Tenkutittu has remained a popular form and has its own audience outside the coastal areas. The Dharmasthala and Kateelu durgaparameshwari melas (the two most popular melas) have helped to popularise this form. Several creative tenkutittu plays have been composed by noted scholars, such as Amritha Someshwara. The "Badagutittu" style is prevalent in North Canara (Uttara Kannada District) and the northern parts of Udupi Dist from Kundapura to Byndoor, The Badagutittu school of Yakshagana places more emphasis on facial expressions, "matugarike" (dialogues), and dances appropriate for the character depicted in the episode. It makes use of a typical Karnataka chande. The Badagutittu style was popularised by Shivram Karanth's, "Yakshagana Mandira," presented at Saligrama Village in Dakshina Kannada as a shorter more modern form of Yakshagana. Keremane Shivarama Hegde, the founder of the Yakshagana troupe, Idagunji Mahaganapati Yakshagana Mandali, is an exponent of the Badagutittu style of Yakshagana. He is also the first Yakshagana artist to receive the Rashtrapati Award from the president of India. He hails from the Honnavar taluk of Uttara Kannada (North Canara) District. There were more than 30 string-puppet troupes in the undivided Dakshina Kannada district during the period 1910–1915 in places such as Basrur, Barkur, Kokkarne, Mudabidri. The presentation of the puppetry in Yakshagana style is highly stylised and adheres strictly to the norms and standards of Yakshagana. The puppets (generally 18 inches high) wear costumes similar to those worn by live actors of Yakshagana, and have the same elaborate make-up, colorful headgear, and heavy jewellery. The puppeteer is known as the "Suthradhara." The content in the Yakshagana puppetry, is also mainly drawn from the ancient epics. Yakshagana puppetry has existed for centuries. The modern form of the art, however, was largely moulded by the brothers Laxman, Narasimha, and Manjappa Kamath; who hailed from Uppinakudru village, Kundapur taluk.