Don Albinson  Don Charles Albinson (November 22, 1921 – November 17, 2008) was an American industrial designer who made many contributions to the world of furniture. He worked with Charles and Ray Eames for 13 years, helping develop many of the seminal Herman Miller furniture pieces from the mid century – the bent plywood chair, the fiberglass shell chair, the aluminum group set, and the Eames Lounge chair, to name a few. He later developed the Knoll Stack chair, the Westinghouse office line, an update to the DoMore Series 7 landscape system named Neo 7, the Albi stack chair for Fixtures, and the Bounce chair for Stylex. Albinson was born in Sparta, Michigan and raised in Detroit, Michigan. He attended Cranbrook Academy of Art in 1939, where he met Charles Eames, Ray Kaiser, Harry Bertoia, Eliel Saarinen, Eero Saarinen, Ralph Rapson and other luminaries. He also met his future wife, Nancy Blair Wilcox, at Cranbrook as well. He worked with Charles Eames and Eero Saarinen on the prototypes for the award-winning Eames – Saarinen designs for the 1941Organic Design in Home Furnishings competition at the Museum of Modern Art in New York City. He was drafted and served as a pilot in World War II. Upon returning from the war, he moved the family to Los Angeles to work in the Eames office where he worked from 1946 to 1959. He was the lead designer for the 13 years he worked in the office. During his years with Eames, Albinson was directly involved with the development and production of iconic Eames furniture designs such as the molded plywood screen, the dining chair with metal legs (DCM), the Aluminum Group Chair, and several other products on which he shared more than a dozen patents with Eames. He also helped with the construction the Eames Case Study House in Pacific Palisades in 1949, as well as the Max DePree House in Zeeland, Michigan along with numerous other furniture and film projects. In 1964 Albinson moved the family to southeastern Pennsylvania; he had been offered the position of Design Director for Knoll, in East Greenville, Pennsylvania. He was tasked with getting a number of challenging projects into production, as well as given the opportunity to shepherd his own chair design into production, the iconic 1601 stacking chair. Knoll introduced the stacking chair in 1965 and it won the AID Award in 1967.