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Mezi záměrností a afektem: O teorii vnímání Jana Mukařovského - Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture) - Volume 19, Issue 1 (2016) - CEJSH - Yadda
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Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
2016 | 19 | 1 | 37-53
Mezi záměrností a afektem: O teorii vnímání Jana Mukařovského
Between Between Intentionality and Affect: on Jan Mukařovský’s Theory of Reception
Erin Hurley and Sara Warner in their insightful study “Affect/Performance/Politics” (2012) remind us that humanities and social sciences today experience a new sweep of theoretical inquiry, focusing on studying affect as a leading mechanism of our cognition and communication, as well as making and receiving art products. This paper takes this theoretical proposition further. I argue that although the theory of affect is still struggling to find its own methodology of textual and performance analysis, when it is paired with semiotic approaches in theatre scholarship, it can offer interesting insights on how theatrical performance capitalizes on its built-in structural or artistic intentionality – Jan Mukařovský’s semantic gesture – to evoke the audience’s emotional responses.
afektivita   diváci   emoce   sémantické gesto   záměrnost a nezáměrnost v umění   analýza inscenace
affect   audience   emotions   semantic gesture   intentionality/unintentionality in art   performance analysis
ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE
Masaryk University, Faculty of Arts
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic
Theatralia, redakce, Masarykova univerzita, Filozofická fakulta, Katedra divadelních studií, Arna Nováka 1, 602 00 Brno, Czech Republic
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