The Bungle Family  The Bungle Family was an American gag-a-day comic strip, created by Harry J. Tuthill, that first appeared in 1918. Originally titled Home, Sweet Home, it first appeared as part of a series of rotating strips in the "New York Evening Mail". The strip ran until June 2, 1945. In 1999, "The Bungle Family" was voted one of the Top 100 English language comics of the 20th Century by "The Comics Journal". Art Spiegelman praised "The Bungle Family" as "Visually deadpan, genuinely hilarious once you tune into its frequency, with a great ear for dialogue and an unsurpassed sense of character". Spiegelman also described the strip as "one of the darkest visions of American life this side of Nathanael West." Seen only sporadically in 1918, the strip was published daily and was nationally syndicated with the McClure Newspaper Syndicate by the end of 1919. "Home, Sweet Home" followed the adventures of Mabel (later Josephine) and George, a young couple beset on all sides by in-laws, neighbors and businessmen. Tuthill took the strip to the McNaught Syndicate when the "Evening Mail" was sold in 1924, changing the name to "The Bungle Family" and adding daughter Peggy Bungle to the cast. A Sunday page was in existence by September 9, 1923. Tuthill continued to draw "The Bungle Family" for McNaught until he had a dispute with the syndicate in 1939. This led to Tuthill ending the strip on August 1, 1942. After a hiatus, the strip returned — syndicated by Tuthill himself — on May 16, 1943, with newspapers running a promotional banner, "The Bungles Are Back!" It ran for two more years until June 2, 1945, when Tuthill retired. "The Bungle Family" Sunday page had three different toppers during the run: "Little Brother" (Oct 24, 1926 - March 28, 1937), "Another Day Shot" (1936) and "Short Stories" (April 4, 1937 - 1938). Called "the finest, most inventive and socially critical of the family strips" by comics historian Bill Blackbeard, "The Bungle Family" was a popular domestic comedy that emphasized dialogue and realistic situations. The titular patriarch of the strip, long-suffering, cantankerous George Bungle, voiced the petty frustrations and joys of the common man during the Jazz Age and through the Depression.