كلون
[[فيشي:Clown chili peppers.jpg|تصغير]]
'''لكلون''' ؤلا '''لموهرّيج''' (ب [[نݣليزية|نّڭليزية]] '''Clown''') هوّا واحد شّخص لي كيدير [[ماكياج]] خاص ؤ حوايج مبرّقين ب لّوان، باش يدير عرض ديال ل[[كوميديا]] ؤ يضحّك عباد الله.<ref>{{cite journal
|last1=روجرز
|first1=فيليس
|date=1980
|title=My Favorite Foods are Dr Pepper, Collard Greens, and Pizza. I'm sure I'll Be a Good Clown
|url=https://repository.upenn.edu/cgi/viewcontent.cgi?article=1090&context=svc
|department=ScholarlyCommons
|journal=Studies in Visual Communication
|publisher=[[لجامعة د پنسلڤانيا]]
|volume=6
|issue=1
|pages=44–45
|doi=10.1111/j.2326-8492.1980.tb00116.x
|access-date=11 يوليوز 2022
|quote=Your face was your fortune, and to copy another man's face without his permission was theft, punishable by ostracism. Every man had some kind of special trick which made his makeup look perfect...The old clowns feel that the quickest and easiest way for a person to distinguish between a clown and a person in makeup is the clown's ability to make his face move...The old clowns say that anyone can apply greasepaint to his face but very few practitioners of the art of clowning ever acquire the skill to make their faces move.
}}</ref><ref>{{cite journal
|last1=باطلر
|first1=لوريل
|date=مارس 2012
|title='Everything seemed new': Clown as Embodied Critical Pedagogy
|url=https://repository.upenn.edu/svc/vol6/iss1/7/
|journal=Theatre Topics
|publisher=Johns Hopkins University Press
|volume=22
|issue=1
|pages=63–72
|doi=10.1353/tt.2012.0014
|archive-url=https://web.archive.org/web/20220526134607/https://repository.upenn.edu/svc/vol6/iss1/7/
|archive-date=2022-05-26
|access-date=11 يوليوز 2022
|quote=Italian clown pedagogue Giovanni Fusetti proposes...conceiving of clown as a state of being...'a state of playing where everyone has access to the key question: what is so funny about myself?' Lecoq describes entering into ‘the clown dimension,' which requires 'a state of openness, entirely without defense...a state of reaction and surprise' (146). John Wright...[says] 'the state of bafflement that we see in clown...as a common state of humanity...Clown reminds us that, deep down, we're all in exactly the same bemused state' (218). John Flax (2009)...says that, for Lecoq, 'theatrical clown was just about finding that basic state of vulnerability and allowing the audience to exist in that state with you...A clown state is a state of innocence and poetry and naivety that allows the audience to draw their own conclusions. That’s the state that you bring them to, and they'll make the connections or not, but they love to be in that state because we don't go there very often. It's a state of anti-intellectualism, a kind of pure emotion.'
|url-status=unfit
}}</ref><ref>{{cite journal
|last1=Keisalo
|first1=Marianna
|date=24 مارس 2017
|title='Picking People to Hate': Reversible reversals in stand-up comedy
|url=https://journal.fi/suomenantropologi/article/view/63057
|journal=Suomen Antropologi
|volume=41
|issue=4
|pages=62
|access-date=11 يوليوز 2022
|quote=Reversals, broadly defined as switching to the opposite of what is considered 'the normal order' ... Reversals are an important aspect of the performance of many ritual clown figures (Keisalo-Galvan 2011; Steward 1991 [1929]) as well as more everyday instances of clowning and humor (e.g., Basso 1979).
|archive-url=https://web.archive.org/web/20230213085034/https://journal.fi/suomenantropologi/article/view/63057
|archive-date=2023-02-13
|url-status=live
}}</ref><ref>{{cite book
|last=Double
|first=Oliver
|date=2014
|chapter=Licence
|title=Getting the Joke: the inner workings of stand-up comedy
|others=Quote by [[Stewart Lee]]
|edition=2nd
|location=New York
|publisher=Bloomsbury Methuen Drama
|page=264
|isbn=978-1-4081-7460-9
|quote=According to Stewart Lee, 'By reversing the norms and breaking the taboos, the clowns show us what we have to lose, and what we might also stand to gain, if we stand outside the restrictions of social convention and polite everyday discourse.'
}}</ref> لأصل ديال لكلون كيرجع ل [[سلالة 5 (مصر لقديمة)|سّلالة لملكية لخامسة]] ف [[مصر لقديمة]]، ف جوايه [[لألفية 3 قبل لميلاد|2400 قبل لميلاد]].<ref name="Bala2010">{{cite journal
|last1=بالا
|first1=مايكل
|date=2010
|title=The Clown: An Archetypal Self-Journey
|journal=Jung Journal: Culture & Psyche
|volume=4
|issue=1
|pages=50–71
|doi=10.1525/jung.2010.4.1.50
|jstor=10.1525/jung.2010.4.1.50
}}</ref>
{{Commons category|Clowns}}
== مصادر ==
{{عيون}}

{{ضبط مخازني}}

[[تصنيف:كلون| ]]
[[تصنيف:كوميديا]]
[[تصنيف:سيرك]]
[[تصنيف:مقالات فيها مصدر و 3000 بايت]]
تصغير
لكلون ؤلا لموهرّيج (ب نّڭليزية Clown) هوّا واحد شّخص لي كيدير ماكياج خاص ؤ حوايج مبرّقين ب لّوان، باش يدير عرض ديال لكوميديا ؤ يضحّك عباد الله. لأصل ديال لكلون كيرجع ل سّلالة لملكية لخامسة ف مصر لقديمة، ف جوايه 2400 قبل لميلاد.

 مصادر 

 
تصنيف:كوميديا
تصنيف:سيرك
تصنيف:مقالات فيها مصدر و 3000 بايت