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"Vinylmania: As classic disco came bounding through the late \u201970s and into the electronically orientated sounds of the \u201980s, New York was one of the undisputed frontiers for the latest developments in dance music culture, nightclubs and the art of DJing. At the center of this seminal time for vinyl culture was a store called Vinylmania, set up by Charlie Grappone in the heart of Greenwich Village, Manhattan, just as the culture of 12-inch singles and promo copies was taking hold. From supplying Levan, Tony Humphries and many more with the latest imports to championing the emergence of house music in the mid-\u201980s, Grappone and his staff played a significant role in New York\u2019s own dance music story. Through the \u201990s and up until closing in 2007, Vinylmania was a store that catered to DJs from across the complex mixture of racial, social and sexual demographics that made up New York and its legendary nightlife.\nMan Friday: As the NYC Peech Boys came to an end, Man Friday became Larry Levan\u2019s newest production project. Fronted by Kofi Morny and Brodie Williams, their dubut single \u2018Love Honey, Love heartache\u2019 was released by Vinyl Mania in 1986 with Larry Levan at the helm of the mix.\nLove Money: In the spirit of most dance music borrowing elements from other sources, \u2018Love Honey\u2019 was heaviliy inpired by another Paradise Garage &amp; Loft classic from 1980 and its remix in 1981 by UK Outfit Funk Masters / TW Funkmasters. A dubbed out track big in the Jazz-Funk scene in the UK, it became a hit among underground Deejays in Both NYC &amp; Chicago.\nLove Honey: No matter what list you look at. \u2018Love Honey\u2019 is always attached to Larry Levan\u2019s tenure at the Paradise Garage. All the elements of a Garage Track are here; Dub Echoes, Synth Basslines, Percussions that linger, FX -that one can only dream of hearing on a Richard Long System- and an Organ, because after all, they say the Garage was like going to Church."^^<http://www.w3.org/2001/XMLSchema#string>
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