The photograph shows Pasolini at dawn in his last home in Torre di Chia. The internal notes of the disc were edited by the journalists Tommaso Cerno, Jonathan Giustini, Angela Felice and by Anzovino himself, explaining: "The music of "L'Alba dei Tram" began to grow inside of me two years ago, after a visit by night to the Idroscalo of Ostia, where Pasolini was murdered... The music was born after many months and called Inilosap, thinking about the name of the poet backward, as if rewinding the film of his intellectual and human story the movie could remain even more intact every time... The viscerally popular side of Pasolini has always struck me... So I felt it would be great if the music had become a song and if the author of the verses were my age, somebody whowas born – like me – after his death... I played to music to Giuliano, who decided to give me such beautiful verses... This little work of mine has no claim to be exhaustive nor even to explain Pasolini... This disc is just a set of images, which I hope will come from the sounds to stimulate to reread (or – for the youngest – to discover for the first time) pages and universal images fulloof disruptive force, even today, and perhaps even today indispensable". The album "L'Alba dei Tram – Dedicato a Pasolini" entered for two consecutive weeks in the FIMI ranking of best-selling albums in Italy, reaching #56 position. On 25 February 2016, Emanuela Audisio's docu-movie "Pasolini maestro corsaro", which Anzovino signed the entirely soundtrack for, received the "Nastro d'Argento" special mention. On 15 March 2016 the music portal Rockit inserted the song "L'Alba dei Tram" among the 10 best ever dedicated songs 40 years after the death of Pasolini, together with, among others, Francesco De Gregori ("A Pa"), Fabrizio De Andrè ("Una storia sbagliata"), C.S.I. ("Irata"), Giovanna Marini ("Lamento per la morte di Pasolini"). On 11 May 2016 he performed a piano solo in front of 12,000 people at the Arena di Verona in the opening concert for 2Cellos, on the first date of their European tour, receiving a standing ovation and being defined by the Italian magazine Sky Mag "the Van Gogh of the piano 2.0".