He believes his father to be dead. Hildebrand responds by saying that Hadubrand will never fight such a close kinsman (an indirect way of asserting his paternity) and offers gold arm-rings he had received as a gift from the Lord of the Huns (the audience would have recognized this as a reference to Attila, whom according to legend Theodoric served). Hadubrand takes this as a ruse to get him off guard and belligerently refuses the offer, accusing Hildebrand of deception, and perhaps implying cowardice. Hildebrand accepts his fate and sees that he cannot honourably refuse battle: he has no choice but to kill his own son or be killed by him. They start to fight, and the text concludes with their shields smashed. But the poem breaks off in the middle of a line, not revealing the outcome. The text consists of 68 lines of alliterative verse, though written continuously with no consistent indication of the verse form. It breaks off in mid-line, leaving the poem unfinished at the end of the second page. However, it does not seem likely that much more than a dozen lines are missing. The poem starts:  The basic structure of the poem comprises a long passage of dialogue, framed by introductory and closing narration. A more detailed analysis is offered by McLintock: While this structure accurately represents the surviving manuscript text, many scholars have taken issue with the position of ll. 46–48 ("I can see from your armour that you have a good lord at home and that you were never exiled under this regime"). In these lines, as it stands, Hildebrand comments on Hadubrand's armour and contrasts his son's secure existence with his own exile. Such a measured observation perhaps seems out of keeping with the confrontational tone of the surrounding conversation. Many have suggested, therefore, that the lines should more correctly be given to Hadubrand — from his mouth they become a challenge to Hildebrand's story of exile — and placed elsewhere. The most widely accepted placing is after l. 57, after Hildebrand has challenged Hadubrand to take an old man's armour. This has the advantage that it seems to account for the extraneous "quad Hiltibrant" in ll. 49 and 58, which would normally be expected to introduce a new speaker and seem redundant (as well as hypermetrical) in the manuscript version. Alternatively, De Boor would place the lines earlier, before l.33, where Hildebrand offers an arm-ring.