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"&lt;p&gt;On &lt;a href=\"../../music/artists/blondie\"&gt;Blondie&lt;/a&gt;&amp;apos;s self-released ninth album, the New York new wave greats fold the present into their past &amp;#x2013; from a &amp;quot;Tide Is High&amp;quot;-tinged cover of Brooklyn avant-folkies Beirut to a &amp;quot;Dreaming&amp;quot;-like basher with a melody via &lt;a href=\"../../music/artists/tv-on-the-radio\"&gt;TV on the Radio&lt;/a&gt;. There&amp;apos;s a little too much throwing stuff at a wall (the florid Spanish house track, the Serge Gainsbourg tribute) and, oddly, their bailiwick synth-rock sometimes feels theatrically heavy-handed, more &lt;a href=\"../../music/artists/the-killers\"&gt;Killers&lt;/a&gt; than &lt;em&gt;&lt;a href=\"../../music/albumreviews/parallel-lines-19821103\"&gt;Parallel Lines&lt;/a&gt;&lt;/em&gt;. Yet, if the tunes sometimes sag, Debbie Harry&amp;apos;s voice remains sharply sculpted; on &amp;quot;China Shoes&amp;quot; she sings about her distant lover with tough, ageless longing. Because you&amp;apos;re never too old to get left hanging on the telephone.&lt;/p&gt;\r\n&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;wm:video type=\"inset\" id=\"1\"&gt;&lt;/wm:video&gt;&lt;p&gt;&lt;strong&gt;Listen to &amp;quot;What I Heard&amp;quot;:&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;\r\n&lt;p&gt;&lt;strong&gt;Related&lt;br&gt;&lt;/strong&gt;&amp;#x2022; &lt;a href=\"../../../music/news/blondie-releases-first-album-in-eight-years-20110916\"&gt;Blondie Releases First Album in Eight Years&lt;/a&gt;&lt;br&gt;&amp;#x2022; &lt;a href=\"../../../music/blogs/thread-count/debbie-harry-on-blondies-marc-jacobs-fashion-week-collaboration-20110914\"&gt;Debbie Harry on Blondie&amp;apos;s Marc Jacobs Fashion Week Collaboration&lt;/a&gt;&lt;strong&gt;&lt;br&gt;&lt;/strong&gt;&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/albumreviews/panic-of-girls-20110928>