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"  Who else could summon The Kills, along with journalists and guests from around the world\u2014including Sky Ferreira, Rachel Leigh Cook, Kelly Osbourne, Mulholland Drive&amp;#039;s Laura Harring, and a barefoot Thomas Jane\u2014for an unveiling but David Lynch? The Lynch-loving crowd flocked to Los Angeles&amp;#039;s Milk Studios earlier this week to pay tribute to the Twin Peaks creator&amp;#039;s latest oeuvre: his limited-edition take on Dom P\u00E9rignon&amp;#039;s 2003 Vintage and 2000 Ros\u00E9 bottles. Speaking of his latest collaboration with the brand, Lynch said, &amp;quot;I really like the things where I have a freedom to experiment. Obviously, the client has to like the result. This idea of experimenting to get something was embraced by Dom P\u00E9rignon, and luckily, it turned out well.&amp;quot; So what inspired the tour de force champagne brand to re-partner with the iconic director? On the heels of its previous colorful collaboration with Andy Warhol&amp;#039;s estate, it seems there&amp;#039;s a newfound attraction to all things &amp;quot;dark&amp;quot;\u2014it was the evening&amp;#039;s suggested dress code, after all. According to Richard Geoffroy, chef de cave and creator of Dom P\u00E9rignon Vintages, &amp;quot;Nothing is more appropriate than the color &amp;#039;dark&amp;#039; to Dom P\u00E9rignon. Dark on the whole is Dom P\u00E9rignon, but I would say even more so, Dom P\u00E9rignon Vintage 2003. We felt we could really work that color &amp;#039;dark,&amp;#039; through a prism of primary colors\u2014white, yellow, green, red, and eventually &amp;#039;dark&amp;#039;\u2014to venture into that complexity.&amp;quot; And let&amp;#039;s be honest, no one does complexity like Lynch.  The Milk Studios space was transformed to reflect elements Lynch had used while photographing a Dom P\u00E9rignon advertising campaign last year: everyone in attendance had to pass through a smoky, darkened tunnel refracted by neon blue light. When the iconic director himself arrived, he traversed his own champagne-themed labyrinth, trailed by a camera crew capturing his every step for the crowd. Moments later, Lynch\u2014with his Eraserhead hairdo a bit more coiffed than its 1977 version\u2014stood before a wall. With everyone in the warehouse-like space craning to see, the wall lifted\u2014as if magic\u2014to reveal the final product of the collaboration. The sight was one Lynch, too, enjoyed: &amp;quot;A shared experience\u2026 there&amp;#039;s something magical about that\u2014big, big screen, great sounds, dark, big, room with many, many people sharing the same experience\u2026 a group is way more intelligent than a few.&amp;quot; Hopefully, Lynch and Dom P\u00E9rignon will continue to collaborate, although the filmmaker doesn&amp;#039;t expect to co-host too many more epic parties: &amp;quot;I like a party of two. Honestly, I really like to stay home and work. It&amp;#039;s my favorite thing\u2026 I like to be a lot alone and work, catch ideas.&amp;quot; "^^<http://www.w3.org/2001/XMLSchema#string>
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