Between 1994 and 2010 his compositional output consists entirely of: television commercial music (1994) for Granta Magazine (aired on PBS networks), "Breve Sogno" (1994) for large orchestra (his last completed 12-tone work), "Fantasy-Variations on a Theme of Maria Theresia von Paradis" (1999) for violin and orchestra, "Seven" (2004) for chorus "a cappella", "Ciacconetta" (2008) for viola and orchestra, and "Three Images" (2010) for cello and orchestra. Suben’s compositions are published by American Composers Alliance, Boosey & Hawkes (arrangement of work by Irving Fine), Bourne Company Music Publishing, E.F. Kalmus Co., Schott Music International/European American Music, and Warner/Belwin. As of 2010 Suben appears as conductor on more than 50 commercially released recordings, all but one of which he has made since founding Save The Music, Inc. in 1992. Among the composers whose works Suben has recorded are Pulitzer Prize winners Leslie Bassett and Roger Sessions; Beth Anderson; F. diArta Angeli; Mary Jeanne Van Appledorn; Elizabeth Austin; Ross Bauer; Jon Bauman; Joseph Bertolozzi; Larry Thomas Bell; Charles R. Berry; Hayes Biggs; Allan Blank; Peter Blauvelt; Harold Blumenfeld; Allen Brings; Eleanor Cory; Richard Brooks; Michael Dellaira; Emma Lou Diemer; Brian Fennelly; Jerzy Fitelberg; Vittorio Furgeri; Steve Heitzeg; Katherine Hoover; Stefania de Kenessey; David Kowalski; Leo Kraft; Philip Lasser; John Melby; Karol Rathaus; Frank Retzel; Marga Richter; Judith Shatin; Max Schubel; Edward Sielicki; William Grant Still; Kile Smith; Walter Ross; A. L. Scarmolin; Marilyn Shrude; John Sichel; Elias Tanenbaum; Roberto Toscano; Joelle Wallach; Raymond Wojcik; Rolf Yttrehus; Mark Zuckerman. In March 2009 Suben inaugurated an in-school live performance experience for school-age audiences featuring performances of major works of orchestral repertoire with a handpicked orchestra of New York City freelance musicians. Of Suben’s more than 50 commercially released recordings, the following are among the most significant:   In the role of a public music personality during much of his career, Suben has displayed a tendency to engage in polemics.