Lübeck's "Clavier-Übung" of 1728 consists of a single harpsichord suite, in which the traditional dances (allemande, courante, sarabande and gigue) are preceded by a prelude and fugue, and a chaconne, which is a simplistic two-voice piece, in which the chorale melody "Lobt Gott, ihr Christen allzugleich" by Nikolaus Herman is combined with an eight-bar ostinato. The suite, on the other hand, is much more advanced and exhibits some of the virtuosic qualities found in Lübeck's organ works. Of Lübeck's surviving cantatas, "Gott wie dein Nahme", "Hilff deinem Volck" and "Willkommen süsser Bräutigam" are the less important ones, probably intended for small, average ensembles. The remaining two works, commissioned by the Swedish administration in Stade, include separate instrumental movements, choruses and ritornello arias; they also feature more advanced writing.