In the novel Nana, Émile Zola dealt with the theme of female prostitution through the journey of a lorette to a cocotte, whose charms bewitched the highest dignitaries of the Second Empire. He was inspired by Blanche d'Antigny and his first love, Berthe. The novelist also included elements of Valtesse de La Bigne and Delphine de Lizy. In Quiet Days in Clichy, the writer Henry Miller recounts his bohemian life in Paris during the 1930s. He treasures "the impression of a little paradise on earth," detailing his sexual adventures with prostitutes, "On a gray day, when it was cold everywhere except in large cafes, I tasted in advance the pleasure of spending an hour or two at Wepler before going to dinner. The pink glow that surrounded the whole room came from the whores who usually gathered near the entrance ... The corner where they met was like the Stock Exchange where the sex market, which had its ups and downs, like any market. As the saying goes, there are only two things to do when it rains and whores never waste their time playing cards". Amongst writers depicting the life of women in prostitution in France are Honoré de Balzac and Victor Hugo. In the early 1930s, the film "Faubourg Montmartre" retraces the dramatic story of two sisters. One of them seeks to lead the other into a life of lust. While one loses her job, the other sinks into prostitution and drugs. However love still offers a second chance... The Musée de l'Erotisme in Paris devotes one floor to the "maisons closes". It exhibits "Polissons et galipettes", a collection of short erotic silent movies that were used to entertain brothel visitors, and copies of "Le Guide Rose", a contemporary brothel guide that also carried advertising. The 2003 BBC Four documentary "Storyville - Paris Brothel" describes the "maisons closes". Documentary photographer Eugène Atget photographed street scenes and architecture in Paris between 1897 and 1927. Many of these street scenes included prostitutes. Brassaï published photographs of brothels in his 1935 book "Voluptés de Paris". A voluminous illustrated work on the phenomenon is "Maisons closes. L'histoire, l'art, la littérature, les moeurs" by Romi (Robert Miquet), first published in 1952. In 1971, photographer Jane Evelyn Atwood moved to Paris.