In the concluding movement, Kelani opened with the "Soldier’s Farewell to Manchester" (1859), and the composition closed with a resounding chorus from the whole cast of "Manchester’s Improving Daily"(1830). The music critic, Mike Butler, wrote thus in the Manchester Metro: ""Kelani mischievously sprang the biggest surprise with the final section - an adaption in 6/8 time of a Manchester broadside ballad. It was the first full outing for her own incomparable voice, and surely represented a reconciliation with her birthplace: Reem Kelani is the world’s most prominent Manchester-born Palestinian singer. This impression was confirmed when the singers began chanting in unison, ‘sing hey, sing ho, sing hey down gai-ly, Manchester’s improving dai-ly.’ Exile has its bright moments too."" Lizzy Howe-Pellant (Melodeon), Dion Cochrane (Tenor Banjo), Paul Burgess (Fiddle), Floss Headford (Fiddle), John Gill (Fiddle, later Bass), Martin Brinsford (Sax, Percussion), Dave Haines (Melodeon, Concertina, Melodica, Bass Clarinet), Richard Valentine (Piano), Rod Stradling (Melodeon), Danny Stradling (Percussion), Barn Stradling (Guitar), Mike Hirst (Melodeon), Tee Carthy (Bass), Glen Latouche (vocals), Gavin Sharp (Saxophone, Keyboard), John Hart (Trombone), Simon Care (Melodeon), Neil Yates (Trumpet, Guitar), Jon Moore (Guitar), Alton Zebby (Drums), Steve Goulding (Drums), Tom Greenhalgh (Guitar), Lorna Bailey (vocals), McKilla (Rap), Rees Wesson (Melodeon, Melodica, Backing Vocals), Neil Fairclough (Bass), Pat Illingworth (Drum), Andy Morel (Saxophone), Kellie While (vocals), Kwame Yeboah (vocals), Gareth Warren (Melodeon), Paul Francis (Drum), Robert Fordjour (Drum). As Edward The Second and The Red Hot Polkas  As Edward II  As E2k  Compilation appearances