One day a wolf attacked and ate the stag but Saint Thégonnec preached to the wolf and persuaded it to replace the stag and pull the cart. Depictions of Saint Thégonnec therefore usually portray him accompanied by a stag or a wolf. These were executed in two stages. In the years 1724 to 1725 the carvings on the evangelist side of the choir were executed by Olivier Lespaignol of Morlax based on the drawings of the architect Boismaurin and between 1730 and 1732 the carvings on the epistle side were firstly the work of Guillaume Guérin who was based in Brélévenez and then by Hervé Le Goff of Brest based on the designs of Robelin. On 8 June 1998 the church suffered a bad although accidental fire which devastated the north wing and despite the efforts of the local fire brigade and local people the north aisle of the church was destroyed including the altarpiece "Notre-Dame de Vray Secours" and the nave with the rood screen. A public appeal sought to raise funds to repair the damage and over 700 donations were recorded. Extensive restoration followed, completed in 2005. The lost altarpiece was completely and exactly replicated. This dates from 1670 to 1676 and was made by Jacques Mascard who was a follower of Robert Dallam. The sacristy was constructed in 1686 by a team of workers led by Guillaume Le Tauc. The master carpenter was a Paul Le Goff. The baptismal fonts are located by the "chapelle des Trépassés". The windows in the Notre=Dame church are by Jean-Louis Nicolas of Morlaix and date from 1862 to 1868. The church is rich in statuary. This includes:-  1. A "poutre de gloire" or rood depicting Christ on the cross, the Virgin Mary and John the Evangelist. This was badly damaged in the fire but has been replaced. What was rescued from the fire of the original "poutre de gloire" is also displayed on the church walls. In the south aisle statues of Saint Christopher, Saint Roch and Saint Sebastian. A statue depicting the Virgin Mary with her mother. Some photographs are shown below. The Église de Saint-Thégonnec, given the classification of a "monument historiques" by the "Commission des Beaux-Arts" in 1886, has undergone many changes since its original construction and now has three naves with seven columns and ten arcades.