Thondup & Talbott render it as the "ultimate body". Padmasambhava, Karma Lingpa, Gyurme Dorje, Graham Coleman and Thupten Jinpa define "Buddha-body of Reality", which is a rendering of the Tibetan "chos-sku" and the Sanskrit "dharmakāya", as:  Reginald Ray, writing of the Vajrayana view of the "dharmakaya", defines it as: The Dalai Lama defines the dharmakaya as "the realm of the Dharmakaya-- the space of emptiness--where all phenomena, pure and impure, are dissolved. This is the explanation taught by the Sutras and Tantras." However he also states that its distinct from the Hindu concept of Brahman because buddhism adheres to the doctrine of emptyness (sunyata). According to Jamgon Kongtrul, the founder of the Rimé movement, in his 19th century commentary to the Lojong slogan, "To see confusion as the four kayas, the sunyata protection is unsurpassable", when one meditates on ultimate "bodhicitta" and rests in a state where appearances simply appear but there is no clinging to them, the "dharmakaya" aspect is that all appearances are empty in nature, the "sambhogakāya" is that they appear with clarity, the "nirmanakaya" is that this emptiness and clarity occur together, and the natural "kāya" aspect is that these are inseparable. Recently, "Dharmakaya" has also become the name for an organization founded by the 4th Trungram Gyaltrul Rinpoche, and is affiliated with his global organization the United Trungram Buddhist Fellowship (UTBF). Gyaltrul Rinpoche's Dharmakaya organization was founded for the specific purpose of bringing the teachings and meditation practices from the Trungram Tradition of the Karma Kagyu lineage to North America. In the early traditions of Buddhism, depictions of Gautama Buddha were neither iconic nor aniconic but depictions of empty space and absence: petrosomatoglyphs (Images of a part of the body carved in rock), for example. Thondup and Talbott identify dharmakaya with the naked ("sky-clad"; Sanskrit: "Digāmbara"), unornamented, sky-blue Samantabhadra: Fremantle states: The colour blue is an iconographic polysemic rendering of the "mahābhūta" element of the "pure light" of space (Sanskrit: "ākāśa").