Perjalanan Oscar, Ajang Bergengsi yang Sering Tuai Kontroversi
Berhubung AMPAS hanya memasukkan film bisu di semua nominasi, Academy Awards 1929 sempat memberikan penghargaan untuk penulisan subtitle di film ...
Crash
Tak disangka-sangka, film yang sama sekali enggak terpikirkan untuk menang yang malah membawa pulang pialanya. Crash (2005) berhasil mendapatkan “Best Picture” Oscar 2006 dan mengalahkan Brokeback Mountain dan nomine lainnya yang dianggap kuat. Enggak hanya penonton yang terkejut, produser, sutradara, sekaligus penulis naskah Crash, yaitu Paul Haggis, sampai mengakui bahwa <anchor>Crash</anchor> enggak sefantastis nomine lainnya.
The Oscars’ Most Shocking Moment Is Still Crash (Not La La Land)
The Oscars’ Most Shocking Moment Is Still Crash (Not La La Land)

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# The Oscars’ Most Shocking Moment Is Still Crash (Not La La Land)

 [The Oscars \| Academy Awards](/tag/oscars/)

![4](https://static1.srcdn.com/wordpress%2Fwp-content%2Fuploads%2F2019%2F12%2FMe-1.jpg?fit=crop&w=90&h=90)

By [Kayleigh Donaldson](/author/kayd/)

Published Feb 22, 2019

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![Crash Wins Best Picture](https://static1.srcdn.com/wordpress/wp-content/uploads/2019/02/Crash-Wins-Best-Picture.jpg)

Thirteen years on and the Oscars’ most shocking moment remains the night that **[_Brokeback Mountain_](https://screenrant.com/tag/brokeback-mountain/)** lost Best Picture to **[_Crash_](https://screenrant.com/tag/crash/)**. When the producers and stars of [_La La Land_](https://screenrant.com/tag/la-la-land/) walked on stage at the 89th [Academy Awards](https://screenrant.com/tag/oscars/) in 2017 as the final winners of the night, most people accepted the victory as an inevitability. But then suddenly it wasn’t, and in what remains one of the greatest shocks in Oscars history, it turned out that [_Moonlight_ had actually won Best Picture](https://screenrant.com/moonlight-oscar-best-picture-win-deserved/). The chaos of mixed up envelopes, confused hosts and two very embarrassed accountants made for excellent television and inspired many jokes; it was the kind of surprise the Academy loves to produce, albeit one that was completely unintentional. For some Oscar fans, the [_Moonlight_](https://screenrant.com/tag/moonlight/) mix-up will remain the most shocking moment in Academy history. However, the incident that still truly shakes film fans to their core happened a few years earlier.

The 78th Academy Awards, celebrating the films of 2005, offered an evening of variety and wins that seemed to satisfy everyone. Beloved character actor [Philip Seymour Hoffman](https://screenrant.com/10-best-philip-seymour-hoffman-movies/) fended off tough competition to take home Best Actor for his performance in _Capote_. Reese Witherspoon went from America’s Sweetheart to Oscar winner. [George Clooney](https://screenrant.com/george-clooney-highest-paid-actor-2018/), who was also nominated for Best Director for _Good Night and Good Luck_, took home Best Supporting Actor for _Syriana_. The Best Director award eventually went to Ang Lee for [_Brokeback Mountain_](https://screenrant.com/tag/brokeback-mountain/), and once that trophy was in the bag, it was assumed the film would also win Best Picture.

**Related: [Oscars 2019: Predicting Every Winner In Every Category](https://screenrant.com/oscars-2019-predictions-winners/ "Oscars 2019: Predicting Every Winner In Every Category")**

Then Jack Nicholson opened the envelope and, with evident surprise in his voice, announced that winner was [_Crash_](https://screenrant.com/tag/crash/). Suffice to say that most people were shocked. To this day, it remains one of the more divisive Oscar wins.

## **Why Brokeback Mountain Lost Best Picture**

![Jake Gyllenhaal and Heath Ledger eating in Brokeback Mountain](https://static1.srcdn.com/wordpress/wp-content/uploads/BrokebackMountainJakeGyllenhaalHeathLedger.jpg)

_Crash_’s win over _Brokeback Mountain_ remains controversial for a number of reasons. First, at the time, while _Brokeback Mountain_’s win was never guaranteed, it seemed more likely a victory than _Crash_. Reviews were better, it was a commercial hit (it made close to thirteen times its $14 million budget), it had two of the most acclaimed performances of the year in the form of Heath Ledger and Jake Gyllenhaal, and this small movie had become one of the true forces of the pop culture zeitgeist in 2005. For all of the “ _gay cowboy_” jokes that permeated the landscape that year, it’s also worth remembering just how big a deal Lee’s film was and what it stood for in terms of LGBTQ+ representation in Hollywood.

But for all the progress the film inspired, the backlash was just as strong, and that was evident in its Best Picture snub. It became a popular target for conservative political pundits and politicians, one Utah theater owner refused to show it, and some prominent industry figures even refused to watch it. Actor Ernest Borgnine famously said, _“I didn’t see it and I don’t care to see it. I know they say it’s a good picture, but I don’t care to see it. If John Wayne were alive, he’d be rolling over in his grave!”_

## **Why Crash Won Best Picture**

![Matt Dillon and Thandie Newton in Crash](https://static1.srcdn.com/wordpress/wp-content/uploads/2017/06/Matt-Dillon-and-Thandie-Newton-in-Crash.jpg)

On the other side of the Oscar race was _Crash_, [Paul Haggis](https://screenrant.com/crash-director-paul-haggis-sexual-misconduct/)’ intertwining drama about racist tensions in L.A. Like _Brokeback Mountain_, the film had a successful festival run, made money (although not as much as Lee's film), had some big-name supporters, and tackled hot button issues. Crucially, _Crash_ was not a Best Picture front-runner because it had not been nominated for the Best Drama Golden Globe, and the last film to win the Oscar without that precursor nomination was _The Sting_ in 1974. Critics liked the film but Crash had some major detractors and it never felt as crucial a movie to reward as _Brokeback Mountain_. Even Paul Haggis would later admit that he didn’t think _Crash_ was anywhere near as good as its competition.

**Related: [Oscars 2019 Best Picture Predictions](https://screenrant.com/oscars-2019-best-picture-movie-prediction/)**

Of course, quality has seldom mattered when it comes to the Oscars. The awards are chosen based on a number of mitigating factors, from industry connections to subject matter to contemporary political issues and much more. _Crash_, which did have its fair share of critical acclaim, was a blunter and more easy to digest film for some Academy members. Its take on racial tensions in Los Angeles was tailored more towards pleasing white audiences, and the [Academy](https://screenrant.com/oscars-2019-best-actress-prediction/), even today, remains heavily white. It was a film full of notable actors, which probably encouraged a lot of votes from other actors, who make up the largest demographic of the Academy. Moreover, _Crash_ felt “safe” in a way _Brokeback Mountain_ was not. Kenneth Turan of the _Los Angeles Times_ suggested that _Crash_ benefitted from the Academy's ingrained homophobia. Even at its most progressive, they just weren’t ready to celebrate a film like _Brokeback Mountain_. For many, it felt like a rejection of progress and cemented the Academy’s status as an out-of-date institution, a problem it’s still fighting with today. In the [Academy's preferential voting system](https://screenrant.com/oscar-voting-best-picture-explained/), that means the amenable _Crash_ won out.

_Crash_’s win has stained the film more than its loss ever would have. It’s widely considered one of the Oscars’ biggest mistakes and one of the least deserving Best Picture wins, while _Brokeback Mountain_’s reputation has only grown. The Oscars will inevitable have further blunders and surprise wins, but the **_Crash_** situation will remain its most shocking.

### NEXT: [Oscars: How To Watch The 2019 Best Picture Nominees](https://screenrant.com/oscars-2019-best-picture-movies-watch-online/ "Oscars: How To Watch The 2019 Best Picture Nominees")

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