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"Textile Firm Brunschwig &amp;amp; Fils's Modern Take On Its Vintage Fabrics\nFor the firm's latest fabric collection, Michael S. Smith\u2014co-creative director with Stephen Elrod\u2014combs through the brand's archives, reissuing and updating iconic designs from years past\nDesigner Michael S. Smith found inspiration for the newly introduced Yuzen pattern in a Japanese dressing gown fabric he discovered in the Brunschwig &amp;amp; Fils archives. Designed to look handmade, the grid print is offered in seven colors, including (from left) black, turquoise, pewter, indigo, kumquat, spring, and red. 100% linen\nNot available since the 1940s, Bois De Rose has been updated to include a printed background texture and an array of modern hues on a rustic twill ground cloth, including (from top) celadon/aqua, aqua/taupe, blue/gold, gold/berry, and crimson/blue. 56% linen, 44% cotton\nBrunschwig &amp;amp; Fils's Matin D'\u00E9te, a historic design (the original toile de Jouy was made at the Jouy factory in France in the early 19th century), was redrawn from scratch and simplified to include a solid-color background so that the scenes of country life would stand out. It is available in six colors, including (from top) mocha/berry, lime/aqua, sky/chickory, tan/sepia, gold/indigo, and poppy/indigo. 100% cotton\nThe Lhasa pattern, launched in 2005, was originally based on a wallpaper in the Victoria and Albert Museum in London. Now available in both fabric and wallpaper versions, it comes in five colors including green, red, and blue (shown, from left), as well as tan and aqua (not shown). 90% linen, 10% nylon (for fabric), 100% paper (for wallpaper)\nThe Chenonceaux pattern, launched in 1980 and based on a 19th-century Turkish silk ikat, is available in four new colors, including (from top) aqua/pewter, coral/plum, indigo, and pink/kumquat, as well as the original red and blue. 100% linen\nBased on an 18th-century Chinese-style flower painting, the New Athos pattern has been produced since before World War II. Five new colors were added, including (from top) spring/aqua, berry/orchid, teal/coral, kumquat/pink, and lapis/capri. 100% linen\nThe Sea Vine pattern has been enlarged, simplified, and reimagined as an embroidered linen. Available in (from top) wheat, kiwi, linen, and blue. 65% linen, 35% spun polyester\nBrunschwig &amp;amp; Fils's iconic Le Z\u00E8bre design, originally launched in the 1970s in a collection of bold colors, comes in seven new colors. Shown here in (from left) all-new black, aqua, pewter, indigo, caramel, saffron, and red. 100% linen\nMandarin Rose, based on a 1920s chintz pattern from the Brunschwig &amp;amp; Fils archives, was introduced as a fabric in 2012. It launched this season in a wallpaper version as well, and is available in four new colors, including (from left) pink, blue, green, and aqua. 100% linen (for fabric), 100% paper (for wallpaper)\nLe Hameau, a classic toile de Jouy, gets its name from the Hameau de la Reine, the rustic retreat built on the grounds of the Ch\u00E2teau de Versailles for Marie Antoinette in 1783. The pattern is centered on a 70\" cotton ground cloth, allowing for fewer seams and more opportunity to see the large, romanticized scenes of country life. The pattern is available in both a fabric and a wallpaper, and comes in five colors including crimson, moss, and bluebell (shown, from left), as well as aqua and charcoal (not shown). 100% cotton (for fabric), 100% paper (for wallpaper)\nThe iconic La Portugaise design, originally introduced in 1968, was famously used by Albert Hadley to decorate Brooke Astor's library. Four new colors have been introduced to accompany the classic brown, including (from top) aqua, russet, blue, and red. 52% linen, 36% cotton, 12% nylon\nEdenwood, a screen-printed cotton chintz launched in the 1970s, returns as a block-printed linen. The main bouquet pattern is now centralized to make for a more practical application. Available in (from top) rose/hunter, red/blue, and coral/plum. 100% linen\nThe Les Touches pattern, which joined the line in the 1960s, was inspired by a collection of post\u2013World War II photographs. Previously offered only as a fabric, it is now also available as a wallpaper, in nine colors including pink, green, brown, blue, and red (shown, from left), as well as tan, Bordeaux, aqua, and black (not shown). 100% cotton (for fabric), 100% paper (for wallpaper)\nSelected from the Brunschwig &amp;amp; Fils archives by Smith, Wood is a true reissue of a design originally introduced in 1961 and not seen since the '70s. The wood-grain pattern has been reimagined in a range of seven new colors, including leaf, river, bark, and cardinal (shown, clockwise from top left), as well as birch, tan, and indigo (not shown). 55% cotton, 45% linen\nNew Watson, a reworked version of Brunschwig &amp;amp; Fils's Watson Woven Texture design from the 1980s, is updated in five modern colors, including (from top) kumquat, tan, leaf, pewter, and sky. 48% cotton, 37% viscose, 15% polyamide\n\nAll fabrics and wall coverings are available to the trade at Brunschwig &amp;amp; Fils; brunschwig.com"^^<http://www.w3.org/2001/XMLSchema#string>
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