The melody sounds sometimes like a new melody, expressing that a personal longing. The violoncello piccolo in continuous motion "envelops the soprano's voice in a quasi womb-like blanketing of divine reassurance",as Mincham phrases it. Two recorders reflect the text of the alto recitative, "" (My heart feels within itself fear and joy). which develops to an arioso, with the recorders first playing just long chords, and then gradually adding motion. Bach expresses joy ("'’) in an extended melisma on the word. The full orchestra supports the soprano in the second aria, "" (Sun of life, light of the senses). Mincham describes the da capo aria as "joyously ebullient". The short middle section of the aria touches minor keys. A melisma on (everything) stresses that God means all to the "redeemed sinner". The last recitative, "" (Lord, let Your faithful love for me), is secco, but closes as an arioso on the words "" (and considers your love constantly). It is a prayer to God to both love the petitioner and evoke a "reciprocal affection." The closing chorale, "" (Jesus, true bread of life), is set for four parts. The entries for the table are taken from the selection on Bach Cantatas Website. Groups with one voice per part (OVPP) and ensembles playing period instruments in historically informed performance are marked by green background.