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"  &amp;quot;It&amp;#039;s a magpie nest,&amp;quot; says designer Alice Temperley of her loft, the top half of a converted nineteenth-century barn, which sits above her shop in London&amp;#039;s Notting Hill. At the moment it&amp;#039;s partially roofless\u2014she&amp;#039;s expanding her territory to the flat next door. &amp;quot;It&amp;#039;s pissing rain at the moment,&amp;quot; says a lithe, rosy-cheeked Temperley as she measures a giant old-fashioned-looking gold and black onyx cocktail ring\u2014the first piece in the Temperley jewelry line, which her sister, Mary, designed for fall. &amp;quot;Five centimeters long!&amp;quot; she says triumphantly. &amp;quot;Every model we sent down the runway had one of these on.&amp;quot;  The designer has long cultivated a love of huge, eye-catching accessories. &amp;quot;I like jewelry to be bold. I don&amp;#039;t like anything little or fiddly,&amp;quot; she says. In addition to her stock of flamboyant mirrored headdresses (which make for popular party hats at her late-night dinners), found everywhere from flea market tables at the UK&amp;#039;s Glastonbury Festival to the farthest reaches of Bali, Temperley has an extensive trove of Victorian baubles, bracelets, and necklaces\u2014 some of which inspired pieces in her fall collection. &amp;quot;I found this 1920s beetle-wing necklace at a vintage fair in London; it reminded me of earrings I had as a child,&amp;quot; says Temperley, who translated the piece&amp;#039;s iridescence into a gold-foil jersey fabric\u2014custom-made at a mill in Como, Italy\u2014 which became a slinky, mermaid- shape evening gown. "^^<http://www.w3.org/2001/XMLSchema#string>
<http://www.elle.com/fashion/a9320/the-shining-22437/>