Infants and children were buried closest to the chapel and hold emotional monuments, such as the sculpture for Maria Ugo Ortu (died aged two) comprising the child resting by a broken column behind a short balustrade in trachyte stone from Serrenti, symbolizing the boundary between life and death. The work was executed in 1891 by Sartorio. The Campo Palme (named after the Palm trees there) are divided into rectangles, the result of two additions made in 1858 and 1906. This area is one of the least well-kept parts of the cemetery, which has resulted in several corpses being transferred to the cemetery of San Michele. To the east, towards the top of the cemetery, is the old section, divided into six squares, lined by vaults. One square was allocated to non-Catholic burials and many of the graves were moved here that occupy the former non-Catholic cemetery of Bonaria, known as the "Cimitero degli Inglesi" (English Cemetery) which, until 1895, was located in Via XX Settembre. Inside the chapel is a plaque that indicates the tomb of Tarquino Sini, who died at Cagliari in 1943. The upper part of the cemetery on the hill of Bonaria houses several rows of vaults and charnel houses, located along the east wall and walls arranged parallel to it. In this area holds the Blessed Nicola da Gesturi, of the Capuchins. There is also the tomb of the tenor Piero Schiavazzi. In the upper part of the cemetery are also some mausolea. The first, dating from 1898, was that of the family Onnis Devoto, by Sartorio. That of Faggioli contains three important paintings by Filippo Figari (1921). Also by Figari, the Larco monument, (1922) includes a painting by Figari, representing the Entombment of Christ. The painting caused controversy with Joseph of Arimathea pictured as a gravedigger, Mary Magdalene appearing dishevelled, and Christ's body stiff and rigid.