Many others focus on the get rich schemes of people today and its evil concomitants. Yet others portray the good life of ordinary Nigerians, their love and romance as well as their disappointments and pains". While some praised this era of Nigerian cinema for establishing the Nigerian film industry as a viable industry, some others described it as one of the worst things to have ever happened to the Nigerian film industry, as it was an era when there was total lack of vision, standards and professionalism amongst practitioners, most of whom had no formal training in filmmaking. One of the major criticism the Nigerian film industry received during this era is the abysmal portrayal of black magic and witch craft, thereby giving other people a skewed impression about Nigeria and to a large extent, Africa. Cultural critics have often complained about "macabre scenes full of sorcery" in the films. Jean Rouch, an Arts personality from Niger described Nigerian directors and producers as voodoo priests casting malign spells over audiences in other countries, and gaining more audience as a result. The industry was also criticized for promoting lawlessness and upholding of immorality; some of the visual images depicted in 18-rated films include: sexual activities, nudity, obscenity, vulgar language (cursing), indecent dressing, murder, rape, domestic violence (especially against women), smoking, molestation and harassment. These have been argued to be injurious to the youths and the society at large.