Millicent Silver  Millicent Irene Silver (17 November 19051 May 1986) was an English harpsichordist, who began her career as a pianist and violinist. Born in South London, her father, James Brand Silver, was a violinist and oboist, and had been a boy chorister at St. George's Chapel, Windsor where his singing attracted the attention of Queen Victoria. Her mother Amelia Argyle Silver was a piano teacher. Millicent was the second of four children. Her musical talent was discovered at the age of three, when she imitated her elder brother's practising. She won a scholarship to the Royal College of Music where she studied piano and violin equally. She was awarded the Chappell Silver Medal for piano playing and, in 1928, the college's Tagore Gold Medal for the best student of her year. As a violinist she was guided by W. H. "Billy" Reed, leader of the London Symphony Orchestra and friend of Edward Elgar. She earned her first professional fees playing as a violinist in the Hallé Orchestra. As a pianist she played concertos by Liszt, Brahms's D minor concerto and notably, Beethoven's "Emperor" concerto, which she performed in the first half of a concert conducted by Adrian Boult, and for the second half led the orchestra from the principal violin desk. After graduating, she studied with Tobias Matthay. She married flautist John Francis in 1932. She taught piano in a girls' school, while her husband got orchestral work in London, and began an early collaboration with Benjamin Britten. His interest in chamber music led him into an exploration of baroque music; he and Millicent became regular broadcasters on BBC radio, together and in larger ensembles. World War II disrupted her career; she returned to teaching and toured widely, playing for the troops. An important point in Millicent Silver's career came at the end of the war, when at Dartington Hall she was persuaded by the conductor Hans Oppenheim to play the continuo in a performance of Purcell's "Dido and Aeneas" on a harpsichord. Soon after this her future as a harpsichordist was determined, and the London Harpsichord Ensemble, which she formed with her husband and others, gave its first performance in 1945 at one of Dame Myra Hess's lunch-hour concerts at the National Gallery. She acquired a Kirckman harpsichord, which had been rebuilt by the instrument maker Henry Tull, and, with the group, toured widely and became a prolific broadcaster for the BBC.