Italian Renaissance art showed maritime scenes when required, but apart from the Venetian artist Vittore Carpaccio there were few artists in this or the next century who often returned to such scenes, or did so with special sensitivity. Carpaccio's scenes show Venetian canals or docksides; there are several arrivals and departures in his "Legend of Saint Ursula". In the German-speaking lands, Konrad Witz's "Miraculous Draught of Fishes" (1444) is both the first landscape painting to show a recognisable rural location, and an atmospheric view across Lake Geneva. The Netherlandish tradition of the "world landscape", a panoramic view from a very high viewpoint, pioneered by Joachim Patinir in the 1520s, once again begins to include a wide expanse of water in a rather similar way to the classical paintings, which these artists cannot have been aware of. These paintings were essentially landscapes in the guise of history paintings, with small figures usually representing a religious subject. A strong marine element was therefore present as landscape painting began to emerge as a distinct genre. The Protestant Reformation greatly restricted the uses of religious art, accelerating to the development of other secular types of art in Protestant countries, including landscape art and secular forms of history painting, which could both form part of marine art. An important work by a Flemish "follower of Patenir" is the "Portuguese Carracks off a Rocky Coast" of about 1540 (787 x 1447 mm), in the National Maritime Museum, Greenwich, London, "which has justly been labelled the earliest known pure marine painting". This probably represents the meeting of two small fleets involved in escorting a Portuguese princess going to be married; a type of ceremonial maritime subject which remained very common in court art until the late 17th century, although more often set at the point of embarkation or arrival. Another example is the painting in the Royal Collection showing Henry VIII embarking for the Field of the Cloth of Gold, which is typical in clearly showing the ships side-on, with no attempt to adjust for the high view point. A superb coloured drawing by Hans Holbein the Younger of a ship crowded with drunken lansquenets was perhaps done in preparation for a mural in London. This adopts the low viewpoint typical of the ship portrait. Pieter Bruegel the Elder is famous for his development of genre painting scenes of peasant life, but also painted a number of marine subjects, including Landscape with the Fall of Icarus (c. 1568); the original is now recognised as lost, and the painting in the Royal Museums of Fine Arts of Belgium in Brussels is now seen as a good early copy of Bruegel's original.