This film should not be confused with "The Babes in the Woods", an adaptation of the Hansel and Gretel story made by Chester Franklin and Sidney Franklin, also from 1917. "The Babes in the Woods" has been released on videocassette; "Like Babes in the Woods" is a lost film. The studio was rented out to others, and was eventually demolished. Unlike the case with "The Fairylogue and Radio-Plays" (1908), Baum invested none of his own money in the venture and was not financially affected by the studio's failure, though it is probable it impacted his health, which took a turn for the worse not long after the failure. Frank Joslyn Baum, Baum's eldest son and sometime attorney, who handled East Coast distribution from an office in Times Square, took over the company and renamed it Dramatic Feature Films, which made one feature and one short, probably from scripts by the younger Baum. Although ads announced the release of the feature film, "The Gray Nun of Belgium", it does not appear to actually have been released. While some speculate that Baum would have allied himself with United Artists had he been able to sustain the company, there is no evidence for this, nor evidence that he had ever met UA's founding members, Charles Chaplin, Mary Pickford, Douglas Fairbanks, and D. W. Griffith, though Gottschalk went on to work with all of them. It is known that fairy tale/fantasy films were produced more frequently by 1917. The four feature films were considered lost for many years. By the 1980s, all three fairy tale films were made available on home video. All of the feature films have been released on both DVD and VHS with the exception of "The Last Egyptian". The Museum of Modern Art owns a worn copy that was used in Bill Morrison's "Decasia", but it remains unreleased and is not part of their screening repertoire. The shorts remain lost. In L. Frank Baum's pseudonymous novel, "Aunt Jane's Nieces Out West", the series' principals are introduced to a filmmaker named Otis Werner, who is clearly a send-up of Otis Turner, who made some earlier Oz films, mostly without Baum's input. The nieces decide to establish their own film company for children, and Uncle John name-drops "Hans Andersen, Frank Baum, and Lewis Carroll" as among those whose fairy tales had already been adapted to the screen.