Spooky Tooth's first album was "It's All About", released on Island in June 1968. Produced by Miller, it contained the Wright-composed "Sunshine Help Me" and six songs he co-wrote with either Miller, Harrison or Luther Grosvenor, the band's guitarist. "Spooky Two", often considered the band's best work, followed in March 1969, with Miller again producing. Wright composed or co-composed seven of the album's eight songs, including "That Was Only Yesterday" and "Better By You, Better Than Me". "Spooky Two" sold well in America but, like "It's All About", it failed to place on the UK's top 40 albums chart. The third Spooky Tooth album was "Ceremony", a Wright-instigated collaboration with French electronic music pioneer Pierre Henry, released in December 1969. Songwriting for all the tracks was credited to Henry and Wright, after the latter had passed the band's recordings on to Henry for what "The New Rolling Stone Encyclopedia" terms "processed "musique concrète" overdubs". Although Wright had traditionally provided an experimental influence within Spooky Tooth, he regretted the change of musical direction, saying in a 1973 interview: "We should have really taken off after "Spooky Two" but we got into the absurd situation of letting Pierre Henry make the "Ceremony" album. Then he took it back to France and remixed it." With bass player Greg Ridley having already left the band in 1969 to join Humble Pie, Wright departed in January 1970 to pursue a solo career. After signing with A&M Records, Wright recorded "Extraction" (1970) in London with musicians including Kellie, guitarist Hugh McCracken, bassist Klaus Voormann and drummer Alan White. Wright co-produced the album with Andy Johns, who had been the recording engineer on "Spooky Two" and "Ceremony". The album included "Get on the Right Road", which was issued as a single, and "The Wrong Time", co-written by Wright and McCracken. Through Voormann, Wright was invited to play piano on former Beatle George Harrison's 1970 triple album "All Things Must Pass". Among what author Nicholas Schaffner later described as "a rock orchestra of almost symphonic proportions, whose credits read like a Who's Who of the music scene", Wright was one of the album's principal keyboard players, together with former Delaney & Bonnie organist Bobby Whitlock.