During the Restoration, and particularly after the coronation of King Charles X in 1824. New residential neighborhoods were built on the Right Bank in Paris, as the city grew to the north and west. Between 1824 and 1826, a time of economic prosperity, the quarters of Saint-Vincent-de-Paul, Europe, Beaugrenelle and Passy were all laid out and construction began. The width of lots grew larger; from six to eight meters wide for a single house to between twelve and twenty meters for a residential building. The typical new residential building was four to five stories high, with an attic roof sloping forty-five degrees, broken by five to seven windows. The decoration was largely adapted from that of the Rue de Rivoli; horizontal rather than vertical orders, and simpler decoration. The windows were larger and occupied a larger portion of the façades. Decoration was provided by ornamental iron shutters and then wrought-iron balconies. Variations of this model were the standard on Paris boulevards until the Second Empire. The hôtel particular, or large private house of the Restoration, usually was built in a neoclassical style, based on Greek architecture or the style of Palladio, particularly in the new residential quarters of Nouvelle Athenes and the Square d'Orleans on Rue Taibout (9th arrondissement), a private residential square (1829–35) in the English neoclassical style designed by Edward Cresy. Residents of the square included George Sand and Frédéric Chopin. Some of the houses in the new quarters in the 8th arrondissement, particularly the quarter of François I, begun in 1822, were made in a more picturesque style, a combination of the Renaissance and classical style, called the "Troubadour" style. This marked the beginning of the movement away from uniform neoclassicism toward eclectic residential architecture. The decorative style of the French Restoration borrowed from both the geometry of the neoclassical style era, and the overload of decoration of the Louis XIV style, along with the color of Renaissance. One of the best examples is the Charles X museum within the Louvre, a suite of rooms that was created for, among other purposes, the Salon of artists that was held there annually. The ceilings were divided into compartments filled with paintings and lavishly decorated with corniches, columns and pilasters. The neo-Gothic also began to appear in interior decoration during the 1820, particularly in the design of galleries and salons with arches and arched windows and rose windows modeled after those in gothic cathedrals.