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" DON&amp;#039;T MISS April 4 to 5: Caesarstone launches their &amp;quot;Pop-Up Color Tour&amp;quot; at New York&amp;#039;s South Street Seaport. Visitors to the pop-up dome can preview the brand&amp;#039;s latest color palette via displays by top designers and architects, and attend a Thursday night social media and blogging presentation. The Pop-Up Color Tour will continue across the country and can be tracked through their Facebook, Twitter, and website.  DON&amp;#039;T MISS April 6: Saks Fifth Avenue&amp;#039;s home department moves to the ninth floor of their flagship store. Visitors to the 7,500 square-foot department will find six shops within the shop, ranging from Michael Aram (pictured here) to Rizzoli to Mrs. John L. Strong.   DON&amp;#039;T MISS April 16: After a successful run at New York City&amp;#039;s Louis B. James gallery, artist Martin Roth&amp;#039;s Untitled, a collection of rugs punctuated by growing grass, will move to Bolsa de Valores in Mexico, where Roth will use Mexican textiles for his creative take on indoor gardens.  DON&amp;#039;T MISS Starting April 19: Fabric and wallpaper designer Idarica Gazzoni, featured in our March issue &amp;quot;Talent&amp;quot; section, is set to open her new atelier in Milan, during Salone Internazionale del Mobile. She&amp;#039;s also launched a new website where fans can keep up with her latest work, as well as the imaginary world of Gazzoni&amp;#039;s muse, Arjumand. Image courtesy of Francesco Bolis  DON&amp;#039;T MISS Through April 22: SoHo home shop FLAIR kicks off their gallery series with an art exhibition featuring Jenna Snyder-Phillips&amp;#039;s abstracts, nudes, and animal portraits (flairhomecollection.com). Image courtesy of Jenna Snyder-Phillips   DON&amp;#039;T MISS Through May 13: John Chamberlain came across his signature medium\u2014crushed car parts\u2014by chance: In the late 1950s, he acc identally drove over a pair of old fenders in a friend&amp;#039;s yard and created Shortstop, the first of many hulking, poetic works. A retrospective at New York&amp;#039;s Guggenheim Museum, in the works before the artist&amp;#039;s death in December, showcases his dynamic sculptures in metal, paper, Plexiglas, and foam (guggenheim.org). Photo courtesy of Galerie Karsten Greve  DON&amp;#039;T MISS Through May 27: &amp;quot;Lifelike,&amp;quot; a group show at the Walker Art Center in Minneapolis. The exhibition spotlights artists from the 1960s to today\u2014including Ron Mueck, Maurizio Cattelan, and Charles Ray\u2014who have a knack for re-creating common objects with a dose of Twilight Zone surrealism. In American Spirit, left, from 2010, Matt Johnson&amp;#039;s meticulous model of a cigarette box hovers (with the help of magnets) above a pedestal. Robert Therrien&amp;#039;s 2008 installation blows up the classic folding table and chairs to gargantuan proportions. It all makes for a provocative look at the fantastical side of the everyday (walkerart.org). \u00A9 Matt Johnson. Courtesy of the artist and Blum &amp;amp;amp; Poe, Los Angeles. Photographer by Joshua White   DON&amp;#039;T MISS Through May 28: The lush, highly detailed still lifes of Dutch artist Willem van Aelst once attracted patrons from Paris to Florence, including the Medicis. Now, a solo exhibition at Houston&amp;#039;s Museum of Fine Arts puts the Golden Age painter back in the limelight, bringing together more than two dozen canvases. The sumptuous compositions\u2014sunkissed fruit on a marble slab, hunting trophies beside a velvet game bag\u2014show off his dazzling technique. And his 1663 Flower Still Life with a Watch, left, remains a powerful ode to beauty&amp;#039;s fleeting nature (mfah.org). Photo courtesy of the Museum of Fine Arts, Houston  DON&amp;#039;T MISS March 16 to June 10: Embracing modernity after years of hardship, Japan took to Art Deco with fervor, imbuing the style with distinctive flair. &amp;quot;Deco Japan: Shaping Modern Culture, 1920\u20131945,&amp;quot; a colorful new exhibition at New York&amp;#039;s Japan Society, gathers more than 200 pieces, including silver and gilt-silver origami cranes, left, a sleek bronze bull, and images of the chic Japanese women who heralded an era of liberation (japansociety.org). Photo courtesy of Art Services International "^^<http://www.w3.org/2001/XMLSchema#string>
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