Good and bad here fall between a purity of means – formal or intrinsic properties to painting – and impurity of ends – extrinsic content to a picture. This is a far broader criterion for figurative painting than Tucker's Bad Painting or related subsequent developments and gains little by an association. Finally, the influence of "Bad" Painting was not immediate or sustained, on American painting or internationally. Albertson, Carrillo, Chatelain, Hilton, Siler and Staley achieved no wider recognition. However, the style anticipated a growing interest in other kinds of pictures for painting, not exclusively predicated upon print models, not exclusively private or remote.