the Gravina Cruyllas Palace in Catania—Bellini's birthplace—preserves memorabilia and scores. He was commemorated on the front of (before Italy switched to the Euro) with the back showing a scene from the opera "Norma". When planning the subject of his next opera after La Scala's "Il pirata", Bellini had been invited to write an opera for Parma's inauguration of the new Teatro Ducale in early 1829.