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"Real Gone Music is a newly minted reissue label dedicated to unearthing the long-forgotten and coulda-shouldas (from the Petticoat Junction Girls to the Mark Lindsey singles), and they're doing it up like obsessive music geeks.&amp;nbsp;\nThis comp heaves with girl-group beauty; an essential rundown of Leiber/Stoller's indie Red Bird and Blue Cat labels, which, in '64, followed the Philles and Scepter labels into high school hallways and girl-group garages. &amp;nbsp;\nFrom the pop tart buzz of the Goodies &amp;quot;The Dum Dum Ditty&amp;quot; to Evie Sands' hit of Chip Taylor's power-pop masterpiece &amp;quot;I Can't Let Go&amp;quot; (oh, her unheralded soul-hep voice) to Ellie Greenwich's &amp;quot;Call Me His&amp;quot; (written by some kid upstart called Neil Diamond), this collection of ear-benders &amp;mdash; including songwriters and producers Jeff Barry, Barry Mann, Cynthia Weil, Shadow Morton and others &amp;mdash; smells of biker leather, bubblegum and pure, gather-'round-the-microphone harmonies.&amp;nbsp;\nThe Butterflys' &amp;quot;I Wonder&amp;quot; is, for example, a centerpiece: Its low-chirping horns, Phil Spector (he's a co-writer) twists, soaring key-change and a bleating vocal that's so full of absolute longing it's impossible to dismiss this as disposable pop of a genre and era that manufactured and pimped distaff innocence for chart hits."^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.metrotimes.com/detroit/the-red-bird-girls-very-first-time-in-true-stereo-1964-1966-real-gone-music/Content?oid=2149021>