The duo didn't resort to cannibalism during the live stream, but the dishes for the evening did include bull testicles and pig stomach. In the days leading up to the “Two-Year Anniversary Feast,” Saar and Terrance asked online fans to submit popular murder ballads as potential tunes for American Murder Song to cover. This concept of reinterpreting well-known songs about killers would play a major role in the album and tours that followed. American Murder Song performed a cover song on each of its first two tours, reimagining the Violent Femmes' “American Music” as a Colonial tavern sing-along on The American Wake Tour and Louis Prima's “The Closer To The Bone (The Sweeter Is The Meat)” as a cannibal's love song on "The Donner Party Reunion Tour". But outside of “Edward,” American Murder Song had not yet delved into reinterpreting traditional murder ballads. In April, Terrance and Saar began recording their third studio album, "The Killing Place", which was released in November, 2018, and featured cover versions of popular tunes involving murder, including a double kick gunslinger take on Foster The People's “Pumped Up Kicks,” about a school shooting, and a rock 'n' roll chain gang rendition of “Jenny Was a Friend of Mine” by The Killers, based loosely on the 1986 murder of Jennifer Levin by Robert Chambers. "The Killing Place" also included a revamp of “In All My Dreams I Drown,” a number written for a scene that was deleted from "The Devil's Carnival", but nonetheless became one of Terrance and Saar's most popular compositions. In June, Saar and Terrance announced their third tour together, which also was a departure from their established American Murder Song fare. They called it "An Anti-Recital With Terrance & Saar" and billed it as “A Private Room. No Stage. No Microphones. Just You, The Boys & A Piano,” where they encouraged fans to “Dress To Kill.” The "Anti-Recital" was held at a series of publicly undisclosed locations that ranged from oddity shops to tattoo parlors, and recording studios to small theaters. "Ghastly Grinning" described the "Anti-Recital" experience as “... casual and familiar, it’s a cocktail hour at a friend’s house, yet the dress code and lack of technology lends it a bit of finesse, a grace and dignity that calls to mind the feel of exclusivity, of being included in something much more intimate than a crowded show or auditorium screening meet-and-greet.”