Francisco Alonso  Francisco Alonso López (9 May 1887 – 18 May 1948) was a Spanish composer of popular theatre music and zarzuelas. Alonso's music is funny, cheerful, easy melody and with a popular accent. He excelled in pasodobles and chotis, which he impressed with grace and ease. Many of his works are still highly valued, as the pasacalle "Los Nardos", the chotis "El Pichi", both from "Las Leandras", the chotis "Tabaco" and cerillas from the revue "Las de Villadiego" or the song "Maitechu mía" (both with lyrics by Emilio González del Castillo). He wrote also two pasodobles for fiestas in the city of Alicante, Les Fogueres de Sant Joan, titled "La festa del poble", premiered in 1934, and "La Nit de San Joan" 1934, a "pasodoble foguerer" for band, chorus and bass soloist. He also was elected president of the General Society of Authors of Spain. Francisco Alonso was born in Granada, where he received his early education from the Piarists. As the son of a pianist, Alonso was interested in music from early childhood. His mother supported him when, unable to overcome the dissection classes , he abandoned a career in medicine for musical studies. He studied music initially with Antonio Segura, and later with Celestino Villa, choirmaster of the Cathedral of Granada. Alonso's first compositions were created for the Escuelas del Ave María (founder Andrés Manjón). Later, he wrote music for ballroom dances such as polkas, mazurkas, and waltzes. When he was 16 years old, he led the band of the powder workers of the El Fargue district of Granada, and later created a choir at the Philharmonic Society of Granada that performed several concerts in Granada. At age 18 he premiered his first opera with La Niña de los Cantares, performed at the Teatro Cervantes in 1905. At that time he also became the director of the regimental band of Córdoba, for whom he composed his well-known pasodoble Pólvora sin Humo. His mother and father died in 1905 and 1908 respectively and Alonso decided to move to Madrid to focus on making the most of the better musical opportunities offered by the capital.