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"We&amp;#x27;re a good six weeks into TV season; summer&amp;#x27;s Mistresses and Devious Maids are nothing but a distant memory. And as the new shows settle in, I feel compelled to set the record straight on the ones that have impressed me (or done just the opposite) since we issued our initial report cards. Here are the shape-shifters of this year&amp;#x27;s freshman TV: Super Fun Night has gotten worse. I can&amp;#x27;t seem to get with the majority on this show. First I found myself defending it against the initial backlash and even explaining away accusations that Rebel Wilson was leaning too hard on fat jokes. I&amp;#x27;m sorry to say that I&amp;#x27;ve spent most of the weeks since rolling my eyes about constant hammering on the food-joke note. Rebel usually talks about pizza twice an episode. Forget any female body-image implications at this point; it&amp;#x27;s just not funny. I also don&amp;#x27;t buy the sudden &amp;quot;I&amp;#x27;m exploring my softer side&amp;quot; about-face Kendall did a few episodes in. (She literally said that; I didn&amp;#x27;t make it up). All in all, this one&amp;#x27;s going downhill for me. The Michael J. Fox Show has gotten better. Sure, there&amp;#x27;s still plenty of TV-land foolishness going on in this show&amp;amp;#8212;oh really? His boss comes for dinner every night?&amp;amp;#8212;but what I suspected would be harmless fluff has become twice as fun as I expected. It&amp;#x27;s just sweet and comforting, and the writing seems to be growing more and more clever. Plus, who else didn&amp;#x27;t realize how much they&amp;#x27;d miss the cast of Breaking Bad and is clinging to Betsy Brandt for dear life? The Goldbergs has gotten better. It&amp;#x27;s been several episodes since Jeff Garlin yelled the word &amp;quot;moron,&amp;quot; Wendi McLendon-Covey is the perfect mix of brassy and vulernable, and middle-kid Troy Gentile&amp;#x27;s frustrated-teen vibe has totally won me over. I&amp;#x27;m officially reassessing my original lukewarm opinion. Trophy Wife has gotten worse. Here&amp;#x27;s the tough thing about this show: Everybody in it, separately, is incredibly lovable. But on the whole, the stories aren&amp;#x27;t going anywhere for me. I was really into it at first, but I&amp;#x27;m personally pulling the plug. But this is another time the cheese stands alone: Lots of people love this show right now. I&amp;#x27;m just not one of them. Sleepy Hollow has gotten way better. I was optimistically meh after the pilot; since then, I&amp;#x27;ve gotten more and more sucked in with every Crane quip and Abbie eye roll. It&amp;#x27;s good clean fun. Well, it&amp;#x27;s not really clean. There&amp;#x27;s a fair amount of blood. But it&amp;#x27;s giddy and imaginative, and Nicole Beharie is so much more 3-D than most action-drama heroines. Click here for our guide to catching up. Mom has stayed the same, but I&amp;#x27;ve changed. I overhyped this one out of the gate; I then lost some steam over the teenage-daughter pregnancy that soon presented itself (I maintain that it&amp;#x27;s being handled startlingly casually). I still like Mom; I just don&amp;#x27;t love it. And that concludes the emotional roller coaster that&amp;#x27;s been my relationship with new fall TV. What new shows have you had a change of heart about?"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.glamour.com/entertainment/blogs/obsessed/2013/11/6-new-shows-ive-completely-cha>