Good Cop, Dadaist Cop
Good Cop, Dadaist Cop
[Two police officers, a bald male and a Ponytail, both wearing peaked caps with white emblems, are standing in front of a window in a wall, with an electric socket in the bottom right corner. They look through the window into an interrogation chamber holding the handcuffed suspect Hairy, who is sitting on a chair. A lamp with the bulb beneath the shade hangs over Hairy. The lamp is lit as shown by lines indicating the lamp shines light.] Male officer: All right, let's try Good Cop, Dadaist Cop.
[The male police officer is seated in front of Hairy on another chair holding a hand with palm up in front of him. Hairy has his cuffed hands in his lap and his hair is in disarray.] Male officer: Look, you're a good guy. We can work this out. Hey, lemme get us some coffee.
[In a slim frame-less panel the male officer leaves and Ponytail enters carrying a rolled up paper in her hand.]
[Ponytail walks in holding the folded out paper out in one hand while pointing at it with the other hand. It is a document of indeterminate contents, but there are both text and figures on it. She threatens Hairy who pulls his leg up under him and hold his cuffed hand up in front of him leaning back away from her while three drops of sweat fly of the top of his head.] Ponytail: See this? It's Mark Zuckerberg's mortgage. Ponytail: So why is it written in Church Latin?
[Ponytail physically rattles Hairy's head holding it in both hands, lines around his heads and below her elbow show the movement. Hairy has his hands straight in front of him.] Ponytail: WHY ARE MY BONES SO SMALL? Hairy: What's WRONG with you?! Ponytail: What's wrong with ART?

This comic is a play on the well known Good Cop/Bad Cop (where one interrogator is nice and friendly and the other is mean and intimidating) police interrogation strategy and the artistic movement Dadaism .
Dadaism is an artistic movement which by its definition is irrational. The movement embraces the free flow of unreasoned thought and prizes nonsense and rejection of established norms. As such, the entire concept of "Good Cop, Dadaist Cop" could be considered a dadaist concept in itself.
"Good Cop/Bad Cop" is a psychological tactic that may be employed during joint questioning or interrogation. The interrogators isolate the suspect, then one of the interrogators acts aggressively and threatens the suspect (the "bad cop") and the other acts friendly and helpful in comparison, offering the suspect reassurance and protection from the bad cop if they co-operate (the "good cop").  If successful, it deceives the suspect into believing they must choose to trust one of the interrogators and the suspect chooses to co-operate with the good cop, or merely complies out of fear of the bad cop.
The comic starts with the "Good Cop", the male police officer, and the "Dadaist Cop", Ponytail , working out their plan to interrogate the suspect, Hairy . After the Good Cop makes a few statements, intended to build trust with Hairy, and leaves to get coffee, Ponytail enters the interrogation and starts asking Hairy absurd questions. Hairy quickly becomes agitated, and questions what is wrong with Ponytail. Ponytail responds "What's wrong with ART?", which could suggest she believes the interrogation is artwork and should not be questioned. On the other hand, actual responses would break the Dadaism pattern.
Good Cop/Bad Cop hinges on the suspect's fear and distrust of the intentions of the bad cop; thankfully for the police, Ponytail's "Dadaist Cop" seems to be a successful Bad Cop too, judging by the suspect's fear of her irrational, unpredictable, and potential crazy behavior (not to mention loud and aggressive mannerisms).
The title text builds on the joke as by asking a suspect to give the whereabouts of the money in a dadaist manner, which would be completely useless in finding it.  Such a statement could be used as a confession though.
[Two police officers, a bald male and a Ponytail, both wearing peaked caps with white emblems, are standing in front of a window in a wall, with an electric socket in the bottom right corner. They look through the window into an interrogation chamber holding the handcuffed suspect Hairy, who is sitting on a chair. A lamp with the bulb beneath the shade hangs over Hairy. The lamp is lit as shown by lines indicating the lamp shines light.] Male officer: All right, let's try Good Cop, Dadaist Cop.
[The male police officer is seated in front of Hairy on another chair holding a hand with palm up in front of him. Hairy has his cuffed hands in his lap and his hair is in disarray.] Male officer: Look, you're a good guy. We can work this out. Hey, lemme get us some coffee.
[In a slim frame-less panel the male officer leaves and Ponytail enters carrying a rolled up paper in her hand.]
[Ponytail walks in holding the folded out paper out in one hand while pointing at it with the other hand. It is a document of indeterminate contents, but there are both text and figures on it. She threatens Hairy who pulls his leg up under him and hold his cuffed hand up in front of him leaning back away from her while three drops of sweat fly of the top of his head.] Ponytail: See this? It's Mark Zuckerberg's mortgage. Ponytail: So why is it written in Church Latin?
[Ponytail physically rattles Hairy's head holding it in both hands, lines around his heads and below her elbow show the movement. Hairy has his hands straight in front of him.] Ponytail: WHY ARE MY BONES SO SMALL? Hairy: What's WRONG with you?! Ponytail: What's wrong with ART?
