The Band was also featured on the cover of "Time" magazine (January 12, 1970), the first rock group after the Beatles, over two years earlier, to achieve this rare distinction. David Attie's unused photographs for this cover—among the very few studio portraits taken during the Band's prime—have only recently been discovered and seen. A critical and commercial triumph, "The Band", along with works by the Byrds and the Flying Burrito Brothers, established a musical template (sometimes dubbed country rock) that paved the way to the Eagles. Both "Big Pink" and "The Band" also influenced their musical contemporaries. Eric Clapton and George Harrison cited the Band as a major influence on their musical direction in the late 1960s and early 1970s. Clapton later revealed that he wanted to join the group. Following their second album, the Band embarked on their first tour as a lead act. The anxiety of fame was clear, as the group's songs turned to darker themes of fear and alienation: the influence on their next work is self-explanatory. "Stage Fright" (1970) was engineered by musician-engineer-producer Todd Rundgren and recorded on a theatre stage in Woodstock. As with their previous, self-titled record, Robertson was credited with most of the songwriting. Initial critical reaction was good but it was seen as a letdown from the previous two albums, because of the darker subject matter. But contemporary critics have reevaluated "Stage Fright" and found it equal to, if not different from, their first two albums. After recording "Stage Fright", the Band was among the acts participating in the Festival Express, an all-star rock concert tour of Canada by train that also included Janis Joplin, the Grateful Dead and future Band member Richard Bell (at the time he was a member of Joplin's band). In the concert documentary film, released in 2003, Danko can be seen participating in a drunken jam session with Jerry Garcia, Bob Weir and Joplin while singing "Ain't No More Cane". At about this time, Robertson began exerting greater control over the Band, a point of contention between Helm and Robertson. Helm charges Robertson with authoritarianism and greed, while Robertson suggests his increased efforts in guiding the group were largely because Helm, Danko and Manuel were becoming more unreliable due to their heroin usage. Robertson insists he did his best to coax Manuel into writing more songs, only to see him descend into addiction.