Adriano Guarnieri (composer)  Adriano Guarnieri (born September 10, 1947 in Sustinente, Italy) is an Italian composer of contemporary classical music. He studied at the Conservatory in Bologna where he got his diploma in musical composition with Giacomo Manzoni and another diploma in choral music with Tito Gotti. He started his activity as a conductor as well, founding the Nuovo Ensemble Bruno Maderna in Florence. He taught musical composition at the Milan Conservatory, Florence, Pesaro Conservatory and Bologna Conservatory. In his earliest works, from "Musica per un’azione immaginaria" to "L’art pour l’art?", he tries to incorporate graphical elements into the music, and in so doing, he clearly shows his structuralist approach, which only later becomes more informal. "Nafshi", "Recit" and other compositions show a turning point in his way of composing, since he pays more attention to the form, which is thought of as a synthesis of a fluid episodic multiplicity. Through his Pierrot series he was able to reveal a ‘melodic’ component of his music which broadens in the opera "Trionfo della notte" (1986–87 season at the Teatro Comunale di Bologna), which won the Premio Abbiati as the best composition of the year. Among his later works are "Romanza alla notte" No. 2, for violin and orchestra (Parma, June 20, 1991), proof of the deep relationship existing between the composer and Pier Paolo Pasolini's poetics. He dedicated to Pasolini "Il glicine", for soprano, reciting voice, amplified flute and violin (Milan, July 2, 1993). In "Orfeo cantando... tolse...", ten lyric actions based on text freely taken by Poliziano’s Orfeo (1994), the beauty and the musicality of Poliziano’s verses, their expressive strength and their sound, the lyric aura surrounding their words, determine the musical form, and an idea of dramaturgy which is totally internal to the music and to the spatiality it created. His collaboration with Giovanni Raboni led to the creation of "Quare tristis", for soloists, chorus, two instrumental groups, two tubas and live electronics (Biennale di Venezia, 1995).