The new interior was completed in September 1832, and formally inaugurated by the new monarch on 19 November 1832. The meeting hall of the Deputies kept the same hemicycle form, but the floor was lowered, giving greater height to the ceiling, and increasing the height of the tribune and the desk of the President. A colonnade and balconies, in the form of an arch of triumph, was constructed behind the tribune, giving the appearance of a theatrical stage. The central panel above and behind the tribune was occupied by a large painting of Louis-Philippe taking his oath before the Assembly. Niches were constructed on either side of the tribune, with statues of "Liberty" and "Public Order" by Pradet. The four columns of the arch were decorated with statues representing Force, Justice, Prudence and Eloquence. The plan by Joly also turned the building around. Under Napoleon, the main entrance, where the Emperor entered for his annual address, was on the Seine, under the grand colonnade. Under the new plan, the main entrance was placed on the courtyard of honor, where a delegation of deputies met the new monarch, Louis-Philippe, when he came to the building each year to open the session. To give this entrance greater prominence, Joly constructed a neoclassical portico with four Corinthian columns, modeled after the ancient Roman temple of Jupiter Stator. Joly's project greatly increased the interior space of the building, adding three new salons (now the Salons Delacroix, Casimir-Pierier, Abel-de-Pujol. Under the new plan, it was possible to go from one wing of the building to the other without having to cross the courtyard or pass through the meeting chamber. In 1837 a new project was begun to finish the exterior decoration, particularly on the facade facing the Seine. The original three bas-reliefs on the facade beneath the colonnade had been removed with the fall of the Empire, and were not replaced; but two new works replaced other Napoleonic bas reliefs; "Prometheus animating the arts" by Rude and "Public Education" by James Pradier. The bas-relief on the Fronton, which had originally depicted Napoleon bringing the flags of Austerlitz to the Assembly, was replaced by a new work by Corton entitled "France supported by Force and Justice". For the new entry portico on the court of honor, Joly commissioned two new statues by Gayard; titled "France" and "Liberty".