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"&lt;p&gt;&amp;quot;I&amp;apos;m a feminist/And if that offends you, then fuck you!&amp;quot; barks Kate Nash over rackety garagerock guitars. Nash&amp;apos;s 2007 debut topped the U.K. charts, but on her third LP she&amp;apos;s moved a long way from her old twee piano-backed confessions. Or has she? The album is self-released (Nash raised money for the record on the website PledgeMusic); the sound is &amp;quot;indie&amp;quot; (she&amp;apos;s been listening to Best Coast); the lyrics are pugnaciously &amp;quot;political&amp;quot; (lots of half-digested gender theory). But Nash can&amp;apos;t sing or rap &amp;#x2013; she tries to do both &amp;#x2013; and her tunes are anemic; her punk postures are borrowed from musicians smarter and more talented than she. Nash sings, &amp;quot;I&amp;apos;m a freaky, freaky, freaky, freaky girl.&amp;quot; No, you&amp;apos;re not.&lt;/p&gt;\r\n&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p&gt;&lt;wm:html type=\"inset\" id=\"1\"&gt;&lt;/wm:html&gt;&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/albumreviews/girl-talk-20130327>