After 1904, when he had already achieved success with his Stockholm views, Jansson confessed to a friend that he felt absolutely exhausted and had no more wish to continue with what he had done until then. He stopped participating in exhibitions for several years and went over to figure painting. To combat the health issues he had suffered from since childhood, he became a diligent swimmer and winter bather, often visiting the navy bathhouse, where he found the new subjects for his paintings. He painted groups of sunbathing sailors, and young muscular nude men lifting weights or doing other physical exercises. Art historians and critics have long avoided the issue of any possible homoerotic tendencies in this later phase of his art, but later studies (see Brummer 1999) have established that Jansson was in all probability homosexual and appears to have had a relationship with at least one of his models. His brother, Adrian Jansson, who was himself homosexual and survived Eugène by many years, burnt all his letters and many other papers, possibly to avoid scandal (homosexuality was illegal in Sweden until 1944).