Nakai Riken  Often stated as analogous to his floating calligraphic style Riken was vastly different in demeanour to his brother Nakai Chikuzan, although their underlying epistemologies, beliefs and degree of tenacious individualism were similar. They both furthered the work of Goi Ranju and consolidating previous thought around the Kaitokudo school, bringing a level of prestige to the academy. Like his brother Chikuzan, Riken wholeheartedly denounced Ogyū Sorai and contended that all people have potential, to the extent that "even" commoners could become scholars, while he also denounced religion and superstition. However, Riken’s particular strain of the dismissal of "dreams", and the unverifiable led him to dabble in astronomy, most notably with Asada Goryu. Riken’s scholarship was far broader and is often perceived to transcend the specific question of reconciling the virtue of merchants with contemporary perceptions of merchants. Nakai Riken wrote extensive commentaries on the three of the four books Analects, Doctrine of the mean and Mencius. He rejected other works as unreliable "dreams", largely due to their unverifiability. In these works, he dismissed the book of changes, the book on Songs and the book of history as unreliable, and further the book of rites and the spring and autumn annals as unreliable or of authorship different from the received interpretation. However, his lasting legacy was in reaching a point of contradiction between the demand for verifiability in the Kaitokudo school and the reliance on the reading of text as history. The influence of Nakai Riken, as well as Nakai Chikuzan and other contemporary moral philosophers outside the mainstream of Neo-confucianism, shingaku and Buddhism can be seen most immediately and concisely in the work of Yamagata Banto. It is said that Chikuzan has ongoing and great influence on his thought, but that Riken was more heavily involved in the final push toward publication of Yamagata’s work "yume no shiro" .