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"   The costume department for Sex and the City 2 took up two whole rows at last night&amp;#039;s premiere \u2014 I was smack in the middle of it and the anxiety I suffered during the six months I spent working on the film came flooding back.  I think I actually muttered, &amp;quot;Oh lord,&amp;quot; more than once. I&amp;#039;d never worked on a movie before, and I never expected the final product to bring back so many memories. Like the time we spent hours scouring Steinway Street in Queens for the perfect red stretch spandex fabric with which to line Samantha&amp;#039;s dress; or that one day I hit every Capezio store in Manhattan to match the exact leotard Liza Minelli had to wear\u2014of course, they were from fifteen years ago and long out of production. Then there was the day we had to buy Miley Cyrus&amp;#039; Dolce Vita boots from four different websites and eight stores in two sizes each with guaranteed delivery on a Saturday for Monday&amp;#039;s backup. And then of course there was the infamous apron debacle\u2014no cupcakes for me, thanks.   By the time we were half way through with the movie, I realized that almost every single wardrobe change came with a back-story full of anguish and distress. It&amp;#039;d taken us seven months to build and stock our enormous Long Island City warehouse (closet doesn&amp;#039;t even begin to cover it) with over 70 racks of clothes, endless shelves of shoes and hundreds of boxes going back and forth from Morocco. But despite the minor anxiety attack I may have suffered at Radio City Music Hall last night, the final product was perfect\u2014 colorful, fantastical, and luxurious.  \u2013SYDNEY WASSERMAN PHOTO BY COURTNEY D&amp;#039;ALESIO "^^<http://www.w3.org/2001/XMLSchema#string>
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