Sir Thomas Boleyn, being the son of the eldest daughter, believed that the title properly belonged to him and protested to his brother-in-law, the Duke of Norfolk, who spoke to Henry about the matter. Henry, fearful the dispute could be the spark to ignite civil war in Ireland, sought to resolve the matter by arranging an alliance between Piers's son, James, and Anne Boleyn. She would bring her Ormond inheritance as dowry and thus end the dispute. The plan ended in failure, perhaps because Sir Thomas hoped for a grander marriage for his daughter or because he himself coveted the titles. Whatever the reason, the marriage negotiations came to a complete halt. James Butler later married Lady Joan Fitzgerald, daughter and heiress of James FitzGerald, 10th Earl of Desmond and Amy O'Brien. Mary Boleyn, Anne Boleyn's older sister, had earlier been recalled from France in late 1519, ostensibly to end her affairs with the French king and his courtiers. She married William Carey, a minor noble, in February 1520, at Greenwich, with Henry VIII in attendance. Soon after, Mary Boleyn became the English King's mistress. Historians dispute Henry VIII's paternity of one or both of Mary Boleyn's children born during this marriage. "Henry VIII: The King and His Court", by Alison Weir, questions the paternity of Henry Carey; Dr. G.W. Bernard ("The King's Reformation") and Joanna Denny ("Anne Boleyn: A New Life of England's Tragic Queen") argue that Henry VIII was their father. Henry did not acknowledge either child, but he did recognize his son Henry Fitzroy, his illegitimate son by Elizabeth Blount, Lady Talboys. Anne made her début at the "Château Vert" (Green Castle) pageant in honour of the imperial ambassadors on 4 March 1522, playing "Perseverance" (one of the characters in the play). There she took part in an elaborate dance accompanying Henry's younger sister Mary, several other ladies of the court, and her sister. All wore gowns of white satin embroidered with gold thread. She quickly established herself as one of the most stylish and accomplished women at the court, and soon a number of young men were competing for her. The American historian Retha M. Warnicke writes that Anne was "the perfect woman courtier... her carriage was graceful and her French clothes were pleasing and stylish; she danced with ease, had a pleasant singing voice, played the lute and several other musical instruments well, and spoke French fluently...