After witnessing the trial of another black Communist for counter-revolutionary activity, Wright decides to abandon the party. He remains branded an "enemy" of Communism, and party members threaten him away from various jobs and gatherings. He does not fight them because he believes they are clumsily groping toward ideas that he agrees with: unity, tolerance, and equality. Wright ends the book by resolving to use his writing as a way to start a revolution: asserting that everyone has a "hunger" for life that needs to be filled. For Wright, writing is his way to the human heart, and therefore, the closest cure to his hunger. The genre of Richard Wright’s "Black Boy" is a longstanding controversy due to the ambiguity. "Black Boy" follows Wright’s childhood with a degree of accuracy that suggests it exists as an autobiography, although Wright never confirmed nor denied whether the book was entirely autobiographical or fictitious. None of Wright’s other books follow the truths of his life in the way "Black Boy" does. The book's apparent tendency to intermix fact and fiction is criticized because of the specific dialogue that suggests a degree of fiction. Additionally, Wright omits certain details of his family's background that would typically be included in an autobiographical novel. While Wright may have deviated from historical truths, the book is accurate in the sense that he rarely deviates from narrative truth in the candidness and rawness of his writing. The style in "Black Boy" is so highly regarded because of the frankness that defied social demands at the time of "Black Boy’s" publication. Wright negates the racially based oppression he endured through his ability to read and write with eloquence and credibility as well as with his courage to speak back against the dominant norms of society that are holding him back. Given "Black Boy’s" emphasis on racial inequality in America, many of the motifs refer to the lingering aspects of slave narratives in present day. These motifs include violence, religion, starvation, familial unity and lack thereof, literacy, and the North Star as a guide towards freedom. The depictions of lingering racial animosity are at the core of the arguments in favor of censorship for many critics. The prevalence of violence amidst and against Blacks in America ties back to the violence exerted upon slaves generations before. The theme of violence intermixes with the notion of race as Wright suggests that violence is deeply entrenched into a system where people are distinguished based on their race. Regardless of Wright's efforts to break free from this violent lifestyle, a society based on differences will always feed on an inescapable discourse.