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"&lt;p&gt;Beware men in hats, especially John Slattery in a Mad Men fedora. They may be the personification of Fate. Hats give them the hoodoo to block you from running off with your babe of choice. At least that&amp;apos;s what happens to David Norris (Matt Damon), the bad-boy congressman who meets ballerina Elise Sellas (Emily Blunt) on the night he concedes defeat in his New York Senate run. It&amp;apos;s love, but Fate conspires to keep them apart until David wears his own hat and starts kicking allegorical ass.&lt;/p&gt;\r\n&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p&gt;&lt;a href=\"../../../movies/blogs/the-travers-take/travers-rango-is-the-most-wtf-movie-of-all-time-20110303\"&gt;Peter Travers reviews &lt;em&gt;The Adjustment Bureau&lt;/em&gt; in his weekly video series, &amp;quot;At the Movies With Peter Travers.&amp;quot;&lt;/a&gt;&lt;/p&gt;\r\n&lt;p&gt;Welcome to &lt;em&gt;The Adjustment Bureau&lt;/em&gt;, freely and feebly adapted from Philip K. Dick&amp;apos;s 1954 short story &lt;em&gt;Adjustment Team&lt;/em&gt; by screenwriter George Nolfi (&lt;em&gt;&lt;a href=\"../../../movies/reviews/bourne-ultimatum-20070802\"&gt;The Bourne Ultimatum&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href=\"../../../movies/reviews/oceans-twelve-20041210\"&gt;Ocean&amp;apos;s Twelve&lt;/a&gt;&lt;/em&gt;) in his directing debut. Dick&amp;apos;s science-fiction writing has resulted in several fine films, including &lt;em&gt;Blade Runner&lt;/em&gt; and &lt;em&gt;&lt;a href=\"../../../movies/reviews/minority-report-20020624\"&gt;Minority Report&lt;/a&gt;&lt;/em&gt;. But &lt;em&gt;The Adjustment Bureau&lt;/em&gt; misses by a mile. Despite heroic efforts by Damon and the lovely Blunt to build a plausible love story, the movie dissolves into silliness. What Dick rendered potent, Nolfi renders preposterous.&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/movies/reviews/the-adjustment-bureau-20110303>