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Jerusalem (HC) (Moore, Alan)
Fierce in its imagining and stupefying in its scope, Jerusalem is te tale of everything, told from a vanished gutter. In te epic novel Jerusalem, Alan Moore channels both te ecstatic visions of William Blake and te theoretical physics of Albert Einstein through te hardscrabble streets and alleys of his hometown of Northampton, UK. In te half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between te firetrap housing projects. Embedded in te grubby amber of te district’s narrative among its saints, kings, prostitutes, and derelicts, a different kind of human time is happening, a soiled simultaneity that does not differentiate between te petrol-colored puddles and te fractured dreams of those who navigate them. Employing, a kaleidoscope of literary forms and styles that ranges from brutal social realism to extravagant children’s fantasy, from te modern stage drama to te extremes of science fiction, Jerusalem’s dizzyingly rich cast of characters includes te living, te dead, te celestial, and te infernal in an intricately woven tapestry that presents a vision of an absolute and timeless human reality in all of its exquisite, comical, and heartbreaking splendor. In these pages lurk demons from te second-century Book of Tobit and angels with golden blood who reduce fate to a snooker tournament. Vagrants, prostitutes, and ghosts rub shoulders with Oliver Cromwell, Samuel Beckett, James Joyce’s tragic daughter Lucia, and Buffalo Bill, among many others. There is a conversation in te thunderstruck dome of St. Paul’s Cathedral, childbirth on te cobblestones of Lambeth Walk, an estranged couple sitting all night on te cold steps of a Gothic church front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above te world a naked old man and a beautiful dead baby race along te Attics of te Breath toward te heat death of te universe. An opulent mythology for those without a pot to piss in, through te labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth, poverty, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on te illusion of mortality post-Einstein, and insist upon te meanest slum as Blake’s eternal holy city. 1 map; 3 illustrations
Engelsk forfatter som er en af tegneseriebranchens mest kendte og roste navne. Han har også skrevet en enkelt roman.
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