William Spratling  William Spratling (September 22, 1900 – August 7, 1967) was an American-born silver designer and artist, best known for his influence on 20th century Mexican silver design. Spratling was born in 1900 in Sonyea, Livingston County, New York, the son of epileptologist William P. Spratling. After the deaths of Spratling's mother and sister, he moved to his father's boyhood home outside of Auburn, Alabama. Spratling graduated from Auburn High School and the Alabama Polytechnic Institute (currently known as Auburn University), where he majored in architecture. Upon graduation, Spratling took a position as an instructor in the architecture department at Auburn University, and in 1921 he was offered a similar position at Tulane University's School of Architecture in New Orleans, Louisiana. At the same time, he was an active participant in the Arts and Crafts Club and taught in the New Orleans Art School. During the summers of 1926-1928, Spratling lectured on colonial architecture at the National University of Mexico's Summer School. The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco. Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented "maestros" shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver. Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver". The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.