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"&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p class=\"Default\"&gt;&lt;span class=\"Default__Char\"&gt;The first compilation from this hip-hop powerhouse &amp;#x2013; 2009&amp;apos;s &lt;em&gt;We Are Young Money&lt;/em&gt; &amp;#x2013; featured rising stars &lt;a href=\"http://www.rollingstone.com/music/news/drake-high-times-at-the-yolo-estate-20140213\"&gt;Drake&lt;/a&gt; and &lt;a href=\"http://www.rollingstone.com/music/news/nicki-minaj-sued-for-wig-plagiarism-20140221\"&gt;Nicki Minaj&lt;/a&gt;. This time out, we&amp;apos;re introduced&amp;#xA0;&lt;/span&gt;&lt;span class=\"Default__Char\"&gt;to a charming talkrapper named Euro and not much else beyond some diverse but mundane urban contemporary music dominated by familiar players. Contractually, Drake and Minaj are here; artistically, they&amp;apos;ve moved on. And the label&amp;apos;s flagship genius, &lt;a href=\"http://www.rollingstone.com/music/artists/lil-wayne\"&gt;Lil Wayne&lt;/a&gt;, is ostentatiously bored: &amp;quot;Have my cake and eat it, too/I want a bakery.&amp;quot; That&amp;apos;s so half-ass, it&amp;apos;s almost funny.&lt;/span&gt;&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/albumreviews/young-money-rise-of-an-empire-20140320>