They were 17th in the league with 3,755 passing yards given up and 15th with 1,891 rushing yards given up. They were 21st in overall defense with 5,646 yards given up. The team's 11–5 record is their sixth-best 16-game season in franchise history. Redenção da Serra  Redenção da Serra (Portuguese for Redemption of the mountains) is a municipality "(município)" in the eastern part of the state of São Paulo in Brazil. It is part of the Metropolitan Region of Vale do Paraíba e Litoral Norte. The population is 3,930 (2015 est.) in an area of 309.44 km². The elevation is 730 m. The municipality contains part of the Mananciais do Rio Paraíba do Sul Environmental Protection Area, created in 1982 to protect the sources of the Paraíba do Sul river. The modern history of Redenção da Serra goes back to the start of the nineteenth century. As the gold mines of Minas Gerais became depleted the focus of the Brazilian economy shifted towards the Paraíba Valley and the production of coffee. The growth of the coffee monoculture drove rapid economic growth, leading to expansion and prosperity for a number of urban centers such as Taubaté, Pindamonhangaba, Guaratinguetá, Lorena and Bananal. Ruben and the Jets  Ruben and the Jets was an American, Los Angeles-based rock band, active between 1972 and 1974. Led by Ruben Guevara, band members included, Ruben and the Jets released two albums, the first of which was produced by Frank Zappa, whose band The Mothers of Invention had previously released an album titled "Cruising with Ruben & the Jets", for which Guevera had named his band. There was also an Austrian band of the same name (1991 album "Something Strange Has Happened") but they were not related. There was nobody in that band named Ruben, and they did not play doo-wop, so it's unclear why they chose this name. In 1968, Frank Zappa released a concept album titled "Cruising with Ruben & the Jets", with members of The Mothers of Invention taking on the personas of a fictional 1950s doo-wop group. Singer/songwriter/musician Ruben Guevara approached Frank Zappa following a concert to tell him how much he loved the album, pointing out that he shared a first name with the album's fictional lead singer, and that Guevara had performed music of the style.