Although he brought some of the articles up to date, he left much of Scholes' distinctive work intact. A distinctive feature of this Companion is a series of "imaginative" portraits of composers created by the artist Oswald Barrett (known as "Batt"). These consist of engravings (Bach, Beethoven, Brahms, Byrd, Chopin, Elgar, Handel, Haydn, Liszt, Mozart, Schubert, Schumann, Tchaikovsky, and Wagner), and a frontispiece which is a colour reproduction of an oil painting of "Beethoven in Middle Life", described by Scholes as "the artist's personal gift to the volume" (see the Preface to the First Edition). In 1983 a wholly revised two-volume work, titled "The New Oxford Companion to Music," was introduced. This was edited by Denis Arnold who made extensive use of other specialist contributors, some 90 in all. The work was significantly broader in coverage than Scholes' original (there was for instance a perceptive article on Bob Dylan), and is the most extensively illustrated of the three versions. Arnold expressed his intention of adhering to Scholes’ principles and indeed included much of Scholes’ material in the new work. Nevertheless, he cut out much of the personal opinion and quirkiness which was characteristic of the original. For instance, he substantially increased the coverage of female composers and performers, who were almost totally absent from Scholes' work. There were no further revisions of this version, probably due to its relative unpopularity and Arnold's own early death in 1986. In 2002, a third work was produced. This one, edited by Alison Latham, goes back to the original title and to the single-volume format. Latham assembled her own team of over 120 contributors, some of whom had contributed to the prior (Arnold) edition, and others drawn from her own previous editing work (for example on the "Grove Concise Dictionary of Music"). This edition consists of some 7400 articles and aims to bring the work up-to-date: for example, in its coverage of areas such as electronic music and computers. The 2002 revision is more current, handier and more affordable than its predecessor. However, it abridges the text and eliminates most of the illustrations. The text of the 2002 edition can be accessed online via Oxford Music Online, which is also a portal for The New Grove Dictionary of Music and Musicians.