In this are five deer, an ibex and a bovid, all complemented by seven quadrangular signs, one of them shaped like the segment of an orange. The arrangement seems clear in principle: the pictures of the two walls form two confrontations, on one side the bovid with some deer and idiomorphic signs; this confronts the horses which, in this way, align themselves with the bison, and the rest of the deer, the signs, and the goat. All this large complex of paintings is predominantly in modeled outline drawing in red. The Third Large Group is sited on a stalagmite formation which hangs from the vault (such as has the speleological name "bandera"), between the first group already described and the last, which will be described below. The two groups, although they are near to one another, are executed in a different technique giving rise to the suspicion that they were created in different periods. There are about ten hinds, also several horses (though not so many), two cattle and a square symbol. Coming from the entrance direction, one sees first most of the hinds, followed by the association of the horses, below which are the symbol and the remaining hinds. The predominant technique, for its warmth and for its frequency of use, is the "tinta plana" - the plane or block color – either combined with black lines forming an outline in a sort of two-color method (as occurs on one of the horses), or emphasized with engraved lines which define details (this can be seen on various hinds), or enclosed, with scraffito in the rock to add chiaroscuro textures, as happens with a hind painted in red. Three of the horses and the head of another are black, the square sign is yellow, and the remainder of the figures are red. The Fourth (and last) Large Group, placed facing the group just described, is in a very close relationship to it, containing a similar number of deer and horses, together with a pair of bison. Among the various symbols an ideomorph in the shape of a hand is prominent, reminiscent of those at Santián, and a red sign which could well be meant for a grotesque bison head. In the central position appear a horse and a bison, forming the typical binary combination, at one end other bison and at the opposite end the remaining horses. There is no "tinta plana", no engraving and no two-color work: on the contrary, it is predominantly (more or less modeled) outline work in red.