Larrikin Records  Larrikin Records is a record company founded in 1974 by Warren Fahey. Larrikin started as an independent label and was sold in 1995 to Festival Records. Artists who have released albums on Larrikin include Eric Bogle, Sirocco, Mike and Michelle Jackson, Bobby McLeod, Kev Carmody, Flying Emus, Robyn Archer, Redgum, Margret RoadKnight, Jeannie Lewis, Mark Atkins, Renée Geyer, Rank Strangers, The Sweets of Sin, Richard Frankland and Currency from Canberra. In recent years, Larrikin has been infamous for copyright lawsuits against the performers of the song Down Under. The suit was successful and profitable for Larrikin, though it was perceived by many as unfair profiteering. The Larrikin Records label became widely known in 2009 after Larrikin Music sued the band Men At Work for allegedly stealing part of the melody of the song "Kookaburra Sits in the Old Gum Tree," whose publishing rights are held by Larrikin Music, in the music of their hit "Down Under". Warren Fahey, the former owner of both Larrikin Music and Larrikin Records, has always refuted claims that he was personally responsible for the action (see, e.g. ABC/Rebel Studio DVD 3747195 "Larrikin Lad—Warren Fahey" and "Larrikin Records and Larrikin Music Founder Speaks Out", Australian Folk Lore Unit website, 9 February 2010). Fahey had sold his music publishing company, Larrikin Music, to Music Sales Corporation in 1988 and Larrikin Records to Festival Music in 1995 (see Warren Fahey). In February 2010, the Federal Court ruled in Larrikin's favour and on 10 July 2010, Justice Jacobsen ordered Men At Work frontman Colin Hay, fellow songwriter Ron Strykert and EMI to pay Larrikin 5 per cent of future profits, as well as royalties dating back to 2002. EMI appealed the ruling, while Colin Hay "slammed" the court's decision, claiming it "will hamper musical creativity across the industry.". Larrikin's former owner Warren Fahey responded to the wide criticism against the court's decision and to Colin Hay's verbal attacks, by suggesting that Larrikin "gift this song to the [Australian] nation. Fahey said that Larrikin "should be entitled to collect an appropriate settlement" but then "should allow the song its own life so as to ensure future young Australians can sing and perform it for generations to come, without limitation.