Most of the time we know what's going on. All of the time, we know why". "Time" magazine's Richard Corliss wrote, "This time he works up a salty sweat to end up nowhere, like a triathlete on a treadmill. But as long as he keeps his players in venal, perpetual motion, it is great scary fun to watch him work out". In his review for "The Globe and Mail", Jay Scott praised the performances of the two leads: "But Douglas's portrayal of Gordon Gekko is an oily triumph and as the kid Gekko thinks he has found in Fox ('Poor, smart and hungry; no feelings'), Charlie Sheen evolves persuasively from gung-ho capitalist child to wily adolescent corporate raider to morally appalled adult". Rita Kempley wrote in "The Washington Post" that the film "is at its weakest when it preaches visually or verbally. Stone doesn't trust the time-honored story line, supplementing the obvious moral with plenty of soapboxery". Michael Douglas won the Academy Award for Best Actor and thanked Oliver Stone for "casting me in a part that almost nobody thought I could play". However, Daryl Hannah's performance was not as well received and earned her a Razzie for Worst Supporting Actress, thus making this the only film to date to win both an Oscar and a Razzie. The "quintessential financial high-roller's attire" of Michael Douglas in the movie, designed by Alan Flusser, was emulated in the 1980s by yuppies. Interest in the film was renewed in 1990 when the cover of "Newsweek" magazine asked, "Is Greed Dead?" after 1980s icons like Michael Milken and Ivan Boesky ran afoul of insider trading laws. Over the years, the film's screenwriter Stanley Weiser has been approached by numerous people who told him, "The movie changed my life. Once I saw it I knew that I wanted to get into such and such business. I wanted to be like Gordon Gekko". In addition, both Charlie Sheen and Michael Douglas still have people come up to them and say that they became stockbrokers because of their respective characters in the film. In recent years, Stone was asked how the financial market depicted in "Wall Street" has changed and he replied, "The problems that existed in the 1980s market grew and grew into a much larger phenomenon. Enron is a fiction, in a sense, in the same way that Gordon Gekko's buying and selling was a fiction ...