The book's cover was drawn by Henri Matisse. For his 4,500-word philosophical preface, Cartier-Bresson took his keynote text from the 17th century Cardinal de Retz, "Il n'y a rien dans ce monde qui n'ait un moment decisif" ("There is nothing in this world that does not have a decisive moment"). Cartier-Bresson applied this to his photographic style. He said: "Photographier: c'est dans un même instant et en une fraction de seconde reconnaître un fait et l'organisation rigoureuse de formes perçues visuellement qui expriment et signifient ce fait" ("To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression."). Both titles came from Tériade, the Greek-born French publisher whom Cartier-Bresson admired. He gave the book its French title, "Images à la Sauvette", loosely translated as "images on the run" or "stolen images." Dick Simon of Simon & Schuster came up with the English title "The Decisive Moment". Margot Shore, Magnum's Paris bureau chief, translated Cartier-Bresson's French preface into English. "Photography is not like painting," Cartier-Bresson told the "Washington Post" in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. The Moment! Once you miss it, it is gone forever." The photo, Rue Mouffetard (photo), taken in 1954 has since become a classic example of Cartier-Bresson’s ability to capture a decisive moment. He held his first exhibition in France at the Pavillon de Marsan in the Louvre in 1955. Cartier-Bresson's photography took him to many places, including China, Mexico, Canada, the United States, India, Japan, and the Soviet Union. He became the first Western photographer to photograph "freely" in the post-war Soviet Union. In 1962, on behalf of "Vogue", he went to Sardinia for about twenty days.