Among the many contributors to the lore of Mary Austin and Robinson Jeffers was the Carmel landscape photographer Morley Baer, whose photographs, published in two books, complemented their writings. Over the next decade, on a windswept, barren promontory, using granite boulders gathered from the rocky shore of Carmel Bay, Jeffers built Tor House as a home and refuge for himself and his family. It was in Tor House that Jeffers wrote all of his major poetical works: the long narratives of ""this coast crying out for tragedy,"" the shorter meditative lyrics and dramas on classical themes, culminating in 1947 with the critically acclaimed adaptation of "Medea" for the Broadway stage, which featured Dame Judith Anderson in the title role. He called his home Tor House, naming it for the craggy knoll, the "tor" on which it was built. Carmel Point, then, was a treeless headland, almost devoid of buildings. Construction began in 1918. The granite stones were drawn by horses from the little cove below the house. Jeffers apprenticed himself to the building contractor, thus learning the art of making "stone love stone." Construction was completed in mid-1919. In 1920, the poet-builder began his work on Hawk Tower. Meant as a retreat for his wife and sons, it was completed in less than four years. Jeffers built the tower entirely by himself. He used wooden planks and a block and tackle system to move the stones and to set them in place. Many influential literary and cultural celebrities were guests of the Jeffers family. Among them were Sinclair Lewis, Edna St. Vincent Millay, Langston Hughes, Charles Lindbergh, George Gershwin and Charlie Chaplin. Later visitors have included William Everson, Robert Bly, Czesław Miłosz and Edward Abbey. In 1906, San Francisco photographer Arnold Genthe joined the Carmel arts colony, where he was able to pursue his pioneering work in color photography. His first attempts were taken in his garden, primarily portraits of his friends, including the leading Shakespearean actor and actress of the period, Edward Sothern and Julia Marlowe, who were costumed as Macbeth and Lady Macbeth. Of his new residence, he wrote, ""My first trials with this medium were made at Carmel where the cypresses and rocks of Point Lobos, the always varying sunsets and the intriguing shadows of the sand dunes offered a rich field for color experiments.""