Chhabi Biswas  Chhabi Biswas ("Chabi Biśbās") (12 July 1900 – 11 June 1962) was an Indian actor, primarily known for his performances in Tapan Sinha's "Kabuliwala" and Satyajit Ray's films "Jalshaghar" ("The Music Room", 1958), "Devi" ("The Goddess", 1960) and "Kanchenjungha" (1962). He is best remembered for his numerous roles as the quintessential aristocratic patriarch, and was himself the scion of a rich and cultured North Kolkata family. He was born on 12 July 1900. His father, Bhupatinath Biswas, was well known for his charitable works. His first name was Sachindranath, but his mother nicknamed her handsome son Chhabi (a beautiful picture!) and the name stuck throughout his life and career. His portrayal of the formidable father figure, though often typecast, yet was powerful and convincing enough to earn both popular and critical accolades. That portrayal was culturally significant, too as in the British Raj, enlightened Bengali used to combined both the hoary tradition and the Anglicised urbanity. Passing his matriculation examinations from the Hindu School, Chhabi Biswas enrolled at the Presidency College and later at the Vidyasagar College. It was during this time he entered amateur theatre and got in touch with Sisir Kumar Bhaduri, the legendary star of Bengali theatre. The young actor was impressed by Sisir Kumar’s histrionic abilities and he became heavily involved with several amateur theatrical clubs. His powerful performance as Sri Gouranga in the play "Nader Nimai" sealed Biswas's popularity among the theatre lovers of the day. He then took a break from acting and joined an insurance company, and later started a business dealing in jute products. But soon, unable to resist the temptations of the stage, Biswas rejoined the theatre circuit and made his debut as a professional actor in a social-melodrama, "Samaj". Even after his success as a film actor Biswas continued his association with the professional stage and Jatra circuit. His performance in major roles in hit plays like "Shoroshi" (1940), "Sita" (1940), "Kedar Roy" (1941) and "Shahjehan" (1941), made him an admired figure both among the audience and his peers. In 1936, Biswas made his cinematic debut in a film called "Annapurnar Mandir".