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" Kylie Minogue was today confirmed as a coach on The Voice UK, but how did she get here? Below, Digital Spy rounds up the career-defining moments from Ms Minogue&amp;#039;s 30 years in the industry. Scott and Charlene After some bit-parts as a pre-teen, Minogue was cast as a lead in The Henderson Kids in 1985, but her real breakthrough came a year later when she was cast as the schoolgirl-turned-car-mechanic in Neighbours. He character had a romance with Jason Donovan&amp;#039;s Scott Robinson. She won multiple Logies for the role, and was the youngest ever winner of the &amp;#039;Gold Logie&amp;#039;.      Everybody&amp;#039;s doing the brand new dance now... Kylie had been singing since she was a child, but Kylie&amp;#039;s cover of Little Eva&amp;#039;s &amp;#039;60s smash &amp;#039;The Loco-motion&amp;#039; made her a bona fide popstar, scaling the charts all around the world. It featured on her debut album Kylie, which was swiftly followed by rush-recorded Stock, Aitken and Waterman releases Enjoy Yourself, Rhythm Of Love and Let&amp;#039;s Get To It.      &amp;quot;Some rules were meant to be broken&amp;quot; Her movie career has been sporadic but varied, and it started in 1989 with the lead role of Lola Lovell in Aussie movie The Delinquents. The tagline was &amp;quot;Some rules were meant to be broken&amp;quot; and the film featured her own weepy &amp;#039;Tears on My Pillow&amp;#039;. The critics weren&amp;#039;t kind, but the film made its money and helped cement her star status.      Stick or twist / The choice is yours Escaping from the SAW production line in 1994, Kylie Minogue released a self-titled album and lead single &amp;#039;Confide In Me&amp;#039; that more than proved her worth as a standalone popstar. Even those who dismissed her as &amp;quot;the Singing Budgie&amp;quot; were finally forced to sit up and pay attention.      &amp;quot;How does it feel getting beaten by a tiny girl like me?&amp;quot; Another jump at the movies came with the 1994 Street Fighter adaptation which starred Kylie as Cammy. How to put it... the Jean-Claude Van Damme vehicle wasn&amp;#039;t quite the roaring success of the Capcom video game. Nor was it even half as good as the following year&amp;#039;s Mortal Kombat.      Manic Street Kylie and the Bad Seeds Despite the Street Fighter misstep, Kylie was granted access to hipster circles by duetting with her countryman Nick Cave on murder ballad &amp;#039;Where The Wild Roses Grow&amp;#039; a year later. Not long after, she hooked up with the Manic Street Preachers who had tried and failed years earlier to collaborate, making do with ex-porn star Traci Lords instead. The death of Princess Diana forced an album retitle (from Impossible Princess to another Kylie Minogue), which likely didn&amp;#039;t help its performance.      Hello, My name is German Bold Italic Ground was made up with this 1998 collaboration with Towa Tei. A completely barmy hook-up, in which Kylie professes to be a typeface who can complement you well. Especially in red. Extremely in green. Maybe in blue, blue blue. Gut ja!      Gold. Lam\u00E9. Hotpants The comeback began in earnest at the turn of the century when Kylie squeezed into a pair of hotpants and spun around. A saucy Athena-referencing GQ photoshoot probably didn&amp;#039;t hurt (nor did the magazine&amp;#039;s outrageous decision to allegedly photoshop out her tennis knickers), but it was the popdance quality of Light Years more than anything else that made Kylie a superstar once more.      La la la, la la la la la, la la la, la la la la la Her transition from impossible princess to proper pop royalty was complete with the all-conquering single &amp;#039;Can&amp;#039;t Get You Out Of My Head&amp;#039;. Cathy Dennis and Rob Davis&amp;#039;s track catapulted her to the higher reaches of the chart worldwide and the accompanying Fever album proved that it wasn&amp;#039;t a one-off.      The Price is right After beating breast cancer and being forced to miss out on a Glastonbury headline slot mid-way through the decade, Kylie&amp;#039;s proper return to pop came with 2010&amp;#039;s Aphrodite, executive produced by man-of-the-moment Stuart Price. The accompanying &amp;#039;Aphrodite: Les Folies Tour&amp;#039; was over-the-top enough to show that she was most certainly back in business. Kylie later showed her more restrained side with an &amp;#039;Anti-Tour&amp;#039; of B-sides, demos and rare tracks to mark her 25 years in the industry.      &amp;quot;Take my hand. Let&amp;#039;s walk. Most likely we&amp;#039;ll never see each other again&amp;quot; In the words of the DS movies editor, &amp;quot;After her song &amp;#039;Can&amp;#039;t Get You Out Of My Head&amp;#039; blasts out from a party, Kylie Minogue appears in a sombre segment - but not as herself. How very metatextual.&amp;quot; Kylie banished her past movie nightmares with a turn in Leos Carax&amp;#039;s artsy, well-received Holy Motors. From French arthouse to sharing a panel with will.i.am and Tom Jones, Kylie has proved herself to be a true renaissance woman.       "^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.digitalspy.com/tv/the-voice/news/a514534/kylie-minogues-career-defining-moments-in-video/>