These were abandoned in 1981. Today the church is used during term time by the neighbouring theological college, Westcott House, and is also available to hire for secular events, such as art exhibitions, concerts and talks. The church's spire is a prominent Cambridge landmark. At around in height it was, at its construction, the tallest building in the city; it remains the city's third tallest building, after the chimney of Addenbrooke's Hospital and Our Lady and the English Martyrs Church. It is constructed from brick as well as Ancaster and Casterton stone. The church was built from a second series of designs and in an early 14th-century style. It consists of a nave, large south aisle which extends almost to the easternmost wall, a chancel and vestry. The exterior is decorated with gargoyles and the spire has decorative lucarne openings. The church is noted for its strikingly decorated interior, much of it to designs by Bodley. Fittings by Bodley include the alabaster font, the pulpit, south aisle screen, textiles, pews, candlesticks and tiles. The rood screen was designed in 1904 by John Morley, architect at Rattee & Kett of Cambridge. Its function was not purely liturgical as its cornice hid a large support beam which had been added to bolster the chancel arch from the massive weight of the spire. The wall and ceiling decorations were applied by F. R. Leach & Sons and form complex, bold stencilled patterns throughout the church. As well as exotic floral friezes there is much use of religious symbolism such as the Sacred Monogram and the Fleur-de-lis. Around the upper walls are texts from the Book of Revelation () and Psalms in the south aisle, and the Beatitudes () in the nave. Part of the Beatitudes have been lost due to water damage to the plaster. One of the team of artists was David Parr who is known to have decorated his own house in similar style/designs. His residence is currently being restored and is due to open to the public in 2019. The east window was designed by Edward Burne-Jones and executed by Morris & Co. It was installed in 1866 as a memorial to Lady Affleck, wife of William Whewell, master of Trinity College, Cambridge. She had lain the foundation stone of the church in 1863 and also donated £1,000 to its construction. The twenty figures, over four rows, were individually designed by Burne-Jones (12 panes), Ford Madox Brown (4 panes) and William Morris (4 panes).