In 2018 he collaborated with Teatro Linea de Sombra on "Durango 66" which was presented at the Los Angeles REDCAT Theatre, as part of the Pacific Standard Time LA/LA art initiative. He has collaborated and produced remixes for Beck, Mochipet, Tremor, Matias Aguayo, Rigo Tovar and Radiokijada, both with Nortec Collective and solo. Verdin also produces music under the name Tremolo Audio, which released "Visitas" in 2008, a collection of semi finished tracks that were remixed by underground producers whose work he admired, including musicians from the United States, Argentina, Chile, Mexico and Great Britain. In 2019, he released the follow up album, "Panorama" which included the finalized versions of the tracks remixed on Visitas, collaborated with Mexican composer Gabriela Ortiz on "Pico-Bite-Beat", a chamber music piece for string quartet and 3 percussionists for which Verdin created electronic rhythm tracks and soundscapes. Besides his design work for Nortec Collective and the Mil Records label, Verdin has worked as a designer and art director for MAK Center / Black Dog Publishing, Kaiser Permanente, Rebeca Mendez Communication, Nacional Records, Palm Pictures, Virgin Records, USA Networks, Razorfish, Honda, Los Angeles Magazine and currently does freelance work for various clients. His work has been published in various magazines such as Communication Arts, Time and Pulse magazines. Much of the graphic work and album covers that Verdín produced for Nortec Collective  with Torres, including record cover proposals, visual identity tests, concert visuals and flyers, were published in a book called "El Paso del Nortec" by Editorial Trilce. In 2014, Verdin designed the cover for "Únicamente La Verdad", an opera by Mexican composer Gabriela Ortiz based on urban myth of Camelia La Texana from the song "Contrabando y Traición", made famous by Los Tigres del Norte. In 2015, Verdin contributed a short essay and a page design to the book "Seismographic Sounds – Visions of a New World", a collection of essays on global music, and ethnomusicology published by Bern-based Swiss publisher, Norient Books. The following year, he worked on "How To Read El Pato Pascual," a book and exhibit are based around reach and influence of Disney is also examined in a series of commissioned essays drawing on cultural studies, historical research and postcolonial theory for the MAK Schindler House in West Hollywood, also a part of Pacific Standard Time LA/LA.