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"Interesting revelation here for the musical nerds out there.\n \n\n\n\t \n \n\n\n\tThere's a cue from TROS called The Kiss. One of the cellists who worked on the sequel trilogy even describes its musical content: \"This part, I'm looking at it right now, it's in D minor, it's REALLY sad. You think, wait a minute, it's a kiss, why is it sad? We were all wondering... somebody died!\")\n \n\n\n\t \n \n\n\n\tThe discussion about vague cue titles comes up here, then she pulls out her phone to read the actual sheet music:\n \n\n\n\t\n\t\t\n\t\n\n\n\n\t \n \n\n\n\tThe only other cue title she mentioned was Cockpit Dialogue, which we already knew about. She also specifies it was an Episode IX cue -- not the identically named cue from TLJ.\n \n\n\n\t \n \n\n\n\tSo why is this an interesting revelation? Because I'd long speculated the music for Ben/Rey's kiss in the film is either an insert or a fragment of an alternate, based on some very obvious editing revealed in the spectogram (check the black gap from 2:50 onwards, indicating an alternate recording was spliced in, complete with an artificially pitch-shifted section immediately preceding it):\n \n\n\n\t\n \n\n\n\t \n \n\n\n\t@Falstaft @BrotherSound you might be interested in this!\n \n"
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