Gods smoke cigars on pages 79b, 86b, 87, and 88. The Codex Madrid also contains glyphs thought to mean "smoking." The Sanctuary of the Temple of the Cross at Palenque (a Maya city in current Mexico) houses a monument called "El Fumador" (Spanish for "The Smoker"). The stone door panel features an elderly deity blowing smoke from a large cigar. Because of the cigar's funnel shape (which compares to cigars currently used by rural South American tribes) and the outward flaring smoke, scholars believe the monument depicts a religious ritual similar to those performed by other Native American tribes. No other stone monuments depicting smoking are known, but there may have been others. The only known Maya painting to depict smoking is found at Tulum (a Maya city on the Yucatán Peninsula in current Mexico). The Temple of the Diving God houses the fresco, and the painting features monsters (perhaps birds) smoking large cigars. Mayans also portrayed smoking on ceramic objects including boxes, plates, vases, and bowls. The ceramics were carved or painted multiple colors (typically black, white, and red). Important ceramics featuring smoking include the Vase of the Dancing Lord, the Reynolds vase (at the Museum of the American Indian), Plate of the Smoking God, the Woman, and the Monkey (at the National Museum of Guatemala), Vase of the Smoking Monkey, and Bowl of the Eleven Deities, Five of Them Smoking. The Vase of the Danse Macâbre depicts a smoking skeleton carrying a jar or pouch and another skeleton and two jaguars also holding pouches or jars. The carried objects are believed to hold tobacco or tobacco mixed with other substances. They display the sign of darkness, so tobacco may have been associated with rituals relating to death. Though the majority of depictions show gods and lords, some artifacts portray the everyday. For example, the Plate of the Smoking Husband depicts a man smoking a cigarette and his wife rolling dough inside their home. Other artifacts depicting smoking have also been found including a shell carving, which is now housed at the Cleveland Museum of Art. The ordinary person in the 17th century Dutch Republic viewed tobacco as a novelty and associated smoking with social deviance. A divide existed between the medicinal use of tobacco, which was widely accepted, and recreational use, which was seen as low class and inappropriate for more respected citizens including church and government leaders. Johann Neander's "Tabacologia", written in 1622, demonstrates the prevalent belief that tobacco held curative and preventative properties for a wide range of diseases.