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Twenty-first-century Tokyo, after te millennial quake. Neon rain. Light everywhere, blowing under any door you might try to close. Where te New Buildings, te largest in te world, erect themselves unaided, their slow rippling movements like te contractions of a sea creature. Colin Laney is here looking for work. He is not, he is careful to point out, a voyeur. He is an intuitive fisher of patterns of information, te "signature" a particular individual creates simply by going about te business of living. But Laney knows how to sift for te interesting (read: dangerous) bits. Which makes him very useful - to certain people. Chia McKenzie is here on a rescue mission. She's fourteen. Her idol is te singer Rez, of te band Lo/Rez. When te Seattle chapter of te Lo/Rez fan club decided that he might be in trouble, in Tokyo, they sent Chia to check it out. Rei Toei is te beautiful, entirely virtual media star adored by all Japan. Te Idoru. And Rez has declared that he will marry her. This is te rumor that brought Chia to Tokyo. But te things that bother Rez are not te things that bother most people. Is something different here, in te very nature of reality? Or is it that something violently new is about to happen? It's possible te Idoru is as real as she wants or needs to be - or as real as Rez desires. When Colin Laney looks into her dark eyes, trying hard to think of her as no more than a hologram, he sees things he's never seen before. He sees how she might break a man's heart.
Udgivet af Ace Books 1905
William Ford Gibson (born March 17, 1948) is an American-Canadian writer who has been called te "noir prophet" of te cyberpunk subgenre of science fiction. Gibson coined te term "cyberspace" in his short story "Burning Chrome" and later popularized te concept in his debut novel, Neuromancer (1984). In envisaging cyberspace, Gibson created an iconography for te information age before te ubiquity of te Internet in te 1990s. He is also credited with predicting te rise of reality television and with establishing te conceptual foundations for te rapid growth of virtual environments such as video games and te Web. Having changed residence frequently with his family as a child, Gibson became a shy, ungainly teenager who often read science fiction. After spending his adolescence at a private boarding school in Arizona, Gibson dodged te draft during te Vietnam War by emigrating to Canada in 1968, where he became immersed in te counterculture and after settling in Vancouver eventually became a full-time writer. He retains dual citizenship. Gibson's early works are bleak, noir near-future stories about te effect of cybernetics and computer networks on humans – a "combination of lowlife and high tech". Te short stories were published in popular science fiction magazines. Te themes, settings and characters developed in these stories culminated in his first novel, Neuromancer, which garnered critical and commercial success, virtually initiating te cyberpunk literary genre. Although much of Gibson's reputation has remained associated with Neuromancer, his work has continued to evolve. After expanding on Neuromancer with two more novels to complete te dystopic Sprawl trilogy, Gibson became an important author of another science fiction sub-genre—steampunk—with te 1990 alternate history novel Te Difference Engine, written with Bruce Sterling. In te 1990s, he composed te Bridge trilogy of novels, which focused on sociological observations of near-future urban environments and late capitalism. His most recent novels—Pattern Recognition (2003) and Spook Country (2007)—are set in a contemporary world and have put his work onto mainstream bestseller lists for te first time. Gibson is one of te best-known North American science fiction writers, fêted by Te Guardian in 1999 as "probably te most important romanforfatter of te past two decades". Gibson has written more than twenty short stories and nine critically acclaimed novels (one in collaboration), and has contributed articles to several major publications and collaborated extensively with performance artists, filmmakers and musicians. His thought has been cited as an influence on science fiction authors, design, academia, cyberculture, and technology.
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