The development also includes Excerpts 4, 5 and many other materials. The reappearance of the first subject in D minor proclaims the opening of the recapitulation, followed by Excerpt 4. The second subject begins in B major, but, just four bars later, modulates into D major, which leads to the reappearance of the introductory "Lied" (Poco Lento), in the same tonality. Echoes of Excerpt 3, following Excerpt 1 and 2, conclude the movement. Scherzo: Vivace 3/8 F-sharp minor  The second movement is coloured by Mendelssohnian lightness. Impressive ascending repeated notes, as shown in Excerpt 6, open the movement’s F-sharp minor scherzo. Effective frequent tacet insertions are observed here. Another main subject, Excerpt 7, is played by first violin in contrasting fluent manner. The D minor trio, based on Excerpt 8, is also interrupted by whole rests elongated with fermata. In the middle of the trio, the cello covertly plays Excerpt 1. Afterwards, the Scherzo returns (Excerpt 6), now with pizzicato bars plugging the original silent bars, and is soon bridged to Excerpt 7. The movement ends with a quiet pizzicato coda featuring Excerpt 8. This is the shortest and most immediately accessible of the quartet's movements: imitated for example by Frank Bridge in the second of his three "Novelletten" just a few years later (1904). Larghetto 3/4 B major  The structure of the third movement is close to ternary form. The lyrical opening theme, Excerpt 9, is supposed to have originated from Excerpts 1 and 4. The first part of this movement is in ternary form itself, and Excerpt 9 reappears after the exposition of Excerpt 10. In the second part of this movement, a passionate melody is exhibited by the first violin over the accompaniment of extended arpeggios (Excerpt 11). That melody has already appeared in the middle voice during the exposition of Excerpt 10. Repeated modulation prevents an obvious determination of tonality, though the key signature is C major. After the climax of the middle part, Excerpt 9 is recapitulated in "ppp". This third part is not a simple reemerging of the first part; it is rather shortened and it includes elements of the second part in Poco Animato.