Newa music  Newa music, also spelled Newar music, is traditional music developed in Nepal by the Newars. The music has its roots in classic Hindu and Buddhist music. It evolved with incorporation of folk music of the Kathmandu valley and its peripheries. Musical instruments mainly consist of percussion and wind instruments. Traditional music refers to the music from the 16th century during the rule of King Mahendra Malla to the first decade of the 20th century. Traditional songs consist of hymns that describe various deities, songs about love and marriage, ballads, rice transplantation and historical songs in the form of narratives. The traditional musicians worship the Newar god of music and dance Nasah Dyah. Traditional Newar music has been arranged into a particular schedule. One of the dominant forms of traditional Newar music is Dapha music. Dapha music is classical Newar music that probably originated during late Lichhavi period and flourished in the Malla period. Basically, the songs of Dapha music are devotional songs based on classical ragas. Dapha music is played by bands known as Dapha Khalah that may be associated with traditional groups called Guthi. According to the ragas, certain songs are played at certain seasons or times of the day. The songs generally narrate or depict the mood of a particular season. Besides the seasonal and scheduled ragas, various ragas are played during specific events, such as Deepak raga (played when a monarch passes away). Seasons, their festivals and music accompanying them are as follows  The schedule of different ragas played by Dapa on different times of day are as follows-  Apart from traditional music, there also exists popular music. One of them being Rajamati. Maestro Seturam Shrestha recorded the song first on a gramophone disc in Kolkata in 1908. At the end of 2005, The Lakhey (First Newa Metal Band)(Navras Shrestha) Recorded their First Newari Metal Dhampa tacha. In contemporary culture, there are numerous pop musicians, lyricists and singers, namely Prem Dhoj Pradhan, Madan Krishna Shrestha, and Durga Lal Shrestha. According to mythology, Manjushree taught music to his disciples Shantikaracharya and Gunakaracharya. Shantikaracharya taught it to Vandhudatta Vajracharya and Shree Gunadattacharya, who wrote down the teachings to form the basis of classical music of Newars.