The stories were published in English - "Hourglass" ("Besa") and "Best European Fiction 2019" ("What she's done"), Dalkey Press, as well as in the German language - "Keine Delicatessen" (Play it again, Cage) and "perspectives" ("Wir sind hier auf diese Erde"). As an active film critic, she published film reviews and essays in the cultural supplement of "Politika" (2007-2018) and occasionally cooperates with "Chronicles of FEST." She is a member of the Serbian branch of FIPRESCI . Literary and film essays were published in the journal "Ulaznica": "The end of humanism in the antiutopian trilogy of "Rabidness", "Atlantis" and "1999 by" Borislav Pekić", "The Jung's Term of Synchronicity and Non-Linear Dramaturgy in Cinematic Works" /„Kraj humanizma u antiutopijskoj trilogiji Besnilo, Atlantida i 1999 Borislava Pekića“; „Jungov pojam sinhroniciteta i nelinearna dramaturgija u filmskim ostvarenjima”/  As a screenwriter she is featured in the "Awakening" anthology /Buđenje/, which brought together female comic writers and artists from the region (Dibidus, Belgrade, 2018). She was screenwriter of children's educational program "Film Graffiti" (Filmski grafiti, RTS, 2002). She publishes theoretical papers on the film in the "Proceedings of the Faculty of Dramatic Arts" /Zbornik Fakulteta dramskih umetnosti/ and the magazines "Limes" and "Kultura". She worked as a free copywriter. A variant of her PHD thesis is published as "Trauma and post-Yugoslav cinema: Narrative strategies /Trauma i postjugoslovenski film: narativne strategije" (Film center of Serbia, 2019).