This non fiction narrative explores Martorell's life and creative process from Paloma's personal perspective. With the intention of re connecting with her own creative flow, she follows Toño in search of light. Through the process of making the film she reinvents herself. "El Accidente Feliz" will the released in 2016. Paloma Suau's parents divorced when she was still a young girl. Her mother later met Glenn Monroig, a famous Puerto Rican singer who would become like a father to Paloma Suau. Suau grew up in the entertainment business, befriending people like Tony Croatto and other industry veterans before she had become a teenager. Although Glenn Monroig and Camille Carrion's long romantic relationship led Monroig and Suau to have a father and daughter-like relationship, she was never afar from her father Gabriel, who kept an interest on his daughter's life as she was becoming an adult. Paloma Suau expressed interest in becoming an actress and director since she was a small girl; her dreams of being a director, however, were more evident than her dreams of being an actress, as she always mentioned wanting to direct when interviewed in Puerto Rican show business magazines and television shows. Her debut as a director came on a Christmas video produced by Banco Popular, 2000's "Guitarra Mia" ("My Guitar"), where she also debuted as a screenwriter and editor. The decision to make her director of this video proved controversial: Banco Popular had been producing a series of Christmas music videos for the Puerto Rico music market since 1998, and "Guitarra Mia" was Suau's first behind the camera directing opportunity. Since her second cousin is president of Banco Popular, many among the Puerto Rican public suspected she was chosen over other directors due to favoritism. After seeing the quality of her work, this idea remains. Alas, her creative talents have given the Banco Popular programs a depth and quality that has made them possibly more documentaries than the "variety shows" they used to be. Suau followed that production with 2001's "Raíces" ("Roots"). In 2002, she was in charge of the filming of "Encuentro" ("Meeting"). In 2003, Suau filmed "Ocho Puertas" ("Eight Doors"), which was followed by 2004's "En mi Pais" ("In my Country"). "En mi Pais" became one of Suau's largest works, as she traveled to Puerto Rico's southern area for about two months in order to produce a video where the influence of Plena music in Puerto Rico was shown.