The Little Mermaid (musical)  The Little Mermaid is a stage musical produced by Disney Theatrical, based on the animated 1989 Disney film of the same name and the classic 1837 story of the same name by Hans Christian Andersen about a mermaid who dreams of the world above the sea and gives up her voice to find true love. Its book is by Doug Wright, music by Alan Menken and lyrics by Howard Ashman (written for the film), with additional lyrics by Glenn Slater. Its underwater setting and story about aquatic characters requires unusual technical designs and strategies to create gliding movements for the actors. After a pre-Broadway tryout in Denver, Colorado from July to September 2007, the musical began Broadway previews on November 3, 2007 at the Lunt-Fontanne Theatre, replacing Disney's "Beauty and the Beast". The production officially opened on January 10, 2008 and closed on August 30, 2009 after 685 performances and 50 previews. It introduced Broadway debuts by director Francesca Zambello and Sierra Boggess in the title role. Subsequent productions have been seen in US regional theatres and internationally. A modified version of the musical with a new book and direction by Glenn Casale was developed in 2012, and this version is the basis for subsequent productions. Disney Theatrical had success with stage adaptations of its animated musical films "Beauty and the Beast" in 1994 and "The Lion King" in 1997. Thomas Schumacher, head of Disney Theatrical, proposed another adaptation, this time of the 1989 film "The Little Mermaid", approaching songwriter Alan Menken, who had composed the music for the film, to be part of the production team. Schumacher initially brought on director/choreographer Matthew Bourne to helm the musical, but Bourne left when their visions on the project differed. Schumacher then approached Francesca Zambello, telling her that "We haven't found a way to do the water". Zambello's experience with the fantasy elements of opera made her open to the project, and the decision was made that there would be no water, wires or flying in the production. Playwright Doug Wright was brought on as book writer, focusing the story line on Ariel's longing not for her prince, but for "a world in which she feels truly realized in her own terms. ... Her ambitions are bigger than any one man." For the songs, Menken brought on lyricist Glenn Slater, whom he'd worked with on "Home on the Range", and together they wrote ten new songs for the stage musical, adding '60s rock, vaudeville and 1920s Brechtian cabaret to the sound of the show.