Artist Michael Milner's Yorkshire mining memories
Glasshoughton Colliery silhouette×
Back in 1869 the Merefield Colliery was sunk, later becoming the Glasshoughton Colliery which Milner grew up in the shadow of and went on to paint.
Glasshoughton pit buildings×
Many of the paintings show family life alongside pits like Glasshoughton, which ceased working towards the end of 1980s.
End of shift×
at Prince of Wales Colliery, Pontefract
Milner said: 'As a lad from a poor background I decided to concentrate most of my artwork on the harsh environment of the miner, to preserve our heritage, now long gone.'
All Mod Cons×
by Michael Milner
Milner's paintings depict everyday life in a mining community, such as wash day in the back yard of Glasshoughton pit houses.
Ledston Luck Colliery×
Ledston Luck pit was sunk in the 1870s and later formed part of a “superpit” of interlinked workings around Selby.
at Prince of Wales Colliery
Between 1948 and 1964, 77 new 'Austerity' locomotives were built for the National Coal Board. They were needed at pits for shunting and some remained in use until the early 1980s.
Growing up, the towers and trains of Yorkshire's coal mines were a constant backdrop for the young Michael Milner.
Born in 1942, the painter spent his childhood in a West Yorkshire mining village near Glasshoughton Colliery and the hustle and bustle of daily life at the pits would go on to shape his working life.
First that was as a mining engineer, a job he held at the National Coal Board for 18 years.
It was only after that he would go on to teach art to male and female prisoners at a local jail.
Inevitably, the subject he turned his brush to was life in the shadow of the pit, from soot-covered miners heading home to trains pulling trucks of coal down the tracks.
Now those memories are being shared with the public in a new exhibition at the National Coal Mining Museum from 2 February.
A "memory soundscape", composed by Dr John Bonner from the University of Huddersfield, is being played at the exhibition to accompany the artworks.
The exhibition features paintings of Milner's personal memories, placing the pit at the centre of home life alongside quotes from his childhood.
"All this nostalgia now means a lot to me and I try to keep the memory of the hard pit life alive," he said.
"So as a lad from a poor background I decided to concentrate most for my art work on the harsh environment of the miner, to preserve our heritage, now long gone."
The National Coal Mining Museum for England opened at Caphouse Colliery in Wakefield in 1988 after its coal supply was exhausted.
Shafts to work coal at the site date from at least 1789.
The Pit at the End of the Road will run until 31 May.
It is one of a number of exhibitions at the museum. Artist Yvette Vanson is currently showing a tribute to the 30th anniversary of the great miners' strike of 1984-5.
Vanson was one of the first women to go down Betteshanger Colliery in Kent in 1972. Her exhibition runs until 26 April.