It may not even be Mr. Bogdanovich's fault. He hasn't opened up the play in any foolish way. There are even times when the camera successfully catches the tempo of the lunatic action without being overwhelmed by it. Yet too often the action and the dialogue are so fuzzily understood that the laughs are lost. The film's problem is more basic: the attempt to Americanize a fine English farce about provincial seediness. It can't be done." Rita Kempley of "The Washington Post" observed, "The performers all seem to be relishing this sendup, but we're always aware that it is a vehicle better suited to the stage." In "The New Yorker", Michael Sragow said, "Most of the time, Bogdanovich sticks to Frayn's gleefully proscenium-bound play without making it work for the movies. The result is roughly equivalent to the pan and scan TV version of a wide-screen spectacle. Bogdanovich has cast actors you want to see . . . in a production that grows increasingly impossible to watch." In his review of the video release, Lawrence O'Toole of "Entertainment Weekly" said, "Nothing is as murderous on a farce as film. Its mechanics can work beautifully from the distance of the stage . . . but the closeness of the home screen points up every flaw in Peter Bogdanovich's futile adaptation: anorectic visuals, bloated acting, broad timing, and often dull direction. The cast members . . . are all game, but it's exhausting watching actors try so hard." "Time Out London" says the film "undoubtedly has its moments, but will still disappoint those who laughed themselves silly at the original." Channel 4 notes, "Frayn's frenetic farce was always going to be a difficult act to pull off on the big screen, but Bogdanovich and an enthusiastic cast do their damnedest to sustain the mayhem and the momentum. Those who remember the original theatrical hit are bound to be disappointed by the lack of immediacy and the occasional sense of artifice, but this is perfectly serviceable." Siskel & Ebert gave the film two thumbs down. "Noises Off" holds a 61% rating on Rotten Tomatoes. Bodganovich said "I purposely kept a lower profile on this picture because I didn't want people writing about me and my career. I didn't want anything to distract from this movie." Nonetheless he says it was a personal project for him.