Marian Dora  Marian Dora (born 1970 in Southern Germany) is the pseudonym most commonly used by an anonymous German director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms including Marian Dora Bolutino, Marian Dora Botulino, Marian D. Bolutino, M.D. Botulino, Marian D. Botulino, Art Doran, M.D. Bolutino, A. Doran, and Marian Dallamano. Marian Dora's first appearance in the film scene dates back to the early 90s, when he started making short films as member of a group of anonymous underground filmmakers. Some of these short films were featured on two anthologies, "Blue Snuff 1" and "Blue Snuff 2" (the latter’s release being withdrawn due to its extreme content). Dora then started working as film producer, editor, and second unit director on several films by Ulli Lommel, whom he had met and started a long-time partnership with in 1996, including "Zombie Nation" (2004), "Green River Killer" (2005), "B.T.K. Killer" (2005) starring with music composed by Robert J. Walsh about Dennis Rader, "Killer Pickton" (2006), and "Absolute Evil" (2009). Although Dora had already shot his first feature-film, "Debris Documentar", in 2003, his debut as director was marked in 2006 by "Cannibal", a reconstruction of the case of Armin Meiwes, who killed and ate a willing victim whom he met on the internet. The film was originally an assignment from Ulli Lommel, but Dora had to release it by himself after its rejection by Lommel because of its extremely gory nature. "Cannibal" achieved resounding success in the underground film panorama, allowing Dora to start the shooting of his next work in the same year. "Melancholie der Engel", Dora’s third film, premiered on 1 May 2009 at festival in Berlin and won the “Best Arthouse Feature Film” prize at New York International Independent Film and Video Festival. According to Dora, the shooting of the film was a nightmarish experience full of madness, violence, and drug abuse.