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(Reader in Electronic Communication, UCL Department of Information Studies, and Co-Director, UCL Centre for Digital Humanities)<br> • Mr. Richard M. Davis
(Development Manager, ULCC Digital Archives)<br> • Dr. Arnold Hunt
(Curator of Modern Historical Manuscripts, British Library)<br> • Mr. José Martin
(Digital Repositories Specialist, University of London Computer Centre)<br> • Mr. Martin Moyle
(Digital Curation Manager, UCL Library Services)<br> • Ms. Lesley Pitman
(Librarian and Director of Information Services, UCL School of Slavonic and East European Studies Library)<br> • Ms. Anna-Maria Sichani
(Transcription Assistant)<br> • Mr. Tony Slade
(Head of UCL Creative Media Services)<br> • Dr. Justin Tonra
(Research Associate)<br> • Dr. Valerie Wallace (Research Associate)<br> <br> Full bios for project team members available here: http://blogs.ucl.ac.uk/transcribe-bentham/people/ ==Wittgenstein Source: Wittgenstein Archives at the University of Bergen== http://129.177.5.31/documentation/en/home.html <br><br> '''Project scope:''' A searchable and filterable online archive of the primary sources used by Wittgenstein; as advertised on the project’s home page: “Browse scholarly editions of Wittgenstein's works and Nachlass. Use a set of tools to retrieve and filter content. Work with essays about Wittgenstein. Submit your own contributions for peer-reviewed publication.” <br> One exemplary feature is the ability to customize viewing settings according to filters toggled by the researcher. Remarks, section marks, etc. can be hidden or shown (toggled individually by section or comment mark type), certain portions of writing (dedication, motto, preface, etc.) can be highlighted or not, and the document can be viewed in diplomatic or normalized page layout. All of these options are available as single toggles so a researcher may, essentially, customize his view of the transcription. <br><br> '''Similarities to EMMO:''' This project is still in its infancy, so it’s rather unclear at the moment how similar it will be to EMMO once it’s really up and running. In that it provides an online source for manuscripts of a certain theme, it could be called akin. In that it provides a digital interface with a great many viewing options, there could also be similarities. <br><br> '''Management approach:''' Somewhat crowd-sourced; though all contributions are peer reviewed before they are published via this web site. <br><br> '''Resources:''' Very unclear at this time; the project is still in its infancy and the website even more so. <br><br> '''Sponsoring institution:''' The “Institutions and Sponsors” page lists the following sponsors: <br> • eContent+ and the DISCOVERY consortium, Luxembourg<br> • COST Action A32, Brussels<br> • Uni Digital (earlier "Unifob Aksis"), a department of Uni Research (earlier "Unifob"), Bergen <br> • University of Bergen (UiB), Bergen <br> • L. Meltzers Høyskolefond, Bergen<br> • Trinity College Cambridge (TCC), Wren Library, Cambridge <br> • Bertrand Russell Archives (BRA), Ontario <br> • Oxford University Press (OUP), Oxford <br> • InteLex Corporation, Charlottesville<br> The “Research Groups” page further indicates that: “Wittgenstein Source is produced and maintained by the Wittgenstein Archives at the University of Bergen (WAB). WAB is part of the Uni Research (Bergen) department Uni Digital.” <br><br> '''Project team members:''' General Editor: Alois Pichler; other team members are not yet made known to the public (the “Editorial Board” page of the archive is under construction). =Other Resources= ==Association for Documentary Editing== http://www.documentaryediting.org/wordpress/ Recognized by the MLA as an allied organization; explanation of the project from their website: “the Association for Documentary Editing was created in 1978 to promote documentary editing through the cooperation and exchange of ideas among the community of editors.” ==HRI: Humanities Research Institute (especially HRI digital)== https://www.shef.ac.uk/hri/technology and http://hridigital.shef.ac.uk Explanation from their website: “The Humanities Research Institute is one of the UK's leading centres for digital humanities, providing research and development services for the arts, humanities and heritage domains.” HRI provides assistance with project conception, proposal development, training staff, digital output, facilitating knowledge exchange, data development standards, online publishing services, etc. Essentially, HRI looks to facilitate the implementation of digital humanities projects. ==Kiosque== http://hridigital.shef.ac.uk/kiosque Exhibition software developed by the University of Sheffield and the Knowledge Transfer Partnership which allows museum visitors to interactively explore manuscripts via a public exhibition. Ideally used in conjunction with the Virtual Vellum viewing environment. ==Media Commons Press== http://mcpress.media-commons.org An academic press devoted to hosting online editions of publications. Media Commons provides software, host space, and support for digital projects that don’t have the time/know-how to create their own infrastructure. ==TCP (Text Creation Partnership)== http://www.textcreationpartnership.org “The primary goal of the Text Creation Partnership is to create standardized, accurate XML/SGML encoded electronic text editions of early printed books. We transcribe and encode the page images of books from ProQuest’s Early English Books Online, Gale Cengage’s Eighteenth Century Collections Online, and Readex’s Evans Early American Imprints. :“This work, and the resulting text files, are jointly funded and owned by more than 150 libraries worldwide. Ultimately, all of the TCP’s work will be placed into the public domain for anyone to use. :“The texts can be searched through web interfaces provided by the libraries at the University of Michigan and University of Oxford. In addition, partner libraries and their users are welcome to locally store, host, manipulate, analyze and otherwise work with the encoded text files, just as if they had been created locally.” ==TEI: Text Encoding Initiative== http://www.tei-c.org/index.xml Explanation of the project from their website: “a consortium which collectively develops and maintains a standard for the representation of texts in digital form. Its chief deliverable is a set of Guidelines which specify encoding methods for machine-readable texts, chiefly in the humanities, social sciences and linguistics.” TEI Provides tools for standardization of encoding text documents including schema to maintain tagging integrity, XSL style sheets, and OxGarage (which can transpose documents from a variety of formats). =Other Projects= ==Cause Papers== http://www.hrionline.ac.uk/causepapers/ A searchable database of over 14,000 cause papers relating to cases heard between 1300 and 1858 in the Church Courts of the diocese of York. Users can view images of the original papers as well as transcriptions. ==Database of Mid-Victorian Illustration== http://hridigital.shef.ac.uk/dmvi/index.php A searchable database of 868 literary illustrations published in or around 1862 with included bibliographic and iconographic details. Lightbox functionality allows a user to select specific images to view in a customized table at any point during her search. ==Electronic Beowulf== http://ebeowulf.uky.edu An electronic edition of Beowulf with included line-by-line translation. Also available are search functionalities, transcripts of various editions, and overviews of the history of these transcriptions. ==Flora Tristan Project== http://hridigital.shef.ac.uk/flora-tristan The Arts and Humanities Research Board in conjunction with the University of Sheffield sponsored this project; an effort to transcribe the corpus of letters that Tristan wrote over her life. The effort produced a CD-ROM with the transcription product (which is tagged with XML and utilizes XLS style sheets and a Java search applet). ==Galdós Editions Project== http://www.hrionline.ac.uk/galdos A project sponsored by the Arts and Humanities Rsearch Board through HRI to create a new critical edition of the Torquemada novels of Benito Pérez Galdós. This edition is available both in hard copy and online. ==Hartlib Papers== http://www.hrionline.ac.uk/hartlib A complete electronic edition of seventeenth-century man of science Samuel Hartlib’s 25,000 seventeenth-century manuscripts. This is freely available online with full-text transcription and facsimile images. ==In Mozart’s Words== http://letters.mozartways.com An searchable online edition in four languages of Mozart’s letters. This searchable database also includes access to background materials that bolster the letters’ content (i.e. newspapers, reviews, objects, paintings, documents, etc.). ==Late Medieval English Scribes== http://www.medievalscribes.com An online catalogue of all identified or unidentified scribal hands which appear in the manuscripts of Geoffrey Chaucer, John Gower, John Trevisa, William Langland, and Thomas Hoccleve. Includes a search database of the documents that will bring you to bibliographic entries rather than scanned pages. ==Norman Blake Editions of the Canterbury Tales== http://hridigital.shef.ac.uk/norman-blake-editions A transcription effort which strives to produce full diplomatic transcriptions of Chaucer’s The Canterbury Tales. The editions are to be published through HRI Online and are, as of yet, unavailable. ==Old Bailey Proceedings Online== http://www.oldbaileyonline.org A fully searchable Online edition of the proceedings of the Old Bailey, 1674-1913. Text is available both in transcription as well as in original scanned document. ==Olive Schreiner Letters Online== http://www.oliveschreiner.org Complete transcriptions of approximately 7,000 letters of nineteenth-century feminist Olive Shcreiner. The letters are available freely to search, access, read, and print with hyperlinked keywords within the transcriptions. ==The Online Froissart== http://www.hrionline.ac.uk/onlinefroissart A searchable online edition of Jean Froissart’s Chronicles of the Hundred Years’ War. Available here are various transcriptions, facsimiles, and commentaries (which may be compared side-by-side). ==Origins of Early Modern Literature== http://www.hrionline.ac.uk/origins A searchable online catalogue of literary works dated 1519-1579 intended to be the primary research spot for students and scholars whose focus is the Tudor period. ==Partonopeus de Blois== http://www.hrionline.ac.uk/partonopeus/ An electronic edition of the works of anonymous 12th-century French romance Partonepeus de Blois. Includes a robust search function, though no original scans of the document are available via this edition; it exists in transcription only. ==Renaissance Cultural Crossroads== http://www.hrionline.ac.uk/rcc/ A searchable, analytical and annotated list of all translations out of and into all languages printed in England, Scotland, and Ireland before 1641. It also includes all translations out of all languages into English printed abroad before 1641. Because this searches for translations of documents, the resulting pages are more information about documents rather than the documents themselves. ==Richard Brome Online== http://www.hrionline.ac.uk/brome/ An online edition of the collected works of Richard Brome. Available in side-by-side comparison between modern and quarto texts, this edition is also searchable. ==Stuart London Project== http://www.hrionline.ac.uk/strype The aim of this project was to create a full-text electronic edition of seventeenth-century historian John Strype’s two-volume Survey of London. The edition is searchable and available page-by-page with separate links to included maps and illustrations. Notes to the text are included in the margins. ==Smithsonian Digital Volunteers: Transcription Center== http://transcription.si.edu The Smithsonian is crowd-sourcing transcription efforts to make its collection much more freely available via the internet. Transcriptions are available side-by-side with original document view in a searchable interface. ==Whites Writing Whiteness== http://www.whiteswritingwhiteness.ed.ac.uk Hosted by the University of Edinburgh, The WWW campaign is dedicated to explicating the theme of whiteness in South Africa. They are doing this via the transcription and analysis of letters contained in approximately fifty South African family-based archive collections. They then utilize a Virtual Research Environment (VRE) to analyze the meta-data tagged with each of these letters. The project is still in progress and the transcription database is not available online.