One—"Eucharist"—again looked at Christian influences in Indigenous culture; the other dealt with Hollywood influences, and was titled "ET: the bicycle ride". Linda's interest in Christian iconography is reflected in the inclusion of her work "The Eucharist" in another Flinders University Art Museum exhibition, "Holy, Holy, Holy" in 2004, which examined the advent of Christianity in Australia. Other works represent her traditional country, such as her painting "Tingari Men at Wilkingkarra (Lake Mackay)", which was a finalist at the 2009 National Aboriginal & Torres Strait Islander Art Awards. Artists of the Western Desert region, such as Linda Syddick, frequently portray figures from the Tingari cycle of 'songlines', particularly the Tingari Men. These are ancestral elders who − in the Dreaming − travelled over vast areas, performing rituals and creating the country. In 1990 Linda Syddick went to Sydney to see her work "Ngkarte Dreaming" hung in the Blake Prize exhibition – one of three occasions prior to 1994 on which she was a Blake finalist. The Adelaide Biennial of Australian Art included one of her paintings in 1998. She has been represented on several occasions in the National Aboriginal & Torres Strait Islander Art Awards, in 1995, 2006 (with her painting "The Witch Doctor and the Windmill"), 2008 (with "Big rain at Walukurritje"), and 2009, with "Tingari Men at Wilkingkarra (Lake Mackay)". Linda's works are held in several major public collections, including the National Gallery of Australia, the Art Gallery of New South Wales and the Art Gallery of South Australia.