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"&lt;p&gt;As a double-disc set, Tina Turner&amp;apos;s latest best-of falls between 1991&amp;apos;s too-short &lt;em&gt;Simply the Best&lt;/em&gt; and 1994&amp;apos;s slapdash three-CD box &lt;em&gt;The Collected Recordings: Sixties to Nineties&lt;/em&gt;&lt;/p&gt;\r\n&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p&gt;. This one includes 1993&amp;apos;s inferior rendition of &amp;quot;Proud Mary&amp;quot; (from the movie &lt;em&gt;What&amp;apos;s Love Got to Do With It&lt;/em&gt;) and gives short shrift to Ike and Tina Turner&amp;apos;s 1960s and 1970s catalog. Since her 1984 solo breakthrough, &lt;em&gt;Private Dancer&lt;/em&gt;, this consummate performer and soul-rock icon has recorded one other album worthy of her gutsy delivery (1996&amp;apos;s &lt;em&gt;Wildest Dreams&lt;/em&gt;, which yields five selections here) and several uneven discs, most of them with dated production. &lt;em&gt;All the Best&lt;/em&gt; collects single edits and a few full-length versions from those albums, adds a few duets and soundtrack strays, and tacks on three respectable new cuts: &amp;quot;Open Arms&amp;quot; recalls her Eighties-hit heyday, and &amp;quot;Complicated Disaster&amp;quot; and &amp;quot;Something Special&amp;quot; supply densely arranged contemporary slickness. Yet the collection fails to deliver what its title claims. Turner deserves better.&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/albumreviews/all-the-best-20050210>