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"The Nineties as a musical era started late and ended early &amp;#x2014; kicked in by the scritchy-scratch power chords of &amp;quot;Smells Like Teen Spirit,&amp;quot; ushered out by the doomy piano intro of &amp;quot;. . . Hit Me Baby One More Time.&amp;quot; Anti-pop defeated by pop &amp;#x2014; full circle, all apologies. You&amp;apos;ve heard the story.But the real Nineties were richer, funnier and weirder than that, with fake grunge bands writing better songs than some of the real ones, Eighties holdovers U2 and R.E.M. reaching creative peaks with Achtung Baby and Automatic for the People, Metallica and the Black Crowes co-existing on MTV, Phish tending to the Deadhead nation after Jerry&amp;apos;s passing &amp;#x2014; and Vanilla Ice and MC Hammer ceding their pop thrones in a few short years to Dr. Dre, Snoop and Eminem. &amp;#x2014; Brian HiattThis is an excerpt from the introduction to Rolling Stone&amp;apos;s book The &amp;apos;90s: The Inside Stories From the Decade that Rocked. Copyright &amp;#xA9; 2010 by Collins Design, an Imprint of HarperCollins Publishers."^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.rollingstone.com/music/lists/100-best-albums-of-the-nineties-20110427/the-magnetic-fields-69-love-songs-20110517>