The underwater scuba diving park features underwater attractions ranging from a completely submerged school bus, various sunken boats, an aircraft fuselage and more. To help fund a backlog of deferred maintenance and park improvements, the state implemented an entrance fee for this park and 21 others effective June 15, 2020. The fees, charged per vehicle, start at $10 per day for a single-day or $8 for residents with an Oklahoma license plate or Oklahoma tribal plate. Fees are waived for honorably discharged veterans and Oklahoma residents age 62 & older and their spouses. Passes good for three days or a week are also available; annual passes good at all 22 state parks charging fees are offered at a cost of $75 for out-of-state visitors or $60 for Oklahoma residents. The 22 parks are:   Pattern and Decoration  Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The movement was the subject of a retrospective exhibition at the Hudson River Museum in 2008. The Pattern and Decoration movement consisted of artists, many of whom had art education backgrounds, who had been involved with the abstract schools of art of the 1960s. The westernised, male dominated climate of artistic thought throughout Modernism had led to a marginalisation of what was considered non-Western and feminine. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. Although the source materials have a nostalgic appeal, the treatment of these sources is modernist. Ben Johnson describes the paintings thus: "Pattern and Decoration did not distinguish between background and foreground, nor did it emphasize specific aspects of the composition. Rather, much as the abstract paintings of the time, it covered the canvas from edge to edge in an all-encompassing design.