Inspectah Deck  Jason Richard Hunter (born July 6, 1970), better known by his stage name Inspectah Deck, is an American rapper, producer, and actor. He is a member of the groups Wu-Tang Clan and Czarface. He has acquired critical praise for his intricate lyricism, and for his verses on many of the group's most revered songs. He has grown to become a producer in his own right, taking up tracks for fellow Wu rappers and his own projects. Hunter was born July 6, 1970 and grew up in Staten Island. Hunter routinely mentions the Park Hill Projects in Clifton, Staten Island, where he grew up and went to school with the future Method Man, Raekwon, Ghostface Killah, and Remedy. Hunter's father died when he was six years old. Hunter developed a laid-back and quiet personality which he carried into his stage persona, as a low-key counterbalance to the antics of Method Man, Ol' Dirty Bastard, and RZA, referenced by Method Man at the end of the track "Can it Be All So Simple?" on Wu-Tang's debut album "Enter the Wu-Tang (36 Chambers)":  Despite this inconspicuous persona, Inspectah Deck maintained a relatively high profile, as he was the second most featured member on the album, and provided highly acclaimed verses for the singles "C.R.E.A.M.," "Protect Ya Neck," "Wu-Tang Clan Ain't Nuthing ta Fuck Wit," and "Da Mystery of Chessboxin'." In the years following, Hunter would appear on several Wu members' solo projects, including Method Man's "Tical" (1994), Raekwon's "Only Built 4 Cuban Linx…" (1995), GZA's "Liquid Swords" (1995), and Ghostface Killah's "Ironman" (1996). On Wu-Tang's second group album, "Wu-Tang Forever" (1997), Deck produced the track "Visionz" and contributed a solo track, "The City", as well as writing one of the most critically acclaimed verses in hip-hop on the group's hit single "Triumph". He would also provide production for some of his Wu cohorts, including "Elements" and "Spazzola" for Method Man's "" (1998), "Kiss of a Black Widow" for RZA's "RZA as Bobby Digital in Stereo" (1998), and the title track for GZA's "Beneath the Surface" (1999).