After the album release, the band disbanded. The appearance of the first post-punk album on the Serbian scene influenced appearance of post-punk and gothic rock bands and releases. Zoran "Bale" Bulatović (guitar) and Marko "Mare" Vukomanović (bass guitar), both from Pekinška Patka, with La Strada members Slobodan Tišma (vocals) and Ivan Fece Firchie (drums) formed the first gothic rock band in Serbia, Luna, releasing only one album, "Nestvarne stvari" (1984). Beside Luna, the notable gothic rock act was also Trivalia from Niš, formed in the second half of the 1980s. Gothic rock, however, saw little popularity in Serbia. Another Niš band, post-punk/darkwave band Dobri Isak, released their only album "Mi plačemo iza tamnih naočara" in 1983. The album, which was one of the first albums in Serbia released through an independent record label, saw little success at a time of its release, but saw critical acclaim when it was rereleased in 2009. Other bands which featured the post-punk/gothic rock influences were the new wave bands Električni Orgazam, on their second album "Lišće prekriva Lisabon" (1982), and Idoli, on their debut "Odbrana i poslednji dani" (1982), and the alternative rock band Ekatarina Velika, firstly called Katarina II, on the albums "Katarina II" (1984), "Ekatarina Velika" (1985) and "S' vetrom uz lice" (1986). The second generation of punk rock acts in Serbia featured Partibrejkers, Kazna Za Uši and Toni Montano from Belgrade. Serbian garage punk band Partibrejkers, formed in 1982, brought the public's attention to themselves with their live appearances and musical style, even as a demo act. The band was formed by former Urbana Gerila and Radnička Kontrola frontman, Zoran Kostić "Cane" and guitarist Nebojša Antonijević "Anton", the two being the mainstay members of the band. By the time the band released their debut, self-titled album, in 1985, they already gained much popularity, kept through their later successful releases "Partibrejkers II" (1988), "Partibrejkers III" (1989), "Kiselo i slatko" (1994) and "Ledeno doba" (1997), entering the 2000s as one of the top mainstream acts of the Serbian rock scene.