To prove the prosecutor's argument that the crime scene was staged, the film indicates that there was broken glass on top of clothes in crime scene photographs. No such photographs exist. In the film, a shop owner contacts the police immediately to tell them that Knox bought some cleaning supplies from him on the morning of the murder. When the witness was originally questioned by police, he did not mention that Knox was in the store and the other worker at the shop testified that Knox was not present at that time. Furthermore, the shop owner did not contact the prosecutor until he was encouraged to do so by reporters months after the murder. In the film, Knox enters the court on a red carpet, dressed in what Battiste describes as a "sexually suggestive" manner, and waving to the reporters. Knox was generally brought in through the rear entrance of the courthouse to avoid the press, and the courthouse does not have a red carpet. Additionally, Knox did not, in Battiste's view, dress in a provocative manner and did not wave to the media. The film portrays Knox and Sollecito sitting near each other and sharing shifty looks during the trial, when in reality they sat farther apart. In the film, judge Micheli reads the ruling of the sentence as President of a Court composed by himself, two other professional judges (magistrates), and 6 lay judges (members chosen from citizens): in reality he ruled as single judge (as judge for the preliminary hearing). Moreover, the preliminary hearing was also held without the presence of journalists and general audience. The trial regarding Knox and Sollecito is represented as held in front of a Court composed of 9 judges (3 magistrates and 6 lay judges): actually the Italian legal system does not contemplate this composition. The trial was held in front a "Corte d'Assise", composed of a panel of two professional judges and six lay judges.