It references fairy-tale characters and creates an image of children playing with each other. The nexus of the album's eighth song, "Oh Father", talks about the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Author J. Randy Taraborrelli held that "Till Death Do Us Part", "Promise To Try" and "Oh Father" were songs where Madonna tried to "purge herself of certain personal demons". The lyrics of "Keep It Together" talk about the realization of how important Madonna's family has been as a form of stability in her life. The final songs on "Like a Prayer" are "Spanish Eyes" and "Act of Contrition". "Spanish Eyes" is said to have "confronted the still-taboo issue of AIDS". Carol Benson and Allen Metz, authors of "The Madonna Companion: Two Decades of Commentary", described the song as "a cross between Ben E. King's "Spanish Harlem" and something by Billy Joel". The final song, "Act of Contrition", features Madonna reciting the Catholic prayer Act of Contrition, then, the vocals deteriorate into a monologue in which Madonna grows obstreperous over being denied a restaurant reservation. A track that did not make the album and in fact never made it past the demo stage, called "Angels with Dirty Faces", was released in full by Patrick Leonard free of charge on his YouTube channel in 2019, in what he explicitly said was an effort to stop that and other demos from being auctioned by an unnamed third party. Madonna performed an energetic version of "Express Yourself" during the 1989 MTV Video Music Awards. She started the performance by descending from a flight of stairs, wearing a pin-striped suit and a monocle. Later she removed the coat to reveal her bustier, and together with her backing singers Niki Haris and Donna De Lory, performed a dance routine called voguing. Ian Inglis, author of "Performance and Popular Music: History, Place and Time" noted that the historical importance of Madonna's performance at the Video Music Awards was due to the televisual venue. Inglis explained that since Madonna's performance was striking primarily as a high-energy, provocatively choreographed, dance production number, it went on to highlight the 'TV' part of MTV, and in a way heralded her and the network as a cultural arbiter. On August 1989, in order to promote the release of "Like a Prayer" in Japan, Warner Music released a remix extended play titled "Remixed Prayers", which included several remixes of "Like a Prayer" and "Express Yourself".