Reiner rented a house in England near these sites and frequently invited the cast over for meals and light-hearted get-togethers. Many cast members believed this helped to create a sense of "family" that helped to improve their performances for the film. Cary Elwes and Mandy Patinkin learned to fence (both left- and right-handed) for the film, and performed these scenes themselves, outside of the two somersaults, which were performed by stunt doubles. They were trained by fencing instructors Bob Anderson and Peter Diamond, both of whom had also worked on training the actors in the original "Star Wars" trilogy. Elwes and Patinkin spent about three weeks prior to filming learning to fence, and spent most of their off-camera free time practicing. Anderson encouraged the two to learn the other's choreography for the fight to help them anticipate the movements and avoid an accident. They also watched as many sword fights from previous films to see how they could improve on those. Popular professional wrestler André the Giant had undergone major back surgery prior to filming and, despite his great size and strength, could not support the weight of Elwes during their fight scene or Wright for a scene at the end of the film. For the wrestling scene, when Elwes hangs on André's back, he was actually walking on a series of ramps below the camera during close-ups. For the wide shots, a stunt double took the place of André. When he was apparently carrying Wright, she was actually suspended by cables. Billy Crystal and Carol Kane spent time before traveling to England to work out the backstory between Miracle Max and his wife, and develop a rapport for their characters. Once on set, Reiner allowed the pair to improvise some of their lines. The original soundtrack album was composed by Mark Knopfler of Dire Straits, and released by Warner Bros. Records in the United States and Vertigo Records internationally in November 1987. The album contains the song "Storybook Love", performed by Willy DeVille and produced by Mark Knopfler. It was nominated for an Academy Award for Best Original Song at the 60th Academy Awards. In his audio commentary of the film on the special edition DVD, director Rob Reiner said that only Knopfler could create a soundtrack to capture the film's quirky yet romantic nature. Reiner was an admirer of Knopfler's work but did not know him before working on the film. He sent the script to him hoping he would agree to score the film.