The archive consisted of two broad categories of articles written between 1917 and 1918 - the "Tales of the VC". More than 90 stories of individual heroism by men from all over the Empire can be viewed on the National Library of Wales website and on the Europeana 1914-18 website. Samples of the remaining 60 articles can be found in archives such as "MI7b-the discovery of a lost propaganda archive from the Great War". In September 1939, MI7 was reformed at the outset of the Second World War as the largely civilian Press and Propaganda section of the War Office Directorate of Military Intelligence. It was transferred to the Ministry of Information in around June 1940. The Anglo-Irish fantasy writer Lord Dunsany served in MI7(b) during the early months of WW2 and was based at the Air Ministry building Adastral House (now known as No 1 Kingsway). The name MI7 has often been used in fiction as the title for an intelligence agency or organisation similar to the actual MI5 or MI6. In the Bond film "Dr. No" (1962) there are two explicit references to James Bond working for MI6; strangely, one of these (where the words are spoken by 'M') has been dubbed to "MI7", although the speaker's lips clearly say "MI6". In the "Operation Susie" episode of "The Professionals", central organization CI5 comes into conflict with elements of MI7 working to a different agenda. Rowan Atkinson's character of Johnny English from the spy spoof films "Johnny English", "Johnny English Reborn" and "Johnny English Strikes Again" is an MI7 agent. The character was originally presented in a series of adverts for Barclaycard as MI7 agent Richard Latham. In "", former Head Girl Kelly Jones now works as an agent for MI7. There was public speculation in 2015 that Stephen Jolly, the UK's then Director of Defence Communications, an Under-Secretary of State or 2* official, at the Ministry of Defence, might be seeking to revive MI7. Jolly was making waves in military circles at the time by driving forward a "full spectrum" approach to Defence communications, encompassing public relations, media operations, information operations and psyops. Defence commentators dubbed this "post-Afghan reset" of communications the "Rainbow in the Dark" doctrine. It was an approach that entailed the most radical shake-up in British Defence communications in more than thirty years. Jolly was also instrumental in the creation of the Forster Review that led to reform of the D-Notice Committee in the same year.