"Oklahoma!" was presented nightly except Sundays each summer at the Discoveryland amphitheater, an outdoor theatre in Sand Springs, Oklahoma, from 1977 until 2011. In 1993, Mary Rodgers (daughter of Richard Rodgers) and William Hammerstein (son of Oscar Hammerstein II) designated Discoveryland the "National Home of Rodgers and Hammerstein's "Oklahoma!"" In 2006, "Oklahoma!" was performed in Japan by the all-female Takarazuka Revue. This revival starred Yuu Todoroki, Ai Shirosaki, and Hiromu Kiriya. In the summer of 2009, British director John Doyle directed the musical at the Chichester Festival Theatre. The production was dark in concept and featured new orchestrations by Jonathan Tunick. On a spare stage, decorated only with blue sheets, "Confetti of rose petals stains the floor like drops of blood, and a nightmarish dream-dance sequence has Freudian overtones as Laurey's bridal gown becomes her shroud." It received mixed reviews. "The Times" reviewer wrote: "This is a very stylised, overdrilled production, no friend of intimate moments or quiet depth of emotion." "The Guardian" liked it the most, stating that "it's a delight, with one brilliant tippy-tappy-toed song after another and a nugget of darkness lodged in its sweet heart." "Whats On Stage", like most of the papers, gave the show three out of five stars and wrote that this is a "downbeat vision" and that "all told it's a somewhat disappointing show", but their "average reader rating" was four stars. A review in "The Telegraph" commented, "Doyle uses shadow and silhouette to bring out the musical's nightmarish aspects but doesn't over-labour them. There are enough sunny spots – no more so than in Act 2's rousing title song – to keep the tone evenly textured." The show toured England for nine months in 2010 in a new staging by Julian Woolford, with Marti Webb as Aunt Eller and Mark Evans as Curly. "Oklahoma!" opened in October 2010 at the Arena Stage to critical acclaim. Artistic Director Molly Smith cast African-American actresses as Laurey and Aunt Eller to mirror both modern Washington, D.C. demographics and the diverse population of the musical's 1906 Oklahoma territory setting. The production received ten 2011 Helen Hayes Award nominations, winning as Outstanding Resident Musical (tying with Shakespeare Theatre's "Candide") and for choreography (Parker Esse), lead actor (Nicholas Rodriguez as Curly) and musical direction (George Fulginiti-Shakar).