In his 1980 autobiography, Harrison offers little comment about "Behind That Locked Door", aside from identifying the inspiration behind the song and admitting: "It was a good excuse to do a country tune with pedal steel guitar." Dylan's set at the festival was roundly viewed as anticlimactic, if not a "Midnight Flop!", in the opinion of one British tabloid. Having recently told "Rolling Stone" editor Jann Wenner that he would return to touring that autumn, Dylan abandoned the idea and also cancelled the proposed live album from his Isle of Wight performance. Showing support for Dylan in the fallout from his comeback, in a late 1969 interview Harrison included the American singer in his personal list of essential contemporary rock artists, saying: "The Beatles, [the] Stones, Bob Dylan, Eric Clapton and Delaney & Bonnie, and that's it. Who needs anything else?" Inglis highlights "Behind That Locked Door" as an example of how Harrison's songwriting reflects his "fondness" for family and close friends. Dylan's reluctance to perform live again was only broken by his friendship with Harrison, when the latter persuaded him to play at the Concert for Bangladesh shows in New York in August 1971. Although Dylan had been noncommittal about playing at that event until the last minute, a mutual friend of his and Harrison's, journalist Al Aronowitz, had assured Boyd, "Bob wouldn't let George down"; another performer at the shows, drummer Jim Keltner, has said that Dylan felt a special closeness towards Harrison as a result of the Concert for Bangladesh. Four years later, while Harrison was dejected following what author Elliot Huntley terms the "tsunami of bile that the "Dark Horse" album had unleashed", he spent considerable time with Dylan in Los Angeles. According to Mukunda Goswami, speaking in a 1982 interview with Harrison, Dylan became a regular visitor to the Los Angeles Radha Krishna temple and embraced the practice of chanting. Following the Beatles' break-up in April 1970, and shortly before beginning work on "All Things Must Pass", Harrison participated in a recording session in New York for Dylan's "New Morning" album. Among the many tracks they played were "Working on the Guru", Dylan's "gentle prod" at Harrison's association with the Hare Krishna movement, Harris writes, and "If Not for You", a new Dylan song that Harrison decided to cover on his own album. Dylan also supplied him with a phone number for Pete Drake, the Nashville-based pedal-steel guitarist and record producer whose work had graced "Lay Lady Lay" and other songs on "Nashville Skyline".