<http://schema.org/articleBody>
"\"&lt;p&gt;&lt;div id='gallery-1' class='gallery galleryid-1000012678 gallery-columns-3 gallery-size-thumbnail'&gt;&lt;figure class='gallery-item'&gt;\\n\\t\\t\\t&lt;div class='gallery-icon '&gt;\\n\\t\\t\\t\\t&lt;a href='http:\\/\\/skateboarding.transworld.net\\/photos\\/mcrad-fdr\\/attachment\\/volumedec3m\\/'&gt;\\/skate\\/content\\/images\\/07\\/volumedec3m.jpg&lt;\\/a&gt;\\n\\t\\t\\t&lt;\\/div&gt;&lt;\\/figure&gt;\\n\\t\\t&lt;\\/div&gt;\\n&lt;b&gt;McRad&lt;\\/b&gt;&lt;br \\/&gt;&lt;i&gt;FDR&lt;\\/i&gt;&lt;br \\/&gt;Uprising&lt;br \\/&gt;***\\n&lt;p&gt;Wow, McRad is back. Or more correctly, Chuck Treece has decided to revisit his old band&amp;#8217;s moniker and sound (while otherwise moonlighting from his main gig as an outstanding session musician for the likes of Sting, Billy Joel, and Jadakis). For those not aware of &amp;#8220;skate rock or of Treece&amp;#8217;s history in skateboarding, the two go hand in hand. Treece was once a pro skater for Powell. He had a defining skate-rock band named McRad. Back in the mid 80s to early 90s, schralpers by the tens-of-thousands made mixed tapes featuring tunes by Drunk Injuns, Faction, Beyond Possession, JFA, Los Crudos, Agent Orange and\\u2026 McRad. As a genre, the scene sort of came and went with the early days of team videos (&lt;i&gt;The Search For Animal Chin, Shackle Me Not&lt;\\/i&gt;, etc.). In general, skate-rock bands either sounded semi-punk, hardcore, or metal\\u2014you know, music that&amp;#8217;d get you stoked to session. Anything with driving beats, buff riffs (usually played over and over), and lyrics vaguely anti-establishment, lewd, funny, or odes to &amp;#8220;getting rad was pretty much labeled skate rock. FDR sounds like the last twenty years never happened. &lt;i&gt;Whee&lt;\\/i&gt;!&lt;b&gt;\\u2014Arlie Carstens&lt;\\/b&gt;&lt;\\/p&gt;\\n\""^^<http://www.w3.org/2001/XMLSchema#string>
<http://skateboarding.transworld.net/photos/mcrad-fdr/?pid=4083>