Following "Meat the Weasels"' release, the group continued to perform live, though with continued instability in the drummer's seat, which was occupied for various dates by Petrocelli, Jordan Cohen (later of Powerman 5000 and Blue Man Group), Dave King, Doug Klein, Dan Roberts, Steve Scoons, Dave Berger and Steve Candlen; the latter two emerged as drummers of choice for The Weasels' middle recording period. "Meat the Weasels Volume I: Fondue Cabaret" included the following songs:    In 1995, the Weasels undertook their first formal studio experience at New Music Studios in Albany with production and engineering support from Ted Malia, who had also worked with R.E.M., Bobby Brown and others. Maynard, Candlen and Jon Cohen returned to perform with Weäsell, Fun and Graf on the New Music sessions. The initial sessions were creatively fruitful, yet tense; Cohen left the group and was replaced by Alan Okey for subsequent sessions. "Leon’s Mystical Head" (a title inspired by a Firesign Theatre sketch) featured “Paging Larry Storch,” the first installment of "The Larry Trilogy," a series based on the premise that the purest essence of contemporary American comedy was to be found in the film and television work of Larry Fine, Larry Hovis and Larry Storch. The Weasels continued their homages to notorious killers with “A Fish,” about infamous cannibal Albert Fish. After the release of "Leon’s Mystical Head," the band's core members decided that all subsequent albums would be recorded and engineered under their own direct supervision, with Graf taking a prominent creative role in the increasingly elaborate productions of Fun and Weäsell's compositions. Live shows from this period occasionally featured “Weasel Vision,” a multimedia visual presentation created by artists Michael Oatman and John J.A. Jannone. In July 2006, "Bar-B-Q Baby" was selected for regular broadcast on Doctor Demento's internationally syndicated radio show. "Leon’s Mystical Head" included the following songs:   The next Weasels album, "Uranus or Bust", took three years to write, record and release. Behind original cover art by Michael Oatman, Fun (billed as Racer Fun), Weäsell (billed as Chairman Wow) and Graf (now Sir Mixalot of Ice-T) offered 16 new compositions (one hidden) produced and engineered at Graf's Big Saucy Sound Studio.