Charlene's appearance in the film did not improve her popularity and she was dropped from the Motown roster once again in 1985. As of 2012, Charlene was residing in her native California with her family and was still actively recording. Under the name Charlene Oliver, she launched a website where her new dance/club/house music could be downloaded, and which included such new releases as "Broken Women," "California Dreamin' (Dance)," "Emotional Scars," "I Wanna Be A Woman," "I Was You," "I've Never Been To Me (Dance)," "Oh Cecilia," "Sea of Tranquility," "Spirit of Woman," "Symphony For A Broken Piano," "There I'll Be," "(Why Can't) Time Stand Still" and "Used to Be," the last of which featured Stevie Wonder. In 2012, Charlene revamped a new video, attached to her club mix of "I've Never Been To Me", which could be found on media outlets such as YouTube. Charlene also wrote two books, which she also sold via her website. In 2013, Charlene was scheduled to release a new album through Gotham Records after a single called "Heard You on the Radio" became available on iTunes on October 22, 2012. Over the years, memorable performances of "I've Never Been to Me" have appeared on TV shows such as "Will & Grace" and "Desperate Housewives" and in movies such as "Shrek the Third" in 2007 and "You Were Never Really Here" in 2017. In the 2018 episode of "Splitting Up Together" entitled "Asking for a Friend", Jenna Fischer's Lena longingly begins singing the song to her children, prompting her youngest son, Milo, to question aloud if his mother is having a nervous breakdown. A popular choice for female impersonators, "I've Never Been to Me" was spotlighted as the opening number to the 1994 film "The Adventures of Priscilla, Queen of the Desert". The cinematic satire showed Hugo Weaving lip-syncing in drag to Charlene's vocals. Charlene's original version of the sentimental ballad is also included on the soundtrack. Because of her one big hit, Charlene became known as a high-profile one-hit-wonder. In 2002, she was featured on VH1's "100 Greatest One-Hit Wonders" show, where she ranked #75. It was stated in the program that her entry "expresses the post-'70s hangover."