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" Rebel Without a Cause (1955): &amp;quot;If I had one day when I didn&amp;#039;t have to be all confused and I didn&amp;#039;t have to feel that I was ashamed of everything. If I felt that I belonged someplace. You know?&amp;quot;  Breakfast at Tiffany&amp;#039;s (1961): &amp;quot;I&amp;#039;m like Cat here, a no-name slob. We belong to nobody and nobody belongs to us. We don&amp;#039;t even belong to each other.&amp;quot; Easy Rider (1969): &amp;quot;They&amp;#039;re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it&amp;#039;s gonna scare &amp;#039;em.&amp;quot;      Ferris Bueller&amp;#039;s* Day Off (1986): &amp;quot;Life moves pretty fast. If you don&amp;#039;t stop and look around once in a while, you could miss it.&amp;quot;       Reality Bites (1994): &amp;quot;There&amp;#039;s no point to any of this. It&amp;#039;s all just a random lottery of meaningless tragedy and a series of near-escapes. So I take pleasure in the details\u2026 and I sit back and I smoke my Camel straights and I ride my own melt.&amp;quot; Rushmore (1998): &amp;quot;Sic transit gloria. Glory fades. I&amp;#039;m Max Fischer.&amp;quot;      Ghost World (2001): &amp;quot;I just hate all these extroverted, obnoxious, pseudo-bohemian losers.&amp;quot; (500) Days of Summer (2009): &amp;quot;Why do people buy cards? It&amp;#039;s not because they want to say how they feel. People buy cards because they can&amp;#039;t say what they feel or are afraid to. And we provide the service that lets them off the hook. You know what? I say to hell with it. Let&amp;#039;s level with America.&amp;quot; *While mainstream in his dress and cultural predilections, Ferris merits inclusion on philosophical grounds. PLUS: Stephen Marche on the Hipster as Hero &amp;amp;gt;&amp;amp;gt; Follow The Culture Blog on RSS and on Twitter at @ESQCulture. "^^<http://www.w3.org/2001/XMLSchema#string>
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