The complexity and equivocal richness resides in the fact that language is basically figurative and metaphorical and hence it cannot represent reality directly and immediately. Deconstruction is an investigation of what is implied by this inherence of figure, concept and narrative in one another. Deconstruction is, therefore, a rhetorical discipline. There is a common view that a poem has a true original univocal reading and the secondary or the deconstructive reading is always parasitical on the first one. Miller, however, claims that there is no difference between both these readings. In his conception there is the poem and its various readings, all of which are equally valid or non-valid. The poem is the food and the two readings, both univocal and equivocal, are fellow guests near the food. Thus we get a triangular relation between the poem and its two readings, or the relation could be like a chain without a beginning or an end. Miller argues that an obvious univocal reading in the conventional sense is a myth. There is only deconstructive reading and it generates new meanings. The poem invites endless sequence of commentaries, which never arrives at a ‘correct’ or final reading and meaning. Harold Bloom has formed a concept of the anxiety of influence to clarify the indebtedness of poets of a generation to the older generations. No poem can stand on its own, but always in relation to another.