Examples of hand-coloured aquatints from this work include:   The Nobel Prize-winning Turkish novelist, Orhan Pamuk dedicates a whole chapter to Melling in his autobiographical memoir, "". Pamuk claims that Melling "saw the city like an Istanbullu but painted it like a cleareyed Westerner." On the occasion of the 700th anniversary of the foundation of the Ottoman State, correspondence between Antoine Ignace Melling and Hatice Sultan, between 1763–1801; was reviewed in a paper by Fréderic Hitzel - at the 1999 International Congress on Learning and Education in the Ottoman World. The International Congress organised by IRCICA in cooperation with the Turkish Historical Society and the Turkish Society for History of Science, with the support of the Ministry of Foreign Affairs of the Republic of Turkey. The congress took place under the patronage and in presence of the President of Turkey. 175 scholars and researchers from 28 countries participated in it. The papers presented - subsequently revised by their authors - are published in three separate volumes: Arabic, (Vol. 1), English, (Vol. 2), and Turkish, (Vol. 3), respectively. Melling is included in the Sabancı University Faculty of Arts & Social Science course: "Major Works of Ottoman Culture", (HUM 203). This course, "focuses on a selected few masterpieces of Ottoman artistic and literary production, picked on the basis of not only their high aesthetic qualities, but also their representativeness across different genres and historical periods". The Ertuğ & Kocabıyık facsimile edition of the complete "Voyage pittoresque de Constantinople et des rives du Bosphor" was produced from the original "elephant folio", an unfolded first edition in the collection of Ahmet Ertuğ. The technical aspects of the project were done under the supervision of Ertuğ in Switzerland by facsimile specialists. This facsimile edition was available in two different bindings. One is bound in Japanese cloth and the other is a very limited edition of only 50 copies bound in leather - intended for connoisseurs of fine books. The binding and decoration of all the leather-bound copies were done by hand. The book includes 48 views of Constantinople in the late 18th century and also three maps. The facsimile publishers also offered 25 copies of an edition of the unfolded image plates presented in a leather-bound case. The text for this edition is bound separately and presented in a pocket in the leather case.