It shows the aim of Miró to perform what it was called antipainting, influenced by Dada and Marcel Duchamp. When he takes a famous painting and transforms it, he is recognizing his debt with the model while he destroys it. At the same time Miró is questioning his own previous work. The third painting of the series differs from the other two because, despite of being inspired by a domestic scene of a Flemish model, it changes the subject: the main character is a woman who isn't taking a bath but giving birth to a goat. This woman is impaled by a nail to the floor and is framed by a black line, one of the typical colours of Miró. The cruelty of the scene is softened by the stylization of the details, although the red of the blood makes it harder, attracting the attention of the viewer.