Its opening line, 'A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father...' set the tone for a dark, psychological farce set in an unnamed seaside town that clearly resembles Brighton, which became the most critically acclaimed of her four novels. "Berg" was followed by "Three" (1966), "Passages" (1969) and "Tripticks" (1972), illustrated by her lover Carol Annand, in which Quin continued her formal experimentation, although without making the same critical impact as she had with her debut. Her work has somewhat fallen into obscurity since her death, such that Lee Rourke could say in 2007: "Who cares about Ann Quin? I do, for one, but why does no one else seem to remember this writer from the front rank of Britain's literary "avant-garde"?" However, there has been a complete reprint of her works by Dalkey Archive Press as well as a critical biography by Robert Buckeye, with a collection of rare and previously unpublished stories and fragments, "The Unmapped Country," from And Other Stories in 2018. Contemporary non-mainstream authors such as Stewart Home, Tom McCarthy, Chloe Aridjis, Deborah Levy, Juliet Jacques, Joanna Walsh and Rourke have cited her work as influential. "Berg" was reprinted by And Other Stories in 2019.