Hopes and Fears (Art Bears album)  Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978. "Hopes and Fears" began as a Henry Cow album, but after the first recording sessions in Switzerland, some of the members of the band were unhappy about the predominance of song-oriented material. As a compromise it was agreed that two albums would be made: the songs would be released by Fred Frith, Chris Cutler and Dagmar Krause as Art Bears, and the instrumental compositions would be released later by Henry Cow. The newly formed Art Bears recorded four more tracks in London to complete "Hopes and Fears", which was released in May 1978. Henry Cow returned to Switzerland in July that year to record additional instrumental pieces for what was to be their last album, "Western Culture" (1979). Because of Henry Cow's presence on this album, "Hopes and Fears" is considered by some to be "the lost Henry Cow album". But the predominance of songs makes the album a bridge between Henry Cow and Art Bears, a move away from Henry Cow's usual intense compositions, and the beginnings of Art Bears's music, fully realised on their next two albums. It also shows Frith experimenting with eastern European folk music on "Moeris Dancing", which he explored further on some of his subsequent solo albums, particularly "Gravity" (1980) and "Speechless" (1981). "Joan" and "On Suicide" had been performed live by Henry Cow in 1977 and appear on "Volume 7: Later and Post-Virgin" of "The 40th Anniversary Henry Cow Box Set" (2009). This version of "Joan" differs from the earlier live recording in that it is shorter, and the lyrics are different. Cutler wrote the original lyrics for "Joan" and Tim Hodgkinson's "The Pirate Song", but Henry Cow were unhappy with them, and the songs were withdrawn from their repertoire. "Joan" was only performed a few times, and "The Pirate Song" not at all. Prior to the "Hopes and Fears" recording session, Cutler rewrote the lyrics for "Joan" as a homage to Joan of Arc, and those for "The Pirate Song", but once again there were objections from the feminist faction within Henry Cow.