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"Thanks everyone for the interesting replies! I've been in touch with Goetze and Gwynn who restored the instrument, and have had a reply from one of the staff as follows:\n \n\n\n\t\"Yes, I remember the Teint. It was on the Swell, but because it was never used, the 1ft on the Positiv was transferred to the Teint's position, and a much needed Sesquialtera II (copied from the GDB at York University) was introduced to the Positiv.\n \n\n\n\t\"The Teint was a high-pitched Aliquot mixture... I don't remember what the pitches 1.1/7 and 16/19 denoted, but they were high up in the harmonic series, and though soft the stop had a sound like tinkling glass! It was intended for music by avant-garde composers like Hugo Distler, though I doubt it was ever much used.....for the last forty years or so one of the ranks was sellotaped silent. I know of no other examples of the Teint in the UK, but builders such as Rieger in Austria probably were the originators.\"\n \n\n\n\tThey also advised me to approach Paul Hale as he was organ scholar there and has written a book about it, and I've just done so. Apparently he regretted the stop's demise!\n "
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