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"FacebookPinterestundefined \n\nPerversely, we are at the edge of creating a hard-and-fast rule of film narrative in which the one assured means by which we can get America to care about young men of color is to shoot Michael B. Jordan.\n\nNot Michael, to be fair. But any character portrayed by Michael.\n\nThe drug war? Stop and frisk? Racial profiling? Black-on-black violence? Our separate Americas? All that is commentary. If you need white folks to actually feel something, it pays to aim a handgun at Michael B. Jordan\u2019s delicate and nuanced humanity and pull the trigger. Suddenly the risks of being young and black on an American street are apparent.\n\nA decade ago on The Wire, we put Michael in the path of a bullet, knowing we were breaking hearts. Not merely because the kid was a fine, careful actor playing a grandly sacrificial role. But that smile\u2014the open, adolescent warmth that filled Michael\u2019s face in ordinary moments\u2014God, the smile alone was going to wreck anyone watching as Wallace\u2019s story played out.\n\nWe started him sweet and foolish and playing with action figures, and we finished him in a vacant public-housing unit, with a high-caliber bullet in his chest. On that last day of work, even the Baltimore crew\u2014veterans of all manner of cop-show savagery and betrayal\u2014were sullenly setting up the shot.\n\n&amp;quot;I can\u2019t believe you\u2019re killing Michael,&amp;quot; said the makeup lady.\n\nNo, we\u2019re killing Wallace.\n\n&amp;quot;It\u2019s just wrong. It\u2019s evil.&amp;quot;\n\nWhen J.D. fired the prop gun and the squibs spurted and Michael dropped onto the stunt map, the script coordinator started crying.\n\nSo now, a decade later, comes Fruitvale Station, a quotidian, last-day-in-the-life account of Oscar Grant, another young black man\u2014this one shot to death by a transit officer in the early hours of New Year\u2019s Day 2009 at the Fruitvale stop of the Bay Area Rapid Transit system.\n\nNow, again, a few earnest souls in our film industry are taking steps from the beaten path to present the human-scale cost of our racial pathology. And the right actor is again required to take a bullet in such a way that we will feel the loss in all of its intricate detail.\n\nNo surprise who gets the call. Now Michael B. Jordan, an actor honed by a decade of meaningful work, turns in a performance that surrounds the doomed Oscar Grant, making him seem idiosyncratic yet average, ordinary yet precious. That\u2019s the power of Fruitvale.\n\nIt\u2019s easy to say as much, but to feel it? And it\u2019s harder when we are obliged to consider those who wear hoodies, who smoke a little weed, who text the wrong thing to a girl, who ever make a single mistake in their short lives. Harder still if the dead man can\u2019t win us with his smile.\n\nAnd there\u2019s the lesson.\n\nIf we shoot Michael dead a few more times, there\u2019s a small chance we might actually learn it.\n\ndavid simon  is the creator of HBO\u2019s The Wire"^^<http://www.w3.org/2001/XMLSchema#string>
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