The dispute reached a head in 1905, when one of the prominent painters of the Secession, Carl Moll, proposed that the Secession purchase a prominent Vienna art gallery as an outlet for the Secession artists. This was opposed by the more traditional artists in the group. It was put to a vote of the members of the Secession, and Klimt's position was defeated by a single vote. Klimt, Wagner, Moser and Hoffmann promptly resigned from the Secession. Wagner had a strong influence on his pupils at the Academy of Fine Arts in Vienna. This "Wagner School" included Josef Hoffmann, Joseph Maria Olbrich, Karl Ehn, Jože Plečnik and Max Fabiani. Another student of Wagner's was Rudolph Schindler, who said "Modern Architecture began with Mackintosh in Scotland, Otto Wagner in Vienna, and Louis Sullivan in Chicago." The Linke Wienzeile Buildings are three apartment buildings in Vienna, constructed in 1898-99. The most famous of these is the Majolica House, at 40 Linke Wienzeile. Its facade is entirely covered with majolica, or glazed earthenware tiles in the colorful floral designs which characterized the early Vienna Secession. The Art Nouveau floral design of its facade was made by his student . The other building, "Linke Wienzeile 38", is known as "House with medallions" because of its decor of gilded stucco medallions by Wagner's student and frequent collaborator, Koloman Moser. The roof, visible from far away, features several sculpted heads, called "The Criers", or "The Crying Women" by Othmar Schimkowitz. He provided sculpture for two other Vienna Secession landmarks by Hoffmann, including the Angels on the roof of the Kirche am Steinhof church in Vienna, and sculpture for the Austrian Postal Savings Bank. The sculptures and other ornament were removed when the style was out of fashion, but have more recently been restored. Wagner had his own town apartment in a third building, at 3 Köstlergasse. It featured decoration based on Japanese floral prints, and furniture of his own design, but its most famous feature was the bathroom. A marble plaque on the wall supported the shower head, the sink was of marble on nickel legs, and the bathtub was of glass, mounted in a nickel frame. Wagner had the bathroom displayed at the 1900 Paris Universal Exposition.