The tape of that first broadcast "was accidentally erased. This is especially unfortunate since Beckett took an active part in the rehearsals." Humphey Searle’s approach was to work with leitmotifs: "The chief motif, 'Woburn', would, Humphrey thought, be associated with the flute. Other motifs would be the 'island' and 'the journey', one linked with ethereal light and space, the other with restlessness and images of falling, getting up again, walking with a stick and so on. Some of these were humorous - 'same old stick ... same old broadbrim' - some darkly agitated." A more recent version was composed by Martin Pearlman on a commission by the 92nd Street Y in New York for the Beckett centennial (2006). Lloyd Schwartz of the Boston Phoenix wrote that "Pearlman's evocative music seemed so right for these unsettling plays, it's now hard for me to imagine them without it." “Although the general contract specifies that "Cascando" should not be performed without Mihalovici's music," a number of other composers have worked on various productions and have created their own works based on the play. Lodewijk de Boer: Toneelgroep Studio / NOS, 1970 Philip A. Perkins: Univ. of the Pacific, ( for electric guitar and other sounds) 1971  Philip Glass: Mabou Mines, 1975 (Apmonia entry on Glass) Wayne Horvitz: Theater for Your Mother, 1979 (for trumpet and vocalists)  Humphrey Searle: Produced by: Katherine Worth for UL-AVC, 1984  William Kraft: co-production of Voices International and Horspiel Studio lll, WDR, 1989 Peter Jacquemyn: BRT, 1991 Gerard Victory: RTÉ radio broadcast, 1991 Dan Plonsey: Three Chairs Productions, 2002  Obadiah Eaves: Division 13 Productions, 2003  David J (founding member Bauhaus/Love and Rockets): Devaughan Theatre, 2005 David Tam: WKCR in association with Columbia University Arts Initiative, 2006  Martin Pearlman: 92nd Street Y Poets’ Theatre in association with Nine Circles Chamber Theater, 2006 Paul Clark: Gare St Lazare Players Ireland, RTÉ radio broadcast, 2006  Elisabeth Lutyens: "Cascando", for contralto, solo violin and strings, 1977 Charles Dodge: "Cascando", 1978 (Dodge used electronic sounds for Voice and Music, while retaining a human voice for the part of Opener).