Cleansing (album)  Cleansing is the fourth album by the American heavy metal band Prong, released on January 25, 1994 by Epic Records. It was produced by Terry Date, whereas all of Prong's previous albums had been produced by Mark Dodson. The album features ex-Killing Joke members Paul Raven on bass guitar and John Bechdel on keyboards and programming. Featuring an industrial-influenced sound, the record received moderate commercial success. The single "Snap Your Fingers, Snap Your Neck" received a commercial interest; its music video received heavy rotation on MTV and was featured on an episode of "Beavis and Butt-Head". As a part of the album's promotion, the band opened for Sepultura and Pantera as an opener for their "Chaos A.D." and "Far Beyond Driven" tours, respectively. The record was reissued by SPV/Steamhammer in 2008. Prong's vocalist and guitarist Tommy Victor has stated that the record was largely written by Troy Gregory in the bathroom of his Williamsburg apartment on an acoustic guitar at night. Despite the label's opposition, the band chose Terry Date as the producer, recording the tracks at Bad Animals and Magic Shop recording studios. The album was mixed at Electric Lady Studios. Compared to band's New York hardcore-infused 80s work, "Cleansing" incorporates Pantera-influenced guitar grooves and industrial metal sounds; the album's style was also described as alternative metal and industrial rock. According to Victor, the band "really went in the direction of anything that wasn’t thrash metal, because we were sick of the whole thing," with The Sisters of Mercy's 1990 album "Vision Thing" being an influence on the record. AllMusic critic Stephen Thomas Erlewine described the record as "the band's most varied and best record yet," remarking that the record "tightens up their trademark drilling guitars while adding some slight techno and industrial touches." Erlewine alo noted that the new elements "heightens the tension" but also "strengthens their already muscular metallic roar." "Record Collector"s Joel McIver described the record as "a respectable seller rather than a monster" and wrote: "although the album sounds great to this day, all slablike, noisegated riffs and pulsating beats, it wasn’t to be." McIver also compared the staccato guitar sound to the more commercial works of Fear Factory.