They began production on Silverberg's "The Seventh Shrine", Feist's "The Wood Boy", and William's "The Burning Man". These three productions were originally to be published by Devil's Due but were canceled due to a contract dispute between Roaring Studios and Devil's Due. The split resulted in only one of two issues of "The Wood Boy" being published. Around the same time the Dabel Brothers lost the right to "" after only five issues were published due to issues with themselves and Hasbro. Devil's Due later acquired the license from Hasbro which included all the Dragonlance properties. They then packaged the final issues of the Huma mini-series, but the remainder of the book remains unadapted. Roaring Studios was renamed to Dabel Brothers Productions. After their departure from Devil's Due, they aligned with Alias Enterprises to publish XIII. Alias' head creative director is Mike S. Miller who had been partnered with the Dabel Brothers prior to Alias' existence, dating back to the companies series of "The Hedge Knight". The partnership later came to an end and the companies went through a public break. During this time the Dabel Brothers were working in conjunction with Red Eagle Entertainment to produce issues of Robert Jordan's "New Spring". However, after five issues the parties came into disagreement with the Dabel Brothers alleging that Red Eagle failed to make payments for production and Red Eagle alleging that the Dabels were unable to complete the series in a timely fashion. The issue went into arbitration in court with the Dabel Brothers keeping the rights to the "Wheel of Time" series. In 2006, they increased production to seven separate monthly titles with plans to add to the line up in the future. Four months into publication the Dabels suspended publication due to negotiation with Marvel Comics which resulted in a partnership between the two companies. As their deal was being finalized with Marvel, the Dabel Brothers continued to negotiate with other authors to bring their works to comics. Dabel Brothers Production increased production from four to six books per month in addition to trade paperback and hardcover collections of their adaptions under their alliance with Marvel. The imprint continued to focus on licensed adaptations of works by science fiction and fantasy authors along with their original material. The Dabel brothers handled the editorial side of Dabel Brothers Productions while Marvel handled the marketing and publishing. In August 2007, Marvel and Dabel Brothers Production mutually agreed to part ways, with Marvel retaining the rights to the series that were in production so they could be finished to the authors' happiness.