It was destroyed in 1808. At the end of the 12th century and beginning of the 13th century, Aix became the capital of Provence, and the city's population and importance grew rapidly. Religious orders began to arrive; the Franciscans first, then the Dominicans, Carmelites, and Augustinians, building new churches, monasteries and convents. A surge of construction on the cathedral paralleled the growth of importance of Aix. Two new wings of the transept, built in the Gothic style, were begun in about 1285–1290, and finished in 1316. Bay by bay, the old Romanesque church was transformed into a Gothic cathedral. The building of the new church was interrupted by the Black Death and then the Hundred Years' War. Work did not resume for 130 years, until 1472, when the last bay was built. The façade took another thirty years, and the last statues were not put in place until 1513, at the beginning of the Renaissance. The original Romanesque front of Saint Mary's nave was destroyed in the 15th century, and replaced with a new Gothic front and a bell tower. The façade features four statues by Jean Mone, made in 1512–1513, on the middle level: Saint Mitre (carrying his head); Saint Mary Magdalene, (carrying a flask of perfume); the boy-bishop Saint Louis of Toulouse (d. 1297), the brother of Robert of Naples, Count of Provence 1309–1343; and the other Saint Louis, King Louis IX of France (d. 1270), his great-uncle. Jacotin Paproche, from Picardy, sculpted the ten small prophets and twenty cherubim (1484) on the façade. Pierre Souquet created the two statues on the upper level, representing the first two bishops of Aix, traditionally named as Maximinus and Sidonius. The centrepiece of the façade is "Saint Michael Crushing the Dragon" (1507), by Jean Paumier, from Burgundy. The façade originally also included twelve statues of the apostles and six statues on the tympanum, which were destroyed during the French Revolution. The doors of the cathedral were commissioned by the chapter in 1505, and were carved of walnut by the brothers Raymond and Jean Bolhit of Aix and by the Toulon sculptor Jean Guiramand.