The Great Moghuls (film)  The Great Moghuls (1990) is a Channel 4 documentary series covering the dramatic story of the rise of the Moghul Empire (1526-1857) of India. Over six generations, from father to son, the Great Moghuls captured, consolidated and profoundly influenced control of the vast sub-continent of India. The six-part series was written and presented by Bamber Gascoigne based upon his 1971 book of the same name. It was produced and directed by Douglas Rae and filmed in India. "The Great Moghuls" is a six-part series of half-hour films that is devoted to the lives of the most important Mughal emperors, starting with the founder of the dynasty, Babur (reigned 1526–1530) and ending with Aurangzeb (r. 1658-1707). The second Mughal ruler, Humayun (r. 1530-1556), does not have his own film, but his successor Akbar (r. 1556-1605) gets two. The carefully researched series has excellent photography and a script by the urbane narrator and television personality Bamber Gascoigne. Gascoigne also wrote an accompanying book for the series: "The Great Moghuls" (NY: Harper & Row, 1971), which he had actually completed almost 20 years before. Through the Khyber Pass in 1526 came the founder of the great Moghul Empire, Babur. He rode around with a small band of followers seizing villages and cattle. By the time he came into India, he had built up a sizeable army and had firearms which helped him to win battles that enabled him to crown himself Emperor of India. In Akbar's great palace city at Fatehpur Sikri near Agra we discover how a Great Moghul lived. Also examined are Akbar's first contacts with Europeans and his obsession with religion. When the second Emperor Humayun died suddenly, his thirteen-year-old son was crowned Emperor. He was called Akbar, meaning "Great". He would grow up to amply deserve the name, for he was the greatest of the Great Moghuls. Aurangzeb murdered two brothers to inherit the throne and imprisoned his father. He greatly extended the Moghul Empire, but Sikh resistance to his attempts to impose Islam hastened his decline. The stability of the previous reign continues, and Jahangir (r. 1605-1627) — more the aesthete and less the man of action than his father—is the right person to enjoy it.