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" The public have taken their time warming to Paloma Faith&amp;#039;s quirks, though judging by the success of her latest album Fall to Grace, it&amp;#039;s a battle she finally appears to be winning.  The Hackney singer closed her current run of UK shows with a second sold-out gig at London&amp;#039;s Somerset House, where she entered the stage subtly as ever in a bejazzled vintage frock and opened her set with &amp;#039;When You&amp;#039;re Gone&amp;#039; standing atop a miniature piano.   Faith left no corner of the stage unturned as she strutted around for uptempo numbers including &amp;#039;Blood, Sweat &amp;amp;amp; Tears&amp;#039; and &amp;#039;Upside Down&amp;#039;, though it was when draped herself over a piano for &amp;#039;Just Be&amp;#039; - a ballad about &amp;quot;realistic love&amp;quot;, she says - that she was most compelling.  Her witty stage banter proved she is sharper than her vacant childlike speaking voice would suggest, at one moment comparing the audience&amp;#039;s clapping to the shining sun and exclaiming: &amp;quot;I&amp;#039;m getting a clap-tan! Oh wait...&amp;quot; She told us to be proud of our &amp;quot;wobbly bits&amp;quot; during live-only song &amp;#039;Cellulite&amp;#039;, though exposing us to her perfectly-trimmed pins wasn&amp;#039;t necessarily the best advert for it.    Fans were invited onto the stage during the encore to dance along to her liberty anthem &amp;#039;Freedom&amp;#039;, where the exploding confetti lasted long enough to see her out with her biggest chart hit &amp;#039;Picking Up the Pieces&amp;#039;. It was a dazzling finale for an artist who right now has plenty to celebrate.  Click through our gallery of Paloma Faith&amp;#039;s show at Somerset House below:   "^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.digitalspy.com/music/live-reviews/news/a394154/paloma-faith-live-at-somerset-house-review/>