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“A stirring demonstration of love and respect”
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Lots of Violins, the DVD
Prom 25: BBC Symphony Orchestra
Pass the baton! Meet the new Proms conductors shaking up classical music
First Night of the Proms review: a delightful shared experience with some surprises
First Night of the Proms 2021, Royal Albert Hall, review
Stasevska makes powerful Philharmonic debut with two modern American classics
A Refreshing, Notable Debut at the New York Philharmonic
Dalia Stasevska captivates Seattle in Hailstork, Bartók and Dvořák
Prom 8, Kozhukhin, BBCSO, Stasevska review - Russian classics meet contemporary Iceland
Review: An Audition Season Begins at the Philharmonic
Dalia Stasevksa on conducting the First and Last Nights of the Proms
And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.
Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor
Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.
Conductor Dalia Stasevska: Music That Changed Me
Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra
Review: At the Philharmonic, Contemporary Is King for a Week
Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.
Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about
As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.
Review: At the Philharmonic, Contemporary Is King for a Week
Finnish conductor established 'French connection'
Announcing Dalia's 2022-23 Season
With eleven debuts around the world!
KARITA MATTILA AND DALIA STASEVSKA AT FINNISH NATIONAL OPERA & BALLET
Karita Mattila and Dalia Stasevska join forces for a very special production
DALIA DEBUTS WITH SEATTLE SYMPHONY ORCHESTRA AND RETURNS TO NAC ORCHESTRA
Dalia Stasevska returns to North America for her debut with Seattle Symphony
DALIA STASEVSKA AND LEILA JOSEFOWICZ IN A CONCERT WITH OSLO PHILHARMONIC ORCHESTRA
Dalia Stasevska returns to the Oslo Philharmonic to explore a Musical Solar System
DALIA BESTOWED THE ORDER OF PRINCESS OLGA
Dalia Stasevska has been bestowed the Order of Princess Olga of the III degree
DALIA DEBUTS WITH NEW YORK PHILHARMONIC ORCHESTRA
Dalia Stasevska makes her debut with the New York Philharmonic in four concerts
DALIA DEBUTS WITH BALTIMORE SYMPHONY ORCHESTRA
Dalia Stasevska returns to the USA for her debut with the Baltimore Symphony Orchestra
DALIA OPENS THE 2021/22 SEASON AS CHIEF CONDUCTOR OF LAHTI SYMPHONY ORCHESTRA
Dalia Stasevska begins her tenure as Chief Conductor of Lahti Symphony Orchestra
DALIA STASEVSKA CONDUCTS THE FIRST NIGHT OF THE 2021 PROMS
Dalia Stasevska, Principal Guest Conductor to the BBC Symphony Orchestra returns to Royal Albert Hall
DALIA STASEVSKA DEBUTS WITH SEOUL PHILHARMONIC ORCHESTRA
Dalia Stasevska makes her Korean debut with Seoul Philharmonic Orchestra
DALIA STASEVSKA WINS THE 2020 ROYAL PHILHARMONIC SOCIETY CONDUCTOR AWARD
Dalia Stasevska has been awarded the Royal Philharmonic Society’s 2020 Conductor Award
DALIA STASEVSKA CONDUCTS BBC SO 90TH ANNIVERSARY BROADCAST
a live concert conducted by the orchestra’s Principal Guest Conductor, Dalia Stasevska.
A LAST NIGHT OF THE PROMS LIKE NONE OTHER TO STAR DALIA STASEVSKA & GOLDA SCHULTZ
Dalia will return to the orchestra a number of times this autumn including the Barbican this December.
DALIA STASEVSKA TO BECOME CHIEF CONDUCTOR OF THE LAHTI SYMPHONY ORCHESTRA FROM THE 2021/22 SEASON
Dalia Stasevska has been appointed Chief Conductor to the Lahti Symphony Orchestra
DALIA STASEVSKA DEBUTS WITH NAC ORCHESTRA AND DETROIT SYMPHONY ORCHESTRA
Dalia Stasevska makes her Canadian debut with National Arts Centre Orchestra (Ottawa)
DALIA STASEVSKA DEBUTS AT KUNGLIGA OPERA STOCKHOLM
Dalia Stasevska debuts with Kungliga Opera Stockholm conducting Mozart’s Don Giovanni
DALIA STASEVSKA JOINS BBC SYMPHONY ORCHESTRA AS ITS NEW PRINCIPAL GUEST CONDUCTOR
Dalia Stasevska is appointed as the BBC Symphony Orchestra​’s new Principal Guest Conductor.
DALIA STASEVSKA CONDUCTS HELSINKI PHILHARMONIC ORCHESTRA
Dalia Stasevska gives her subscription debut with Helsinki Philharmonic Orchestra
DALIA STASEVSKA DEBUTS WITH SWEDISH RADIO ORCHESTRA
Dalia Stasevska debuts with Swedish Radio Symphony Orchestra
DALIA STASEVSKA DEBUTS WITH GOTHENBURG SYMPHONY ORCHESTRA
On 24 May Dalia Stasevska makes her debut with Gothenburg Symphony Orchestra
CONDUCTOR DALIA STASEVSKA SIGNS TO HARRISONPARROTT
HarrisonParrott welcomes Finnish conductor Dalia Stasevska to its roster for worldwide general management.
Jackson Hole News & Guide
She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
The New York Times
"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
The New York Times
New York Classical Review
Stasevska led what might have been the finest performance this piece has ever had.
The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
She’s a real find, making her UK debut with an orchestra clearly having a ball.