Tao Nørager  Tao Nørager (born 18 April 1974) is a Danish Film director specializing in documentaries. Nørager grew up in the Danish town Virum with his mother, a free lance creative director and graphics designer for the advertising industry, and his father "CASPER", a record producer for Polydor Records. At a young age he became friends with Jurij Moskvitin. During his early years Nørager quickly grew a fondness for the graffiti drawing style and participated in the graffiti subculture of Copenhagen during the 80's. The original 80's subcultural style is still present in most of Nørager's works. After graduating from the Danish Advertisingschool, Nørager continued onto The Short & Documentary Filmschool where he graduated in 2005 with the short film "De Personlige". After a couple of years working in advertising Nørager became friends with the Welsh fashion designer Andrew Mackenzie. Together with a professional camera crew Nørager directed Mackenzie's Fashion Shows in Milan from 2005 to 2007. The use of an entirely professional camera team using multiple stable camera angles and focusing on the detail in the design, instead of watching the audience and high tempo zoom and tilt, together with a professional film editor resulted in a completely new paradigm for fashion photography. Nørager directed his first picture "De Personlige" ("The Personals") in 2005. It featured a story about a lonely business man who through a personal ad gets a blind date with what he thinks is a beautiful young woman and her child. During the dinner in the lady's apartment she refers to the picture she sent the man as "a bit dated" further more it turns out her now 30-year-old son also lives in the apartment. The business man regrets his involvement and tries to sneak away, with disastrous consequences. After his involvement with filming the fashion shows, Nørager decided to make a very personal documentary about his friend Andrew Mackenzie, "Bible Black" (2011) . The documentary features Mackenzie's great comeback to the fashion world after a couple years of obscurity due to legal trouble over the trademark name "Andrew Mackenzie". The documentary follows the increasingly anxious Mackenzie in the last days before a fashion show giving a unique view into the fashion world. As opposed to Nørager's fashion shootings featuring a complete film crew, Nørager chose to be the cameraman himself, in that way ensuring that he did not disturb Mackenzie in his work, and also making sure he could track Mackenzie's every move.