In 2014, Wong created "#LLL, Looking Listening Looping", and was the curator and artistic director of Thru the Trapdoor, an interdisciplinary art exhibition and event that took place from April 22 to 26, 2014. The event featured over 50 artists and curators. Wong, along with the other members of the Mainstreeters, is featured in Mainstreeters: Taking Advantage 1972-1982. Curated by Allison Collins and Michael Turner, and produced by grunt gallery, the exhibition surveys the history of a gang of Vancouver artists who lived and worked together. Wong's works are in public collections including the National Gallery of Canada, the Museum of Modern Art, New York, the Canada Council Art Bank (Ottawa) and the Vancouver Art Gallery. Wong was awarded the Bell Canada Award in Video Art in 1992. He was also the first recipient of the Transforming Art Award from the Asian Heritage Foundation in 2002. In 2003 he was the inaugural winner of the Trailblazer Expressions Award, created by Heritage Canada, the National Film Board of Canada and CHUM limited. In 2005, Wong was a recipient of a Governor General's Awards in Visual and Media Arts. Wong was the Canadian Spotlight Artist and also awarded Best Canadian Film or Video at the 2008 Toronto Reel Asian International Film Festival. In 2016 Wong was the recipient of the Audain Prize for Lifetime Achievement in the Visual Arts. Wong plays the "Wiry Man" in Season 3, Episode 19 of "The X-Files", "Hell Money" (originally aired 29 March 1996). Felicitas Hoppe  Felicitas Hoppe (born 22 December 1960 in Hamelin, Lower Saxony) is a German writer. Felicitas Hoppe was born in Hamelin and grew up there. After her Abitur she studied literature, rhetorics and theology: from 1982 to 1984 at the Eberhard Karls Universität in Tübingen, from 1984 to 1986 at the University of Oregon and from 1987 to 1990 at the Freien Universität Berlin. In 2006 she was a visiting scholar at Dartmouth College. She worked as a dramaturge and journalist. Since 1996 she has been a freelance writer living in Berlin. Her work often deals with transitory themes, as in "Picknick der Friseure", in a comical, but nevertheless thrilling way, which make her stories seem to be absurd. She also uses the technique of quotation for her novels, as in "Johanna", where she reconstructs the story of Joan of Arc using official case records.