There is also a blending of the conceptual and the ideal which leads to something definitely new, a process of “Creolization”. In the course of her development the linear element slowly became less prominent, her color scheme all the more poignant. The reaction to everyday issues both in life and politics, in art and culture lead to statements about these subjects on the basis of an aesthetic concept, which also embodies in a definition of the picture as a moment taken out of the unlimited context of the eternal stream of images in the mind, pinpointing not objects, but the essence of things. The larger part of her work is created in groups of images around a certain idea, motif or concept, like, among others, the series "My German Dreams", "Rice Fields", the "War" and the "Water lilies" series. In all groups there are very large formats, but the "Water lilies" tend to be especially monumental. In the exhibition in the Kunsthalle Rostock, "close encounter – robert rauschenberg – seo" in 2008 she showed a very large size painting with a lake and waterlilies and mountains in the background. The landscape was composed of images of really existing landscapes from different countries, making it a symbol of the world, The water lilies referred to all 47 species of water lilies, also making the rendering a symbol, besides its alluding to Monet, who was at the height of his water lily-images exactly 100 years earlier. The image consisted of more than 1 million paper scraps. SEO's "Meine deutschen Träume" ("My German Dreams") deals with her experiences and relation with Germany. She treats and quotes Ernst Ludwig Kirchner, Caspar David Friedrich und Carl Spitzweg, and the sculptural works accompanying the paintings are cast in "German silver" (i. e. nickel silver, Argantan, alpacca) and show what for her is essentially German: beer barrels (Gemütlichkeit), garden gnomes (contemplativeness), stags’ antlers (power) and – cows. The latter stand for milk and cheese, as Europeans smell, for Asians, like milk. This is a form of cultural reconstruction, as both cultures are treated on the level of subject matter and style. Also the reconstruction of the emotional structure of a certain era embeds possibilities of new, contemporary insights. More recently SEO has widened her range. In an exhibition, "Personal Structures" at Palazzo Bembo, within the framework of the 2011 Venice Biennale, SEO showed an installation of four of her concentric abstract "Energy" paintings in a dialogue with a box lit from the bottom with assorted rock crystals (German diamonds).