Love Bite  Love Bite is a 2012 British comedy horror film directed by Andy De Emmony, based on a screenplay by Cris Cole and Ronan Blaney. The film revolves around a mysterious traveller girl who is suspected of being a werewolf. It stars Jessica Szohr, Ed Speleers, Luke Pasqualino and Timothy Spall. It was released on 9 November 2012. School is over and summer has begun in the dead-end seaside town of Rainmouth. While Jamie's friends seem to be happy working in the local pie factory by day and looking for sex by night, Jamie is bored out of his mind, running his pot-head mother's B&B. He's desperate to get out of there. But when he meets beautiful, smart and sexy American traveler Juliana at a party, he's smitten - the world is not so small after all. But soon after Juliana's arrival, strange things start happening. One of the local teens goes missing at a party. Then, another. Jamie is warned by an enigmatic stranger that a werewolf is in town - and preying solely on virgin flesh! The only way to be safe seems to be to pop your cherry. As the locals are picked off one by one, the boys fear that a werewolf is indeed after them. And for all their talk, it turns out none of them have ever had sex before... Pretty soon, everyone is dying to get laid. Shooting for "Love Bite" took place in Clacton-on-Sea, Essex, Glasgow, Largs, Millport, Cumbrae and near North Berwick, East Lothian. Filming started on 15 September 2011. The film wrapped on 14 November 2011, after a five-week shoot in Scotland. Matt Wavish, writing for the Horror Cult Films website and giving the movie only 2.5 stars out of 10 in his review, was one of few reviewers who admired the werewolf effects: "When the werewolf does finally appear, it is quite cool. Clever lighting and camera angles hide the films low budget, and enable the rather large monster to actually look impressive for most of the time." Reviewer Karl De Mesa mourned the underabundance of werewolf sightings: "when we do see the beast the darn CGI makes it look like this one might just fall into the B-movie bin." Reviewer Ellis Whitehouse expressed some outrage: "The wolf itself is a disgustingly ugly piece of CGI work, with it changing size and shape as the scenes progress, one minute it'll be twice the size a human with the fattest head in existence, next it'll be a puny mongrel cowering in front of a car on the road."