Kellems Dominik’s work is characterized by her diligent research of our culture’s visual traditions, societal taboos, religious legacy, and the body of the individual. She often uses her own body to expose rigidly antiquated social constructs and to examine the role of female sensuality and agency in subversion of patriarchal social and aesthetic conventions. "I Can Feel" is a visually arresting neon sculpture and choreographed light performance. Standing at 12 feet tall, the 27.68-second neon performance illuminates with rising emotion and viscerally glorifies the female orgasm in its overt monumentality. Described as a work of emotional autobiography, the sculpture’s central feature is a 5’ 3.5” vagina, a number that symbolically represents the artist’s height. The viewer basks in an effusive pink and blue neon glow as the choreography elicits the warmth of human touch and the vindication of emotional redemption. The title of the work describes a self-affirmation, a personal breakthrough experienced in the wake of a mourned relationship, wherein the subject has progressed beyond the stages of grief to proclaim the achievement of self-empowerment and to ultimately embrace both physical and spiritual joy. The work has been exhibited at The Nautilus Hotel on Miami Beach, with Chashama at One Brooklyn Bridge Park, and at Ludlow House New York. As an ongoing tenet of her practice, Kellems Dominik develops a series of affirmative statements, colloquialisms, words, and phrases that are the emotional and intellectual scaffolding for her work collectively known as "Badassery". These poems act as artist statements for each of her respective bodies of work. Beginning in 2019, the "Badassery" poems were activated both alone and in collaboration with an independent dance troupe assembled by the artist. Together the performers layered both choreographed and improvisational gestures and movements to the words of the "Badassery" poems. The artist documents the performances via simultaneous videography including 360-degree GoPro video, aerial drones, and hand-held cameras. The series remains ongoing. The original "Badassery" prints have been exhibited at The Laundry, San Francisco in 2019, with the Tokyo International Art Fair in May 2015, and at the Affordable Art Fair New York in 2014. The new body of "Badassery" poems have been activated with independent dancers, including with the Fullstop Dance troupe as part of the artist’s solo exhibition.