1967 – Sunshine Tomorrow  1967 – Sunshine Tomorrow is a compilation album recorded by American rock band the Beach Boys and released by Capitol Records on June 30, 2017. It consists of previously unreleased tracks largely stemming from the group's 1967 album "Wild Honey". Included is the album's first ever complete stereo mix, various live renditions of its songs, outtakes, session highlights, and additional material sourced from "Smiley Smile" (1967) and the unreleased live effort "Lei'd in Hawaii", both of which immediately preceded the "Wild Honey" sessions. On December 8, 2017, the compilation was followed with two digital-exclusive releases: "1967 – Sunshine Tomorrow 2: The Studio Sessions" and "1967 – Live Sunshine". They include more than 100 tracks that were left off the first compilation. In 2018, the set was followed with "". The album, which focuses on the Beach Boys' post-"Smile" 1967 recordings, includes a new stereo mix of "Wild Honey" produced by compilers Mark Linett and Alan Boyd. The mix was also made available as a separate vinyl release. The title derives from the "Wild Honey" track "Let the Wind Blow", which contains the couplet "take away their sorrows, give them sunshine tomorrow." AllMusic critic Stephen Thomas Erlewine wrote that the album "feels like a gift: it bolsters the argument that the period following "Pet Sounds" and "Smile" was no less creative than that golden age. ... "Wild Honey" appropriately takes center stage on this project, with a vivid new stereo mix." "Pitchfork"s said that it "finds them firing in all creative directions at once for a brief, beautiful moment just as their wave started to recede. ... the magic of "Sunshine Tomorrow" is that the Beach Boys are all of these at once: chaotic and relaxed, naive and sophisticated, pop-oriented and intimate. Brian is both present and slipping away." Music journalist Tim Sommer believed the new stereo mix transformed "Wild Honey" from a "flat and peculiar ... afterthought of "Smiley Smile"" to a "deep and delightful, human, rollicking, humming and rolling [album]." "Paste"s Robert Ham surmised that the "objective, it seems, is to inspire a collective reappraisal of a period in the band’s career when they were still respected critically and beloved commercially, but struggling creatively ... "1967" succeeds in that humble goal but just barely."