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No surprise, then, that Josie seems perpetually lacerated with impatience and self-doubt, vacillating between a restless urge to keep moving and a weariness with life on the road. She's the very embodiment of the pull between freedom and domesticity, independence and roots that animates the work of so many American novelists, from John Updike to Jonathan Franzen.
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That bone-deep knowledge of a child’s relationship with a parent informs Mr. Eggers's portraits of Paul and Ana, and their love for and dependence upon Josie — by far the strongest and most deeply affecting parts of this absorbing if haphazard novel. They have an assortment of nice-scary-weird encounters with people they meet along the way.
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