She received a second Best Actress nomination at that year's BAFTA Award ceremony. With a box office gross of US$116 million, "Finding Neverland" became her most widely seen film since "Titanic". In 2005, Winslet took on a guest role in an episode of the British comedy sitcom "Extras", starring Ricky Gervais and Stephen Merchant. She played a satirical version of herself in itan actress, who in an effort to win an Oscar, takes the role of a nun in a Holocaust film. She received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination. Within three months of giving birth to her second child, Winslet returned to work on "Romance & Cigarettes", a musical romantic comedy directed by John Turturro, in which she played Tula, a promiscuous and foulmouthed woman. The part required her to sing and dance, and it helped her lose weight gained during her pregnancy. She twisted her ankle while filming one of the dance sequences. Derek Elley of "Variety" wrote that despite her limited screen time, Winslet had "the showiest role and filthiest one-liners". Winslet declined an offer from Woody Allen to star in "Match Point" (2005) to spend more time with her children. Winslet had four film releases in 2006. She first appeared in "All the King's Men", a political thriller set in 1940s Louisiana, featuring Sean Penn and Jude Law. She played the supporting part of the love interest to Law's character. The film received negative reviews for its lack of political insight and narrative cohesiveness, and failed to recoup its US$55 million investment. Her next release, the drama "Little Children", was better received. Based on the novel of the same name, the film tells the story of Sarah Pierce, an unhappy housewife who has an affair with a married neighbour (played by Patrick Wilson). Winslet was challenged by the role of an uncaring mother, as she did not understand or respect her character's actions. Scenes requiring her to be hostile towards the child actress playing her daughter proved upsetting for her. Having given birth to two children, Winslet was anxious about the sex scenes in which she had to be nude; she took on the challenge to present a positive image for women with imperfect bodies. Scott of "The New York Times" wrote that Winslet successfully "registers every flicker of Sarah's pride, self-doubt and desire, inspiring a mixture of recognition, pity and concern".