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"&lt;p&gt;What do you say about a coming-of-age movie set in 1988, shot in 2007 and just now released? I mean, besides WTF? For starters, I&amp;apos;d say &lt;em&gt;Take Me Home Tonight&lt;/em&gt; has just enough heart and retro party spirit to hold the line before familiarity breeds contempt.&lt;/p&gt;\r\n&lt;wm:embed type=\"related\"&gt;&lt;/wm:embed&gt;&lt;p&gt;&lt;a href=\"../../../movies/blogs/the-travers-take/travers-rango-is-the-most-wtf-movie-of-all-time-20110303\"&gt;Peter Travers reviews &lt;em&gt;Take Me Home Tonight&lt;/em&gt; in his weekly video series, &amp;quot;At the Movies With Peter Travers.&amp;quot;&lt;/a&gt;&lt;/p&gt;\r\n&lt;p&gt;Producer-star Topher Grace, moving up a decade from &lt;em&gt;That &amp;apos;70s Show&lt;/em&gt;, plays Matt Franklin, an MIT grad working at Suncoast Video while deciding what to do with his life. The decision? Party hearty. In a Mercedes stolen by his pal Barry (Dan Fogler), Matt hits a Labor Day blowout filled with blow (the drug use delayed the R-rated film&amp;apos;s release). He&amp;apos;s invited by unrequited high school crush Tori Frederking (Teresa Palmer), now an investment banker, who&amp;apos;s impressed when Matt lies that he&amp;apos;s a rising star at Goldman Sachs.&lt;/p&gt;\r\n&lt;p&gt;&lt;a href=\"../../../movies/photos/leading-men-on-the-cover-of-rolling-stone-20100721\"&gt;Photos: Leading Men on the Cover of &lt;em&gt;Rolling Stone&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;\r\n&lt;p&gt;The movie, directed by Michael Dowse, is one raucous night, one raunchy party, &lt;em&gt;American Graffiti&lt;/em&gt; filtered through &lt;a href=\"../../../movies/reviews/dazed-and-confused-19930924\"&gt;&lt;em&gt;Dazed and Confused&lt;/em&gt; &lt;/a&gt;and the Shermer High films of John Hughes. For spice, add Anna Faris as Matt&amp;apos;s twin sister in a relationship with Chris Pratt as the jock dipstick ready to put a ring on it. Matt finally boinks &amp;quot;The Frederking,&amp;quot; Barry slobbers over the ta-tas of a redhead with her date watching, coke is snorted, property is damaged and the soundtrack blasts Eighties covers (&amp;quot;Don&amp;apos;t You Want Me&amp;quot;). &lt;em&gt;Take Me Home Tonight&lt;/em&gt; captures a moment in time with sly affection. You keep waiting for the engine to rev up, but it&amp;apos;s stuck on idle.&lt;/p&gt;"^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/movies/reviews/take-me-home-tonight-20110303>