Upper class women were targeted with advertisements for many luxury products. In 1975, the UN International Year of Women, Banco de Bilbao made a television advertisement encouraging women to open accounts with them that said, "That determined walk is the symbol of the woman of our day, of the responsible woman who works and lives her time. And to her, for the first time, a bank addresses this message of friendship, this tribute of admiration." In the early transition period, Spanish pornography was often cruder and had inferior production standards than internationally produced pornography. Consequently, foreign produced pornography dominated the internal Spanish market. While the issue of pornography was of interest to feminists in the transition period, it was not center to their political activities as they had other goals they wanted to work on first before seriously visiting the topic. Most of the condemnations of pornography in this period consequently came from conservative women opposed to sex more generally and seeking to return to a more traditionally family centered period. Spain approved women's instructional manuals during the 1950s and 1960s followed the style of Spanish Baroque conduct manuals. Themes in these works included the marriage market in Spain, and how to navigate it in religious, political and sexual contexts. In their later period, they highlighted the growing gender conflicts in the family. Guerra Gallego and Carmen Sebastián published some of the most popular fictional books that prepared Spanish women for married life. Sebastián's works represented a Vatican supported perspective of marriage. "El Angel de Hogar" was a series of French books by Catholic publisher Desclee de Brouwer that were translated into Spanish during the 1950s and 1960s that served as guidebooks for women in how they should behave in marriage. Some books included René Boigelt's "El Matrimonio: El Libro de la novia", and "El Matrimonio: El libro del jóven 17 a 20 años". The series also included works on motherhood. Censorship became a new reality for many women writers in Francoist Spain. Publishers were subject to government control. The Catholic Church was highly influential in what was allowed to be published. Depictions of women were censored by the media in Francoist Spain. Suicide, abortion, nudity, drug use, and alcohol and alcoholism were often considered taboo subjects that would warrant censorship by the Spanish State. Starting in 1962, censorship across Spain began to officially relax. Further changes to relax censorship occurred four years later in 1966.