Ricky Lee, meanwhile, said that he "was a country singer more than anything" and wanted to eliminate most of the band's hard rock sounds. He and Doug then founded Brother Phelps, which had a more mainstream country sound than The Kentucky Headhunters did. Brother Phelps released two albums for Asylum Records and charted in the country top 40 with "Let Go" and "Were You Really Livin' ," which peaked at number 6 and 28 respectively. Kenney rejoined in 1992 as bass guitarist, and Charlotte, Michigan native Mark S. Orr took over on lead vocals. The first album to feature Orr and Kenney, the more blues rock-oriented "Rave On!!", was released in 1993. Although the band drew attention by touring with then-labelmate Billy Ray Cyrus, "Rave On!!" sold poorly and failed to produce a successful single among its three releases: "Honky Tonk Walkin' ," "Blue Moon of Kentucky" and "Dixie Fried," the latter two being covers of Bill Monroe and Carl Perkins, respectively. The album also included a cover of The Lovin' Spoonful's "My Gal". "Honky Tonk Walkin'" and "Dixie Fried" respectively reached numbers 54 and 71 on the country charts, while the "Blue Moon of Kentucky" cover did not chart. Mansfield gave a two-star rating for Allmusic, where he wrote that the band had "devolved into a redneck boogie group." Nash's review for "Entertainment Weekly" gave it a C- grade, and called it "warmed-over blues" that lacked the "outrageousness, wit, and brilliance that distinguished their earlier albums." Steve Morse of "The Boston Globe" called it an "irresistible car-stereo album," and "Rolling Stone" critic John Swenson said that the album was more rock-oriented than its predecessors, also saying that it "sounds like a hell of a blueprint for a summer concert tour." The Orr-led lineup also recorded "That'll Work", a collaborative album with Chuck Berry's pianist, Johnnie Johnson. It was released later in 1993 via Nonesuch Records, and it comprised twelve songs which Johnson and the band wrote over the course of four days. The album featured Johnson on piano, as well as lead vocals on the title track and one other song; Jimmy Hall of Wet Willie also played harmonica and saxophone, and sang backing vocals. Thom Owens of Allmusic wrote of this album that "They certainly can work a heavy, bluesy groove with dexterity, but they lack the gonzo charm they had on their debut, "Pickin' on Nashville " — there simply isn't the sense of careening fun, nor is there the reckless fusions that resulted in such an invigorating listen."