The sides have earflaps over a feather base. The last decorative aspect of this structure is the pectoral, made up of a circular plate superposed to a semi rectangular plate; possibly it represents a shell, jade and obsidian mosaic. An additional and distinctive element is the presence of arms. His right hand holds a vessel from which water or a river flows; the left has a series of rays, hence the name of Thunder or lightning God. Facing the Cocijo walls, at the end of the Patio is Tomb 2 with masonry walls forming an antechamber and main chamber. The facade was constructed later; it displays a recessed board with double cornices. The remains of seven adult individuals were discovered inside representing at least four generations. In addition to the remains 144 objects were recovered, containing bat claw vessels, thorn decorated braziers, uncooked vessels, carved bones and five identical molded mud urns representing Cocijo. As per ethnographic data, this would be the supreme priest residence, who controlled and directed all religious topics and at least be the Cocijo terrestrial representative, as is assumed by the urns and masks decorating the central chamber, from where possibly celebrated ceremonies related to the cult to the God of Rain. Generally this priest was related with the Great Lord and has been described as the Lord second son. After five months of restoration works, one of the few pictures of prehispanic governors was recovered, located in the facade of Tomb 6 at the Lambityeco archaeological site, in Oaxaca. These are "señor 1 Temblor" and "señora 10 Caña" with an antiquity of more than 1300 years, recovered by the work of National Anthropology and History Institute (INAH) specialists. The rescued Lambityeco figures are famous by their realism, as they reveal characteristics of a marriage that is currently preserved by zapotecos women.