Some figures of the paintings have Ouija board pointers for eyes, others have blossoms painted on their faces. In January 2014, a friend notified Knight that his painting's pastel color palette was listed as a color inspiration for Gucci's men's ready-to-wear fall/winter 2014 collection. The collaboration began a month late after the event, with Knight being invited to Rome to meet Gucci's creative director Frida Giannini, a fan of Knight's works, and her team to rework Gucci's iconic Flora print. The original floral print, commissioned by Rodolfo Gucci to Vittorio Accornero in 1966, was applied on a silk scarf as a gift to Princess Grace of Monaco on her trip to the brand's store in Via Monte Napoleone with her husband Prince Rainier. In Knight's reimagining of Gucci's Flora design, Knight referenced ancient pagan Rome; he illustrated plants that women used for healing (poppy, henbane, mandrake); seduction (belladonna, datura); and protection (clover, dandelion, and nightshade), he envisioned for a design that is 'strong, feminine, magical and quietly dangerous'. Knight picked botanicals that either blossomed at night, dawn or dusk but also chose plants that have strong roots for adaptability, persistence and resistance in harsh environments. Knight also cited singer Marianne Faithfull as a muse for the project after spotting a photo of the singer on Gucci’s mood board. The resulted work was applied to a variety of Giannini's design for Gucci's Cruise 2015 season. Giannini played the song Blue Neck Rivierathe from the Montreal band No Joy album, one of the thank-you gifts Knight gave her, for one of her runway shows. Vogue editor Anna Wintour was photographed in a dress featuring Knight’s motif.