Marita Liulia about "Jackpot" in 2004: "Advertising seems to be an unavoidable part of our daily life. I thought the context is an important part of the content. We think differently about images according to the context. I let people check if they can recognise this and build up a computer program in which one can see the results immediately. The format and interface was inspired by a popular game called "Jackpot"". Maire, 1994  An interactive installation piece and CD-ROM researching Finnish modernism. ”"The aim was to combine art, technology and science"." According to Marita Liulia, this slogan was formulated in the 1930s by the Finnish arch-modernists Maire Gullichsen and architect Alvar Aalto. In Liulia's opinion it is also an apt description of "Maire" CD-ROM: ""Maire" presents a cheerful postmodern look at modernism, the movement which would become a dramatic influence in Finland. Maire follows the evolution of modernism from the 1930's to the present day." It can also be perceived as "an art historic essay, with supplementary material added on the subject of Maire Gullichsen's life". -> website info  Ambitious Bitch, 1996  An extensive multimedia piece published in interactive CD-ROM format. "Ambitious Bitch" explored views of femininity in the modern world. It was also Marita Liulia's international artistic breakthrough. According to Marita Liulia, ""Ambitious Bitch" is a contemporary Western woman: well-educated, witty, understanding but demanding, fighting against old role models but always ready to laugh – even at herself. She may be a man-eater but definitely not a man-hater! "Ambitious Bitch", distinctively combining art, research and technology, is a visual and intellectually playful outlook on Western femininity of our times. The many faces of femininity (and feminism) are revealed with sharp quotes by contemporary icons ranging from Mae West to Madonna, from Alexandra Kollontai to Vivienne Westwood. The playful sound design and excellent graphics add to the joy of discovery." "Ambitious Bitch" also provoked questions about Liulia's feminism in her art, and she discussed the matter in 2000: "The field of the new media developed simultaneously with the high tide of feminism. Lots of (young) women got involved - expecting to avoid patriarchal hierarchies typical of the "old media" - like film. I considered studying film in the 1980s but quickly realized I will be 50 before the guys in power will allow me to make my first feature film - until that I would have also run out of ideas, I thought.