Also in the 21st century, Serenissima Music published a vocal score of compatible with Kalmus' performance material based on the BGA. Bach's cantatas fell into obscurity after his death and, in the context of their revival, stands out as being recorded early and having been recorded often; as of 2016, the Bach Cantatas Website lists 77 different complete recordings, the earliest dating from 1931. The first recording was a Catalan version arranged by Francesc Pujol with Lluís Millet conducting the Orfeó Català: this 1931 performance was released on three 78 rpm discs by the label "La Voz de su Amo" (His Master's Voice) in 1932. The cantata was recorded twice under the direction of Nadia Boulanger, a 1937 version recorded in Paris and a 1938 version recorded in Boston. There are several recordings from the decades immediately after the war. Robert Shaw recorded the cantata in 1946 and again in 1959. Günther Ramin conducted the Thomanerchor in 1950, the anniversary of Bach's death. The same year, Fritz Lehmann conducted the choir of the Musikhochschule Frankfurt with soloists Helmut Krebs and Dietrich Fischer-Dieskau. Karl Richter and his Münchener Bach-Chor first recorded it in 1958. Nikolaus Harnoncourt recorded in 1971 in a historically informed performance with original instruments and male singers (the upper two parts are sung by boys and the countertenor Paul Esswood). This was at the start of the first project to record all Bach's sacred cantatas, "J. S. Bach – Das Kantatenwerk" on Teldec. has since been included in the other "complete sets", conducted by Rilling, Gardiner, Koopman, Leusink, and Suzuki (details of these recordings are given in the discography article). In 1926 Walter Rummel published a piano arrangement of the cantata's fourth movement, "Jesus Christus, Gottes Sohn". George Copeland recorded this transcription in 1938 (re-issued on CD 2001), and Jonathan Plowright recorded it in 2005. After he had recorded his orchestration of the chorale prelude "Christ lag in Todesbanden", BWV 718, in 1931, Leopold Stokowski recorded his arrangement for symphonic orchestra of BWV 4's fourth movement in 1937. As "Chorale from the Easter cantata Christ lag in Todesbanden" the arrangement's score was copyrighted in 1950 and published by Broude Brothers.