Some of the best original Austin performance poets and performing poets who went on to national and international notoriety include Raul Salinas, Konstantyn K. Kuzminsky, Joy Cole, Hedwig Gorski, Roxy Gordon, Ricardo Sanchez, Harryette Mullen, who was nominated for the National Book Award. The Austin Poets Audio Anthology Project, a public arts project, recorded them for radio broadcasts. There were many others, though, and Hedwig Gorski once wrote in "Litera" that some were "eerie", a word used by one newspaper reviewer to describe Gorski's vocals on the East of Eden Band track "There's Always Something That Can Make You Happy". Other performing writers in the robust literary scene of the Austin area during that time when performance poetry turned into a school of poetry included Pat Littledog, Eleanor Crockett, Jim Ryan, Chuck Taylor, Greg Gauntner, Albert Huffstickler, W. Joe Hoppe, Andy Clausen, poet and playwright Isabella Russell-Ides ("Getting Dangerously Close To Myself", Slough Press) and David Jewell (poet); most recorded on Hedwig Gorski's audio anthology project. Jewell deserves special mention as a transitional figure, younger than the aforementioned, and one not especially rooted in the Beats like Gorski who has strong connections to Ginsberg, Corso, Gary Snyder, and others. By the 1990s the general poetry public was less interested in the Beat Poets of the 1950s and 1960s. They were looking for something fresher, newer, hipper, more in touch with the times in which they were living. Performance poets established clubs, cafes, and media as venues that later became stages for the emerging slam poetry scene. Unlike Gorski, who with East of Eden Band, began broadcasting live performance poetry on radio  and distributing the recordings of these broadcasts in place of publishing in print, Jewell and slam poets were more interested in small live audiences. Venues like Nuyorican Poets Cafe in New York City and mass media formats, like Gorski's and John Giorno's, form the two lines of influence leading to Def Poetry on HBO. Performing poets-writers and especially performance poets excelled in the ability to put the event of oral literature into the primary social/communicative function for literature. The plurality of the literary performance is under the control of the poet/writer, and the performer never minimizes the participation of the audience members. It is important to remember that performance was the primary distribution method for poetics since tribal times and ancient Greece.