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"  Atonement  Can&amp;#039;t summarize, just go. Go for the smokin&amp;#039;-hot love story (based on the Ian McEwan novel) that pits Keira Knightley against James McAvoy in a battle over who&amp;#039;s the dewier, fresher, more glowing bit of eye candy. Go for Knightley&amp;#039;s enviable &amp;#039;40s style: the emerald gown, oxford heels, and crimson pout. Go for the sound editing-yes, sound editing-which weaves elements like a tapping typewriter into a magnificent score. Just go.   Juno  The story of a strong-willed, acerbic teenager searching for the ideal adoptive parents for her unborn baby, Juno is a wholly original, gratifying romp through the perils and, remarkably, howling laughs of teen pregnancy. With just-right suburban Minnesota details-novelty phones, arctic-blue Big Gulps, and Hot Pockets-absurdly talented screenwriter Diablo Cody evokes that bittersweet moment when we all entered the hallway of adulthood, ready or not.   The Savages  In writer/director Tamara Jenkins&amp;#039;s schmaltz-free latest, Laura Linney is a neurotic, pill-popping temp and sister to Philip Seymour Hoffman&amp;#039;s stoic, schlubby professor (and secret crybaby). The two travel to Sun City, AZ-a retirement oasis of water aerobics and rock gardens-to bring their estranged father back to frigid Buffalo. As the self-absorbed siblings sink into rivalry and midlife meltdowns, Jenkins happily puts the fun back in dysfunctional. "^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.marieclaire.com/culture/a810/movie-reviews-1207/>